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Can you share the story behind the creation of “Bandit” and what initially drew you to this song?
“Bandit” was written by Amanda Couture and The Renaissance (Dan Botch and Garrett Ward) a few weeks before they sent the demo. They sent me the song, wondering what my thoughts were; I immediately fell in love. Amanda made a fantastic demo of “Bandit” that was hard to get out of my head – I knew this song was special to me. We used the demo for guidance during production. As soon as I heard it, we started planning production. During production, I sent some references from artists such as Noah Cyrus.
How did the collaboration with Amanda Couture and The Renaissance come about, and what was it like working with them on “Bandit”?
My producers are great at connecting with other artists and are open to working with many different types of artists. They are both songwriters and like to co-write with other people. On one of their co-writes with Amanda, an artist they had written with before, “Bandit” came out of it. The whole team on this song is fantastic. I was so grateful to be an artist on this song and felt super honoured to be a part of it. The Renaissance are the real deal, I can’t wait to make more music with them; every time we create together, it feels authentic and fun!
The production of “Bandit” highlights your heartfelt vocals and layered harmonies. Can you describe the recording process and how you achieved this sound?
Recording with the Renaissance is always such a good time. I love creating and working with them. A lot of the magic happens naturally in the room, while others happen by preparing. Before coming into the studio, I was listening to some artists like Noah Cyrus, who put a lot of emotions into their music, and I knew a lot would come down to vocal delivery and the use of harmonies. A lot of influence also came from Amanda’s demo; we all loved what she was offering the song and felt that there was so much beauty already there. We were intentional with where we placed the harmonies and when and where I would switch from a chest voice, mid-range and to head voice. This song is very dynamic, which is one of the many reasons I love it.
The steel guitar plays a significant role in the track. Why was it important to include this instrument, and how do you feel it enhances the song?
I love steel guitar. It brings parts of the song that some people might have missed to life. Steel guitar also adds country elements to the music, complementing the vocal melody and harmonies well.
The music video for “Bandit” was directed by Max Chadwick. Can you talk about the vision behind the video and how it complements the song’s theme?
While creating the music video for “Bandit,” we kept the idea of simplicity in mind. I wanted the main focus to be on me while filming so the viewer could see how I connected to the song. I kept envisioning myself being free in various landscapes while singing. Max did a great job captivating so many memorable moments. Before filming, we discussed this. I also sent him a bunch of references from other artists, including the colour, texture, angles, time of day, and different landscapes. I believe the song is great on its own; it needed more of a visualizer, which we accomplished while shooting the video.
You mentioned that “Bandit” is about wanting and desire expressed in a cheeky and fun style. How do you convey these emotions through your performance in both the song and the video?
I used many expressions in the video. There wasn’t much acting, as this is typically how I sing live. I love connecting with the music while singing; for me, it is getting into the song through body language, facial expression, and vocal delivery and knowing when to sing softer or pour more depth into the lyrics and melody by opening up more while singing.
With over 75K Spotify streams and placements on major editorial playlists, how do you feel about the reception “Bandit” has received so far?
Whenever I release a song, I never know how or who it is going to resonate with, and I am so happy to see how people are connecting with it; watching “Bandit” get picked up by editorial playlists is such an incredible feeling and means the world to independent artists as it helps us reach a bigger audience, it has also been surreal to hear the feedback from my friends and family. They have been supporting me for so long. Having them love my music is the best feeling in the world. When “Bandit” came out, I instantly got messages from my friends saying how much they loved the song, which was such a fantastic feeling.
What was your reaction when you first heard the demo of “Bandit,” and how did that initial impression influence your approach to recording it?
When I first heard the demo, I fell in love with how Amanda conveyed this message of want and desire. I could listen to the emotions in her voice and storytelling. I wanted to capture all the special moments in the song like she did.
Can you discuss the lyrical storytelling in “Bandit” and how it captures the essence of romance and desire?
The song is creative in portraying someone as a “Bandit” who wants to love someone so badly that they will steal them away like a bandit in some old western-type movie would. The first verse in the song does a great job of setting this theme up:
“I’d pay the bail I’d do the time
I’d light the match I’d start fire
Find me standin’ at the scene of the crime
I’d do anything to make you mine”.
Cheeky lines like this help catch the essence of romance, desire and the characteristics of a bandit!
“Bandit” follows your successful single “What if I.” How do you see these two songs connecting or differing in terms of theme and musical style?
“Bandit” is more of a mid-tempo mysterious and haunting ballad, while “What if I” is an upbeat, optimistic and energetic song. However, the overall themes are very different, with “Bandit” being more about desire and “What if I” about chasing down all the “what ifs’ in life. Both songs share similarities about wanting something or someone.
How has your journey, including overcoming the challenges of your accident and surgery, influenced your music and the way you approach new projects like “Bandit”?
Life is precious, like music. Each time I start a new project or sit down and write, I capture a special moment of me in time. The accident taught me that life is fragile, but we don’t need to be afraid. Life is short, but I learned to go after things despite fear. Even though there were moments when the accident changed how I looked and felt about myself, I found this confidence in myself that was not there before. My experience also taught me to be open up and try new things. I started to get comfortable with being uncomfortable! These feelings have helped me navigate the struggles of learning new things, such as songwriting and creating with others.
What message or feeling do you hope listeners take away from “Bandit,” and how do you want it to impact their perception of love and romance?
Love and romance are always challenging, and they take time and effort. This song is about having fun while waiting in the unknown. The theme of want and desire is something many can relate to. Why not have fun with these feelings? “Bandit” is a cheeky song about all things romance, want and desire – we all have a little bandit in us!
As one of the Top 100 DJanes, Honey Gee has already established herself as the most booked Asian DJane in Germany. Continuously growing her fanbase across continents, the Bangkok-born and raised newcomer is now taking her career to the next level. Honey Gee is joining forces with the Finnish alternative rock band Poets of the Fall to give their 2012 original “The Happy Song” a new psy-trance-infused makeover.
Her “Psycho Mix” delivers everything the title suggests, with heavy basslines, an increased tempo, and altered vocals that create an entirely new vibe. This groundbreaking collaboration marks the first time a Top 100 DJane has partnered with such an iconic band.
Poets of the Fall, one of the most successful Finnish bands for over 20 years, have always been open to new musical adventures. They embrace the transformation of their song into a party anthem, now a staple in Honey Gee’s energetic sets across the globe. “We’re ready for the party,” says the band.
Honey Gee adds, “I am extremely thankful and happy to collaborate with these icons.” This unique partnership not only bridges genres but also showcases the innovative spirit of two distinct musical worlds coming together. The result is a track that’s poised to electrify dance floors and festival stages worldwide.
Keep an eye out for this dynamic remix, as it promises to be another highlight in both Honey Gee’s and Poets of the Fall’s illustrious careers.
Linkfire:
https://nitron.lnk.to/TheHappySong_PsychoMix
Recorded at Vancouver’s Afterlife Studios in 2023 alongside co-producer John Raham, “When You Unfold Your Love” is a finely crafted composition characterized by sweeping instrumentation that carries the listener on a sonic odyssey. Millard describes it as a reflection on the serendipity of discovering love and the journey of learning to trust. It marks a hopeful yet cautious start to a love story, celebrating the beauty of witnessing someone else’s joy. With support from a talented lineup of Vancouver musicians, Millard and Raham’s collaboration has yielded a work of spontaneous creativity that defies conventional genre boundaries.
Returning to music after a hiatus of seven years, formerly known as Miss Emily Brown, Millard’s return to songwriting follows extensive tours across North America and Europe. These experiences, shaped by personal challenges that prompted deep introspection and growth, led her to settle in Vancouver. Here, she found solace in pursuing a composition degree and nurturing her artistic community, providing fertile ground for her latest songs. This journey stands as a testament to Millard’s resilience and artistic evolution, inviting listeners into a contemplative exploration of love’s complexities within modern life’s tapestry.
Mosez Jones has JUST dropped his new LP “Safe In Solitude” – a master class in contemporary Hip Hop. Mosez, an avant-garde artist who defies conventional boundaries with his unique sonic identity and poetic songwriting, has firmly established himself as a name to watch. His music transcends styles and textures, blending seamlessly with his profound lyrics and versatile vocals. The debut of his solo single “Paperview” marked a pivotal moment in his career, setting the stage for his highly anticipated ELP. Known for his fearless approach to music-making, Mosez captivates audiences with compelling live performances that resonate deeply.
The genesis of “Safe In Solitude” coincided with a tumultuous period in Mosez’s life. In 2022, he found himself in solitude, grappling with the aftermath of his choices as his friends turned away and painted him in a negative light. At just 23, a year of introspection followed, supported by his partner and his music. Emerging as a rising star in the music industry, Mosez Jones embodies artistic integrity, prioritizing “music first” in every endeavor. Garnering acclaim from blogs and magazines, Mosez is on the brink of greatness, solidifying his status as a pivotal artist to watch.
Bass Music Powerhouse Midnight Tyrannosaurus Releases Multi-faceted 14-track “Life of a Street Rat” EP; Teases Forthcoming US Tour, 20-Minute Animated Episode to Accompany the EP, and more
Denver-based bass music titan – Midnight Tyrannosaurus, sets to embark on a groundbreaking sonic journey with the release of his highly anticipated concept album-alike EP, “Life of a Street Rat,” out now on July 17. This 14-track opus is more than just a collection of songs; it’s a fully realized universe brought to life through music, animation (out soon), and storytelling. The EP serves as the first chapter in a larger narrative, promising a multi-dimensional experience for fans. The EP’s release (out now) will be followed by an over-30-date US tour announcement to take place on July 19. Midnight Tyrannosaurus truly brings to life his gritty, bass-heavy sound with the addition of some very unique voiceover sampling that lends itself to the theme of the project. To further immerse listeners in this world, Midnight Tyrannosaurus is producing a captivating 20-minute animated episode that will be released mid-tour with a whole storyline behind it, full character sketches, and hired voice actors. In the meantime, get ready to be transported into the gritty yet enthralling sonic realm of “Life of a Street Rat.”
“The whole idea behind these last few releases is trying to bridge the gap between cartoons and dubstep. To tell a cohesive, digestible story that takes the listener on an audio journey utilizing dubstep as an anchor. Like an audiobook on crack. Then, when combined with animated visuals, it becomes a mini-movie with a musical focus.” – Midnight Tyrannosaurus
Midnight Tyrannosaurus, is a formidable presence in the dubstep scene. A powerhouse of bass-heavy beats and intense sonic landscapes. With a distinct style that blends relentless aggression with intricate sound design. Currently based out of Denver, Colorado, Midnight Tyrannosaurus has cultivated a loyal following through his signature sound, characterized by earth-shaking drops, eerie atmospheres, and primal energy. Mixed with a smattering of deeper sounds as well. His tracks, often featuring ominous themes and monstrous basslines, have earned him recognition across the electronic music community. Since his debut, over a decade ago, Midnight Tyrannosaurus has released numerous singles and EPs on prominent labels within the genre. Currently focusing on projects that push the boundaries of music alone by integrating complete storylines and visual accompaniment to tell his tale in a completely unique way. His ability to push the boundaries of dubstep while maintaining a raw and visceral sound has cemented his place as a pioneering figure in modern bass music. Beyond his studio work, Midnight Tyrannosaurus is known for delivering electrifying live performances. His shows are immersive experiences, blending heavy beats with dynamic visuals and intense stage presence to create a high energy atmosphere. As he continues to evolve his sound and his vision, Midnight Tyrannosaurus remains a driving force in dubstep, inspiring with his uncompromising approach to bass music.
Congratulations on the release of ‘I Fell For You (Again)’! Can you tell us about the inspiration behind this single?
The song centres around the struggle of being unable to let go and repeatedly falling for the same person, who complicates efforts to move on and find someone new.
The music video premiered at the St Kilda Film Festival. What was it like seeing your video on the big screen?
It was very emotional seeing the video on the big screen and seeing how far it has come since it was first written. It was great to see our hard work being recognised and I’m so grateful for the opportunity.
How did the collaboration with Clipped TV come about for the premiere of your music video?
My management team Evergreen artists submitted my music video to Clipped TV.
Your new single blends Pop, Indie Rock, and Country. How did you arrive at this unique fusion of genres?
I’ve grown up listening to a lot of country music and recently I’ve been listening to a lot of indie pop/indie rock music and wanted to create this new sound. My producer knew exactly what envisioned and brought this song to life.
You’ve mentioned influences like John Mayer, The 1975, LANY, and Ed Sheeran. How do these artists shape your music style?
Each of these artists has a unique style, yet I genuinely admire their sound. John Mayer has been and will remain a significant influence for me. I’m particularly impressed by The 1975’s production of their songs, and I aim to incorporate elements of their sound into my own. These artists all excel in creating music that is catchy, memorable, and relatable and I aspire to follow that path.
Can you walk us through the creative process of writing and recording ‘I Fell For You (Again)’?
It started off with the a simple pop progression for the chorus, followed by a repetitive melody and finally lyrics. Once I showed my producer I told him exactly what direction what I would like the song to go in and was produced exactly what I had envisioned. We closely worked together on how to phrase the lyrics to make it memorable for listeners.
Your song ‘Spend a Little Time With Me’ was in the Top 5 Songs of the Year in the RSOM community. How did this recognition impact your career?
Being recognized for my work was a major milestone that encouraged me to continue believing in myself. This opportunity and acknowledgment also enabled me to connect with other talented artists, expanding my network.
What message or feeling do you hope listeners take away from ‘I Fell For You (Again)’?
This song was written for those who are experiencing something similar or have been in a similar situation.
Your live performances are known for creating genuine connections with the audience. How do you achieve this level of engagement during your shows?
To achieve this level of engagement, I like to get the audience involved by teaching them a particular part of the song and get them to sing it which gives them a sense of importance. I try to incorporate a bit of comedy as well by cracking a few jokes or doing a skit.
As you continue to push musical boundaries, what are your future goals and what can fans look forward to next from Rance Lazarus?
My future goals include building a bigger fan base, place shows across the country and writing some more songs. There’s a lot to look forward to in the next year including some new songs and hopefully a national tour.
9 Years After Working with Hardwell, Wiwek Is Back on Revealed Recordings With His New Hard-Hitting Jungle Terror Single “Remedy”
After 9 long years, the Dutch DJ and super-producer Wiwek returns to Hardwell‘s Revealed Recordings with his new release “Remedy.” As the creator of his signature genre “jungle terror,” Wiwek truly brings the heat with this one; the track begins with a driving, minimal bassline and prominent whistle effects, then he turns things up a notch with multiple layers of adrenaline-inducing beats. The crescendo of “Remedy” has a nearly hardstyle flavor, making for a sinister sonic experience that’s bound to heat up the rest of the summer and beyond. Wiwek last released on Revealed Recordings in 2015 with his collaboration with Hardwell himself, “Chameleon,” and some listeners may even find the return ironic with the slightly nostalgic rave sound of “Remedy.” The single follows Wiwek‘s “Rush” (Rave Culture) and his “Jungle Terror vol. 5” EP (Barong Family) from earlier this year.
A true rebel with a cause, Wiwek isn’t just a DJ, he’s a genre pioneer. Carving out his own sonic space with “jungle terror,” a wild fusion of electronic madness, tribal percussion, and animalistic energy, Wiwek has soundtracked international films, collaborated with Skrillex on genre-bending anthems like “Killa,” and built his own creative haven, Maha Vana Records, a label that lets artists run wild. Fresh off his debut album “Cycles,” Wiwek is ready to unleash a new sonic adventure, one that promises to push boundaries and ignite dance floors. He’s also the mastermind behind the “The Free and Rebellious” EP, which became the soundtrack to a film shot in Bangkok, further solidifying his unique blend of music and storytelling. With a constant stream of new music and exciting projects brewing, 2024 is shaping up to be another explosive year for Wiwek.
Can you tell us about the inspiration behind your latest single, “Dream About You”?
Dream About You was lyrically inspired by the murkiness of modern relationships and how the unspoken is often more of what we experience than reality itself. Sonically, we were all collectively listening to a lot of pop and dance music at the time and I think with all of us in the band having simultaneously experienced relationship trials at the time, the song came together pretty naturally.
How did the recording process at The Grove Studios influence the sound of “Dream About You”?
We love recording at The Grove Studios, being able to stay at the same place you record creates an undeniable sense of calm and comfort which always makes for a better recording environment. Taking out the stress of commuting back and forth from the studio is always nice. Also being amongst nature and isolated from the hustle and bustle of the city makes it easy to lock in and focus on just recording music. We love the flavour that The Grove Studios has and the awesome gear they have makes it easy to get great sounds too.
What was it like working with Jack Garzonio and Steve Smart on mixing and mastering your single?
We’ve been working with both Jack and Steve for quite a few of our latest releases, they’re both amazing at what they do and very inspiring to work as you know you’ll get a great final result no matter what we throw at them.
“Dream About You” has been described as having a 70s Soft Rock influence. What artists or bands from that era inspire your music?
We all listen to a lot of different music so although 70s soft rock was definitely an influence on the track, there’s so many different artists from different eras that inspire our music. From that era specifically, we’ve been listening to quite a bit of Fleetwood Mac and Steely Dan so I’d say their influence definitely creeped into the track.
The themes in “Dream About You” revolve around modern romance. How do you approach writing about personal experiences in your music?
Personal experience is the cornerstone of what influences our music. We always strive to make our music genuine both lyrically and sonically and so inevitably personal experience plays a massive part in achieving that. I think being as open and honest as you can with your experiences in the writing process allows for people to connect and relate to it more with their own experiences too. I think the goal is to share something that everyone is feeling or experienced but hasn’t quite figured out how to express themselves.
You’ve supported acts like The Smith Street Band and Rum Jungle. How have these experiences shaped your development as a band?
We’ve been very fortunate to support so many amazing bands and it has definitely shaped our development. The live show has always been a massive part of what we do and it shapes our writing process as we often take into consideration how certain songs make people feel in a live setting or how they fit into the flow of our set. Supporting these bigger bands has allowed us to continue exposing our music to new audiences and continue to gain new reactions from people which in turn helps us to refine our set and musicianship. Also being able to watch all those awesome headline acts play their sets is very inspiring for us to continue to hone our craft and take it to the next level.
Your past single “Too Late Now” received extensive radio play. How does it feel to have your music so well received by local tastemakers?
It feels really great to know that people are connecting with our music and keen to share it! We love making music regardless of any external outcome but it’s always awesome when more people get to hear our music.
What can fans expect from your upcoming East Coast tour? Any special surprises or new songs?
We have a lot of unreleased material we’re working on that’s in our current set as well as the tracks people have come to know and love. We always love playing songs live before we record them to allow for them to fully develop, so you’ll be able to hear a healthy dose of what’s to come in our upcoming shows. We feel it’s a good mix of old and new so I think they’ll be something for everyone in these shows.
How has your sound evolved since your debut EP in 2021?
I think we’ve all developed our taste in music as well as songwriting since the first EP so I think our sound has naturally developed quite a lot. The first EP was fuelled by a lot of built up energy during the COVID lockdowns which resulted in a lot of riff based music. I think we’re all loving groove based music as well as a sound that is more pop focused at the moment and so that’s being reflected in the new music we’re creating. We always follow what’s genuine to us in our writing so inevitably our sound will continue to change as it continues to reflect us changing as people.
Can you talk about the creative process behind the single art for “Dream About You” by Jordy Rudan?
This was our first time working with Jordy and we were absolutely blown away with her amazing style of photography and process. We knew we wanted this cover art to be a photo of the band in some capacity and be a bit minimalistic to reflect the change in image and art style we were going for with our new music. We really wanted Jordy to do her thing within those outlines and so when we chose to do the shoot locally on the Northern Beaches, the natural landscapes ended up playing a massive part in the photos. Jordy has a great eye for what works and what doesn’t so she made it easy to get a great result that feels full but also quite minimal at the same time.
How do you balance your distinctive psych-pop sound with staying relevant in the ever-changing music scene?
It’s so easy to get lost in analyzing your sound and comparing it to what’s trending or popular in the current music landscape, but I think the less you get sucked into outside influence the better. People don’t know what they want until they hear it so by trying to give people what you think they want, it will always fall short. Genuine music is fundamentally what people connect with the most so we just try to make music that excites and connects with us the most, then in turn hopefully connects with other people too.
What’s next for Scatter Light after this tour? Are there any new projects or collaborations in the works?
We’ve got a bunch of great support slots as well as mini fest spots coming up over the winter/spring months which is exciting. We’ve also got quite a bit of studio time booked in too as we’re currently finishing off new music to build towards an album that should come out next year. We’re looking to release a couple more songs by the end of the year and do another big tour in the summer months to support the new singles so plenty happening to keep us busy!
‘DREAM ABOUT YOU’ SINGLE TOUR
Friday, July 19th Shark Bar Manly, NSW
Supports tba
Saturday, July 20th Dicey Rileys Wollongong, NSW
w/ Earl Grey & Kryver
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