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AmyJo Doh & The Spangles Release New Single ‘It’s a Girl’

September 10, 2026

NYE ON THE HILL 2026 REVEALS ITS FULL LINEUP

September 10, 2026

TOKO NLZ Introduces Himself With Debut Single ‘Family Over Everything’

September 10, 2026

THIS IS LORELEI RELEASES ‘THE KID WITH THE CROWN’ AHEAD OF NEW...

September 10, 2026

FAT BOY SLIM – TOURING AUSTRALIA / MARCH 2027

September 10, 2026

TSIM Announce Two Very Different Shows for ‘No Mistakes Tour’ as Third...

September 9, 2026

Dreamstate Australia Reveals Final Lineup for 2027

September 9, 2026

Overmono Announce Australian Tour Dates for Summer 2026/27

September 9, 2026

Party Dozen Announce Fifth Album 21 Bum Salute, Share New Single ‘Euro...

September 9, 2026

THE WORKS Returns to Carriageworks With Overmono, KI/KI, Armand Van Helden and...

September 9, 2026
Monthly Archives

September 2026

Music News

AmyJo Doh & The Spangles Release New Single ‘It’s a Girl’

by the partae September 10, 2026
written by the partae

Madrid based punk rock outfit AmyJo Doh & The Spangles have released their new single ‘It’s a Girl’ through Strap Originals.

Fronted by British singer songwriter AmyJo Doherty, the band’s latest track takes the familiar setting of a gender reveal party and uses it as the starting point for a wider reflection on women, history and social change.

‘It’s a Girl’ moves from the pink and blue imagery of gender reveal celebrations into a roll call of women who have been written out of history, while addressing what the band describes as ongoing patterns of silencing.

“It’s not about gender,” Doherty says. “It’s about reconnecting with the feminine energy in all of us — compassion, respect, harmony, empathy.”

She adds: “Look where all that anger and ‘divide and conquer’ energy has actually gotten us. Enough is enough. The time has come for change, and it starts with each one of us.”

The track reflects the band’s description of their music as “punk with a purpose”, combining a raw and energetic approach with a message centred on social change.

The release also features the Spanish language B side ‘Menú del Día’, which pays tribute to the traditional dishes and lunchtime atmosphere of Madrid’s tascas. The band says everyone is welcome at the table, apart from racists and fascists.

AmyJo Doh & The Spangles have built their reputation through an extensive live schedule, performing more than 100 shows a year. Their touring history includes shows with The Libertines and AmyJo Doherty’s brother Pete Doherty across the UK and Europe.

Following a recent UK run, the band are set to perform in Sevilla on 11 September and Madrid on 12 September. The Madrid show will serve as an Amnesty International partnered single launch at DIY punk venue Sala La Trinchera.

The band have released two albums, ‘Calle De The Spangles’ in 2017 and ‘SpangleLandia’ in 2024.

AmyJo Doh & The Spangles are AmyJo Doherty on vocals, German Ormaechea Hernandez on bass, Matty Tyack on guitar and Jorge Javier Armijos on drums.

‘It’s a Girl’ is out now through Strap Originals

PLAY/STREAM

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September 10, 2026 0 comments
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Festival NewsMusic News

NYE ON THE HILL 2026 REVEALS ITS FULL LINEUP

by the partae September 10, 2026
written by the partae

BUY TICKETS

HERE’S SOME OF THE INCREDIBLE NEW ACTS YOU’LL BE SPENDING NYE WITH…

BRENT HONEY

Brent Honey is Australia’s most trusted energy provider. He uses his euphoric sounds to create happy and wholesome dance floor moments for the crowd. His energy, fast paced mixing and sweat inducing dance moves make for sets you won’t forget. As a full-time DJ, Brent has notched up 250+ sets for clubs and festivals like Intercell, Teletech, Xe54, Revolver upstairs, Echelon (GER), Tanzen im Grunen (GER), Traumtanzer (GER), Beyond The Valley, Let Them Eat Cake Wildlands and more.

TORREN FOOT

Torren Foot is a DJ & record producer raised on the working docks of Melbourne’s inner west and is currently one of Australia’s most in demand touring artists. Renowned for his distinct palette of house music, Torren has seen consistent support from industry titans like Charli XCX, Calvin Harris, Dom Dolla, and John Summit. He experienced a global break out moment with his single New Bottega with Azealia Banks, amassing 30+ million streams and over 130,000 sound uses on TikTok!

DAEZY

daezy is a Naarm-based indie-pop-rock project fronted by Daisy, a former AFLW player who transitioned into music to pursue her true passion. In a short time, daezy has gained momentum, selling out headlining shows at multiple Melbourne venues, proving their growing appeal. With a unique blend of influences and authentic storytelling, daezy is now ready to expand their sound and share their music with a wider audience in 2026, continuing to create an infectious, vibrant energy that captivates listeners.

LEXÏ

Emerging from Naarm/Melbourne, Lexï is part of a new wave of selectors shaping the city’s club sound. Following standout sets at A3 Festival, BTV, Music Room and Glamorama, she’s earned a reputation for her seamless flow and a sound that bridges emotion and energy. With an undeniable passion for electronic music and a growing presence across Melbourne’s nightlife, Lexï is quickly becoming one of the scene’s most compelling new names to watch.

JOINING THESE ARTISTS!

BALL PARK MUSIC

Over 15 years into their career, Ball Park Music continue to defy expectations and redefine what it means to be a beloved Australian band. With five ARIA Top 5 albums, platinum-certified singles, and over a dozen triple j Hottest 100 placements, the Brisbane indie rockers have built a legacy of innovation and emotional resonance. From their breakout debut Happiness and Surrounding Suburbs to the psych-leaning Every Night The Same Dream and euphoric GOOD MOOD, the band has consistently evolved while staying true to their signature sound. Their self-titled sixth album and 2022’s Weirder & Weirder further cemented their status, with sold-out tours and critical acclaim. In 2024, Ball Park Music hit new heights supporting Lime Cordiale on a national tour and responding to fan demand with the release of ‘Like Love’; An album that went on the deliver the band’s first ever National No. #1 ARIA chart in 2025.

THE RIONS

From their early beginnings as high school classmates, The Rions have cemented their status as ones to watch – going from winning triple j’s Unearthed High in 2021 to releasing their now #1 Australian debut album Everything Every Single Day (2025) and amassing over 90 million global streams across their catalogue. Following a record-breaking year, The Rions have returned in 2026 with the release of their deluxe album, Everything (The Deluxe Edition). Win fan favourites like ‘Shut You Out’, ‘Tonight’s Entertainment’ and ‘Minivan’, we are very excited to welcome The Rions to the Hill this NYE!

OLD MERVS

Starting out as school friends and rehearsing in a makeshift space in an old farm shed, Old Mervs are a far cry from their humble beginnings Old Mervs kicked 2025 off with a bang, placing at 38 in the triple j Hottest 100 with “What You’ve Lost” and releasing their self-titled debut album. Recorded with ARIA award-winning producer Chris Collins, the album scored triple j’s Feature Album of the week, winning hearts with hits “Parched“, “What You’ve Lost”, “Forget It”, “See You Again”, “Everyone Will See It” and a stack of new tunes including focus track “Don’t Go”.

PACIFIC AVENUE

Since their beginnings as local South Coast entertainers, Pacific Avenue’s trajectory has been steep, evidenced by their success on radio stations like triple j and Triple M, and an impressive streaming count exceeding 10 million on Spotify. Their acclaimed single ‘Easy Love’ set the stage for their ascendancy, leading to sold-out headline tours and prestigious festival line-ups. The album ‘Flowers’ not only celebrates the band’s artistic milestones and memories but also stands as a testament to their unity and shared experiences with fans, epitomizing the communal spirit of rock and roll that has long defined the genre.

DARCIE HAVEN

Born on a remote Western Australian farm in Esperance, indie-pop singer-songwriter Darcie Haven is swiftly cementing herself as the ultimate voice for millennial meltdown and Gen-Z heartbreak. Darcie debuted with her 2022 single “I Wanna Be”. Since then, she has amassed over 650,000 YouTube views and 3.6 million TikTok likes, building a fanatical community dubbed the “Darciverse”. Her meteoric rise peaked (for now) with her August 2025 sophomore EP, Angel of the Apocalypse. The record debuted at #2 on the ARIA Australian Album Charts and #11 globally.

MILO EASTWOOD

A familiar voice to many, Milo Eastwood began his journey in community radio as a teenager and has spent the last eight years hosting PBS FM Breakfast (106.7FM). As a respected tastemaker broadcaster in Melbourne, his deep love for music has shaped the eclectic morning soundtrack for listeners across the city. Away from the radio studio, he’s been fortunate to play at festivals like Meredith, Golden Plains, Loch Hart, Inner Varnika & Panama as well as hosting countless sold-out parties at Melbourne institutions like The Night Cat.

MID DRIFT

A sound drenched in sun-soaked melodies, Brisbane’s indie-rock sweethearts Mid Drift have rapidly become one of Australia’s most compelling live bands. The female-fronted five-piece skyrocketed through 2025, proving their powerhouse status by selling out two national headline tours and commanding packed rooms across the country. Mid Drift have seamlessly graduated from local indie darlings to major festival staples, sharing coveted stages alongside Aussie crowd favorites like Ocean Alley, Old Mervs and The Vanns, while bringing their vibrant sound to prestigious lineups like Laneway and Rolling Sets.

AND MANY MORE!

ALL TICKETS INCLUDE

– 3 DAYS / 2 NIGHTS Free Camping

– BYO Alcohol & Themed/Licensed Bars

– Over 30 Bands & Performers

– Strictly limited to 3,000 people

– Deck Disco

– Comedians

– Late Night DJ’s

– Art Installations

– Morning Yoga

– Chill-out Areas

– Curated Food Trucks

– Great People

– Beautiful Natural Environment with Incredible Views

– and Much More!

A NOTE FROM THE FARMER

We purposely keep tickets limited to 3,000 as for us we feel that’s the perfect amount of people to party with. Big enough to have an awesome time and have incredible bands, but small enough to not lose your friends or feel like you’re just another number.

NYE ON THE HILL ORIGIN STORY

NYE on the Hill grew out of The Hills Are Alive Festival, a unique and much-loved event that began as an invite-only party on a hill for 334 music-loving friends-of-friends (many of whom were musicians in the local Melbourne music scene).

The original concept, which still thrives today, is that anyone, at any time, should be able to turn to the person next to them, introduce themselves, and then party together like old friends while discovering the best up-and-coming musical talent the region has to offer.

www.nyeonthehill.com.au

NYE ON THE HILL IS AN 18+ ONLY FESTIVAL

FACEBOOK | INSTAGRAM |  SPOTIFY |  TIKTOK

September 10, 2026 0 comments
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Music News

TOKO NLZ Introduces Himself With Debut Single ‘Family Over Everything’

by the partae September 10, 2026
written by the partae

17-year-old Southeast Sydney rapper TOKO NLZ has released his debut single, “Family Over Everything”, via Kobie Dee’s new label, Twenny47 Records.

The track introduces TOKO NLZ through a raw and deeply personal hip-hop record centred on grief, memory, loss and the importance of family, including the experience of losing a brother and finding connection in the family that remains, as well as bonds built throughout life.

“Family Over Everything” is built around a soulful, Boom-Bap-influenced hip-hop style. The song was originally sketched out over 2Pac’s “Thugz Mansion” and was the first song TOKO NLZ ever wrote. It was later rebuilt with producer LANDZZ during their first session together at Kobie Dee’s Twenny47 Studios in Maroubra.

The release also marks the first single from Twenny47 Records, the new imprint established by Gomeroi hip-hop artist Kobie Dee in partnership with BAM for distribution.

Twenny47 Records grew from Twenny47 Studios, a community-focused space in Maroubra where Kobie Dee runs music, arts and culture workshops focused on culture, connection and creativity.

Kobie Dee first became aware of TOKO NLZ through young people attending the studio. After hearing about the young rapper’s ability, Dee invited him to the studio, where TOKO NLZ performed across multiple beats and styles during a workshop.

Kobie Dee said he was immediately impressed and was surprised to learn that TOKO NLZ was only 16 at the time.

“Family Over Everything” was also the first song TOKO NLZ recorded at Twenny47 Studios. Producer LANDZZ was in the studio at the time and created the beat, with TOKO NLZ then recording the track.

The pair have continued working together at the studio, with the release describing them as being in the studio every week since that first session.

For TOKO NLZ, “Family Over Everything” establishes the starting point for his music and the relationship he wants to build with his audience.

“Making this my first single is a great way to introduce the audience to my sound and for others to help understand me as an artist,” TOKO NLZ said. “It sets the tone for future releases and the relationship I want to build with my audience.”

STREAM

TOKO NLZ
TIKTOK | INSTAGRAM | YOUTUBE

 

September 10, 2026 0 comments
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Music News

THIS IS LORELEI RELEASES ‘THE KID WITH THE CROWN’ AHEAD OF NEW ALBUM

by the partae September 10, 2026
written by the partae

This Is Lorelei has released ‘The Kid With The Crown’, the final single from the forthcoming album The Singer in My Band, which is due for release on September 11 via Matador Records and Remote Control Records.

The single is accompanied by an official video directed by Spencer Kelly. The video follows a group of children as they support a demolition derby racer known as The Kid With The Crown.

Nate Amos, the musician behind This Is Lorelei, describes the track as the opposite of the previously released ‘Oh No Now My’. Speaking about the song, Amos said it “was plucked and preserved at an early age” and that the album “needed an untied shoelace”.

‘The Kid With The Crown’ is the ninth track on The Singer in My Band, an 11-song album. The track runs for 4 minutes and 14 seconds.

The album was written while Amos was touring in support of releases from both This Is Lorelei and Water From Your Eyes. Amos describes it as his first true “road record”, explaining that ideas developed while travelling without access to instruments.

According to the release, the album’s songs feature characters including Billy, Joey, Genevieve, Sarah and Buddy, with stories set against American scenes and landmarks. Amos describes the material as “little works of fiction with elements of truth to them”.

The Singer in My Band is the first This Is Lorelei album for Matador Records. Amos engineered, produced and performed the majority of the album, with contributions from his father Bob Amos on banjo, as well as vocals from his sister Sarah Amos and partner Al Nardo.

The album follows 2024’s Box for Buddy, Box for Star, which the label describes as Amos’ first intentionally written full-length solo album. That record later received a deluxe edition featuring covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy and Cameron Winter.

The Singer in My Band will be released on September 11, with ‘The Kid With The Crown’ available now.

This Is Lorelei – The Singer in My Band

1. I Will Eat My Heart in the Morning Light
2. Oh No Now My
3. Billy Came Back
4. Watching Heaven Fall
5. Sailing (Your Baby’s Down)
6. The Singer in My Band
7. Nitro
8. Hey Sarah Is It Gonna Rain Forever
9. The Kid With The Crown
10. And I Haven’t Seen My Love in Quite a While
11. Don’t You Cry in Lonesomeness

This Is Lorelei – The Singer in My Band is out 11 September via Matador / Remote Control Records.
This Is Lorelei
Website | Bandcamp | Instagram
September 10, 2026 0 comments
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Festival NewsMusic News

FAT BOY SLIM – TOURING AUSTRALIA / MARCH 2027

by the partae September 10, 2026
written by the partae

FATBOY SLIM
IS HEADING BACK TO AUSTRALIA IN MARCH 2027
AND HE’S MIXING UP THE VENUES
FREMANTLE | SYDNEY | BRISBANE | MELBOURNE

Register for pre-sale Monday 14 September, 9am Local Time
General Tickets on sale Tuesday 15 September, 9am Local Time

It’s Fatboy Slim as fans have rarely seen him: smaller venues but the same huge energy and unmistakable mix of breakbeats, funk and cheeky chaos that’s soundtracked countless clubs, beaches, festivals – and the occasional igloo and fish n chip shop – for over three decades.

Get in early, these venues have huge vibes but limited capacity!

FATBOY SLIM
AUSTRALIA – MARCH 2027
Wed 3 March– Esplanade Park – Fremantle WA
Fri 5 March – Carriageworks – Sydney NSW
Sat 6 March – Carriageworks – Sydney NSW
Sun 7 March – Carriageworks – Sydney NSW
Wed 10 March – On The Banks – Brisbane QLD
Fri 12 March – The Underpass – Melbourne VIC
Sat 13 March – The Underpass – Melbourne VIC

TICKETS
Register for pre-sale Monday 14 September, 9am Local Time
General Tickets on sale Tuesday 15 September, 9am Local Time

WWW.FATBOYSLIM.NET

September 10, 2026 0 comments
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Festival NewsMusic News

TSIM Announce Two Very Different Shows for ‘No Mistakes Tour’ as Third Melbourne Date Is Added

by the partae September 9, 2026
written by the partae

TSIM CONFIRM THEIR ‘NO MISTAKES TOUR’ WILL CONSIST OF TWO VERY DIFFERENT SHOWS — WHICH TSIM YOU’LL GET IS ANYONE’S GUESS

FIRST TSIM NATIONAL TOUR IN 30 YEARS

PLUS MORE DATES ANNOUNCED

Having previously promised radically different setlists, only to attempt to backtrack by suggesting it was only the font used on the printed setlists that would be different, TSIM have finally relented and divulged more of what fans can expect.

Without revealing which show is on which date, or what the shows are, the band have begrudgingly allowed management to make known, if not in any detail, what will happen at the shows.

The No Mistakes Tour will consist of two very different shows — different songs, different costumes, totally different vibes. The band have pulled a few real gems out of the catalogue, including songs many fans won’t have heard live, with some of the songs having not been performed for 40 years.

The new tour, commencing in Hobart on October 1, will not replicate the recent Adelaide and Darwin standalone festival shows, so fans will not need to fear having giant cardboard skulls thrown out into the audience; the danger, however, of Les or Ron launching themselves into the moshpit remains.

Given a third Melbourne show has now been announced for October 10, TSIM are looking to present a third exclusive show at The Forum. As the PICA costumes recycled in Adelaide and Darwin were destroyed when band members dove into the pool halfway through the Darwin set, TSIM Management are scouting around the warehouse in an attempt to salvage costumes from another recent show.

Tickets for the ‘No Mistakes’ tour are flying out the door. Fans don’t want to dilly dally, as these will be shows to go down in history alongside the band’s Good Things, Death To Art, PICA and Sydney Opera House concerts.

TSIM deliver. Every tiem… item… time.

DON’T MISS TSIM LIVE ON THEIR NATIONAL ‘NO MISTAKES TOUR’
THURSDAY OCTOBER 1 — NEW SHOW
HOBART | ODEON
WEDNESDAY OCTOBER 7
MELBOURNE | FORUM
THURSDAY OCTOBER 8 — SOLD OUT
MELBOURNE | FORUM
SATURDAY OCTOBER 10 — NEW SHOW
MELBOURNE | FORUM
FRIDAY OCTOBER 16 — NEW SHOW
ADELAIDE | HINDLEY ST MUSIC HALL
SATURDAY OCTOBER 17
BRISBANE | FORTITUDE MUSIC HALL
WEDNESDAY OCTOBER 21
CANBERRA | CANBERRA THEATRE
SATURDAY OCTOBER 24
PERTH | METRO CITY
FRIDAY OCTOBER 30
SYDNEY | ENMORE THEATRE
SATURDAY OCTOBER 31
SYDNEY | ENMORE THEATRE
FRIDAY NOVEMBER 6 — NEW SHOW
WOLLONGONG | UOW UNI BAR
TICKETS AVAILABLE AT DAVIDROYWILLIAMS.COM

For more info, head to tismworld.com 

September 9, 2026 0 comments
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Festival NewsMusic News

Dreamstate Australia Reveals Final Lineup for 2027

by the partae September 9, 2026
written by the partae

Dreamstate Australia has revealed the final lineup for its 2027 edition, completing a bill spanning trance, techno, hard techno and other harder styles of electronic music.

The festival will take place at Sydney Showground on Saturday 6 February 2027 before heading to Flemington Racecourse in Melbourne on Sunday 7 February 2027.

The final additions to the lineup are Ferry Corsten, MaRLo, Natte Visstick, Xijaro & Pitch, Nikolina, Nicolas Julian, VisionV and Alt1.

They join an already announced lineup featuring Tiësto, Reinier Zonneveld, Infected Mushroom, Billy Gillies, Dimatik, Factor B, Indira Paganotto presents Artcore, Lilly Palmer, Marie Vaunt, Onlynumbers and Prada2000, alongside BIIA and Billy.

Tiësto will appear at Dreamstate Australia performing a trance set, while the completed lineup brings together artists working across the festival’s broader trance, techno and harder electronic music programming.

Ferry Corsten joins the 2027 edition as one of the final additions. The Dutch producer and DJ has been active in electronic music for more than three decades and is known for his work across trance and related styles.

MaRLo will also join the lineup, alongside Dutch artist Natte Visstick. Xijaro & Pitch are also confirmed, with the Belgian duo set to perform what has been announced as their final Australian show.

The completed Dreamstate Australia 2027 lineup, listed alphabetically, is:

Alt1
BIIA
Billy
Billy Gillies
Dimatik
Factor B
Ferry Corsten
Indira Paganotto presents Artcore
Infected Mushroom
Lilly Palmer
Marie Vaunt
MaRLo
Natte Visstick
Nicolas Julian
Nikolina
Onlynumbers
Prada2000
Reinier Zonneveld
Tiësto — Trance Set
VisionV
Xijaro & Pitch

REMAINING TICKETS ON SALE NOW

Dreamstate is an electronic music brand presented by Insomniac, with the Australian editions forming part of the wider Dreamstate festival series. Insomniac’s official listings include Dreamstate events in multiple international markets.

The Australian festival has previously been staged across Sydney and Melbourne. The 2026 edition featured artists including Paul van Dyk, Gareth Emery, Giuseppe Ottaviani, Bryan Kearney, Billy Gillies, Ben Nicky, Ben Hemsley, Amy Wiles, Factor B, Vini Vici, Victor Ruiz and others across its Sydney and Melbourne events.

For 2027, Sydney Showground is promoting Dreamstate as an 18+ event and confirms the use of theatrical lighting, pyrotechnics and smoke as part of the production.

Dreamstate Australia 2027

Sydney
Saturday 6 February 2027
Sydney Showground, Sydney NSW

Melbourne
Sunday 7 February 2027
Flemington Racecourse, Melbourne VIC

Tickets are currently on sale, with the event’s final lineup now confirmed.

With its 2027 lineup now complete, Dreamstate Australia is set to bring Tiësto’s trance set together with a broad selection of international artists across trance, techno and harder electronic styles for its February dates in Sydney and Melbourne.

DREAMSTATE AUSTRALIA 2027
Tickets on sale now

For more information on Dreamstate Australia, visit:
INSTAGRAM | FACEBOOK | WEBSITE

 

September 9, 2026 0 comments
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Festival NewsMusic News

Overmono Announce Australian Tour Dates for Summer 2026/27

by the partae September 9, 2026
written by the partae

Welsh electronic duo Overmono have announced their return to Australia for summer 2026/27, with Tom and Ed Russell set to perform a series of festival and headline dates across the country.

The Australian run follows the release of the duo’s second album, Pure Devotion, which arrived in 2026. The album follows their 2023 debut album, Good Lies.

Overmono will first appear at Lost Paradise in Glenworth Valley, New South Wales, before heading to Beyond The Valley in Victoria and Wildlands in Brisbane and Perth. The duo have also announced headline performances in Sydney and Melbourne in January 2027.

The Sydney headline show will take place at Carriageworks on Friday 8 January 2027, as part of THE WORKS. The Melbourne performance follows on Saturday 9 January 2027 at PICA in Port Melbourne. These will be Overmono’s first Australian headline shows since their sold out 2024 Australian tour.

PRE-SALE REGISTRATION HERE
TOUR INFO HERE

The full Australian schedule is:

29 December 2026
Lost Paradise
Glenworth Valley, NSW

30 December 2026
Beyond The Valley
Barunah Plains, VIC

31 December 2026
Wildlands
Brisbane, QLD

2 January 2027
Wildlands
Perth, WA

8 January 2027
THE WORKS, Carriageworks
Sydney, NSW

9 January 2027
PICA
Port Melbourne, VIC

Overmono’s Australian dates form part of their Pure Devotion World Tour. Their official tour listings currently include international performances throughout September, October and November 2026, before the duo’s Australian dates in December and January.

Pure Devotion is released through XL Recordings. The album follows Good Lies, which established Overmono’s first full length album release on the label. Remote Control Records has also confirmed the duo’s Australian appearance at Beyond The Valley as part of their summer return.

The album was created by brothers Tom and Ed Russell, who have been making music together as Overmono since 2015. Before Overmono, both brothers released music under their own names, with Tom Russell known as Truss and Ed Russell as Tessela.

Overmono’s Australian return will give audiences the opportunity to hear material from Pure Devotion alongside music from across their catalogue, with the duo appearing across festival stages and their own headline shows.

Tickets for the newly announced headline dates are being released in September, with the Melbourne show at PICA scheduled for Saturday 9 January 2027.

For Overmono, the Australian dates add another chapter to the Pure Devotion campaign, bringing the duo’s current live show to audiences across Sydney and Melbourne as well as major summer festivals around the country.

For more info on Overmono, visit:
INSTAGRAM | FACEBOOK | TIKTOK | YOUTUBE

For more information on Untitled Group, visit:
INSTAGRAM | FACEBOOK | WEBSITE | TIKTOK

September 9, 2026 0 comments
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Music News

Party Dozen Announce Fifth Album 21 Bum Salute, Share New Single ‘Euro Stomper’

by the partae September 9, 2026
written by the partae

Sydney duo Party Dozen have announced their fifth album, 21 Bum Salute, due for release on 6 November 2026 via GRUPO / Remote Control Records.

Alongside the album announcement, the duo have released new single ‘Euro Stomper’, accompanied by an official music video directed by Tanya Babić and Jason Sukadana of VERSUS.

Party Dozen, comprising saxophonist Kirsty Tickle and percussionist Jonathan Boulet, have built their sound around an improvisatory approach, combining saxophone, drums, loops and effects. The duo formed in Sydney in 2017 and have released four albums prior to 21 Bum Salute.

According to the album announcement, 21 Bum Salute was written, recorded, performed, mixed and mastered by Party Dozen themselves. The record follows their 2024 album Crime In Australia and includes previously released singles ‘Mad Rooter’ and ‘Special Unit’.

‘Euro Stomper’ marks the latest preview from the album. The accompanying video presents Party Dozen as chaotic charlatans in what the announcement describes as a comical critique of demagogues and grifters who build influence by manufacturing belief. It is the third video created for Party Dozen by VERSUS, following the clip for ‘Coup De Gronk’, which won Best Video at SXSW Sydney in 2025.

Party Dozen describe ‘Euro Stomper’ as an extended jam that developed into what they call a “glorious stomping anthem”, reflecting the duo’s preference for pushing their improvisational performances into unpredictable territory.

The new album also marks Party Dozen’s first collaboration with Remote Control Records in Australia and City Slang internationally. City Slang’s roster includes artists such as Caribou and Lambrini Girls.

21 Bum Salute will feature 10 tracks:

Special Unit
Euro Stomper
Mad Rooter
Toss My Coin
21 Bum Salute
PMFD
Full Powers
Captain Honk
The Stinking Rose
Age Of Fools

The album announcement comes with a run of Australian shows, marking Party Dozen’s first Australian tour since returning from supporting Amyl & The Sniffers in the United States. The dates include appearances at Heritage Hotel Bulli, Chopped Festival in Carisbrook, Adelaide’s Ed Castle, Brisbane’s Brightside, Crowbar Sydney, The Bridge in Castlemaine, Nightcat in Melbourne and the Whalers Hotel in Warrnambool.

Tickets for all shows go on sale at 9am on Wednesday September 9th from www.partydozen.com.

Pre-Order / Pre-Save 21 Bum Salute: https://partydozen.lnk.to/21BumSalute

Party Dozen – ‘Euro Stomper’ (Official Music Video) 
Stream / Download: https://party-dozen.lnk.to/eurostomper

Party Dozen’s Australian tour dates are:

21 Bum Salute AU Tour
On sale now via www.partydozen.com

Sunday 13th September – Heritage Hotel Bulli, Bulli NSW
Saturday 19th September – Chopped Festival, Carisbook
Thursday 5th November – Ed Castle, Adelaide
Friday 6th November – Brightside, Brisbane
Saturday 7th November – Crowbar, Sydney
Wednesday 11th November – The Bridge, Castlemaine
Friday 13th November – Nightcat, Melbourne
Saturday 14th November – Whalers Hotel, Warrnambool

 

Party Dozen – 21 Bum Salute is out 6th November via
GRUPO / Remote Control Records.
Party Dozen
Instagram | Website | Youtube | Bandcamp
https://www.partydozen.com/

 

September 9, 2026 0 comments
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Festival NewsMusic News

THE WORKS Returns to Carriageworks With Overmono, KI/KI, Armand Van Helden and More

by the partae September 9, 2026
written by the partae

FINELY TUNED ANNOUNCE RETURN OF MULTI-DAY WAREHOUSE SERIES

THE WORKS

(A-Z)
ARMAND VAN HELDEN,
DEAN TURLEY b2b JAMBACK, EWAN MCVICAR b2b SALUTE, JAYDA G, KI/KI, OVERMONO,
PEGASSI (ALL NIGHT LONG), ROSSI.,
SAM ALFRED b2b JOB JOBSE (OPEN TO CLOSE).
STACIE FIELDS

CARRIAGEWORKS, GADIGAL LAND/SYDNEY NSW
DECEMBER 2026 – JANUARY 2027

MORE INFO HERE

Finely Tuned has announced the return of THE WORKS, its multi day warehouse event series taking over Carriageworks on Gadigal Land in Sydney across December 2026 and January 2027.

The summer series will bring together international and Australian names from across house, techno, UK garage, trance and contemporary club music, with Armand Van Helden, Ewan McVicar, salute, Jayda G, Rossi., Sam Alfred, Job Jobse, Overmono, KI/KI, Pegassi and more confirmed for the program.

The series opens on 5 December with Pegassi, the creative alias of Belgian producer Sam Huybrecht, performing an all night set. The event has already sold out.

New Year’s Eve will see house and dance music veteran Armand Van Helden headline the 31 December event. He will be joined by Scottish artist Ewan McVicar b2b UK based Austrian artist salute, alongside Grammy nominated producer Jayda G.

On 6 January, Rossi. will take over Carriageworks, joined by Melbourne artist Dean Turley b2b Amsterdam selector Jamback and Stacie Fields. The following night, Australian DJ and producer Sam Alfred will go back to back with Amsterdam’s Job Jobse in an open to close set.

Welsh brothers Tom and Ed Russell, better known as Overmono, will perform on 8 January. The duo have built their sound around rave influences, chopped vocals and bass heavy production, with releases including “stayinit”, “Good Lies” and “So U Kno”. Their most recent album, Pure Devotion, features eleven tracks produced using tape, damaged speakers and reamped drums, according to the announcement.

The series will close on 9 January with Amsterdam based producer and DJ KI/KI, whose sets and productions draw heavily on acid, hard trance and fast paced club music.

THE WORKS was established in 2025 and previously presented six events featuring artists including Underworld, Ben Böhmer, Chris Stussy, CamelPhat, I Hate Models, Michael Bibi and Pretty Girl. Finely Tuned says the series was created to bring large scale warehouse production together with artists from different corners of contemporary dance music.

Presale tickets for the newly announced events begin at 10am AEST on Tuesday 15 September, with general sale commencing at 10am AEST on Wednesday 16 September.

THE WORKS
Presented by Finely Tuned
CARRIAGEWORKS, EORA/SYDNEY NSW
DECEMBER 2026 – JANUARY 2027 (VARIOUS DATES)
5:30PM – 10:30PM

5 DECEMBER
PEGASSI (ALL NIGHT LONG) – SOLD OUT

31 DECEMBER (NYE)
ARMAND VAN HELDEN
EWAN MCVICAR b2b SALUTE
JAYDA G

6 JANUARY
ROSSI.
DEAN TURLEY b2b JAMBACK
STACIE FIELDS

7 JANUARY
SAM ALFRED b2b JOB JOBSE (OPEN TO CLOSE)

8 JANUARY
OVERMONO

9 JANUARY
KI/KI

TICKETS
Presale
 commences 10AM AEST Tuesday 15 September
General onsale commences 10AM AEST Wednesday 16 September
Sign-up for presale here.

Presale for all THE WORKS events commences at 10AM AEST on Tuesday 15 September, before general onsale at 10AM AEST on Wednesday 16 September. Sign-up for presale here.
THE WORKS 
INSTAGRAM | TIKTOK | WEBSITE

FINELY TUNED
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE

September 9, 2026 0 comments
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Music InterviewsMusic News

INTERVIEW: Chris Tams of BPI (British Recorded Music Industry) on Strengthening the UK and Australian Music Connection at BIGSOUND 2026

by the partae September 9, 2026
written by the partae

BPI (British Recorded Music Industry) Ltd is bringing a delegation of British music businesses to BIGSOUND this year. What made 2026 the right time to strengthen the connection between the UK and Australia?

The UK and Australia share deep cultural roots, and we are always looking to strengthen this valued connection. Music exports are hugely important to the UK as the world’s second largest music exporter after the U.S., and Australia has always been a commercially and culturally importantly market for us.

Australia in the UK’s 4th biggest market for recorded music exports so it’s significant for our BPI label members. The BPI had been present at other Australian events previously, but we thought it really was time to add to this presence by exploring what BigSound had to offer the UK delegation, as we’d heard great things.

How has your experience at BIGSOUND been so far, and what has stood out to you?

All of the BPI’s UK delegates were impressed with the sheer variety of both music and B2B opportunities available to them at BigSound. Our Breakfast with the Brits event was a real hit, a standout moment where we had a packed room of people networking and making instant connections right at the start of the event.

Having spent time meeting Australian artists and music businesses, what has impressed you most about the Australian music industry?

I think Brits and Aussies have the same can-do attitude along with a similar work ethic and sense of humour. It’s been great connecting and reconnecting with lots of different parts of the business in a really laid back, informal, fun atmosphere.

Breakfast With The Brits-19.jpg

Queensland has an extraordinary music community. What opportunities do you see for Queensland artists and music businesses looking towards the UK?

The UK has a really strong connection to Australia and London has a huge community of Australians and of course all across the UK Aussies are liked. A great Australian artists have been coming to the UK for years to perform so there’s a great track record for new talent to follow.

What do British artists and music businesses sometimes misunderstand about trying to break into the Australian market?

The first thing is just how big Australia is! Roughly half the population of the UK but with 31 times the space! So touring artists especially find the sheer distance between some cities unfathomable!

Have you discovered any Australian artists at BIGSOUND 2026 that you think international audiences should be paying attention to?

There were quite a few. Catpiss, Sweatbaby, and Tusekah were all really interesting and I think have great potential although all the Brits I was with have about another 20–30 acts they were all pretty excited about.

Breakfast with the Brits-5.jpg

The UK is one of Australia’s most important international music connections. What do you think makes the relationship between the two music industries so strong?

I think it’s the shared work ethic and sense of humour, but obviously our roots go deep and there are shared values and a common language.

BIGSOUND is built around creating connections that continue beyond the festival. What kinds of relationships are you hoping the UK delegation can build while you are here?

Personally for the BPI we are looking at potentially bringing over some UK artists in 2027 and it would be remiss of me not to mention that we are planning a multi year strategy in the lead up to the Olympics.

With streaming, AI and changing patterns of music discovery reshaping the industry, what do you think will have the biggest impact on independent artists over the next few years?

Change, however challenging, also creates opportunity, not least in a global digital industry that now makes it really exciting and possible for an artist from one part of the world looking to connect with other territories and build a global fanbase through their music. We have all read a lot about AI and the risks it represents, but it also offers a lot of potential benefits for industry growth if an effective licensed market can be developed.

If you met an Australian artist at BIGSOUND who genuinely wanted to build a career in the UK, what would you tell them to do first?

I would say research like crazy before you head over to the UK. For a small set of nations we have massively varied music scenes, often set in particular geographic areas, so make sure you know where you are likely to find your scene.

Breakfast With The Brits-32.jpg

BIGSOUND INSTAGRAM

September 9, 2026 0 comments
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Music InterviewsMusic News

Interview: Marlon Turns Pain Into Truth on ‘Psycho’

by the partae September 8, 2026
written by the partae

Psycho feels like one of your most vulnerable releases yet. What made you want to confront these parts of yourself through music?

I wrote Psycho in a deep spot of reflection, trying to find the root cause of why I sometimes I would speak to my people the way I would. Turns out your mind and body holds onto past trauma and life moments, and sometimes it comes out ways we not proud of.

The song explores how pain, anger, fear and insecurity can affect the people around us. Was there a particular moment or realisation that sparked the writing of Psycho?

Overtime it was a consistent theme of me not being told what I needed to change… and finally taking responsibility to change it.

There’s a strong contrast between the silky R&B production and the heavier subject matter. How did you approach creating that balance sonically?

I love it when you get a production and arrangement that is so good, it forces you dig deep into your toolkit and put everything into a song. This was one of those moments.

You worked with Melbourne producer R.F.P on Psycho. What did he bring to the track that helped shape it into the final version?

He’s a legend, working out of Naarm, Melbourne and I’ve been working with Rory for a couple of years. His production forced me dive deeper, and match his sonics and arrangement with truthful, honest storytelling.

You also co-produced and co-directed the music video with Richie Coburn. How did the visual concept develop alongside the song?

Richie Coburn has been a huge asset to have alongside me bringing my ideas to life. Working previously on ‘Blood in the Water’ and The Gift with Hilltop Hoods, we wanted to create a new age visualizer that accompanied the track nicely, I think we achieved that.

Psycho follows your debut single Blood in the Water. What did making that first release teach you that you carried into this new chapter?

Continue to be authentic and honest in your story telling. Theres so such growth to be had when I am authentically me, and stay aligned to my truth and values. Psycho is a representation of me staying to my commitment to honesty.

You’ve worked across hip hop, R&B and soul, while also collaborating with artists including Urthboy, A.B. Original, Birdz and Frank Leone. How have those experiences influenced the artist you’re becoming in your own right?

They’ve all shown me how to stay true to self and speak about what matters in the right way.

You came from a professional AFL background before moving further into music and creative work. What did your time in football teach you that you now carry into your creative life?

It taught me how to apply myself and prepare really well, and stay prepared. Alot of times as an independent artist, you never when your next opportunity is, so you need stay prepared, and that’s what I try to do each day. Work on my craft and stay ready.

Your music often connects personal experiences with culture, identity and socially conscious storytelling. How important is it for you to keep those elements present as your sound develops?

I feel as a First nations artist, we tend to feel like we’ve inherited a responsibility to truth telling through our art. That will always remain, and as my sound evolves, and gets to a place where it can live forever through the audience, the one thing that will remain is my authenticity and truth.

You’re working towards your debut album. What can you tell us about where Psycho fits into the bigger picture, and what you’re building towards with the album?

Psycho is integral part of the process towards a larger body of work. As i mentioned previously, it is most honest, reflective and piece off work, and since psycho was born, everything that has come after has elevated and pushed me to match that honesty, with no regard for self presevation. Resulting my growth as a writer, and artist.

PLAY/LISTEN

INSTAGRAM

September 8, 2026 0 comments
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Music InterviewsMusic News

Interview: Mike Quintor – Inside the World of TRANCE

by the partae September 8, 2026
written by the partae

What was going on creatively or personally when TRANCE first began taking shape, and what did you want the album to become?

When TRANCE first started taking shape, I was at a point where I wanted to make something that felt bigger and more complete than anything I had done before. I had a lot of different thoughts and emotions going on, and music was where I could put all of that. I did not want it to feel like just a collection of songs. I wanted it to feel like its own world that you could enter and stay in from beginning to end.

Much of the album was recorded inside your Tesla late at night. What was it about being in that space, alone and away from a traditional studio, that suited the music you were making?

There was something about being alone in the car late at night that made everything feel more focused. It was quiet, private, and I did not really have anything distracting me. I could just sit there with the music and let ideas come naturally. It also fit the feeling of TRANCE because a lot of the album is about being inside your own head and getting lost in a certain mood. Recording that way made the songs feel more personal.

With 20 tracks intended to feel like one continuous journey, how did you decide what belonged on the album and how each track should lead into the next?

A lot of it came down to whether a song felt like it belonged in the same world. Even if two tracks sounded different, they still needed to carry the same atmosphere or emotion. I paid a lot of attention to sequencing too. I wanted the energy to rise and fall naturally instead of feeling like twenty random songs placed next to each other. Sometimes the ending of one track would help me decide what needed to come immediately after it.

You handled the writing, production, arrangement and creative direction yourself. Was that complete creative control liberating, challenging, or a bit of both?

Definitely both. It was liberating because I could follow every idea exactly where I wanted it to go without having to compromise the vision. At the same time, it meant every decision came back to me. There was nobody else to blame if something was not working. It could get overwhelming, but I think that also made the finished album feel much more personal because almost every part of it came directly from my own decisions.

You’ve said you often started with a mood or feeling before building the vocals and production around it. How do you know when that initial feeling has become a finished song?

Usually I know when I can listen back and the song gives me the same feeling that made me start it in the first place. I do not really think of a song as finished because every technical detail is perfect. It is more about whether the emotion is there. Once adding more starts feeling like it would take away from the mood instead of making it stronger, that is usually when I know I should leave it alone.

The action figure in the visual identity represents the polished, artificial version of yourself presented to the outside world. How much of that idea reflects the person behind the music?

A lot of it does. Everybody has a version of themselves that people see from the outside, especially now with social media and how much of your life can become an image. The action figure represents that version of me that looks put together and controlled, while the actual music shows a lot more of what is happening underneath that. I liked the contrast because TRANCE is very internal, while the figure is almost like this manufactured exterior.

You’ve described your own artistic growth as the biggest influence on TRANCE rather than a particular artist or sound. What changed most in the way you approach making music?

I became more confident in trusting my own instincts. Earlier on, I think I was more focused on whether something sounded correct or whether it fit into a certain type of music. With TRANCE, I cared more about whether it felt right to me. I also started thinking about the full project instead of only individual songs. Production, sequencing, artwork, atmosphere, vocals, all of it became part of the same idea.

Across 20 tracks, was there a moment during the process where you surprised yourself with where the album was heading?

Yeah, especially when I started listening to multiple finished tracks back to back. At first I was making songs and following whatever ideas I had, but eventually I realized there was a much clearer world forming between them than I originally planned. That was probably when TRANCE stopped feeling like a group of songs I was working on and started feeling like an actual album.

TRANCE is centred around getting lost in thoughts, emotions and surroundings. What do you personally find yourself getting lost in most when you listen back to the album now?

Probably the memories connected to each song. I can remember where I was mentally when I made certain tracks, what I was thinking about, and even little moments surrounding the recording process. Listening now is almost like going back into that period of my life. Sometimes I am listening to the production, but other times one sound or lyric will immediately remind me of exactly where my head was when I made it.

You’ve said TRANCE represents how far you’ve come, but also how much further you want to go. What’s the next thing you want to challenge yourself to create?

I want to keep building projects that feel like complete worlds, but push the ideas even further. I do not want to make TRANCE again with a different title. I want the next project to have its own identity and make me approach writing, production, and visuals in ways I have not already done. The biggest challenge for me now is figuring out how to keep evolving without losing what makes the music feel like me.

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September 8, 2026 0 comments
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lachie gill
Festival NewsMusic News

Lachie Gill Turns Grief Into Hope With ‘Are You Okay?’

by the partae September 8, 2026
written by the partae

Australian singer songwriter and The Voice Australia 2022 winner Lachie Gill is entering a deeply personal new chapter with his latest single, ‘Are You Okay?’, a song written in tribute to his best friend Justin, known as “Juzzy”, who died by suicide 11 years ago when Gill was 15.

The single explores grief, mental health, loss and the process of finding a way forward through sharing personal experiences. For Gill, writing about Juzzy became part of his own journey through grief.

“Grief is a challenging thing to navigate, but writing about him and my experience helped me get through it,” Gill says. “‘Are You Okay?’ isn’t just for Juzzy, it’s for anyone experiencing mental health struggles or anyone who has lost someone close to suicide.”

‘Are You Okay?’ arrives ahead of Gill’s sophomore EP, We Never Said Our Goodbyes, which is scheduled for release on Friday 2 October. The six track release features ‘Give Me A Little’, ‘Last Drive’, ‘Sweet Something’, ‘Are You Okay’, ‘Your Side’ and ‘Again & Again’.

Gill first came to national attention after winning The Voice Australia in 2022, where he connected with audiences through his vocals, performances and songwriting.

His experiences following the show also became part of the story behind his new music. Gill has spoken about facing online bullying and imposter syndrome, as well as unhealthy coping mechanisms that contributed to anxiety and panic attacks. After taking time away to reconnect with himself and his purpose, he has returned with a renewed focus on vulnerability, connection and honest storytelling.

That focus extends beyond Gill’s music. He works closely with Speak & Share, an Australian charity focused on reducing the stigma around mental health and creating environments where people can have meaningful conversations.

Through his work with Speak & Share, Gill speaks at schools, sporting clubs and workplaces, with a particular focus on supporting men and young people and encouraging more open conversations about mental health.

Gill will also perform at Chatswood StreetFair on Saturday 5 September, where he is scheduled to headline the Multicultural Stage at The Concourse from 5pm to 6pm.

He will then return to Melbourne for the We Never Said Our Goodbyes EP launch at Railway Hotel in Fitzroy North on Friday 2 October. Doors open at 7pm, with tickets available through Oztix.

The Melbourne headline show will give Gill the opportunity to bring the new EP into an intimate live setting, with the music reflecting the personal experiences and conversations at its centre.

For Gill, We Never Said Our Goodbyes marks a significant new chapter, transforming experiences of grief and personal struggle into songs centred on connection, reflection and hope.

Upcoming Show

Friday 2 October
We Never Said Our Goodbyes EP Launch
Railway Hotel
Fitzroy North, VIC
Doors 7pm
Tickets via Oztix

We Never Said Our Goodbyes – Tracklist

Give Me A Little

Last Drive

Sweet Something

Are You Okay

Your Side

Again & Again

‘Are You Okay?’ is out now on Island Records Australia

INSTAGRAM

September 8, 2026 0 comments
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Music News

Hydra Rehearsal Studios Has Been Part of Melbourne’s Music Scene for 20 Years

by the partae September 8, 2026
written by the partae

For a band, rehearsal is where everything starts to come together.

Songs get pulled apart and rebuilt, new ideas take shape and the moments that eventually end up on stage often begin in a room with a few amplifiers turned up and everyone trying to hear each other.

For thousands of Melbourne musicians, that room has been Hydra Rehearsal Studios.

Based at 18 Duffy Street in Burwood, Hydra has been part of Melbourne’s music community since 2006. What began with five rehearsal rooms has grown into a ten room facility designed around giving bands and musicians somewhere practical, properly equipped and affordable to work on their music.

The current facility opened in 2008 and each of its ten rooms measures 30 square metres. The rooms are acoustically engineered, soundproofed, air conditioned and ventilated, with each one fitted with a 2400 watt PA system, HK Audio speakers, a Mackie or Yamaha mixing desk, Yamaha foldback, three Sennheiser microphones and microphone stands.

Drum kits, guitar amps, bass amps and other backline equipment are also available for hire, while the studio provides parking and easy load in for bands bringing their own gear.

Then there is the pricing.

Hydra currently offers solo weekday daytime sessions from $20 for one hour, with drum kit hire available for $30. Other weekday daytime bookings are $40.

Evening and weekend rates vary according to the number of people and the session time. Monday and Tuesday night sessions start at $54 for a solo musician or duo, while bands of four or more are $96. Wednesday and Thursday night sessions are $78 for solo, duo or trio bookings and $96 for bands of four or more.

Friday night and Saturday and Sunday daytime sessions start at $36 for a solo musician, while Saturday and Sunday night bookings are a flat $60 for all booking types.

Hydra also currently offers a 25 percent discount for people under 25, pensioners, unemployed people and people studying music at university or TAFE, subject to the studio’s conditions.

The important thing to know is that Hydra’s listed room hire prices are flat session rates rather than hourly rates.

For drummers, the Drum Den offers solo sessions from $20 for one hour, with drum kit hire available for $30 and additional hours available for $5.

But the story behind Hydra is just as interesting as the rooms themselves.

The studio is owned by Peter, a Victorian College of the Arts music graduate whose career has taken him through performing, teaching, composing, conducting, music direction and band management.

Peter spent 14 years as an instrumental and classroom music teacher and has played in 11 bands. He was also a founding member of Martin Martini & The Bone Palace Orchestra, a group that played with artists including Paul Kelly and Tripod and featured guests including Tim Minchin, Harry Angus and Eddie Perfect.

The group received support from Triple J and performed at venues and events including the Sydney Opera House Studio, Soho Theatre in London, Adelaide Cabaret Festival, Brisbane Powerhouse and Woodford Festival.

That experience has helped shape Hydra into something more than somewhere to hire a room.

Through its Band Aid service, Hydra assists customers with finding recording studios, sound engineers, gigs, band line ups and media and advertising services.

The studio also shares current industry information and contacts with its customers and has recommended, secured and organised gigs for musicians who use the facility. Hydra has also organised, staged and sponsored its own gigs and music events.

It is a useful extension of the rehearsal room.

A band can walk through the doors needing somewhere to practise, but the people behind the business understand that rehearsal is only one part of being a working musician.

That connection between the rehearsal room and the wider music industry is particularly relevant in Melbourne, a city with a long history of producing artists and bands across almost every genre.

For musicians who have ever arrived at rehearsal and realised they forgot a cable, Hydra also keeps a supply of leads, straps, power boards and other accessories available to borrow.

There is something fitting about a rehearsal studio that has survived and evolved alongside Melbourne’s music scene for two decades.

The industry has changed. The way artists release music has changed. The way bands promote themselves has changed.

But the basic need has not.

Musicians still need somewhere to turn up, plug in, play loudly and figure things out.

For a new band preparing for its first show, an established act working towards a tour, or a solo musician looking for somewhere to develop new material, Hydra Rehearsal Studios offers a space built specifically for that purpose.

Twenty years after opening its first rooms in Burwood, Hydra continues to provide a place for Melbourne musicians to get together and make some noise.

And sometimes, that is where the next great band starts.

Hydra Rehearsal Studios

18 Duffy Street
Burwood VIC 3125

Bookings: 0417 000 397 via text

Phone: (03) 9038 8101

Email: hydrastudios@bigpond.com

Current rehearsal prices: From $20, with flat session rates varying according to session time and group size.

WEBSITE

September 8, 2026 0 comments
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