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Interview: Eyes of Bel on Melt, Love and Learning to Let Go

August 7, 2026

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s...

August 6, 2026

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More...

August 6, 2026

This Is Lorelei Turns the Chaos of the Road Into a Strange,...

August 6, 2026

Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So...

August 6, 2026

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This...

August 5, 2026

@ Find Beauty in the Breakdown on Haunting New Single ‘Punish My...

August 5, 2026

Public Works Bottles the Chaos of a Summer Breakup on Explosive New...

August 5, 2026

#1 Dads Announces First Australian Tour in Six Years Alongside New Album...

August 5, 2026

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour...

August 5, 2026
Category:

Music News

Music InterviewsMusic News

Interview: Eyes of Bel on Melt, Love and Learning to Let Go

by the partae August 7, 2026
written by the partae

Congratulations on the release of Melt. Looking back now that it’s out in the world, what has the response meant to you personally?

Thank you. Every single person who takes time out of their day to send me a message, listen to the song or share it with their friends holds a special place in my heart.

Melt explores vulnerability, surrender and putting someone else first. Was there a particular moment or experience that inspired you to write the song?

I have always been a giver. There wasn’t one particular moment that inspired the song. My entire existence revolves around making sure other people are happy, often at my own expense. It’s so entwined in my DNA to sacrifice so it only felt natural to write something that pays homage not only to my love, but to what I bring to loving.

The lyric, “I’ll walk behind you, just because I care,” is incredibly powerful. Why was it important for you to express love in that way?

I’m guilty of being a people pleaser in the past. Now I selectively share that part of me as I’ve managed to set fantastic boundaries. This was a simple and effortless way to share what it truly means to put someone else ahead of you.

You co-produced Melt with Cheekbone. What did that creative partnership bring to the song that helped shape its final sound?

Adib (Cheekbone) is one of my best friends, and also one of the most talented multi-instrumentals and producers I’ve ever had the pleasure of working with. He is a charismatic guitar player, and this song required lots of tension in the instrumentation. It wouldn’t be the same without his input.

The official video feels incredibly intimate, especially with your fiancée appearing alongside you. What was it like sharing such a personal part of your life on screen?

Kind of weird, to be honest. Initially we had a model hired, but she had to pull out at the last minute. I am however so glad it turned out the way it did. When we are older I’m sure we will look back on this fondly.

Your music often balances delicate moments with emotional intensity. How do you approach creating that contrast both musically and lyrically?

It’s just the way I have always liked to do it. Not sure, for my own project, I could do it any other way.

As an artist, have you found that embracing vulnerability has changed the way you write or perform compared to when you first started making music?

It’s made my writing consistently clearer and better. When you lose track of yourself, you lose control of the process.

The production on Melt gives the lyrics plenty of room to breathe. Was it a conscious decision to keep the arrangement minimal so the emotion could take centre stage?

Yes it was definitely a conscious decision, and something you’ll notice more of this year.

For listeners discovering Eyes of Bel through Melt, what do you hope they take away from the song after hearing it for the first time?

Firstly, I hope that you vibe it and love to listen to it. I find it quite cathartic and beautiful like that. On a deeper level, if you are anything like me and have a tendency to sacrifice a little too much of yourself sometimes, I hope that this song teaches you that there’s a time and a place, and it feels utterly nourishing when it’s for the right person.

What’s next for Eyes of Bel? Can fans expect more music exploring this new creative chapter, and are there any live performances or upcoming projects you can share with us?

Yes to all of the above. Follow @eyesofbel for the updates.

Follow Eyes of Bel
Tiktok: @eyesofbel
Instagram: @eyesofbel
Facebook: eyesofbel
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Apple Music

 

August 7, 2026 0 comments
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Festival NewsMusic News

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s Best New Music

by the partae August 6, 2026
written by the partae

Community radio will once again take centre stage in Meanjin (Brisbane) with the return of Sounds Like Community Radio, a free afternoon of live music, national broadcasting and community connection at iconic station 4ZZZ, followed by the much-loved AMRAP BIGSOUND Listening Sessions as part of the 2026 BIGSOUND program.

Presented by the Community Broadcasting Association of Australia’s Australian Music Radio Airplay Project (AMRAP), Sounds Like Community Radio celebrates the stations, presenters, programmers and volunteers who continue to discover, support and amplify Australian music every day.

Taking place on Wednesday 2 September from 1pm–6pm at 4ZZZ, Fortitude Valley, the event will feature live performances from some of Australia’s most exciting emerging artists, alongside a live broadcast showcasing the personalities and passion that make community radio such an important part of the country’s music landscape.

The free event will feature performances from Milly Strange, Djarraway, Public Figures, Say True God?, Superhotel and Joey Leigh Wagtail, with guest presenters from community radio stations across Australia joining the broadcast.

Participating stations include 4ZZZFM, Triple R, PBS 106.7FM, Three D Radio, Edge Radio, SYN 90.7FM and fbi.radio, with the event also broadcast nationally via the Community Radio Network, connecting listeners across the country.

The lineup highlights the incredible diversity of Australian music today. Djarraway brings a powerful blend of roots, reggae and First Nations storytelling, while Naarm songwriter Milly Strange combines intimate folk influences with alt-rock energy. Dunghutti artist Joey Leigh Wagtail draws from folk, blues and country traditions, exploring themes of identity and belonging, while Brisbane favourites Superhotel deliver their warm alternative country-rock sound. Punk outfit Public Figures bring their raw, high-energy approach and social commentary, with Say True God? rounding out the lineup with his award-winning hip-hop and soulful production.

Community radio remains one of Australia’s most important platforms for music discovery. Each week, the sector reaches more than 5.4 million listeners through more than 450 licensed stations, providing vital support for local artists, diverse voices and emerging talent.

Following Sounds Like Community Radio, the AMRAP BIGSOUND Listening Sessions return on Thursday 3 September, giving artists and industry professionals the opportunity to receive direct feedback from some of Australia’s leading community radio programmers.

Held from 10am–2pm at The Warrar Room, The Precinct, Fortitude Valley, the sessions offer artists valuable insight into preparing releases, building relationships with radio and increasing opportunities for community radio airplay.

Representatives from 4ZZZFM, Triple R, PBS 106.7FM, Three D Radio, Edge Radio, SYN 90.7FM and fbi.radio will be available throughout the sessions to hear new music, share feedback and discuss how artists can connect with community broadcasters around Australia.

Spaces for the AMRAP BIGSOUND Listening Sessions are limited, with bookings essential.

Across two days, Sounds Like Community Radio and the AMRAP BIGSOUND Listening Sessions celebrate the people behind Australian music discovery — connecting artists, broadcasters and audiences through the power of community radio.

Sounds Like Community Radio
Wednesday 2 September 2026
1pm–6pm
4ZZZ, 264 Barry Parade, Fortitude Valley
Free Entry

Featuring: Milly Strange, Djarraway, Public Figures, Say True God?, Superhotel and Joey Leigh Wagtail

AMRAP BIGSOUND Listening Sessions
Thursday 3 September 2026
10am–2pm
The Warrar Room, The Precinct
Level 2, 315 Brunswick Street, Fortitude Valley
Bookings essential for Listening Sessions.

August 6, 2026 0 comments
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Festival NewsMusic News

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More to Huge 2026 Lineup

by the partae August 6, 2026
written by the partae

Queenscliff Music Festival is shaping up for a huge return in 2026, with the Victorian coastal festival revealing another 19 artists joining an already impressive lineup. From sun-soaked psychedelia and garage rock to soul, folk and genre-bending live chaos, the latest announcement once again highlights the festival’s ability to bring together some of Australia’s most exciting voices.

Returning to Wadawurrung Country in Queenscliff from 27–29 November 2026, the festival’s third artist announcement welcomes Babe Rainbow, The Pretty Littles, Merpire, Velvet Bloom, Ukelele Death Squad and Candice Lorrae, adding even more colour to a lineup already featuring Matt Corby, Baker Boy, Kate Miller-Heidke, Peter Garrett & the Alter Egos, Meg Mac, Lime Cordiale, Magic Dirt, Kitty, Daisy & Lewis, Tim Rogers and The Bamboos.

Queenscliff Music Festival has always been about discovery — those moments where you stumble across a new favourite artist while surrounded by the energy of the coast — and the latest additions capture that spirit perfectly.

Byron Bay’s Babe Rainbow will bring their unmistakable psychedelic pop sound to the Bellarine Peninsula, delivering the kind of laid-back, sun-drenched grooves that have seen them build a dedicated following around the world. Across seven albums, the band has created a unique blend of vintage psychedelia, surf culture and effortless melody.

Melbourne garage rock favourites The Pretty Littles return with their raw storytelling, sharp humour and explosive live energy. Known for their honest songwriting and ability to turn everyday observations into unforgettable songs, the band has become one of Australia’s most loved independent acts.

Naarm/Melbourne songwriter Rhiannon Atkinson-Howatt’s project Merpire joins the lineup following the release of her ARIA-charting album MILK POOL. Blending dark-pop atmospheres with deeply personal songwriting, Merpire has earned international recognition from outlets including triple j, BBC Radio 1 and NPR.

Candice Lorrae enters a new chapter as a solo artist, bringing songs from Paperbark & Lilies to Queenscliff. The Jawoyn and Torres Strait Islander songwriter, producer and member of The Merindas combines country, soul and dream-pop influences while exploring stories of family, culture and connection to Country.

Melbourne neo-soul outfit Velvet Bloom add another layer of warmth and groove to the festival, while Ukelele Death Squad promise one of the most unpredictable performances of the weekend. The genre-defying collective have built a reputation for shows that feel less like a performance and more like a celebration where everyone becomes part of the experience.

The latest announcement also continues Queenscliff Music Festival’s support of emerging Australian talent. Through the festival’s partnership with Port Fairy Folk Festival, Bonnie Jackson and Harriet Wraith join the lineup as graduates of the Future Folk initiative, while 2025 Queenscliff Music Festival Busking Competition winner Alaska earns her place after captivating audiences with her reflective lyrics and heartfelt vocals.

Also joining the 2026 lineup are Torquay psychedelic punk-funk outfit De Porsal, Bellarine blues and folk songwriter Jack Meredith, Melbourne alt-country artist Kyle Brew, Mika James stepping forward from The Vovos with her own cinematic country and blues sound, Surf Coast indie-rockers Savage Honey, folk-country harmonisers Small Town Romance, Geelong soul and funk powerhouse Sweethearts, indie-folk songwriter Tom Harrington and blues artist Wayne Jury.

For younger festivalgoers, Australian comedy duo The Listies will also bring their award-winning show to Queenscliff.

With more than 70 artists set to perform alongside local food and drink, immersive arts experiences, family-friendly programming and the festival’s iconic coastal setting, Queenscliff Music Festival 2026 is shaping up as one of the standout weekends on the Australian music calendar.

Queenscliff Music Festival runs from 27–29 November 2026 at Queenscliff VIC.

The current 2026 Queenscliff Music Festival lineup includes:

(Alphabetical Order)

A.C Saunders | Alaska | Azure Ryder | Babe Rainbow | Baker Boy | The Bamboos | Bonnie Jackson | Cam Walter Blues | Candice Lorrae | Charley Castle & the Boys in the Well | Cousin Tony’s Brand New Firebird | De Porsal | Docker River Band | FARAH | The Gnomes | Harriet Wrath | Hussy Hicks | Immy Owusu | Jack Meredith | Jesse Valach & The Testaments | Jordie Lane |Kaiit |Kate Miller-Heidke | Kerryn Fields | Kitty, Daisy & Lewis | Kyle Brew | Lime Cordiale | Liv Cartledge | Magic Dirt | The Maes | Matt Corby | Meg Mac | Merpire | Mia Dyson | Midnight Chicken | Mika James | Oscar LaDell | Owelu Dreamhouse | Peter Garrett & the Alter Egos | The Pretty Littles | Rupert Bullard | Savage Honey | Small Town Romance | Steph Strings | Sunday Lemonade | Sweethearts | Tim Rogers | Tom Harrington | Ukelele Death Squad | Velvet Bloom | Wayne Jury | Willie J’s 6V6s

Plus, for Kids: The Listies | Zindzi & the Zillionaires

 

2026 1st RELEASE TICKETS ON SALE NOW – Single-day tickets now on sale.

3 Day Adult – $305

3 Day Accompanied Youth 14-17 – $149

Single Days – $109 – $145

Children 1-13 – $35 (sold in conjunction with an adult ticket)

QMF Camping – $35 for 3 nights (per person), children camp free

Rent A Tent – from $460 for 3 nights

CLICK HERE FOR FESTIVAL TICKETS + CAMPING INFO

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August 6, 2026 0 comments
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Music News

This Is Lorelei Turns the Chaos of the Road Into a Strange, Beautiful New Americana on The Singer in My Band

by the partae August 6, 2026
written by the partae

There’s something beautifully unhinged about the way Nate Amos makes music. Under the moniker This Is Lorelei, the songwriter has built a world where bedroom pop, indie rock, folk traditions and warped Americana collide — a place where heartbreak, humour, strange characters and blurry memories all coexist.

Now, following the breakout success of 2024’s Box for Buddy, Box for Star, Amos returns with his most ambitious statement yet: The Singer in My Band, arriving 11 September via Matador Records.

The latest taste of the record comes in the form of “Oh No Now My”, a track that feels like a transmission from somewhere between the past and the future. Built around glitching vocal harmonies and decaying textures, the song transforms into one of the album’s biggest moments — an anthem that somehow sounds both ancient and completely alien.

Accompanied by a haunting stop-motion video from Julia Fernandez, “Oh No Now My” captures the strange emotional universe Amos has become known for.

“‘Oh No Now My’ is a song that ate itself — there were 3 versions of it before it landed here, where it has nothing in common with the original. I think it’s good but it’s hard to sing. I hope you like it.”

— Nate Amos

For Amos, The Singer in My Band is the sound of life lived in motion. Written while touring internationally with both This Is Lorelei and his band Water From Your Eyes, the record captures the strange limbo of endless highways, unfamiliar cities and quiet moments staring out a van window.

Rather than being written traditionally at home with a guitar or computer, these songs slowly developed as ideas floating around in Amos’ head — fragments of stories, characters and emotions collected along the way.

“I sent my dad the album after I finished it, and he said it was kind of an ‘on the road beatnik’ album and that reframed it for me,” Amos explains. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.”

And those fictional worlds are filled with unforgettable characters — Billy, Joey, Genevieve, Sarah and Buddy — figures who drift through the album’s landscapes like scenes from a forgotten American road movie. They’re unreliable narrators telling stories that feel exaggerated, messy and strangely familiar.

That tension between reality and fiction is where This Is Lorelei thrives.

Amos’ previous record, Box for Buddy, Box for Star, introduced listeners to his sharp songwriting instincts and genre-blurring approach. The album became a word-of-mouth favourite, later receiving a deluxe edition featuring collaborations with artists including MJ Lenderman, Hayley Williams and Jeff Tweedy.

With The Singer in My Band, Amos strips things back while expanding the emotional landscape. Recorded largely in his apartment, with final touches completed at his parents’ home in St. Johnsbury, Vermont, the album was written, produced and performed almost entirely by Amos himself.

The record also features contributions from his family, including a banjo performance from his father Bob Amos, a respected bluegrass musician, alongside vocals from his sister Sarah Amos and partner Al Nardo.

At its core, The Singer in My Band is an album about songwriting itself — about carrying influences forward while reshaping them into something entirely personal. Amos draws inspiration from bluegrass, not necessarily as a sound, but as a philosophy.

“There’s a simplicity to bluegrass, where there are very particular rules and a very particular box — songs have to stand up by themselves in terms of melody, lyrics and chord progression,” he says.

It’s that balance between tradition and experimentation that makes This Is Lorelei so compelling. The songs feel familiar without ever sounding predictable — like half-remembered stories overheard somewhere between a roadside diner and a late-night show.

As Amos takes The Singer in My Band around the world, joining tours with Bleachers and others, he continues to cement his place as one of indie music’s most unpredictable and inventive voices.

The Singer in My Band is out 11 September via Matador Records / Remote Control Records.

Listen to “Oh No Now My” here:
https://thisislorelei.mat-r.co/ohnonowmy

Pre-save The Singer in My Band:
https://thisislorelei.mat-r.co/thesingerinmyband

 

The Singer in My Band Tracklist

I Will Eat My Heart in the Morning Light

Oh No Now My

Billy Came Back

Watching Heaven Fall

Sailing (Your Baby’s Down)

The Singer in My Band

Nitro

Hey Sarah Is It Gonna Rain Forever

The Kid With The Crown

And I Haven’t Seen My Love in Quite a While

Don’t You Cry in Lonesomeness

 

This Is Lorelei
Website | Bandcamp | Instagram

August 6, 2026 0 comments
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Music InterviewsMusic News

Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So Grateful to Be Here”

by the partae August 6, 2026
written by the partae

What made this feel like the right moment to revisit B-Grade University, rather than waiting for a rounder anniversary number?

I really wanted to do something to celebrate not just 10 years of this record, but also 10 years of me as an artist. When you’re doing this job you find that a lot of milestones and big moments pass you by when you’re in it in real time. I very much felt an acute sense of achievement upon realising that I have been a working musician for a decade, largely thanks to B-Grade University kicking things off for me. I’m so grateful to be here and I wanted to celebrate that not just for myself, but for the fans and people who have made these songs their own over the years.

The reissue includes a reworked version of “You Don’t Think You Like People Like Me” with Tegan and Sara. How did that collaboration come together, and what did it feel like to sing it with them after they’d watched you perform it from the side of the stage years ago?

I have been a Tegan and Sara fan since I was a kid and getting to meet them and tour with them in 2017 was a dream come true. I say, “never meet your heroes…..unless they’re Tegan and Sara”. When the concept for this special edition of B-Grade came about, the idea of having them feature on it was a no-brainer. They championed YDTYLPLM when it came out and it felt right to have them feature on the new version of the track. When I received their vocal takes it felt surreal – dream come true type of stuff.

Looking back, how do you hear your own songwriting differently now compared to when you first wrote these tracks?

Of course my approach to songwriting has morphed and developed since writing B-Grade University, but I do feel like the essence of what I do is pretty consistent. If anything, listening back to these songs reminds me not to lose the fun and humour in what I do. When things get too serious, it can be easy to lose the thread and message. It also reminds me to just write for the sake of writing, not because you have a record to write.

You’ve talked about writing the EP in your childhood bedroom and selling your car to afford studio time. What does it feel like to revisit that period of your life through this reissue?

It has been a privilege to look back on that time with such fondness and gratitude – I would do it all again in a heartbeat. If anything, it reminds me that even if the EP never found its audience in the way it did that I would still be making music today in some shape or form. It’s a part of who I am.

The tracklist mixes original songs with alternate and live versions, including a triple j Like A Version recording. How did you decide what belonged on this edition versus what to leave out?

Since the original EP came out, there have been many versions of these songs put out into the ether. It was really cool to collate some of these and pick a handful to put on this edition. I deliberately picked versions that I felt gave a different approach to the original recordings.

Early reviewers picked up on themes like the messiness of modern romance and the comedy in heartbreak. Do those songs still resonate the same way with you now?

I think that’s probably a question for those reviewers! As far as I’m concerned, these songs were like journal entries from my early-20’s talking about navigating relationships, pushing boundaries and figuring out where I belong. Listening back to them now, I feel like I am able to reflect on that time with more clarity than if I didn’t write those songs, which is pretty cool. Records are called records for a reason – they’re amazing documents of time and place – and I feel so lucky to have moments of my own life captured in that format.

What was it like re-recording “Let’s Go Out” with Slowly Slowly, and what did that pairing bring out of the song?

I love Slowly Slowly so much. Ben Stewart and I are both born and raised Melburnians of a similar age who play rock music, have heaps of mutual friends and had somehow never met until a couple of years ago. I just cold DM’d him one day and just said “it’s so weird we don’t know each other. Let’s get coffee”. From there a friendship that I hold very dear blossomed. When Ben and I decided to do a version of Let’s Go Out together, my only instruction was for him to just do “the Slowly Slowly thing” and he bloody did it. I admire Ben’s sense of artistry, work ethic and raw talent. Slowly Slowly have generated an amazing community of fans for good reason – they are a band that cares about their people and I am so honoured to be one of them.

How do you think the response to this EP shaped the direction of your career, in ways you maybe didn’t expect at the time?
Absolutely. Never in my wildest dreams did I expect these songs to have the reach that they have had and continue to have. They opened so many doors for me and took me to some crazy places. More importantly, they enabled me to make the next thing, which is the greatest gift of all. With time I have deduced that songwriting and artistry is an act of humility – you are making something that takes on a life of its own and you just have to roll with it. I am proud of the lives these songs have made for themselves and I am more than happy to be their mouthpiece for as long as they’ll have me.

You’re heading out on a run of Australian shows for the reunion tour. How are you approaching performing these older songs live now, compared to a decade ago?

With gratitude and excitement. I’m pumped to play these songs to people who love them and have attached their own memories and associations with them. My band and I are gagging to get on stage.

For fans who’ve grown up with this EP, what do you hope they take away from hearing it again in this new form?

I hope they find joy in the way they still connect or even reconnect to this EP in its reunion edition. One of the biggest privileges of doing what I do is growing up with the people who have supported the music from the jump – it’s like we’re all on the journey together.

ALEX LAHEY B-GRADE UNIVERSITY REUNION TOUR

THU 20 AUG – THE TRIFFID, BRISBANE
FRI 21 AUG – CORNER HOTEL, MELBOURNE
SAT 22 AUG – MANNING BAR, SYDNEY
FRI 28 AUG – THE ROSEMOUNT HOTEL, PERTH
SAT 29 AUG – JIVE, ADELAIDE

All tickets at www.alexlahey.com.au  Threekingstouring.com.au

 

August 6, 2026 0 comments
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Festival NewsMusic News

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This December

by the partae August 5, 2026
written by the partae

Jordan Rakei is heading home.

Following the announcement of his seventh studio album, A Safe Place To Be Wild, the New Zealand-born, Australian-raised artist has locked in a run of Australian and New Zealand headline dates this December, bringing his genre-blurring live show to Auckland, Brisbane, Sydney and Melbourne.

Few artists move between soul, jazz, alternative R&B and orchestral pop as effortlessly as Rakei. Across more than a decade, he’s built a catalogue that refuses to stand still, pairing intricate musicianship with deeply personal songwriting that continues to evolve with every release.

His latest album, arriving October 30 via Fontana, looks set to be his most revealing yet. A Safe Place To Be Wild explores vulnerability, self-acceptance and creative freedom, capturing an artist letting go of expectation in favour of instinct. It’s a record shaped by a transformative year spent as the first resident artist at London’s iconic Abbey Road Studios, alongside countless hours creating in his own home studio.

The upcoming tour will see fans experience new material alongside favourites spanning six acclaimed albums, with Rakei’s celebrated live band once again delivering the rich arrangements, improvisation and emotional depth that have made him one of contemporary music’s most captivating performers.

Having collaborated with artists including Loyle Carner, Tom Misch, Bonobo, Nubya Garcia, Femi Koleoso and JUNGLE’s Tom McFarland, Rakei has quietly become one of the defining voices in modern soul. His live résumé is just as impressive, with appearances at Glastonbury, sold-out performances at London’s Royal Albert Hall and a reputation for creating shows that feel as intimate as they do expansive.

Tour Dates

3 December — Town Hall, Auckland

5 December — The Princess Theatre, Brisbane

6 December — Tumbalong Park (FORMA), Sydney

10 December — Forum, Melbourne

Tickets

Presale: Wednesday 5 August, 4:30pm AEST

General On Sale: Thursday 6 August, 4:30pm AEST

MORE INFO HERE
SIGN UP FOR PRESALE HERE

 

With A Safe Place To Be Wild arriving just weeks before the tour, these shows promise to capture Jordan Rakei at a fascinating point in his career—still pushing forward, still impossible to pin down, and still making music that rewards anyone willing to really listen.

JORDAN RAKEI
WEBSITE | INSTAGRAM | TIKTOK | FACEBOOK

FINELY TUNED
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE

 

August 5, 2026 0 comments
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Music News

@ Find Beauty in the Breakdown on Haunting New Single ‘Punish My Mind’

by the partae August 5, 2026
written by the partae

Photo Credit: Ingmar Chen

If you’re still sleeping on @ (pronounced “at”), now’s the time to wake up.

The Philadelphia art-folk duo have unveiled ‘Punish My Mind’, another beautifully unhinged preview of their forthcoming 4AD debut Autosmile, arriving October 16. Equal parts psychedelic folk, avant-garde pop and emotional freefall, the track feels like The Beach Boys melting into a fever dream before emerging strangely at peace.

Built around fluttering woodwinds, warped vocal harmonies, distorted monkey howls and intricate arrangements, Punish My Mind wrestles with the strange ways we can be both our own worst enemy and our greatest source of comfort. It’s unsettling, oddly comforting and impossible to pin to a single genre.

The band describe it simply:

“Punish My Mind is a chill song about self-torture that’s maybe the oldest recording on the album. It has a fat wind arrangement and a lot of vocal harmonies. We hope you like it.”

The single arrives alongside a self-directed video created by Stone Filipczak and follows the sprawling seven-minute title track Autosmile, which earned Pitchfork’s coveted Best New Track distinction and immediately put the duo on the radar of adventurous music fans.

Made up of songwriter and beekeeper Victoria Rose alongside self-taught programmer and multi-instrumentalist Stone Filipczak, @ have quietly carved out one of indie music’s most distinctive identities. Their 2021 debut Mind Palace Music built a cult following through word of mouth, while 2024’s Are You There God? It’s Me, @ saw the pair push further into electronic territory without sacrificing the emotional intimacy that defines their songwriting.

Now signed to legendary independent label 4AD, Autosmile feels like the moment everything clicks into place. The album promises eleven tracks that drift effortlessly between fragile folk, experimental pop, progressive flourishes and moments of crushing emotional weight—all while refusing to explain themselves.

It’s music that rewards curiosity over instant gratification, embracing contradiction at every turn. Beautiful but unsettling. Delicate yet unpredictable. The kind of record you’ll still be unpacking long after the first listen.

Autosmile lands October 16 via 4AD

Pre-order / Pre-save Autosmile: https://at-songs.ffm.to/autosmile

@
Website | Instagram | Twitter | Bandcamp

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Music News

Public Works Bottles the Chaos of a Summer Breakup on Explosive New Single ‘Sunburn’

by the partae August 5, 2026
written by the partae

Some songs feel like summer. Others feel like the aftermath.

Public Works lands somewhere in between on ‘Sunburn’, a high-energy emo-rock release that pairs massive hooks with the kind of brutal honesty that’s impossible to fake. It’s loud, catchy and packed with the emotional fallout of a relationship that unravelled in real time.

Released via Hopeless Records, Sunburn starts with memories of reckless nights at a beach bar in Seaside Heights, New Jersey, before taking an unexpected turn into deeply personal territory. What began as a song about summer quickly became something much closer to home.

Reflecting on the track, Public Works shared:

“At first, we wrote this song about a beach bar in Seaside Heights, NJ. I used to have some really great and ugly summer nights there… I’m half the reason they took the stall doors off in the men’s bathroom. About halfway into the song, I realised Sunburn became more about someone in particular. Unbeknownst to myself, I was writing this song about my girlfriend at the time… who was sitting right next to me in Chris Freeman’s studio. So while this may be my catchiest song yet, it’s bittersweet. Sunburn is the reason I’m single.”

Behind Public Works is New Jersey artist Jacob Dietrich, whose songs blend pop-punk urgency with blue-collar storytelling and deeply personal lyricism. Whether he’s writing about sobriety, chasing something bigger than his hometown or navigating life’s messy moments, there’s an authenticity that cuts through every release.

Following his recent signing to Hopeless Records, Sunburn marks another step forward for the rising artist, delivering a track that feels equally at home blasting through festival speakers or soundtracking a late-night drive with the windows down.

If this is a sign of what’s still to come, Public Works is only just getting started.

LISTEN HERE

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Festival NewsMusic News

#1 Dads Announces First Australian Tour in Six Years Alongside New Album Every Little Fire

by the partae August 5, 2026
written by the partae

After six years away from Australian stages, #1 Dads is heading home.

The solo project of Tom Iansek returns this October and November for an extensive regional Australian tour celebrating the release of his fourth album, Every Little Fire, arriving October 16 via Pieater. Spanning 17 intimate shows across Queensland, New South Wales, Victoria, Tasmania, South Australia, Western Australia and the ACT, the tour marks Iansek’s first local run since relocating to the UK.

Rather than a full-band production, these performances will see Iansek take the stage alone, revisiting favourites from across the #1 Dads catalogue while introducing new material from what is shaping up to be his most personal record yet.

Speaking about the tour, Iansek said:

“As you may already know I moved to the UK a few years ago but I have thoroughly missed Australia and I have really missed being on the road. I’ve missed the pre-show nerves, chatting to people after shows, the Hume, coffee and car tunes, finding the best place to eat. This tour is special as I’ll be performing by myself, which is fairly new to me and certainly new to #1 Dads, the beauty of this means that I can take the show well off the beaten path, which you can see from all the amazing regional dates. I’m so stoked to be performing all of these shows, playing some new tunes from the album (along with some classics) and I hope you can make it along to one. There’ll be an array of merch too which has all been designed by me.”

Best known as one half of Big Scary and No Mono, Iansek has spent more than two decades shaping Australian independent music, while also producing and collaborating with artists including Maple Glider, Kate Miller-Heidke, The Paper Kites, Ruby Gill and Lisa Mitchell.

His return as #1 Dads follows a period of major personal change, including relocating from Melbourne to London and starting a family. Those experiences form the foundation of Every Little Fire, an album written, produced and mixed by Iansek in small home studios, embracing imperfections, longer takes and a stripped-back recording process that mirrors its deeply reflective themes.

Lead single Already Something offers the first glimpse into the new record, with the album continuing the thoughtful songwriting and understated arrangements that have defined the #1 Dads project since its 2011 debut.

Tour

22 October – Mapleton Pub, Mapleton QLD

23 October – Junk Bar, Brisbane QLD

24 October – The Citadel, Murwillumbah NSW

25 October – Elm House, Mt Glorious QLD

29 October – The Eltham, Eltham VIC

30 October – Bellingen Golf Club, Bellingen NSW

5 November – Lansdowne Hotel, Sydney NSW

6 November – Grand Junction Hotel, Maitland NSW

7 November – The Servo, Port Kembla NSW

12 November – Altar, Hobart TAS

13 November – The Church, Geelong VIC

14 November – Old Stone Hall, Beechworth VIC

21 November – Brunswick Ballroom, Melbourne VIC

26 November – Gang Gang, Canberra ACT

27 November – Grace Emily, Adelaide SA

28 November – Mojo’s, Fremantle WA

Tickets available via musicyourdadmakes.com

#1 DADS
Every Little Fire LP
October 16 via Pieater
PRE-SAVE HERE

‘Already Something’ is out now, buy/stream it here.

Tickets go on sale Thursday 6 August at 9am AEST via musicyourdadmakes.com, with Every Little Fire arriving on October 16 through Pieater.

 

Stay connected with #1 Dads:
23 Profile | Website | Facebook | Instagram | YouTube

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Festival NewsMusic News

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour to Australia This November

by the partae August 5, 2026
written by the partae

Fresh off the release of their acclaimed second album WHO ASKED?, Grammy-nominated duo DOMi & JD BECK are heading back to Australia this November for three intimate East Coast headline shows.

Known for effortlessly blurring the lines between jazz, hip-hop, funk, electronic music and improvisation, the French keyboard virtuoso and Texas-born drumming phenomenon have built a global following through fearless musicianship and performances that are impossible to predict. Returning for the first time since 2024, the duo will perform in Melbourne, Sydney and Brisbane as part of their WHO ASKED? Australian Tour.

Released via Anderson .Paak’s APESHIT label and Blue Note, WHO ASKED? expands on the foundations of their Grammy-nominated debut NOT TiGHT. Across 15 tracks, the album explores orchestral arrangements, intricate compositions and vocal performances from both artists while continuing to challenge genre conventions.

“the virtuoso jazz-and-beyond duo re-emerges with ever more intricate songs” – The New York Times

“meticulously pieced-together, simplistic, and bold sophomore effort” – Glide Magazine

Since forming in 2018, DOMi & JD BECK have become one of modern music’s most distinctive instrumental acts. Their viral reinterpretations of jazz classics, collaborations with Anderson .Paak, Thundercat, Ariana Grande and Mac DeMarco, acclaimed NPR Tiny Desk Concert, and television performances on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! have cemented their reputation as artists who continually push musical boundaries.

DOMi & JD BECK
​WHO ASKED? AUSTRALIAN TOUR
​NOVEMBER 2026
​
Presented by Frontier Touring & Penny Drop

FRONTIER MEMBER PRESALE
​
Via frontiertouring.com/domiandjdbeck
​Runs 24 hours from: Thursday 6 August, 11am AEST
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 7 August, 12pm AEST
​

Tuesday 10 November
​170 Russell | Melbourne VIC
​
moshtix.com.au

Thursday 12 November
​Metro Theatre | Sydney NSW
​
ticketek.com.au

Friday 13 November
​The Triffid | Brisbane QLD
​
moshtix.com.au

Whether you’re a longtime jazz fan or simply love artists who refuse to stay in one lane, DOMi & JD BECK’s Australian return promises an evening of technical brilliance, fearless improvisation and music that constantly keeps audiences guessing.

August 5, 2026 0 comments
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Festival NewsMusic News

Northlane Announce New Album ‘Anemoia’ + Australian Headline Tour

by the partae August 5, 2026
written by the partae

Australian heavy music trailblazers Northlane have revealed their visceral new single “CUT_it”, lifted from their forthcoming album, Anemoia, out October 30 (Independent / Immortal Music Group). To celebrate the release of their seventh record, Northlane will embark on their biggest Australian headline tour of their career this November.

Anemoia’s second suffocating track “CUT_it” encapsulates the bone-weariness of total burnout. Driven by a low-end groove that bends and bows under the unrelenting weight of exhaustion, Marcus Bridge flexes a new menacing side of his huge vocal range before the song erupts into merciless heaviness.

“CUT_it is about burnout – the feeling of grinding through things when you’re completely spent, mentally and physically. The imagery is deliberately visceral, painting a picture of that exhaustion rather than analysing it,” says Bridge.

Across a career defined by seismic shifts, Northlane have stared down technological anxiety, alienation and collapse, channelling it into a highly influential body of work that is as expansive as it is confrontational. With the world in dire straits, it would have been easy for them to descend into the void on album number seven. Instead, they emerged from the studio with their most hopeful and human record yet.

Executive produced by Jordan Fish, the idea for Anemoia was sparked by a mind-altering set from UK producer and DJ Evian Christ, which inspired songwriter/guitarist Jon Deiley to explore how trance – in all its emotional intensity and physical scale – could work naturally with guitars and the catharsis of heavy music. Throughout the album, Northlane’s hallmark electronic metal takes on many forms, shapeshifting through euphoric trance, seismic breakdowns, brain-bending grooves, drum-and-bass, jungle and pop, coalescing into Northlane’s own sonic singularity.

Following on from their #1 album Obsidian (2022), Anemoia toys with the concept of feeling nostalgia for a time or place one has never known. This yearning opens up a dichotomy of darkness and light, where the sense of freedom of eras past buoys a carefree energy running through tracks like first single “Evian”, while feelings of anger and despair come roaring back when the present day shatters the reverie, leading to some of Northlane’s heaviest moments since their first EP.

“There’s darkness here, but it’s not nihilism – and there’s hope, but it’s not naivety,” adds Bridge.

More than 15 years into their career, Northlane continue to stand at the forefront of heavy music globally with a singular sound that shifts the genre’s landscape with every release. With multiple chart-topping albums, awards and over 500 million streams, the band has built a legacy defined by the restless pursuit of innovation. On Anemoia, they have not chosen between the worlds that shaped them – they have finally found where they meet.

Northlane will bring Anemoia to stages across Australia this November for their biggest headline tour to date, joined by After The Burial (USA), Cenobia and Above, Below.

Tickets are on sale August 13 via destroyalllines.com

NORTHLANE

ANEMOIA AUSTRALIAN TOUR

With Guests After The Burial (USA), Cenobia and Above, BelowPresale begins Wednesday 12 August @ 11am AEST. Sign up for access here

Tickets are on sale Thursday 13 August @ 11am Local via destroyalllines.com

Thursday November 5
Metro City, Perth – 18+

Saturday  November 7
Festival Hall, Melbourne – LIC AA

Sunday  November 8
Thebarton Theatre, Adelaide – LIC AA

Wednesday November 11
Enmore Theatre, Sydney – LIC AA

Friday November 13
Bar On The Hill, Newcastle – 18+

Saturday November 14
Fortitude Music Hall, Brisbane – LIC AA

NORTHLANE – ANEMOIA

Out October 30 via Independent / Immortal Music Group
STREAM | SAVE

FOLLOW NORTHLANE
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Festival NewsMusic News

OCEAN SLEEPER Announce Exclusive VIP Pre-Release Parties For Album ‘Peace When I’m Dead’ Out 28 August

by the partae August 5, 2026
written by the partae

Regional kings of Gippsland, Australia, Ocean Sleeper, announce a series of exclusive VIP pre-release parties set for the week leading into the release of their sophomore album Peace When I’m Dead – out August 28 (via BMA Australia/Rise Records).

The parties will give VIP ticket holders an exclusive first listen to the album, followed by a Q&A with the band There’s exclusive attendee-only merch on offer too – including limited-edition t-shirts embedded with an NFC tag that unlocks the album.

PEACE WHEN I’M DEAD PRE-RELEASE PARTY DATES:
Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

VIP tickets to these exclusive events are strictly limited, with no further releases once sold out. Tickets can be purchased now from HERE.

Ocean Sleeper ripped into 2026 as a band transformed – sharper, heavier, and more emotionally resonant than ever before. This year is proving to be their most ambitious and exciting yet, with fans treated to three explosive, defiant, and powerful singles: ‘Break The Cycle’, ‘Peace When I’m Dead’ and ‘My Forever Drug’.

Across those three singles, the band have gained serious traction both at home and abroad. Locally, support has poured in from triple j, Blunt Magazine, Roguenjosh, and Heavy Mag, while at US radio ‘Break The Cycle’ landed as the 17th most played song on SiriusXM Liquid Metal. Globally, the band have racked up hundreds of thousands of streams across DSPs, backed by playlist additions from All New Rock (FR), The Core (US), All New Metal (US), Hard Rock (US), and Rock Out (AU) – plus a cover feature on Homegrown (Spotify), a spot on Apple’s global New Music Daily, and multiple placements on Spotify’s global New Music Fridays.

Capturing the weight of grief, guilt, and regret, Peace When I’m Dead showcases Ocean Sleeper’s ability to vulnerably explore the darker corners of the human experience, confronting inner turmoil, depression, and profound emotional lows head-on. In acknowledging, expressing, and releasing these deeply felt emotions, the album channels a rare sense of catharsis and connection.

“This band has never been afraid to dive into the darker parts of our lives, and this album is no exception,” says Karl Spiessl, lead vocalist. “At its core, the record explores the ongoing battle we have with ourselves – that constant inner struggle that can feel endless. It’s about coming to terms with the idea that this conflict may always be part of the human experience, and learning to accept that reality.”

September will see Ocean Sleeper embark on their most ambitious tour yet: the Peace When I’m Dead Tour, presented by New World Artists and Fireball AU. Marked as their biggest national headline run to date, the tour kicks off at Liberty Hall in Sydney on Friday 4th September, hits The Princess Theatre in Brisbane on Saturday 5th (SOLD OUT), Magnet House in Perth on Thursday 10th, Hindley St Music Hall in Adelaide on Friday 11th, and closes with a massive home-state show at the Forum in Melbourne on Saturday 12th September. With Brisbane already sold out, remaining tickets for the other dates are moving fast. Grab yours HERE.

The Peace When I’m Dead Tour is just one chapter in a mammoth global run that will see Ocean Sleeper play 82 shows between now and February 2027. June and July bring support dates with Nevertel and the band’s first-ever headline shows across the UK and Europe, followed by the Australian Peace When I’m Dead Tour in September. From there, Ocean Sleeper return to the US with Nevertel, join Parkway Drive’s Hellbound Cruise in October, and kick off 2027 supporting Catch Your Breath throughout Europe and the UK.

Don’t miss Ocean Sleeper’s unique blend of crushing metalcore intensity married with deeply personal lyricism and huge melodies at the Peace When I’m Dead Pre-Release Parties. And don’t forget to grab your tour ticket before they’re all gone!

Peace When I’m Dead (album)
Out 28 August
PRE-ORDER, PRE-SAVE

‘Break The Cycle’
LISTEN | WATCH

‘Peace When I’m Dead’ (single) 
LISTEN | WATCH

‘My Forever Drug’ 
LISTEN | WATCH

PEACE WHEN I’M DEAD PRE-RELEASE PARTIES 
TICKETS HERE

Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

OCEAN SLEEPER TOUR DATES 
All Shows – TICKETS HERE

Peace When I’m Dead National Tour – 2026 
presented by New World Artists and Fireball AU

Friday 4 September Liberty Hall – Sydney, NSW – TICKETS – (FINAL TICKETS)
Saturday 5 September – The Princess Theatre – Brisbane, QLD – (SOLD OUT)
Thursday 10 September – Magnet House – Perth, WA – TICKETS
Friday 11 September – Hindley St Music Hall – Adelaide, SA – TICKETS – (FINAL TICKETS)
Saturday 12 September -Forum – Melbourne, VIC – TICKETS

NORTH AMERICA 2026 – Supporting Nevertel
Fri Sep 18 — Louisville, KY — Louder Than Life (festival)
Sat Sep 19 — Grand Rapids, MI — Elevation
Sun Sep 20 — Detroit, MI — The Sanctuary
Tue Sep 22 — Omaha, NE — Waiting Room
Wed Sep 23 — Denver, CO — Marquis Theatre
Fri Sep 25 — Houston, TX — Studio at Warehouse Live
Sat Sep 26 — Austin, TX — Come and Take It Live
Sun Sep 27 — Dallas, TX — House of Blues
Tue Sep 29 — Memphis, TN — 1884
Thu Oct 1 — Columbus, OH — A&R Bar
Fri Oct 2 — Pittsburgh, PA — Preserving
Sat Oct 3 — Cleveland, OH — Grog Shop
Sun Oct 4 — Buffalo, NY — Electric City
Tue Oct 6 — Syracuse, NY — The Song & Dance
Thu Oct 8 — Worcester, MA — Upstairs at Palladium
Fri Oct 9 — New York, NY — Gramercy Theatre
Sat Oct 10 — Allentown, PA — Arrow
Sun Oct 11 — Hampton Beach, NH — Wally’s
Tue Oct 13 — Johnson City, TN — Capones
Wed Oct 14 — Charleston, SC — Music Farm
Fri Oct 16 — Birmingham, AL — Workplay
Sat Oct 17 — Nashville, TN — Ceremony Fest (festival)
Sun Oct 18 — Atlanta, GA — Masquerade

INTERNATIONAL WATERS with Parkway Drive
Thurs Oct 22 — HELLBOUND CRUISE FESTIVAL
Fri Oct 23 — HELLBOUND CRUISE FESTIVAL
Sat Oct 24 — HELLBOUND CRUISE FESTIVAL

Europe/ UK 2027 – Supporting Catch Your Breath
Wed Jan 13 — Dublin, Ireland — The Academy
Fri Jan 15 — London, UK — Electric Ballroom
Sat Jan 16 — Manchester, UK — Manchester Academy 2
Sun Jan 17 — Glasgow, UK — Garage
Tue Jan 19 — Birmingham, UK — XOYO
Wed Jan 20 — Bristol, UK — Bristol Electric
Fri Jan 22 — Frankfurt am Main, Germany — Batschkapp
Sat Jan 23 — Berlin, Germany — Columbia Theater
Sun Jan 24 — Prague, Czechia — Roxy
Mon Jan 25  — Vienna, Austria — Arena
Wed Jan 27 — Milan, Italy — Santeria Toscana 31
Fri Jan 29 — Cologne, Germany — Carlswerk Victoria
Sat Jan 30 — Munich, Germany — Backstage
Sun Jan 31 — Zurich, Switzerland — Dynamo
Tue Feb 2 — Paris, France — Trabendo
Wed Feb 3 — Sint-Niklaas, Belgium — De Casino
Fri Feb 5 — Stuttgart, Germany — Im Wizemann
Sat Feb 6 — Hamburg, Germany — Grosse Freiheit 36
Sun Feb 7 — Utrecht, Netherlands — Ronda\
Tue Feb 9 — Copenhagen, Denmark — Pumpehuset
Wed Feb 10 — Oslo, Norway — John Dee
Thu Feb 11 — Stockholm, Sweden —Debaser Strand
Sat Feb 13 — Helsinki, Finland — Tavastia
Sun Feb 14 — Tallinn, Estonia — Helitehas
Mon Feb 15 — Riga, Latvia —Riga, Melna Piektdiena
Wed Feb 17 — Warsaw, Poland — Progresja

Praise for Ocean Sleeper: 

“Production is so so good… I feel like this is one of those bands that could be the future of Aussie metalcore.” Roguenjosh

““The quality of this new material speaks for itself….this is only the tip of the iceberg – lots more to come!” – Jack Bergin triple j CORE 

“…the Victoria-based outfit has taken this newfound popularity in their stride, delivering an energetic and visually epic showcase to a loyal onslaught of fans.” – Wall of Sound

“From Karl Spiessl using every inch of the stage to his advantage to Stan Liagourdis twirling his guitar mid-set, they’re never anything less than captivating to watch.” – Heavy Mag

OCEAN SLEEPER 
Website | TikTok | Instagram | Spotify | YouTube | Apple Music | Facebook | X

August 5, 2026 0 comments
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Festival NewsMusic News

Amyl and The Sniffers Announce Country Concert Film “Truth Or Consequence” – Limited Theatrical Screenings and Live Album

by the partae August 4, 2026
written by the partae

Amyl and The Sniffers announce the impending release of a live album and film, but in classic Sniffers style, this is anything but a conventional live record.

In April last year the band set up with a group of friends at the iconic El Coyote Mexican Restaurant in LA to film and record a one of a kind performance – reimagining their songs as stripped back, country versions.
As well as some fan favourites, the set features two unreleased songs and a cover of Slim Dusty’s ‘Lights On The Hill’.
Intimate, loose and full of fun, the performance captures the band in a way audiences have never seen before. Interspersed with candid behind the scenes moments, Truth Or Consequence is essential viewing for fans and anyone who likes a good time.

“The hope for this record is that it is listened to as it was made, in a ruckus exclamation between a cherished group of friends.” – Amyl and The Sniffers

FIND A THEATRICAL SCREENING NEAR YOU HERE
PRE ORDER THE ALBUM HERE 

Amyl and The Sniffers have become one of Australia’s most successful bands since forming in Melbourne a decade ago. Renowned for their explosive live performances, uncompromising songwriting and fiercely independent spirit, the four-piece have built a global following through relentless touring and an unforgettable stage presence.
Since the release of their third album, Cartoon Darkness, in 2024, the band have barely stopped touring. They’ve performed at some of the world’s biggest festivals, including Glastonbury, Primavera Sound, Roskilde, Pukkelpop and Lollapalooza, shared stages with AC/DC, Foo Fighters and Green Day, and completed multiple headline tours across the US, UK, Europe and Australia, continuing to reach new heights with each show.
Cartoon Darkness also marked a new peak in the band’s critical acclaim, earning four ARIA Awards, including Album of the Year, Best Group and Best Rock Album, as well as Grammy and BRIT Award nominations.

Truth Or Consequence is out on vinyl and streaming services on Sept 4

And will have Australian national cinematic release from August 28

amylandthesniffers.com // Facebook // youtube // Instagram

August 4, 2026 0 comments
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Alex Lahey Revisits Her Breakthrough Debut EP ‘B-Grade University’ a Decade On – With Tegan and Sara Along for the Ride + Australian Tour Announced

by the partae August 4, 2026
written by the partae

Ten years is a long time in indie rock. Long enough for a scrappy Melbourne songwriter’s debut EP to become a coming-of-age touchstone, and long enough to justify bringing it back with a few surprises tucked inside.

Alex Lahey has announced B-Grade University (Reunion Edition), a 10-year anniversary reissue of her breakout debut EP, landing July 17 via Dead Oceans. The reissue arrives with a freshly re-recorded version of the EP’s standout single, “You Don’t Think You Like People Like Me” — this time featuring Canadian duo Tegan and Sara — plus a run of solo U.S. tour dates set for July.

Back when B-Grade University first dropped, it made real noise: Entertainment Weekly tagged Lahey as an artist “Breaking Big,” Stereogum named her one to watch, and Pitchfork handed “You Don’t Think You Like People Like Me” a Best New Track nod, praising the way her words tumble out with breathless, vulnerable ease. NYLON zeroed in on the EP’s tight 18-minute runtime, calling out its knack for capturing the messiness of modern romance and the strange comedy of heartbreak, drawing comparisons to Car Seat Headrest and Bully along the way.

For Tegan and Sara, the reunion has a full-circle quality. The duo remembers watching Lahey perform the track from the side of the stage on a joint tour a decade ago, and now they’re the ones singing on it. They’ve been open about admiring how Lahey’s talent as a songwriter is matched by her offbeat sense of humor — and about staking an early claim as fans, well before the rest of the world caught on.

Lahey herself has described the writing of the original EP in vivid, personal terms — sitting in her childhood bedroom at her mum’s house, watching Melbourne’s skyline creep further into view, and selling her car to scrape together studio time. She’s said the songs changed the course of her life entirely, carrying her to places she never imagined and connecting her with people who found their own stories inside them.

What’s on the reissue

Alongside the four original B-Grade University tracks, the Reunion Edition folds in re-recordings of “You Don’t Think You Like People Like Me” and “Let’s Go Out,” alternate versions of “Wes Anderson” and “Let’s Go Out” pulled from Lahey’s 2020 Between the Kitchen and the Living Room EP, and a 2017 live-in-studio recording of “You Don’t Think You Like People Like Me” from triple j’s Like A Version. A limited vinyl run is available for pre-order now.

Full tracklist:

Ivy League

Let’s Go Out

Wes Anderson

You Don’t Think You Like People Like Me

L-L-L-Leave Me Alone

You Don’t Think You Like People Like Me (feat. Tegan and Sara)

Let’s Go Out (feat. Slowly Slowly)

Wes Anderson – Bathroom Version

Let’s Go Out – Bedroom Version

You Don’t Think You Like People Like Me (triple j Like A Version)

TOUR

Lahey will mark the anniversary with shows on both sides of the Pacific. Back home, the B-Grade University Reunion Tour touches down in Brisbane, Melbourne, Sydney, Perth, and Adelaide in late August:

Thu Aug 20 — The Triffid, Brisbane

Fri Aug 21 — Corner Hotel, Melbourne

Sat Aug 22 — Manning Bar, Sydney

Fri Aug 28 — The Rosemount Hotel, Perth

Sat Aug 29 — Jive, Adelaide

All tickets at www.alexlahey.com.au  Threekingstouring.com.au

VINYL ORDER – Alex Lahey – B-Grade University – EXCLUSIVE SPLATTER Reunion Edition Vinyl LP

Alex Lahey Online:
Website | Instagram | Facebook | X | TikTok | Substack | AL, Kate & All Their Mates

August 4, 2026 0 comments
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Festival NewsMusic News

Fool Nelson – Announce AUS Tour Dates + Share Music Video

by the partae August 2, 2026
written by the partae

n a breakout ’25 landing in triple j‘s Hottest 200, a slew of sold out shows across the nation, West Coast favs Fool Nelson have powered through the year with a sold out London debut headline, notched tastemaker festivals The Great Escape, London Calling, Dot To Dot, Liverpool Sound City and performed live on Dutch powerhouse radio station 3FM.

Today the trio announce a special run of intimate Australian dates, tied around their performance at the iconic Yours & Owls Festival this October. Coinciding with the drop of shows, they share a nostalgic clip for their latest BBC Radio 1 and BBC 6 Music supported single, ‘Keepsake’. With the band noting:

“This song is for our loved ones, but the clip is for every single person that’s come to a show, said g’day, shed a tear in the mosh, or crowdsurfed and lost their shoes. The vid was shot by our mate Andrew Briggs on our last run of shows across the country. It’s pretty special to have something to look back on, something that captures that tour and almost feels like a nostalgic recap of a family holiday. We’re so grateful to be able to play shows all around the place and can’t wait to get back on the road and do what we love.”

The past 12 months has seen the band crack triple j’s Hottest 200 at #154, supported luminaries Spacey Jane, Skegss, Old Mervs, and ticked-off Rolling Sets Festival, The Great Escape, Wave Rock Weekender and Rum Jungle‘s festival ‘New For Now’. The trio were noted as ‘Ones To Watch’ and selected as the Unearthed Competition Winner for triple j’s One Night Stand in their hometown of Busselton (the only ever act to win an Unearthed Competition, twice).

 

‘Keepsake’ Music Video. Shot by Andrew Briggs.

Show-stopping and chart-topping, ‘Bad Dreams’ hit #1 Most Played on triple j for multiple weeks, with previous singles all in the Top 10 at the station. Releases have climbed National Shazam Charts, and locally in Perth, Adelaide and Melbourne, and have been widely embraced by Australian radio. The WA group were cover stars of ‘Rock Out.‘ on Spotify and have had continued support, added to countless Apple Music and Spotify playlists across the globe.

‘Keepsake’ + ‘Bad Dreams [Deluxe]’ EP is available worldwide now via AWAL
Tickets on Sale Now

FOOL NELSON

‘KEEPSAKE’ TOUR DATES
Tickets available at foolnelson.com.au

FRI 2 OCT | THE BRIGHTSIDE, MAGANDJIN/BRISBANE QLD
SAT 3 OCT | METRO SOCIAL, EORA/SYDNEY [AA] NSW
SUN 4 OCT | YOURS & OWLS FESTIVAL, DHARAWAL/WOLLONGONG NSW
FRI 9 OCT | JIVE, TARNDANYA/ADELAIDE SA
SAT 10 OCT | NORTHCOTE SOCIAL CLUB, NAARM/MELBOURNE VIC
SAT 17 OCT | INDIAN OCEAN HOTEL, BOORLOO/PERTH WA
SAT 24 OCT | THE Y HQ [U18], BOORLOO/PERTH WA

FOLLOW FOOL NELSON
INSTAGRAM | TIKTOK | TRIPLE J UNEARTHED | WEBSITE
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE

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