The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

The Grogans release new single ‘Social Cue’ ahead of upcoming LP Stagger+...

May 12, 2025

Chris Lake, Sydney, Saturday 10 May, 2025

May 12, 2025

Interview: GOODFRND – Chaos, Confidence, and ‘FEEL GOOD’

May 11, 2025

ZZ Top + George Thorogood and the Destroyers @ Margaret Court Arena,...

May 8, 2025

BEONIX Festival reveals its full lineup for 2025 Edition: Armin van Buuren,...

May 8, 2025

Gracie Abrams’s’ “The Secret of Us” Tour Dazzles Sydney – SYDNEY –...

May 7, 2025

Sandy Rivera, Aruhtra & Deeprule Unite for a Mesmerizing Déepalma Release: ‘My...

May 7, 2025

Revelle27 Drops Reflective New Single Capturing Nostalgia with ‘Hands of Time’

May 7, 2025

Niloo Farahzadeh ‘Nessa’ Premiere

May 6, 2025

Interview: NO CIGAR -The Story Behind ‘Best Behaviour’

May 3, 2025
Category:

Fashion & Culture

Fashion & CultureMusic InterviewsMusic News

Alan King on the Making of Vincent: A Deep Dive into Filmmaking, Art, and Innovation

by the partae April 1, 2025
written by the partae

Vincent has such a unique and engaging story. What initially inspired you to create the film, and how did the concept develop from its early stages to the final screenplay? Were there any particular influences or experiences that shaped the narrative?

After quite a few years of making short films and learning the craft of filmmaking, I felt it was time to make my first feature, however Vincent was not really born from any lightbulb moment. I had written quite a few feature scripts and the couple of good ones amongst them were not really suitable to shoot, due to budget. So, I sat down with the intent of writing a feature script that could be shot with a very low budget, meaning minimal locations and no CGI, car chases, large production designs or sets etc. Once I got going, the ideas and concepts within began to flow quite organically, I really taped into my previous struggles with my health and also finding acceptance/identity within modern society and Vincent began to evolve.

With your background in fine arts and painting, how did those disciplines influence the way you approached the film visually and narratively? Did you find yourself approaching filmmaking differently because of your artistic background?

I learnt so many skills at art school that are precious gifts that will stay with me forever. One lesson that resonates, was to take an image and hold it under the photo copier and move it about while copying, the image that would then come out would be an extraordinary new image with its very own identity and complex series of patterns and shapes. This taught me the first image we see is just the starting point, there is so much more to be discovered, so much more living underneath the surface if that image gets disrupted or manipulated. Another learning that really stuck with me was to ‘always put myself in the work’ sounds so simple, but to actually do that I find a constant and daily challenge. Maybe as humans we have a natural tendency to run away from what lies within. However, I believe when you truly do that as an artist, the work has great potential to become quite unique, much like the individual in all of us. 

Can you take us through your writing process for Vincent? How did you develop the characters and themes, and were there any breakthrough moments or challenges while working on the screenplay?

The screenplay was originally written as half moving image and the other half as a series of still frames with narration over the top. So, although I was happy with the characters I had developed on the page, the big breakthroughs actually came when we were shooting the film. I decided to do a bit of improvisation starting with Bill Evans who played Gunther a couple of days into the shoot. It was just gold, there was a real sense that some magic was starting to happen, so instead of sticking to script and keeping the ratio of 50/50 moving image and still frame, I made the decision to keep these elements of improvisation included. I’m so glad I did in hindsight because, it was at that moment during the shoot, the film found its feet and these scenes make up some of the best in the film. I suppose its testament to always trusting your gut.

You wore multiple hats on Vincent—director, writer, and lead actor. How did you balance those roles, and what were some of the biggest challenges you faced while managing so much responsibility on a personal project like this?

I have been writing for over ten years now and is a medium I feel very comfortable with, your script is your map before you go on a hike in the wilderness, absolutely necessary and I felt comfortable we had a way out of the wild. The acting was extremely physical with this role, however of all the hats, this one is my second nature you could say, as I have been a professional actor for over thirty years. So that leaves the directing which was the biggest challenge, as this was my first feature film, and even though I had directed over six short fils a feature film is a different beast. This is where it comes down to the team around you especially your producer and cinematographer. I was blessed to have two extraordinary people filling those roles without whom I would have fallen flat on my face and failed! My wife Angela Ling producing the film with me, making sure all the moving pieces were always in place, so I could just focus on the creative side of directing and my cinematographer Michael Schoell who was a gun in the harsh conditions of the bush, taking care of all the visuals that I needed, so I could just focus on what was absolutely necessary.

The film’s editing stands out, especially with techniques like freeze frames and jump cuts. What was your vision behind these choices, and how did you ensure they helped maintain the pacing and emotional depth of the story?

I suppose it gets back to shaking the image on the photocopier and disrupting its reality. As mentioned earlier, the screenplay was half moving image and half still frame with narration. This was a big risk as its half a bloody feature film of just still frames! It’s not the first time this has been done however, Chris Marker’s 1962 Cannes winning French science fiction featurette La Jetée is a half hour film, about a time traveller, constructed entirely of black and white still frames and is utterly captivating. When I watched La Jetée, it gave me a such a sense of being in an altered state of reality and time. It got me thinking still frames could be a really interesting way to disrupt natural concepts of the flow of space and time within Vincent, driving the theme of the film’s ambiguity between reality and fantasy. The still frame ratio in the end was not 50/50 with Vincent as the actors did such an amazing job with the improvisation, it was paired back to more like 85/15, however I still felt there was enough stills in there to create a sense of an altered state of reality.

Colour plays a major role in creating the film’s atmosphere. How did you approach the colour grading process, and what role did colour play in supporting the mood and themes throughout Vincent?

I wanted the colour in Vincent to be almost too rich, overwhelming at times, I guess to match the character’s narrative arc. If there is one film that I could think of that is like this, it’s the original The Wizard Of Oz, I find the colour in that film really disturbing, quite horrific really, David lynch has often referenced this film and I can see why and I wanted to bring a similar palette and feel to Vincent. We were so fortunate to have one of the best colour graders in the business jump on board, Vincent Taylor, through one of the biggest production houses Harbor Picture company in North America. They colour graded our entire film for next to nothing, simply because they believed in what we were doing and the vision of the project. This coupled with Michael Schoell’s stunning cinematography made the visuals within Vincent come to life!



Filming Vincent in just 7 days must have been incredibly intense. How did you manage to pull off such an ambitious production in such a short time frame? What were the biggest challenges, and how did you overcome them?

Planning, planning and more planning. Angela (producer) and myself really did have to iron out every possible detail that we could to make it happen over a pre-production period of 5 -6 months. We were still very fortunate during the shoot, as there were rain belts all around when we shot in the country, however they seemed to avoid our little patch and Victoria was still on high Covid alert, so if a crew/cast member tested positive, that could have potentially cancelled the weeks shoot right there. We shot Dogme 95 style which is very small crew, lots of quick hand-held set ups, using the natural light were possible and using natural surroundings with minimal set/production design. It was still massively exhausting, as Angela and myself would get back to our hotel room and would need top data wrangle the precious footage from the hard drives for about 2 hours every night and so we were averaging about 4 hours sleep for the week, which sort of worked really well for me, because my character goes slowly insane, not so much for Angela. Shooting in 7 days is the sort of thing I would only ever do once, but I am extremely proud of what we achieved and when people watch the film that cannot believe we actually did it in that time.

The cast in Vincent includes both seasoned actors and first-timers, like Billy Evans, who played Gunther. How did you approach casting, and what was it like working with someone with no prior acting experience?

I really like working with a combination of seasoned professionals and first timers, there’s a unique chemistry that occurs when they come together. A good seasoned actor can play a part far removed from their personality really well and make it believable, like anything that is a product of learning the skill/trade for such a long time. Whereas with non-actors and first timers you are trying to tap into their natural personality and get them comfortable in front of the camera, so they can just be themselves. I was looking for a bushman for the character of Gunther and Bill Evans had such an amazing natural charisma and quality and looked like he had just walked out of the bush, I remember thinking, if I can just get him to be natural in front of the camera, I’ve got my Gunther! It was a risk, but Bill was absolutely amazing, and his scenes are a real highlight of the film. 

Vincent has done incredibly well at film festivals, winning numerous awards worldwide. How has the recognition at these festivals shaped the film’s journey, and what does it mean to you to see it resonate with such a broad audience?

Firstly, Vincent did not instantly hit the ground running, however I always draw huge inspiration from the fact that films such as 2001 A Space Odyssey, Fight Club and Blade Runner took quite some time to find their audiences. When word of mouth started to get around and Vincent did pick up some big festival awards that’s when the momentum started to build, which of course was what you want as a filmmaker, to find an audience and a highly satisfying reward for all the efforts from the whole team behind the film. That said we still have quite a way to go to spread the word and get eyes on the film, we had an amazing four-and-a-half-star review recently for ScreenHub in Australia, and the header was “Vincent – The Australian cult classic, you’ve yet to see”.

For anyone who hasn’t had a chance to see Vincent yet, where can they watch the film? Are there any upcoming screenings or streaming platforms where people can check it out?

Yes, the film is now available to rent / buy from $2.99 on Amazon Prime worldwide.

INSTAGRAM

 

April 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureMusic InterviewsMusic News

Interview: Nate Hill – Book Launch & Art Exhibition – Friday 14 March, 2025

by the partae March 6, 2025
written by the partae

What inspired you to create Read Between The Lines, and what does the title signify to you? 

It has long been a dream of mine to put together and release a book of my art. I love the idea of a physical product that people can sit with and enjoy. Something to hold on to and maybe display on your coffee table.

The title is a playful idea around the fact that a lot of my art has lines running through it in one way or another. And I like the idea that even though there are very few words in the book, people might want to read into the meaning of the pieces.

Was there a particular moment that made you say, “It’s time to make this book happen”?

Not sure if there was one particular moment, but I have wanted to show my art in a different form to just people scrolling past it on their phones. I have been creating art for a long time now and have an extensive catalogue of work. It felt like a good time to put together a collection.

How did you approach curating 150 pages of work? Was it more about showcasing your best work, or were you looking to tell a larger story with the sequencing and selection?

It wasn’t easy and has definitely taken longer than I thought it would. The overarching theme is my digital art that has lines as part of its makeup. Outside of that, I wanted the book to have a nice flow to it. You get to see a common thread, but I’d like to think that there’s a lot of variation in how it’s presented.

Your work has a distinct aesthetic. How would you describe your editing style, and how did it evolve over time? Were there any key influences—photographers, artists, or even music or film—that shaped the way you process and present your images?

I feel like I’ve developed a strong visual language. I think if your art can be identified without someone needing to see a title or caption, you’ve hit a pretty sweet mark on establishing your own style. It is definitely something that evolved over time. When I first started working in digital art, I was very much learning from others and trying to emulate what they were doing. As I got more confident in my skills, I really wanted to experiment with what I was doing and create something that I could call my own.

Having said that, I do have some key influences in my art journey. Stanley Donwood is a major one. He creates all the art (alongside Thom Yorke) for Radiohead. Stanley is a traditional artist that works in a number of mediums like printmaking, paint and pencil. He has an aesthetic that really appeals to me. I’m also drawn to the work of Storm Thorgerson. He (and his studio) work with photography in such a surreal way. He also creates album artwork for a large number of well know acts. A huge inspiration.

What’s your typical camera setup when shooting? Are you loyal to a specific camera and lens, or do you switch things up depending on the subject and setting?

I have quite a few toys… I’m not particularly loyal to any one camera or device. I tend to use whatever will get the job done. My main camera is a Canon 5d Mk 4. I use that most of the time, but I’m also a fan of iPhone photography and creating with whatever I have on hand.

A large portion of my art starts out as photos of land or sky and then gets manipulated into something completely differen

When it comes to post-production, what’s your workflow like? Are there any particular techniques or software tools you rely on to achieve your signature look?

I do a lot of creating in post. There are a number of programs and apps that I use to generate the assets I need to create my art. There was a time when I was beta testing iPhone photography and editing apps which gave me a real insight into what could be done with my phone. As a general rule though, all my art ends up going through the Adobe suite and put together in Photoshop.

Beyond photography, your work has a strong artistic element. Do you see yourself as a photographer first, or more broadly as an artist? And how do other artistic mediums influence your approach to photography?

I definitely see myself as an artist. I grew up with a strong interest in drawing. Through my teens and early adult life my focus switched to photography and I studied it and printmaking at University. I also had a strong interest in graphic design. When Instagram became a thing, I took an interest in digital art and design, but that all stemmed from photography too. As I have worked more as an artist full time, I’ve become more and more interested in just being creative through any medium I can get me hands on.

The book launch at @oshi_au isn’t just about the book—you’re also offering signed prints, merch, and creating an entire experience. What do you want people to feel when they step into the exhibition?

I’d like to think that people can step into my world for a little while. Art can be a great escape for both the artist and the viewer. I love the idea that someone can get drawn into my digital and surreal landscapes and they can go on a journey of sorts. Even if it’s just a little moment when their eyes do a little dance due to the digital lines. And hopefully there’s a sense of joy or wonder attached to it as well. I am aware that my art can give a feeling of isolation and maybe feel a little dark, but often if you check out the titles, that is countered with hope and opportunity.

You’ve spent a lot of time working on this book—when you finally held the finished copy in your hands, what was that moment like for you?

It was an amazing and surreal feeling. Holding the physical product and flicking through all that work. I’m really proud of it and super stoked with how the book has come together. The final product is as good as I’d dreamed it would be. Possibly better…

Looking back, what were the biggest challenges in bringing Read Between The Lines to life? If you were to do another book, would you approach it differently?

I knew going in that I would need help. If I had tried to do this on my own, it would never have got done. As a freelance, full time artist, you often have to put client work ahead of your own. So I enlisted the help of my graphic designer friend Paul of Vanda Graphics. It was the first time either of us had worked on a book, so there was defiantly a learning curve on getting everything right on the templates and working through how to piece it all together. 

I feel like the second time would be easier…

Now that Read Between The Lines is about to be out in the world, what’s next for you? Do you see yourself diving deeper into publishing, or are there other creative projects on the horizon?

I’ve always got 1000 projects on the go (either in real life or in my head). I’ve already got the concept sorted for my next book and can definitely see myself doing more physical products. Most of all, I just love the fact that I get to be creative for a living. Whatever that looks like at the time…

INSTAGRAM

March 6, 2025 0 comments
0 FacebookTwitterPinterestEmail
Eats & DrinksFashion & Culture

A Memorable Stay at Andaz Macau: Exceptional Service and Unmatched Comfort

by the partae January 21, 2025
written by the partae

Words: Chris Brooks

From the moment I stepped into Andaz Macau, I was enveloped in a world of luxury, elegance, and impeccable service. This hotel, located in the heart of the vibrant Cotai Strip, offers a seamless blend of contemporary design and local cultural elements, creating a unique atmosphere that captures the essence of Macau.

The hotel’s design is simply stunning, with its spacious, light-filled interiors and art pieces that reflect the rich history of the region. My room was an oasis of comfort—sleek, yet cozy—with panoramic views of the Cotai skyline. The attention to detail, from the plush bedding to the carefully chosen decor, ensured that every moment spent in the room was a relaxing escape.

However, it was the exceptional customer service that truly made my stay unforgettable. Yolanda and Justin from the Customer Experience team were the shining stars of my visit. Together, they ensured that my entire experience at Andaz Macau was flawless and personalized.

Yolanda and Justin’s warmth and attention to detail stood out from the very beginning. They went out of their way to ensure that I felt like a VIP throughout my stay, taking the time to listen to my preferences and offering thoughtful recommendations for things to do in and around Macau. Whether it was arranging transport, organizing an unforgettable dining experience, or simply ensuring that I was comfortable, they approached every request with genuine care and professionalism.

What truly sets Yolanda and Justin apart is their ability to make guests feel at home. Their thoughtful gestures and proactive service ensured that every detail was taken care of, creating a seamless experience from check-in to check-out. They didn’t just meet expectations—they exceeded them, making my time at Andaz Macau feel truly special.

The hotel’s facilities are equally impressive, with dining options that highlight fresh, local ingredients, a relaxing spa, and an inviting pool area. The central location also makes it incredibly easy to explore all that Macau has to offer, from its world-class entertainment to its rich cultural landmarks.

In conclusion, Andaz Macau is a destination that offers far more than a luxurious place to stay—it offers an experience that lingers in the memory. With incredible service from Yolanda and Justin, a stunning setting, and world-class amenities, it’s no surprise that Andaz Macau is one of the top choices for travelers seeking comfort, style, and exceptional hospitality. I can’t wait to return.

https://www.galaxymacau.com/hotels/andaz-macau/

January 21, 2025 0 comments
0 FacebookTwitterPinterestEmail
Fashion & Culture

From Apps to Authenticity: How Unwritten Is Redefining Modern Dating in 2025

by the partae January 18, 2025
written by the partae

As we step into 2025, the dating landscape continues to evolve, reflecting a desire for deeper, more meaningful interactions. This year, three key trends are defining the dating scene, and Unwritten is at the forefront of bringing these trends to life through curated, interactive events.

Taking Charge: Directing Your Own Love Story: Last year, singles all over the country were getting more and more depressed with using dating apps. The lack of quality, the poor etiquette and lack of action collectively made it a negative experience for most. They started to slowly dabble in events and meeting in real life. But this year is different. It’s all about taking full charge and being the author of your own life. Unwritten is based on the premise that we all have the power to write our own chapters, and it all starts with the pre-event Unwritten questionnaire. 

Laura-Jane Hawkins, Founder of Dating Club ‘Unwritten’ says how beneficial it is to those who attend her events: “Singles don’t want to waste time anymore. They want to know that the singles they meet are there for the right, genuine reasons. The Unwritten questionnaire helps with that. Every single attending an event completes in-depth questions, encouraging them to truly think and dig deep into what they want. In 2025, singles are becoming more confident in knowing exactly what they’re looking for in a partner and saying it loud and clear.” 

Opposites Don’t Always Attract: Gone are the days when “opposites attract” was the golden rule of dating. In 2025, singles are prioritising partners who share their interests, hobbies, and even fandoms. This is where Unwritten is filling a huge gap on the dating scene. Interactive events like Padel & Pickleball Mixers, Golf Driving Range Speed Dating, Cocktail-Making Classes, Wine Tastings, and Supper Clubs provide singles with opportunities to share existing or new passions—key elements of attraction. These interactive dating events help start conversations, build compatibility, and create intimacy through shared passions. 

Best Friend Energy: More singles are placing friendship at the heart and core of finding love. Laura-Jane Hawkins, Founder of Unwritten, has noticed this trend from hosting her dating events: “Singles are looking for genuine connections, and these often come from acting and becoming friends first and allowing that deeper connection to form. I open all my events by suggesting that everyone treats the day or evening as spending time with new friends and not putting too much pressure on it as ‘dating.’ People feel much more at ease and really enjoy themselves a lot more. And as I say to everyone—the best relationships are based on an awesome friendship.”

Unwritten: Innovative Events for Authentic Interactions

Unwritten’s diverse event lineup reflects the latest trends in dating, providing unique opportunities for singles to connect:

  • Active Dates: Unwritten embraces the 2025 trend towards health-conscious and engaging activities by hosting padel and pickleball mixers. These events combine fitness, fun, and socialising, creating an energetic atmosphere where singles can connect effortlessly.

  • Singles Golf Driving Range Mixer: A fresh addition to the lineup, this event combines the casual fun of practicing golf swings with the opportunity to mingle. It’s perfect for singles who enjoy an active, relaxed, and playful environment to spark connections.

  • Supper Clubs: Intimate dining experiences designed to encourage meaningful conversations in a relaxed, elegant setting. Unwritten’s first Melbourne Supper Club will be taking place at The Langham, Melbourne – a Valentine’s Special on Wednesday 12th February. 

  • Cocktail-Making Classes: Hands-on sessions where singles collaborate to craft unique cocktails, promoting creativity and connection.

  • Wine Tastings and Bowls Nights: Sophisticated yet casual events where shared interests become the foundation for new relationships.

  • Tech-Free Mixers: Responding to the increasing desire for intentional interactions, Unwritten hosts events that encourage participants to unplug and engage fully in the moment, enhancing the authenticity of connections.

Intentional Matchmaking with the Unwritten Questionnaire: Prior to each event, participants complete the Unwritten questionnaire, detailing their values, interests, and relationship goals. This information is utilised to match individuals on the night, ensuring that attendees arrive single and leave with a meaningful connection.

For more information or to book your spot at the next Unwritten event, CLICK HERE or follow on socials – @unwrittendating 

About Unwritten

Unwritten is Australia’s newest elevated dating club, offering an alternative to dating apps through exclusive, in-person matchmaking events. Founded by Laura-Jane Hawkins, a former war reporter with a passion for bringing people together, Unwritten’s events foster genuine connection and fun, ensuring participants leave not only with great memories but with a meaningful match. For more information about Unwritten or to purchase tickets to upcoming events, visit HERE or follow @unwrittendating on Instagram.

January 18, 2025 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureFestival NewsMusic News

SYDNEY SET TO EXPERIENCE THE 1989 BLOCKBUSTER “BATMAN” ON THE BIG SCREEN WITH A LIVE SYMPHONY ORCHESTRA

by the partae December 10, 2024
written by the partae

Enjoy the incredible Warner Bros. Pictures film on screen as a live orchestra plays the Grammy-nominated original score.

 

Australia, Sydney, – TEG LIFE LIKE TOURING is proud to announce the iconic Batman (1989) movie with a live symphony orchestra experience, “Batman in Concert” is coming to Sydney on Friday, 10 January 2025 at the ICC Sydney Theatre.

“Batman in Concert” is part of a global tour that brings the Warner Bros. Pictures’ 1989 blockbuster film directed by Tim Burton to symphony halls around the globe as part of the DC in Concert series. Tickets are on sale now, and are available to purchase via Ticketek.

The global tour originally commenced in Los Angeles at the Dolby Theater, before making 18 stops across cities in the U.S. and Europe before arriving in Australia.

Fans will enjoy the film on the big screen while Danny Elfman’s iconic musical score is performed by Sydney’s Metropolitan Orchestra led by esteemed Australian conductor, Sarah-Grace Williams.

As well as an enhanced concert experience, there will also be spectacular stage lighting, merchandise sales, and more. Attendees are encouraged to dress up as their favourite DC Super Hero or Super-Villain.

“After its resounding success abroad, we are thrilled to be bringing this incredible fan event to Sydney. Live symphony orchestras performing, to picture, every note from fan-favourite blockbuster films starring DC Super Heroes is an experience not to be missed, shares Rachael Carroll, Managing Director TEG Sport and Experiences. “We can’t wait to create unforgettable memories for existing fans and their friends and families as we tour “Batman” in concert.”

Released June 23, 1989, Warner Bros. Pictures’ “Batman” was the top-grossing film that year and has remained a fan-favourite for more than three decades. The film was composer Danny Elfman’s first collaboration with director Tim Burton and the score was later nominated for a Grammy award. Elfman’s “Batman Theme” has become an iconic piece, evoking the DC Super Hero for many generations.

INFO AND TICKETS

December 10, 2024 0 comments
0 FacebookTwitterPinterestEmail
Fashion & Culture

Fabric Sculptures, Collectors Are Fighting to Get on the Waitlist!

by the partae July 2, 2024
written by the partae

Sydney based artist, Lina Kay has a rare condition, known as synesthesia, where her brain sees letters, numbers and music in colour.  She only realised that her bright internal world was different when she was a teenager and she asked friends what colours they see the days of the week in.

Three years ago Lina had the idea to create sculptures on canvas using fabric. She is now a sold out commissioned artist with a waiting list of up to 6 months. Her most popular piece is different versions of River Rose. Lina prefers to create white pieces as it calms her colourful mind.

Lina says: “I didn’t want to just create sculptures using clay, I wanted to push the boundaries and break the traditions of art. I wanted to see where my creativity could take me. So through years of experimenting I found a way to create free standing sculptures and wall sculptures using fabric that will last a lifetime. This process was not an easy one for me. It required patience and discipline on another level, but once I knew that it’s what I truly wanted to do there was no stopping me or telling me that it’s impossible. Today, my sculptures are adored by collectors all over the world, and I am represented by the prestigious Art2Muse gallery.”

“I am also a sold out commissioned artist with a waiting list of up to 6 months. Every piece tells its own story, has its own personality and is on its own journey. I often say that being an artist is like being a surrogate mother. You create the art pieces and provide for them a temporary home, but ultimately they’re not yours. They don’t belong to you, they belong to someone else. ”


Lina’s ideas come to her in her sleep or when she communicates with the canvas and listens to her intuition. She does not sketch or have preconceived ideas with regards to her artistic creations.

Lina concludes: “Creating art helps me connect with the outside world with visuals instead of words. In many ways connecting through art is being a lot more vulnerable because you’re opening yourself up to judgements, but somehow it’s less painful for me. I get to communicate in a language that I am fluent in while at the same time create art pieces for collectors that love and appreciate my works. It’s extremely rewarding in that sense. “


 

 

July 2, 2024 0 comments
0 FacebookTwitterPinterestEmail
Jurassic World: The Exhibition Melbourne 2 August 2024
Fashion & CultureFestival News

Jurassic World: The Exhibition Melbourne 2 August 2024

by the partae May 23, 2024
written by the partae

Jurassic World: The Exhibition Roars into Melbourne on 2 August 2024

for a Limited Engagement

 

General Public Ticket Sales begin at 6pm, Thursday 23 May 2024 at jurassicworldexhibition.com.au

 

Melbourne, Australia, 20 May 2024 – The official, award-winning Jurassic World: The Exhibition is roaring into Melbourne on August 2nd, and will run for a limited time. This stunning experience, at approximately 2,700 square meters, immerses audiences of all ages in settings inspired by the globally popular Jurassic World film franchise, from Universal Pictures and Amblin Entertainment, blending real-world science and education with the very best in high-quality entertainment.

Jurassic World: The Exhibition invites guests to walk through the iconic “Jurassic World” gates, explore richly themed environments, encounter a life-sized Brachiosaurus, Velociraptors, including fan-favorite Blue, and the most fearsome dinosaur of all, the mighty Tyrannosaurus rex. Guests will be able to imagine what it would have been like to roam amongst these breathtaking creatures, and even interact with baby dinosaurs, including “Bumpy” from the popular animated series Jurassic World: Camp Cretaceous from Universal Pictures, Amblin Entertainment and DreamWorks Animation, currently streaming on Netflix.

Jurassic World: The Exhibition has now become one of the fastest selling exhibitions in history since its launch with over eight million tickets sold.  After opening its gates to excited fans in cities around the world including Berlin, Cologne, London, San Diego, Denver, Dallas, Atlanta, Chicago, Philadelphia, Paris, Madrid, Seoul, Chengdu, Guangzhou, Shanghai, and Toronto, Melburnians will finally get their chance to experience this global sensation.

Admission to Jurassic World: The Exhibition starts at $39 for children (ages three and up) and $49 for adults (ages 16 and up). Family and group tickets are also available as well as special pricing for senior citizens and students.

Jurassic World: The Exhibition will be presented starting Friday, 2 August 2024 for a limited time at the newly reimagined 3,600 sqm The Fever Exhibition Hall, 62 Dawson Street, Brunswick VIC 3056. The Melbourne waitlist is now open at jurassicworldexhibition.com.au

The General Public on sale will commence at 6:00 p.m. on Thursday, 23 May 2024.

For further information about Jurassic World: The Exhibition, please visit Jurassicworldexhibition.com.  Follow along on social media Facebook, Twitter and Instagram and use hashtag #JWEXHIBITION to join the conversation.

The exhibition engages audiences of all ages in settings inspired by Universal Pictures and Amblin Entertainment’s Jurassic World franchise and is produced in conjunction with Universal Live Entertainment, NEON, SuperLuna, Masterworks, Sony Music Entertainment Australia, Fever and Animax Designs – the creators of the lifelike animatronic dinosaurs.

May 23, 2024 0 comments
0 FacebookTwitterPinterestEmail
The Great Southern Slam returning to Adelaide, June 8-10
Fashion & CultureFestival NewsMusic News

The Great Southern Slam returning to Adelaide, June 8-10

by the partae May 21, 2024
written by the partae

The world’s biggest roller derby tournament is returning to Adelaide. That’s right – The Great Southern Slam (TGSS) 2024 is a go! Strap yourself in for three days of hard hits, quick feet, and endless good times as the biennial competition returns to the Adelaide Showground over the June long weekend.

From June 8-10, 2024, local, national, and international derby teams will converge on the Adelaide Showground from every corner of Australia and New Zealand to battle it out on the track once more, with 45 teams will competing in 65 games across three divisions.

Hosted by Adelaide Roller Derby, the event will also double as a showcase for local artisans and world-wide skate brands alike, with a marketplace featuring stalls from Adelaide’s “Craft Queen” Calamity Tash to internationally popular skate company Riedell Skates.

To add to the excitement, this year the2024 TGSS Division 1 will act as the inaugural Women’s Flat Track DerbyAssociation (WFTDA) Regional Championships for the Oceania Region, with two teams set to go through to the World Championships held in Portland, Oregon USA in November.

WFTDA, the umbrella organisation for roller derby internationally, launched a new rankings system in June 2023 to create a regionally based competitive structure, with TGSS receiving recognition as the preeminent tournament in the Oceania region.  The region, comprised of Australia and New Zealand, was allocated two spots in the Global Championships, meaning that the top two teams from TGSS will earn themselves a ticket to the Global Champs to be held in Portland, Oregon in November of this year.

The current top five teams vying for the coveted tickets are the respective A teams from Victorian Roller Derby League (VRDL), Brisbane City Rollers (BCR), Sun State Roller Derby (SUN), Adelaide Roller Derby (ADRD), and Perth Roller Derby (VRDL). As the seventh-ranked team internationally, VRDL are the tournament favourites, but homegrown hopefuls ADRD will be looking to repeat their TGSS 2022 results, where they placed second.

ADRD skater and TGSS committee member Alex Knopoff – who plays under the alias ‘Rage Ruthless’ – said: “Adelaide Roller Derby is so excited to be hosting The Great Southern Slam once again. Fifteen years on from our first tournament, TGSS is the must-attend event of the Australia/New Zealand roller derby calendar and it’s fantastic to have that recognised internationally through being selected as the WFTDA Regional Championship for Oceania.

“Putting on a tournament of this scale is a massive undertaking that is only possible due to the hard work of a small group of volunteers – it’s truly a labour of love. On top of that, many of us are also participants, with both our A and B teams in this year’s competition. We (the A team) have been training hard and we’re really hoping to place in the top two to earn our ticket to World Champs.”

Hosted by Adelaide Roller Derby and held at the Adelaide Showground in the heart of South Australia, The GreatSouthern Slam is a biennial roller derby tournament that has attracted over5000 athletes and spectators over the June long weekend. Roller derby is played worldwide, with The Great Southern Slam the centrepiece of competition in Australia!

Spectators are welcome with pre-sale weekend passes now available via Humanitix for $65 + booking fee. Day passes are available online and at the door for $25 for Saturday and Sunday, and $35 for the Finals on Monday. Under-12 tickets start at just $10 a day.

The Great Southern Slam 2024

June 8-10 2024

Adelaide Showground, South Australia, Australia

For more information, head to the website greatsouthernslam.com.au

Facebook icon Website icon
May 21, 2024 0 comments
0 FacebookTwitterPinterestEmail
DR. MARTENS X MADEME
Fashion & CultureMusic News

DR. MARTENS X MADEME

by the partae May 20, 2024
written by the partae
  1. MARTENS & MADEME ANNOUNCE THEIR FIRST COLLABORATION WITH STEELY DETERMINATION AND AN OPEN-HEARTED SHOE.

The collection features a chunky 1461 Quad shoe in black or silver with a steel toe exposed through a heart-shaped cut-out.

Unapologetic, fearless, authentic. There’s an undeniable crossover in spirit between Dr. Martens and MadeMe. The femme-forward, straight-talking “it girl” type who serves as a muse for founder Erin Magee is frequently spotted in a pair of Doc’s boots, with an undefinable attitude that makes her at home in the world of both brands. This mood is personified in MadeMe and Dr. Martens’ first collaboration, featuring London- based singer-songwriter Lola Young, whose raw charm and punchy, versatile voice embody the take-it-or- leave-it mindset of the quintessential MadeMe girl.

The two-piece collection features a chunky 1461 3-eye shoe built on our formidable Quad sole, marked with our distinctive grooving pattern and signature yellow welt stitching. It’s available in black Vintage Smooth leather paired with black laces or silver Alumix with contrasting purple laces. Both colours are fitted with a steel toe cap with an eye-catching heart-shaped cut-out — for an industrial edge with a softer twist. Dual branding stamps its mark on the heel and insock.

“I’ve always wanted to work on a steel toe DM’s shoe. The heart cut-out leather exposing the steel toe is as tough and utilitarian as it is soft. It’s a beautiful contradiction, just like the MadeMe girl.” — Erin Magee, MadeMe Founder

Since launching the women’s streetwear label MadeMe in 2007, Magee has transformed it into a ubiquitous New York brand and an inclusive community that occupies a still-revolutionary space in the male-dominated streetwear industry. Magee’s “for girls, by girls” ethos continues to champion women against the backdrop of a scene where they are historically underrepresented. Dr. Martens, whose boots and shoes have been at the feet of a long line of riot grrrl disruption, makes a natural partner for MadeMe as it continues its tradition of rebellion.

“I’ve known Erin for a long time, so it was great to finally bring this collaboration to life. In a lot of ways our collaboration was inevitable. MadeMe occupies that same rebellious space in women’s fashion that DM’s boots always have. It was great to put a spin on that heritage for a new generation.” — Darren Mckoy, Dr. Martens Global Creative Director

Dr. Martens x MadeMe is available from Friday 24th May at drmartens.com.au

ABOUT DR. MARTENS

The first pair of Dr. Martens boots rolled off the production line on the 1st April 1960. With its trademark yellow stitch, grooved sole and heel-loop, it was a boot for workers, initially worn by postmen and policemen; comfortable, durable and lightweight in comparison to its competitors at the time. Throughout Dr. Martens history, the brand has been adopted and subverted by diverse individuals, musicians, youth cultures and tribes. These are the people who stand out from the crowd and their journey of self-expression has always been accompanied by a pair of DM’s boots or shoes.

The simple silhouette allows people to customise each pair; whilst on a utilitarian level their famous durability and comfort make them ideal footwear for the world of gigs and street fashion. On an emotional level, they are a flag of attitude and empowerment.

The Northamptonshire factory where it all began still exists to this day, in the village of Wollaston. A specific range of ‘Made In England’ products are manufactured here by a small, close-knit team of people schooled in traditional shoe-making and a process that hasn’t changed since our first pair six decades ago.

ABOUT MADEME

MadeMe is a peerless “by girls, for girls” brand originating in New York City in 2007. Since its inception, the label has evolved to represent the dynamic perspectives of today’s downtown youth. In the early 90s, a powerful female-first ethos shaped music, clothing and culture. MadeMe embodies this energy for a new generation. With each collection the brand celebrates countercultural style tribes and the pioneering women who led them. Whether taking cues from riot grrls or ravers, MadeMe communicates through ideas and interests.

It is an ecosystem of kindred individuals who are at their core – themselves. This display of selfhood can be read as defiance or transgression against a minefield of relevance and moodboards. The MadeMe girl is radical because she rebels against the concept of who society says she should be, she does what she wants and is able to trust her own intuition. That feeling is always captured and embodied by both the girls and the clothes they wear.

May 20, 2024 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureMusic News

Good Intent – Announce ‘Greater Good’ Initiative Recipient

by the partae March 11, 2024
written by the partae

GREATER GOOD

ANNOUNCE RECIPIENT LAZY GHOST
AS $25K PACKAGE WINNER 

Today, Good Intent are proud to announce Cavanbah/Byron Bay-based act, LAZY GHOST, as the third recipient of their independent artist initiative ‘Greater Good‘. The package aims to bring through the next generation of exceptional musical talents, developing their industry by providing in-kind services and a cash grant totalling over $25,000 AUD.

The 2023 package was in collaboration with parters Studios 301, Zenith Records, Billy Zammit, Make Merchandise, PLAKKIT, Media Arts Lawyers, White Sky and Ben Mitchell. The pack also boasts a $4,000 AUD cash grant to further develop their career.

“It was another super-competitive year, the team and I trawled through hundreds of applications, and we’re thrilled to award LAZY GHOST as this years recipient. The guys had a vision for every aspect of the initiative and we can’t wait to see how 2024 and beyond unfolds for them! We’ve seen acts utilise ‘Greater Good’ in the past two years, and there’s nothing more we love than seeing emerging artists thrive,” says Chief Operating Officer Rick Bridgman. 

Ahead of their upcoming release, ‘EAT YOU ALIVE‘, on March 13, LAZY GHOSTnotes how the Greater Good pack will assist in their upcoming strategy:

“We’ve never won anything in our career as a band. The first, last and only time we tried to win, was a battle of the bands type competition, we got beaten by a reggae band that covered ‘Wasn’t Me – Shaggy’ in Canada – it was so good, I even voted for them. We’re very grateful to be chosen for the Greater Good initiative, it’s nice to have some big players in the industry backing an independent band and their above average songs and ridiculous plans. I think the next 6-12 months are going to be huge and we’re stoked to see where this all leads us.”

Good Intent offers a range of services across radio plugging, playlist pitching, worldwide blogs, digital marketing, label services, tastemaker club and radio promo, artist management, venue bookings and run a photography/videography studio Good Loco out of their Bulanaming/Marrickville-based office.

Current clients include Anjunadeep, BMG, Bootleg Rascal,Chromeo, Close Counters, COTERIE, Crowded House, Destroy All Lines, DOPE LEMON, Everything Everything, FANGZ, Future Static, La Roux, Pacific Avenue, RedHook and SOFT PLAY. Over the years, Good Intent has also worked with the likes of A.GIRL, American Hi-Fi, Astral People, Bas, Chugg Music, Freddie Gibbs, Handsome Tours, LUUDE, Sony Music, TMRW Music and Universal Music Group.

‘EAT YOU ALIVE’ will be available worldwide on Wednesday, March 13

GREATER GOOD INITIATIVE
LAZY GHOST will receive the below:

Grant For Release Promotion & Career Development
• A cash grant of $4,000 AUD to kickstart Artist’s career.
• Funds to be used for but not limited to: Release Promotion, Touring Expenses and Marketing.

Artist Services Supported Release Package
• 1 x Single Campaign project managed by the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• PR and Label Services provided by Good Intent, which includes PR, Radio Plugging, DSP Servicing and Digital Marketing Service.
• Artist Management Consultation Meetings.

Recording & Production Package – Studios 301
• 1 x Day Dry Hire of Studios 301’s ‘Studio 2’.
• Mix and Dolby Atmos Music Mix from Stefan Du Randt (Kimbra, Jessica Mauboy, Budjera, Guy Sebastian).
• Mastering and Vinyl Mastering from Chief Mastering Engineer Steve Smart (Flume, King Stingray, DZ Deathrays).
• Click here to learn more about Studios 301 and Studio 2.
• Click here to learn more about Dolby Atmos Mix.

Vinyl Package – Zenith Records
• 150 x 7” Black Records courtesy of Zenith Records, with colour labels, full colour foldover sleeve / outer bags.

EPK Development – Billy Zammit
• Photography Shoot by Billy Zammit (DMA’s, Triple One, Ninajirachi, Young Franco).
• Photography Studio Hire at Good Loco in Marrickville, Sydney.
• EPK Development in collaboration with Billy Zammit and the Good Intent team.

Merchandise Package – Make Merchandise
• 25 x AS Colour Staple Tees + 2 Colour Print courtesy of Make Merchandise.

Poster Print & Distribution Package – PLAKKIT
• 50 x B0 Full Colour Print + Distribution courtesy of PLAKKIT.

Accounting Consultation – White Sky
• Artist Consultancy and Business Advice meeting with Matthew Tan (Senior Client Manager, White Sky).
• Business Health Check, Structure, Insurance, Tax, Banking and Business Set Up Advice.

Legal Consultation – Media Arts Lawyers
• One hour consultation and strategy session with Music and Entertainment Lawyer, Rob Glass (Partner, Media Arts Lawyers).

Creative Assets Assistance
• Release Graphic Design/Illustration by Good Intent collaborator Ben Mitchell (Bootleg Rascal, Critical Slide).

FOLLOW GOOD INTENT
FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | WEBSITE

FOLLOW GOOD LOCO
FACEBOOK | INSTAGRAM | WEBSITE

March 11, 2024 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureFestival NewsMusic News

THERE’S A FASHION-FORWARD MAKERS MARKET THIS WEEKEND AT QUEEN VIC MARKET

by the partae February 22, 2024
written by the partae

The Fashion Edit Makers Market will ignite Melbourne’s fashion scene this Saturday when it takes over Queen Victoria Market’s iconic open-air sheds and laneways.

Fashion enthusiasts and trendsetters alike can step into a vibrant world where style meets innovation. The one-day event promises more than 45 stalls brimming with one-off creations and fashion-forward pieces. Marvel at and shop cutting-edge designs by some of the city’s most talented makers.

Attendees can shop the stalls while enjoying electrifying beats from a resident DJ before quenching their thirst at the Brick Lane pop-up bar.

The stallholder line-up is set to impress and features an array of local, independent labels.

The Only Label: jumpsuits, pants, dresses and jackets in bold colours and fun prints.

Mama Movement: sustainable, colourful activewear and raincoats made from recycled plastic bottles.

Days of Grace: an ethically conscious and socially responsible label showcasing feminine silhouettes in small runs that exude freedom and elegance.

Loungewear Republic: cosy, matching loungewear sets in bright colours and neutrals, offering comfort and style for home relaxation.

Von Myrce: historically-inspired apparel handmade in Melbourne using recycled and sustainable textiles – think contemporary fashion meets swashbuckling medieval troubadour.

Sachi Craft: a wide range of fashion items upcycled from vintage Japanese kimono and yukata garments.

Ms Whimsy: a collection of unique and practical handbags in vibrant colours and prints, all handcrafted in Melbourne.

The Fashion Edit Makers Market is a free event in collaboration with PayPal’s Melbourne Fashion Festival.

When: Saturday 24 February 2024

Where: C-D sheds (Peel Street end), Queen Victoria Market

Time: 9:00am to 3:00pm

Cost: Free with apparel, food and drinks available to purchase

More info: melbournefashionfestival.com.au

February 22, 2024 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureMusic InterviewsMusic News

Capturing Music History: An Exclusive Interview with Jonathan Rach – Behind The Gallery Exhibition

by the partae February 20, 2024
written by the partae

Can you share some insights into the process of selecting the images for this exhibition, especially those that have never been seen before? Some images speak to you, resonate a feeling, and if it’s true to the event, then I think it should be part of the exhibit.

The Nine Inch Nails Self Destruct Tour spanned from 1994-97, capturing a pivotal era for the band. How do you believe these photographs encapsulate the essence of that period, and what made it such an iconic moment in music history? I knew Trent was doing something special. You could feel it in the air. The crowds were fanatic. All I had to do was point the camera in the right direction and capture it. I felt like I was witnessing something worthy of music history.

The exhibition not only features Nine Inch Nails but also includes images of David Bowie, Lou Reed, and moments from the Hollywood Palladium in 2018. How did these additional elements come together to enhance the overall narrative of the collection? The other artists selected were part of the tour. The shot of Lou Reed was chosen because it was taken in Australia. He was on a lineup with Nine Inch Nails. I think it was called the Big Day Out Festival in probably 1995. He came into the band’s dressing room and gushed at how much he was blown away by watching the performance. I happened to be right by the door as I was putting my video camera away, so all I had to do was just turn and point. A snippet of the moment is in the documentary “Closure”. It blew us away to have Lou Reed come into the dressing room and gush over the band. That did some real damage to any second-guessing. We all had so much respect for him. You knew you were doing something right, especially when David Bowie wanted to join the tour. What was going on? It was David Bowie. I wanted to make sure I had Bowie represented in the exhibit. His presence played such an impactful role for all of us on that tour. I remember David asked me if I would film him as he came off the stage and went into a room to decompress each night. Every night it was just he and I in this small, confined room. As I filmed him, he would talk about the performance. I thought, what am I doing here? It just felt surreal. I always had so much respect for him. We all did. The song “Under Pressure” spoke to me every night as he performed it. It helped me get through some personal things. The lyric “Watching some good friends scream, let me out” just spoke to me. “Why can’t we give love a second chance.” It seemed to offer something from such an intense long tour. The job of documenting artists at this caliber was such a gift, and I feel lucky to have had the chance. It all could be so emotional at times. Another example, I worked with Neil Young and watched him write a song from scratch right in front of me on an old beat-up piano, and it just hooked you in in the first 5 seconds. Unbelievable emotions evoked. Working with Trent was the same experience, and David Bowie. So thankful to be able to just experience it and then share it as a documentarian. This exhibit focuses on the Downward Spiral album and the Self Destruct tour, so I wanted to make sure the opening acts that spent the most time on the tour were represented. Those images are on display too. As for the 7 images selected from the Palladium shows with Nine Inch Nails, they are just my favorite that did not make it to the limited edition series. Trent wanted to have one selection from each night of playing the historic 6 nights at the Palladium. So if a couple of favorites fell on the same night, then I had to pick only one, and this exhibit is an opportunity to present some of the others. I think if you were a fan of the Palladium series, then you would find these additional images interesting.

With 45 images on display, could you highlight a few that hold special significance for you personally, and what makes them stand out in the context of the exhibition? If I can connect the dots to two events to help answer that question. Usually when I walk through a museum, I kind of purposefully move somewhat quick. I enjoy the overall first impression then I keep moving. I don’t know if that sounds odd or relatable, but usually there are so many paintings that even at a faster pace, you still can’t get through all of them. I think it was at the Getty Museum in Los Angeles. I sort of just stopped and stared at one particular painting from like the 1500s. I studied it and all its details and I tried to imagine the painter hundreds of years ago working on every brushstroke and how at the time it was just routine maybe even mundane. But to then have someone so far off in the future with very limited experience of that time by someone so far in the past and how it spoke to me and presented a feeling of what it was like back then I realized the power of the painting in that moment. It was capturing the human experience for all future generations to help make sense of it all. A photograph that captures an important moment can have the same effect. I had a request for one of my photographs at large-scale size. I got it back from the printer and opened it up on a table. It was the one of Trent smashing the keys with his foot on stage. It hit me that this was the one shot that summed up the entire Self Destruct tour in a single moment. This was what was important to remember. It felt larger than life. It didn’t feel like I took the photo, as odd as that might sound. Like someone else took it. I just happened to be a witness standing there. It was all the emotions of that experience wrapped up in one shot. The emotions that resonated so powerfully with an arena full of that generation. What was it all saying that connected so intensely between the artist and fan? And it did. That image captures something that felt authentic to the music, the message. The experience. It’s just a raw honest expression of what it was all about. I’m sure there are a thousand versions from a thousand people, but for me, that was the one having spent so much time on the tour. There are many in this selection that do the same for different reasons, some personal, but if I had to pick one, it would be the one of Trent smashing the keys on stage. It was as if the keyboard had a limitation and Trent just went beyond it.

As a photographer, you had the opportunity to witness and capture genuine moments in music history. Can you share a specific instance or memory from the Self Destruct Tour that you feel perfectly encapsulates the energy and essence of Nine Inch Nails during that time? We were all in our 20’s and there was a certain attitude that came along with that. That age seems to be the zone where music plays its most important role, and this was our moment. This was our expression to hold up with other generations moments and it felt larger than life. When you are in your 20’s everything is there for you and at the same time seeing how the world is so new and raw. Trent and I had a conversation before I came on the tour to do a documentary. We agreed to just kind of be a fly on the wall and capture whatever it is. He felt like he was doing something groundbreaking and different and worthy of capturing. It started out small in clubs then theaters then eventually arenas. He was right. It was something worthy of documenting. I had all this footage from years of touring and it is powerful, but to bring it back to the photography, one photo, an image, a moment, seemed to always pack more punch than all the footage. Why was that? What is it about a single image that can always outdo hours of footage? Incredibly powerful but maybe it’s how our brains work. We need it in a snapshot. Anton Corbijn, who is one of the greatest photographers there is, came out on the tour a couple of times to do a cover shot for a magazine of Trent, and it was Anton that said pay attention to the photography while you are documenting. It will surprise you how meaningful it will become in the processes of documenting, and he was so right on that. Photography of music culture seems to get it better than the footage. It’s that moment that can sum it all up that you strive for.

Given that this is the first time these photographs will be on display in a world-exclusive gallery exhibition, what do you hope viewers take away from the experience? Are there specific emotions or reactions you aim to evoke? I think for a fan who has never witnessed that performance live on that tour, hopefully, this exhibition can give an experience of what it was like. I tried to pick images that showed the dynamics of it all. There are images that hopefully showcase how at times it felt dangerous and unpredictable and at other times it felt vulnerable and sort of lost in a healthy way. Maybe if you had never seen the show on that tour my images could help explain those extremes. The dynamics of that tour were breathtaking, and hopefully, the images show that same range.

How did the collaboration with Behind The Gallery come about, and what drew you to entrust them with showcasing your collection for the Nine Inch Nails community in Australia? I had earlier approached a bunch of high-end rock photography galleries about wanting to exclusively showcase a set of images that I thought were important for a generation. I explained how for twenty some years they sat and have never seen the light of day. Plus, Trent was still very relevant some twenty years later, headlining all major festivals when so many bands from that time just sort of fell off, and I just thought what I had was exactly what a gallery would want. But I was met with, well, it’s not really the Rolling Stones or the Beatles. I tried to explain this was a new generation. This would speak to them etc. but they had no interest. So when Stephen called out of nowhere about this concept he had for a gallery and that my photographs were exactly what he was looking for I was listening to his philosophy and it was a no-brainer. He got it. He is doing the entire gallery experience on music just how I thought it should be done.

The exhibition coincides with the 30th anniversary of the iconic Nine Inch Nails album, “The Downward Spiral.” How did you approach capturing images that would pay homage to the album’s significance in music culture? I thought there was something dangerous and unpredictable going on on stage and I wanted to make sure I captured that but I also wanted to make sure I was capturing the vulnerable moments. Hopefully, the images show the dynamics of the experience.

Limited edition numbered prints signed by you are available for purchase. Can you speak to the significance of offering these prints to fans and collectors, and what it means to you to have your work appreciated in this tangible form? Music photography was elevated many decades back by a relationship between a music artist and a museum curator – gallery owner. The artist felt like some of the photography captured by rock photographers were like paintings and worthy of the attention a painting gets. The artist was Ronnie Wood from the Rolling Stones and the art gallery owner and shop were located in San Francisco or at least this was how the story was told to me. The fans wanted it. They wanted to collect it. Collectors wanted to own it; they wanted to socialize around it and celebrate it. And it is true. It is a lot of fun to go to an event like the one Stephen is putting on and meet others who have the same interest. I am always fascinated to hear why a person connects to an artist and hear all the details to why. It’s such a passionate event to go to and enjoy. What a great way to spend an evening. I hope that Stephen and I have put something together that can live up to those standards.

Opening night is on Wednesday, March 6th. What can attendees expect from the overall atmosphere and experience at the gallery? Are there any special elements or surprises planned for the event? I’m excited to meet fans of Nine Inch Nails always being a fan myself. Stephen wants to make sure it’s a celebration of the band and specifically the 30-year anniversary of the Downward Spiral album.

The exhibition includes an Artist Talk with you on Saturday, March 9th. What topics or anecdotes do you plan to share during this talk, and what do you hope attendees gain from the experience? I am up for sharing anything any fan wants to know. I get it. I feel lucky to have experienced it, and I think it will be fun to talk about what it was like to be there so intimately. As a photographer embedded with the band for years, it makes for a great conversation.

Having worked closely with Nine Inch Nails during the Self Destruct Tour, what was it like collaborating with such a groundbreaking and influential band, and how did the experience shape your perspective as a photographer? I can explain it this way. Usually after the show there is a hospitality room where artists and fans and friends meet up. Sometimes the rooms are small depending on the venue and especially depending on how many people have been invited. This one particular night, I walked in with my camera and it was just packed with people. Everyone was just chatting away and socializing. David Bowie spotted me from across the crowded room and he made his way over to me and said, “I am smart enough to know you just became the most important person in the room.” What he meant was the world and all future generations just walked through the door. That’s the power of a photographer.

Behind The Gallery Exhibition -NINE INCH NAILS, THE DOWNWARD SPIRAL- 6 – 10 March 2024

254 Flinders St, Melbourne

FACEBOOK

February 20, 2024 0 comments
1 FacebookTwitterPinterestEmail
Fashion & CultureFestival NewsMusic News

World Exclusive: International photographer Jonathan Rach is bringing his NINE INCH NAILS Exhibition to Australia

by the partae February 5, 2024
written by the partae

Behind The Gallery has today announced that the iconic photos taken by Jonathan Rach on Nine Inch Nails Self Destruct Tour will go on show for the first time in a world-exclusive gallery exhibition from 6 – 10 March 2024 at 524 Flinders Street, Melbourne to celebrate the 30th anniversary of the iconic Nine Inch Nails album, “The Downward Spiral”. The exhibition will include several photos never seen before.

Behind The Gallery has collaborated with award-winning documentary and feature film writer/director Jonathan Rach, who captured the iconic era-defining photography during the 1994-97 extensive global tour.

An incredible 45 images will be on display showcasing an array of both personal and pivotal moments for the band taken during the tour which included Australia.

In a worldwide first, Jonathan’s celebrated collection will feature a selection of recently rediscovered images dating back to his time with Nine Inch Nails. The collection also features renowned artists David Bowie, Lou Reed, and moments from the ground-breaking 6-night run at Hollywood Palladium in 2018 for fans and collectors alike to enjoy. Limited edition numbered prints signed by Jonathan are available for purchase.

On bringing his esteemed collection to Australia, Jonathan Rach said, “I was witnessing truly honest and iconic moments in music history. The result is what will be on display in Melbourne.”

Behind The Gallery’s Creative Director Stephen Dallimore said, “We are extremely honoured to be trusted to showcase this collection of photographs for the Nine Inch Nails community. Jonathan’s images provide a rare insight into one of music’s most important artists and celebrated tours in music culture. We look forward to creating a special event for the fans and collectors, this is not to be missed!”

Behind The Gallery presents: “The Photography of Jonathan Rach: Images of Nine Inch Nails, The Downward Spiral and more”.  Opening night will take place on Wednesday 6th March. Fans are also invited join the celebration of the album release anniversary on Friday 8th March at the gallery, followed by an Artist Talk with Jonathan Rach on Saturday 9th March. The exhibition will take place at 524 Flinders Street, Melbourne.

Website Link: https://www.behindthegallery.com.au/pages/jonthan-rach-nine-inch-nails-the-downward-spiral

Facebook: https://fb.me/e/419AxqP9D

February 5, 2024 1 comment
0 FacebookTwitterPinterestEmail
Eats & DrinksFashion & CultureMusic News

Serenity in the Sky: Unveiling ‘Le Splash’ – Melbourne Le Meridien’s Rooftop Jewel

by the partae December 14, 2023
written by the partae

Experience the epitome of luxury at Melbourne Le Meridien’s exclusive rooftop oasis, ‘Le Splash,’ nestled atop 20 Bourke St in the heart of Melbourne CBD. Boasting unparalleled views of the iconic city skyline, this stunning rooftop pool deck is a true urban escape that invites guests to indulge in a world of sophistication and relaxation.

Perched high above the bustling city, ‘Le Splash’ offers a serene haven where guests can unwind in style. Immerse yourself in the crystal-clear waters of the infinity pool while soaking in the breathtaking panoramic vistas that stretch as far as the eye can see. The meticulously designed space combines modern elegance with a touch of Melbourne’s vibrant culture, creating an ambiance that is both chic and inviting.

Indulge in the ultimate poolside experience as you sip on handcrafted cocktails from the stylish rooftop bar, where expert mixologists concoct signature drinks to tantalize your taste buds. The attentive and friendly staff cater to your every need, ensuring a seamless and memorable escape from the ordinary.

Whether you’re a local seeking a luxurious retreat or a visitor exploring Melbourne’s cosmopolitan charm, ‘Le Splash’ promises an unforgettable experience. Elevate your stay in Melbourne and make a splash at this unparalleled rooftop destination that redefines the meaning of urban luxury. ‘Le Splash’ at Melbourne Le Meridien is where sophistication meets relaxation, offering an elevated escape that captures the essence of Melbourne’s cosmopolitan allure.

Words: Chris Brooks – Photography: Juan Castro

December 14, 2023 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureFestival NewsMusic News

AMY WINEHOUSE EXHIBITION COMING TO AUSTRALIA

by the partae September 16, 2023
written by the partae

A moment in time with Amy, Before Frank

 

Marking the 20th Anniversary of Amy Winehouse’ celebrated debut album International Photographer, Charles Moriarty, brings intimate collection to Australia 

AUSTRALIA, 13th September 2023 – On the eve of what would have been Amy Winehouse’ 40th birthday, internationally renowned photographer, Charles Moriarty, has announced the Australian tour of ‘Amy, Before Frank’, a personal tribute and intimate collection of timeless photography captured when a young, fresh faced, 19-year-old Amy Winehouse was on the cusp of global stardom.

Back in 2003, when Charles Moriarty was asked by a mutual friend to photograph a local singer by the name of Amy Winehouse, he had no idea of the heights that the honest, self-assured 19-year-old he was introduced to would eventually reach. The Irish photographer ended up shooting the cover for Amy’s debut album, Frank, with the two striking up a friendship that remained close for many years.

Charles Moriarty’s Amy, Before Frank collection features a series of photographs that are fun, mischievous and capture a remarkable period for one of music’s most significant and iconic figures. Moriarty’s photographs are charming, intimate, insightful, and emotional for fans of Amy who have stayed close to her turbulent life journey, and it’s heart-breaking, all too soon, end.

On bringing Amy, Before Frank to Australia, after 20 years since Amy was introduced to the world “it’s time for people to know the girl I knew; Amy before the fame, Amy before Frank” said Charles Moriarty.

Moriarty’s images have quickly made a transition into collective cultural memory, through both the iconic cover for Frank and now at London’s National Portrait Gallery, where one of the images from this exhibit sits in the permanent collection.

Presented by Behind The Gallery, the Amy, Before Frank collection will arrive in Sydney in October, before travelling to Melbourne in November, at a time that also marks the 20th anniversary of her internationally acclaimed debut album, Frank, which was originally released on the 20th October, 2003.

“Charles captured the innocence, honesty, happiness of Amy before the cusp of fame happened.  The trust in the shots of Amy from Charles is based upon friendship and not something we have seen like this before. It’s a side of Amy rarely shown before, and we can’t wait to share it with everyone in Australia”. Said, Stephen Dallimore – Behind the Gallery.

Over 30 images will be featured and on display in Sydney at the m2 Gallery in Surry Hills. The free-of-charge exhibit will be open to the public from the 18th – 22nd October, from 10am – 5pm each day with the opportunity to hear directly from Charles Moriarty who will share personal insights and anecdotes from his time spent with Amy, in person on Saturday 21st October at 12.30pm.

The Amy, Before Frank exhibit will then travel to Melbourne’s @14 Gallery in Collingwood, open to the public from 1st – 5th November, 10am – 5pm each day.  Moriarty will also be hosting an in-person artist talk on Saturday 4th November at 12.30pm.

September 16, 2023 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • The Grogans release new single ‘Social Cue’ ahead of upcoming LP Stagger+ live video at Sing Sing Studios + upcoming WA + US Shows
  • Chris Lake, Sydney, Saturday 10 May, 2025
  • Interview: GOODFRND – Chaos, Confidence, and ‘FEEL GOOD’
  • ZZ Top + George Thorogood and the Destroyers @ Margaret Court Arena, Melbourne, 7th May 2025
  • BEONIX Festival reveals its full lineup for 2025 Edition: Armin van Buuren, Boris Brejcha, Dubfire, Len Faki, Maceo Plex, Roger Sanchez and many more

Recent Comments

  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview
  • Tamer on World Exclusive: International photographer Jonathan Rach is bringing his NINE INCH NAILS Exhibition to Australia
  • Dave Canto on Berlin Based Band GHEIST Present Their ‘acoustic – unusual’ EP; A Collection Of Acoustic Versions | Stream Now
  • Amelia Poon on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love
  • Tony on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love

Archives

  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2024


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event