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KATIE BROOKE SHARES SECOND STUDIO ALBUM ‘RELENTLESS’ + FORTHCOMING SHOW DATES

May 22, 2025

Fritz Kalkbrenner Unveils a Refined Evolution with ‘Can We Find A Way’

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The Voice Australia Winner Reuben De Melo Releases Debut Single “Slow”

May 22, 2025

SNOTTY NOSE REZ KIDS prepare to embark on 2025 AUSTRALIAN TOUR RED...

May 21, 2025

Hyoyeon joins &FRIENDS Festival lineup with Zedd, ILLENIUM, bbno$ and more this...

May 20, 2025

Dom Dolla Announces Sydney Stadium Show This December

May 20, 2025

Interview: Katie Brooke – Rooted, Resilient, and Relentless

May 20, 2025

Interview: Civic – Finding Peace in New Sounds

May 16, 2025

Chasing Ghosts ‘Therapy’ Album Review

May 16, 2025

Von Sharp Releases ‘More’

May 16, 2025
Monthly Archives

March 2020

James’ music roots through the reminiscence of Kurt Cobain, Tallest Man on Earth and Hollow Coves. To unwrap the meaning of the album we need to make our way through the deep, thick Scandinavian forest, into the wilderness until we reach front person James, fingerpicking the guitar along with his melancholic vigorous tunes to long for.  James wrote the album “An Ounce of Gold” during his three years of being A Choir Of Ghosts together with Canadian producer Terry Benn, each song displays both his ups as well as the downs, while spending several years trying to find his place in the world.  While his first single “Southwest of The Moon” acted as a letter of apology, both to himself to be stronger and asking forgiveness for the people he have hurt, his latest single “Sinner in Rapture” in James own words deals “the way all young people are set up to fail with the way society is built and how I didn't want to be a part of that capitalist machine”, making “An Ounce of Gold” a diary of the experiences and feelings he went through and that shaped his character. Following the release of the debut album, A Choir Of Ghosts will go on the album release tour in Europe. https://www.facebook.com/achoirofghosts/
Festival NewsMusic News

Alt-folk artist James Auger aka A Choir Of Ghosts releases his debut album “An Ounce of Gold” through Greywood Records on April 3rd.

by the partae March 31, 2020
written by the partae
James’ music roots through the reminiscence of Kurt Cobain, Tallest Man on Earth and Hollow Coves. To unwrap the meaning of the album we need to make our way through the deep, thick Scandinavian forest, into the wilderness until we reach front person James, fingerpicking the guitar along with his melancholic vigorous tunes to long for.

James wrote the album “An Ounce of Gold” during his three years of being A Choir Of Ghosts together with Canadian producer Terry Benn, each song displays both his ups as well as the downs, while spending several years trying to find his place in the world.

While his first single “Southwest of The Moon” acted as a letter of apology, both to himself to be stronger and asking forgiveness for the people he have hurt, his latest single “Sinner in Rapture” in James own words deals “the way all young people are set up to fail with the way society is built and how I didn’t want to be a part of that capitalist machine”, making “An Ounce of Gold” a diary of the experiences and feelings he went through and that shaped his character.

Following the release of the debut album, A Choir Of Ghosts will go on the album release tour in Europe.

Vinyl and CD available at: https://smarturl.it/aooglbm

https://www.facebook.com/achoirofghosts/
March 31, 2020 0 comments
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One of the biggest names in dance music, Netsky has crafted the highest calibre of electronic anthems for over a decade, spanning countless genres, countries, charts and dancefloors. Now, the Belgian prodigy who cut his teeth on Hospital Records in 2010, is returning to the genre that made him a house-hold name with his first solo D+B record in 5 years, ‘I See The Future In Your Eyes’.   A truly iconic artist for all manner of drum & bass fanatics across the globe, the unprecedented way that Netsky’s music resonates with audiences has never been matched. Having elevated himself to legendary status through tracks such as Pirate Bay, Iron Heart, Come Alive, Rio, Puppy, I Refuse and Drawing Straws, he released 2 D+B LPs during his tenure at Hospital Records and has remixed the likes of Ed Sheeran, Rusko, Jessie J, Plan B, Dua Lipa, Swedish House Mafia and countless more.   His accolades include a BBC Radio 1 Essential Mix, which was nominated for ‘Mix Of The Year’ in 2010, a ground-breaking and impressive live show which toured globally, and a brace of Top 30 LPs in the UK, with both hitting #1 spot in Belgium. Having performed headline spots at Tomorrowland, Let It Roll, SW4, Reading & Leeds, Printworks and Ultra Music Festival amongst many others, and toured across 6 continents with both a live show and his DJ production, few can match Netsky's extensive and high level touring schedule.   With this single, the sound that so many fell in love with has now returned, and with the future in his eyes with a broader project on the horizon, the best is still yet to come. ‘10 years ago, Hospital Records gave me an opportunity that changed my life and released my first album. In that 10 years I’ve been lucky enough to release 2 more albums, many singles and EP’s and toured all over the world. I've been blessed to work with amazing artists, producers and writers and experiment with different genres and influences. Over the last year I have found myself naturally coming back to producing Drum & Bass, and made perfect sense to me to release it with the label where it all began back in 2010. I can’t wait for everyone to hear what we’ve been working on, and I’m excited to kick it all off with this single.’ - Netsky.   ‘I’m delighted to be working on a brand new record with Netsky, especially in the 10 year anniversary of his Hospital debut. Boris has always been family to us, and his music is a special feature of our (almost) 25 year long catalogue… we can’t wait to unveil his brand new drum & bass in the coming months.” - Chris Goss (Co-founder of Hospital Records).
Music News

Netsky announces return to drum & bass with brand new single ‘I See The Future In Your Eyes’ released on Hospital Records

by the partae March 31, 2020
written by the partae

One of the biggest names in dance music, Netsky has crafted the highest calibre of electronic anthems for over a decade, spanning countless genres, countries, charts and dancefloors. Now, the Belgian prodigy who cut his teeth on Hospital Records in 2010, is returning to the genre that made him a house-hold name with his first solo D+B record in 5 years, ‘I See The Future In Your Eyes’.

A truly iconic artist for all manner of drum & bass fanatics across the globe, the unprecedented way that Netsky’s music resonates with audiences has never been matched. Having elevated himself to legendary status through tracks such as Pirate Bay, Iron Heart, Come Alive, Rio, Puppy, I Refuse and Drawing Straws, he released 2 D+B LPs during his tenure at Hospital Records and has remixed the likes of Ed Sheeran, Rusko, Jessie J, Plan B, Dua Lipa, Swedish House Mafia and countless more.

His accolades include a BBC Radio 1 Essential Mix, which was nominated for ‘Mix Of The Year’ in 2010, a ground-breaking and impressive live show which toured globally, and a brace of Top 30 LPs in the UK, with both hitting #1 spot in Belgium. Having performed headline spots at Tomorrowland, Let It Roll, SW4, Reading & Leeds, Printworks and Ultra Music Festival amongst many others, and toured across 6 continents with both a live show and his DJ production, few can match Netsky’s extensive and high level touring schedule.

With this single, the sound that so many fell in love with has now returned, and with the future in his eyes with a broader project on the horizon, the best is still yet to come.

‘10 years ago, Hospital Records gave me an opportunity that changed my life and released my first album. In that 10 years I’ve been lucky enough to release 2 more albums, many singles and EP’s and toured all over the world. I’ve been blessed to work with amazing artists, producers and writers and experiment with different genres and influences. Over the last year I have found myself naturally coming back to producing Drum & Bass, and made perfect sense to me to release it with the label where it all began back in 2010. I can’t wait for everyone to hear what we’ve been working on, and I’m excited to kick it all off with this single.’ – Netsky.

‘I’m delighted to be working on a brand new record with Netsky, especially in the 10 year anniversary of his Hospital debut. Boris has always been family to us, and his music is a special feature of our (almost) 25 year long catalogue… we can’t wait to unveil his brand new drum & bass in the coming months.” – Chris Goss (Co-founder of Hospital Records).

One of the biggest names in dance music, Netsky has crafted the highest calibre of electronic anthems for over a decade, spanning countless genres, countries, charts and dancefloors. Now, the Belgian prodigy who cut his teeth on Hospital Records in 2010, is returning to the genre that made him a house-hold name with his first solo D+B record in 5 years, ‘I See The Future In Your Eyes’.   A truly iconic artist for all manner of drum & bass fanatics across the globe, the unprecedented way that Netsky’s music resonates with audiences has never been matched. Having elevated himself to legendary status through tracks such as Pirate Bay, Iron Heart, Come Alive, Rio, Puppy, I Refuse and Drawing Straws, he released 2 D+B LPs during his tenure at Hospital Records and has remixed the likes of Ed Sheeran, Rusko, Jessie J, Plan B, Dua Lipa, Swedish House Mafia and countless more.   His accolades include a BBC Radio 1 Essential Mix, which was nominated for ‘Mix Of The Year’ in 2010, a ground-breaking and impressive live show which toured globally, and a brace of Top 30 LPs in the UK, with both hitting #1 spot in Belgium. Having performed headline spots at Tomorrowland, Let It Roll, SW4, Reading & Leeds, Printworks and Ultra Music Festival amongst many others, and toured across 6 continents with both a live show and his DJ production, few can match Netsky's extensive and high level touring schedule.   With this single, the sound that so many fell in love with has now returned, and with the future in his eyes with a broader project on the horizon, the best is still yet to come.  ‘10 years ago, Hospital Records gave me an opportunity that changed my life and released my first album. In that 10 years I’ve been lucky enough to release 2 more albums, many singles and EP’s and toured all over the world. I've been blessed to work with amazing artists, producers and writers and experiment with different genres and influences. Over the last year I have found myself naturally coming back to producing Drum & Bass, and made perfect sense to me to release it with the label where it all began back in 2010. I can’t wait for everyone to hear what we’ve been working on, and I’m excited to kick it all off with this single.’ - Netsky.   ‘I’m delighted to be working on a brand new record with Netsky, especially in the 10 year anniversary of his Hospital debut. Boris has always been family to us, and his music is a special feature of our (almost) 25 year long catalogue… we can’t wait to unveil his brand new drum & bass in the coming months.” - Chris Goss (Co-founder of Hospital Records).

March 31, 2020 0 comments
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Lockimara is a band of absolute units hailing from the icy hot annals of Montreal DIY. Fixated on using music as an outlet for fantasy world building; Lockimara mixes odd rhythms, simple melodies, and dreamy campfire storytelling as they blend together mantras of pop, folk, shoegaze, and math rock. They’re rising stars, hurling music into the void, hungry for the acclaim they rightfully deserve. But you be the judge, buster! Check out “Bullet,” one half of their new double single Dog Bite, releasing March 30th, 2020 on the Homie Shit Mag label. That is, if you’ve got the guts. Dog Bite was recorded by Alex Bingham in the basement of an apartment in Rosemont, Montreal over the course of three days. Album art was illustrated by Ore (@ore_ore_ore), additional vocals performed by Artemis Walden.  Description of track one, Bullet, by singer Nick Gay: This song is a narrative that is based on a fascination I have with World War Two and conflict in general. The lyrics take the listener to occupied France, where a boy waits for German soldiers to find him after his sister has failed to come back to their hideout in the woods. The song attempts to capture the internal struggle of the boy as he decides to fight back, despite his sister having told him not to before she left. I look forward to hearing what you think! Quotes from the band: "When I was writing the drum parts, I did my best to play something for the kids who need a little extra power in their life," says Luca Caruso-Moro, Lockimara's drummer. "Kids get bullied, pushed around. It's hard to grow up." “My guitar is my sword and my voice forms my battle cries. Every show is an arena and every song a dance between me and my fellow warriors as we best our foes.” Nick Gay, Singer of Lockimara "I woke up one day and I was just like... Damn I'm a bass player. You know growing up I always wanted to play guitar, but now I play bass. hahaha some would call that losing, but personally, I think I won that lottery. “Swing for the fences kid, it don’t matter if you got an angel in the outfield or a devil on your shoulder. All that matters is that you play to win, and you play for keeps.” Jack Paisley, lead guitarist of Lockimara to himself in the mirror before the big show."
Music News

Lockimara releases sister-single EP: DOG BITE

by the partae March 31, 2020
written by the partae

Lockimara is a band of absolute units hailing from the icy hot annals of Montreal DIY. Fixated on using music as an outlet for fantasy world building; Lockimara mixes odd rhythms, simple melodies, and dreamy campfire storytelling as they blend together mantras of pop, folk, shoegaze, and math rock. They’re rising stars, hurling music into the void, hungry for the acclaim they rightfully deserve. But you be the judge, buster! Check out “Bullet,” one half of their new double single Dog Bite, releasing March 30th, 2020 on the Homie Shit Mag label. That is, if you’ve got the guts.

Dog Bite was recorded by Alex Bingham in the basement of an apartment in Rosemont, Montreal over the course of three days. Album art was illustrated by Ore (@ore_ore_ore), additional vocals performed by Artemis Walden. 

Description of track one, Bullet, by singer Nick Gay:


This song is a narrative that is based on a fascination I have with World War Two and conflict in general. The lyrics take the listener to occupied France, where a boy waits for German soldiers to find him after his sister has failed to come back to their hideout in the woods. The song attempts to capture the internal struggle of the boy as he decides to fight back, despite his sister having told him not to before she left. I look forward to hearing what you think!

Quotes from the band:

“When I was writing the drum parts, I did my best to play something for the kids who need a little extra power in their life,” says Luca Caruso-Moro, Lockimara’s drummer. “Kids get bullied, pushed around. It’s hard to grow up.”

“My guitar is my sword and my voice forms my battle cries. Every show is an arena and every song a dance between me and my fellow warriors as we best our foes.” Nick Gay, Singer of Lockimara

“I woke up one day and I was just like… Damn I’m a bass player. You know growing up I always wanted to play guitar, but now I play bass. hahaha some would call that losing, but personally, I think I won that lottery.


“Swing for the fences kid, it don’t matter if you got an angel in the outfield or a devil on your shoulder. All that matters is that you play to win, and you play for keeps.” Jack Paisley, lead guitarist of Lockimara to himself in the mirror before the big show.”

 

https://homieshitmag.bandcamp.com/

March 31, 2020 0 comments
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AWARDED THE ‘ESSENTIAL NEW TUNE’ ACCOLADE BY BBC RADIO 1’S PETE TONG ITALIAN BROTHERS MATHAME RELEASE ANTICIPATED NEW SINGLE ‘NEVER GIVE UP’
Music News

AWARDED THE ‘ESSENTIAL NEW TUNE’ ACCOLADE BY BBC RADIO 1’S PETE TONG ITALIAN BROTHERS MATHAME RELEASE ANTICIPATED NEW SINGLE ‘NEVER GIVE UP’

by the partae March 31, 2020
written by the partae

STREAM / PURCHASE HERE

MATHAME – ‘NEVER GIVE UP’
B1 RECORDINGS / MINISTRY OF SOUND

Italian brothers Mathame release their anticipated new single ‘Never Give Up’. With the track awarded the BBC Radio 1 ‘Essential New Tune’ accolade by Pete Tong, ‘Never Give Up’ continues to demonstrate the duo’s ascension and validate their talent within the global dance music community.

Over recent years, electronic duo Mathame have established themselves as one of underground music’s most promising rising acts. Released via ‘B1 Recordings’ / ‘Ministry Of Sound’, ‘Never Give Up’ is Mathame’s new single which follows an ever-growing stream of support, already fostered from industry leaders including BBC Radio 1’s Pete Tong who awarded their earlier release on Tale Of Us’ ‘Afterlife’, ‘For Every Forever’ their first ‘Essential New Tune’.

“Musically, ‘Never Give Up’ has many influences, from techno to cinematic soundtracks and sound design. We try to synthesise all our influences into one track that can be like a manifesto of our sound, dynamic, wider, handcrafted, dreaming, with a simple and strong message. A message to the earth, like a flag that calls everyone to not ever give up. The track arrives at the time of a global crisis where it feels like everything is out of our hands and we have lost control. Now more than ever, the planet earth and humanity need this message, every day and every night.” – Mathame

Forming in 2013, brothers Amedeo and Matteo Giovanelli have progressively become an integral part of the underground electronic scene, first releasing on Vaal’s ‘Bastaard’ label in 2015. Followed up with a further EP on Tiefschwarz’s revered ‘Souvenir’ in 2017, their activity arguably culminated at its peak in a release for Tale Of Us’ ‘Afterlife’ label in 2018, featuring tracks ‘Nothing Around Us’ and ‘Fade Into You’.

2019 proved to be a breakthrough year for the duo, with an international touring schedule spanning Stockholm, Abu Dhabi, Milan, Istanbul and more, highlighted by a performance for French video platform Cercle, filmed at the summit of Mexico City’s Reforma 180 Heliport. With the Cercle stream currently amassing over 1.5 million views, Mathame have also worked with fellow Italian duo and close friends, Tale Of Us. The last two years have seen Mathame become residents for their ‘Afterlife’ event series, performing at showcases from Mexico to Ibiza.

Bridging the gap between the underground and mainstream, Mathame have continued to showcase their prowess as producers, remixing for the Grammy-nominated live electronic act RÜFÜS DU SOL, along with providing an anthemic rework of MEDUZA’s ‘Lose Control’.

Mathame will continue their unstoppable momentum across the new decade, starting with the new release of the standout track from their sets, ‘Never Give Up’.

Mathame’s ‘Never Give Up’ is out now via B1 Recordings / Ministry Of Sound

Connect with Mathame
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March 31, 2020 0 comments
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One of the biggest names in dance music, Netsky has crafted the highest calibre of electronic anthems for over a decade, spanning countless genres, countries, charts and dancefloors. Now, the Belgian prodigy who cut his teeth on Hospital Records in 2010, is returning to the genre that made him a house-hold name with his first solo D+B record in 5 years, ‘I See The Future In Your Eyes’.   A truly iconic artist for all manner of drum & bass fanatics across the globe, the unprecedented way that Netsky’s music resonates with audiences has never been matched. Having elevated himself to legendary status through tracks such as Pirate Bay, Iron Heart, Come Alive, Rio, Puppy, I Refuse and Drawing Straws, he released 2 D+B LPs during his tenure at Hospital Records and has remixed the likes of Ed Sheeran, Rusko, Jessie J, Plan B, Dua Lipa, Swedish House Mafia and countless more.   His accolades include a BBC Radio 1 Essential Mix, which was nominated for ‘Mix Of The Year’ in 2010, a ground-breaking and impressive live show which toured globally, and a brace of Top 30 LPs in the UK, with both hitting #1 spot in Belgium. Having performed headline spots at Tomorrowland, Let It Roll, SW4, Reading & Leeds, Printworks and Ultra Music Festival amongst many others, and toured across 6 continents with both a live show and his DJ production, few can match Netsky's extensive and high level touring schedule.   With this single, the sound that so many fell in love with has now returned, and with the future in his eyes with a broader project on the horizon, the best is still yet to come. ‘10 years ago, Hospital Records gave me an opportunity that changed my life and released my first album. In that 10 years I’ve been lucky enough to release 2 more albums, many singles and EP’s and toured all over the world. I've been blessed to work with amazing artists, producers and writers and experiment with different genres and influences. Over the last year I have found myself naturally coming back to producing Drum & Bass, and made perfect sense to me to release it with the label where it all began back in 2010. I can’t wait for everyone to hear what we’ve been working on, and I’m excited to kick it all off with this single.’ - Netsky.   ‘I’m delighted to be working on a brand new record with Netsky, especially in the 10 year anniversary of his Hospital debut. Boris has always been family to us, and his music is a special feature of our (almost) 25 year long catalogue… we can’t wait to unveil his brand new drum & bass in the coming months.” - Chris Goss (Co-founder of Hospital Records).
Festival NewsMusic News

Introducing A New Music Festival – Delivered, Live

by the partae March 31, 2020
written by the partae

https://deliveredlive.com.au/

Music and comedy lovers across the country who have seen tours, festivals and live shows cancelling in recent weeks can look forward to a new festival this weekend, and they can enjoy it all from the comfort of their own homes!
Featuring acclaimed solo artists Alex Lahey,  Bob Evans, (Jedediah front man Kevin Mitchell), Ali Barter, Henry Wagons, indie favourites Even and internationally acclaimed blues singer C.W. Stoneking. As well as this there will be something for the kids with the Teeny Tiny Stevies.
They’ll be joined by four talented local comedians including Andy Saunders and Sami Shah for a night of live entertainment connecting Victorians through music, comedy, inspiring stories and advice from experts on dealing with isolation.

Streaming is free, although viewers will be encouraged to make a donation by purchasing a ticket through Oztix to view the stream which will help support the creative industries impacted by the coronavirus, including artists, managers, sound engineers and support staff. Tailored beverage packs from bushfire impacted regional wineries will also be on sale for delivery to enjoy during the festival.

Compounding the bushfires which hurt many regional communities, coronavirus social distancing measures means these towns are further isolated, making it harder to raise funds and continue the rebuilding and recovery efforts.
Regional towns across the country impacted by bushfires, drought and the ongoing coronavirus restrictions will be able to enjoy a night of live streaming music and comedy to help connect communities during these trying times.
Minister for Regional Development Jaclyn Symes welcomed the announcement of the Delivered, Live Streaming Festival with a host of music and comedy acts streaming live performances to regional communities all over Australia.

The Delivered, Live Streaming Festival has been launched in partnership with Handshake Agency and will be the first live streaming festival in support of our regional communities.
The stream will go live at 5pm on Saturday 4 April at www.deliveredlive.com.au with tickets available via Oztix

Quotes attributable to Minister for Regional Development Jaclyn Symes
“We’re committed to supporting our regional communities in staying connected during these unprecedented times and the Delivered, Live Streaming Festival will be a fun and engaging online event to support our regions and create a feeling of togetherness.”

“The Delivered, Live Streaming Festival will be a wonderful way for all Victorians to support our regional communities impacted by the bushfires and coronavirus, while providing vital funds for the creative arts industry.”

Quotes attributable to Handshake Agency Leigh Treweek
“ Delivered, Live is designed to not be a charity but to directly support those who bring you live music each and every week at venues across the country. The gigs we present over the coming weeks will allow the punters to buy virtual tickets to support the live music industry, We are excited to present the first event alongside the Victorian Government and congratulate Minister Symes for recognising the value of the creative industries in supporting regional Victorians”

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March 31, 2020 0 comments
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Music InterviewsMusic News

A Choir Of Ghosts Interview

by the partae March 31, 2020
written by the partae
What is your name and role within A Choir Of Ghosts?

I’m James and I guess I’m the face of A Choir of Ghosts. The band changes now and then depending on where we’re going or what we’re doing, but I’m always here. I play guitar and sing and write the music.

Where are you currently based and what is the music like there?

I’m based in northern Sweden about a 5 hour drive south of the Arctic Circle. The music that comes out of Sweden is great but I think the music scene has a lot to learn from the rest of the world. I grew up in England and a lot of people would go out and see bands they’ve never heard of just because they like music, it doesn’t quite feel the same here. It’s hard for small and unknown acts to get a look in. I’ve been really lucky finding a great fan base in Östersund, and we’ve been given kind of a home in that town at a venue called jazzköket.

How did you first start playing music?

My first experience of playing music was when I was about 12 and me and some guys from school started a band called Docile Delinquents and played stuff like The Offspring, Incubus, AC/DC etc. I loved that time of my life, figuring out my love for music and my need to know more and play more.

What’s been happening recently?

For me personally not so much, I haven’t been on tour since last May, I’m actually starting to get tour withdrawals. I was supposed to start my album tour next week (April 3rd) but that all got cancelled, I’m still supposed to go to Germany in May but I’m not sure if that’s gonna happen either.

Mainly I’ve been writing music for the next album, working out ways round the corona crisis and spending time with the family.

What influenced the sound and songwriting for your new album ‘An Ounce Of Gold’?

Some of the songs on the album were written over 10 years ago. The whole album is a story of my last 10 years and how I’ve grown. Like Sinner in Rapture is the oldest song on the album and is about teenage years and feeling like you’ve been given this promise that the world is at your feet but it couldn’t be further from the truth. The Water is about my son and how it felt when he was born. I was in the room when he was born and I remember this huge feeling of surfing and getting to that point where the wave takes you out. Everything I knew had changed and for the first 10 seconds I thought I was drowning. And then the last song The Taste or Smoke is about touring and me developing asthma and spending 2 years without medicine. I guess it’s like The Best of my Diary kinda thing with this album. It’s so personal and means a huge deal to me.

How has your life in the woods of Northern Sweeden affected your musicWell, I don’t think I would play folk music if I lived in a city, if you look at my Spotify it’s a lot of punk and black metal, so I think if I was to live in Stockholm I’d probably play something like that.

But I live in a village with 20 people, 20km to the next village, and 180km to a city. So it’s not the easiest finding a band, the band I play with now live 2 hours down a gravel track in the other direction! The woods has definitely calmed me, inspired me to love the planet more. A Choir of Ghosts is definitely a product of the wilderness, it would have never happened without it.

How did you go about writing the music?

Each song was different, sometimes I have a hook and build from that, or I have some lyrics and figure out the music around that, or I’ll have some music start humming a melody and then write music to that. I’ve started experimenting more with different things now, I feel like An Ounce of Gold was my safe card, I didn’t wanna get too weird on my first album. But now I’m writing new stuff that’s still on the folk lines but pushing the boundaries a bit.

Where and when did you record/produce and who with?

So we recorded in a hippie commune in a house we borrowed during forest fire season 2018. The producer I work with is Terry Ben and he flew in from Canada to record the album with me. It was pretty magical, we just lived there for 2 weeks, had some friends over, drank too much and just enjoyed our time together. I was actually going through a really low point and I have to give it to Terry, he managed to pick me up everyday and help me through it.

Who are you listening to at the moment?

I’m listening to a lot of Black Metal for some reason, but I’ve refound my love for Tallest Man on Earth, Charlie Simpson, GOAT and Swedish band Euskefeurat.

What do you like to do away from music?

I’m in a bit of a slump when it comes to hobbies right now. I work quite a lot and I’m pretty stressed about the album. But generally I love to DIY and to read. Hopefully soon I’ll find the calm in my life to able to enjoy hobbies, every day off is filled with things I need to do so alone time or time to do things I want to do has been kinda forgotten about.

What’s planned for 2020?

I think with COVID-19 there won’t be that much to do, I don’t think this will be over soon. I’m gonna use this time for self growth, writing, reading, being with my family and hopefully finding that tranquility that allows me to take up my other hobbies again.

Favourite food and place to hangout?

I love this bar in Östersund called Jazzköket och Lagerbaren, the food is to die for, they have the best selection of beer and ale, and the people working there are the best!

Vinyl and CD available at: https://smarturl.it/aooglbm

March 31, 2020 0 comments
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Soma Records reveal it’s the force behind new Electro label Avoidant & announce next release from Kronos Device
Music News

Glaswegian Power House Soma front new Label, Avoidant & announce next release from Kronos Device

by the partae March 31, 2020
written by the partae

Soma continues to push the boundaries as they announce a new electro sub-label Avoidant – designed to push dynamic and diverse sonics from across the globe. Already with 6 releases under its belt from duo CYRK, Scottish new blood PinballSpider and Autonomous, future stars Syrte & Confluence their roster is steadily growing with fresh talent.

For the label’s next release and its first on vinyl, Kronos Device return in fine form for their first EP in four years ‘The Infinite Ones’ with a bass-heavy, BPM busting electronic gem; synonymous with their sound. Simon Brown (aka Dexorcist) and Phil Klein (aka Bass Junkie) joined forces in 2001 after pre-establishing themselves as major names in the underground scene.

Hyperqub3 throws the listener into a the deep-end sonically with funked up beats and electrostatic vocals slicing through gut-pounding bass that drives through the heart and instantly increases the bounce – all held together by hyperspatial SFX.

Track 2 delves into more heady, cerebral sounds. The title track of the EP, The Infinite Ones’ ripping synth sequences, dramatic pads and pulsing vocal riff is a supremely-produced nod to the duos versatility.

The EP culminates with Control – heavy distortion makes the 808 bass work hard, while robotic overtones and formidable synths command the track. The Infinite Ones is an expertly produced electronic EP that undoubtedly proves Kronos Device as pioneers of the genre.

Avoidant Records, said: “Since starting the avoidant label, Kronos Device were the first names to pop into our head for a release – their extreme bass heavy, fast BPM, unique 808 electro style was something we felt suited our labels sound perfectly and have always held them in high regard.”

March 31, 2020 0 comments
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Festival NewsMusic News

DANA GAVANSKI DEBUT ALBUM ‘YESTERDAY IS GONE’ IS NOW AVAILABLE VIA FLEMISH EYE RECORDS

by the partae March 30, 2020
written by the partae

In the midst of the world’s lockdown we are all forced to refocus after our daily lives have in many ways been put on hold. Many artists have had to change their plans around their album releases, from the buzz of touring, to now having to stay at home in isolation. Thankfully we live in a digital age where we are able to stay connected and continue to share the beautiful music that these artists work tirelessly to create for our enjoyment. 

Over here at Flemish Eye Records we are very excited to be working with Serbian-Canadian musician Dana Gavanski and today we are celebrating her debut album, Yesterday Is Gone, which is now available on all streaming platforms. Fans in Canada can order copies of the record on classic black vinyl from the Flemish Eye shop while we wait for our local record stores to reopen.

“Authoritative debut ” (8/10)  – UNCUT

“Yesterday Is Gone shines as it dips, an anchor during a time of transition.” (9/10) – Exclaim! 

“Her honeyed vocals tiptoe around whimsical lyricism about the changing of the seasons and the slow burn of time” – Beatroute 

Order LP from Flemish Eye: https://found.ee/shop-dana-gavanski

Stream the album now: https://found.ee/dana-gavanski

And if you missed it last month, watch Dana’s video for the album’s title track “Yesterday Is Gone” filmed in the colourful and retro underground of Montreal’s metro system. https://youtu.be/8xM8SJrxYeI

 

By turns break-up album, project of curiosity, and, as Dana puts it, “a reckoning with myself,” Yesterday Is Gone is an album of longing and devotion to longing, and of the uncertainty that arises from learning about oneself, of pushing boundaries, falling hard, and getting back up.  Moments of beguilement splinter a backdrop of tenderly picked guitar, bass, synth, and poppier elements, which commune to produce her own kind of wall of sound. Each component is meticulously placed, yielding a deeply sincere response to the chaos of human emotion.

Yesterday Is Gone was co-produced between Dana, Toronto-based musician Sam Gleason, and Mike Lindsay (Tunng and LUMP w/ Laura Marling). While Sam helped Dana bring out the tunes, Mike’s input marked the beginning of developing Dana’s sound. The two kept stripped it down to the essentials, keeping things bare and letting the songs speak for themselves. The album shapeshifted as it passed through the hands of Dana, Sam, and Mike, taking on different tastes, feelings, and visions. When Dana performed the songs with a band, they found new form again. She was intrigued by performers like David Bowie and Aldous Harding, who inhabit different personalities on stage, physically tuning themselves to their music. 

“Often we have to go a little far in one direction to learn something about ourselves,” Dana says. The months of solitary writing and self-doubt testify to this, but they’ve led to Yesterday Is Gone: an optimistic, steely-eyed gaze into the future.

Order Yesterday Is Gone – https://found.ee/dana-gavanski

RE-SCHEDULED TOUR DATES:

AUGUST

30th NL Nijmegen, Merleyn

SEPTEMBER

5th UK End of the Road Festival

6th UK Moseley Folk Festival

9th UK Manchester, Soup Kitchen

10th UK Nottingham, Metronome

11th UK Bristol, Louisiana

13th UK London, The Lexington

14th UK Brighton, Hope & Ruin

15th UK Leeds, Brudenell Social Club

16th UK Margate, Elsewhere

20th DE Berlin, Badehaus

22nd DE Munich, Heppel & Ettlich

23rd DE Cologne, Die Wohngemeinschaft

Live dates are on sale now, tickets available from www.danagavanski.com 

Website | Bandcamp | Twitter | Facebook

Flemish Eye Records 

March 30, 2020 0 comments
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BERLIN-VIA-MELBOURNE’S KRIS BAHA LENDS SLUDGY EBM REWORK TO SONNY’S ‘LIQUID PHASE’
Music News

Kris Baha gives sludgy rework to Sonny’s album track ‘Liquid Phase’ | Stream Now

by the partae March 29, 2020
written by the partae

LISTEN TO THE REMIX HERE

Copenhagen-based producer and Australian native,  Sonny, moved from his hometown, Melbourne all the way to Scandinavia in search of new sounds. With a background in psychedelic rock, he found his feet in the light, mellifluous sounds of Scandinavian house and ambient, his fresh interpretation of this rich palette is wrapped up in forthcoming album project,  ’Union: Integration of the Shadow’.

Presenting influences that fall outside of classic house realms, he unveils a sludgy EDM-style rework of album track  ‘Liquid Phase‘ from dear friend, Kris Baha. 

Having also made a similar long-distance move from Melbourne to base himself in Berlin, Kris Baha has established himself as a burgeoning name, with his attuned EBM and Industrial works via the likes of  Pinkman  and  Cocktail D’Amore. 

Bringing with it drum and bass sensibilities in a downtempo format, ‘Liquid Phase’ also nods to the psych-rock roots of Sonny. Kris Baha stays true to form on his version with punchy, clattering EBM arrangements that set the tone, before marrying the melodic flourishes of Sonny’s original with frenetic, siren-esque elements.

Sonny ‘Liquid Phase’ (Kris Baha remix) is out now on Northern Underground Records  

Connect with Sonny
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Connect with Kris Baha
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March 29, 2020 0 comments
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DIDIRRI reschedules AU tour dates, releases new single "Don't fight with what you're fighting for"
Festival NewsMusic News

Reschedules Australian tour dates for November, and gifts you new music with single “Don’t fight with what you’re fighting for”

by the partae March 29, 2020
written by the partae
Credit: Ivana Martyn-Zyznikow

Didirri will also be performing live on Instagram as part of the Global Citizen ‘Together At Home’ series this Sunday at 12pm AEDT. More details below.

Melbourne’s Didirri today announces the rescheduling of his upcoming Australian headline tour, which was due to take place across the country throughout April. The new tour dates will now take place in the same venues throughout November.


He wishes to convey his sadness of not being able to play any new music live for his fans right now, but also advises people to support the strict ethos of self-isolating and minimising unnecessary public contact at this horrible time.


As a gift and consolation for fans, Didirri has also given us new music, stating “if music is all I have to give you right now, then that’s what I will do”.


“Don’t fight with what you’re fighting for“ was written at his home in Melbourne over a year ago, and recorded later in Johanna, Victoria. The song serves as a comment, but also a reminder, that positive change has to first come from yourself. Hold yourself accountable before you do those around you.
Or as Didirri explains, “To put it bluntly: you fix the world by fixing your own shit”

“There is no point trying to tackle something on a big scale, if you can’t stick to your morals and lead by example.”
As everything shuts down – events and festivals cancelled, venues empty, jobs in jeopardy, a whole music and arts community thrown into uncertainty… It’s a poignant reminder to focus on the small things you can do, and how they affect the people around you.
It’s also a reminder that, no matter what, we still have music. Songs will still be written, stories still shared, heartbreak and joy still soundtracked, music is still the glue that brings us all together.
The video embraces that message, with a whole stack of fellow musicians (Vance Joy, Montaigne, Client Liaison, Odette, Meg Mac, Kira Puru, Alex The Astronaut + more), as well as industry colleagues, friends and loved ones from all over the world sending in clips of them coming together to (virtually) sing the chorus.
(Didirri) “I wanted to bring together the lovers and over thinkers in my community, from around the world. I hope this brings you some joy and positivity in such a strange time.

Remember, don’t lose heart, we’re in this together. “
You can tune in and watch Didirri perform the new single, along with a bunch of other favs as he goes live on his Instagram (@Didirri_) this Sunday March 29th at 12pm AEDT as part of the Global Citizen ‘Together At Home’ series – a virtual musical experience to unify people around the world when they may feel isolated by the conditions of COVID-19.

Chris Martin (Coldplay), Global Citizen Festival Curator, kicked this off in an effort to unite humanity at a time when many may feel isolated at home and inspire people to take meaningful action to help stop coronavirus. John Legend, Charlie Puth, Niall Horan, Common, One Republic, Shawn Mendes + Camila Cabello, Hozier + many more have performed live on their Instagram from their own homes, and Didirri is excited to be next in line to share his music, and connect and inspire viewers through this amazing initiative. Tune in on Sunday here.

“Don’t fight with what you’re fighting for” is out now on all streaming platforms via Unified / Nettwerk.
“Raw Stuff” Australian Tour
**RESCHEDULED**
Thurs 5th Nov – Lansdowne, Sydney
Friday 6th Nov – Small Ballroom, Newcastle
Thurs 12th Nov – Lighthouse Theatre, Warrnambool
Sat 14th Nov – Howler, Melbourne
Sun 15th Nov – Northcote Social Club, Melbourne (Matinee)
Sun 15th Nov – Howler, Melbourne
Thursday 19 Nov – Kingscliff Hotel, Kingscliff
Friday 20th Nov – The Foundry, Brisbane
Tickets are available from didirri.com


All ticket holders for previous tour dates have the option to retain their ticket, or will be contacted for a refund. Remaining tickets are on sale now.

Connect with Didirri:

March 29, 2020 0 comments
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https://www.youtube.com/watch?v=GdLLoHn4ndQ
Music News

‘NO FUN INTENDED’ THE BRAND NEW SINGLE FROM PICKET PALACE

by the partae March 29, 2020
written by the partae

After stumbling into virality with their tribute to Essendon footy star, ‘Anthony McDonald-Tipungwuti’, the Picket Palace boys have released their latest track ‘No Fun Intended’ via Daily Nightly Records.

 Inspired by the desire to revert back to a child in times of anxiety, ‘No Fun Intended’ doesn’t stray from the playful, chaotic & distinctly Australian sound the boys are known for.

“Anxiety makes you so worked up about everything that you aren’t really able to effectively deal with anything and you regress into a useless little baby. I wanted to play with how grotesque and stupid that transformation is,” says lead singer Seamus O’Connell.

The song features a running lyric only Australians would understand, “yeah, nah.” It’s contradictory yet we don’t question it, because we understand what it means without having to define it. Seamus explains he incorporated the line because “it calls back to the franticness and indecisiveness of anxiety and circular thinking.”

This release signifies the Picket Palace boys coming into their own, solidifying their sound outside of The Footy Record they became known for.

PICKET PALACE

Birthed and nurtured in a sweaty loft apartment above a picket fence workshop in Brunswick, Picket Palace crank out razor-sharp punk belters and anxious, rambling reflections with an enthusiasm that is innocent, unpretentious and completely infectious. Urgent, punchy rhythms underpin distinctive, angular guitar lines and lyrics so honest and guileless that you’ll feel like the band have set your own half drunken conversations to music.

The boys soared to virality after releasing the highly animated film clip for ‘Anthony McDonald-Tipungwuti’ which has since garnered half a million views respectively, plucking the boys out of Melbourne’s underground garage-rock scene and into national consciousness.

Their follow up record, aptly named ‘The Footy Record’, began almost as a joke – a couple affectionate punk rock tribute to the band’s favourite footballers, written mostly to amuse themselves. But once they introduced a couple of those tracks into their live set everyone fell in love with their raucous, ridiculous energy, and the band realised they were too good to be wasted as unheralded throwaways.

Recent performances include a slot on the main stage of the sold out Beyond The Valley festival over new years, alongside a sold out headline show at Northcote Social Club last September. Their live show is an exuberant, exhilarating trip that is somehow both ferociously energetic and sincerely heartwarming — an adorable riot, not to be missed…

“Every song is charming, genuine and covered in an endearing sense of irresponsibility – making Picket Palace the kind of band you’d love to see rip up a stage on a Friday night then eavesdrop on afterwards in the beer garden.” – Trouble Juice

“You could have easily assumed after the Tipungwuti hit that these guys were a bit novelty, but they’ve proven the goods again with garage rock that stands up in the heat of the contest.” – Declan Byrne (Triple J).

FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | SPOTIFY 

March 29, 2020 0 comments
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Frontier Touring wishes to advise that Marc Rebillet will now tour Australia and New Zealand for the first time in January and February 2021. Rebillet was originally set to perform this month, but his tour dates have been rescheduled due to the current COVID-19 crisis and subsequent government directives to restrict all public gatherings in both Australia and New Zealand.   In lieu of his originally scheduled Australian and New Zealand tour dates, Rebillet has taken to the internet over this past week to offer fans his Quarantine Livestream Tour. Full sets have been live-streamed at the date and time that Rebillet was set to perform in each Australian and New Zealand city. Catch up on each of the live-streamed sets via Rebillet’s official YouTube, Facebook, Twitter and Twitch channels.   Special guest for the new 2021 tour dates will be announced in due course.   All existing ticketholders need not take action: original purchases are valid for entry at the rescheduled show dates and fans are encouraged to #KeepYourTicket and attend the rescheduled Jan-Feb shows. Ticketholders will be contacted directly via their show’s authorised ticketing agency regarding these date changes; steps will be provided should the Jan-Feb dates not suit.   Frontier Touring and Marc Rebillet sincerely apologise to any ticketholders affected by the rescheduling and thank fans for their understanding and support in these unprecedented circumstances. Limited tickets remain in all cities to Marc Rebillet’s rescheduled tour dates, on sale now via frontiertouring.com/marcrebillet MARC REBILLET AUSTRALIAN & NEW ZEALAND TOUR TOUR RESCHEDULED JANUARY & FEBRUARY 2021 Presented by Frontier Touring TICKETS ON SALE NOW via frontiertouring.com/marcrebillet LIMITED TICKETS REMAINING FOR ALL CITIES Powerstation | Auckland, NZ NEW DATE (Prev. Tuesday 24 March 2020) 18+ SELLING FAST ticketmaster.co.nz | Ph: 0800 111 999                      The Forum | Melbourne, VIC NEW DATE (Prev. Saturday 21 March 2020) 18+ SOLD OUT ticketmaster.com.au | Ph: 136 100                      Metro Theatre | Sydney, NSW NEW DATE (Prev. Thursday 19 March 2020) 18+ LAST TICKETS ticketek.com.au | Ph: 132 849                      Metro Theatre | Sydney, NSW NEW DATE (Prev. Friday 20 March 2020) 18+ SOLD OUT ticketek.com.au | Ph: 132 849                      The Fortitude Music Hall | Brisbane, QLD NEW DATE (Prev. Tuesday 17 March 2020) 18+ SELLING FAST ticketmaster.com.au | Ph: 136 100                     
Festival NewsMusic News

Marc Rebillet announces rescheduled AU & NZ dates for Jan-Feb 2021 | Limited tickets remaining for all cities!

by the partae March 29, 2020
written by the partae

Frontier Touring wishes to advise that Marc Rebillet will now tour Australia and New Zealand for the first time in January and February 2021. Rebillet was originally set to perform this month, but his tour dates have been rescheduled due to the current COVID-19 crisis and subsequent government directives to restrict all public gatherings in both Australia and New Zealand.

In lieu of his originally scheduled Australian and New Zealand tour dates, Rebillet has taken to the internet over this past week to offer fans his Quarantine Livestream Tour. Full sets have been live-streamed at the date and time that Rebillet was set to perform in each Australian and New Zealand city. Catch up on each of the live-streamed sets via Rebillet’s official YouTube, Facebook, Twitter and Twitch channels.

Special guest for the new 2021 tour dates will be announced in due course.

All existing ticketholders need not take action: original purchases are valid for entry at the rescheduled show dates and fans are encouraged to #KeepYourTicket and attend the rescheduled Jan-Feb shows. Ticketholders will be contacted directly via their show’s authorised ticketing agency regarding these date changes; steps will be provided should the Jan-Feb dates not suit.

Frontier Touring and Marc Rebillet sincerely apologise to any ticketholders affected by the rescheduling and thank fans for their understanding and support in these unprecedented circumstances.

Limited tickets remain in all cities to Marc Rebillet’s rescheduled tour dates, on sale now via frontiertouring.com/marcrebillet

MARC REBILLET
AUSTRALIAN & NEW ZEALAND TOUR
TOUR RESCHEDULED

JANUARY & FEBRUARY 2021

Presented by Frontier Touring

TICKETS ON SALE NOW
via frontiertouring.com/marcrebillet
LIMITED TICKETS REMAINING FOR ALL CITIES

Powerstation | Auckland, NZ
NEW DATE (Prev. Tuesday 24 March 2020)
18+ SELLING FAST
ticketmaster.co.nz | Ph: 0800 111 999

                    

The Forum | Melbourne, VIC
NEW DATE (Prev. Saturday 21 March 2020)
18+ SOLD OUT
ticketmaster.com.au | Ph: 136 100

                    

Metro Theatre | Sydney, NSW
NEW DATE (Prev. Thursday 19 March 2020)
18+ LAST TICKETS
ticketek.com.au | Ph: 132 849

                    

Metro Theatre | Sydney, NSW
NEW DATE (Prev. Friday 20 March 2020)
18+ SOLD OUT
ticketek.com.au | Ph: 132 849

                    

The Fortitude Music Hall | Brisbane, QLD
NEW DATE (Prev. Tuesday 17 March 2020)
18+ SELLING FAST
ticketmaster.com.au | Ph: 136 100

                    

March 29, 2020 0 comments
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Laneway Presents, Chugg Entertainment & Frontier Touring wish to advise that Tame Impala will be rescheduling the Australian and New Zealand leg of their upcoming tour to December 2020.   The shows, originally planned to be held in April, are no longer able to go ahead due to the current COVID-19 crisis and subsequent Government directives, limiting the size of public gatherings in both Australia and New Zealand.   Tame Impala’s December run will begin at Auckland’s Spark Arena on Saturday 5 December and continue through Brisbane, Sydney, Melbourne, Adelaide and Perth. Tickets for all shows are available now.   It is with regret that the promoters advise special guests Khruangbin were not available to join Tame Impala on their rescheduled December dates. A new support will be announced in the near future.   Ticketholders are encouraged to hold onto their tickets (#KeepYourTicket); all tickets will be valid for the corresponding rescheduled dates. Patrons who are unable to attend the rescheduled shows will be entitled to a full refund from their authorised point of purchase.   Laneway Presents, Chugg Entertainment and Frontier Touring apologise to any ticketholders who are inconvenienced by these rescheduled dates and thank fans for their support and understanding during these unprecedented circumstances.   One of Australia’s greatest musical exports, Tame Impala released their latest album ‘THE SLOW RUSH’ last month. The record was triple j’s Feature Album on release, with the band delivering stunning renditions of album tracks ‘Lost In Yesterday’ and ‘Breathe Deeper’ on Jimmy Kimmel Live! earlier this month. In a huge coup, Tame Impala claimed Number 1 on triple j’s Hottest 100 of the Decade countdown in March, with their 2015 track ‘The Less I Know The Better’.
Festival NewsMusic News

Tame Impala announce rescheduled Australia-New Zealand dates for December 2020

by the partae March 29, 2020
written by the partae

Laneway Presents, Chugg Entertainment & Frontier Touring wish to advise that Tame Impala will be rescheduling the Australian and New Zealand leg of their upcoming tour to December 2020.

The shows, originally planned to be held in April, are no longer able to go ahead due to the current COVID-19 crisis and subsequent Government directives, limiting the size of public gatherings in both Australia and New Zealand.

Tame Impala’s December run will begin at Auckland’s Spark Arena on Saturday 5 December and continue through Brisbane, Sydney, Melbourne, Adelaide and Perth.
Tickets for all shows are available now.

It is with regret that the promoters advise special guests Khruangbin were not available to join Tame Impala on their rescheduled December dates. A new support will be announced in the near future.

Ticketholders are encouraged to hold onto their tickets (#KeepYourTicket); all tickets will be valid for the corresponding rescheduled dates. Patrons who are unable to attend the rescheduled shows will be entitled to a full refund from their authorised point of purchase.

Laneway Presents, Chugg Entertainment and Frontier Touring apologise to any ticketholders who are inconvenienced by these rescheduled dates and thank fans for their support and understanding during these unprecedented circumstances.

One of Australia’s greatest musical exports, Tame Impala released their latest album ‘THE SLOW RUSH’ last month.

The record was triple j’s Feature Album on release, with the band delivering stunning renditions of album tracks ‘Lost In Yesterday’ and ‘Breathe Deeper’ on Jimmy Kimmel Live! earlier this month.

In a huge coup, Tame Impala claimed Number 1 on triple j’s Hottest 100 of the Decade countdown in March, with their 2015 track ‘The Less I Know The Better’.

TAME IMPALA
AUSTRALIA & NEW ZEALAND
TOUR RESCHEDULED
DECEMBER 2020

Presented by Laneway Presents, Chugg Entertainment, Frontier Touring & triple j

ALL TICKETS ON SALE NOW!
via chuggentertainment.com/tame-impala-2020

Spark Arena | Auckland, NZ
NEW DATE (Prev. Thursday 16 April)
All Ages

Ticketmaster.co.nz

                    

Brisbane Entertainment Centre | Brisbane, QLD
NEW DATE (Prev. Saturday 18 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

Qudos Bank Arena | Sydney, NSW
NEW DATE (Prev. Monday 20 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

Rod Laver Arena | Melbourne, VIC
NEW DATE (Prev. Thursday 23 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

Rod Laver Arena | Melbourne, VIC
NEW DATE (Prev. Friday 24 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

Adelaide Entertainment Centre Arena | Adelaide, SA
NEW DATE (Prev. Saturday 25 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

RAC Arena | Perth, WA
NEW DATE (Prev. Tuesday 28 April)
All Ages
ticketek.com.au | Ph: 132 849

                    

March 29, 2020 0 comments
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Martin Garrix’s ‘Drown’ gets first remix from one of the hardest-hitting upward forces in bass house: Matroda
Music News

Martin Garrix’s ‘Drown’ gets first remix from one of the hardest-hitting upward forces in bass house: Matroda

by the partae March 29, 2020
written by the partae

One month ago Martin Garrix released his latest single ‘Drown’ in collaboration with Clinton Kane, and the official remixes are now kicking off with Matroda. The Croatian applied his signature house sound to the uplifting and powerful original, turning it into a version that’s bursting with energy and grit.

Taking early influences from the likes of Led Zeppelin, Frank Sinatra and The Beatles, while introducing classical training with the violin, drums and keyboard, Matroda’s sound is well rounded and multifaceted, which is exactly what he showcases on this remix.

With more ‘Drown’ remixes on the way, it’s sure there will be a broad array of sounds to please everyone.

CONNECT WITH MARTIN GARRIX 

Website
Website
Facebook
Facebook
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Spotify
Spotify
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Instagram
Twitter
Twitter
SoundCloud
SoundCloud
March 29, 2020 0 comments
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Music News

Florian Picasso signs to Universal and readies comeback single ‘Like You Do’

by the partae March 29, 2020
written by the partae

Star of STMPD records, Spinnin’ Records, Protocol Recordings, DIM MAK, Musical Freedom Records and Mixmash Records, Florian Picasso is a powerhouse in the world of dance music. He now reveals his biggest news to date: a label deal with the mighty Universal.

Signing a huge multiple singles deal to Universal for an array of releases, Picasso is now part of one of the biggest recording rosters in the world and now has a huge platform which will see him reach a massive new audience.

The first taste of this partnership will come on April 3rd. The first single ‘Like You Do’ features vocals from Gashi and Ally Brooke and is a sweet slice of trap-flavoured pop. It’s another track to show his range after the world has had many of his club smashes and radio-friendly anthems alike.

The great-grandson of Pablo Picasso himself, Florian is French-Vietnamese and grew up between Cannes, Paris and Switzerland. He previously collaborated with Martin Garrix on the huge ‘Make Up Your Mind’ — a track which has over 50 million plays to date — and counts other hits to his name such as ‘Midnight Sun’, ‘Here With You’ and ‘But Us’. “I have learned to be thankful to the people that support me, whether it’s my family, fans or team. I’m blessed to be where I am today” he says. “My goals are to be successful and appreciated for my vision. I want to target as many people as possible.”

‘Like You Do’ (ft. Gashi & Ally Brooke) will be out on Universal on April 3rd!

Pre-save ‘Like You Do’
CONNECT W/ FLORIAN PICASSO
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March 29, 2020 0 comments
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