Hyoyeon joins &FRIENDS Festival lineup with Zedd, ILLENIUM, bbno$ and more this...

Dom Dolla Announces Sydney Stadium Show This December

Interview: Katie Brooke – Rooted, Resilient, and Relentless

Interview: Civic – Finding Peace in New Sounds

Chasing Ghosts ‘Therapy’ Album Review

Von Sharp Releases ‘More’

MATT MALTESE  reveals sixth studio album, HERS UK, Europe and North American...

DJ Sammy, Loona and Empyre One revive the 1996 classic: You’re My...

Montell Fish – Melbourne / Sydney 2025

The Grogans release new single ‘Social Cue’ ahead of upcoming LP Stagger+...

Monthly Archives

November 2024

Music InterviewsMusic News

Interview: An Exclusive Chat with ElementxL on ‘Playing Games’

by the partae
written by the partae

Can you tell us about the inspiration behind your new single, “Playing Games”? What was the creative process like for this track?

“Playing Games” was inspired by that feeling you get when you see someone new who’s unavailable. It’s about being drawn to them, feeling really into it, but then realising it’s just not going to work out. It’s that emotional rollercoaster of wanting something to happen, but coming to terms with the fact that you can’t change the outcome, so you learn to find peace with the process.

Creatively, it came together like most of my music. It started as an idea on guitar, and then the melody and vocals grew around it. I keep a DIY approach with my music and just go with whatever I’m feeling in the moment.

You describe “Playing Games” as capturing the ups and downs of modern romance. What personal experiences influenced the lyrics and themes of this song?

The song is based on a situation I had where I was into someone, and they were into me too, but they would pull back emotionally. It really started messing with my head. The lyric “sometimes my brain’s trapped in a maze when I see you” sums it up pretty well, haha. It’s just one of those experiences where things get complicated, and your mind starts spinning.

Your music blends R&B, Indie, and Hip Hop influences. How do you approach genre fusion in your work, and what do you think it brings to your sound?

I listen to a lot of different music, so all those influences naturally show up in my work. I try to let the song lead the way. With this one, it just felt like a groovy, laid-back vibe, so those influences came out naturally. I think it helps keep my sound fresh and allows me to explore different textures.

Your previous singles have garnered a lot of attention. How do you think “Playing Games” compares to your earlier work, like “Hazy” and “NOSEBLEED”?

“Playing Games” is definitely different from those tracks. “NOSEBLEED” had more of a hip-hop/alternative vibe, and “Hazy” was more lo-fi and stripped back. But in terms of the process, it’s the same—I record everything at home, just capturing whatever I’m going through emotionally at the time. “Playing Games” has more of a summer-y, laid-back feel, and I brought more of my guitar work into this one, blending some blues and jazz voicings into the song.

You mentioned that the song is both “lighthearted and fun” yet deeply real. How do you balance those contrasting emotions in your music?

It just kind of happened naturally. There’s a big contrast between the upbeat, groovy instruments and the lyrics, which are pretty raw and honest. I wanted to keep that playful vibe, but still have it grounded in real emotion.

What do you hope listeners take away from “Playing Games”? Is there a particular message or feeling you want to convey?

I want people to feel good and to feel at peace with whatever they are going through. I always try and find a state of peace with whatever life throws at me and making music helps me achieve that. I hope it brings some sort of joy and good energy to people’s lives

As an emerging artist in the EORA music scene, what challenges have you faced, and how have they shaped your musical journey?

I think it’s pretty hard to ‘make it’ regardless of where you are these days in the music industry, or any creative industry for that matter. What helps me stay grounded and focused is just being emersed in what I love in life, to go to as many gigs as I can and to listen to all the artists I’m inspired by.

You have plans for more releases and international touring in the coming year. Can you share any details about what fans can expect from you in 2025?

Fans can expect to see more diversity in the music I release. I am super excited to play live shows and that’s where my music will come to life. A lot of energy and good vibes is what I’m about!

How has your connection with your fanbase evolved since you first started releasing music? What role do they play in your artistic development?

I get a lot of really nice messages from fans, telling me how my music has impacted them or inspired them. I try to keep my creative process as authentic as possible, and while it’s tempting to repeat something that’s doing well, I always try to stay true to what I’m feeling in the moment. So far, my fans have stuck with me on this journey, and I’m really grateful for that. I definitely want to keep growing that connection, especially as I start to do more live shows.

Lastly, what do you think sets “Playing Games” apart from other songs in the current music landscape? Why should listeners be excited about this release?

I think the way “Playing Games” was recorded sets it apart from other songs in today’s music scene. Like all of my music, it’s a very DIY project, written and recorded in my bedroom. The flow between the guitar and vocals helps bring the lyrics to life in a unique way, creating a genuine connection that I think listeners will feel! Hope you like it!!

SOCIALS

https://www.instagram.com/elementxl_/
https://www.facebook.com/ElementxL/
https://www.abc.net.au/triplejunearthed/artist/elementxl/

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

El Balcón, Vibrant Latin Fusion Band Premiere New Single ‘No Creo En Banderas’

by the partae
written by the partae
El Balcón, a vibrant Latin fusion band based in Montreal, has dropped their new single, “No Creo En Banderas” –it’s a sneak peek of their upcoming album, El Errante.

This energetic collective has a knack for blending traditional sounds from around the world with fresh, acoustic grooves. The band draws its roots from lead singer Valeria Del Marre’s Mexican heritage, starting with reimagined Mexican classics before evolving into entirely original compositions. Their unique sound combines Mexican folk instruments like the jarana and tarima with the microtonal beauty of the violin and oud, all anchored by upright bass and vibrant percussion like cajón and donkey jawbone.

El Balcón is all about bringing the fire to their performances, radiating the joy and connection of a tight-knit family. With two powerhouse vocalists who never perform a song the same way twice, they keep audiences on their toes. As they prepare to release their fourth all-original album and hit the road for tours in Europe and Mexico, this is a band you don’t want to miss if you’re into innovative, soul-stirring music.

SOCIALS

linktr.ee/grupoelbalcon

0 comments
0 FacebookTwitterPinterestEmail
Eats & Drinks

Where To Find The Best Farmers’ Markets And Why They’re So Popular

by the partae
written by the partae

When it comes you tourist destinations, many people often ignore farmers’ markets in search of wild adventures. But the thing is these places have their own unique experience that is worthy to try. Almost all countries have farmers’ markets that bring their own perspective and twist their popularity. Markets like this come with a history that has proven itself to be a point of intrigue for many people – including the locals and tourists. Here, we are going to take a look at where the best farmers’ markets are and why they’re so popular. 

 

The Hexham Marketplace

Watching some of today’s best new TV shows not only is a way to spend leisure time but also gather some ideas about different cultures, especially when it comes to pop culture. One example that we would like to mention here is the TV show called “Matt Baker: Our Farm in the Dales”, where Matt Baker visits the marketplace with his family to source local produce for a special farm event. The Hexham Marketplace is located in Northumberland, England, and stands out as one of the oldest and click-worthy farmers’ markets in the UK. 

Other than the media exposure it often receives, the Hexham Marketplace is famous for its artisanal cheese. There are many kinds of cheese that are available for both tourist and locals to get their hands on.  The Northumberland cheese stall is a tourist magnet that has different kinds of rare cheese that is infused with local herbs. The different variations of cheese are so popular that visitors buy a wedge before leaving. 

The shopping experience is quite good too, with many shops offering handmade crafts. You can also sip on the locally roasted coffee which is perfect for your adventure. You can listen to the live music that frequently occurs in the market square to get a true taste of tradition. 

 

Queen Victoria Market

The Queen Victoria Market in Melbourne, Australia is a must-try farmers’ market for anyone exploring Australia. It is also one of the largest open-air markets that is filled with all sorts of food stalls and experiences. It has all sorts of shops and eateries with some rare and iconic foods to try out once. 

The most iconic food in the Queen Victoria Market is the Kangaroo Meat sausages. This choice of meat is not only wild and exotic but also a fan favorite among the locals. Tourists can try out these kangaroo meat sausages and feel the real taste of Australia’s cuisine. But for those with a sweeter appetite, the Lamington cakes are also a good option to try. 

The Queen Victoria Market is not just a place for food; it has all sorts of guided tours and indigenous art that showcase the history of the marketplace. There are many relics and antiques you can purchase to relive your memories after your trip to this destination. 

 

La Boqueria

One of the oldest and most iconic farmers’ markets in Europe is the Mercat de Sant Josep de la Boqueria or simply La Boqueria in short. It was established in 1217 and still has many attractions and food spots, such as the traditional Catalonian fare. The main thing about this market is its display of fruits, seafood, and Iberian hams which is unlike other places. 

The most iconic thing about La Boqueria is its Paella kits that visitors can buy to cook Spain’s iconic dish at home. You can complete it with saffron and bomba rice to make it a flavourful souvenir that brings the taste of Spain to kitchens around the globe. 

The market is also a standout destination for many travel documentaries and is all about showcasing its rich cooking style. There are many stalls that offer a glimpse of the local cuisine or variations of international cuisine that are hard to resist. 

St. Lawrence Market

The St Lawrence Market in Toronto, Canada is a heaven for foodies. The most iconic item to try here is the Peameal bacon sandwich which is made with cured pork loin. You can even pair it with local craft beer to enjoy the perfect meal that is fit for the market’s busy atmosphere. 

It is also more of a community center in the sense that there are many cooking classes, pop-up events, and community shows that celebrate Toronto’s rich diversity. You can try all sorts of dishes and experiences right from India to Italy to satisfy your taste buds. 

 

To Wrap It Up

These farmers’ markets are more than just a destination for fresh produce – they celebrate the history and cultural diversity that brings people together with years of tradition. The iconic foods along with the warm nature of the locals make it a perfect spot for tourists to explore. 

0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: Precious Mess on ‘Hold You To Your Word’

by the partae
written by the partae

Nate and Reggie, what inspired you both to start this band, and how did the idea come about?

Nate and I had discussions on a project colab where music informed art, we had worked together on a number of NFT’s where the art informed the music so we decided to flip the concept , that’s when things got out of control … ending up with us building a rig with a speaker under a canvas to create the art for each song

Can you share the journey that led you to create “Hold You To Your Word”? What was the initial spark for this single?

The song was a study in suspicion  and conjecture of what we know as a political system. We all have suspicions as to what we think goes on, and none of it sits right, especially when it comes to accountability hence the title, and also leans into the frustration we have in said system and helplessness that we have with our leaders

How does “Hold You To Your Word” reflect the mission or vision you have for the band?

Its sits pretty solid in the middle, the mission of the band is wide and varied, primarily its half art creation and half music creation, and the single represents one lyrical facet of where we come from, we like to ask questions that lead to more questions, in the hope that we all can collectively find solutions not reasons. Our hope is to show people that you can also do things not on a computer.

What themes do you explore in “Hold You To Your Word,” and how do they tie into the overall concept of your upcoming album, “An Exercise In Letting Go”?

Its not uncommon for us to talk about the things that affect us and hold you to your word reaches into the place where we feel helpless and frustrated under a political system and there are other moments on the album where we refer to scandals of politicians, these are things that you make a choice to react and be militant and aggressive or you can take it as a teachable moment and realise that they are just faulty broken humans like so many. So you hold onto that memory for future reference in the hope that it won’t repeat and if it does then that sways you voice when you get to vote or be active. And that NOT being reactive is “An Exercise In Letting Go”

Can you describe the musical influences that shaped the sound of “Hold You To Your Word”?

The entire album was written on one guitar with a non standard tuning which meant that all the usual tricks don’t work so it was like relearning guitar and as we were writing the sound of that guitar was shaping what we were writing but I must say that when it took a turn toward Queens of the Stone Age and Royal Blood I kinda helped it along

What was the collaborative process like when writing and recording this single, especially between the two of you?

We would always jam the song in its inception. I would start with a riff or nate would start with a beat. There ways nothing preconceived it was a really spontaneous organic moment between 2 blokes.
This song was no exception

How do you envision the visual representation of “Hold You To Your Word” through music videos or artwork?

This was the reason we started the project… we create painted canvases by the canvas (30cm X 30cm) over a specially built speaker box and then we pour paint on the canvas and play the song through the speaker to make the paint bounce around and the end result is the artwork for that song … it was our way of pushing back at what seems to be a massive lean on AI to create art … I mean if we can do it so can you. The music video was a straight up performance video with some b roll. but there are some breadcrumbs in it that point to our push back against AI

What challenges did you face when starting the band, and how did those experiences shape your music?

When we started it was more to create organically driven art and as it progressed it seemed to want to be more song based and then the melodies and lyrics came very quickly so it choose it own direction
Not having a bass player for the process I think initially was a concern but when we had our first session we didn’t even consider it and I’m glad we took this path

Please give us an idea of how you approached the songwriting and then recording process:

No agenda the songs chose us, we would usually do a song in roughly a day and then some overdubs and lyrics and vocal on the next day. but a lot of the time when we were jamming the melodies and lyrics would start to appear, so sometimes it was a panic to get the overdubs done so I could start the vocal.
Generally we would have a protools session open with everything plugged in so after a while of jamming and we had a solid arrangement we would hit the red button and throw the bones down live

How did the concept for the music video come about and how did you approach the film and video production?

We and our long time friend and confident Lucas Packett set up in the studio as we would normally to write and then Lucas would blaze away with the camera
We also have been distorting our personas in an attempt to push the narrative that it’s more about the art . But it’s also music . So we set up a rig for the paint and we built rig for the paper to fly at us and Lucas  used a power drill wth a sponge buff to shoot A4 sheets of (Recyled) paper at us … its always fun..

Looking ahead, what do you hope listeners will take away from “Hold You To Your Word” and the album as a whole?

Just that if your frustrated at our system understand that it was built to be attacked .. so maybe pick your fights and wait for your time to choose as part of a more equitable resolve ,,, maybe from the inside ?
Accountability is everything.

Nate and Reggie

Instagram – https://www.instagram.com/preciousmessmusic

TicTok – https://www.tiktok.com/@preciousmessmusic

Facebook – https://www.facebook.com/profile.php?id=61564443986256

Bandcamp – https://preciousmess.bandcamp.com

Soundcloud – https://soundcloud.com/precious-mess

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Hey Smith (Japan) Announce November Australian Headline Tour

by the partae
written by the partae

HEY SMITH (JAPAN)ANNOUNCE DEBUT AUSTRALIAN
HEADLINE TOUR THIS NOVEMBER

WITH SPECIAL GUESTS VOODOO GLOW SKULLS (USA)
AND THE RESIGNATORS

Japanese punk/ska band HEY SMITH announce their debut Australian headline tour with specials guests, California punk/ska legends Voodoo Glow Skulls and Australia’s own fine purveyors of the genre The Resignators. The tour kicks off in Adelaide on November 27, heading up the east coast of Australia then culminating at the Ska Nation Festival in Colac on November 30. Full tour details below.

HEY SMITH hail from Osaka, Japan. Formed in 2006, the origin of the band name is, “SMITH” is taken from the initials of each member, and “HEY” just sounds like we’re in a good mood!

HEY SMITH incorporate horns into their upbeat, catchy melodic punk rock, a true live band who performs around 150 shows annually in Japan. The band host their own outdoor festival OSAKA HAZIKETEMAZARE FESTIVAL in Osaka every year. This band is not to be missed live!

Voodoo Glow Skulls were formed in 1988 by Eddie Casillas, Jorge Casillas, Jerry O’neill and Frank Casillas. After a few years of backyard party shows, cassette demos, 7” singles and first club gigs, they released their debut album “Who is, this is?” for Dr. Strange records in 1993, gaining the attention of Brett Gurewitz, owner of Epitaph records. The band then signed to Epitaph records and released four albums, starting in 1995 with “Firme”, their most successful album to date, then followed by “Baile de los Locos”, “Band Geek Mafia” and “Symbolic”.

The band began to tour worldwide with their first European tour in 1996 followed by Japan, Australia, Mexico, and South America. The band has been featured on several of Epitaph’s Punk-O-Rama releases and has had music featured in video games, TV and movies.

The song “Shoot the Moon” from the band’s Firme album was used in the Pauly Shoremovie Bio-Dome and the band’s version of “Used to Love Her” (originally written and recorded by Guns N’ Roses) is featured in the Mr. & Mrs. Smith soundtrack.

In 2002, Voodoo Glow Skulls signed to Victory Records. The band released three albums on the Victory label and continued to tour. In June, 2017, Frank Casillas announced his retirement from the band and was replaced by Death By Stereo vocalist Efrem Schulz.

The Resignators‘ journey is one of resilience, creativity, and a commitment to their musical vision. With a dedicated fan base, a solid discography, and an unwavering passion for their craft, The Resignators remain an essential part of Australia’s diverse musical landscape. As they continue to evolve and inspire, their music serves as a testament to the enduring power of ska-punk fusion.

FOCUS MUSIC GROUP & UPBEAT SOUNDS PRESENTS
HEY SMITH Japan)
with special guests
Voodoo Glow Skulls (USA) + The Resignators (Melb)

Wednesday November 27 The Gov – Adelaide, Tickets

Thursday November 28 Brightside – Brisbane, Tickets

Friday November 29 Factory Floor – Sydney, Tickets

Saturday November 30 / Sunday December 1
Croxton Bandroom, Thornbury, Victoria

 

Hey Smith!’s 10 Japanese Bands You Need To Know Right Now

  1. SiM

Favorite song: Blah Blah Blah

They are a band that draws on various genres including punk, reggae, and loud rock. They are the band we are closest with personally, and while musically they are fantastic, they are also very serious people with deep thoughts.

 

  1. coldrain

Favorite song: No Escape

Here’s yet another of the bands in Japan that we are closest with. (laughs) Their most distinctive feature is their intense twin guitars. They’re truly technical, but they also have pop elements that are easy to remember once you hear them. I actually can’tplay it myself. (laughs)

 

  1. SHANK

Here’s yet another of the bands in Japan that we are closest with. (laughs)

They are a three-piece melodic and ska band. They broadcast their unique culture from Nagasaki, a rural part of Japan, and now they are a special band that everyone in Japan knows.

 

  1. crossfaith

Here’s yet another of the bands in Japan that we are closest with. (laughs)

I’ll end this catchphrase here as it seems it could go on forever. (laughs)

Once you see their live performance, it will be etched in your brain forever. They’re from Osaka Prefecture like us, and they’re the friends we meet most often in private.

 

  1. Hi-STANDARD

They’re my favorite band. Countless Japanese bands have been influenced by them, not just us. Their melodies and guitar solos are unforgettable once you hear them. Even now, I think no punk band in Japan has surpassed them yet.

 

  1. SHADOWS

They’re on the same label as us. We really respect their attitude towards music. Their music is incredibly complex yet still pop. And they’re wonderful people. They never forget their respect for others, and all Japanese punk bands like them.

 

  1. GUMX

A band composed of two Japanese and one Korean member. The guitar vocalist, Yongwon, is my best friend. He came to Japan alone from Korea to play his music, which I respect immensely. He has a strong respect for the Japanese punk scene, and his respect for that scene is very cool.

 

  1. ENTH

They’re a band broadcasting various cultures from Nagoya, Japan. Sometimes they send out messages that are incomprehensible to others, dangerous, and playful. Currently, culture from Nagoya is growing big in Japan, and they are undoubtedly at the center of it.

 

  1. CRYSTAL LAKE

YD, the guitarist, is the closest guitarist to me geographically. (laughs) He lives about 5 minutes away, and we contact each other when something happens. Their live energy is off the charts, and they drink an incredible amount of alcohol before and after their performances.

 

  1. Tokyo Ska Paradise Orchestra

They are our biggest mentors and also our biggest supporters. We do a co-headlining tour once a year with them. The time spent with them, who tour around the world, is special, and I think they are one of the few mentors who truly understandsHEY-SMITH.

 

I’ve listed 10 bands. They all ended up being friends. (laughs) There are still many more wonderful bands in Japan. Once a year, I hold a festival called “HAZIKETEMAZARE FESTIVAL” in my hometown Osaka to gather my friends, so come and visit from Australia too!

 

 

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

IBIZA’S LEGENDARY CIRCOLOCO ARRIVES IN MELBOURNE FOR AN UNMISSABLE SUMMER EVENT

by the partae
written by the partae

The iconic Ibiza party brand CIRCOLOCO is set to make its long-awaited return to Australia with a special one-off event at Melbourne’s renowned Sidney Myer Music Bowl on Sunday, January 26, 2025. Known for its legendary residency at DC10 Ibiza, Circoloco has captured the hearts of underground electronic music fans worldwide, and now, it’s bringing its renowned energy and stacked lineup of international talent Down Under.

This exclusive Australian show promises an unforgettable experience, featuring performances from acclaimed artists including Seth Troxler, Pawsa, The Martinez Brothers, Prospa, Carlita, and more.

In 2024 Circoloco celebrated 25 years of its iconic residency in Ibiza. Since then, it has expanded its global reach with unforgettable events across the world. From its humble beginnings as an underground club night, Circoloco has grown into a phenomenon, with a loyal following of fans and a reputation for curating some of the most cutting-edge events across the globe.

Join us for Circoloco’s highly anticipated return to Melbourne, as one of underground electronic music’s most iconic brands delivers an unforgettable night, soundtracked by the world’s top house and techno stars.

Sign up for presale here and stay tuned for full complete event and ticket information.

For further info on Circoloco, visit:

WEBSITE | FACEBOOK | INSTAGRAM | X | YOUTUBE | TIKTOK | SOUNDCLOUD
0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Meadow 10: Hiatus Kaiyote & Pond To Headline The Last Meadow Festival
+ Announcing ‘The Retreat Creek Hotel’ offering 10 slots for local artists

by the partae
written by the partae
0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

FALLING IN REVERSE ANNOUNCES THE “POPULAR MONS(TOUR) AUSTRALIA 2025

by the partae
written by the partae

FALLING IN REVERSE ANNOUNCES
“POPULAR MONS(TOUR) AUSTRALIA 2025”

WITH SPECIAL GUESTS BLACK VEIL BRIDES & HOLLYWOOD UNDEAD

 

FALLING IN REVERSE announce the POPULAR MONS(TOUR) AUSTRALIA 2025. Kicking off at RAC Arena in Perth, the band will then head to Adelaide Entertainment Centre, Rod Laver Arena in Melbourne, Qudos Bank Arena in Sydney, finishing off at the Brisbane Entertainment Centre.

The tour will see the band playing their biggest headline shows in Australia to date. Special guests on the tour are BLACK VEILK BRIDES and HOLLYWOOD UNDEAD. Full tour details below.

FALLING IN REVERSE return with 2024’s Popular Monster, the postmodern trailblazer’s first full-length in seven years. The album arrives armed with no less than three RIAA-certified gold singles (“ZOMBIFIED,” “Voices in My Head,” “Watch the World Burn”), the certified ARIA triple platinum title track, a reimagined nü-metal classic, and six brand new anthems of furious metal, melody, and hip-hop.

Popular Monster is a defiant statement and triumphant victory for singer, songwriter, bandleader, and provocateur Ronnie Radke, who invented FALLING IN REVERSE inside a prison cell.

“Radke stands as one of this generation’s most revered rock frontmen,” wrote the esteemed Forbes Magazine in a 2020 profile. “And maybe even one of the scene’s last true rockstars.”

FALLING IN REVERSE’s catalogue has accrued over 6 billion streams. The catalogue streaming remains robust at 45 million per week. Over on TikTok, the band has a stronghold, with 6 billion video views, with 4.5 million creations and an 1.8 billion creator reach.

FALLING IN REVERSE have sold out arenas globally in the USA, Europe and the UK. Make no mistake, the POPULAR MONS(TOUR) AUSTRALIA will definitely follow suit.

The numbers don’t lie — FALLING IN REVERSE are the rock scene’s biggest sensation.

It’s hard to imagine in 2024, after BLACK VEIL BRIDES most recent album produced their highest-charting single in the U.S, and legions of supporters passionately scream their devotion during every performance. But before the birth of the BVB Army, the thousands of lyric tattoos, and the gold and platinum records that followed, BLACK VEIL BRIDES was simply a dark vision dreamt up by an only child in Cincinnati, Ohio.

BLACK VEIL BRIDES new single Bleeders offers a taste of what will become Black Veil Brides’ most visceral, theatrical, and unrelenting era yet. They combine a unique identity with an unquenchable creative thirst. They’re an object of devotion for those who sing their anthems in unison, a diverse BVB Army who never surrenders.

BLACK VEIL BRIDES and their audience slash away at the darkness together, bleeders one and all.

Since the release of HOLLYWOOD UNDEAD’s RIAA platinum-certified 2008 debut album, Swan Songs, their distinctive and infectious music has incited a cult audience of millions of fans, resulting in sold out shows across the globe, in addition to receiving nods in the press from the likes of Consequence of Sound, Billboard, Alternative Press, Rolling Stone, and Revolver. The quintet has also garnered massive mainstream appeal, with their 2011 sophomore record, American Tragedy, going gold and hitting #4 on the Billboard Top 200 chart. Now, with over 3.1 billion cross-platform streams, 1 billion YouTube views and 4.1 million monthly Spotify listeners, they have firmly cemented their place as one of the most influential bands of the 21st century. Now signed to Sumerian Records, and with the release of their brand new single, ‘Hollywood Forever’, HOLLYWOOD UNDEAD are poised for their most exciting chapter yet.

Get In Quick.
Don’t miss out on what is going to be THE rock show of 2025!
Sign up for pre-sale access HERE

Presale: Wednesday 27th November @ 12pm local time
General On-Sale: Friday 29th November @ 12pm local time

DESTROY ALL LINES PRESENTS 

FALLING IN REVERSE
POPULAR MONS(TOUR)
AUSTRALIA 2025

WITH SPECIAL GUESTS
BLACK VEIL BRIDES
& HOLLYWOOD UNDEAD

Tuesday 11th March – RAC Arena, Perth
Thursday 13th March – Adelaide Entertainment Centre Arena, Adelaide
Friday 14th March – Rod Laver Arena, Melbourne
Sunday 16th March – Qudos Bank Arena, Sydney
Tuesday 18th March – Brisbane Entertainment Centre, Brisbane

INSTAGRAM

Website
Instagram
Facebook
Twitter
YouTube

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

The Offspring: SUPERCHARGED Worldwide In ’25 Australia With Simple Plan

by the partae
written by the partae

Once was not enough for punk rock icons THE OFFSPRING! Fresh off the release of their brand new album SUPERCHARGED and their earth-shattering one-off performance in Melbourne last night, the legendary five-piece have officially supercharged their 2025 plans, today announcing their return down under next May for the The Offspring: SUPERCHARGED Worldwide in ’25 Australia tour with SIMPLE PLAN.

A jam-packed arena spectacular from two of the greats, with both THE OFFSPRING and SIMPLE PLAN set to unleash a mountain of hits from across their storied catalogues! The Offspring: SUPERCHARGED Worldwide in ’25 Aussie tour will kick off on Sunday 4 May in Adelaide, heading onto Melbourne and Sydney, and closing out on Wednesday 14 May in Brisbane.

Forming in the mid-80s in Garden Grove, California, THE OFFSPRING ultimately became a cultural juggernaut; a band acknowledged as one of the driving forces behind catapulting punk rock into the mainstream in the 1990s, and also regarded as one of the best-selling acts of all time. From their 1989 self-titled debut album which set the scene for the group’s high-octane wiles and infectious melodies, THE OFFSPRING have since unveiled eleven studio albums, with multiple platinum certifications along the way. The band have repeatedly burned up airwaves across the globe while selling over 40 millions records worldwide and are two time members of the Spotify Billions Club (You’re Gonna Go Far Kid / The Kids Aren’t Alright).

A creative tornado of relentless fun and inventive takes on hardcore, skate and pop punk in their broader punk stratosphere, THE OFFSPRING‘s ability to translate their frenetic energy into a live setting is second to none. Boasting an abundance of hits and deeper fan-favourite cuts throughout their catalogue, spanning the sharpened angst of The Kids Aren’t Alright, the fast-paced and uplifting You’re Gonna Go Far, Kid, the anthemic rawness of Self Esteem or, more recently, the frenetic spark of tracks like Light It Up and Make It All Right, THE OFFSPRING remain at the top of their game decades later, colliding the past, present and future of punk rock into a palatable, memorable and insanely enjoyable adventure that shows zero signs of slowing down.

Between selling over 10 million albums worldwide, taking out multiple awards, dominating MTV in its golden era and also recently spawning their own TikTok viral challenge, multi-platinum Canadian rockers SIMPLE PLAN have remained an indelible part of pop culture for over two decades. Forming in Montreal in 1999, SIMPLE PLAN have retained a rare artist-audience dynamic that has only strengthened over time, with the band also actively releasing new music throughout their 20+ years in existence.

From their debut 2002 full-length, No Pads, No Helmets…Just Balls through to their most recent record, the self-released 2022 album Harder Than It Looks, SIMPLE PLAN‘s legacy continues to affirm as does their show-stopping live performances which has seen them tick off festival sets across the globe, tours with Blink-182, Green Day and Avril Lavigne, and, most recently down under, an entirely sold out eight show run in April that squarely brought the house down night after night with endless energy and good vibes.

With THE OFFSPRING‘s ALWAYS Live intimate one-night-only show in Melbourne selling out in 30 seconds, and SIMPLE PLAN‘s Australian headline run earlier this year entirely sold out, tickets definitely won’t last long for The Offspring: SUPERCHARGED Worldwide in ’25 edition down under. Don’t miss your chance to Come Out and Play in 2025 with these two rock titans under one roof; Supercharge your 2025!

Early bird pre-sale tickets on sale: Thursday 28 November @ 9am local time

To Gain Early Ticket Access Register Here -> https://daltours.cc/superchargedsignup

General tickets on sale: Tuesday 3 December @ 9am local time

Destroy All Lines & Triple M Present

THE OFFSPRING
SUPERCHARGED WORLDWIDE IN ’25 – AUSTRALIA
WITH SIMPLE PLAN

TOUR DATES:

SUNDAY 4 MAY 2025 – AEC ARENA, ADELAIDE
WEDNESDAY 7 MAY 2025 – ROD LAVER ARENA, MELBOURNE
SUNDAY 11 MAY 2025 – QUDOS BANK ARENA, SYDNEY
WEDNESDAY 14 MAY 2025 – ENTERTAINMENT CENTRE, BRISBANE

Early bird pre-sale tickets on sale: Thursday 28 November @ 9am local time
To Gain Early Ticket Access Register Here -> https://daltours.cc/superchargedsignup

General tickets on sale: Tuesday 3 December @ 9am local time

Website
Facebook
Twitter
Instagram
0 comments
0 FacebookTwitterPinterestEmail
Music News

KYARA Releases Dystopian Synthwave Pop Anthem ‘Into The Dark’

by the partae
written by the partae

Sydney/Eora’s emerging voice in electro pop, KYARA, is set to enrapture listeners with her latest self written, recorded and produced single, ‘Into The Dark’, a synthwave pop anthem that plunges into a dystopian, cinematic soundscape. 

With its pulsating bassline, lush vocals, shimmering synths, and vibrant saxophone, KYARA’s sophomore single offers an immersive auditory experience reminiscent of the iconic sounds of ‘Stranger Things’. The track evokes the sensation of descending into a shadowy, futuristic abyss, capturing the essence of heartbreak while reflecting on the pervasive fear of abandonment and the daunting prospect of facing the unknown alone. 

KYARA discusses the story behind ‘Into The Dark’: 

“‘Into The Dark’ dives deep into the emotional labyrinth of rejection and abandonment in modern relationships and situationships, channelling a dark, end-of-the-world vibe that echoes the intense feelings of betrayal and isolation. The song’s narrative explores the shattering of promises and the haunting realisation of their emptiness.” 

The new single, which follows KYARA’s strong debut in the pop scene, showcases her signature ability to fuse powerful electronic elements with deeply resonant lyrical themes. The sonic journey of ‘Into The Dark’ echoes the profound vulnerabilities of the human experience, dellving into the emotional void that follows sudden abandonment and upheaval of trust, leading to an overwhelming sense of being left adrift in a void. 

‘Into The Dark’ is available on all major streaming platforms now

INSTAGRAM

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

DOM DOLLA ANNOUNCES FLIGHT FACILITIES AS SPECIAL GUEST FOR SOLD-OUT AUSTRALIAN TOUR

by the partae
written by the partae

Fresh off winning an ARIA for Best Dance/Electronic Release for his record ‘Saving Up’, Dom Dolla is preparing to embark on his largest-ever Australian tour, with all dates sold out nationwide.

Ahead of the tour’s kickoff in Sydney this weekend, Dom has announced that everyone’s favorite duo, Flight Facilities, will join him as special guests throughout the tour.

General admission tickets are sold out, however fans can still upgrade their experience with a VIP add-ons which includes exclusive access to the VIP area, a dedicated VIP bar, VIP-only restrooms, priority entry via a dedicated VIP lane.

The countdown to the ultimate dance event of the year has officially begun!

Tour Dates:

Friday 29th November 2024 – The Domain, Sydney SOLD OUT

Saturday 30th November 2024 – The Domain, Sydney SOLD OUT

Saturday 7th December 2024 – Wellington Square, Perth SOLD OUT

Friday 13th December 2024 – Flemington, Melbourne SOLD OUT

Saturday 14th December 2024 – Flemington, Melbourne SOLD OUT

Friday 20th December 2024 – Riverstage, Brisbane SOLD OUT

Saturday 21st December 2024 – Riverstage, Brisbane SOLD OUT

Get connected:

domdolla.com.au

domdolla.lnk.to/follow

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Terminal V Festival announces initial lineup for 2025 edition

by the partae
written by the partae
Date: 19th & 20th April
999999999, AK Sports, AZYR, Bad Boombox,  Blawan, Brutalismus 3000, Charlie Sparks x Parfait, Dax J x Daria Kosolova, Deborah De Luca, DJ Hyperdrive, Funk Tribu, Helena Hauff, Kettama, LB Aka Labat, OGUZ, Patrick Mason, Reinier Zonneveld, Testpress, X Club. and many more will all perform.
The famously high-octane thrills of Terminal V Festival are returning to Edinburgh’s Royal Highland Centre and Showground on the Easter Bank Holiday Weekend of Saturday 19th and Sunday 20th April 2025. With more than 100 world-class acts, six specially designed stages and 20,000 people per day – everything about Terminal V is supersized, which is why it is one of the most celebrated and largest techno festivals in Europe. This iconic annual event is sure to be sold out fast.
The festival stands apart from the competition thanks to a dedication to key details – innovative and explosive production, high spec sound systems and carefully curated artists that traverse a wide spectrum of techno, bass, electro and acid from red-hot new stars to venerated veterans.
 
 
Chief amongst them are the likes Brutalismus 3000 who are playing a Scottish festival for the first time ever and have a serrated blend of gabber, post-punk and techno, returning favourite Blawan who is a staple in the experimental techno world, bringing raw, industrial sounds that push sonic boundaries and he plays with Helena Hauff who has long been a leader of the electro and techno worlds as she commands the decks with raw, analogue-driven energy.
There will be fireworks when hard techno titans Charlie Sparks x Parfait step up and combine frenetic energy with a touch of rave nostalgia, while Dax J x Daria Kosolova promise a seamless fusion of hard-hitting industrial techno and cerebral rhythms and AK Sports has a hybridised sound that is always hard and fast whether taking in slamming techno, big breaks or earth-quaking bass.
 
Italian Deborah De Luca mixes melodic techno with pounding basslines to create a sound that is emotive and club-ready and DJ Hyperdrive takes things into the future with his innovative approach to techno and electro. Kettama offers euphoric, house-infused techno that’s as groovy as it is powerful. Contemporary breakout star LB Aka Labat brings a barrage of breaks, club and bass from with a modern edge.
There will be a superb Scottish contingent representing the fertile local scene with likes of Testpress who specialise in dark, punchy techno, fast-rising simOne who is all about hardcore beats and big, Eurotrash sounds, and Sikoti, a co-founder and resident DJ at Dark Room Sessions who plays it hard,  all stepping up.
Berlin legend Patrick Mason is known for his theatrical performances and combining commanding vocals with pulsating techno, Filth On Acid label head Reinier Zonneveld is a live techno wizard who has helped define the acid and hard techno revolution. Add in AZYR, who is up for Best DJ in the DJ Mag Awards, plus the famously high energy sounds and catchy melodies of Aussie duo X Club and these artists, along with tens more, promise a lineup that’s as dynamic as it is forward-thinking.
Held at Edinburgh’s Royal Highland Centre, Terminal V Festival offers many different and equally immersive experiences across six indoor and outdoor stages each with their own look and feel. This means you can dance the day and night away as you please and have your own musical adventure through the night, matching the music to your mood.
In all across the two days, 40,000 house and techno enthusiasts from across the UK and beyond all unite on the famously warm and welcoming dance floor. It is a safe space for all that makes this more than just a party – it’s a gathering of like-minded music lovers where lifetime memories and friendships are formed.
Terminal V is all set to kick off the 2025 festival season in spectacular fashion so make sure you are part of the story by getting your tickets now at https://www.terminalv.co.uk/festival
Line Up (A-Z)
999999999
ADRIAN MILLS
AK SPORTS
ALEX FARREL
ALT8
AZYR
BAD BOOMBOX X MISCHLUFT
BENWAL
BIIA
BLACK TRAFFIC
BLAWAN X HELENA HAUFF
BRUTALISMUS 3000
CADZOW
CARMEN ELECTRO x LAURE CROFT
CARV
CHARLIE SPARKS x PARFAIT
CLARA CUVE
CLOUDS
CLOUDY
DARIA KOLOSOVA x DAX J
DEBORAH DA LUCA
DJ HYPERDRIVE
DYEN
EARGASM GOD
ECZODIA
FANTASM
FISH 56 OCTAGON
FUMI
FUNK ASSUALT
FUNK TRIBU
HOLY PRIEST
JAZZY
JOWI
JUSTIN JAY
KETTAMA
KYLE STARKEY
LB AKA LABAT
LUCA AGNELLI
MISCHLUFT
NOISE MAFIA
ODYMEL
OGUZ
PATRICK MASON
PRADA2000
RIENIER ZONNEVELD LIVE
SERAFINA
SIKOTI
SIMONE
TESTPRESS
THE MUFFIN MAN
TOMMY HOLOHAN
VENDEX
WILDERICH
X CLUB.
ZWILLING.
+MUCH MORE TBA
0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

INTERVIEW: KYBBA on ‘Ba Ba Bad’ Sean Paul, Busy Signal Collab

by the partae
written by the partae

“Ba Ba Bad” has already captured global attention—can you walk us through how the track came to life and how Sean Paul and Busy Signal got involved?

The song started first with Busy Signal, he was in the studio with Crawba, they called me and asked for beats, the next morning I received the full vocal already, so I pieced it out and made a first demo. During one of my events in Amsterdam I just played the demo and the crowd reaction was insane, so the following day I uploaded the night footage and the track went immediately viral on both tt and ig. Then Leftside sent the track to Sean Paul and he loved it, so he dropped a verse and in literally a couple of days we released the track.

With the song initially going viral on social media, how did platforms like TikTok influence your decision to expand the track into this powerhouse collaboration?

It was just natural cause Leftside was trying to link me with Sean Paul for some months now, to do a collaboration between me and him, so I felt this was the right moment and the right song.

What was the most exciting or unexpected moment during the creation of “Ba Ba Bad,” especially working with legends like Sean Paul and Busy Signal?

I think the days I received both vocals, I felt the energy and it was special because both artists loved the project so much.

Dancehall has such a rich cultural history—how do you ensure your production stays authentic while bringing your own signature style to the genre?

I grew up listening to Reggae and Dancehall, I’ll always respect the originators and the Jamaican culture in general, that’s why I make sure in most of my tracks to feature Jamaican artists, and to collaborate with Jamaican producers too. My first song ever was with Leftside, who is one of my favourite Jamaican Dancehall artists and now also a good friend. I want to remark that my sound contains a lot of elements also from Shatta, which is a dancehall sub genre from Martinique, and Moombahton. The Basshall signature is a mix of all these sounds.

Your unique blend of Dancehall, Latin, and urban sounds has resonated globally. What inspires you to explore and merge such diverse influences in your music?

I think because I was first a DJ and then I started producing, and especially in my first days as a DJ I always loved to mix different genres and sounds, so my sets were definitely unique in that sense from the start. I basically translated my djing style into my record label sound signature and production style. I definitely have many inspirations from different genres and cultures, three of my fav artists/producers are Vybz Kartel, Manu Chao and Diplo, all of them versatile and unique in their own way.

Having already amassed over 100 million streams in your career, how do you approach creating music that connects so strongly with both core fans and new listeners worldwide?

I genuinely don’t know, I do not strategise a lot when it comes to my music creation, I just work on things that I like, then I hope my core fans as well as the new listeners will like it.

The Basshall Movement is a game-changer in the industry. How does being at the helm of a label, TV channel, and event brand impact your work as an artist and producer?

Well I like it but sometimes it is overwhelming, I’m not really good at delegating but I’m learning it and my team and management are helping.

What does it mean to you personally and professionally to have Sean Paul describe your production as ‘wicked’ and feel compelled to jump on the track?

Is like a dream come true, I grew up listening to his music so having my name next to his on a release it’s a huge achievement.

With appearances at festivals like Tomorrowland, how do you prepare to translate your studio sound into a live performance that captivates massive audiences?

I try to imagine myself in the crowd. So obviously a set I play in a club/boiler room type of set up will always be different than a big stage like Tomorrowland etc. I always stay true to my sound but I definitely shape my set differently when it comes to big stages.

What’s next for KYBBA? Are there any upcoming projects, collaborations, or surprises in the pipeline that you can share with your fans?

I’m working on my first EP, I have many collaborations I’m working on, one is with the legend Buju Banton. There are many other projects but I can’t share any details atm. I’ll also announce a world tour in the next few months!!

 

INSTAGRAM

0 comments
0 FacebookTwitterPinterestEmail
Music News

Twine share final tease of New Old Horse LP (Dec 6) with ‘Fruit to Ripe’

by the partae
written by the partae

Image Credit: Nash Blight

“Though there are only five members in their ranks, together Twine conjure up a mighty racket, with violinist Thea Martin adding additional layers to the rest of their bandmates’ boisterous and clattering.” – David Renshaw, The Fader

 

“A powerhouse example of the stellar music made in the South Australian capital.”
– Tyler Jenke, Rolling Stone Australia

 

“Twine are making music as cinematic as it is volatile, capturing a set of caustic feelings that always seem to erupt.”

– Dan Goldin, POST-TRASH

 

“Effortlessly cool.”

– Danika Baker, Tone Deaf

 

“A compelling and explosive live show – tight, angular, post-hardcore that occasionally teeters into moments of explosive noise.”

– FBi Radio

 

[Friday, November 22] Twine – one of Australia’s leading noise acts – uncover a final preview of their debut LP New Old Horse (out Friday, December 6 via Kitty Records) with new single ‘Fruit to Ripe’, alongside a Conor Mercury-directed music video. Listen to ‘Fruit to Ripe’ HERE. Pre-order New Old Horse HERE.

 

The discord between erotic charge and sexual anxiety is the subject of ‘Fruit to Ripe’, an unrelenting freak-out of roared vocals and manic instrumentation, recalling the noisier output of The Drones.

 

The accompanying music video, directed by Conor Mercury (Coldwave, The Empty Threats), captures the intensity of Twine’s electrifying live performances through a single-take clip that constantly shifts perspectives. Mercury shares, “The live energy of Twine is one that I’ve always experienced to be impassioned, uninhibited, and for real. I really wanted to shoot a traditional performance music video in a way that captured [Twine’s] nature of spontaneity.”

 

He continues, “I had always wanted to shoot a clip where the lens is changed without cutting, and thought it would be cooler to take that concept to the north degree, changing it as many times as possible in a single take.” To bring this idea to life, Mercury utilised a rotating perspex rig designed by Fletcher Whitehead, who also shot the video. The rig was equipped with various diopters—including classic diopters, a split diopter, a mirror, and a small DVCam mounted upside down—that Mercury operated remotely, while a focus puller managed a prime lens positioned behind them.

 

‘Fruit to Ripe’ joins New Old Horse singles ‘Sleeping Dogs’, ‘Same Old Problems’, ‘Future Exhale’ and ‘My God’, which found praise and plays from Apple Music’s Matt Wilkinson, The Fader, POST-TRASH, Rolling Stone, triple j and community radio across Australia, including PBS, 4ZZZ, RTR, 2SER, Triple R and fbi.radio (landing the station’s Independent Artist Of The Week earlier this year), with debuts on New Zealand’s Alt Airplay Charts).

Twine ‘Fruit to Ripe’ Music Video by Conor Mercury | Watch HERE

 

The two threads that twist together to make South Australian band Twine are barrelling noise rock and wounded, stinging country.  Their debut record New Old Horse is dazzling and devastating in equal measure; a tender yet eruptive exploration of wayward relationships and the aches of identity in flux. The dynamism of the album mirrors these disordered attachments and emotions — tracks of brute force quickly descend into mournful interludes from the violin, while slow tracks sprawl out and then explode into a pummel of noise and drums. Tom Katsaras’ unpolished vocals quiver and howl, giving each song a sorrowful depth.

 

The band began in Kaurna land/Adelaide in 2021, initially as a solo vehicle for Katasaras’ experiments into brash, country-inflected rock. But as the band members shifted and finally solidified into their current line-up — Tom Katsaras (Vocals / Guitar),  Matt Schultz (Guitar), Thea Martin (Violin), Alicia Salvanos (Bass) and Jackson Pagett (Drums) — the music became more of a collective effort, with Katsaras bringing his bandmates small fragments of songs that were then expanded and warped into new shapes. Part of the unruly power of New Old Horse (Mixed by Alex Farrar, who has worked with MJ Lenderman and Wednesday) comes from this communal approach.

 

Drawing inspiration from current contemporaries such as Wednesday, Sprain and Chat Pile as well as heritage acts like The Dirty Three, The Drones and Unwound (who handpicked the group to support them on their Australian tour earlier this month), the group pay homage to their influences with originality and earnestness.

 

New Old Horse comes off the back of the band’s reputation for bracing live shows. After an array of east coast tours supporting fellow Australian acts like Bad//Dreems, Dust, Mini Skirt, The Belair Lip Bombs, Grace Cummings, Armlock and VOIID, plus post-rock veterans Mclusky, Twine headed to Aotearoa/New Zealand for their first international tour, including a stop at Camp A Low Hum festival (Wednesday, Holy Fuck). The band continue to laud significant buzz across fans and media alike, performing to overflowing rooms for their SXSW Sydney debut, and across their ‘Sleeping Dogs’ east coast tour last month.

 

 

Twine New Old Horse LP

 

1. Future Exhales

2. Sleeping Dogs

3. Spine

4. New Cleaner

5. Same Old Problems

6. My God

7. Fruit to Ripe

8. Between States

9. New Old Horse

10. High Tide Loose Change

 

Album Credits:

 

Recorded by Matt Schultz at Interim Studios

Mixed by Alex Farrar at Drop of Sun Studios

Mastered by Greg Obis at The Chicago Mastering Service

Art by Tom Katsaras

 

Twine is:

 

Tom Katsaras (he/him): Vocals, guitar

Jackson Pagett (he/him): Drums

Alicia Salvanos (they/them): Bass

Matt Schultz (they/them): Guitar

Thea Martin (they/she): Violin

 

Keep up to date with Twine:

 
0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts