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Music News

Festival NewsMusic News

THE KOOKS AUSTRALIAN TOUR DATES

by the partae September 29, 2022
written by the partae

Tuesday 4th October 2022 – Fortitude Music Hall, Brisbane

Thursday 6th October 2022 – Festival Hall, Melbourne

Wednesday 12th October 2022 – Enmore Theatre, Sydney (SOLD OUT)

Thursday 13th October 2022 – Enmore Theatre, Sydney

TOUR ART

BUY TICKETS

The Kooks will be touring Australia this October for their Inside In / Inside Out 15th Anniversary Tour, presented by Untitled Group & XIII Touring.

Celebrating 15 glorious years since the release of the timeless multi-platinum ‘Inside In / Inside Out’, The Kooks will hit the road to perform their iconic debut studio album in its entirety, alongside other career-spanning tracks. Taking place in October, they’ll be performing in Brisbane, Melbourne and Sydney whilst they’re in Australia for Grapevine Gathering Festival, taking place at wineries around the country.

Over the years, The Kooks have established themselves as mainstays on the UK indie-pop scene, amassing over 1 billion streams, with anthems such as ‘She Moves In Her Own Way’, ‘You Don’t Love Me’, ‘Ooh La’ & ‘Naive’.

The band recently released their sixth studio album ‘10 Tracks To Echo In The Dark’ which they will also be performing on tour. The new album amassed 1.6 million streams globally in week 1 of the release, and The Kooks currently boast 2.3 million Spotify followers and 6.1 million Spotify monthly listeners.

With a legion of new fans discovering the band in recent years, this has led to appearances at the biggest festivals in Australia such as Beyond The Valley, Splendour In The Grass, & Lost Paradise, along with numerous sold-out headline tours across the country.

With support from The Vanns, a true powerhouse of modern-day rock & roll, brace yourself for an evening full of hits and a party with The Kooks.

Tickets On Sale Now: https://bit.ly/kooks-tix

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September 29, 2022 0 comments
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Festival NewsMusic News

Paul Kelly’s ‘Making Gravy’ concert returns this December

by the partae September 28, 2022
written by the partae

The festive concert returns this December with special guests Amyl and the Sniffers, The Beths (NZ) and Alex The Astronaut


  • Paul Kelly announces his annual Making Gravy concert, taking place Friday 9 December at Melbourne’s Sidney Myer Music Bowl
  • Kelly is a 17 x ARIA Award winner and has been nominated 61 times – the most nominated Australian artist in ARIA history
  • Tickets on sale Wednesday 5 October


Who’s gonna make the gravy with Paul Kelly this year? Back by popular demand and now in its fourth incarnation, Kelly’s annual Making Gravy concert returns to Melbourne’s Sidney Myer Music Bowl on Friday 9 December. Kick off the festive season with a night celebrating songs from Kelly’s four decade-long, critically acclaimed career… including, of course, his 1996 classic ‘How To Make Gravy’, a song five minutes long, with no chorus, and set in jail.

For 2022’s musical feast Kelly will be joined on stage by three of Australia and New Zealand’s finest musical exports: Melbourne outfit Amyl and the Sniffers, Auckland four-piece The Beths, and Sydney singer/songwriter Alex The Astronaut.

Frontier Members can access the pre-sale from Monday 3 October (1pm local time), before tickets go on sale to the general public on Wednesday 5 October (1pm local time) via frontiertouring.com/makinggravy. Secure your tickets early to avoid missing out!

One of Australia’s most revered musicians, Paul Kelly holds the prestigious title of an Officer of the Order of Australia for his distinguished service to the arts. Inducted into the ARIA Hall of Fame in 1997, Kelly is a 17 x ARIA Award winner and has been nominated 61 times during his illustrious career, making him the most nominated Australian artist in ARIA history. Renowned as one of our greatest performers and songwriters, Kelly’s willingness to take the road less travelled has played an important part in keeping the flame burning in his own songs, tracks that have soundtracked a nation: ‘From St Kilda to King’s Cross’, ‘Leaps and Bounds’, ‘To Her Door’, ‘Before Too Long’, ‘The Ballad of Queenie and Rover’, ‘They Thought I Was Asleep’, ‘Deeper Water’, the unforgettable Kev Carmody co-write ‘From Little Things Big Things Grow’… and countless more.

With the 21st of December now unofficially known as ‘Gravy Day’, ever since Kelly first debuted his first Making Gravy concert series way back in 2017 fans have been witness to a truly special night. Alongside his many hits and special guests, Kelly also performs a few of his favourite Christmas odes… several of which he captured in 2021’s extraordinary 22-song double collection Paul Kelly’s Christmas Train. From folk, classical, soul, carols, hymns, rock and roll, don’t miss this special, one-off live event!

Making Gravy 2021 – Photo by Mushroom Creative House

Twelve months ago, their album Comfort To Me propelled them into the stratosphere and now Melbourne punkers Amyl and the Sniffers return to the Bowl for Making Gravy! The band sold out venues across the globe in 2022, from legendary stages such as the Brixton Academy (UK) to festivals Coachella, Primavera, and more. In early September, Amyl… dropped Live at Forum Theatre on YouTube – watch the blistering clip here. Currently on the road in North America, the ‘Hertz’ rockers return to Europe this month before wrapping up a huge year of gigs with a show in Glasgow. Melbourne: it’s time to welcome Amyl and the Sniffers home.

Auckland four-piece The Beths are riding high on the recent release of their third and best album to date, Expert In A Dying Field, which debuted at #1 in New Zealand this week. Elizabeth Stokes (vocals/guitar), Jonathan Pearce (guitar), Benjamin Sinclair (bass), and Tristan Deck (drums) imbue singles such as the ear worm ‘Knees Deep’ with brimming, electric confidence – think cerebral indie-rock-meets-power pop. Praised by international outlets such as NME, Paste, Stereogum (who named Expert… Album of the Week) and more, The Beths “fully deserve every accolade they will no doubt receive with this album”, reckons Bandcamp, in their glowing 9/10 album review.

Sydney 26-year-old Alex The Astronaut will open proceedings on the night, charming audiences with her trademark lyrics, idiosyncratic humour, and radiantly detailed slices of life. 2022 album How to Grow A Sunflower Underwater debuted at #4 on ARIA’s Australian Album chart, Alex documenting moments of both the seemingly mundane – from a haircut, a therapy session, a trip to the beach and to the supermarket – to the utterly life-changing. In between performing sold-out headline shows across Australia in 2022 Alex has graced festival stages including Primavera Sound, The Great Escape, and Splendour in the Grass… where she performed her latest single, ‘Ride My Bike’.

Making Gravy has become an unmissable live music experience on Melbourne’s calendar. Christmas has come early with this unbeatable line-up: grab your tickets and don’t miss out!


PAUL KELLY
​MAKING GRAVY
​DECEMBER 2022
​Presented by Frontier Touring


FRONTIER MEMBERS PRE-SALE 
​via frontiertouring.com/makinggravy
​
Runs 24 hours from: Monday 3 October (1pm local time)
​or until pre-sale allocation exhausted

GENERAL PUBLIC ON SALE
​Begins: Wednesday 5 October (1pm local time)


Friday 9 December
​Sidney Myer Music Bowl | Melbourne, VIC
​
Licensed All Ages
​Ticketek.com.au | Ph: 132 849

paulkelly.com.au | facebook.com/paulkellyofficial
​
Twitter @paulkelly | Instagram @paulkellyofficial
​
Spotify | iTunes | YouTube

amylandthesniffers.com | facebook.com/amylandthesniffers
​
Twitter @amylandsniffers | Instagram @amylandthesniffers
​Spotify | iTunes | YouTube

thebeths.com | facebook.com/thebethsnz
​Twitter 
@thebeths | Instagram @thebeths
​Spotify
 | iTunes | YouTube

alextheastronaut.com | facebook.com/alextheastronaut
​
Instagram @alex.the.astronaut | Spotify | iTunes | YouTube

frontiertouring.com/makinggravy | facebook.com/frontiertouring
​
Twitter @frontiertouring | Instagram @frontiertouring

September 28, 2022 0 comments
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Festival NewsMusic News

NOFX ANNOUNCE NEW FULL-LENGTH “DOUBLE ALBUM”

by the partae September 28, 2022
written by the partae

FIRST SINGLE
“DARBY CRASHING YOUR PARTY”
NOW STREAMING ONLINE

DOUBLE ALBUM PRODUCED BY
BILL STEVENSON & JASON LIVERMORE
(BLASTING ROOM)

IN STORES AND ONLINE
VIA FAT WRECK CHORDS
ON FRIDAY, DECEMBER 2
WITH PRE-ORDER AVAILABLE NOW

NOFX TOURING AUSTRALIA THIS DECEMBER
AS PART OF GOOD THINGS FESTIVAL

 Photo credit: Susan Moss

NOFX dropped Single Album last February, and now the second half of the double album, appropriately titled Double Album, will be released on December 2nd. It boasts ten songs and is available for pre-order now. Plus, because we’re not monsters, you can hear the first single, “Darby Crashing Your Party,” on any digital service provider.

LISTEN TO “DARBY CRASHING YOUR PARTY”

PRE-ORDER DOUBLE ALBUM

What better way to celebrate an album release than a tour. NOFX will be in Australia as part of Good Things Festival kicking off on December 2 this year (album release day). Full details below.

At this point in your career, why do a double album?

“I wish I knew,” the fat one offers, almost confounded why anyone would ever ask him that question in the first place. “OK. I mean, we have a lot of records. I’m not sure how many, let’s call it 15 with 10 more EPs and 65 7″s. I wanted to do a double album cuz there are no good ones out there. Pink Floyd’s The Wall is about it. Quadrophenia is OK, I guess, if you’re a Who fan. Definitely not [The Beatles’] White Album. I don’t think anybody else has made good double albums. Certainly not Husker Du, Minutemen, or Smashing Pumpkins.

“I really like Single Album a lot, but the songs on Double Album aren’t quite up to scratch. All these songs were recorded at the same time, except this one was finished two years later. I think it’s a very enjoyable album, and maybe our funniest. I think it is what a lot of our fans will want to hear and it’s a great side three and four for a double album. I accomplished my goal of making a solid double-album, but it just took a lot longer than I expected.”

Reuniting with punk-rock legends Bill Stevenson and Jason Livermore for producer/engineering duties, it’s not hyperbolic to say NOFX are making their best music now. But that’s not to imply everything else they’ve done was crap, either. But Double Album reminds both ardent fans and casual listeners that NOFX weren’t born to follow trends. Indeed NOFX—Fat Mike, guitarists Eric Melvin and El Hefe, and drummer “Smelly” Eric Sandin—have carved their logo into the veneer of punk-rock culture for decades. With nearly 40 years in this circus, you’ll meet people and do/see/conspire to get all the wildest shit done. Remember how one of the stipulations of the NOFX book Hepatitis Bathtub was that none of the band members could see what the other ones were writing about them? Well, this time, Mike got permission to blow up the foibles and peccadillos of people in song for maximum velocity and hilarity.

There’s “Joanna Constant Teen,” a 78-second tribute to the dominatrix that spent six weeks in Mike’s NYC-based Airbnb during the production run of his musical, Home Street Home. (“She just moved in and played with me every night. She’d be like, ‘Mike; it’s time to write another song. Get started, or you know what will happen!’ That was really cool. Obviously, I didn’t write that much.”) “Alcopollack” is about booking agent David Pollock, who has worked with the band for over 30 years and has lost more than his fair share of clients for his too-brazen honesty. (“I asked him if it was OK if we put this on the album, and he’s like, ‘Yeah sure, it’s mean but funny.'”) “Fuck Day Six” is a story detailing the time Mike cleaned out (pun sorta intended) in a rehab run by Buddhists, with plenty of name (and deuce) dropping. (“Anybody who has gotten off of opiates knows what ‘day six’ means.”) “Is It Too Soon If Time Is Relative” is a hilarious ‘n’ cruel takedown of the acclaimed author/physicist Stephen Hawking. (“I wrote that before he died,” is Mike’s mea culpa. “It’s not quite as funny anymore. I wanted him to hear it.”)

Naturally, Mike has made a career drilling and riveting the word “self” into “self-deprecation,” and he’s sure as hell not going to stop now. With such future classics as “Darby Crashing Your Party?,” “Punk Rock Cliche,” the song that got dropped off the Blink album California after the band found out that Skiba co-wrote it with Fatty (Although it was their favourite song). Mike also admits that the Blink version of the song was better), and the too-real, too-bittersweet, too-funny tracks “My Favorite Enemy” and “Don’t Count On Me,” he’s still ready to take a cream pie to the face, even if it has broken glass and sharpened nails in it.

“You have to laugh at everything,” Mike reveals, “because the world is just falling apart and you have to have a good attitude not to take things seriously. So this is how I’ve always done it. I make people laugh every day. I usually do it in a self-deprecating way, it’s just how I go through life: I have as much fun as I can. That’s what life is—trying to find all the happiness you can. And spreading happiness. Which is what I feel like is supposed to be my job in life—spreading joy.” The determination to continue making compelling music, keeping the bar high for punk, and doing the best thing for their punk-rock legacy, makes NOFX simply unstoppable. Double Album is filled with moods, tales, and tempos slightly faster than an ice-road trucker backsliding down a hill. What’s their secret? Quite simply, NOFX isn’t half-assing anything.

Mike laughs. “I full-ass everything. Literally.”

GOOD THINGS FESTIVAL 2022

Friday December 2, Flemington Racecourse – Melbounre
Saturday December 3, Centennial Park – Sydney
Sunday December 4, Showgrounds – Brisbane

TICKETS ON SALE NOW

September 28, 2022 0 comments
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Music News

Willaris. K Shares ‘Double Demerits/Harsh’ + On Tour

by the partae September 28, 2022
written by the partae
Photo Credit: Justin Ridler
HEADLINE TOUR KICKED OFF IN BRISBANE
SYDNEY, MELBOURNE, PERTH + HOBART STILL TO COME! 
Willaris. K’s highly anticipated headline tour has kicked off and to celebrate, Soothsayer are sharing two-track release ‘Double Demerits/Harsh’ – a package that smoothly transitions from rave to sunrise kick-ons.

Beautifully chaotic, ‘Double Demerits’ is a fast-paced piece of melodic techno, featuring a playful lead synth and industrial, laser-like textures. Entirely self-produced, with mixing by Ewan Pearson (Chemical Brothers, MOBY, Depeche Mode), Willaris. K says of the track:

“‘Double Demerits’ is a song I made at the start of the year after playing some summer festivals. It felt so good to be back and this is a reflection of that. It’s about going fast, figuratively.” 

‘Harsh’ comes in perfect juxtaposition. Titled with a taste of irony, the melancholic ambient offering is a dreamy sunrise soundtrack; from comedowns to morning meditation, whatever your flavour may be.

“‘Harsh’ is the song I’ve listened to most of all the songs I’ve made in the last two years,” he admits. “A bit of a healing song that I hope does the same for others.” 

WATCH: Willaris. K – ‘Double Demerits’ [Official Visualiser]
‘Double Demerits/Harsh’ follows Willaris. K’s recent singles ‘Slow Down’ and ‘Melt’, which collectively saw a triple j premiere, adds to dance and electronic tastemaker playlists across Spotify, Apple Music and Amazon Music, plus support from Pilerats, Purple Sneakers, Stoney Roads and The Music.

This run of recent releases marks a new chapter for Willaris. K. His last complete bodies of work, 2020’s LUSTRE and FULL NOISE EPs, featured remixes from Skin On Skin, Model Man and Boys Noize and were met with praise from BBC Radio 1, triple j, Mixmag, The Guardian UK, and Beats 1, Stereogum, NME and Earmilk, among other global tastemakers.

‘Double Demerits/Harsh’ arrives as Willaris. K continues on his biggest headline tour yet, with anticipated sets at Sydney’s The Roundhouse this Friday, Melbourne’s Forum, Perth’s Freo Social and Hobart’s Altar still to come, following an incredible Brisbane appearance.

‘Double Demerits’ is sure to make a show stopping debut in Willaris. K’s live set, while ‘Harsh’ is the mellow ease into your Uber ride home.

WILLARIS. K MELT / SLOW DOWN TOUR 
Presented by Laneway and Handsome Touring
+ special guests

Tickets available via willarisk.com/tour

Fri 30 Sep | The Roundhouse | Sydney, NSW
Fri 7 Oct | Forum | Melbourne, VIC
Fri 21 Oct | Freo Social | Perth, WA
Fri 28 Oct | Altar | Hobart, TAS

Willaris. K – ‘Double Demerits/Harsh’

Out now through Soothsayer

Listen/watch here

September 28, 2022 0 comments
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Music News

The Temper Trap team up with Budjerah, Ngaiire and Gretta Ray

by the partae September 28, 2022
written by the partae
WATCH: Budjerah, Ngaiire and Gretta Ray’s cover of The Temper Trap’s hit single ‘Sweet Disposition’ recorded for The Sound.
Liberation Records are proud to give an official release to Budjerah, Ngaiire and Gretta Ray’s cover of The Temper Trap’s hit single ‘Sweet Disposition’. Originally recorded for The Sound, the track is an anthemic rendition, highlighting each of the artist’s vocals and swirling into a grandiose chorus. All proceeds from the single will be donated to The Yiriman Project – an Indigenous organisation operating in the Kimberleys that works tirelessly to prevent youth suicide in community. All money raised goes directly into programs devoted to helping Aboriginal youth in the region by taking them ‘back to Country’ in the company of their Elders, where they can begin to reconnect with their culture and strengthen their sense of identity.

The release also coincides with The Temper Trap’s live return, performing the track at the AFL Grand Final over the weekend, joined by Budjerah and Ngaiire for the special performance. The band are also set to support Kings of Leon on their Australian national tour this October.

The Temper Trap: “We’re really happy to see this fantastic cover get an official release and even happier to see all the proceeds going to the Yiriman Project. They do an amazing job working with Indigenous youth and we’re honoured to be aiding their important work.” 

Ngaiire: “What a wild way to release this track, off the back of performing at the MCG with The Temper Trap and Budjerah. So happy we get to release this to raise money for The Yiriman Project.”

Gretta Ray: “Getting to sing alongside the Yavusa Choir and the two powerhouse voices of Ngaiire and Budjerah was such an honour. We covered this song as a tribute to Michael Gudinski, which made performing such a timeless, classic Australian song feel all the more special. I love the spectacular venue we filmed this performance in in Sydney, and I love that a year later the cover is having another moment at the AFL Grand Final! I’m so grateful to have been involved in this.” 

Budjerah: “I’m so excited for this song to be out! Feels really special.” 

THE TEMPER TRAP LIVE DATES 
(supporting Kings Of Leon)
Sun 23 Oct | Spark Arena | Auckland NZ
Mon 24 Oct | Spark Arena | Auckland NZ
Sat 29 Oct | Mildura Sporting Precinct | Mildura VIC
Mon 31 Oct | Qudos Bank Arena | Sydney NSW
Wed 2 Nov | Brisbane Entertainment Centre | Brisbane QLD
Sat 5 Nov | Sidney Myer Music Bowl | Melbourne VIC
Sun 6 Nov | Sidney Myer Music Bowl | Melbourne VIC
Wed 9 Nov | RAC Arena | Perth WA

 

Budjerah, Ngaiire, Gretta Ray – ‘Sweet Disposition’

Out now through Liberation Records

Listen/watch here

September 28, 2022 0 comments
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Festival NewsMusic News

Fall Head Over Heels In Love With Indie-Folk Duo McDermott & North’s Nostalgic New Single ‘Elope’

by the partae September 28, 2022
written by the partae

Previous Support for McDermott & North

“this is such feel good 60s tinged pop that backs up the positive spin on bad stuff happening message with a sunny sounding song.”
4 / 5 (Declan Byrne, Triple J) [About ‘All Things Come And Go’]

“After jamming out to ‘All Things Come and Go’ for months, I thought I’d better explore the McD & N back catalogue, and I’m not disappointed! This is gorgeous, and just affirms my love for McDermott & North! These guys are all class.”
(Lachie Pringle, Triple J) [About ‘All Things Come And Go’]

“Definitely hearing the Kinks influence here. I can’t give higher praise than that. Really lovely classic songwriting: a little bit sunny, a little bit wistful, a joy to have in the ears.”
(Dan Condon, Triple J) [About ‘All Things Come And Go’]

“Patrick McDermott and Rhys North, have spent the past number of years carving out a sound that feels both grounded and explorative; it’s rooted in an earnest kind of folky warmth, but stretches into spaces of pure melodic ecstasy. Seriously, these guys really know how to write a chorus.”
(Happy Magazine)

“Clearly dedicated to the preservation of the song…”
(Gary Crowley, BBC Radio)

“A slice of gorgeous, blissful pop”
(Mark Rogers, RNZ)

Stream ‘Elope’ 

Beloved indie folk songwriters McDermott & North are back with their heartfelt sounds, this time with a sweet and sophisticated plea to marry a lover in their new single ‘Elope’. It’s guaranteed to charm from the moment it waltzes through the airwaves on September 28.

The talented songwriting duo have been winning hearts around the East Coast with their busking performances and beautiful songs since 2016, from which time their dedicated fanbase has amassed and only continues to grow. Their charismatic music making has likewise caught the attention of artists Ben Lee and Alex Lloyd, and consequently invited them to support on their separate tours. Stages at Bluesfest, TEDX Talks Brisbane and Bigsound have also showcased the pair in 2019, and they’ve two sold-out headline shows in their hometown – just to name a few.

The innocently earnest ‘Elope’ is sure to once again melt hearts, as Patrick McDermott and Rhys North do so well, with this release being their second for the year after the swaying 60s-inspired tune, ‘All Things Come And Go’.

This considered and carefully-crafted song is set to evoke nostalgic memories of that sweet, innocent feeling of being so hopelessly in love that you’re ready to abandon everything and tie the knot. Weaving through romantic invitations to escape into the sunset, declarations of love and heading down the aisle, ‘Elope’ charms all the way through with beautiful harmonies that glide effortlessly to a climactic final chorus, pirouettes through waves of strings before landing gracefully on an impressive baritone outro.

“Elope” was written during Patrick McDermott’s first real relationship. It’s about vulnerability and innocence of the heart when you’re caught in the throes of love.

McDermott continues,“‘How naive that total infatuation you feel for your first true love is, how you would blindly commit to leaving everyone and everything to be solely with that person. Though the relationship didn’t last, the song stands to represent the concept more than it does the person whom it was written for. It’s something many have experienced at some point and the melody serves to further romanticise those times and feelings.”

McDermott & North have made fans far and wide over the past few years, with media support here at home from Triple J, ABC Breakfast Radio, and globally with National NZ Radio and BBC Radio London / Scotland / Belfast, as well as receiving features from Scenestr, Beat Magazine, Forte Mag, The Music, The Creative Issue, Girl.com.au, MILKY, and many more.

Prepare to get down on one knee and fall in love with McDermott & North’s beautiful new tune ‘Elope’ when it’s unveiled on September 28. McDermott & North will be on tour with their band throughout September and October which includes three acoustic shows supporting Alex Lloyd.

McDermott & North Tour
Sept 30 – The Gasometer Hotel, Melbourne
Oct 1 – Hiway Bar, Sydney
Oct 7 – The Metropolitan Hotel, Mackay*
Oct 8 – Mansfield Hotel, Townsville*
Oct 9 – Dunwoody’s Hotel, Cairns*
Oct 14 – Nightquarter, Sunshine Coast (Acoustic)
Oct 22 – O’Skulligans, Brisbane
Oct 23 – Dust Temple, Gold Coast

*Supporting Alex Lloyd (Acoustic Shows)
More info and tickets via mcdermottandnorth.com/tour

 

Follow McDermott & North

https://www.mcdermottandnorth.com/

Spotify | Apple Music | Bandcamp | Triple J Unearthed

Facebook | Insta: @mcdermott.north | Youtube

September 28, 2022 0 comments
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Music InterviewsMusic News

Hayley Marsten

by the partae September 28, 2022
written by the partae

Congratulations on the release of ‘Bittersweet At Best’! How does it feel to have new music out there? Thank you! It’s so exciting! I have been working on this song for a really long time and to finally be able to share it in all it’s melancholic glory is amazing!

It’s not the first piece of music from you in 2022 – how does the experience of making this track compare to ‘I’m Fine, Thanks’? I actually worked on them one after the other. On fine thanks we had a I think about 30 backing vocal tracks to create that waterfall of ‘fine’ and a lot of overlaying lead parts from me. So when we moved onto Bittersweet it felt like a walk in the park because it was so intentionally stripped back. 

Tell us about the team you worked with on ‘Bittersweet At Best’: who were they and what was it like to work with them? The same team who worked on ‘I’m Fine, Thanks’ worked on this one, Cody McWaters, Dan Sugars, Kieran Stevenson, Michael Muchow and of course, me! It’s so wonderful to work with them because they are some of the closet people in my life and know me and understand me so well that it just makes for a really safe space to create. 

How do you think your songwriting approach has changed since releasing your album Spectacular Heartbreak (if so, how)? I think the only thing that might’ve changed is I trust myself a bit more. I feel like when I was writing SH I would get halfway through a song and it wouldn’t be quite right and I would immediately go to the idea that I needed a co-writer to finish it. Which worked out pretty well on SH of course! But I think for this record I have put a bit more effort into pushing myself to try to be my own editor. 

‘Bittersweet At Best’ feels like such an emotional track: do you pull from real life experiences when writing your material? Definintely! Funnily enough this song just kind of fell out and I didn’t actually think much of it when I first wrote it. It wasn’t until I was tracking some demos with Dan and Kieran and I had jumped on at the last minute to do this one by myself. I looked over at them when I had finished and they were both about to cry. So I figured that maybe the reason it was so easy to write because so much of this song feels like it was just sitting in my subconscious. I always feel like the only way I can write something special is writing what I know. 

Do you have any specific reference records or artists you find yourself returning to with each writing session? Not so much when I go into writing sessions but certainly when we are working up a song in the studio. I think my cornerstone for incredible writing and experimenting is and will always be Taylor Swift. Her writing has always told stories no matter what genre she is playing in. And that’s something I always hang onto when I’m creating. 

What’s coming up with you as we head into the rest of the year, with your music, that is exciting you? Right now I’m finishing up my second album that I crowdfunded earlier this year with the same team I’ve been working with on these last two songs. I’m also playing some of the new record live at festivals like Deni Ute Muster (September 30) and Groundwater Country Music Festival (October 30), I’ll also be doing my annual christmas show which I’ll be annoucing next month! Then gearing up for a big album release and tour next year!

Can fans expect a new album on the horizon? Yes indeed! Album 2 is on the way in 2023!

 

Socials:
Official Website | Facebook | Instagram | Youtube | Twitter

 

September 28, 2022 0 comments
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Festival NewsMusic News

Sudden Debt Release ‘No Data’, Melbourne Show This Thursday

by the partae September 28, 2022
written by the partae

Sudden Debt are a three piece from Melbourne, the band uses noise, tremolo, delay, drum pads, vocal effects and bass chorus to create a unique and experimental sound. Band members include members of Heart Beach (Spunk!, Kingfisher Bluez, Rough Skies) and Ivy St (Wireless).

 

No Data is the third track of a series of three singles following the recently released DD and IIHLL.

 

A celebratory show will be held on the 29th of September at Nighthawks (Melbourne) w/ Techno Biddes & Orbits

Quote about ‘No Data’ from Jon from Sudden Debt,

“No data was recorded at Heap Gap in 2022. It’s the third and final 2022 single from Sudden Debt. The three singles were tracked in half a day. Less than an hour for No data. No data is necessarily simple. The simpler the track the higher the likelihood it could be preserved. The vicissitudes of life were corroding our music at the time: work, lockdowns, travel, ageing, cost, procrastination. Calendrical bass, unintelligible vocals (you can’t understand and so are not distracted by the “words”), a stripped back electronic kit that you can plug in quickly and play really loud in a really small room”.

Instagram

https://www.instagram.com/sudden.debt/

Spotify

https://open.spotify.com/artist/4HRhgItXkch05nZo7kl8iS

Facebook

https://www.facebook.com/sudden.debt.band

September 28, 2022 0 comments
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Music News

SUPATHICK debut rich new EP, IN THE THICK OF IT

by the partae September 28, 2022
written by the partae

 

Photo by: Cedric Tang

Threading electro-pop with dashes of funk groove, hints of R&B and an overarching love for fresh and sharp pop sensibilities, dynamic group SUPATHICK reveal their sophomore EP, In The Thick Of It. The four track release shows us SUPATHICK operating at a new creative peak: revelling in new influences while refining the ones that have made them such an endearing group to watch in recent years.

Built around Christian Zappia’s natural songwriting skills and bolstered by equally talented musicians and the undeniably gorgeous vocals of Keely Brittain, the SUPATHICK appeal has always focused on the group’s sharp ear for melody and mixture of sounds in making something that feels very current. The appeal of their music has been reflected in the band’s stats; with over 40,000 monthly listeners on Spotify alone, close to 20,000 monthly channel views on YouTube, and a performance history that has seen SUPATHICK excel as headliners and supports for artists including Ocean Alley, The Veronicas, Spacey Jane, Great Gable and The Babe Rainbow.

In The Thick Of It weaves its own tapestry while keeping the core sonic identity featured on previous SUPATHICK material very much alive.

Featuring singles ‘Love Back’ and ‘Own My Mind’, In The Thick Of It weaves expert basslines with melodies that remain in the listener’s head. Thematically about love, relationships and self-awareness, the EP takes the listener on a journey as Zappia navigates his way through some unique experiences against a soundtrack that is irresistible to get around.

“This second EP, for me, is really about learning to trust my own instincts musically and creatively. Each song lives in its own world and has its own colours, which I think happened more naturally than intentionally. 

‘Healin’, ‘Love Back’ and ‘Own My Mind’ are all love songs to an extent but differ in the angle they take, and Little Bit More is more of a reflective track I wrote after a talk with my Dad. He told me when John D Rockefeller was asked, “How much money is enough money?” he answered with, “Just a little bit more”. And that guy was filthy rich. So it’s kinda a slow-down-and-smell-the-flowers type vibe.”
CHRISTIAN ZAPPIA, SUPATHICK

EP Art by: Cedric Tang

In making this EP, SUPATHICK returned to Tone City Recording in Perth where they worked with longtime collaborator and producer, Sam Ford (Psychedelic Porn Crumpets, POND, Birds of Tokyo, Art vs. Science). The final result is a glistening record of music that demonstrates the evolution of SUPATHICK from their breakthrough sounds in 2020 on the likes of ‘I’m There’ and ‘100 Miles’, through to the finessed and forward-thinking ambition of ‘Healin’ and ‘Own My Mind’ this year.

“We had a much longer time to record these songs this time round, and I think each song has a little more depth because of that. We had a bunch of fun blending live and programmed drums, and venturing into that slightly more sparkly, HIFI world with Sam Ford from Tone City.”
CHRISTIAN ZAPPIA, SUPATHICK

PRAISE FOR SUPATHICK

“Get this band on the radio!”
Triple J Unearthed, Dave Ruby Howe

“Supathick have an undeniably polished pop sound…the toe-tappable beats, grooving basslines and sizzling synths swirl around Keeley Brittain’s lush vocals.”
Pilerats

“An entertaining melting pot of funk, soul, disco and pop…”
AAA Backstage

“A flurry of funk garnished with disco and soul, Supathick’s sound can’t help but get butts off seats and onto a dancefloor.”
Toasty Tunes

 

 

IN THE THICK OF IT is out now.
Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

 

September 28, 2022 0 comments
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Festival NewsMusic News

DCentralize to host the UK’s first Web3 music festival

by the partae September 27, 2022
written by the partae
Date: 14th – 16th August, 2023
Location: Prestwold Hall Estate, Loughborough

Register: https://www.dcentralize.io

DCentralize Festival will put the power back in the hands of the music community by transitioning into a DAO, enabling token-holders to participate in decision-making of the festival.

By joining the DCentralize community, tokenholders will become part of a grand collaboration driven by shared values and transparent communications, which levels the playing field making access available to all.

Driven by blockchain technology, DCentralize is a hybrid music festival and conference that will be held at Prestwold Hall Estate in August 2023. The live event will be streamed simultaneously in a custom-built metaverse hosted by Passage.
DCentralize Festival is on a mission to empower artists and enact social change through decentralization as the first festival brand to be tokenized and fully-owned by its community.

Bridging the music and tech sectors, DCentralize aims to drive the evolution of the music industry using the latest Web3 technologies.

DCentralize and its partners will host a series of regular workshops – before and during the festival – to bootstrap artists and attendees with the knowledge of how to transition into Web3 with confidence. This is a clear demonstration of the team’s strong community focus and commitment to inform and empower people both within and outside the blockchain space.
DCentralize will ultimately transition into a DAO (Decentralized Autonomous Organization),  which will enable its tokenholders to participate in the management and decision-making of the festival in a fair and transparent way. Tokenholders will get voting rights on key decisions such as lineups, stage design, core management, festival expansion and more.

By joining the DCentralize community, tokenholders will become part of a grand collaboration driven by shared values and transparent communications, which levels the playing field making access available to all.

As part of a global promotional tour to drive awareness to the project, the DCentralize team will be hosting a series of events for some of the world’s leading Web3 summits and conferences. Supporting Web3 artists and musicians by giving them a platform to showcase their skills in a live environment is a key aspect of the DCentralize team’s mission.

Founder Ian Kerr has many years of management, event organization and logistics behind him and now heads into a bold new chapter with DCentralize. Ian says:

“DCentralize is already flying the flag for our beliefs. We work as a core community of professionals from the worlds of Web3, cryptocurrency, event management, travel, music, art and more. Working in a decentralized model means that the community can overcome the constraints of tradition, being supported by a network of specialist advisors.”
Technical and Creative Director Joe Crossley is the founder of Astral Projekt, an award-winning creative studio working in Web3 and immersive media. Joe is at the forefront of cutting-edge technologies. He specializes in augmented reality and projection mapping.

Music Coordinator Sarah Main is an acclaimed Ibiza DJ, producer, NFT artist and event organizer whose entire life has been spent submerged in art, music, and mixed reality.

Andy Raisen, Head of Community Engagement says “DCentralize is utilizing the forces of Web3 to change how we all live our lives, helping to build a better world that’s open to all, and where you can have a real influence on the cultural movements that matter most to you.”
DCentralize
Twitter: https://twitter.com/DCentralizeFest
Discord: https://discord.gg/t2pWWB2j
Telegram: https://t.me/DCentralizeFest
Passage: https://passage3d.com
September 27, 2022 0 comments
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Festival NewsMusic News

ABOVE & BEYOND PRESENT ‘GROUP THERAPY WEEKENDER’ AT YARRA VALLEY ESTATE, VICTORIA & SYDNEY SHOW JUST ANNOUNCED!!

by the partae September 27, 2022
written by the partae

Symbiotic and Hardware are pleased to announce that iconic group Above & Beyond are returning to Australia for a headline set.  Featuring a stellar, curated line-up of artists from their labels: Anjunabeats, Anjunadeep & Reflections.  The camping festival, Group Therapy Weekender Australia will be held at Yarra Valley Estate for the band’s first ever multi-day festival down under.

Taking place between Friday 16 December and Sunday 18 December in Victoria’s breathtaking Yarra Valley, ‘Group Therapy Weekender Australia’ is an intimate camping getaway for Australia’s ‘Anjunafamily.’ There will also be a program of wellness activities and workshops to enhance the experience, surrounded by the picturesque landscape that surrounds the region.  There will also be an offering of the very best food and drink, from Yarra Valley and beyond.

**Just announced**

Above & Beyond make their return to Sydney on Friday 16th December. This is the group’s first show in Sydney since 2019 and their third time playing at Hordern Pavilion.

Catch the guys before they head to the Yarra Valley for their camping festival.

This is the Anjuna’s first festival event in Australia and follows on from the success of ‘Group Therapy Weekender’ at The Gorge, Washington State, which welcomed 23,000 campers last July and ‘Group Therapy Weekender’ London at Dockyards.

One of the world’s best-loved electronic groups, ‘Above & Beyond’ have headlined arenas around Australia over the last decade, bringing their anthemic dance songs to tens of thousands of fans.

About Above & Beyond

‘Above & Beyond,’ or Jono, Tony and Paavo as they are better known to their legions of fans around the world, have been at the forefront of electronic dance music for two decades.

Founders of the iconic ‘Anjunabeats’ and ‘Anjunadeep’ record labels and hosts of the weekly radio show ‘Group Therapy,’ (which reaches millions of dance lovers every Friday), the trio have earned two GRAMMY™️ nominations for anthems: ‘Northern Soul’ feat. Richard Bedford and ‘We’re All We Need’ feat. Zoë Johnston.  In 2018, the band’s fourth electronic album, ‘Common Ground’ debuted at number three on the ‘Official Billboard Album Chart.’

Described by UK music bible ‘Q Magazine’ as “the world’s biggest cult band,” Above & Beyond’s enviable list of sold-out shows, includes headline performances at historic venues such as: ‘Madison Square Garden’ NYC, ‘The Hollywood Bowl’ LA, ‘The Sydney Opera House’ Sydney, ‘Royal Albert Hall’ London, ‘Red Rocks Amphitheatre’ Colorado and record-breaking turnouts for their own festival events on LA’s Huntington Beach and at The Gorge Amphitheatre in Washington State.

Songwriters first, producers second, ‘Above & Beyond’s’ unwavering commitment to their craft, has fuelled a career that many electronic artists today might only dream of.  With four acclaimed studio albums under their belts, 14 compilation albums, two ‘acoustic’ albums and a stand-alone album for yoga and meditation, not to mention innumerable club cuts and dance remixes, the band continue doing what they love and bringing happiness to their countless fans all over the world.

Group Therapy Weekender Australia:

EVENT DATES: 

Friday 16 December – Sunday 18th December – Yarra Valley Estate, Victoria

Friday 16 December – Hordern Pavilion, Sydney

YARRA VALLEY:

Register for early access to tickets now! – Click Here!

Registrations close: Monday 3rd October at 9pm

Pre-sale begins: Tuesday 4th October at 10am 

General Public On-Sale begins: Wednesday 5th October at 10am

SYDNEY:

Register for early access to tickets now! – Click Here!

Registrations close: Wednesday 5th October at 9pm

Pre-sale begins: Thursday 6th October at 10am 

General Public On-Sale begins: Friday 7th October at 10am

For More information, go to:

Website: www.aboveandbeyond.nu/australia

Facebook: @aboveandbeyond

Instagram: @aboveandbeyond

Twitter: @aboveandbeyond

September 27, 2022 0 comments
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Music News

Break Out the Bubblegum for Killed By Cupid’s Debut EP ‘The Sickly Sweet’

by the partae September 27, 2022
written by the partae
Photo Credit: Michael Carver

Previous Support for Killed by Cupid

“It’s a track that will send you right back to your scene days, with its lashings of pop-punk, emo, and hyper-pop and its delectable trap beats.” (Hysteria Mag)

“Jesse Cumes, isn’t holding back with the new project, as “Magic” out the gate shows off his exuberant and unique style.” (New Noise)

“These emotions are laid bare, soaked in modern pop-laden emo-punk and delivered with an early-2000’s-tinged punch that is sure to leave a lasting impact. 
(HEAVY Mag)

Stream ‘The Sickly Sweet’

Adelaide/Tarndanya-based bubblegum emo act, Killed by Cupid, brings a gobstopper with their debut EP ‘The Sickly Sweet’ dropping September 23.

Jesse Cumes’ new solo project–Killed by Cupid–stirs a concoction of hyperpop, pop-punk and 2000s alt-pop delivered as emotional candy. Sweet to the lips, but leaving a bitter taste, ‘The Sickly Sweet’ is reminiscent of the rawness of heart-break and the struggle of overcoming mental illness. Striking at the emerging new-wave emo scene, Killed by Cupid has already found stirred interest with their debut ‘Magic’ and follow-up release ‘Sugar’, building anticipation ahead of ‘The Sickly Sweet’ EP.

‘The Sickly Sweet’ is a self-explanatory excerpt from Cumes, exploring the ramifications of a finished relationship, the gripe with one’s mental health and the anguish derived from self-reflection and growth when journeying through life. Although playful at times, ‘The Sickly Sweet’ is Cumes’ exploration into their growth, values and inner-workings. Furthering their understanding into the innate attraction to opposites and rummaging for the tools necessary to work through their mental health.

The EP starts with debut track ‘Magic’, accenting the self-directed disgust of spiralling after a breakup. Mixing elements of cloud rap and pop-punk, ‘Magic’ makes an instant nostalgic emo anthem by intertwining aspects of 2000s classics and trap.

Followed up by the boisterous banger, ‘Toxic’, Killed By Cupid opens with a playful diss track before turning the target to their head.

‘Cotton Candy Boy Toy’ redirects the focus of the EP back towards understanding motivations for relationships, exploring the intrinsic attraction to opposites and how this can coax fatal flaws.

Lead single, ‘Sugar feat. Jack Cumes’, delves into the process of freeing yourself from relationships that are detrimental to your mental health–searching for strategies for confidence in independence.

Closing ‘The Sickly Sweet’ is ‘Forget It’ and ‘GO2BED’. Harnessing 808 bass lines, electro-pop synths and angelically autotuned melodies to portray the post-relationship depression, these two tracks wrap the release up in a vacuum sealed candy wrapper stamped with growth and newfound grit.

From top to bottom, ‘The Sickly Sweet’ presents the process of development across the challenging process of self-reflection and growth. Cumes provides insight:

“‘The Sickly Sweet EP’ is about a breakup I went through and the spiral of self-destructive tendencies and poor coping mechanisms that followed. The EP covers the highs and lows of mental illness and heartbreak while attempting to move on from toxic relationships.”

Killed by Cupid has surfaced quickly with community radio play from Radio Adelaide, 4ZZZ, Southern FM and 5ZZZ as well as notable media outlets Hysteria Mag, New Noise Mag and HEAVY Mag.

Killed By Cupid’s killer EP, ‘The Sickly Sweet’ drops on September 23. Don’t forget to bring bubblegum, beer and bangles to their launch on November 25 at Adelaide’s Enigma Bar.

‘The Sickly Sweet’ EP Launch
November 25 – Enigma Bar, Adelaide

Follow Killed by Cupid

Facebook | Insta: @killedbycupidmusic | Youtube | Triple J Unearthed

Soundcloud | Bandcamp

September 27, 2022 0 comments
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Music InterviewsMusic News

Inferiority Complex

by the partae September 27, 2022
written by the partae
Where are you currently based?
 
El – We are all currently based in and around Melbourne in Victoria.
 
How did you first start playing music?
 
El – I’ve always been playing music and singing. There would always be music in the house, my dad was in many bands and did a few tours around the UK. Having grown up around so much music, singing naturally came first and I remember playing my grandad’s old Casio keyboard when I was really young. I believed I was a world class pianist, when in fact I was just smashing the keys… I bet it sounded SO good! 
 
What’s been happening recently?
 
El – Recently we’ve been in the studio to record some new songs to follow up ‘Till Death Do Us Part.’  We’re so excited for everyone to hear them!  Once recording was done we jumped straight into rehearsals to get prepared to play the new songs live.
 
Your latest single ‘Till Death Do Us Part’ is out now, what influenced the sound and songwriting?
 
El – The way our latest single ‘Till Death Do Us Part’ came about was a very enjoyable process. The guys had already had the instrumental ready and waiting, the first time I’d heard it I wasn’t even in the band officially. They handed me the song and said “have fun”. So the biggest thing that influenced the sound was perhaps the songwriting process itself, and the length of time that it took.
 
How did you go about writing this single?
 
El – I came up with the concept of this single in an almost ritual type way. ( I love me some universal entities) I lit some candles, saged and asked whoever/whatever was around to allow me to tell their story. From that came the concept of a married couple in a rocky relationship of infidelity and lies, the woman decides to end the suffering she feels and makes a deal with the devil and some dark forces to get revenge. Instrumentally, the others spent a long time refining the song. Changing and honing in on each miniscule part including background arrangements until everything assisted with the prosody of the piece.
 
Where and when did you record/produce/master and who did you work with?
 
Joseph – The track was produced by Callan Orr (Dream On Dreamer)  Production initially began at his studio in Melbourne CBD back in early 2021. Due to some line-up changes throughout that year, we re-recorded vocals with Darcy Handley (Terra) in the middle of this year!
 
How did you approach the recording process?
 
Joseph – We always approach the recording process the same way, which is to have fully realised demo tracks going in.  It means that we can record with any combination of ‘scratch tracks’ that we want. It also allows the producer to understand our vision and expand upon it from there, particularly when it comes to synth tones and orchestrations.  This allows us to maximise our studio time as composition is already complete and we can focus on capturing the best performances.  That being said we definitely still allow some room for spontaneous creativity as well!
 
What does this single mean to you?
 
El – The single means something different to everyone in the band. To me it’s new beginnings, not only by way of it being the first song I wrote with Inferiority Complex, but also new beginnings after hard and testing times. It’s about coming out at the other end strong and powerful.
 
Who are you listening to at the moment?
 
El – At the moment, I’ve really been enjoying some jazz. I only really listen to music when I need a bit of a brain break, so I chuck on some Frank Sinatra, Billie Holiday and Ella Fitzgerald (her scatting itches my brain very nicely)
 
What do you like to do away from music?
 
El – When I’m not doing music and gigging (WHICH I LOVE!) I’m impulse-spending and having many good nights out with great humans! Chuck in a little crying and hair dye and that’s my life!
 
What’s planned for the remainder of 2022 going into 2023?
 
El – Heading into 2023 we have so much in store, from new merch to new music and everything in between! Gotta keep you guessing though, can’t spill too many secrets!  But we can assure you it’s going to be fantastic and we can’t wait to share it!
 
Favourite food and place to hangout?
 

Joseph –If we had to pick one food that epitomized our band, it would probably have to be pizza. Mostly because that’s what we tend to eat together before a gig.  As for hanging out, the concerts and gigs of other great bands!

 
https://www.instagram.com/inferioritycomplexband 
September 27, 2022 0 comments
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Music News

ABLE JOSEPH releases tender, acoustic guitar pop track ‘LONELY LA’

by the partae September 26, 2022
written by the partae

Photo by: Trevor Conrad

Telling an intimate story about changing lives and circumstance ‘Lonely LA’ proves Able Joseph’s talent for writing heartfelt mid-tempo classics. The song surrounds the listener with sentimental melodies, captivating production and an outro that begs to be sung by a crowd, acapella into the night sky.

Already racking up a legion of followers (80K+ on Spotify alone), Able is a stellar talent, signed to Sydney indie label Double Drummer, home to Greta Stanley, Dominic Breen and Cousin Tony’s Brand New Firebird.

Speaking of the tender meaning behind the new single, Able says ‘There’s a beautiful side to two people having to adjust to life’s curveballs and facing change as a team — be that changing dreams, homes, realities… this isn’t a love song, it’s a relationship song.’

Able Joseph

 

Showcasing his creative spark and versatility as a storyteller, the cosmic journeyman enlisted gifted animators, LA based, award-winning Trevor Conrad and Edinburgh based Karina Budnariu to work with him on the visuals for ‘Lonely LA,’ as part of Able Joseph’s unfolding narrative. Coming together in a sonic union of talented musicians, ‘Lonely LA’ was produced by Grant Konemann (Glades) in Sydney and off the shoulders of Orion, with mixing and mastering by Matthew Neighbour
(Matt Corby, Tash Sultana).  

WATCH VISUALISER

‘This song is a homage to songwriting. We wanted to keep the structure as simple as possible but still weave in different moments and transitions that take you somewhere unexpected. The outro is a deeply honest conversation between two people and the production reflects that; it’s closer to the mic, more intimate and raw. I’m really proud of the story we tell.’ 

Able Joseph

 ‘Lonely LA’ follows on from ‘SOLO’ which received a slew of support earlier this year, including triple j Home and Hosed airplay and Apple playlisting (Amped Up and New In Alternative). He has supported Cousin Tony’s Brand Firebird on tour and his collaborators include UK dance artist GRUM. Together they secured playlisting support on Spotify (Dance Rising, New Music Friday, Trance Mission, Nightrider) and Apple (New In Dance, Trance and Progressive) with over 2 million streams on Spotify and counting. Able has previously co-written with a stellar list of acts including Jaguar Jonze, Hauskey, Bec Sandridge, Jordie Ireland, Third Party, Yorke, Xavier Dunn, Cyrus, Eliott and Woodes.

PRAISE FOR ABLE JOSEPH

“A big slice of heartfelt, rousing indie that could bring a big room to their feet!” 

Declan Byrne, Triple j

“Joseph’s more than able from the sounds of it… There’s something so warming and rousing about this one.”

Dave Ruby Howe, Triple J

Single: Lonely LA is out via Double Drummer on Wednesday 14th September

Official Website | Facebook | Twitter | Instagram | Youtube | TikTok | Triple J Unearthed

September 26, 2022 0 comments
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Music News

Million ‘bed / he looks better on me’

by the partae September 26, 2022
written by the partae

million are back with a double single ‘bed / he looks better on me’ – one, a casual dating anthem about taking control and changing the narrative, and two, a confident and ‘pass-agg’ message to a partner’s former lover. 

With bass heavy verses, 808 drums, dynamic vocals and brutally honest lyrics, ‘bed’ highlights and celebrates the empowerment that comes from shifting expectations, accepting situations and letting yourself have fun. 

“We wanted to explore two realities that play out at different times when dating: the first, that sometimes it’s just about physical attraction and chemistry. The second, that if it’s more than that, you have this person’s past life to reckon with. Both songs have themes of taking back the power.” With catchy hooks, 80’s references and the classic million sass that their fans have come to expect, ‘bed / better on me’ is another ear worm from million’s 2022 repertoire. 

‘bed/he looks better on me’ will be available worldwide on the 16th of September, 2022. 

Artist Biography:
million is an emerging self-produced pop trio based in Melbourne/Naarm. Having formed between lockdowns in June 2020, the group spent the following six months working virtually on demos and discovering their sound. 

By summer 2021, the band were ready to release their shimmery pop tracks into the world, debuting with ‘problem’ and following up with ‘mess we made’, ‘200 days’ and ‘deja vu’. Each song told a story through catchy hooks and lyrics that didn’t shy away from heavier themes. 

Now, million are back with a full schedule of gigs around Melbourne and a huge double release – ‘bed/he looks better on me’. 

million tell stories inspired by both personal and universal experiences, delicately interweaving lyrical melodies and narrative with their love of synthy, beat-driven electronica. 

Socials: https://linktr.ee/thisismillion
September 26, 2022 0 comments
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