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Ben Heyworth Releases ‘Creature’ EP

June 10, 2025

Ravyn Lenae – Sydney Opera House, 25th of May, 2025

June 10, 2025

Timescape Festival UK – July 18th – 20th 2025 – Debuts with...

June 10, 2025

Clay Brown & the Trouble Round Town – New Single “All My...

June 10, 2025

Interview: Bakers Eddy “Brotherhood, Honesty, Chaos, and Catharsis”

June 9, 2025

Ezra Collective – Sydney Opera House – 31 May, 2025

June 9, 2025

BAKERS EDDY RELEASE HEART-ON-SLEEVE SIX-TRACK EP I’M DOING BETTER

June 7, 2025

OCEAN ALLEY ANNOUNCE FIFTH ALBUM LOVE BALLOON AND RELEASE INFECTIOUS TITLE TRACK

June 4, 2025

MELT 2025 IS COMING IN 🔥 FIRST PROGRAM ANNOUNCEMENT REVEALED! 22 OCT...

June 3, 2025

Interview: Thorne – “Honey” Is Pure Sweet, Bold, Joy

June 3, 2025
Monthly Archives

June 2025

Music News

Ben Heyworth Releases ‘Creature’ EP

by the partae June 10, 2025
written by the partae

After a long hiatus, Ben Heyworth is back under his own name with new project, showcasing brand new material. He’s older, wiser, more acoustic and slightly less ginger, but still as melodic and soulful as ever. His songs lean into stories about the people, places and events that have shaped his life in Manchester UK, including the strange cornucopia of residents that live around the creative hotspot (and bakery central) Ancoats marina where he is currently based.

Musically, his deceptively complex songs sit in the same stable as Crowded House, Jordan Rakei, Damon Albarn, and Tori Amos, combining a nostalgic 90’s British indie sound with exceptionally smooth vocals and glorious harmonies, filthy organs, and what Ben describes as an “urban folk” influence; a contemporary twist on traditional English folk melodies and instrumentation.

The three track EP includes – “Narrowboat”, a muse on life and death on Manchester’s historic waterways, “Image of Roads”, which proposes a fictional American road trip, but is it real or is it all an illusion? – and “Creature Double Feature” which asks who are the distorted and fanciful characters you might see in the mirror?

The EP was recorded at Blueprint Studios, home the Manchester’s most famous contemporary band Elbow, and a place where Ben has not only recorded his own material over the years, but also worked as a producer and arranger for various wannabe indie rockers. Live gigs will come later in the year – watch this space!

Ben Heyworth has a long history of making music in Manchester, UK. He was the songwriting force behind the hotly tipped band Minorplanet in the early ’00s and then went on to release two beautiful and experimental electronic pop albums under the name “This Morning Call” in 2010 – 2014, released on the Swedish “Substream” indie label.

TRACKLIST:

“Narrowboat” – a poetic meditation on mortality and connection along Manchester’s historic waterways.
“Image of Roads” – a fictional American road trip unravels into existential musings.
“Creature Double Feature” – a surreal cast of characters reflect distorted selves in the mirror of urban life.

INTERVIEW

Q: What inspired Creature EP?
Ben: “These songs tell stories about the people and oddball personalities who’ve shaped my life around Ancoats Marina. I wanted something stripped-back, captured live, more real than anything I’ve done before.”

Q: What’s changed since your last project?
Ben: “Everything. I’ve moved away from electronic music. This is raw, acoustic, no safety net. Just me and the guitar — and it’s terrifying but beautiful.”

Q: What’s next?
Ben: “More songs, more stories. I’ve already written the next two EPs. There’s plenty more to come.”

YOUTUBE

FACEBOOK

WEBSITE

June 10, 2025 0 comments
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Ravyn Lenae
Festival NewsMusic News

Ravyn Lenae – Sydney Opera House, 25th of May, 2025

by the partae June 10, 2025
written by the partae

Photography: Cyril Asuncion

Ravyn Lenae

Ravyn Lenae

June 10, 2025 0 comments
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Timescape Festival UK - July 18th - 20th 2025 - Debuts with Forest Setting, Electronic DJs & All-Female Stage Spotlight
Festival NewsMusic News

Timescape Festival UK – July 18th – 20th 2025 – Debuts with Forest Setting, Electronic DJs & All-Female Stage Spotlight

by the partae June 10, 2025
written by the partae

Timescape is a bold new UK woodland weekender that will run from July 18th to 20th at Abbots Ripton Estate, Cambridgeshire. Centered around Trance, House, and affordability, this new addition to the UK’s summer festival circuit takes over the former Secret Garden Party site. It offers a diverse electronic lineup that blends iconic names with rising talent, creating a fresh, accessible experience for clubbers.

Founded by a collective of seasoned industry professionals and presented in collaboration with leading international brand Unkonscious and Peach Club, Timescape promises a high-quality festival experience rooted in connection, nature, and community. The event highlights that great and impactful production and lineups shouldn’t come at a premium price. The team behind Timescape is primed to deliver a fresh offering to the UK festival landscape. Attendees can expect an intimate and affordable Trance and House gathering that’s dedicated to music lovers and community. Capped at 2,000 people, Timescape will offer a boutique-style alternative to the larger-scale festivals currently dominating the market.

Rick Ford, Festival Organiser comments

“Timescape is about connection through music, nature, and community. We wanted to bring something truly special to the UK, an intimate, outdoor gathering where everyone feels part of the story. It’s all about the people, the music, and the environment, with affordability at its core.

Set amongst the scenic forests and lakes of Huntingdon, one of the UK’s most idyllic regions, the multi-day experience will be shaped by connection, nature, and a diverse soundtrack spanning the spectrum of dance music. Across three days, over 60 DJs and live acts will perform, navigating across Trance, House, and Techno and set to create a unique and immersive experience.

Headliners include iconic Trance names like Lange, Slipmatt, Indecent Noise, Dave Pearce, and Sneijder, alongside UK-exclusive performances from Rinaly Presents Rina Mirai, David Forbes pres, Seebrof, with a back-to-back special featuring Lange & The Space Brothers. Carly Wilford also joins the lineup following from her Tomorrowland debut set.

Weekend camping tickets start at £137.50 including booking fee’s with day tickets from £25 + booking fee, with a limited number of early bird offers available. Timescape is actively aiming to reset the UK festival landscape, becoming one of the most affordable and accessible festivals this summer.

Options for camping, glamping tents and motorhome/caravan pitches provide a range of accommodation choices for festivalgoers. Whether attendees bring their own tent, campervan, or opt for a furnished glamping setup, Timescape offers options to suit all budgets and preferences

Limited Early Bird Tickets

https://timescapefestival.com/#section-tickets

Find Out More & Follow

Timescape Festival Website | Instagram

June 10, 2025 0 comments
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Clay Brown & the Trouble Round Town – New Single “All My Friends (Atrophy)” Out Now
Music News

Clay Brown & the Trouble Round Town – New Single “All My Friends (Atrophy)” Out Now

by the partae June 10, 2025
written by the partae

Clay Brown & the Trouble Round Town return this April with their latest single All My Friends (Atrophy) — a raw and emotionally rich alt-folk anthem about leaning on your closest companions through life’s darker moments. Blending the lyrical weight of Jackson Browne with the sonic warmth of City & Colour and the grit of Noah Kahan, the track marks the first official release under Clay’s new project featuring members from WA’s underground staples The Tommyhawks, Art of Dysfunction, and Single Cell Sharks.

Recorded across two continents — Soho Sonic Studios in London and Clay’s home studio in Perth — the track offers a glimpse into the forthcoming debut EP expected later this year. With signature guitar work, haunting harmonies, and poetic storytelling, All My Friends (Atrophy) is both a confessional and a celebration of resilience.

Following the success of his late-2024 double drop Traffic Signs / Homesick Blues and a string of acoustic shows in the UK, Clay has assembled a powerhouse lineup: Jess June on drums, Zoe Gol on bass, and Michael Menna on lead guitar. Together, Clay Brown & the Trouble Round Town are set to carve out their place in Australia’s alternative folk-rock scene.

Stay tuned for more singles and the full EP release in late 2025.

Follow Clay Brown & the Trouble Round Town

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June 10, 2025 0 comments
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Interview: Bakers Eddy "Brotherhood, Honesty, Chaos, and Catharsis"
Music InterviewsMusic News

Interview: Bakers Eddy “Brotherhood, Honesty, Chaos, and Catharsis”

by the partae June 9, 2025
written by the partae

“I’m Doing Better” feels like a raw, emotionally honest leap for the band—what inspired you to open up more on this EP compared to previous releases?

There was a period where we were kind of growing apart a little bit. We’ve been basically attached to one another for as long as I can remember, way before the band started, and I think we’d kind of forgotten what it was like to be friends. We took a trip together and we had it out with each other, got into some heavy stuff, were really honest with each other in a really healthy way. These conversations laid the foundation to be able to get back to a place where we could speak about our lives and our past honestly in our music and it also strengthened our friendship a lot.

The track ‘Hopeless Dreams’ hits on the fear of giving up on your goals—was there a specific turning point that pushed you to write this song?

For sure. I think with the way music is currently, and with all the different hats you have to wear to be a performing artist it can sometimes be so overwhelming. You have your good days but sometimes it can make you feel a bit hopeless. That on top of stuff I was going through at the time amounted in me questioning what I’m doing with my life, where I’m going, whether or not I have the strength to keep trying and it scared the shit out of me. It’s hard because this band has become literally my entire life and the thought of giving up on it is terrifying. But writing the song, processing those feelings, digging through my past, while the four of us we’re getting our spark back personally made me realise that this band is worth so much more to me than streams or follows, and I think that got lost a little bit. 

Ciarann, you mentioned embracing your early emo/pop punk influences—what bands or albums were on repeat while writing this record?

Honestly a lot of the time I was re-discovering the records that made me fall in love with emo/pop punk music. I’m a nostalgia addict too, I drink that shit in. I went through my Green Day phase again, in a big way, Fall Out Boy, Sum 41. But I think what triggered this was touring with Stand Atlantic in 22, and seeing the connection between their audience and themselves, and I remember feeling like I belonged out there in the audience. It was like I’d ignored the freaky emo kid in me for so long, so I wanted to tap into that for our new music.

From SXSW to regional Australia, you’ve played everywhere this year—how did the overseas tour shape the energy or confidence behind this EP?

I think we’d had a few questions going into playing some of the new songs live, so grinding in America was really helpful in seeing how they are received in front of people who probably have never heard of us before. Which is a cool feeling when the new stuff you make gets a bigger reaction than the old stuff, as an artist at least I think that’s the cream. It’s the best payoff.

‘Manners Street’ is such a heartfelt nod to Wellington—how has your hometown shaped who Bakers Eddy is today, both musically and personally?

I don’t know, I guess cause we’ve been away for so long now we kind of lost our roots a little bit. I think we’ve been so focused on what’s ahead that we forgot to look back at where we came from. So when we were trying to re-connect with each other a lot of stories from our childhood were being thrown around and it helped us find those roots again. I don’t know how it’s affected us as a band but our little slice of Wellington is deeply ingrained in our personal relationship, where we used to hangout, where our first show was, the hippie commune Jamie’s Dad ran that we used to steal Codys from, all that stuff is always nice to come back to when we’re on the road or in the weeds of band life over here. That’s why we wrote Manners Street. 

There’s a strong feeling of brotherhood in this EP. What’s it like creating music with people you’ve grown up with? How does that long-term bond influence the writing room?

Because we’ve known each other forever and we’ve gone through everything together there’s definitely this environment that we’ve created where we can be brutally honest with each other in what’s being created, and we can argue about things but bounce back almost immediately, especially after we spent more time re-connecting. We also know how to push each other’s buttons so there’s always that game at play but honestly all of this is such an important part in not just making music but like everything we do. And I think that bond is so much bigger than this band.

This record was self-produced with Vincent McIntyre and mixed by Justin Gerrish—how did that combination help bring out the sound you were chasing?

Vince is the best, he’s been a friend of mine for a long time and I’m so musically envious of his band Fan Girl, so I’ve wanted to make something with him for a very long time. He’s got this ability to make beautiful music sound like a car crash and then make it sound beautiful again, which matches my “keep all the ugly bits in” style of production very well. But he’s still got an ear for ‘big’ which is what we wanted to capture. When we found out Justin was down to mix we all lost our shit, he’s done so many of the records we grew up obsessing over, Strokes, Weezer, Bic Runga. We’re sometimes a little maximalist when it comes to tracks so we often tread that line of ‘too much sound’ but he did an amazing job at finding space for everything while still having that ‘wall of sound’ feeling.  

You’ve said this EP is high energy but more vulnerable—was it a challenge to balance emotional depth with the fast-paced sonic punch you’re known for?

I think it was more that we’ve, for a long time, kind of hid the emotional depth behind metaphors and contradicting music. It’s something I’ve always loved but it also feels like a safety net sometimes. The challenging part for me was putting my feelings into words that didn’t beat around the bush as much, and be musically honest with the way the chords feel. I still love making melancholy music but it felt fresh to match feelings with sound. But they’re still fast, that will never change. 

You’ve built a reputation for explosive live shows—how do the new tracks translate on stage? Any particular songs from the EP that already feel like fan favourites?

Yeah people are singing ‘Dust’ and ‘Manners’ already. We’ve always wanted big sing along moments so it does feel pretty great hearing your words back thrown back at you, especially when they’re so fresh. We played Dust at our first show back in Melbourne and I don’t think we’ve ever felt a reaction like that for a song before. We haven’t really played the unreleased stuff yet so I’m excited to see how they go live.

Looking ahead to the August/September tour, what can fans expect from the live experience this time around? Any surprises in store?

It’s a fact that right now we are the best we’ve ever been and one of the best live bands in this country so I think, if the last show is anything to go by, these will be the funnest shows we’ve played so far. I love making music and recording but we only make these silly songs so we can play them in rooms in front of people we love and have a connection to the songs, so I genuinely cant wait.

 

BAKERS EDDY

I’M DOING BETTER EP TOUR

Friday 8th August – The Austral – Adelaide, SA
Friday 15th August – Buddys Bar – Sydney, NSW
Saturday 16th August – 7th Day Brewery – Brookvale, NSW
Thursday 21st August – Mo’s Desert Clubhouse – Gold Coast, QLD
Friday 22nd August – Black Bear Lodge – Brisbane, QLD
Friday 12th September – Shotkickers – Melbourne, VIC

🎟️ For tickets and more information visit www.bakerseddy.com

CONNECT WITH BAKERS EDDY

Linktree | Instagram | TikTok | Facebook | YouTube | Spotify | Apple Music

 

June 9, 2025 0 comments
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Ezra Collective - Sydney Opera House - 31 May, 2025
Festival NewsMusic News

Ezra Collective – Sydney Opera House – 31 May, 2025

by the partae June 9, 2025
written by the partae

Photography: Josh Ma – Words: Ken Magno

Ezra Collective light up the Sydney Opera House in a vivid display of pure magical-musical energy, captivating audiences from all walks of life and uniting the mass together through the only language that is understood by all; pure, joyful, upbeat music.

Sydney Opera house is usually home to some of the most extravagant displays of art to grace Sydney, be it contemporary dance or ballet, theatrical displays or musicians looking to utilise the acoustics of the performance space inside the venue. Ezra Collective sought to do something a bit different; the London based afrobeats / jazz quintet came only to tear the roof down, spread their message of joy through music and to stir up the biggest party that Sydney has ever seen.

From the start of their set, the audience knew they were in for one hell of a night. The lights lifted, and the sound of horns could be heard blowing despite the empty stage. As the lights shifted everyone’s focus toward’s the back of the room, saxophonist James Mollison and trumpeter Ife Ogunjobi could be seen leading the set as the rhythm section of the band walked in; bassist TJ Koleoso, keyboardist Joe Armon-Jones and the larger-than-life drummer-slash-bandleader Femi Koleoso. As the group united, every member of the audience began to rise and move, as if being led in a hypnotic trance by the pied piper’s of the jazz scene themselves.

The setup of the stage was minimal, having only the instruments, amplifiers and some flashy lights to control the atmosphere of the concert hall, though this was all they needed. Ezra Collective is the type of band that knew how to capture the attention of those around them, whether they’re playing in underground jazz bars or on the streets, the collective is one of those rare generational talents that people are naturally drawn to, no matter what background.

Throughout the night (and much to my own amazement, constantly commenting “Can’t believe I’m seeing this happen inside the Opera House”), the band members would make their way into the audience, causing mass hysteria from the audience to start up dance circles and start jumping around as if no unspoken ‘no moshing inside the opera house’ rule didn’t exist. The night was carried by nothing but the music, not a single word was spoken outside of the usual “How we feeling Sydney” that was belted out by the band members throughout the night and by the rhythmic screams from the audience. Their title from their hit 2024 release “God Gave Me Feet for Dancing” plastered on the backs of many audience goers was a slogan that came to life, as even the most resilient of members were soon tapping their feet.

Ezra Collective at the Sydney Opera House was one of those nights that you walk away from thinking “what did I just witness” – the infectious energy carrying out as the crowd spilled into the street with a more syncopated rhythm in their step, while some (such as myself) spent the few moments after the show catching their breath in the freezing Sydney winter. The only way to summarise the feeling of the night is to go back to their best hits album title – “EZ to the World”.

Ezra Collective Ezra Collective Ezra Collective

June 9, 2025 0 comments
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Interview: Bakers Eddy "Brotherhood, Honesty, Chaos, and Catharsis"
Festival NewsMusic News

BAKERS EDDY RELEASE HEART-ON-SLEEVE SIX-TRACK EP I’M DOING BETTER

by the partae June 7, 2025
written by the partae

Bakers Eddy have released their eagerly anticipated new EP I’m Doing Better, out now via ADA.

Featuring triple j backed singles ‘Manners Street’ and ‘Dust On My Brain’, tongue-in-cheek extraterrestrial fan track ‘UFO’, and three brand new songs ‘Caroline’, ‘How Do I Know’ and new focus track ‘Hopeless Dreams’, I’m Doing Better is Bakers Eddy at their most exciting, and their most honest.

Alongside the EP release, the band are excited to announce a national run in August and September, with metropolitan and regional dates throughout QLD, NSW, SA, and VIC.

Talking about the record, frontman Ciarann Babbington shares:

“It’s a step in a new direction for us, and I think it will feel like a breath of fresh air for anyone who has been a fan for the last few years. We’re wearing our early emo/pop punk influences on our sleeve more than we’ve ever done, and we’re speaking about things that really matter to us. We’re letting people in on our experiences growing up together, and at times we’re being more vulnerable than we’ve ever been before. But it’s high energy at all times, which has become a staple of this band and something I don’t think will ever go away.”

The EP’s focus track ‘Hopeless Dreams’ is one such example of this vulnerability, touching on

“that feeling of fear that you might succumb to life when things get difficult, and wind up giving up on your dreams when things feel too hard,” Ciarann reveals. “This is something I was going through before writing this song. I was doing a lot of thinking and noticing patterns of getting in my own way sometimes. Putting this down on paper helped make me more aware of these things which I think is a good thing, to be honest and vulnerable and try to not make the same mistakes.”

Self-produced alongside Vincent McIntyre (Fan Girl / Mr Industry / Elizabeth M. Drummond),
Mixed by Justin Gerrish (Vampire Weekend / The Strokes / Weezer),
Mastered by Emily Lazar (Foo Fighters / Coldplay / Sia),
I’m Doing Better combines elements of alt rock, pop, and 2000s garage, glued together by energetic pop punk-influenced melodies.

The EP is the Naarm-based, Aotearoa-raised band’s first record since their acclaimed 2022 debut album Love Boredom Bicycles (Ivy League), with lead single ‘Manners Street’ reigniting their momentum in March this year. ‘Manners Street’, a love letter to the band’s beloved Aotearoa hometown of Wellington, saw the band back in fine form, with an add to full rotation on triple j after a first play on the station’s Home & Hosed program.

Second single ‘Dust On My Brain’ debuted on triple j’s Drive program and swiftly found itself to be a fan-favourite, with the crowd singing every word back to them at their launch show just days after release. Both tracks landed coverage from Rolling Stone AU/NZ, Music Feeds, The Music, Happy Mag, Tone Deaf and more – plus playlisting support from Spotify, Apple Music, and Amazon.

Earlier this year, Bakers Eddy embarked on a successful month-long stint overseas, writing and performing in the USA including appearances at SXSW in Austin, and New York’s New Colossus Festival.

Led by charismatic Ngāti Porou / Ngāti Tuwharetoa frontman Ciarann Babbington, and rounded out by childhood friends Jamie Gordon (drums) and twin brothers Ian (bass) and Alex Spagnolo (guitar), Bakers Eddy have spent the last couple of years moving between extensive touring schedules, identity-shaping writing sessions, and meaningful conversations. The band have supported the likes of Maggie Lindemann, Stand Atlantic, Beddy Rays, WAAX, and Grandson, and their compelling and undeniably electric live shows have seen them win over audiences wherever they go.


BAKERS EDDY

I’M DOING BETTER EP TOUR

Friday 8th August – The Austral – Adelaide, SA
Friday 15th August – Buddys Bar – Sydney, NSW
Saturday 16th August – 7th Day Brewery – Brookvale, NSW
Thursday 21st August – Mo’s Desert Clubhouse – Gold Coast, QLD
Friday 22nd August – Black Bear Lodge – Brisbane, QLD
Friday 12th September – Shotkickers – Melbourne, VIC

🎟️ For tickets and more information visit www.bakerseddy.com


 


CONNECT WITH BAKERS EDDY

Linktree | Instagram | TikTok | Facebook | YouTube | Spotify | Apple Music

June 7, 2025 0 comments
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OCEAN ALLEY ANNOUNCE FIFTH ALBUM LOVE BALLOON AND RELEASE INFECTIOUS TITLE TRACK
Festival NewsMusic News

OCEAN ALLEY ANNOUNCE FIFTH ALBUM LOVE BALLOON AND RELEASE INFECTIOUS TITLE TRACK

by the partae June 4, 2025
written by the partae

Globally renowned Australian rockers Ocean Alley are thrilled to announce their fifth studio album, Love Balloon, set for release on September 19 via Community Music. Alongside the news, the six-piece have dropped the record’s infectious title track.

Joyful and uplifting, “Love Balloon” offers a blissful glimpse into the band’s creative direction on their upcoming album – confident, exploratory and full of character. Anchored by an irresistible groove and a shimmering Nile Rodgers-inspired guitar riff, the track threads an unexpected touch of disco flair along its pulsating bassline, marking playful new territory for the band. It feels effortlessly spontaneous, echoing the carefree energy of previous singles “Tangerine” and “Left Of The Dealer”. It’s charming, lighthearted, and above all, fun.

Working with legendary producer Nick DiDia (Bruce Springsteen, Powderfinger, Rage Against The Machine) for the first time, the band embraced a stripped-back, more emotionally resonant approach to Love Balloon. Across 10 tracks, they take listeners on a journey through life and love in all its complexity, underscored by moments of light, vulnerability and connection. There are moments that feel expansive and hopeful, and others that are more introspective and raw. It’s not ignorant of our inner worlds or the world outside – it offers an escape from it.

On the record, keyboardist and vocalist Lach Galbraith explained, “The album explores the many layered dimensions of love – not just the cinematic kind where you’re falling head over heels, but the full spectrum: joy, hurt, discomfort and disappointment. Let’s call it the river of love – whether it’s with a partner, a friend, or family, you never know when it’ll get deep, go shallow, or suddenly change course. It’s such a force that you have to just surrender to its current.”

With a reputation for their magnetic live performances, and a catalogue that’s now surpassed 1 billion streams, Ocean Alley have a huge run of international dates to come throughout 2025. They are making appearances at iconic festivals including Lollapalooza, Sziget and Austin City Limits, alongside shows at LA’s Hollywood Palladium and Brooklyn Paramount in New York. The group will make their first trip to Latin America with shows in Mexico, Brasil and Chile, before taking on their largest headline show to date, anywhere in the world – at London’s iconic 10,000 capacity Alexandra Palace in September.

Ocean Alley have truly emerged as one of Australia’s most successful musical exports. Across four albums, including 2022’s critically acclaimed Low Altitude Living, the six-piece – Baden Donegal (vocals), Angus Goodwin (guitar), Lach Galbraith (keys/vocals), Mitch Galbraith (guitar), Tom O’Brien (drums) and Nic Blom (bass) – have inspired audiences around the world with their unmistakable sound. With chart success across Australia, New Zealand, the UK and USA, and nine accredited singles of Gold or higher, Ocean Alley are entering a bold new chapter – and with stadium-sized ambition in sight, they’re poised to leave an enduring mark on the music landscape for many years to come.

OCEAN ALLEY – LOVE BALLOON [LP]
Out 19 September via Community Music
Artwork by Nick Curl

STREAM “LOVE BALLOON” HERE
PRE-ORDER THE ALBUM

OCEAN ALLEY 2025 TOUR DATES

NORTH AMERICA:
Wednesday 16 July – Jannus Live, Tampa, FL
Friday 18 July – The Eastern, Atlanta, GA
Saturday 19 July – Fillmore, Charlotte, NC
Sunday 20 July – The Norva, Norfolk, VA
Wednesday 23 July – Fillmore, Silver Spring, MD
Friday 25 July – House of Blues, Boston, MA
Saturday 26 July – Brooklyn Paramount, Brooklyn, NY
Sunday 27 July – Fillmore, Philadelphia, PA
Tuesday 29 July – History, Toronto, ON
Thursday 31 July – The Outset, Chicago, IL
Thursday 31 July – Sunday 3 August – Lollapalooza, Chicago, IL
Saturday 4 October – Austin City Limits, Austin, TX
Saturday 11 October – Austin City Limits, Austin, TX
Wednesday 15 October – The Mission Ballroom, Denver, CO
Friday 17 October – Hollywood Palladium, Los Angeles, CA
Monday 20 October – Lunario, Mexico City, Mexico
Wednesday 23 October – Audio, São Paulo, Brazil
Friday 25 October – Teatro La Cúpula, Santiago, Chile

UK/EUROPE:
Thursday 7 August – Sziget Festival, Budapest
Saturday 27 September – Alexandra Palace, London UK

Follow Ocean Alley:
Website | Facebook | Instagram | TikTok | Twitter | YouTube

June 4, 2025 0 comments
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MELT 2025 IS COMING IN 🔥 FIRST PROGRAM ANNOUNCEMENT REVEALED! 22 OCT – 9 NOV ON SALE FROM 10AM TODAY!
Festival NewsMusic News

MELT 2025 IS COMING IN 🔥 FIRST PROGRAM ANNOUNCEMENT REVEALED! 22 OCT – 9 NOV ON SALE FROM 10AM TODAY!

by the partae June 3, 2025
written by the partae

MELT 2025

IS COMING IN
FIRST PROGRAM ANNOUNCEMENT REVEALED!
22 OCT – 9 NOV
ON SALE FROM 10AM TODAY!

Following a record-breaking, traffic-stopping, absolutely joyous festival in 2024, Melt Festival returns in 2025 to crank the fabulous factor up to eleven.

From Swarovski-studded cabaret icons to river flotillas, sweaty dance floors and hilariously gay PowerPoint nights, Brisbane’s annual festival of Queer arts and culture promises to be a city-wide celebration of internationally acclaimed artists, homegrown icons, sexy premieres and boundary-pushing brilliance. Here’s just a taste of what’s in store for Melt’s 2025 edition!

Get ready for the cultural climax of the year as fearless, sharp-witted and fabulous cabaret superstar, Reuben Kaye, unleashes the Queensland premiere of enGORGEd for Melt Festival 2025 at QPAC. Featuring Camerata – Queensland’s Chamber Orchestra and musical direction by Shanon D Whitelock, this is Kaye’s most lavish, loud and liberated show yet.

Making its Melt debut, Ben Graetz’s (aka Miss Ellaneous) Miss First Nation drag pageant will catwalk into Brisbane, celebrating Blak excellence, creativity and culture with the most glamourous Aboriginal and Torres Strait Islander queens in the country. After state heats around the country, the grand finale will take centre stage at Melt, where the nation’s fiercest will battle it out for the crown. Expect jaw-dropping performances, powerful storytelling and cultural pride.

What does it mean to be “Australian” in 2025? New musical The Lucky Country tackles that question with wit, warmth and a touch of musical rebellion. Directed by Sonya Suares with music and lyrics by Vidya Makan, this genre-defying work confronts Australia’s cultural contradictions with honesty, heart and a rocking score. Get ready for a sharply observed, joyously unapologetic production that leaves no myth unexamined.

River Pride Parade returns, bringing a flotilla of fabulousness down the Brisbane River/Maiwar, from West End to Brisbane Powerhouse. Got a boat? Register your interest to join the fleet HERE. No boat? Get ready to SPLASH OUT as Harry K launches a fabulously Queer boat party on Brisbane’s newest entertainment venue OASIS.

Queer PowerPoint is back and it’s gayer, geekier and more gloriously unhinged than ever. Watch a rotating cast of Queer creatives turn boring boardroom tools into high-concept hilarity and unexpectedly wild theories. The only rule…they must use the most mundane medium, Microsoft PPT. Topic? Niche. Delivery? Unfiltered. Results? Hysterical. Think you’ve got something to share? Apply to present HERE.

Iconic star of stage and screen Bernadette Peters returns for her first Australian performance in over a decade and a major cultural moment for theatre and music lovers alike! An Evening with Bernadette Peters will hit the Brisbane Convention Centre on Friday 24 October. Expect a glorious night of songs and stories from Peters’ incredible career, accompanied by Camerata – Queensland’s Chamber Orchestra. Get your tickets HERE.

Last year Melt called on Australia’s LGBTQIA+ community and allies to get nude and 5500 people answered that call for Spencer Tunick’s monumental installation on the Story Bridge. This year Melt is asking you to get vocal! Round out your Melt experience with 1000 Voices, a major choral event uniting queer and ally choirs and solo singers in one monumental moment of song, spirit and solidarity – a love letter to community, courage and collective harmony. Goosebumps guaranteed.

Melt 2025 continues to push the envelope, bringing together explosive nightlife, emotionally resonant theatre and thought-provoking visual art. Hole-Mania 2.0 promises an unhinged, high-energy Queer wrestle-party at The Tivoli, hosted by Queer dance party icon Shandy and drag menace Gogo Bumhole. Meanwhile, horror meets high drag in Scream Queen at the Princess Theatre, a blood-curdling drag spectacular starring a killer lineup of global drag royalty including Naomi Smalls, Yvie Oddly, and Drag Race UK winner Kyran Thrax.

In theatre, the program cuts deep with works that reckon with identity, belonging and colonisation. Jordan Shea’s award-winning Malacañang Made Us at Queensland Theatre explores the Filipino-Australian diaspora with epic scale and emotional grit. Whitefella Yella Tree at La Boite Theatre is a luminous love story between two Aboriginal boys on the brink of invasion, a poetic and heartbreaking reflection on land and first love, while Gerwyn Davies new work Shimmer brings stunning, identity-focused photographic portraits to the Museum of Brisbane, made in collaboration with trans and gender-diverse young people at Open Doors Youth Service.

Other program highlights include the return of Micah Rustichelli’s Demon Rhythm, which challenges the value of image consumption through a massive work of painting and repurposed Instagram imagery from the app’s explore page, SEXY GAY ART at VENTspace, a saucy, subversive showcase of Queer desire in all its forms and Femme Follies Burlesque, a sapphic spin on classic cabaret that brings fierce femme energy and glamorous grit to The Wickham. Rounding out Melt’s first program announcement for 2025 is Still Lives: Brisbane by Luke George and Daniel Kok, a roped-up homage to the city’s punk past, suspending instruments (and performers) in a haunting reanimation of Brisbane’s radical roots.

Minister for the Environment and Tourism and Minister for Science and Innovation, Andrew Powell said: “After a phenomenal debut, Melt returns in 2025 as one of Queensland’s most dynamic and inclusive celebrations of arts and culture. Now in its second year, the festival continues to spotlight the creativity, pride, and diversity of our LGBTQIA+ communities, while drawing visitors from across Australia and beyond.

“The Queensland Government is proud to support Melt through Tourism and Events Queensland, recognising its growing impact as a cultural and tourism highlight on our calendar”.

Lord Mayor Adrian Schrinner said Brisbane is ready to welcome visitors from all over Australia to this unique and beloved celebration.

“Melt is an amazing celebration of our LGBTQIA-plus community, creating so much to do in our vibrant arts and cultural scene,” Cr Schrinner said.

“There’s no better place to have such an iconic festival, with our river, cultural precinct and Brisbane Powerhouse set to stage a program full of world-renowned acts, international artists and local talent.

“Melt is set to attract thousands of residents and visitors, and it offers a fantastic boost to our economy as everyone enjoy our bars, restaurants and hotels”.

And honey, this is just the beginning! Full program coming soon…

MELT 2025
Brisbane/Magandjin: 22 October – 9 November

TICKETS ON SALE FROM 10AM TODAY!

For more information, please visit:
melt.org.au

The program’s first announced events include:

Reuben Kaye – engorged

Sexy Gay Art (Art)

Femme Follies (Burlesque)

Splash Out (boat party)

Gerwyn Davies (photographic portraits)

The Lucky Country (theatre)

Hole-Mania 2.0 (Queer wrestle-party)

Whitefella Yella Tree (theatre)

Malacanang Made Us (theatre)

Bernadette Peters (already announced)

Miss First Nation (drag pageant)

1000 Voices (already announced)

Queer PowerPoint (event)

Scream Queen (drag)

River Pride Parade (already announced)

 

June 3, 2025 0 comments
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Interview: Thorne - “Honey” Is Pure Sweet, Bold, Joy
Music InterviewsMusic News

Interview: Thorne – “Honey” Is Pure Sweet, Bold, Joy

by the partae June 3, 2025
written by the partae

‘Honey’ feels like such a celebration – not just of queer joy, but of confidence, playfulness, and sensuality. What inspired you to channel those feelings into this track?

This track started on a golden summer afternoon with one of my best friends, laughing, playing around with melodies, and getting stuck on the lyrics. So naturally, we turned to the wisest woman we knew—her mum—and asked, “What does sex mean to you?” Her answers gave us some hilarious and unexpectedly profound inspiration. Honestly, I just wanted to write something cheeky, fun, and a little bit stupid—in the best way. I’m all about lifting up my friends, making them laugh, and giving people something to dance to and feel themselves in. ‘Honey’ is that—it’s confidence, it’s joy, it’s me being playful and giving zero apologies.

The video is dreamy, bold, and unapologetically flirtatious. What was your vision going into it, and how did you bring that to life?

I wanted it to feel like a queer summer daydream—sticky, sweet, sexy, and a little chaotic in the best way. Think: ice cream melting down your wrist, your crush giving you that look, a house party where someone’s always dancing in the kitchen. I knew I wanted  my friend Paris as my love interest—he’s gorgeous, charismatic, and he gets the vibe. We wanted to create something flirty and delicious, something that grabs your attention and doesn’t let go. The whole video feels like a tease—just the way I like it.

You’ve spoken about representation being important. What does it mean to you to put out a video like this right now – for yourself, and for your community?

When my dad read the original video script, he was like, “Absolutely not.” He thought it was too much. And honestly, that made me want to do it even more. I want to take up space—not just for me, but for other queer people of colour who don’t always see themselves in this kind of work. I grew up needing to see someone like me doing this—being sensual, being joyful, being seen. This video is my way of saying, “We’re here. We’re sexy. Get into it.”

‘Honey’ is described as a shift in your musical direction. What sparked that change, and how does this new sound reflect where you’re at in life right now?

I think I was holding back before—like I hadn’t quite figured out how to bring all of me into the music. ‘Honey’ cracked something open. It let me step into a sound that’s bolder, freer, and way more fun. I’ve always been a little afraid to really put myself out there, but now I feel like I’m stepping into the spotlight with a wink and a little strut. This track is the beginning of a new era for me—one where I’m not trying to tone myself down.

There’s such a fun, feel-yourself energy in this song – was that vibe just as strong in the studio while making it?

Absolutely. I was dancing the whole time. Making ‘Honey’ felt like one long flirt—between me and the beat, me and the melody, me and myself. You know that feeling when you try on an outfit and instantly feel hot? That was me in the studio, but with sound. There was so much joy in the process, and I think you can hear that in every second of the track.

You’re celebrating the release with a show at Shotkickers – what can fans expect from that night? Any surprises you’re willing to tease?

Let’s just say: wear something you can sweat in. It’s going to be hot—musically and emotionally. I’m pulling out all the stops. Expect live vocals, cheeky moments, and a few unreleased tracks that might just become your new obsessions. Also, some of my favourite artists—Sim and Isadora—are supporting, and they are going to blow it up. It’s a night for the girls, the gays, and the theys. Come ready to dance, cry, flirt… maybe all at once.

Can you tell us a bit about the creative team behind the video? Who helped you shape this vision, and what was it like working together?

I worked with Checklist Productions on the video, and honestly? Dream team. I’d seen them in action on a friend’s music video and thought—okay, these gals know exactly what they’re doing. I loved that it was a female-led crew too—it made the whole process feel safe, collaborative, and genuinely fun. I came into it with more of a moodboard in my head than a full-blown treatment—just some scattered shot ideas and strong vibes. I’ve always found it tricky getting ideas out of my head and onto paper, but the girls were incredible at taking my little chaos and turning it into something bold and beautiful. They just got it. One moment I’ll never forget was when we were filming the bridge. The hallway lighting, the energy, the tension—it all came together and I thought, damn… this is about to be hot. That was the moment I knew the video was going to give everything it needed to. Total magic.

This track feels like a confidence boost in audio form. What advice would you give to someone still learning to embrace their own self-expression?

That voice in your head telling you you’re not good enough? It lies. Trust me, I hear it all the time. The trick is to keep going anyway. Keep showing up, keep trying—even when you’re scared. Especially when you’re scared. If it makes you nervous, it probably means you care, and that’s a good sign. Self-expression is a muscle—you build it by using it.

With ‘Honey’ being the first taste of more music to come, can you give us a hint of what’s on the horizon?

Absolutely—there’s so much more where Honey came from. The next singles are giving early 2000s R&B/pop: think slow grinds, flipped phones, lip gloss, and feelings you can’t shake. It’s moody, flirty, and full of that ugh, I miss them but also never again kind of energy. I won’t give away too much… but let’s just say there’s a track that might make you text your ex, and another that’ll make you forget they ever existed. The EP is a bit of a diary entry—equal parts heartbreak and hot girl energy. I’ve always loved a good breakup anthem, but I’m also obsessed with songs that make you feel yourself in the mirror. It’s a real mix of moods, but the common thread is honesty. These songs are all just me—my feelings, my mess, my joy—laid bare.This whole project feels like a new chapter. I’m more self-assured, more grounded in who I am—as Thorne and just as a person. I want people to feel everything when they listen to these tracks: sexy, angry, vulnerable, powerful. All of it. Because that’s what life is, right?

The title alone – ‘Honey’ – is such a vibe. How did you land on that name, and what does it represent for you personally?

It’s sweet, sticky, golden—and maybe just a little messy. That’s the vibe I wanted to capture. The word “Honey” feels like a wink and a kiss and a tiny little dare all rolled into one. It’s indulgent and intimate, and for me, it’s a reminder to stay soft but strong. Also, the metaphor… if you know, you know. 😏

Facebook: www.facebook.com/thornemusics

Instagram: www.instagram.com/thorne_music/

Tiktok: www.tiktok.com/@thorne.music

June 3, 2025 0 comments
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Music News

Broken Earth celebrate their growth on new single “RAINMAKER”

by the partae June 2, 2025
written by the partae

Sydney nu-metalcore rising stars Broken Earth return with their hard-hitting new single RAINMAKER hot on the heels of their set at TerrorLoud this past weekend

RAINMAKER is the culmination of years of sonic evolution, balancing crushing heaviness with introspective nuance—featuring razor-sharp instrumentation and a powerful vocal performance from frontman Raphael Smith.

Reflecting on self-acceptance and personal transformation, RAINMAKER invites listeners to confront their past and step into the future without fear. “It’s about choosing to grow, to rise above self-doubt, and to navigate life’s challenges head-on,” shares the band. “RAINMAKER continues the narrative from our previous singles—shedding old skin and embracing who we are becoming.”

The single reunites Broken Earth with long-time collaborator Mark Williamson (Inertia, Revoid) on production and mixing duties, with mastering by none other than Kris Crummett (All Time Low, Sleeping With Sirens, Dance Gavin Dance), reinforcing the band’s refined and matured trajectory in 2025.

Comprised of Raphael Smith (vocals), Brad Stokes (bass), Benjamin Robinson (guitar), and Sebastian Weir (drums), Broken Earth formed from the remnants of earlier projects, quickly forging a reputation for emotionally driven, genre-blending music that mixes authenticity with aggression.

Building a reputation for their live energy, Broken Earth have spent the last 12 months touring nationally, including a support slot with Miss May I (US) at their Sydney Knotfest sideshow. They’ve also shared the stage with heavyweights Paledusk (JPN), No Bragging Rights (US), Caskets (UK), Windwaker, Gravemind, Diamond Construct, The Beautiful Monument and more.

With hundreds of thousands of digital streams, placements on top Spotify and Apple Music editorial playlists, and growing media acclaim, Broken Earth continues to carve their name into the scene.

RAINMAKER is available now and streaming everywhere.

 

June 2, 2025 0 comments
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