Seoul’s genre-defying electronic-punk innovators return to Australia following growing international acclaim.Australian audiences will have the chance to experience one of South Korea’s most uncompromising underground acts when HYPNOSIS THERAPY returns this week for a three-date Australian tour. Presented by Tiny Minds Agency, the tour will see the Seoul-based duo perform intimate headline shows in Naarm, Melbourne and Eora, Sydney, before joining acclaimed Australian act Full Flower Moon Band for a special Meanjin, Brisbane, appearance. Comprising of rapper JJANGYOU and producer Jflow, HYPNOSIS THERAPY has builtComprising rapper JJANGYOU and producer Jflow, HYPNOSIS THERAPY has earned a reputation as one of the most exciting names emerging from Korea’s alternative music scene. Blending breakbeats, techno, punk, rave and experimental electronic music, the duo has forged a sound that is as confrontational as it is danceable. Rolling Stone Australia described the pair as: “Composed of scene veterans vocalist Jjangyou and producer Jflow, the pair have impressed on solo endeavours but really come into their own together.” Since forming in Seoul in 2022, HYPNOSIS THERAPY has become known for high-intensity live performances that combine underground club culture with punk attitude and socially charged lyricism. Their music explores themes of conformity, identity and resistance, transforming frustration into immersive electronic soundscapes. The duo has steadily expanded its international profile through tours across Europe and Asia while collaborating with global brands including Converse, Nike and Maker’s Mark. In 2026, they will also perform at Spain’s renowned Primavera Sound festival, further cementing their growing global reputation. Their latest release, NO, created in collaboration with boundary-pushing electronic artist Alex Wilcox, represents the group’s boldest artistic statement to date. Released in late 2025, the EP fuses big beat, rave, techno, punk and breakbeat into a powerful collection centred on individuality and creative freedom. Rather than delivering political slogans, NO channels its message through explosive rhythms, irony and infectious energy. It is a celebration of refusing conformity and embracing difference, an approach that has resonated with audiences well beyond Korea’s underground scene. HYPNOSIS THERAPY’s visual identity is equally distinctive. Their mushroom emblem symbolises life emerging from decay and light growing through darkness, reflecting the duo’s philosophy of transforming chaos into creativity. With three acclaimed releases already behind them- HYPNOSIS THERAPY (2022), PSILOCYBIN (2023) and RAW SURVIVAL (2024) – the duo continues to push the boundaries between electronic music, punk and performance art. This is one live show NOT TO BE MISSED! Tiny Minds Agency presents: HYPNOSIS THERAPY AUSTRALIAN TOURThursday 16 July – The Grace Darling Naarm, Melbourne Friday 17 July – The Lord Gladstone Eora, Sydney Saturday 18 July – The Tivoli Meanjin, Brisbane Tickets are available via www.tinymindsagency.com
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From global hits like Udd Gaye, Liggi and Sage to creating one of the most unique live experiences in electronic music, Ritviz has always blurred the lines between tradition and innovation. With Kurta Saree Dance Party (KSDP), he has taken that vision beyond music, creating an event where fashion, culture, identity and community become part of the performance itself.
Ahead of the Australian edition of KSDP, we caught up with Ritviz to talk about the inspiration behind the concept, celebrating South Asian identity, and why belonging has become just as important as the music.
What was the moment you realised Kurta Saree Dance Party was more than a show and actually a cultural statement?
I don’t think it started with the intention of making a statement. It came from wanting to create a space that felt familiar to me. The first time I saw people turning up in kurtas, sarees, sneakers, or clothes they’d never usually wear to a club, I realised this was becoming something much bigger than a concert. People weren’t dressing up because they had to—they were expressing a part of themselves. That’s when I understood KSDP wasn’t just about my music anymore. It had to become something people wanted to belong to.
KSDP brings together fashion, music and identity in the same space. How intentional was it to make the audience part of the performance rather than just observers?
Very intentional. I’ve always believed the audience completes the experience. With KSDP, I didn’t want people standing in front of a stage watching me perform; I wanted everyone to feel like they were creating the night together. When everyone walks into the room wearing kurtas and sarees, dancing together regardless of where they’re from, it changes the energy completely. The crowd becomes the visual identity of the show. That’s what makes every city feel unique.
You have described KSDP as something that exists between cultures. How has your own experience of identity shaped the way this concept came to life?
Growing up in India, I was always surrounded by traditional sounds and rituals, but I was equally obsessed with electronic music, hip-hop and everything happening globally. I never saw those things as separate worlds. That’s how I make music too. I don’t think in terms of “traditional” versus “modern.” They’re all just influences that exist naturally together. KSDP is really an extension of that mindset. It’s a space where people don’t have to choose one identity over another; they can celebrate all of it at the same time.
From Udd Gaye to Liggi and Sage, your sound has travelled globally. How does it feel to now create something that is equally about community as it is about music?
It’s probably the most rewarding part of what I do now. Songs have always connected people, but KSDP lets me actually witness that connection in real time. I see strangers becoming friends, people introducing their cultures to each other, families coming together, and people feeling represented in spaces where they maybe haven’t before. Music brought everyone into the room, but community is what makes them want to come back.
What does it mean to you to see South Asian identity expressed so freely and unapologetically on a dancefloor in cities like Sydney and Melbourne?
It’s honestly beautiful. For a long time, a lot of people felt like they had to leave parts of their identity at the door to fit into certain spaces. Seeing thousands of people proudly wearing traditional clothing, dancing to Indian sounds mixed with electronic music, and sharing that experience with friends from completely different backgrounds, it feels like we’ve reached a point where people are celebrating culture instead of explaining it. That’s incredibly special.
KSDP blends tradition with modern electronic production. How do you approach balancing cultural roots with experimentation without losing either?
If something genuinely inspires me, I’ll explore it honestly instead of trying to make it fit into a formula. Whether it’s an old folk melody, a percussion rhythm or a synth line, everything deserves the same curiosity. I think audiences can tell when something is authentic versus when it’s just being used as an aesthetic. As long as the intention is real, the music finds its own balance.
Was there a specific influence or personal memory that helped shape the immersive world-building aspect of KSDP?
A lot of it comes from growing up around Indian weddings and festivals. Those were always spaces where music, food, colours, fashion and people all existed together. There wasn’t really a separation between performer and audience; everyone contributed to the atmosphere. I wanted to recreate that feeling inside a modern club environment. Not literally, but emotionally. Somewhere that feels warm, welcoming and celebratory from the moment you walk in.
You have said this is not a standard club night. What do you think mainstream nightlife gets wrong about cultural expression and belonging?
I don’t think mainstream nightlife gets it wrong; I just think there’s room for more experiences that make people feel seen. A lot of nightlife is built around escaping reality. KSDP is almost the opposite. It’s about bringing your whole self into the room. Your culture, your language, your clothes, your friends, everything is welcome. When people feel like they don’t have to edit themselves, the energy becomes much more genuine.
How do audiences in different countries respond to KSDP, and do you notice any differences in how the message is received or understood?
The reactions are different, but the emotion is usually the same. In India, there’s an immediate familiarity because people recognise a lot of the cultural references instinctively. Outside India, especially in places like Australia, London or North America, there’s another layer to it. For members of the South Asian diaspora, it often feels like reconnecting with something they grew up with. For everyone else, it’s an invitation into a culture through music and celebration instead of explanation.
When people leave a KSDP night, what do you hope they carry with them beyond the music and the energy of the event?
I hope they leave feeling a little more connected to themselves, to the people they came with, and maybe even to people they had never met before. If someone walks away feeling proud of who they are, or curious about somebody else’s culture, then I think we’ve achieved something meaningful. The music lasts for a few hours, but hopefully that feeling stays with people much longer.
Kurta Saree Dance Party (KSDP) – Australia
Friday 24 July – Eora, Sydney – Liberty Hall, Eora, Sydney
Shah Rule – Emcee and Host
DJ – TBA
Support: Electric Korma
Sunday 26 July – Naarm, Melbourne – 170 Russell, Naarm, Melbourne
Shah Rule – Emcee and Host
DJ – TBA
Support TBA
TEYI [Official Lyric Video] | KURTA SAREE
MG Live, Frontier Touring and Arena Touring are thrilled to announce that global R&B icons Boyz II Men are returning to Australia and New Zealand in November and December for a run of outdoor and arena shows. Joining them for an unmissable celebration of timeless hits, iconic voices and era-defining anthems are rap royalty Salt-N-Pepa and, for the first time in Australia, R&B and hip-hop pioneers Bell Biv DeVoe.
The superstar lineup will perform arena shows in Perth on Thursday 26 November at RAC Arena; Sydney’s TikTok Entertainment Centre on Friday 4 December; as well as New Zealand’s Spark Arena, Auckland on Tuesday 1 December.
This summer’s hottest tour also marks the return of a day on the green* for 2026, with Boyz II Men – the best-selling R&B group of all time – together with Salt-N-Pepa and Bell Biv DeVoe at Mount Duneed Estate, Geelong, VIC on Saturday 28 November; Bimbadgen, Hunter Valley, NSW on Saturday 5 December; and Sirromet Wines, Mount Cotton, QLD on Sunday 6 December.
NAB Goodies Visa (AU) presale commences Monday 13 July at 11.00am local time for 48 hours (or until presale allocation exhausted) via nab.com.au/presale
Frontier Member, a day on the green and MG Live presales begin Wednesday 15 July, 12.00pm local time before tickets go on sale to the public from Friday 17 July, 11.00am local time.
All ticketing and tour information via frontiertouring.com/boyziimen
Boyz II Men are the best-selling R&B group of all time, with more than 64 million albums sold. Their prestigious accolades include four Grammy Awards, nine American Music Awards, nine Soul Train Awards, three Billboard Music Awards, a star on the Hollywood Walk of Fame, and dual Hall of Fame inductions.
With their iconic voices and smooth harmonies, Nathan Morris, Wanya Morris and Shawn Stockman spent the ’90s creating timeless songs that still resonate decades later. They include End of the Road – which stayed at number one on the Billboard Hot 100 for 13 weeks, breaking the record previously held by Elvis Presley – and I’ll Make Love To You, which both hit number one in Australia and New Zealand. Then there’s One Sweet Day (with Mariah Carey), On Bended Knee and Motownphilly – classic hits that have carried from the CD era to streaming with ease.
BOYZ II MEN
WITH SPECIAL GUESTS SALT-N-PEPA & BELL BIV DEVOE
AUSTRALIA & NEW ZEALAND
NOVEMBER & DECEMBER 2026
Presented by MG Live, Frontier Touring & Arena Touring
NAB GOODIES VISA PRESALE (AU)
via nab.com.au/presale
Runs 48 hours from: Monday 13 July (11am local)
or until presale allocation exhausted
FRONTIER MEMBER PRESALE
via frontiertouring.com/boyziimen
Runs 24 hours from: Wednesday 15 July (12pm local)
or until presale allocation exhausted
MG LIVE MEMBER PRESALE
via mg.live/boyziimen
Runs 24 hours from: Wednesday 15 July (12pm local)
or until presale allocation exhausted
A DAY ON THE GREEN MEMBER PRESALE*
via adayonthegreen.com.au
Runs 24 hours from: Wednesday 15 July (12pm local)
or until presale allocation exhausted
*a day on the green shows only
TICKETS ON SALE
Begins: Friday 17 July (11am local)
ALL SHOWS LIC. ALL AGES
Thursday 26 November
RAC Arena | Perth, WA
Lic. All Ages
ticketek.com.au
Saturday 28 November
a day on the green*
Mount Duneed Estate | Geelong, VIC
Lic. All Ages
ticketmaster.com.au
Tuesday 1 December
Spark Arena | Auckland, NZ
Lic. All Ages
ticketmaster.com.au
Friday 4 December
TikTok Entertainment Centre | Sydney, NSW
Lic. All Ages
ticketek.com.au
Saturday 5 December
a day on the green*
Bimbadgen | Hunter Valley, NSW
Lic. All Ages
ticketmaster.com.au
Sunday 6 December
a day on the green*
Sirromet Wines | Mount Cotton, QLD
Lic. All Ages
ticketmaster.com.au
*Not a Frontier Touring show
For all a day on the green event, transport & parking information adayonthegreen.com.au
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Patrons are advised to purchase tickets only through authorised ticket sellers. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website. |
King Gizzard & the Lizard Wizard detail new album Alien Metal & share first single & video ‘Level 5’
KING GIZZARD & THE LIZARD WIZARD ANNOUNCE DETAILS OF NEW ALBUM
ALIEN METAL
& SHARE NEW SINGLE/VIDEO ‘LEVEL 5’
+ PLAYING NEW YORK’S FOREST HILLS STADIUM & UNDER THE K BRIDGE SHOWS + THE RETURN OF THEIR SOLD-OUT FIELD OF VISION FESTIVAL THIS AUGUST
Photo Credit: Maclay Heriot. Album artwork Credit: Jason Galea
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FINELY TUNED CELEBRATES 20 YEARS AND INTRODUCES INAUGURAL OPEN AIR SUMMER SERIES…
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Heavyweight headliners, rising local crews and support acts still to drop, every single weekend, in partnership with Hard Rated
Sydney, Australia – While much of Sydney hibernates and the lucky few chase the sun overseas, Chinese Laundry is heading in the opposite direction: igniting the underground with a stacked winter of headline shows every single weekend in partnership with Hard Rated. Having already hosted heaving events, the next wave is locked through the October long weekend, with plenty more to drop.
The timing is no accident. Australian dance music is having its biggest global moment in a generation, and that pipeline starts in club rooms, not on main stages. It’s how Chinese Laundry gave artists like Flume, Dom Dolla and Bella Claxton their early platforms. Now the club is doubling down on what builds careers: consistent, week-in, week-out programming.
The internationals arrive in force: Montreal’s Jacques Greene (CAN) blends house, UK garage and R&B-inflected electronica, BBC Radio 1 Future Star AMMARA (UK) brings high-tempo rave euphoria, and Afro house trailblazer Kitty Amor (UK) was the first UK DJ from the African electronic music scene to play London’s Printworks. Samurai Breaks (UK) detonates high-speed jungle and bassline, Rinse FM’s Danny Rankin (UK), aka Kurupt FM’s DJ Decoy, fuses dancehall, garage and drum & bass, Miami’s bradeazy (USA) lands with Beatport chart-topper Up Down, and Auckland’s Frank Booker (NZ) rounds it out with disco and boogie gold.
The local firepower runs just as deep: Boiler Room-approved C.FRIM (VIC) with her fearless global bass, Mixmag ANZ cover star KSMBA (VIC) and friends with emotive techno, and MIRASIA (VIC), mother of the pioneering Kiki House of Silky. Cooper Smith (VIC) serves melodic afro house having shared stages with Carl Cox, Future Classic-released Willo has toured with Dom Dolla and Flume, LO’99 (NSW) brings multiple Beatport #1s, MASSI. weaves acid-laced 303 lines through techno and breaks, Canberra garage torchbearer Zac Attacq (ACT) delivers raw UKG, and Headhunters unite Guy Contact and Solar Suite for hypnotic Australian prog and trance.
Then come the takeovers: Club Sweat, sister imprint of the legendary Sweat It Out label; Thick as Thieves, Melbourne’s decade-strong home of underground house and techno; Sydney’s community-driven People’s Party, fresh from their sold-out Campout; and Canberra’s Friction presenting 30 Years of Kid Kenobi, the breaks pioneer crowned Australia’s favourite DJ three years running. A stack of support acts is still to be announced, with Laundry residents and local crews stepping up onto the biggest bills of the season.
“Winter is when this city traditionally goes quiet, and that’s exactly when a scene needs its home the most. Chinese Laundry has always backed dance music for the long haul, with a commitment to support emerging artists, local collectives and fostering nights that keep the scene moving, week after week, year after year,” says Nick van Tiel of Chinese Laundry.
Having already packed the club in recent weeks with the likes of DJ Cosworth, Jordan Peak, Mac Declos, Oliver Dollar, This is Inja, Wongo, Paige Tomlinson, Shampain, Gardna, Midas Field, Benny L and James Pepper, the season rolls on with headline shows featuring:
AMMARA [UK]
BRADEAZY [USA]
C.FRIM [VIC]
CLUB SWEAT TAKEOVER
COOPER SMITH [VIC]
DANNY RANKIN [UK]
FRANK BOOKER [NZ]
FRICTION [ACT] (30 YEARS OF KID KENOBI)
HEADHUNTERS (GUY CONTACT & SOLAR SUITE)
JACQUES GREENE [CAN]
KSMBA [VIC] & FRIENDS
KITTY AMOR [UK]
LO’99 [NSW]
MASSI. [VIC]
MIRASIA [VIC]
PEOPLE’S PARTY TAKEOVER
SAMURAI BREAKS [UK]
THICK AS THIEVES TAKEOVER [VIC]
WILLO [VIC]
ZAC ATTACQ [ACT]
+ MORE ACTS TBA
ABOUT CHINESE LAUNDRY
Chinese Laundry is a landmark of Australian club culture, celebrated for its rave rooms, underground spirit, and three-decade legacy in electronic music. Chinese Laundry’s Sussex St location has an illustrious history dating back over 100 years. The venue became notorious in the ‘60s for hosting underground parties, both legal and illegal, to celebrate music, expression, and freedom. Today, the club delivers intimate dancefloors, discovery-led programming, and state-of-the-art sound. Chinese Laundry was a key platform in supporting emerging talents like Flume and Dom Dolla, while hosting electronic luminaries such as Sasha, Jeff Mills and Goldie. Chinese Laundry remains steadfast in its commitment to nurturing both current and future generations of musical talent, eagerly supporting innovative and distinctive concepts.
Tickets are available here.
FOLLOW CHINESE LAUNDRY
Over 100 artists take over Barcelona’s iconic Parc del Forum, representing the full spectrum of contemporary electronic music – From house to techno to the sounds of the global underground
Advances in production and sustainability across the board, from L-acoustics sound to redesigned stages to increased shade and hydration points
The festival continues with Afterparties announced today at some of Barcelona’s most Iconic venues – Input, Upload, La Terraza and NACAR
https://brunchelectronikfestival.com/
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Ministry of Sound TESTAMENT returns to White Bay Power Station in Sydney in less than 2 weeks with extremely limited tickets available for our second 00s session on Sat 25th July. Book Now! |
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The 90s Session and the first 00s Session are completely SOLD OUT. This is your last chance to be part of the 2026 Testament tour. Don’t miss out! |
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00s Session 2 Date: Saturday 25th July Time: 4pm – 12pm Venue: White Bay Power Station |
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00s Session 1 Date: Saturday 24th July Time: 4pm – 12pm Venue: White Bay Power Station |
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90s Session Date: Saturday 18th July Time: 4pm – 12pm Venue: White Bay Power Station |
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BRISBANE, SYDNEY & MELBOURNE
SIGN UP FOR TICKETS & ONSALE INFORMATION HERE
Frontier Touring is thrilled to announce Benson Boone will bring his 2026 Wanted Man Tour Down Under this November, performing multiple arena dates in Brisbane, Sydney and Melbourne.
Kicking off his 35-date U.S. leg of the tour tonight in Pittsburgh, PA, the run will include multiple nights at Brooklyn’s Barclays Center and Los Angeles’ Crypto.com Arena, eventually wrapping up in Casper, WY, on September 3 before heading Down Under. Find his full routing below and more information HERE.
Aussie fans can register now for tour information for the upcoming November shows via frontiertouring.com/bensonboone.
Stay tuned for more new to come on Benson Boone!
Benson Boone Wanted Man Tour Australian Tour Dates (more info HERE)
Friday 6 November 2026 – Brisbane Entertainment Centre, Brisbane
Saturday 7 November 2026 – Brisbane Entertainment Centre, Brisbane
Sunday 8 November 2026 – Brisbane Entertainment Centre, Brisbane
Thursday 12 November 2026 – Rod Laver Arena, Melbourne
Friday 13 November 2026 – Rod Laver Arena, Melbourne
Saturday 14 November 2026 – Rod Laver Arena, Melbourne
Tuesday 17 November 2026 – Afterpay Arena, Sydney (*formerly known as Qudos Bank Arena)
Wednesday 18 November 2026 – Afterpay Arena*, Sydney
Thursday 19 November 2026 – Afterpay Arena*, Sydney
FOLLOW BENSON BOONE:
Website | Facebook | Twitter/X | Instagram | Spotify | Apple Music | YouTube | TikTok
Melbourne, we heard you ask for Charlotte de Witte to play at The Wool Store, and we simply could not resist.
One of techno’s most celebrated artists, Charlotte is a powerhouse across the globe, leaving her uncompromising sound and hypnotic stage presence etched into memories of those who witness her live.
Since announcing its 2026 return, The Wool Store has been selling out instantly. Sign up now or you’ll miss out.
Melbourne presale registration is now open.
Sydney, only a few tickets remaining – you’d want to be quick.
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Presale tickets are available to purchase from a presale link from 12:00 AEST on 7 July, 2026. Subject to further availability, the remaining ticket allocation shall be available for sale to the general public from 12:00 AEST on 8 July, 2026. |
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TOUR DATES: Friday 11 December, 2026 | The Wool Store, Melbourne Saturday 12 December, 2026 | Hordern Pavilion, Sydney |
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Six consecutive DJ Mag No.1 Techno DJ titles. Tomorrowland. Coachella. Lollapalooza. A debut album that shook the scene. Charlotte de Witte doesn’t need an introduction. Known for her uncompromising sound, hypnotic presence and relentless energy behind the decks, she’s spent a decade redefining what techno can be. This December, she brings it all to Australia for two massive headline shows that fans have been waiting a long time for.
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Santan Dave has officially shut down Sydney. Bringing his highly anticipated tour in support of his third studio album, The Boy Who Played Harp, to Qudos Bank Arena, the South London rapper delivered an unforgettable night that brought a taste of the UK rap scene to Australian shores. Greeted by a thunderous reception from a sea of devoted fans, both longtime supporters and newcomers alike, Dave matched the crowd’s energy bar for bar from the moment he stepped on stage.
It had been nearly eight years since Dave last performed in Sydney, when he played the far more intimate Oxford Art Factory. The anticipation surrounding his return was immense, and he exceeded every expectation. Already regarded as one of UK rap’s defining voices, Dave proved he is far more than just an exceptional lyricist. Throughout the night, he showcased his musical versatility, seamlessly moving between instruments as he performed. One standout moment saw him deliver one of his more introspective tracks while effortlessly playing the piano, before later switching to guitar for a soaring solo that sent shivers throughout the entire arena. It was a side of Dave that many fans had never witnessed live and one that elevated the performance beyond a traditional rap concert.
The production throughout the evening was equally impressive, with clever visuals adding another layer to the experience. While his collaborators weren’t physically present, on-screen appearances from Stormzy and Central Cee made performances of “Clash” and “UK Rap”, respectively, feel even more immersive, their larger-than-life projections towering over the stage. “Location” served as another crowd favourite, accompanied by visuals of Burna Boy, whose own recent Sydney performances back in October made the moment feel especially relevant. The emotional peak of the evening, however, came during “Raindance.” Featuring striking visuals of Tems, the performance brought a sense of intimacy and emotional weight to one of the most viral tracks from recent years, creating one of the night’s most memorable moments.
Despite the arena-sized production, an outstanding live band that blended gospel-inspired ambience with the raw power of rock and rap, and Dave’s commanding stage presence, it was his connection with the audience that defined the night. Every interaction felt genuine. The crowd hung on every word, and Dave returned that enthusiasm with heartfelt gratitude, making it clear he wasn’t simply performing another stop on a world tour – he genuinely wanted to give Sydney everything he had after travelling halfway across the globe.
If this performance proved anything, it’s that the eight-year wait was well worth it. Hopefully, the next one won’t take nearly as long. Judging by the reception inside Qudos Bank Arena, Sydney is more than ready to welcome Santan Dave back with open arms.
Words: Ken Magno
Sydney Photography: Yuvraj Sood
Melbourne Photo Credit: Cameron Marwick
Brisbane Photo Credit: Keely Baker
HITTING BRISBANE, SYDNEY & MELBOURNE THIS DECEMBER
PRESENTED BY SECRET SOUNDS & DOUBLE J
GENERAL TICKET ON SALE BEGINS 26 JUNE AT 10AM LOCAL
Today, British GRAMMY and Mercury Prize-winning producer, songwriter and musician James Blake announces his return to Australia for the first time since 2019, performing headline shows in Brisbane, Sydney and Melbourne this December.
Presented by Secret Sounds and Double J, the tour will venture to Brisbane’s Fortitude Music Hall on Tuesday 1 December, Sydney Opera House Forecourt on Wednesday 2 December and Melbourne’s Margaret Court Arena on Saturday 5 December.
The tour arrives off the back of Blake’s 2026 self-released album Trying Times – his highest charting album to date – a masterful display of his rich artistry and ability to articulate emotion with disarming transparency, tracing the uneasy space between intimacy and isolation in an age of instability.
TICKETS:
Mastercard cardholders have special access to presale tickets in Australia. Mastercard Presale starts Wednesday 24 June at 10am local and ends Friday 26 June at 9am local. Plus, Preferred ticket access to some of the best tickets are available from Friday 26 June at 10am local. Check out priceless.com/music for details.
Vodafone mobile customers can be among the first to secure tickets during a 48-hour presale commencing Wednesday 24 June from 10am local. Visit vodafone.com.au/ticket to find out more.
An artist presale will run from Wednesday 24 June at 10am local and concluding on Friday 26 June at 9am local.
Secret Sounds presale begins Thursday 25 June at 10am local, running until Friday 26 June, 9am local. Register at secretsounds.com/register.
General onsale tickets are available from Friday 26 June at 10am local. Tickets can be purchased at secretsounds.com.
Few artists have left as lasting an impression on contemporary music as James Blake. Since emerging from the UK post-dubstep scene in the early 2010s, the British producer and songwriter has spent 15 years operating at the intersection of soul, electronic and confessional writing. He’s influenced a generation of artists while answering to no singular genre, scene or label as one of the industry’s most formidable and diverse collaborators, working with Beyoncé, Frank Ocean, SZA, ROSALÍA, Kendrick Lamar, Travis Scott and more, contributing to era-defining modern classics like Blonde, DAMN., ASTROWORLD, Lemonade and Motomami. More recently, Blake collaborated with revered UK Rapper Dave on his critically acclaimed album The Boy Who Played The Harp and crafted “Séance” alongside Ludwig Göransson, a standout from the Sinners movie soundtrack. His live performances have graced the iconic stages of Glastonbury, Coachella, Primavera Sound, Splendour in the Grass and Austin City Limits, just to name a few.
JAMES BLAKE AUSTRALIAN TOUR
Tuesday 1 December – Fortitude Music Hall, Brisbane QLD
Wednesday 2 December – On The Steps at Sydney Opera House Forecourt, Sydney NSW
Saturday 5 December – Margaret Court Arena, Melbourne VIC
Tickets on sale Friday 26 June, 10am
Mastercard Presale: Wed 24 June, 10am
Vodafone Presale: Wed 24 June, 10am
Artist Presale: Wed 24 June, 10am
Secret Sounds Presale: Thu 25 June, 10am
For further information head to secretsounds.com