The Partae
  • Music
    • NEWS
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About
  • Contact Us / Advertise
  • Submit Event

Interview: Eyes of Bel on Melt, Love and Learning to Let Go

August 7, 2026

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s...

August 6, 2026

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More...

August 6, 2026

This Is Lorelei Turns the Chaos of the Road Into a Strange,...

August 6, 2026

Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So...

August 6, 2026

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This...

August 5, 2026

@ Find Beauty in the Breakdown on Haunting New Single ‘Punish My...

August 5, 2026

Public Works Bottles the Chaos of a Summer Breakup on Explosive New...

August 5, 2026

#1 Dads Announces First Australian Tour in Six Years Alongside New Album...

August 5, 2026

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour...

August 5, 2026
Category:

Festival News

Festival NewsMusic News

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s Best New Music

by the partae August 6, 2026
written by the partae

Community radio will once again take centre stage in Meanjin (Brisbane) with the return of Sounds Like Community Radio, a free afternoon of live music, national broadcasting and community connection at iconic station 4ZZZ, followed by the much-loved AMRAP BIGSOUND Listening Sessions as part of the 2026 BIGSOUND program.

Presented by the Community Broadcasting Association of Australia’s Australian Music Radio Airplay Project (AMRAP), Sounds Like Community Radio celebrates the stations, presenters, programmers and volunteers who continue to discover, support and amplify Australian music every day.

Taking place on Wednesday 2 September from 1pm–6pm at 4ZZZ, Fortitude Valley, the event will feature live performances from some of Australia’s most exciting emerging artists, alongside a live broadcast showcasing the personalities and passion that make community radio such an important part of the country’s music landscape.

The free event will feature performances from Milly Strange, Djarraway, Public Figures, Say True God?, Superhotel and Joey Leigh Wagtail, with guest presenters from community radio stations across Australia joining the broadcast.

Participating stations include 4ZZZFM, Triple R, PBS 106.7FM, Three D Radio, Edge Radio, SYN 90.7FM and fbi.radio, with the event also broadcast nationally via the Community Radio Network, connecting listeners across the country.

The lineup highlights the incredible diversity of Australian music today. Djarraway brings a powerful blend of roots, reggae and First Nations storytelling, while Naarm songwriter Milly Strange combines intimate folk influences with alt-rock energy. Dunghutti artist Joey Leigh Wagtail draws from folk, blues and country traditions, exploring themes of identity and belonging, while Brisbane favourites Superhotel deliver their warm alternative country-rock sound. Punk outfit Public Figures bring their raw, high-energy approach and social commentary, with Say True God? rounding out the lineup with his award-winning hip-hop and soulful production.

Community radio remains one of Australia’s most important platforms for music discovery. Each week, the sector reaches more than 5.4 million listeners through more than 450 licensed stations, providing vital support for local artists, diverse voices and emerging talent.

Following Sounds Like Community Radio, the AMRAP BIGSOUND Listening Sessions return on Thursday 3 September, giving artists and industry professionals the opportunity to receive direct feedback from some of Australia’s leading community radio programmers.

Held from 10am–2pm at The Warrar Room, The Precinct, Fortitude Valley, the sessions offer artists valuable insight into preparing releases, building relationships with radio and increasing opportunities for community radio airplay.

Representatives from 4ZZZFM, Triple R, PBS 106.7FM, Three D Radio, Edge Radio, SYN 90.7FM and fbi.radio will be available throughout the sessions to hear new music, share feedback and discuss how artists can connect with community broadcasters around Australia.

Spaces for the AMRAP BIGSOUND Listening Sessions are limited, with bookings essential.

Across two days, Sounds Like Community Radio and the AMRAP BIGSOUND Listening Sessions celebrate the people behind Australian music discovery — connecting artists, broadcasters and audiences through the power of community radio.

Sounds Like Community Radio
Wednesday 2 September 2026
1pm–6pm
4ZZZ, 264 Barry Parade, Fortitude Valley
Free Entry

Featuring: Milly Strange, Djarraway, Public Figures, Say True God?, Superhotel and Joey Leigh Wagtail

AMRAP BIGSOUND Listening Sessions
Thursday 3 September 2026
10am–2pm
The Warrar Room, The Precinct
Level 2, 315 Brunswick Street, Fortitude Valley
Bookings essential for Listening Sessions.

August 6, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More to Huge 2026 Lineup

by the partae August 6, 2026
written by the partae

Queenscliff Music Festival is shaping up for a huge return in 2026, with the Victorian coastal festival revealing another 19 artists joining an already impressive lineup. From sun-soaked psychedelia and garage rock to soul, folk and genre-bending live chaos, the latest announcement once again highlights the festival’s ability to bring together some of Australia’s most exciting voices.

Returning to Wadawurrung Country in Queenscliff from 27–29 November 2026, the festival’s third artist announcement welcomes Babe Rainbow, The Pretty Littles, Merpire, Velvet Bloom, Ukelele Death Squad and Candice Lorrae, adding even more colour to a lineup already featuring Matt Corby, Baker Boy, Kate Miller-Heidke, Peter Garrett & the Alter Egos, Meg Mac, Lime Cordiale, Magic Dirt, Kitty, Daisy & Lewis, Tim Rogers and The Bamboos.

Queenscliff Music Festival has always been about discovery — those moments where you stumble across a new favourite artist while surrounded by the energy of the coast — and the latest additions capture that spirit perfectly.

Byron Bay’s Babe Rainbow will bring their unmistakable psychedelic pop sound to the Bellarine Peninsula, delivering the kind of laid-back, sun-drenched grooves that have seen them build a dedicated following around the world. Across seven albums, the band has created a unique blend of vintage psychedelia, surf culture and effortless melody.

Melbourne garage rock favourites The Pretty Littles return with their raw storytelling, sharp humour and explosive live energy. Known for their honest songwriting and ability to turn everyday observations into unforgettable songs, the band has become one of Australia’s most loved independent acts.

Naarm/Melbourne songwriter Rhiannon Atkinson-Howatt’s project Merpire joins the lineup following the release of her ARIA-charting album MILK POOL. Blending dark-pop atmospheres with deeply personal songwriting, Merpire has earned international recognition from outlets including triple j, BBC Radio 1 and NPR.

Candice Lorrae enters a new chapter as a solo artist, bringing songs from Paperbark & Lilies to Queenscliff. The Jawoyn and Torres Strait Islander songwriter, producer and member of The Merindas combines country, soul and dream-pop influences while exploring stories of family, culture and connection to Country.

Melbourne neo-soul outfit Velvet Bloom add another layer of warmth and groove to the festival, while Ukelele Death Squad promise one of the most unpredictable performances of the weekend. The genre-defying collective have built a reputation for shows that feel less like a performance and more like a celebration where everyone becomes part of the experience.

The latest announcement also continues Queenscliff Music Festival’s support of emerging Australian talent. Through the festival’s partnership with Port Fairy Folk Festival, Bonnie Jackson and Harriet Wraith join the lineup as graduates of the Future Folk initiative, while 2025 Queenscliff Music Festival Busking Competition winner Alaska earns her place after captivating audiences with her reflective lyrics and heartfelt vocals.

Also joining the 2026 lineup are Torquay psychedelic punk-funk outfit De Porsal, Bellarine blues and folk songwriter Jack Meredith, Melbourne alt-country artist Kyle Brew, Mika James stepping forward from The Vovos with her own cinematic country and blues sound, Surf Coast indie-rockers Savage Honey, folk-country harmonisers Small Town Romance, Geelong soul and funk powerhouse Sweethearts, indie-folk songwriter Tom Harrington and blues artist Wayne Jury.

For younger festivalgoers, Australian comedy duo The Listies will also bring their award-winning show to Queenscliff.

With more than 70 artists set to perform alongside local food and drink, immersive arts experiences, family-friendly programming and the festival’s iconic coastal setting, Queenscliff Music Festival 2026 is shaping up as one of the standout weekends on the Australian music calendar.

Queenscliff Music Festival runs from 27–29 November 2026 at Queenscliff VIC.

The current 2026 Queenscliff Music Festival lineup includes:

(Alphabetical Order)

A.C Saunders | Alaska | Azure Ryder | Babe Rainbow | Baker Boy | The Bamboos | Bonnie Jackson | Cam Walter Blues | Candice Lorrae | Charley Castle & the Boys in the Well | Cousin Tony’s Brand New Firebird | De Porsal | Docker River Band | FARAH | The Gnomes | Harriet Wrath | Hussy Hicks | Immy Owusu | Jack Meredith | Jesse Valach & The Testaments | Jordie Lane |Kaiit |Kate Miller-Heidke | Kerryn Fields | Kitty, Daisy & Lewis | Kyle Brew | Lime Cordiale | Liv Cartledge | Magic Dirt | The Maes | Matt Corby | Meg Mac | Merpire | Mia Dyson | Midnight Chicken | Mika James | Oscar LaDell | Owelu Dreamhouse | Peter Garrett & the Alter Egos | The Pretty Littles | Rupert Bullard | Savage Honey | Small Town Romance | Steph Strings | Sunday Lemonade | Sweethearts | Tim Rogers | Tom Harrington | Ukelele Death Squad | Velvet Bloom | Wayne Jury | Willie J’s 6V6s

Plus, for Kids: The Listies | Zindzi & the Zillionaires

 

2026 1st RELEASE TICKETS ON SALE NOW – Single-day tickets now on sale.

3 Day Adult – $305

3 Day Accompanied Youth 14-17 – $149

Single Days – $109 – $145

Children 1-13 – $35 (sold in conjunction with an adult ticket)

QMF Camping – $35 for 3 nights (per person), children camp free

Rent A Tent – from $460 for 3 nights

CLICK HERE FOR FESTIVAL TICKETS + CAMPING INFO

Facebook icon
Website icon
Instagram icon
Spotify icon
YouTube icon
August 6, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This December

by the partae August 5, 2026
written by the partae

Jordan Rakei is heading home.

Following the announcement of his seventh studio album, A Safe Place To Be Wild, the New Zealand-born, Australian-raised artist has locked in a run of Australian and New Zealand headline dates this December, bringing his genre-blurring live show to Auckland, Brisbane, Sydney and Melbourne.

Few artists move between soul, jazz, alternative R&B and orchestral pop as effortlessly as Rakei. Across more than a decade, he’s built a catalogue that refuses to stand still, pairing intricate musicianship with deeply personal songwriting that continues to evolve with every release.

His latest album, arriving October 30 via Fontana, looks set to be his most revealing yet. A Safe Place To Be Wild explores vulnerability, self-acceptance and creative freedom, capturing an artist letting go of expectation in favour of instinct. It’s a record shaped by a transformative year spent as the first resident artist at London’s iconic Abbey Road Studios, alongside countless hours creating in his own home studio.

The upcoming tour will see fans experience new material alongside favourites spanning six acclaimed albums, with Rakei’s celebrated live band once again delivering the rich arrangements, improvisation and emotional depth that have made him one of contemporary music’s most captivating performers.

Having collaborated with artists including Loyle Carner, Tom Misch, Bonobo, Nubya Garcia, Femi Koleoso and JUNGLE’s Tom McFarland, Rakei has quietly become one of the defining voices in modern soul. His live résumé is just as impressive, with appearances at Glastonbury, sold-out performances at London’s Royal Albert Hall and a reputation for creating shows that feel as intimate as they do expansive.

Tour Dates

3 December — Town Hall, Auckland

5 December — The Princess Theatre, Brisbane

6 December — Tumbalong Park (FORMA), Sydney

10 December — Forum, Melbourne

Tickets

Presale: Wednesday 5 August, 4:30pm AEST

General On Sale: Thursday 6 August, 4:30pm AEST

MORE INFO HERE
SIGN UP FOR PRESALE HERE

 

With A Safe Place To Be Wild arriving just weeks before the tour, these shows promise to capture Jordan Rakei at a fascinating point in his career—still pushing forward, still impossible to pin down, and still making music that rewards anyone willing to really listen.

JORDAN RAKEI
WEBSITE | INSTAGRAM | TIKTOK | FACEBOOK

FINELY TUNED
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE

 

August 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

#1 Dads Announces First Australian Tour in Six Years Alongside New Album Every Little Fire

by the partae August 5, 2026
written by the partae

After six years away from Australian stages, #1 Dads is heading home.

The solo project of Tom Iansek returns this October and November for an extensive regional Australian tour celebrating the release of his fourth album, Every Little Fire, arriving October 16 via Pieater. Spanning 17 intimate shows across Queensland, New South Wales, Victoria, Tasmania, South Australia, Western Australia and the ACT, the tour marks Iansek’s first local run since relocating to the UK.

Rather than a full-band production, these performances will see Iansek take the stage alone, revisiting favourites from across the #1 Dads catalogue while introducing new material from what is shaping up to be his most personal record yet.

Speaking about the tour, Iansek said:

“As you may already know I moved to the UK a few years ago but I have thoroughly missed Australia and I have really missed being on the road. I’ve missed the pre-show nerves, chatting to people after shows, the Hume, coffee and car tunes, finding the best place to eat. This tour is special as I’ll be performing by myself, which is fairly new to me and certainly new to #1 Dads, the beauty of this means that I can take the show well off the beaten path, which you can see from all the amazing regional dates. I’m so stoked to be performing all of these shows, playing some new tunes from the album (along with some classics) and I hope you can make it along to one. There’ll be an array of merch too which has all been designed by me.”

Best known as one half of Big Scary and No Mono, Iansek has spent more than two decades shaping Australian independent music, while also producing and collaborating with artists including Maple Glider, Kate Miller-Heidke, The Paper Kites, Ruby Gill and Lisa Mitchell.

His return as #1 Dads follows a period of major personal change, including relocating from Melbourne to London and starting a family. Those experiences form the foundation of Every Little Fire, an album written, produced and mixed by Iansek in small home studios, embracing imperfections, longer takes and a stripped-back recording process that mirrors its deeply reflective themes.

Lead single Already Something offers the first glimpse into the new record, with the album continuing the thoughtful songwriting and understated arrangements that have defined the #1 Dads project since its 2011 debut.

Tour

22 October – Mapleton Pub, Mapleton QLD

23 October – Junk Bar, Brisbane QLD

24 October – The Citadel, Murwillumbah NSW

25 October – Elm House, Mt Glorious QLD

29 October – The Eltham, Eltham VIC

30 October – Bellingen Golf Club, Bellingen NSW

5 November – Lansdowne Hotel, Sydney NSW

6 November – Grand Junction Hotel, Maitland NSW

7 November – The Servo, Port Kembla NSW

12 November – Altar, Hobart TAS

13 November – The Church, Geelong VIC

14 November – Old Stone Hall, Beechworth VIC

21 November – Brunswick Ballroom, Melbourne VIC

26 November – Gang Gang, Canberra ACT

27 November – Grace Emily, Adelaide SA

28 November – Mojo’s, Fremantle WA

Tickets available via musicyourdadmakes.com

#1 DADS
Every Little Fire LP
October 16 via Pieater
PRE-SAVE HERE

‘Already Something’ is out now, buy/stream it here.

Tickets go on sale Thursday 6 August at 9am AEST via musicyourdadmakes.com, with Every Little Fire arriving on October 16 through Pieater.

 

Stay connected with #1 Dads:
23 Profile | Website | Facebook | Instagram | YouTube

August 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour to Australia This November

by the partae August 5, 2026
written by the partae

Fresh off the release of their acclaimed second album WHO ASKED?, Grammy-nominated duo DOMi & JD BECK are heading back to Australia this November for three intimate East Coast headline shows.

Known for effortlessly blurring the lines between jazz, hip-hop, funk, electronic music and improvisation, the French keyboard virtuoso and Texas-born drumming phenomenon have built a global following through fearless musicianship and performances that are impossible to predict. Returning for the first time since 2024, the duo will perform in Melbourne, Sydney and Brisbane as part of their WHO ASKED? Australian Tour.

Released via Anderson .Paak’s APESHIT label and Blue Note, WHO ASKED? expands on the foundations of their Grammy-nominated debut NOT TiGHT. Across 15 tracks, the album explores orchestral arrangements, intricate compositions and vocal performances from both artists while continuing to challenge genre conventions.

“the virtuoso jazz-and-beyond duo re-emerges with ever more intricate songs” – The New York Times

“meticulously pieced-together, simplistic, and bold sophomore effort” – Glide Magazine

Since forming in 2018, DOMi & JD BECK have become one of modern music’s most distinctive instrumental acts. Their viral reinterpretations of jazz classics, collaborations with Anderson .Paak, Thundercat, Ariana Grande and Mac DeMarco, acclaimed NPR Tiny Desk Concert, and television performances on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! have cemented their reputation as artists who continually push musical boundaries.

DOMi & JD BECK
​WHO ASKED? AUSTRALIAN TOUR
​NOVEMBER 2026
​
Presented by Frontier Touring & Penny Drop

FRONTIER MEMBER PRESALE
​
Via frontiertouring.com/domiandjdbeck
​Runs 24 hours from: Thursday 6 August, 11am AEST
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 7 August, 12pm AEST
​

Tuesday 10 November
​170 Russell | Melbourne VIC
​
moshtix.com.au

Thursday 12 November
​Metro Theatre | Sydney NSW
​
ticketek.com.au

Friday 13 November
​The Triffid | Brisbane QLD
​
moshtix.com.au

Whether you’re a longtime jazz fan or simply love artists who refuse to stay in one lane, DOMi & JD BECK’s Australian return promises an evening of technical brilliance, fearless improvisation and music that constantly keeps audiences guessing.

August 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Northlane Announce New Album ‘Anemoia’ + Australian Headline Tour

by the partae August 5, 2026
written by the partae

Australian heavy music trailblazers Northlane have revealed their visceral new single “CUT_it”, lifted from their forthcoming album, Anemoia, out October 30 (Independent / Immortal Music Group). To celebrate the release of their seventh record, Northlane will embark on their biggest Australian headline tour of their career this November.

Anemoia’s second suffocating track “CUT_it” encapsulates the bone-weariness of total burnout. Driven by a low-end groove that bends and bows under the unrelenting weight of exhaustion, Marcus Bridge flexes a new menacing side of his huge vocal range before the song erupts into merciless heaviness.

“CUT_it is about burnout – the feeling of grinding through things when you’re completely spent, mentally and physically. The imagery is deliberately visceral, painting a picture of that exhaustion rather than analysing it,” says Bridge.

Across a career defined by seismic shifts, Northlane have stared down technological anxiety, alienation and collapse, channelling it into a highly influential body of work that is as expansive as it is confrontational. With the world in dire straits, it would have been easy for them to descend into the void on album number seven. Instead, they emerged from the studio with their most hopeful and human record yet.

Executive produced by Jordan Fish, the idea for Anemoia was sparked by a mind-altering set from UK producer and DJ Evian Christ, which inspired songwriter/guitarist Jon Deiley to explore how trance – in all its emotional intensity and physical scale – could work naturally with guitars and the catharsis of heavy music. Throughout the album, Northlane’s hallmark electronic metal takes on many forms, shapeshifting through euphoric trance, seismic breakdowns, brain-bending grooves, drum-and-bass, jungle and pop, coalescing into Northlane’s own sonic singularity.

Following on from their #1 album Obsidian (2022), Anemoia toys with the concept of feeling nostalgia for a time or place one has never known. This yearning opens up a dichotomy of darkness and light, where the sense of freedom of eras past buoys a carefree energy running through tracks like first single “Evian”, while feelings of anger and despair come roaring back when the present day shatters the reverie, leading to some of Northlane’s heaviest moments since their first EP.

“There’s darkness here, but it’s not nihilism – and there’s hope, but it’s not naivety,” adds Bridge.

More than 15 years into their career, Northlane continue to stand at the forefront of heavy music globally with a singular sound that shifts the genre’s landscape with every release. With multiple chart-topping albums, awards and over 500 million streams, the band has built a legacy defined by the restless pursuit of innovation. On Anemoia, they have not chosen between the worlds that shaped them – they have finally found where they meet.

Northlane will bring Anemoia to stages across Australia this November for their biggest headline tour to date, joined by After The Burial (USA), Cenobia and Above, Below.

Tickets are on sale August 13 via destroyalllines.com

NORTHLANE

ANEMOIA AUSTRALIAN TOUR

With Guests After The Burial (USA), Cenobia and Above, BelowPresale begins Wednesday 12 August @ 11am AEST. Sign up for access here

Tickets are on sale Thursday 13 August @ 11am Local via destroyalllines.com

Thursday November 5
Metro City, Perth – 18+

Saturday  November 7
Festival Hall, Melbourne – LIC AA

Sunday  November 8
Thebarton Theatre, Adelaide – LIC AA

Wednesday November 11
Enmore Theatre, Sydney – LIC AA

Friday November 13
Bar On The Hill, Newcastle – 18+

Saturday November 14
Fortitude Music Hall, Brisbane – LIC AA

NORTHLANE – ANEMOIA

Out October 30 via Independent / Immortal Music Group
STREAM | SAVE

FOLLOW NORTHLANE
Website Website
Facebook Facebook
Instagram Instagram
YouTube YouTube
Spotify Spotify
August 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

OCEAN SLEEPER Announce Exclusive VIP Pre-Release Parties For Album ‘Peace When I’m Dead’ Out 28 August

by the partae August 5, 2026
written by the partae

Regional kings of Gippsland, Australia, Ocean Sleeper, announce a series of exclusive VIP pre-release parties set for the week leading into the release of their sophomore album Peace When I’m Dead – out August 28 (via BMA Australia/Rise Records).

The parties will give VIP ticket holders an exclusive first listen to the album, followed by a Q&A with the band There’s exclusive attendee-only merch on offer too – including limited-edition t-shirts embedded with an NFC tag that unlocks the album.

PEACE WHEN I’M DEAD PRE-RELEASE PARTY DATES:
Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

VIP tickets to these exclusive events are strictly limited, with no further releases once sold out. Tickets can be purchased now from HERE.

Ocean Sleeper ripped into 2026 as a band transformed – sharper, heavier, and more emotionally resonant than ever before. This year is proving to be their most ambitious and exciting yet, with fans treated to three explosive, defiant, and powerful singles: ‘Break The Cycle’, ‘Peace When I’m Dead’ and ‘My Forever Drug’.

Across those three singles, the band have gained serious traction both at home and abroad. Locally, support has poured in from triple j, Blunt Magazine, Roguenjosh, and Heavy Mag, while at US radio ‘Break The Cycle’ landed as the 17th most played song on SiriusXM Liquid Metal. Globally, the band have racked up hundreds of thousands of streams across DSPs, backed by playlist additions from All New Rock (FR), The Core (US), All New Metal (US), Hard Rock (US), and Rock Out (AU) – plus a cover feature on Homegrown (Spotify), a spot on Apple’s global New Music Daily, and multiple placements on Spotify’s global New Music Fridays.

Capturing the weight of grief, guilt, and regret, Peace When I’m Dead showcases Ocean Sleeper’s ability to vulnerably explore the darker corners of the human experience, confronting inner turmoil, depression, and profound emotional lows head-on. In acknowledging, expressing, and releasing these deeply felt emotions, the album channels a rare sense of catharsis and connection.

“This band has never been afraid to dive into the darker parts of our lives, and this album is no exception,” says Karl Spiessl, lead vocalist. “At its core, the record explores the ongoing battle we have with ourselves – that constant inner struggle that can feel endless. It’s about coming to terms with the idea that this conflict may always be part of the human experience, and learning to accept that reality.”

September will see Ocean Sleeper embark on their most ambitious tour yet: the Peace When I’m Dead Tour, presented by New World Artists and Fireball AU. Marked as their biggest national headline run to date, the tour kicks off at Liberty Hall in Sydney on Friday 4th September, hits The Princess Theatre in Brisbane on Saturday 5th (SOLD OUT), Magnet House in Perth on Thursday 10th, Hindley St Music Hall in Adelaide on Friday 11th, and closes with a massive home-state show at the Forum in Melbourne on Saturday 12th September. With Brisbane already sold out, remaining tickets for the other dates are moving fast. Grab yours HERE.

The Peace When I’m Dead Tour is just one chapter in a mammoth global run that will see Ocean Sleeper play 82 shows between now and February 2027. June and July bring support dates with Nevertel and the band’s first-ever headline shows across the UK and Europe, followed by the Australian Peace When I’m Dead Tour in September. From there, Ocean Sleeper return to the US with Nevertel, join Parkway Drive’s Hellbound Cruise in October, and kick off 2027 supporting Catch Your Breath throughout Europe and the UK.

Don’t miss Ocean Sleeper’s unique blend of crushing metalcore intensity married with deeply personal lyricism and huge melodies at the Peace When I’m Dead Pre-Release Parties. And don’t forget to grab your tour ticket before they’re all gone!

Peace When I’m Dead (album)
Out 28 August
PRE-ORDER, PRE-SAVE

‘Break The Cycle’
LISTEN | WATCH

‘Peace When I’m Dead’ (single) 
LISTEN | WATCH

‘My Forever Drug’ 
LISTEN | WATCH

PEACE WHEN I’M DEAD PRE-RELEASE PARTIES 
TICKETS HERE

Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

OCEAN SLEEPER TOUR DATES 
All Shows – TICKETS HERE

Peace When I’m Dead National Tour – 2026 
presented by New World Artists and Fireball AU

Friday 4 September Liberty Hall – Sydney, NSW – TICKETS – (FINAL TICKETS)
Saturday 5 September – The Princess Theatre – Brisbane, QLD – (SOLD OUT)
Thursday 10 September – Magnet House – Perth, WA – TICKETS
Friday 11 September – Hindley St Music Hall – Adelaide, SA – TICKETS – (FINAL TICKETS)
Saturday 12 September -Forum – Melbourne, VIC – TICKETS

NORTH AMERICA 2026 – Supporting Nevertel
Fri Sep 18 — Louisville, KY — Louder Than Life (festival)
Sat Sep 19 — Grand Rapids, MI — Elevation
Sun Sep 20 — Detroit, MI — The Sanctuary
Tue Sep 22 — Omaha, NE — Waiting Room
Wed Sep 23 — Denver, CO — Marquis Theatre
Fri Sep 25 — Houston, TX — Studio at Warehouse Live
Sat Sep 26 — Austin, TX — Come and Take It Live
Sun Sep 27 — Dallas, TX — House of Blues
Tue Sep 29 — Memphis, TN — 1884
Thu Oct 1 — Columbus, OH — A&R Bar
Fri Oct 2 — Pittsburgh, PA — Preserving
Sat Oct 3 — Cleveland, OH — Grog Shop
Sun Oct 4 — Buffalo, NY — Electric City
Tue Oct 6 — Syracuse, NY — The Song & Dance
Thu Oct 8 — Worcester, MA — Upstairs at Palladium
Fri Oct 9 — New York, NY — Gramercy Theatre
Sat Oct 10 — Allentown, PA — Arrow
Sun Oct 11 — Hampton Beach, NH — Wally’s
Tue Oct 13 — Johnson City, TN — Capones
Wed Oct 14 — Charleston, SC — Music Farm
Fri Oct 16 — Birmingham, AL — Workplay
Sat Oct 17 — Nashville, TN — Ceremony Fest (festival)
Sun Oct 18 — Atlanta, GA — Masquerade

INTERNATIONAL WATERS with Parkway Drive
Thurs Oct 22 — HELLBOUND CRUISE FESTIVAL
Fri Oct 23 — HELLBOUND CRUISE FESTIVAL
Sat Oct 24 — HELLBOUND CRUISE FESTIVAL

Europe/ UK 2027 – Supporting Catch Your Breath
Wed Jan 13 — Dublin, Ireland — The Academy
Fri Jan 15 — London, UK — Electric Ballroom
Sat Jan 16 — Manchester, UK — Manchester Academy 2
Sun Jan 17 — Glasgow, UK — Garage
Tue Jan 19 — Birmingham, UK — XOYO
Wed Jan 20 — Bristol, UK — Bristol Electric
Fri Jan 22 — Frankfurt am Main, Germany — Batschkapp
Sat Jan 23 — Berlin, Germany — Columbia Theater
Sun Jan 24 — Prague, Czechia — Roxy
Mon Jan 25  — Vienna, Austria — Arena
Wed Jan 27 — Milan, Italy — Santeria Toscana 31
Fri Jan 29 — Cologne, Germany — Carlswerk Victoria
Sat Jan 30 — Munich, Germany — Backstage
Sun Jan 31 — Zurich, Switzerland — Dynamo
Tue Feb 2 — Paris, France — Trabendo
Wed Feb 3 — Sint-Niklaas, Belgium — De Casino
Fri Feb 5 — Stuttgart, Germany — Im Wizemann
Sat Feb 6 — Hamburg, Germany — Grosse Freiheit 36
Sun Feb 7 — Utrecht, Netherlands — Ronda\
Tue Feb 9 — Copenhagen, Denmark — Pumpehuset
Wed Feb 10 — Oslo, Norway — John Dee
Thu Feb 11 — Stockholm, Sweden —Debaser Strand
Sat Feb 13 — Helsinki, Finland — Tavastia
Sun Feb 14 — Tallinn, Estonia — Helitehas
Mon Feb 15 — Riga, Latvia —Riga, Melna Piektdiena
Wed Feb 17 — Warsaw, Poland — Progresja

Praise for Ocean Sleeper: 

“Production is so so good… I feel like this is one of those bands that could be the future of Aussie metalcore.” Roguenjosh

““The quality of this new material speaks for itself….this is only the tip of the iceberg – lots more to come!” – Jack Bergin triple j CORE 

“…the Victoria-based outfit has taken this newfound popularity in their stride, delivering an energetic and visually epic showcase to a loyal onslaught of fans.” – Wall of Sound

“From Karl Spiessl using every inch of the stage to his advantage to Stan Liagourdis twirling his guitar mid-set, they’re never anything less than captivating to watch.” – Heavy Mag

OCEAN SLEEPER 
Website | TikTok | Instagram | Spotify | YouTube | Apple Music | Facebook | X

August 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Amyl and The Sniffers Announce Country Concert Film “Truth Or Consequence” – Limited Theatrical Screenings and Live Album

by the partae August 4, 2026
written by the partae

Amyl and The Sniffers announce the impending release of a live album and film, but in classic Sniffers style, this is anything but a conventional live record.

In April last year the band set up with a group of friends at the iconic El Coyote Mexican Restaurant in LA to film and record a one of a kind performance – reimagining their songs as stripped back, country versions.
As well as some fan favourites, the set features two unreleased songs and a cover of Slim Dusty’s ‘Lights On The Hill’.
Intimate, loose and full of fun, the performance captures the band in a way audiences have never seen before. Interspersed with candid behind the scenes moments, Truth Or Consequence is essential viewing for fans and anyone who likes a good time.

“The hope for this record is that it is listened to as it was made, in a ruckus exclamation between a cherished group of friends.” – Amyl and The Sniffers

FIND A THEATRICAL SCREENING NEAR YOU HERE
PRE ORDER THE ALBUM HERE 

Amyl and The Sniffers have become one of Australia’s most successful bands since forming in Melbourne a decade ago. Renowned for their explosive live performances, uncompromising songwriting and fiercely independent spirit, the four-piece have built a global following through relentless touring and an unforgettable stage presence.
Since the release of their third album, Cartoon Darkness, in 2024, the band have barely stopped touring. They’ve performed at some of the world’s biggest festivals, including Glastonbury, Primavera Sound, Roskilde, Pukkelpop and Lollapalooza, shared stages with AC/DC, Foo Fighters and Green Day, and completed multiple headline tours across the US, UK, Europe and Australia, continuing to reach new heights with each show.
Cartoon Darkness also marked a new peak in the band’s critical acclaim, earning four ARIA Awards, including Album of the Year, Best Group and Best Rock Album, as well as Grammy and BRIT Award nominations.

Truth Or Consequence is out on vinyl and streaming services on Sept 4

And will have Australian national cinematic release from August 28

amylandthesniffers.com // Facebook // youtube // Instagram

August 4, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Alex Lahey Revisits Her Breakthrough Debut EP ‘B-Grade University’ a Decade On – With Tegan and Sara Along for the Ride + Australian Tour Announced

by the partae August 4, 2026
written by the partae

Ten years is a long time in indie rock. Long enough for a scrappy Melbourne songwriter’s debut EP to become a coming-of-age touchstone, and long enough to justify bringing it back with a few surprises tucked inside.

Alex Lahey has announced B-Grade University (Reunion Edition), a 10-year anniversary reissue of her breakout debut EP, landing July 17 via Dead Oceans. The reissue arrives with a freshly re-recorded version of the EP’s standout single, “You Don’t Think You Like People Like Me” — this time featuring Canadian duo Tegan and Sara — plus a run of solo U.S. tour dates set for July.

Back when B-Grade University first dropped, it made real noise: Entertainment Weekly tagged Lahey as an artist “Breaking Big,” Stereogum named her one to watch, and Pitchfork handed “You Don’t Think You Like People Like Me” a Best New Track nod, praising the way her words tumble out with breathless, vulnerable ease. NYLON zeroed in on the EP’s tight 18-minute runtime, calling out its knack for capturing the messiness of modern romance and the strange comedy of heartbreak, drawing comparisons to Car Seat Headrest and Bully along the way.

For Tegan and Sara, the reunion has a full-circle quality. The duo remembers watching Lahey perform the track from the side of the stage on a joint tour a decade ago, and now they’re the ones singing on it. They’ve been open about admiring how Lahey’s talent as a songwriter is matched by her offbeat sense of humor — and about staking an early claim as fans, well before the rest of the world caught on.

Lahey herself has described the writing of the original EP in vivid, personal terms — sitting in her childhood bedroom at her mum’s house, watching Melbourne’s skyline creep further into view, and selling her car to scrape together studio time. She’s said the songs changed the course of her life entirely, carrying her to places she never imagined and connecting her with people who found their own stories inside them.

What’s on the reissue

Alongside the four original B-Grade University tracks, the Reunion Edition folds in re-recordings of “You Don’t Think You Like People Like Me” and “Let’s Go Out,” alternate versions of “Wes Anderson” and “Let’s Go Out” pulled from Lahey’s 2020 Between the Kitchen and the Living Room EP, and a 2017 live-in-studio recording of “You Don’t Think You Like People Like Me” from triple j’s Like A Version. A limited vinyl run is available for pre-order now.

Full tracklist:

Ivy League

Let’s Go Out

Wes Anderson

You Don’t Think You Like People Like Me

L-L-L-Leave Me Alone

You Don’t Think You Like People Like Me (feat. Tegan and Sara)

Let’s Go Out (feat. Slowly Slowly)

Wes Anderson – Bathroom Version

Let’s Go Out – Bedroom Version

You Don’t Think You Like People Like Me (triple j Like A Version)

TOUR

Lahey will mark the anniversary with shows on both sides of the Pacific. Back home, the B-Grade University Reunion Tour touches down in Brisbane, Melbourne, Sydney, Perth, and Adelaide in late August:

Thu Aug 20 — The Triffid, Brisbane

Fri Aug 21 — Corner Hotel, Melbourne

Sat Aug 22 — Manning Bar, Sydney

Fri Aug 28 — The Rosemount Hotel, Perth

Sat Aug 29 — Jive, Adelaide

All tickets at www.alexlahey.com.au  Threekingstouring.com.au

VINYL ORDER – Alex Lahey – B-Grade University – EXCLUSIVE SPLATTER Reunion Edition Vinyl LP

Alex Lahey Online:
Website | Instagram | Facebook | X | TikTok | Substack | AL, Kate & All Their Mates

August 4, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival News

Interview: Rob Adelberg on New Tricks, X Games Glory & Freestyle Kings’ Return to Melbourne – Saturday 8th August 2026

by the partae August 3, 2026
written by the partae
Freestyle Kings returns to Rod Laver Arena in Melbourne on Saturday 8 August 2026. As the hometown hero leading this incredible line-up, how excited are you to be bringing the show back to Melbourne?

I’m always excited for this one as it’s the local so plenty of friends and family. This year it’s lined up directly after a string of big competitions and a so I’m at the top of my game and as a team we have rode 12 shows already this year so our team are all on point as well.
 
Freestyle Kings has become one of the biggest action sports shows in the world. What makes this event unique, and why do you think it continues to attract fans of all ages?

For me I believe it starts at the top of the team which is Josh Hannah. His an ex Freestyle moto rider and I’ve been friends with him for many years before he started these shows. So he knows what we are like he cares about our safety his also a great business man who wants to produce the best show in the world so for me it starts with him.

This year’s line-up features some of the world’s best freestyle motocross and BMX riders. Is there a particular moment or performance you’re especially excited for fans to experience at Rod Laver Arena?

There is so many parts of our show that are new for this years event in Rod Laver. For me though I’m working on a trick I’ve never done before in a show and it’s a trick that has won me a gold medal at X Games. So I’m nervous but excited to showcase it.

You’ve had an incredible career in freestyle motocross. Looking back, what’s the one moment you’re most proud of, and how has it shaped the rider you are today? 

This is a tough one I’ve had so many moments that stand out but it always seems to come back to the last big trick I’ve learnt or thing I’ve achieved. This year we had 3 x games events I showed off 3 tricks that had never been done in competition earning myself a gold, silver and a bronze over the three events where I was the only rider to medal at all 3.

If we are talking about shows the big one for me is when we showed the world that our Freestyle Kings team is the best in the world by riding in the pouring rain for a crowd that had been sitting there waiting. It’s not what normally would happen but we are a close knit team and we all trust each other and our abilities the video from that show was one of the most viral talked about moments in fmx.

Fans see the massive tricks, but not the work behind them. What does your preparation look like leading into a show as big as Freestyle Kings?

This is a tough one to prepare for because of the variety of riding we do in the show. So of course I’m at home working on my big tricks but also perfecting the small forgotten about tricks as we showcase these in a specific segment of our show. At home I’ll be working on big new bangers but also working to push the older tricks that started our sport.

Freestyle motocross continues to evolve with bigger tricks and higher expectations. Where do you see the sport heading over the next few years, and how does Freestyle Kings continue to raise the bar? 

We have been hearing that the sport can’t keep improving but as we have shown there is so much more to offer with new tricks and like I mentioned perfect and taking old tricks to new heights. Freestyle kings showcase this perfectly by the segments we have in our show and the riders we have aging from 11 to 44 that are all at the top of the sport.

Performing in front of a Melbourne crowd must be something special. What makes your hometown fans different, and what kind of atmosphere are you expecting on Saturday 8 August? 

I feel like any capital city show is like a hometown show as we ride all around the world and the Aussie fans are built different. There loud and you can tell there just as pumped as we are and the appreciation we receive after the show when signing autographs or taking photos makes it feel extra special.

For someone who has never been to Freestyle Kings before, what can they expect when the lights go down and the action begins? Be ready to have your mind blown from start to finish. From every act in our team from our production, fire team, Bmx and Moto it’s a fast paced in your face action packed show that you’ll be back at next year.

You’ve inspired a new generation of Australian riders. What advice would you give to young athletes who dream of one day competing on the Freestyle Kings stage?

This is for anyone out there for anything in life. If you want it you have to go and get it. Nothing is owed to you and you need to work hard to get what you want. If it’s worth it, it ain’t easy and if it’s easy it ain’t worth it. Strive to be great and challenge yourself.

Finally, what message would you like to share with everyone thinking about coming to Freestyle Kings at Rod Laver Arena on Saturday 8 August 2026? Be sure to get those tickets because you won’t want to miss this one. I know what I’m bringing for the fans and every other athlete on our team works hard to be the show you the best. What you see on a tv or phone screen is nothing in comparison to the real deal so come on down.

TICKETS

Rob Adelberg Instagram

Freestyle Kings Instagram
August 3, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Fool Nelson – Announce AUS Tour Dates + Share Music Video

by the partae August 2, 2026
written by the partae

n a breakout ’25 landing in triple j‘s Hottest 200, a slew of sold out shows across the nation, West Coast favs Fool Nelson have powered through the year with a sold out London debut headline, notched tastemaker festivals The Great Escape, London Calling, Dot To Dot, Liverpool Sound City and performed live on Dutch powerhouse radio station 3FM.

Today the trio announce a special run of intimate Australian dates, tied around their performance at the iconic Yours & Owls Festival this October. Coinciding with the drop of shows, they share a nostalgic clip for their latest BBC Radio 1 and BBC 6 Music supported single, ‘Keepsake’. With the band noting:

“This song is for our loved ones, but the clip is for every single person that’s come to a show, said g’day, shed a tear in the mosh, or crowdsurfed and lost their shoes. The vid was shot by our mate Andrew Briggs on our last run of shows across the country. It’s pretty special to have something to look back on, something that captures that tour and almost feels like a nostalgic recap of a family holiday. We’re so grateful to be able to play shows all around the place and can’t wait to get back on the road and do what we love.”

The past 12 months has seen the band crack triple j’s Hottest 200 at #154, supported luminaries Spacey Jane, Skegss, Old Mervs, and ticked-off Rolling Sets Festival, The Great Escape, Wave Rock Weekender and Rum Jungle‘s festival ‘New For Now’. The trio were noted as ‘Ones To Watch’ and selected as the Unearthed Competition Winner for triple j’s One Night Stand in their hometown of Busselton (the only ever act to win an Unearthed Competition, twice).

 

‘Keepsake’ Music Video. Shot by Andrew Briggs.

Show-stopping and chart-topping, ‘Bad Dreams’ hit #1 Most Played on triple j for multiple weeks, with previous singles all in the Top 10 at the station. Releases have climbed National Shazam Charts, and locally in Perth, Adelaide and Melbourne, and have been widely embraced by Australian radio. The WA group were cover stars of ‘Rock Out.‘ on Spotify and have had continued support, added to countless Apple Music and Spotify playlists across the globe.

‘Keepsake’ + ‘Bad Dreams [Deluxe]’ EP is available worldwide now via AWAL
Tickets on Sale Now

FOOL NELSON

‘KEEPSAKE’ TOUR DATES
Tickets available at foolnelson.com.au

FRI 2 OCT | THE BRIGHTSIDE, MAGANDJIN/BRISBANE QLD
SAT 3 OCT | METRO SOCIAL, EORA/SYDNEY [AA] NSW
SUN 4 OCT | YOURS & OWLS FESTIVAL, DHARAWAL/WOLLONGONG NSW
FRI 9 OCT | JIVE, TARNDANYA/ADELAIDE SA
SAT 10 OCT | NORTHCOTE SOCIAL CLUB, NAARM/MELBOURNE VIC
SAT 17 OCT | INDIAN OCEAN HOTEL, BOORLOO/PERTH WA
SAT 24 OCT | THE Y HQ [U18], BOORLOO/PERTH WA

FOLLOW FOOL NELSON
INSTAGRAM | TIKTOK | TRIPLE J UNEARTHED | WEBSITE
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE

August 2, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

ANUV JAIN AUSTRALIAN DASTAKHAT WORLD TOUR + LOCAL SUPPORTS ANNOUNCED + SHOWS SELLING FAST!

by the partae August 2, 2026
written by the partae

UNIFIED Music Group & blaide.live Present:

One of India’s most celebrated singer-songwriters, Anuv Jain, has returned to Australia in with his Dastakhat World Tour, his first-ever world tour and most ambitious live production to date.

Following the overwhelming success of his previous Australian tour in 2024, Anuv returned to Australia last night with a sold-out performance in Perth (Boorloo), supported by Reuben De Melo, kicking off a highly anticipated run of shows across the country. The tour now heads to Sydney (Eora), Melbourne (Naarm), Adelaide (Tarntanya) and Brisbane (Meeanjin), giving audiences another chance to experience the intimate storytelling and heartfelt performances that have established Anuv as one of the defining voices of a new generation of independent artists.

Joining him across the tour are a carefully curated lineup of local support acts, including Into The Unknown, ZAV-E, Jessie Hill, Sarhad Project and Hazel Mei. Jessie Hill will open both the Sydney and Melbourne dates, with Sarhad Project also joining in Melbourne. Adelaide’s sold-out show will feature Into The Unknown and ZAV-E, while Hazel Mei will support in Brisbane. With Sydney, Melbourne and Brisbane all selling fast and Adelaide already sold out, the tour continues to build on the incredible momentum of Anuv’s return to Australia.

From the reflective beauty of Baarishein, which first introduced his music to millions, to global favourites including Husn, Afsos and Jo Tum Mere Ho, Anuv has built a catalogue that transcends language and borders, with his music having amassed more than 4 billion global streams, cementing his place as one of India’s most influential independent artists. Singing primarily in Hindi and Punjabi, he explores themes of love, heartbreak, nostalgia, and hope in his deeply personal songwriting, connecting with listeners around the world through emotional honesty.

The Dastakhat World Tour represents the final chapter in Anuv’s acclaimed trilogy of live tours, following Dastakein (2021) and Guldasta (2023). Each title reflects a stage of his artistic journey from his first “knock” on listeners’ hearts to a bouquet of songs that blossomed into his signature sound, culminating now in Dastakhat, his personal signature. More than a concert series, the tour marks both the culmination of Anuv’s journey so far and the beginning of an exciting new era, with new music expected later this year or in early 2027.

Known for transforming intimate acoustic songs into unforgettable live experiences, Anuv’s concerts are celebrated for their warmth, authenticity and emotional connection. With atmospheric lighting, immersive production and an effortless stage presence, every performance feels less like a traditional concert and more like a shared conversation between artist and audience.

Having sold out shows across India, the United Kingdom, the Middle East, New Zealand, and Canada, and performed at renowned venues including Mumbai’s NSCI Dome and Dubai’s Coca-Cola Arena, Anuv is excited to be returning to Australia.

Beyond his music, Anuv has been recognised among Forbes Asia’s 30 Under 30 and GQ India’s 35 Most Influential Young Indians. His collaborations with Coke Studio Bharat, UN LIVE’s Sounds Right, AP Dhillon and Lost Stories have further established him as an artist helping redefine India’s contemporary independent music movement on the global stage.

With a growing international audience and a catalogue of songs that continue to resonate across cultures, the Dastakhat World Tour 2026 promises an unforgettable evening of music, emotion and connection.

UNIFIED Music Group & blaide.live Present: 
ANUV JAIN DASTAKHAT WORLD TOUR 2026 

Friday, 31 July 2026
Magnet House – Perth, Boorloo WA – SOLD-OUT
Support:  Reuben De Melo

Sunday, 2 August 2026
Enmore Theatre, Sydney, Eora NSW – SELLING FAST
Support: Jessie Hill and Sarhad Project

Thursday, 6 August 2026
The Forum, Melbourne, Naarm VIC – SELLING FAST
Support: Jessie Hill, Sagar Tiwari, Into The Unknown

Saturday, 8 August 2026 
Lion Arts Factory, Adelaide, Tarntanya SA – SOLD OUT
Support: Into The Unknown and ZAV-E

Sunday, 9 August 2026
The Triffid, Brisbane, Meeanjin QLD – SELLING FAST
Support: Hazel Mei

TICKETS ON SALE NOW

­
­
­
­
­
­ <

August 2, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

ONES TO WATCH BACKED BY AMERICAN APPAREL® MUSIC DISCOVERY SERIES HITS MELBOURNE’S NEWLY LAUNCHED SMITH ST. HOTEL IN AUGUST FEATURING MILES NAUTU, GAZAL AND LARA BUCHANAN

by the partae August 2, 2026
written by the partae

Live Nation’s ONES TO WATCH returns to champion the next wave of Australian music, where emerging talent, culture and craft collide. Rooted in the creative community, the program celebrates the connection between artists and audiences while continuing to support developing talent both on and off the stage.

Returning to Melbourne on Wednesday 5 August, the globally renowned music discovery event is set to hit the inner north’s latest music hotspot, the newly launched Smith St. Hotel. Positioned in the heart of a Melbourne corner synonymous with live music and nightlife, the venue will welcome punters back through its doors at the end of July, just days before hosting the showcase.

Showcasing their talents at this edition of ONES TO WATCH are three incredible artists whose foundations of influence are diverse as they are captivating.

Fusing a love for hip hop, jazz, soul and alternative together with an innately personal brand of storytelling, the now Melbourne-based artist MILES NAUTU has been enjoying a prolific rise within the Australian space across the last year. HIs debut EP the front introduced audiences to a vital young songwriter and performer. Inspired by the likes of Kendrick Lamar, Yasiin Bey and Joey Bada$$, Nautu’s output has seen the Indigenous Australian/Fijian artist perform at the Sydney Opera House for VIVID Live this year, as well as the upcoming Move My Way Festival in October, alongside genre trailblazers including Ezra Collective and Freddie Gibbs.

Sydney alt-pop artist GAZAL has emerged as one of the East Coast’s most commanding new voices, with a presence on record and stage reminiscent of fka Twigs, Doechii and Lykke Li. The Lebanese/Australian performer has become known for her music, emotionally charged and fearless, as well as her songwriting pen. Collaborations with the likes of Dan Gleyzer (SZA, Sabrina Carpenter), Aidan Hogg (G Flip), George Alice, Vera Blue and more have only sharpened GAZAL’s songwriting perspective and artistry. With over 15 million TikTok views and global support for her latest EP Gods Into Frauds, GAZAL is stretching her wings further into 2026.

Melbourne’s LARA BUCHANAN has drawn sonic comparisons to artists including Ethel Cain, Wolf Alice and Lorde, yet as her sound has continued to evolve in recent years, it’s evident that this young artist is pushing herself into new territory with each release. Her lyrics are deeply personal, observations on the world and life experiences as a young adult navigating the world and change. Projects like the Sugar Coated Fantasy EP introduced audiences to Buchanan’s commanding sound and as 2026 continues, the excitement surrounding this artists continues to build.

“American Apparel® has long been the unofficial uniform of the local music scene, making it a natural fit for ONES TO WATCH and its mission to spotlight artists who are redefining the status quo”
David Hillen – Director, Gildan Brands APAC.

Paul Lynch & Emily Taylor, Promoters, ONES TO WATCH, Live Nation APAC said: “ONES TO WATCH exists to champion developing artists at pivotal moments in their careers. It’s been great to see our partnership with American Apparel® come to life, and we’re excited to build on that momentum in Melbourne—giving more emerging talent a platform to be seen, heard and discovered.”

ONES TO WATCH BACKED BY AMERICAN APPAREL®

Wednesday 5 August Smith St. Hotel MELBOURNE

MILES NAUTU
GAZAL
LARA BUCHANAN

ABOUT ONES TO WATCH:

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best new talent perform in intimate environments across Melbourne, Sydney, Darwin, Brisbane and Byron Bay, highlighting the current wave of artists primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Erica Padilla, DEVAURA, DRIZZ, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind, Saint Lane, Say Sue Me, Cifika, Sion, Wah Wah Wah, Ullah, Ghost Care, Mariae Cassandra, Loren Ryan, Dem Mob, Rox Lavi, Dobby, and Lewis Love at events around the country.

INSTAGRAM

WEBSITE

 

August 2, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

King Gizzard & The Lizard Wizard share album title track ‘Alien Metal’ + Australian dates announced for October.

by the partae July 31, 2026
written by the partae

King Gizzard & The Lizard Wizard unveil the title track from their forthcoming 28th album, Alien Metal, which will be released later this year via p(doom) Records. This week they announced a short run of Australian dates in October, which includes a takeover of the Croxton Block Party, as well as three NSW shows.

Joining them across the weekend at the Croxton Block Party in Melbourne/Naarm are Japanese pop-punk band Shonen Knife, Northern Beaches rock & roll band C.O.F.F.I.N, Heavy Moss, the psych-pop quartet led by King Gizzard’s bassist Lucas Harwood, Byron Bay psych-rock band Babe Rainbow, alongside local favourites Public Figures, Gut Health and ORB, plus sets from Moktar and Stu Mackenzie on the Eurorack. Each night will be capped with mammoth 2.5-hour King Gizzard sets.

NSW fans will be treated to shows at Anita’s in Thirroul and Hordern Pavilion with support from Xiao Xiao, in addition to a late RAVE show at Liberty Hall.

Arguably one of the most exciting live bands on the planet right now, August will see them return to the US for their SOLD OUT Field Of Vision Festival, a run of three headline shows at New York’s Forest Hills Stadium and a ‘rave show’ in Brooklyn at Under the K Bridge Park.

Written and recorded on the modular synthesiser set-up which they took out on the road last year for their ‘rave shows’, and named ‘Nathan’ by the band, Alien Metal sees the ever shape-shifting Melbourne six-piece set the controls for the dark heart of electronic dance music. The track listing of the album is as follows:

Sapience
Alien Metal
Superheavy, Supercritical
Kill For The Steel
Level 5
Rapid Alpha Decay
Uqt
Atomic Collapse

The title track, ‘Alien Metal‘, follows the first introduction to the album, with single ‘Level 5‘, and its incredible accompanying video, which was directed by Hayden Somerville and features a cameo by Vince Colosimo.

Never ones to musically stand still and following explorations of everything from prog-fringed thrash metal, primitive synth-rock, down-home jam-rock hoedowns and feelgood symphonic rock on recent albums, Alien Metal grew out of last year’s ‘rave shows’ where traditional instruments were abandoned as the band gathered around an expansive modular synthesiser setup each making their own manipulations to create a mind-altering whole. And what began as an experiment soon became an obsession, inspiring one of the band’s most ambitious records to date.

“It completely rewired my brain,” said Stu Mackenzie, having discovered the possibilities of the Eurorack synthesiser format on the recommendation of fellow band member and self-confessed ’techno head of the group’ Joey Walker. “I was like, ‘I’m going to forget everything I know about music and relearn it all from scratch’.”

The album was far from straightforward to make. Over the course of several years, the band scrapped countless recordings and abandoned entire creative directions while searching for the project’s identity. “We’ve never scrapped so much material as we have for this album,” Mackenzie says. “Entire albums, entire universes that were formulated, created, recorded, deleted and started again.”

The breakthrough finally arrived during a late-night improvisation session that stretched for more than an hour. That spontaneous jam became the foundation for the entire record, with every track on Alien Metal evolving from the same source performance.

The result is a seamless, ever-shifting journey through techno, hardcore, house and jungle influences, filtered through King Gizzard’s unmistakable psychedelic lens. Pulsing rhythms, distorted textures and unexpected twists collide across a record that feels both futuristic and uniquely their own.

“It sounds so crunchy, but also beautiful,” says Mackenzie. “Alien Metal goes really hard, but it also goes to really interesting places,” adds Joey Walker. “And it feels unique – it feels like us, still.”

KING GIZZARD & THE LIZARD WIZARD AUSTRALIAN TOUR DATES 
Oct 13 Thirroul / Dharawal @ Anita’s Theatre w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Hordern Pavilion w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Liberty Hall  (Late RAVE Show)
Oct 17th Melbourne / Naarm @ The Croxton Block Party *
Oct 18th Melbourne / Naarm @ The Croxton Block Party#* B3lly, Babe Rainbow, Heavy Moss, Moktar, Shonen Knife, Stu Mackenzie, Techno666
# C.O.F.F.I.N, Glyconic, Gut Health, Moktar, ORB, Public Figures

TICKETS HERE
Presale: now until Thursday, July 30,12pm
GP on sale: Friday, July 31, 12 pm

WATCH THE VISUALISER FOR ‘ALIEN METAL’
Cat. Number: PDOOM-022
Formats: LP, CD, Cassette & DL.
King Gizzard & The Lizard Wizard are:
Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Harwood (bass) and Michael Cavanagh (drums).Album discography:
12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019), Infest The Rats’ Nest (2019), Chunky Shrapnel (live album) (2020), K.G. (2020), L.W. (2021), Made in Timeland (2022), Omnium Gatherum (2022), Ice, Death, Planets, Lungs Mushrooms And Lava (2022), Laminated Denim (2022), Changes (2022), PetroDragonic Apocalypse (2023), The Silver Cord (2023), Flight b741 (2024), Phantom Island (2025), Alien Metal (2026).

CONNECT WITH KING GIZZARD & THE LIZARD WIZARD 
WEB | INSTAGRAM | BANDCAMP | YOUTUBE
July 31, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

LOST PARADISE ANNOUNCES 2026 LINEUP JOHN SUMMIT, SKEPTA, KI/KI, OVERMONO ARMAND VAN HELDEN, NIA ARCHIVES EWAN MCVICAR, SAM ALFRED, ROSSI., PARTIBOI69

by the partae July 31, 2026
written by the partae

A-Z:
BENWAL, CALEB JACKSON, CHAOS IN THE CBD, DAMEEEELA, DART, DEAN TURNLEY, DJ SEINFELD (LIVE), DRIFTING CLOUDS, FLAVA D, HAMDI, HARRY HAYES, HELENA LAUWAERT, HOT DUB TIME MACHINE, JAMBACK, JAMES PEPPER B2B BARON VON TRAX, JAYDA G, JOB JOBSE, THE JUNGLE GIANTS, KIROLLUS, KYLE STARKEY, LOODS, LUUK VAN DIJK, 
MELLA DEE, MEMPHIS LK, NED BENNETT, NOT WITHOUT FRIENDS (EXT. SET), OSMOSIS JONES, PRETTY GIRL (LIVE), RIORDAN, SAINT LUDO, SALUTE, SOUL MASS TRANSIT SYSTEM, STACIE FIELDS, SUPERGLOSS, TOMMY HOLOHAN, TWOFACED, WILLO
+ MORE

28 DECEMBER 2026 – 1 JANUARY 2027
GLENWORTH VALLEY (DARKINJUNG COUNTRY), NSW

TICKET RESERVATIONS NOW OPEN
PRESALE AVAILABLE FROM: 10AM TUES 4 AUG
GA TICKETS AVAILABLE FROM: 10AM WED 5 AUG
TICKET INFO HERE | FESTIVAL INFO HERE

Twelve years, four straight sell-outs, one slice of paradise. New Year’s Eve institution Lost Paradise today unveils its 2026 lineup, taking over Glenworth Valley (Darkinjung Country) from 28 December until 1 January. Led by John Summit, Skepta, KI/KI, Overmono, Armand Van Helden, Nia Archives, Ewan McVicar, Sam Alfred, Rossi. and Partiboi69. this year’s pilgrimage spans five days of world-class music, art and culture, with a roster that continues championing the festival’s electronic DNA while never losing its underground edge.

Just an hour’s drive from Eora/Sydney, Lost Paradise exists on a simple set of principles: eco-conscious, music-centred, community-built and wellness-first. It’s a NYE ritual grown from the ground up and one of New South Wales last-remaining camping festivals – and the crowd shapes the weekend as much as the lineup does!

Chicago’s accountant-turned-tech-house titan John Summit arrives on top of the bill riding the wave of his sophomore album CTRL ESCAPE, stacked with features from The Chainsmokers, Feid, Julia Wolf and CLOVES. Lead single “LIGHTS GO OUT” swings from house groove to full drum & bass – the latest from the man behind the melodic house anthems like “Where You Are”, “Shiver” and “Go Back” that made him a main stage certainty. After a huge US stadium tour later in the year, he’ll venture into the valley for an unforgettable close to 2026.

There’s UK rap before Skepta and UK rap after him. The Boy Better Know figurehead turned 140 BPM grime into a global export with cuts like “Shutdown”, “Man” and “It Ain’t Safe”. He then kept moving through Afrobeats, drill and now house, linking with A$AP Rocky on “Praise The Lord (Da Shine)”, Wizkid on “Energy (Stay Far Away)” and Fred again.. on “Victory Lap” along the way, before launching house label Más Tiempo with Jammer. His forthcoming sixth album FORK & KNIFE arrives next; set to fuse global club rhythms with the raw reality of the immigrant journey.

KI/KI doesn’t do restraint. The Dutch producer and slash founder built her name on 303 acid lines, hard trance and a tempo that never drops on tracks like “5 Mins of Acid”, “Leave It to the Vibe” and Armin van Buuren team-up “Put Your Bassline”. Fresh off a five-hour headline show at Amsterdam’s Ziggo Dome, she brings the Valley something built for the hours that matter.

Welsh brothers Tom and Ed Russell make club music that hurts in a good way. Overmono built “stayinit”, “Good Lies” and “So U Kno” out of 90s rave nostalgia, chopped vocals and basslines that are to be felt, not heard. August sees their second album Pure Devotion arrive – eleven tracks made from tape, damaged speakers and re-amped drums.

A legend of house music culture for over three decades, Armand Van Helden remains one of the finest party starters of all times. Responsible for iconic chart-toppers like “You Don’t Know Me”, “My My My”, and Duck Sauce’s “Barbra Streisand”, the speed-garage pioneer enters the valley this NYE armed with a deep catalogue of dancefloor defining tracks.

Redefining modern jungle and drum & bass, Mercury Prize nominee Nia Archives blends classic 90s breakbeats with heavy sub-bass and candid indie-pop hooks. Renowned for explosive live sets and hits like “Forbidden Feelingz” and “Baianá”, the powerhouse producer and vocalist lands in the valley with breaks built to shake the treeline.

Scotland’s Ewan McVicar is all vibes and goes straight for rave intensity, from his 90 million+ streamed debut “Tell Me Something Good” right through to his latest steamer “Share The House”, while modern Australian icon Sam Alfred returns home from the world’s top stages to sling his euphoric set in the valley. Rossi. delivers minimal house and deep tech fresh off a Boiler Room debut, and Partiboi69 will serve up his ghetto house, Miami bass and trademark green-screen absurdity.

Auckland brothers Chaos In The CBD deal in jazz-infused deep house; Yuggera and Kulkalgal woman dameeeela refuses to sit in one lane, running hip-hop into club into UK garage. Malmö’s DJ Seinfeld takes the live route, all lo-fi warmth and euphoric build; Arnhem Land band Drifting Clouds fuse ancestral Songlines through modern synth and funk. Flava D channels decades of bass culture into a high-octane blend of garage soul and rolling drum & bass; Hot Dub Time Machine runs the party chronologically, taking us from the 50s smash hits to now.

Grammy-nominated Canadian Jayda G delivers soulful house with the warmth to match, while Amsterdam favourite Job Jobse drives the dancefloor with soaring house, trance and rave classics. Australian electro-pop heavyweights, The Jungle Giants serve up house-infused grooves, pulsing synths and indie-dance anthems “Heavy Hearted” and “Feel The Way I Do”. Newcastle-born, London-based Loods unleashes his signature piano house and disco. Melbourne’s Memphis LK follows with self-produced, pop-edged garage and drum & bass; Pretty Girl performs live, weaving ethereal vocals and hardware synths over warm, introspective house grooves. Lockdown bedroom producer turned Beatport chart-topper Riordan plants garage-leaning tech house back to Australia after his debut run in 2025. Leeds duo Soul Mass Transit System slam speed garage, 2-step and bassline; Tommy Holohan brings breakbeat rave heat and European techno from Dublin.

And it doesn’t stop there… with more selectors, producers and local heroes to be uncovered across the festival weekend. Find the full music lineup here.

Flagship stages Arcadia, Lost Disco and Paradise Club anchor the music, but the valley rewards anyone who wanders. Shambhala Fields returns as the festival’s hub for side-quests, facilitating a series of talks, workshops and programs that nurture movement, innovation, creativity and curiosity – stay tuned for the full program to come.

If the last four years are anything to go by, the festival’s community of like-minded dancers, diggers, dreamers, seekers, artists and creators are urged to once again snap up their tickets quickly. Reservations for all tickets are open now and moving fast, so reserving is the only way to secure your spot at Lost Paradise 2026. Add your payment details today and your ticket is secured automatically at the lowest available price before tickets for presale and the general public go on sale – see all the details, including the reservation window times here.

GA camping access is automatically included with all tickets purchased, while optional glamping accommodation upgrades will be announced soon for those seeking a little added luxury for their NYE.

Reserve your ticket or sign up for presale access here – the countdown starts now! Paradise is waiting.

LOST PARADISE
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK
July 31, 2026 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • Interview: Eyes of Bel on Melt, Love and Learning to Let Go
  • Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s Best New Music
  • Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More to Huge 2026 Lineup
  • This Is Lorelei Turns the Chaos of the Road Into a Strange, Beautiful New Americana on The Singer in My Band
  • Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So Grateful to Be Here”

Recent Comments

  • La La Falls (2026) Review: Simple and Compelling! - Just for Movie Freaks on Film Interview: Alan King on La La Falls – Memory, Instinct, and the Space Between Control and Collapse
  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”

Archives

  • August 2026
  • July 2026
  • June 2026
  • May 2026
  • April 2026
  • March 2026
  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2026


Back To Top
  • Music
    • NEWS
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About
  • Contact Us / Advertise
  • Submit Event