The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Eats & Drinks
  • About Us
  • Contact Us / Advertise
  • Submit Event

Daniel Trakell Interview

September 21, 2023

Haast Hunter Interview

September 20, 2023

Pippa Scott ‘Valerie’ Premiere

September 19, 2023

Louwop ‘Ghosts’ Premiere

September 19, 2023

Tess Anderson ‘Self Control’ Premiere

September 19, 2023

Cookin’ On 3 Burners Interview

September 18, 2023

DANIEL TRAKELL captivates on new release ‘INTO THE BLUE’ Upcoming sophomore album...

September 17, 2023

AMY WINEHOUSE EXHIBITION COMING TO AUSTRALIA

September 16, 2023

HAAST HUNTER | NEW ZEALAND BASED ROCKERS RELEASE EXPLOSIVE NEW SINGLE ‘SUNSHINE’

September 16, 2023

Jon McCann ‘Too Far From Here’ Premiere

September 15, 2023
Monthly Archives

January 2021

Norma Jean Martine follows one of the biggest hits of 2020 with yet another huge tune. This track is so infectious, one listen and you will be humming the chorus all day. This time the happy vibes of ‘Head Shoulder Knees and Toes’ are replaced by an ever so fitting sentiment of people lost, that still manages to lift the heart. The original version is a beautiful slice of deep-pop music while Dutch club legend MOTi transforms it into a punchy main room sad banger that will turn kitchens into nightclubs all year long. MOTi delivers one of his typically effervescent club reworkings, beginning with a simple arrangement where dramatic synth hits blast over looping keys. The beat picks up, and fist-pumping piano chords greet us in the build-up. He mashes and carves her vocals for the drop as chunky house beats and fierce bass blasts drop in, bringing in the chorus refrain in glorious fashion and keeping the beat rolling into the second verse. The second break pushes the track into overdrive, with an immensely satisfying final drop thereafter. “Visiting Hours is a song that’s very dear to my heart because it was written for my very close life long friend who passed away a few years ago. Even though the verses are very specific to my friend and I, the chorus is very universal in terms of grief and loss. I wrote it for my friend, but I sang it at my brother’s funeral last year, and it brought me and so many others comfort when I sang it live. In a time where there has been so much unprecedented loss, I feel this song will really connect with people, and hopefully bring some comfort.” says Norma Jean Martine. The 3-track EP is completed with a breathtaking, stripped-back cover version of The Beatles’ ‘Hey Jude’ like you’ve never heard it before. Almost an acapella version, her fragile, emotion-drenched delivery is bolstered only by the subtlest of atmospheric, ambient sounds, with the gentlest of acoustic guitars and harmonies added in for the finale. Norma recorded the cover as a tribute to her father’s late cousin whom she was very close with and sadly passed away recently. “Despite my greatest efforts, I still broke down halfway through the song, but I left it in because it was real and a moment in time. I’m not sure what they originally intended with the lyrics, but lines like “take a sad song, and make it better” felt so relevant in the moment and brought me so much comfort.” says Norma Jean Martine on her cover of The Beatles’ original. Her skeletal version of the track brings out the dramatic beauty of the song and perfectly fits the ‘Visiting Hours’ EP. About Norma Jean Martine Alt-pop talent Norma Jean Martine is the superstar vocalist with the recognizable husky, powerhouse voice and strong songwriting skills. Exploring the indie space with her own releases and embracing the dancefloors with collaborations, she’s touching a global audience: ‘When We Were Young’ with Lost Kings amassed 90M streams and gained praise from the US to Asia and has a European hit under her belt with last year’s ‘Head Shoulder Knees And Toes’ for which she wrote the catchy and well-known lyrics, a collaboration with Parisian dance duo Ofenbach and the German producers Quarterhead, racking up over 150M streams in less than a year and breaking a personal record with 1M streams a day. With over 10 million monthly listeners, the charts and streaming results are undeniable: when Norma touches a song, magic happens. About MOTi Amsterdam based and world-renown music producer MOTi has collaborated with multi-platinum artists like Ty Dolla $ign & Wizkid and dance legends Tiësto, Major Lazer & Martin Garrix. MOTi’s name spanned with Beatport’s #1 hit ‘Virus’ which hit platinum status with EDM sensation Martin Garrix. With millions of streams worldwide and over 5 million monthly listeners, MOTi has graced the stages of the world’s biggest clubs and festivals such as Ultra Music Festival, Tomorrowland, EDC and more. CONNECT W/ NORMA JEAN MARTINE Instagram Instagram Facebook Facebook Twitter Twitter YouTube YouTube Spotify Spotify SoundCloud SoundCloud CONNECT W/ MOTi Instagram Instagram Facebook Facebook Twitter Twitter YouTube YouTube Spotify Spotify SoundCloud SoundCloud
Music News

Norma Jean Martine drops ‘Visiting Hours’ EP including an enticing MOTi Remix

by the partae January 30, 2021
written by the partae

Norma Jean Martine follows one of the biggest hits of 2020 with yet another huge tune. This track is so infectious, one listen and you will be humming the chorus all day. This time the happy vibes of ‘Head Shoulder Knees and Toes’ are replaced by an ever so fitting sentiment of people lost, that still manages to lift the heart. The original version is a beautiful slice of deep-pop music while Dutch club legend MOTi transforms it into a punchy main room sad banger that will turn kitchens into nightclubs all year long.

MOTi delivers one of his typically effervescent club reworkings, beginning with a simple arrangement where dramatic synth hits blast over looping keys. The beat picks up, and fist-pumping piano chords greet us in the build-up. He mashes and carves her vocals for the drop as chunky house beats and fierce bass blasts drop in, bringing in the chorus refrain in glorious fashion and keeping the beat rolling into the second verse. The second break pushes the track into overdrive, with an immensely satisfying final drop thereafter.

“Visiting Hours is a song that’s very dear to my heart because it was written for my very close life long friend who passed away a few years ago. Even though the verses are very specific to my friend and I, the chorus is very universal in terms of grief and loss. I wrote it for my friend, but I sang it at my brother’s funeral last year, and it brought me and so many others comfort when I sang it live. In a time where there has been so much unprecedented loss, I feel this song will really connect with people, and hopefully bring some comfort.” says Norma Jean Martine.

The 3-track EP is completed with a breathtaking, stripped-back cover version of The Beatles’ ‘Hey Jude’ like you’ve never heard it before. Almost an acapella version, her fragile, emotion-drenched delivery is bolstered only by the subtlest of atmospheric, ambient sounds, with the gentlest of acoustic guitars and harmonies added in for the finale. Norma recorded the cover as a tribute to her father’s late cousin whom she was very close with and sadly passed away recently. “Despite my greatest efforts, I still broke down halfway through the song, but I left it in because it was real and a moment in time. I’m not sure what they originally intended with the lyrics, but lines like “take a sad song, and make it better” felt so relevant in the moment and brought me so much comfort.” says Norma Jean Martine on her cover of The Beatles’ original. Her skeletal version of the track brings out the dramatic beauty of the song and perfectly fits the ‘Visiting Hours’ EP.

About Norma Jean Martine
Alt-pop talent Norma Jean Martine is the superstar vocalist with the recognizable husky, powerhouse voice and strong songwriting skills. Exploring the indie space with her own releases and embracing the dancefloors with collaborations, she’s touching a global audience: ‘When We Were Young’ with Lost Kings amassed 90M streams and gained praise from the US to Asia and has a European hit under her belt with last year’s ‘Head Shoulder Knees And Toes’ for which she wrote the catchy and well-known lyrics, a collaboration with Parisian dance duo Ofenbach and the German producers Quarterhead, racking up over 150M streams in less than a year and breaking a personal record with 1M streams a day. With over 10 million monthly listeners, the charts and streaming results are undeniable: when Norma touches a song, magic happens.

About MOTi
Amsterdam based and world-renown music producer MOTi has collaborated with multi-platinum artists like Ty Dolla $ign & Wizkid and dance legends Tiësto, Major Lazer & Martin Garrix. MOTi’s name spanned with Beatport’s #1 hit ‘Virus’ which hit platinum status with EDM sensation Martin Garrix. With millions of streams worldwide and over 5 million monthly listeners, MOTi has graced the stages of the world’s biggest clubs and festivals such as Ultra Music Festival, Tomorrowland, EDC and more.

CONNECT W/ NORMA JEAN MARTINE
Instagram
Instagram
Facebook
Facebook
Twitter
Twitter
YouTube
YouTube
Spotify
Spotify
SoundCloud
SoundCloud
CONNECT W/ MOTi
Instagram
Instagram
Facebook
Facebook
Twitter
Twitter
YouTube
YouTube
Spotify
Spotify
SoundCloud
SoundCloud
January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
DJ PIONEER RELEASES OFFICIAL REMIX OF ZOEY DOLLAZ FT. CHRIS BROWN ‘POST & DELETE’
Music News

DJ PIONEER RELEASES OFFICIAL REMIX OF ZOEY DOLLAZ FT. CHRIS BROWN ‘POST & DELETE’

by the partae January 30, 2021
written by the partae

LISTEN / STREAM HERE

DJ PIONEER & TJ X ZOEY DOLLAZ FEAT. CHRIS BROWN
‘POST & DELETE REMIX’
JOAT Music Group
OUT NOW

US rapper, Zoey Dollaz originally released his track ‘Post & Delete’ in 2017 featuring one of the contemporary R&B voices of our time, Chris Brown. With an underlying message that shines a light on social media addicts and those who take their timeline way too seriously, the track struck a chord and quickly became an international hit.

With an eye for the biggest records, it soon came to the attention of Kiss FM’s DJ Pioneer who remixed the original with a fresh UK House spin. Pioneer has engineered this one for the UK’s airwaves, streaming playlists and ultimately the dancefloor for when it is safe to return.

Fast paced and energetic, he utilises the original vocal with great effect, adding rolling basslines, synth stabs and an infectious chorus. This is well executed House, that pays perfect homage to the original. This is not his first success with a rework, it was Kele Le Rocs ‘My Love’, which amassed over 1 Million cumulative streams and featured on a number of compilations that brough him initial heat.

London based DJ Pioneer is an International House DJ, producer, radio personality, tastemaker and label boss of SOTU (Sounds Of The Underground). Credited as being one of a few artists to birth a new electronic music genre UK Funky. Now into his 13th year on the UK’s leading Dance radio station Kiss FM, he is central in breaking the careers of many new artists.

DJ Pioneer & TJ x Zoey Dollaz feat Chris Brown ‘POST & DELETE REMIX’ is out now on JOAT Music Group

Connect with DJ Pioneer
Facebook
Instagram
Twitter
Spotify
SoundCloud
January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
Loneliness bites at 4am and the call is made… Paris Youth Foundation’s latest anthem to bad breakup decisions is here: THE BACK SEAT
Music News

Loneliness bites at 4am and the call is made… Paris Youth Foundation’s latest anthem to bad breakup decisions is here: THE BACK SEAT

by the partae January 30, 2021
written by the partae

Although seeing their limitless ambitions frustrated by their lost year, Paris Youth Foundation continue to build on the dream foundations of their first ever shows being headline appearances at Leeds and Reading Festivals. Working with Blossoms and Courteeners producer, Rich Turvey at the legendary Parr Street Studios, Liverpool, The Back Seat brings out the best in the talented pop makers, entwining carnal, danceable beats and stadium-sized guitars in an unmissable landgrab on ground taken up by peers including Catfish and The Bottlemen, The 1975 and Two Door Cinema Club.

Assembled of Potter with Tom Morris Jones and Jamie Hives on guitars, drummer, Nathan Price and Mike Bower picking up bass guitar, the band formed in Liverpool in 2016 and scored near immediate BBC Radio One playlisting. Confidently playing into the hype surrounding their emergence, Paris Youth Foundation have since enjoyed packed UK tours, both as headliners and in support of bands including The Magic Gang, earning themselves a strong and growing following.

The band’s name comes from graffiti spotted in a Metro Station in the French capital, remembered by Potter from a childhood visit and decided, spur of the moment, for the release of the band’s breakthrough debut, If You Wanna.

For upcoming news on releases and live dates from Paris Youth Foundation, connect with the band online at:

https://www.parisyouthfoundation.com
https://twitter.com/parisyouthband
https://www.facebook.com/parisyouthfoundation
https://www.instagram.com/parisyouthfoundation

January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
2021 SOUNDS BETTER TOGETHER | Don't miss music TV event 7.30pm tonight on Nine | Jon Stevens to replace Daryl Braithwaite live from Mallacoota
Festival NewsMusic News

2021 SOUNDS BETTER TOGETHER | Don’t miss music TV event 7.30pm tonight on Nine | Jon Stevens to replace Daryl Braithwaite live from Mallacoota

by the partae January 30, 2021
written by the partae
VISIT VICTORIA AND MUSHROOM GROUP PROUDLY PARTNER FOR 
2021 SOUNDS BETTER TOGETHER
A CELEBRATION OF LIVE MUSIC IN THE STATE OF MUSIC
TELEVISED MUSIC SPECTACULAR 7.30PM TONIGHT ON NINE + 9NOW

FEATURING PERFORMANCES FROM CONCERTS STAGED  
ACROSS METRO & REGIONAL VICTORIA THIS WEEK 
JON STEVENS TO REPLACE DARYL BRAITHWAITE LIVE FROM MALLACOOTA
  • Jon Stevens to replace Daryl Braithwaite live performance from Mallacoota due to illness
  • Broadcast to include performances from: Jimmy Barnes, Tones And I, Missy Higgins, James Reyne, Jon Stevens, Daryl Braithwaite, The Teskey Brothers, Archie Roach, Ross Wilson, Birds Of Tokyo (with the MSO), The Living End, Something For Kate, Vika & Linda, Gordi + many more, including special surprises and collaborations
  • Watch on Nine tonight at 7.30pm and 9Now 7.30pm AEDT
2021 SOUNDS BETTER TOGETHER will broadcast from Mallacoota Oval tonight and will feature performances and highlights from a raft of the nation’s greatest talent, filmed live across eight days of COVIDSafe concerts in some of Victoria’s most breathtaking indoor and outdoor, regional and metro venues. Showcasing the likes of Jimmy Barnes, Tones And I, Missy Higgins, James Reyne, Daryl Braithwaite, Jon Stevens, The Teskey Brothers, Archie Roach, Ross Wilson, Birds Of Tokyo (with the Melbourne Symphony Orchestra), The Living End, Something For Kate, Vika & Linda, Gordi and many more – plus special surprises and collaborations – the 2.5 hour-long music spectacular will celebrate Australia’s incredible talent.

Mushroom Group regret to advise that due to illness Daryl Braithwaite is unable to perform at today’s 2021 SOUNDS BETTER TOGETHER concert at Mallacoota.

Daryl says “I’m incredibly sorry to cancel as I was really looking forward to returning to Mallacoota where I spent some time recently  – I’m having a few days rest and will be back on track next week.”

Jon Stevens has been confirmed to replace Daryl and says “I’m sorry to hear our mate Daryl is unwell and I wish him the speediest of recoveries. Stepping in for him for my first gig in 12 months will be an absolute honour and I can’t wait to rock out in Mallacoota! Cheers, Jon x”

Audiences tuning into Nine’s national broadcast at 7.30pm will still be treated to some classic Daryl Braithwaite, with a song from last weekend’s All Saints Estate concert set to feature.

James Reyne, Jon Stevens + Vika & Linda + Mia Wray
Mallacoota Oval | Mallacoota, VIC 
FINAL TICKETS ON SALE NOW
ticketmaster.com.au | 136 100

                    

Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
ADDITIONAL INFORMATION FOR MEDIA
TOUR URL: soundsbettertogether.com
AUSTRALIAN TICKET PRICES: All tickets under $50*
FAQ: sbt21.co/GeneralFAQ
2021 SOUNDS BETTER TOGETHER
Website
January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
LEMAIRE TEAMS UP WITH NAMASTE FOR THE FEEL GOOD SINGLE, 'OneNotTwo'
Music News

LEMAIRE TEAMS UP WITH NAMASTE FOR THE FEEL GOOD SINGLE, ‘OneNotTwo’

by the partae January 30, 2021
written by the partae

Gold Coast based artist Lemaire has teamed up with Queensland collective Namaste to bring us the heart-warming feel good track OneNotTwo. It follows on from his successful releases of 2020, Roll Call, Where’s Up and Calling To Say.

In a romantic example of art imitating life, ​OneNotTwo​ is an ideal collaboration between the exciting young Queensland-based artists. Chronicling the real-life tale of how Lemaire met his fiancé, the up-tempo, groove-infused song incorporates some hooky guitar work, neo-soul chords and an elegant drum pattern. Boasting a captivating vocal performance with memorable lyrics and several singalong worthy moments, ​OneNotTwo​ is proof that when you know, you know.

OneNotTwo is basically the story of how I met my fiancé. It’s the cheesiest, sappiest song I’ve ever written and I love it’ – LEMAIRE

OneNotTwo sets the benchmark of what will be a big year ahead for Lemaire as he sets off with the intention of releasing a brand-new single every month in 2021. With an already impressive back catalogue spanning the-passed two years and big love from some of Australia’s biggest tastemakers including Triple J Unearthed, AAA Backstage and more, the coming year looks very bright for the young talented Queenslander.

LISTEN TO ‘OneNotTwo’ HERE

 

At age 7, LEMAIRE discovered Redman’s highly explicit “Doc’s Da Name” album, hidden in an old trunk at his family home. He began listening in secret, and before long an obsession with hip-hop was born.

Gathering influence from an eclectic range of artists; Anderson .Paak, Ed Sheeran, Kendrick Lamar, and Jimi Hendrix, LEMAIRE combines aspects of hip-hop, pop, neo-soul and RnB in his studio recordings and live shows. He spends his days equipped with his Fender Stratocaster, bouncing between countless studios and rehearsal rooms across Southern Queensland and Northern NSW.

LEMAIRE began performing as a busker at the age of 15, a hobby that quickly became his full-time job. He spent years writing songs and travelling Australia, New Zealand, Europe and Canada with his guitar before settling in Gold Coast to set up his own home studio, and begin releasing his own original work.

2020 was LEMAIRE’s loudest year yet, from his breakout single “Where’s Up? (Feat. Jay Orient & JK-47)” being streamed and playlisted across the globe on Spotify, to his radio debut on Triple J with his single “Roll Call”. The leaked, unreleased collaboration with Namaste titled “Rocket Ship”, which is set for an official release in February 2021, has accumulated over 1.5 million views on YouTube and he has been lucky enough to work alongside acts such as ​ILLY​, J K – 4 7 ​, a​ n d ​N​ e r v e ​. 

Namaste touches on the belief that all humans share a spiritual connection. It’s that bond that brought together a range of musicians to form a production alliance. Once strangers, their similarities sparked a friendship that’s birthed a unique musical collective. All were born abroad but now bask in Australia’s sunshine and all share a mutual love for emotive vocals across all genres. With releases on Black Butter Records, Armada, Universal Music and PRMD Records in their discography, as well as millions of plays on streaming services, they’ve quickly established themselves as in-demand producers Down Under. Disguised in anonymity, Namaste could be old or young in age, experienced or rookies in profession. But none of that will matter when their blissful sound touches upon the soul of the listener.

“Real vibe on this one! Stays super smooth and then you drop the JK-47 verse like sheeeee” – Dave Ruby Howe, Triple J

“it’s clever, fun and got the mood set just right. another good one from lemaire!” – Declan Byrne, Triple J

“Once again Lemaire proves his talents as an incredible and exciting young performer to watch” – AAA Backstage

https://www.facebook.com/lemairemusic

https://www.instagram.com/lemairemusic/

 

January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
Pushing Daizies Duo Makes Their Emotive Bass Debut With "Want It To End" Single on Dim Mak Records
Music News

Steve Aoki’s Dim Mak releases first ever single of new enigmatic duo Pushing Daizies (out now)

by the partae January 30, 2021
written by the partae

Artists: Pushing Daizies
Title: Want It To End
Label: Dim Mak Records
Release date: January 29, 2021

Download / Stream

Unidentified duo Pushing Daizies makes their official debut with the future bass inspired track “Want It To End,” released on Dim Mak Records, a groovy and yet emotive vocal anthem that introduces their signature sound. The track’s accompanying lyric video features a simple and yet powerful illustration of two daisies in a storm, bringing the symbolic nature of the duo’s name full circle. Pushing Daizies is composed of two US producers who initially intended to just work together on a few collaborations; however, their workflow during studio sessions held so much promise that the project was born. It was soft-launched this year on January 08 with an official release of their remix of Apashe‘s “Distance” on Kannibalen Records, and now it’s time for the first official single.

“The Pushing Daizies project was almost 2 years in the making, and we couldn’t be more excited to finally roll it out. What began as a couple of collaborations ended up turning into a full project with over 20 unreleased originals. I think the fact that the intention was never to form a duo, and was purely organic, makes this even sweeter. We just hope the world enjoys our music as much as we did creating it.” – Pushing Daizies

Pushing Daizies is the pseudonym of two US-based dance music producers joining forces. The enigmatic duo makes groovy, bass-heavy, electronic dance music that creates an emotional roller coaster, pulling at the heartstrings of its listeners. The project, which initially began as multiple collaborations between the two artists, transpired as their synergy saw no end in sight. “Once we found our rhythm, we knew we had something special. It was bigger than just a few singles. I guess you could say that the project was an accident in the greatest way possible,” said one of the producers. The term “pushing daisies” refers to the flowers that grow over a burial plot when someone dies, which is symbolic of the cycles of life and death, light and dark. Said differently, when someone dies, life is created. We can’t wait to hear what’s next!

More info on Pushing Daizies / Dim Mak:

Pushing Daizies: Facebook | Instagram | Twitter | Spotify
Dim Mak: Facebook
 | Instagram | Twitter | Spotify

 

January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
R3HAB once again crosses genres and cultures by joining forces with Miami rapper Smokepurpp and Russian TikTok star Rakhim for a multi-lingual single "Fendi," originally a viral on TikTok, which positions itself as one of R3HAB’s most daring productions yet. Opening with a hard-hitting and rhythmic tempo, the track first ventures into the realm of hip-hop influences with rap lyrics and the title's catchy vocal hook. Fans will recognize the subtle but confident shift to R3HAB's signature electronic bass style in the second verse as a slapping bassline takes over. Smokepurpp and Rakhim trade off vocal duties in both English and Rakhim's native Russian language, making "Fendi" full of surprises to keep listeners on their toes. The story behind the song started with a post on R3HAB’s Instagram account calling on Smokepurpp to team up for a rework. The response came quickly from the American rapper, who was more than happy to jump on board. If this new release is any indication of what 2021 has in store for R3HAB, we can't wait to hear more! "I'm always keen on working with artists from different music cultures and learning from them. It was a real blast working with Rakhim and Smokepurpp, who are really talented and both pioneers in their fields. What we came up with feels modern and breaks down so many genre barriers." - R3HAB "When I created the track ‘Fendi,’ my goal was to make it a worldwide hit. And when R3HAB and Smokepurpp offered me a feat, I realized that this was another step towards my goal. I'm sure that collaboration with such cool artists will give "Fendi" its second life and take it to the next level. You're gonna love it." - Rakhim "I've been planning a lot of EDM/house type music for 2021, and I'm excited that one of the first drops was with R3HAB & that we were able to collab with Rakhim. I have a ton of Russian & Eastern European fans, and it's dope to get to do so many collabs with artists over there. Hopefully, we'll all be back on the road to perform this one soon." - Smokepurpp Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo's "Give Me Everything" to his dance anthems, such as "All Around The World (La La La)" and "Lullaby," which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official "mint" single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music's elite. Rakhim Abramov is a young hip-hop performer who, in half a year of his musical career, has released seven tracks under the name Rakhim, two of which have become hits throughout Russia and the CIS. Also, success came from America and Europe through TikTok and the top charts on Spotify and Apple Music. Rakhim's work is different from all other artists, and this allows him to rapidly increase a new audience and win the hearts of listeners. Omar Jeffery Pineiro, known professionally as Smokepurpp, is an American rapper, singer, songwriter, and record producer. Originally a record producer, Pineiro later found success on the audio distribution platform Soundcloud, which resulted in a joint venture record deal with Alamo Records and Interscope Records. Next, Pineiro released his commercial debut single, "Audi." The single soon became his biggest song with over 78 million plays on SoundCloud and 173 million streams on Spotify. It was followed by a release of his debut commercial mixtape Deadstar, including features from artists such as Chief Keef, Juicy J, and Travis Scott. The mixtape peaked at number 42 on the Billboard 200 albums chart. In 2018 Smokepurpp released two singles from the then-forthcoming "Bless Yo Trap" mixtape called "123" and "Do Not Disturb", the latter of which features Lil Yachty and Offset from Migos.
Music News

R3HAB Teams Up With Rappers Smokepurpp & Rakhim For Genre-Bending Fusion of Rap and Dance ‘Fendi’

by the partae January 30, 2021
written by the partae

Artists: R3HAB, Rakhim, Smokepurpp
Title: Fendi
Label: CYB3RPVNK
Release date: January 29, 2021

Download / Stream

R3HAB once again crosses genres and cultures by joining forces with Miami rapper Smokepurpp and Russian TikTok star Rakhim for a multi-lingual single “Fendi,” originally a viral on TikTok, which positions itself as one of R3HAB’s most daring productions yet. Opening with a hard-hitting and rhythmic tempo, the track first ventures into the realm of hip-hop influences with rap lyrics and the title’s catchy vocal hook. Fans will recognize the subtle but confident shift to R3HAB‘s signature electronic bass style in the second verse as a slapping bassline takes over. Smokepurpp and Rakhim trade off vocal duties in both English and Rakhim‘s native Russian language, making “Fendi” full of surprises to keep listeners on their toes. The story behind the song started with a post on R3HAB’s Instagram account calling on Smokepurpp to team up for a rework. The response came quickly from the American rapper, who was more than happy to jump on board. If this new release is any indication of what 2021 has in store for R3HAB, we can’t wait to hear more!

“I’m always keen on working with artists from different music cultures and learning from them. It was a real blast working with Rakhim and Smokepurpp, who are really talented and both pioneers in their fields. What we came up with feels modern and breaks down so many genre barriers.” – R3HAB

“When I created the track ‘Fendi,’ my goal was to make it a worldwide hit. And when R3HAB and Smokepurpp offered me a feat, I realized that this was another step towards my goal. I’m sure that collaboration with such cool artists will give “Fendi” its second life and take it to the next level. You’re gonna love it.” – Rakhim

“I’ve been planning a lot of EDM/house type music for 2021, and I’m excited that one of the first drops was with R3HAB & that we were able to collab with Rakhim. I have a ton of Russian & Eastern European fans, and it’s dope to get to do so many collabs with artists over there. Hopefully, we’ll all be back on the road to perform this one soon.” – Smokepurpp

Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo‘s “Give Me Everything” to his dance anthems, such as “All Around The World (La La La)” and “Lullaby,” which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official “mint” single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music’s elite.

Rakhim Abramov is a young hip-hop performer who, in half a year of his musical career, has released seven tracks under the name Rakhim, two of which have become hits throughout Russia and the CIS. Also, success came from America and Europe through TikTok and the top charts on Spotify and Apple Music. Rakhim‘s work is different from all other artists, and this allows him to rapidly increase a new audience and win the hearts of listeners.

Omar Jeffery Pineiro, known professionally as Smokepurpp, is an American rapper, singer, songwriter, and record producer. Originally a record producer, Pineiro later found success on the audio distribution platform Soundcloud, which resulted in a joint venture record deal with Alamo Records and Interscope Records. Next, Pineiro released his commercial debut single, “Audi.” The single soon became his biggest song with over 78 million plays on SoundCloud and 173 million streams on Spotify. It was followed by a release of his debut commercial mixtape Deadstar, including features from artists such as Chief Keef, Juicy J, and Travis Scott. The mixtape peaked at number 42 on the Billboard 200 albums chart. In 2018 Smokepurpp released two singles from the then-forthcoming “Bless Yo Trap” mixtape called “123” and “Do Not Disturb“, the latter of which features Lil Yachty and Offset from Migos.

More info on R3HAB / Smokepurpp / Rakhim / CYB3RPVNK:
 

R3HAB: Facebook | Instagram | Twitter | Spotify
Smokepurpp: Facebook
 | Instagram | Twitter | Spotify
Rakhim: TokTok
 | Instagram | Youtube | Spotify
CYB3RPVNK: Website
 | Youtube

 

January 30, 2021 0 comment
0 FacebookTwitterPinterestEmail
BIG WORDS ANNOUNCE MELBOURNE SHOW AT THE FAIRFIELD AMPHITHEATRE
Festival NewsMusic News

BIG WORDS ANNOUNCE MELBOURNE SHOW AT THE FAIRFIELD AMPHITHEATRE

by the partae January 29, 2021
written by the partae

Big Words Presents: An Afternoon at the Amphitheatre

Saturday February 13th: Fairfield Amphitheatre, Melbourne

13:00 – 21:00

Tickets

For one night only, Big Words present to you this intimate, heavily curated line up of Melbourne’s greatest emerging talent. For lovers of soul, indie and all things alternative, Big Words have gathered some very special bands for a blissful afternoon of exploration. Taking place at the stunning open-air Fairfield amphitheatre, this will be a very special show and the last before the group begin recording their debut album.

2020 was a defining year for Big Words, having released their acclaimed Mixtape ‘Cherry’ which saw them be triple j Feature Artist and caught the attention of international tastemaker media such as Wonderland Magazine, V Magazine and Earmilk.

Finally being able to return to the stage, Big Words have a reputation for pairing their music with bespoke visuals & performance art in what many describe as one of the best live shows in Australia.

There are very limited tickets so please don’t wait.

BIG WORDS

With Drake-like charisma drenched in Beach Boys harmonies – Big Words are Melbourne’s most adored duo, made up of childhood friends Will Scullin and Kieren Lee, showcasing their lush hybrid of alt R&B, indie-pop and soul.

Since being discovered busking by Ghostface Killah during Wu-Tang Clan’s 2016 tour of Australia, Big Words have gone on to amass over 9 million streams, support Hobo Johnson and Tash Sultana on their national tours and play main stage slots at some of the biggest festivals around Australia including Beyond The Valley, Grapevine Gathering and Wildlands.

Their most recent output, mixtape ‘Cherry’ was serendipitously conceived during isolation.Originally the discarded demos from Big Words’ forthcoming debut album, The Cherry Mixtape took on a life of its own during quarantine when the duo were isolated in their apartment. One evening whilst having a few drinks, they decided they would finish off some semi-formed ideas which were never otherwise going to see the light of day. Entirely self-produced and completed in just two weeks, it wasn’t long before they realised these so-called ‘offcuts’ could actually be their best body of work yet. Cherry is a fortuitous treasure, embodying Big Word’s unique ability to create contemporary music, whilst nodding to different eras.

Kieren’s eclectic writing style developed over years of busking on the streets of Melbourne, whilst Will’s signature falsetto and production style has flourished from years of writing and recording at home. Together their sound is inspired by a wide range of visionary artists like Frank Ocean, Amy Winehouse, Mark Ronson, Daniel Caesar and Khruangbin.

Site Information:

The amphitheatre will be separated into two halves of 115 patrons each. You can move around your allocated half throughout the event but cannot cross into the other seated half.

Bar and Food:

The bar will be implementing table service. Patrons can find QR codes dotted around your allocated area with a corresponding number on it. Order to this number, wait until your order arrives and show the bartender your order receipt. You can move around and use other QR codes, just edit the number when ordering to ensure your drink comes to the right place.

Praise for Big Words

“Big Words making music with such a strong vision” – Dave Ruby Howe, triple j Unearthed

“Big Frank Ocean energy” – Life Without Andy

“No longer local knowledge, the soul/R&B/funk/pop outfit has grown from its initial cult fandom” – Dreamland Magazine

“Prepare for a solid coating of goosebumps” – Forte Magazine

FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | YOUTUBE

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
ALISON WONDERLAND & VALENTINO KAHN RELEASE OFFICIAL MUSIC VIDEO FOR 'ANYTHING'
Music News

ALISON WONDERLAND & VALENTINO KHAN RELEASE OFFICIAL MUSIC VIDEO FOR ‘ANYTHING’

by the partae January 29, 2021
written by the partae

Following on the heels of their wildly successful November collaboration “Anything,” electronic music mega heads Alison Wonderland and Valentino Khan excitedly debut the track’s accompanying music video. The official music video is available on Friday, January 29th (AU time) via Diplo’s prolific Mad Decent label.

The “Anything” official music video chronicles a house party in the woods, starring Alison Wonderland and Valentino Khan themselves. Cutting between scenes depicting a lively party and Wonderland working as a mysterious mixologist, the party soon bursts into dynamic colour as the guests sip Wonderland’s magic elixir. A sharp descent into hell-sent madness ensues, as the video turns towards the occult. Both Wonderland and Khan watch into the madness of the partygoers, before finally indulging themselves. Clocking in at just under 4-minutes, the official “Anything” music video is equal parts exciting and bone-chilling.

Quickly amassing over 5 million streams and reaching the triple J Hottest 200, Alison Wonderland and Valentino Khan’s “Anything” solidified itself as a true house music and electronic pop classic. An effortless collision of two sonic styles, “Anything” exudes powerful feminine energy courtesy of Alison Wonderland’s captivating vocal performance, and riveting house music flair by Khan himself. “Anything” received high praise from industry tastemakers such as DJ Mag, Stoney Roads, DJ Times, EDM.com, Dancing Astronaut, and This Song Is Sick, who called the pairing “a beautiful meeting of the minds.” Two long-time heavyweights in the scene with much more to come throughout 2021, these are two artists to be sure to keep an eye on.

About Alison Wonderland:

Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, producer, songwriter, and DJ realises this vision at the intersection of future-facing pop, explosive beat-craft, and eternal dance rhythms.

Emerging in 2009 with regular night club sets around Australia and a series of remixes for everyone from Little Dragon to Justin Bieber, she ignited an international splash in 2015 with the full-length debut, Run. It reached gold status in Australia and earned two ARIA Awards nominations, for Best Dance Release and Best Video for “U Don’t Know”. She went on to debut her live set in the US that year at Coachella. Fast forward to 2017, she achieved the Best New Artist honour at the first-ever Electronic Dance Music Awards, while her remix of Dua Lipa’s “New Rules” soared to #1 on the Billboard Dance Charts.

Her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella,” captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe, and clocked upwards of 100 million streams by 2018. Not to mention, triple j declared that “both sonically and vocally, Awake is Alison’s biggest work to date”, The Music called Alison “an intuitive songwriter, who wires into any sort of emotion”, and Stack Magazine named her an “Industry Leader”.  In the US, Billboard gave Awake rave reviews whilst ELLE proclaimed her one of its “Women On The Verge,” and she garnered features from FADER, Glamour, Seventeen, Interview, and more.  Simultaneously, Alison’s Radio Wonderland show, now broadcasting to over 20 countries and featuring prominently on the Sirius XM channel Diplo’s Revolution.

For more info on Alison Wonderland, visit:
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
The Victorian Government and the National Gallery of Victoria today launched a design competition to select an Australian architectural team to design the new purpose-built, twenty-first century gallery, NGV Contemporary. Located at 77 Southbank Boulevard, Melbourne, the new gallery will be dedicated to showcasing contemporary art, design, fashion and architecture of local, national and international significance in the heart of a transformed Melbourne Arts Precinct. Once completed, the gallery will span 30,000 square metres, making it the largest public gallery of contemporary art and design in Australia. Building on the growth in audiences attending ground-breaking exhibitions and installations of contemporary art, design and architecture, NGV Contemporary will elevate Melbourne’s reputation as a thriving and dynamic destination for art, design and architecture in our region. The NGV Contemporary Design Competition seeks visionary, sustainable and dynamic design approaches for a landmark building that celebrates the central role of art and design in contemporary life and culture. In an unprecedented move for a competition of this scale and civic profile, eligibility to enter the competition is open exclusively to Australian architectural teams, offering an unparalleled platform to showcase Australia’s world-leading design and architecture industries. NGV Contemporary will connect to the Southbank neighbourhood and St Kilda Road through an expansive 18,000 square metres of new elevated public gardens. In turn, the NGV Contemporary Design Competition presents an extraordinary city-changing opportunity to envision the ways in which NGV Contemporary will connect architecturally to the wider Melbourne Arts Precinct and unite Melbourne’s creative heart, joining north to south, and reimagining the very fabric of the city. Registration for the NGV Contemporary Design Competition is now open for Australian Architects, Architectural Companies and Architectural Partnerships. Registration is a prerequisite to participating in the competition. Collaborative and multidisciplinary teams with a breadth of experience, knowledge and skills are strongly encouraged to apply. The Hon. Daniel Andrews, Premier of Victoria, said: ‘NGV Contemporary will be an Australian-designed global icon. In its design, construction, operations, exhibitions and programs, the gallery will create thousands of local jobs and boost our economic recovery.’ Minister for Creative Industries, Danny Pearson, said: ‘This landmark project offers an extraordinary opportunity for Victoria and Australia’s architectural community to shape our creative state for decades to come.’ Janet Whiting AM, President, Council of Trustees, National Gallery of Victoria, said: ‘This state-of-the-art gallery will be a major drawcard for millions of visitors from across Victoria, Australia and the world. The Australian designed and built NGV Contemporary will be a legacy-making Victorian architectural landmark that will become a must-see cultural destination on the itineraries of visitors to our city.’ Tony Ellwood AM, Director, National Gallery of Victoria and NGV Contemporary Design Competition Jury member, said: ‘NGV Contemporary will be a thriving hub for local, national and international design and architecture, presented alongside significant examples of contemporary art, fashion and performance. It is therefore only fitting that NGV Contemporary will be designed and built by an Australian design and architecture team. This design competition presents an unprecedented opportunity to create a building of architectural significance that will become part of the fabric of our state and cultural identity.’ Corbett Lyon, NGV Trustee and Chair, NGV Contemporary Design Competition Jury, said: ‘Australian architecture and design is of international repute and the work of its practitioners is celebrated world-wide. This competition will showcase the vibrancy and dynamism that fuels Australian design and architecture, as well as the ethos of collaboration that is ingrained into our practices and studios. Architecturally, NGV Contemporary will have an indelible impact on the shape of our city, and through this major competition will also have an equally important and long-lasting impact on our local design and architecture industry.’ Victorian Government Architect and NGV Contemporary Design Competition Jury member, Jill Garner AM LFRAIA said: ‘NGV Contemporary presents an unprecedented and prestigious acknowledgment of Australian architectural excellence. It will undoubtedly be a once-in-a-lifetime opportunity to create a lasting cultural legacy for the state of Victoria.’ Following the registration period, there will be an Expression of Interest followed by a two-stage design competition. A high-profile jury of Australian and international architecture and design experts will assess competing designs and nominate the design teams that can deliver a global vision for NGV Contemporary. The Jury includes Corbett Lyon, NGV Trustee and Director, Lyons Architecture (Jury Chair), Tony Ellwood AM, Director, NGV and Jill Garner AM, Victorian Government Architect and Director, Garner Davis Architects. The full NGV Contemporary Design Competition Jury will be announced at the opening of the Expression of Interest. The design for the new gallery must consider the function and flexibility required in order to display a diverse range of contemporary art and design; the visitor experience and how they will encounter the works on display as they navigate the building; and the gallery’s connection to the wider community, including the Melbourne Arts Precinct, the Southbank neighbourhood and the wider city. COMPETITION ELIGIBILITY AND DETAILS In order to register you must be an Australian practising Architect. Registration does not automatically qualify a registrant as eligible. To be eligible to participate in the NGV Contemporary Design Competition, competitor teams must meet all the below listed eligibility criteria. A single architecture practice may fulfil all requirements, alternatively two or more practices may separately fulfil the requirements. The eligibility criteria will be assessed as part of the EoI process. Design Lead be a Practising Architect, Architectural Company or Architectural Partnership within Australia for no less than ten years, and eligible to register as an architect in Victoria, Australia pursuant to the Architects Act 1991 (Vic); and has demonstrated public sector experience as project architect. Anchor Practice be a Practising Architect, Architectural Company or Architectural Partnership within Australia for no less than ten years, and eligible to register as an architect in Victoria, Australia pursuant to the Architects Act 1991 (Vic); and have no less than 30 staff (FTE) in Australia, and have provided lead design services for the key phases of the project lifecycle on a project with a construction budget of no less than AUD$100m. Victorian Participation Requirement a minimum of one of the competitor team members must have been a registered Victorian Business for no less than 12 months; and The successful design team will need to commit to running the principal NGV Contemporary project design studio in Melbourne. COMPETITION STRUCTURE The NGV Contemporary Design Competition incorporates a two-part Expression of Interest (EoI) and a two-part design competition. The EoI will focus on task appreciation, methodology, team, track record and risk compliance. The design competition will focus on design responses. Registrants will be invited to form teams to participate in EoI Part A. Services sought at EoI Part A include architecture, interior design, urban design, and landscape architecture. A target of twelve competitor teams will be longlisted to progress to EoI Part B, where competitor teams will be asked to demonstrate their capabilities in sustainability and engineering services disciplines. At the completion of EoI Part B, a target of eight competitor teams will progress to first stage of the design competition. Competitor teams participating in the first stage of the design competition will present an initial design concept. A target of up to four competitor teams will be selected to progress to the second stage of the design competition. Competitor teams participating in the second stage of the design competition will undertake to more fully develop their design concepts. A positive guidance workshop will be held midway through this stage. At the completion of the second stage the Jury will provide their advice for Victorian Government consideration with a successful design team and preferred design announced in summer 2021/22. An honorarium is provided to all competitors selected to progress to Stages One and Two of the design competition. The competition is delivered through Development Victoria and Competition Advisors, CityLab. Registrations for the NGV Contemporary Design Competition are now open via the NGV website www.ngv.vic.gov.au/ngv-contemporary-design-competition/. All enquiries regarding participation in the NGV Contemporary Design Competition should be submitted via the website. ABOUT NATIONAL GALLERY OF VICTORIA (NGV) Founded in 1861, the NGV is the most visited and oldest public art institution in Australia. The organisation is currently situated over two buildings – NGV International on St Kilda Road and The Ian Potter Centre: NGV Australia at Fed Square. NGV Contemporary will be the third site for the NGV, enabling the organisation to present a dynamic schedule traversing contemporary, historic, national and international art and design. The NGV holds one of the most significant collections of art and design in the region; a vast treasury of more than 70,000 works that span thousands of years and a wealth of ideas, disciplines and styles. Visitors can access this vast collection through the NGV’s year-round calendar of temporary and collection exhibitions by international and local artists, complemented with programs and events including Melbourne Design Week and the Melbourne Art Book Fair. Exhibition areas range from contemporary art and design to major international historic exhibitions, fashion, photography, sound and performance. NGV attendance has more than doubled its growth in six years, with 1.57 million visitors in 2012 to about 3 million visitors per year in 2019. With more than 1.23 million visitors, the inaugural NGV Triennial, held in 2017, remains the NGV’s highest attended exhibition to date. Occurring every three years, the NGV Triennial is a large-scale exhibition of art, design and architecture, featuring the work of leading contemporary artists and designers from countries across the globe. NGV Contemporary will strengthen the NGV’s reputation for promoting local and international art and design at its major pre-existing galleries – NGV International on St Kilda Road and The Ian Potter Centre: NGV Australia at Federation Square.
Fashion & Culture

Competition to appoint Australian architecture team to design the largest contemporary art and design gallery in the country, NGV Contemporary

by the partae January 29, 2021
written by the partae

The Victorian Government and the National Gallery of Victoria today launched a design competition to select an Australian architectural team to design the new purpose-built, twenty-first century gallery, NGV Contemporary.

Located at 77 Southbank Boulevard, Melbourne, the new gallery will be dedicated to showcasing contemporary art, design, fashion and architecture of local, national and international significance in the heart of a transformed Melbourne Arts Precinct. Once completed, the gallery will span 30,000 square metres, making it the largest public gallery of contemporary art and design in Australia.

Building on the growth in audiences attending ground-breaking exhibitions and installations of contemporary art, design and architecture, NGV Contemporary will elevate Melbourne’s reputation as a thriving and dynamic destination for art, design and architecture in our region.

The NGV Contemporary Design Competition seeks visionary, sustainable and dynamic design approaches for a landmark building that celebrates the central role of art and design in contemporary life and culture. In an unprecedented move for a competition of this scale and civic profile, eligibility to enter the competition is open exclusively to Australian architectural teams, offering an unparalleled platform to showcase Australia’s world-leading design and architecture industries.

NGV Contemporary will connect to the Southbank neighbourhood and St Kilda Road through an expansive 18,000 square metres of new elevated public gardens. In turn, the NGV Contemporary Design Competition presents an extraordinary city-changing opportunity to envision the ways in which NGV Contemporary will connect architecturally to the wider Melbourne Arts Precinct and unite Melbourne’s creative heart, joining north to south, and reimagining the very fabric of the city.

Registration for the NGV Contemporary Design Competition is now open for Australian Architects, Architectural Companies and Architectural Partnerships. Registration is a prerequisite to participating in the competition. Collaborative and multidisciplinary teams with a breadth of experience, knowledge and skills are strongly encouraged to apply.

The Hon. Daniel Andrews, Premier of Victoria, said: ‘NGV Contemporary will be an Australian-designed global icon. In its design, construction, operations, exhibitions and programs, the gallery will create thousands of local jobs and boost our economic recovery.’

Minister for Creative Industries, Danny Pearson, said: ‘This landmark project offers an extraordinary opportunity for Victoria and Australia’s architectural community to shape our creative state for decades to come.’

Janet Whiting AM, President, Council of Trustees, National Gallery of Victoria, said: ‘This state-of-the-art gallery will be a major drawcard for millions of visitors from across Victoria, Australia and the world. The Australian designed and built NGV Contemporary will be a legacy-making Victorian architectural landmark that will become a must-see cultural destination on the itineraries of visitors to our city.’

Tony Ellwood AM, Director, National Gallery of Victoria and NGV Contemporary Design Competition Jury member, said: ‘NGV Contemporary will be a thriving hub for local, national and international design and architecture, presented alongside significant examples of contemporary art, fashion and performance. It is therefore only fitting that NGV Contemporary will be designed and built by an Australian design and architecture team. This design competition presents an unprecedented opportunity to create a building of architectural significance that will become part of the fabric of our state and cultural identity.’

Corbett Lyon, NGV Trustee and Chair, NGV Contemporary Design Competition Jury, said: ‘Australian architecture and design is of international repute and the work of its practitioners is celebrated world-wide. This competition will showcase the vibrancy and dynamism that fuels Australian design and architecture, as well as the ethos of collaboration that is ingrained into our practices and studios. Architecturally, NGV Contemporary will have an indelible impact on the shape of our city, and through this major competition will also have an equally important and long-lasting impact on our local design and architecture industry.’

Victorian Government Architect and NGV Contemporary Design Competition Jury member, Jill Garner AM LFRAIA said: ‘NGV Contemporary presents an unprecedented and prestigious acknowledgment of Australian architectural excellence. It will undoubtedly be a once-in-a-lifetime opportunity to create a lasting cultural legacy for the state of Victoria.’

Following the registration period, there will be an Expression of Interest followed by a two-stage design competition.

A high-profile jury of Australian and international architecture and design experts will assess competing designs and nominate the design teams that can deliver a global vision for NGV Contemporary. The Jury includes Corbett Lyon, NGV Trustee and Director, Lyons Architecture (Jury Chair), Tony Ellwood AM, Director, NGV and Jill Garner AM, Victorian Government Architect and Director, Garner Davis Architects. The full NGV Contemporary Design Competition Jury will be announced at the opening of the Expression of Interest.

The design for the new gallery must consider the function and flexibility required in order to display a diverse range of contemporary art and design; the visitor experience and how they will encounter the works on display as they navigate the building; and the gallery’s connection to the wider community, including the Melbourne Arts Precinct, the Southbank neighbourhood and the wider city.

COMPETITION ELIGIBILITY AND DETAILS

 

In order to register you must be an Australian practising Architect. Registration does not automatically qualify a registrant as eligible. To be eligible to participate in the NGV Contemporary Design Competition, competitor teams must meet all the below listed eligibility criteria.

A single architecture practice may fulfil all requirements, alternatively two or more practices may separately fulfil the requirements. The eligibility criteria will be assessed as part of the EoI process.

Design Lead

  • be a Practising Architect, Architectural Company or Architectural Partnership within Australia for no less than ten years, and eligible to register as an architect in Victoria, Australia pursuant to the Architects Act 1991 (Vic); and has demonstrated public sector experience as project architect.

Anchor Practice

  • be a Practising Architect, Architectural Company or Architectural Partnership within Australia for no less than ten years, and eligible to register as an architect in Victoria, Australia pursuant to the Architects Act 1991 (Vic); and
  • have no less than 30 staff (FTE) in Australia, and
  • have provided lead design services for the key phases of the project lifecycle on a project with a construction budget of no less than AUD$100m.

Victorian Participation Requirement

  • a minimum of one of the competitor team members must have been a registered Victorian Business for no less than 12 months; and
  • The successful design team will need to commit to running the principal NGV Contemporary project design studio in Melbourne.

COMPETITION STRUCTURE

  • The NGV Contemporary Design Competition incorporates a two-part Expression of Interest (EoI) and a two-part design competition. The EoI will focus on task appreciation, methodology, team, track record and risk compliance. The design competition will focus on design responses.
  • Registrants will be invited to form teams to participate in EoI Part A. Services sought at EoI Part A include architecture, interior design, urban design, and landscape architecture.
  • A target of twelve competitor teams will be longlisted to progress to EoI Part B, where competitor teams will be asked to demonstrate their capabilities in sustainability and engineering services disciplines.
  • At the completion of EoI Part B, a target of eight competitor teams will progress to first stage of the design competition. Competitor teams participating in the first stage of the design competition will present an initial design concept.
  • A target of up to four competitor teams will be selected to progress to the second stage of the design competition. Competitor teams participating in the second stage of the design competition will undertake to more fully develop their design concepts. A positive guidance workshop will be held midway through this stage.
  • At the completion of the second stage the Jury will provide their advice for Victorian Government consideration with a successful design team and preferred design announced in summer 2021/22.

An honorarium is provided to all competitors selected to progress to Stages One and Two of the design competition.

The competition is delivered through Development Victoria and Competition Advisors, CityLab.

Registrations for the NGV Contemporary Design Competition are now open via the NGV website www.ngv.vic.gov.au/ngv-contemporary-design-competition/. All enquiries regarding participation in the NGV Contemporary Design Competition should be submitted via the website.

 

ABOUT NATIONAL GALLERY OF VICTORIA (NGV)

Founded in 1861, the NGV is the most visited and oldest public art institution in Australia. The organisation is currently situated over two buildings – NGV International on St Kilda Road and The Ian Potter Centre: NGV Australia at Fed Square. NGV Contemporary will be the third site for the NGV, enabling the organisation to present a dynamic schedule traversing contemporary, historic, national and international art and design.

The NGV holds one of the most significant collections of art and design in the region; a vast treasury of more than 70,000 works that span thousands of years and a wealth of ideas, disciplines and styles. Visitors can access this vast collection through the NGV’s year-round calendar of temporary and collection exhibitions by international and local artists, complemented with programs and events including Melbourne Design Week and the Melbourne Art Book Fair. Exhibition areas range from contemporary art and design to major international historic exhibitions, fashion, photography, sound and performance.

NGV attendance has more than doubled its growth in six years, with 1.57 million visitors in 2012 to about 3 million visitors per year in 2019. With more than 1.23 million visitors, the inaugural NGV Triennial, held in 2017, remains the NGV’s highest attended exhibition to date. Occurring every three years, the NGV Triennial is a large-scale exhibition of art, design and architecture, featuring the work of leading contemporary artists and designers from countries across the globe.

NGV Contemporary will strengthen the NGV’s reputation for promoting local and international art and design at its major pre-existing galleries – NGV International on St Kilda Road and The Ian Potter Centre: NGV Australia at Federation Square.

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
SLOWLY SLOWLY ANNOUNCE DOUBLE LP COLLECTION 'RACE CAR BLUES EXTENDED EDITION' FEATURING THE ORIGINAL 'RACE CAR BLUES' + NEW ALBUM 'RACE CAR BLUES - CHAPTER 2', OUT FEB 26 NEW SINGLE + VIDEO 'THE LEVEL' OUT TODAY
Festival NewsMusic News

SLOWLY SLOWLY ANNOUNCE DOUBLE LP COLLECTION ‘RACE CAR BLUES EXTENDED EDITION’ FEATURING THE ORIGINAL ‘RACE CAR BLUES’ + NEW ALBUM ‘RACE CAR BLUES – CHAPTER 2’, OUT FEB 26 NEW SINGLE + VIDEO ‘THE LEVEL’ OUT TODAY

by the partae January 29, 2021
written by the partae
Image: Kyle Caulfield

Following the whirlwind success of their third album Race Car Blues, Slowly Slowly are announcing details on their follow up release Race Car Blues Extended Edition, out Friday February 26. The double LP collection will feature the original Race Car Blues + a brand new record titled Race Car Blues –  Chapter 2, limited to 500 copies worldwide. Race Car Blues Extended Edition is available for pre-order now via 24Hundred.

The 12 tracks that form Chapter 2 will complete the Race Car Blues story and come almost a year to the day since the original album’s release in February 2020. Where the writing sessions that spawned the first record also spawned Chapter 2, the two albums now join to form a whopping 24-track double album feature.

After premiering via triple j’s Good Nights this week, Slowly Slowly are also officially releasing a taste of what’s come on the new record with new single and video ‘The Level’ out today. On the track, frontman Ben Stewart shares:

“This song is about fighting your instincts, a head vs heart battle. It’s about not wanting to be swept up in whimsical emotion, stay grounded and be pragmatic about the situation – all while butterflies swim around in your stomach. Look out for the two hidden Springsteen lyric references in here!” 

The second chapter of Race Car Blues was first seeded with the release of ‘Low’ in late 2019, a slightly off-kilter track for Slowly Slowly at the time, now finding itself sitting snuggly among the Chapter 2 tracklisting. Stewart explains that while the tracks on Chapter 2 didn’t land on the original Race Car Blues, overtime the collection took on a life of its own and called for its own record.

“What we first envisaged as background information that assisted in connecting the dots of Chapter 1 soon became its own entity and has actually planted a few seeds,” he shares.

“In retrospect, some of those pieces that didn’t quite feel like they fit on the original album have served as great stepping stones to where Slowly is headed. Chapter 2 pushes the envelope a little further in every direction – heavier, more pop sensibility and a deeper dive into intimate solo songs.

“This is and has always been the ultimate aim for Slowly Slowly, to celebrate the music we love – anthemic heart on sleeve songwriting – but across a broad spectrum of genres. Having no creative ceiling for this project only pushed that ethos further.”

The announce of Race Car Blues – Chapter 2 comes after the release of its captivating first single ‘Comets & Zombies’ last month. Stepping into the New Year Stewart played a string of sold out Slowly Slowly solo nights along the east coast, meanwhile the band are due to play Live At The Bowl alongside Ocean Alley, Maddy Jane & The Grogans in March, their rescheduled headline Race Car Blues national release tour in June, as well as slots at Full Tilt Festival in Melbourne & Brisbane.  Details below.

2020’s Race Car Blues met an acclaimed response, debuting at #8 on the ARIA Australian Album Chart, taking out the coveted triple j Feature Album slot and clocking knockout global reviews from the likes of Kerrang!, Dead Press, Beat Magazine, Tone Deaf, The Music + more.

Race Car Blues – Chapter 2 is out everywhere Friday February 26 via UNFD. Pre-order the full Race Car Blues Extended Edition collection now.

Stream ‘The Level’ +
Pre-order ‘Race Car Blues Extended Edition’ now:
unfd.lnk.to/RCBExtended

‘RACE CAR BLUES – CHAPTER 2′
TRACKLIST:

1. Comets & Zombies
2. The Best Bits
3. Learning Curve
4. Low
5. House On Fire
6. The Internet
7. Restless Legs
8. First Love ft. Yours Truly
9. Set The Table (The One That Got Away)
10. The Level
11. Small Talk
12. Anywhere

SLOWLY SLOWLY
2021 TOUR DATES

~ RACE CAR BLUES AUSTRALIAN TOUR ~TICKETS

Friday June 4 – Manning Bar, Sydney, NSW
Saturday June 5 – The Triffid, Brisbane, QLD
Friday June 11 – 170 Russell, Melbourne, VIC
Sunday June 13 – 170 Russell, Melbourne, VIC
Friday June 18 – Lion Arts Factory, Adelaide, SA
Saturday June 19 – Badlands Bar, Perth, WA
Friday June 25 – Altar, Hobart, TAS
Saturday June 26 – Saloon Bar, Launceston, TAS

~ ALSO APPEARING AT ~

Wednesday March 24 – Live At The Bowl, Melbourne, VIC
w/ Ocean Alley, Maddy Jane + The Grograns

Saturday June 12 – Full Tilt Festival, Brisbane, QLD
&
Saturday July 3 – Full Tilt Festival, Melbourne, VIC
w/ Northlane, Hands Like Houses, In Hearts Wake, Thy Art Is Murder,
Luca Brasi + more

CONNECT WITH SLOWLY SLOWLY: 
Facebook
Link
Spotify
Website

 

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
King Gizzard & The Lizard Wizard
Music News

King Gizzard & The Lizard Wizard Share a kaleidoscopic cut & paste video for brand new track, ‘O.N.E.’

by the partae January 29, 2021
written by the partae

“King gizzard’s new album (y’all know what it’s called) is definitely not coming out in February.” – Stu Mackenzie

.

Having finished the end of last year with a stunning animated video for the previously unreleased If Not Now, Then When?, King Gizzard And The Lizard Wizard have today dropped another brand new track, O.N.E.

 

The track is accompanied by a kaleidoscopic cut & paste video directed by Melbourne videographer Alex McClaren. Talking about the video, Alex said:

 

“The song itself feels as if it’s constantly moving along so I tried to keep the visuals continually moving forward and sliding into different visual styles and landscapes. I felt the mix of stop motion and collage through the use of found imagery and the band would help compliment the tracks lyrics and themes as I interpreted them, of dreams, nightmares, climate change, dystopias, and utopias, as well as referencing events that took place during the making of the video over 2020. All video of the band was shot by Ambrose during the second lockdown restrictions and I had to give notes on shooting and direct remotely which was strange but so was everything during that period.”

 

Arguably the most tireless band on the planet, November saw the band release their most recent studio album, K.G. to much acclaim. On the same day in November they also released a live album, Live In San Francisco ’16 and companion live concert film and earlier in the year Live In Asheville ’19 and Demos Vol.1 + Vol.2 came out via Bandcamp.

 

Additionally, April saw them release a live tour movie (and attendant album) Chunky Shrapnel, an up-close, unconventional and discombobulating portrait that captured the power and sheer oddness of the live Gizz experience, a tour that culminated in a sold-out headline show at London’s historic Alexandra Palace in late 2019.

 

King Gizzard & The Lizard Wizard are: Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Harwood (bass) and Michael Cavanagh (drums).

Album discography
: 12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019), Infest The Rats’ Nest (2019), Chunky Shrapnel (live album) (2020), K.G. (2020).

 

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
MorningMaxwell
Music News

Delfina – The dream team’s rnb/soul infused disco house tune making you feel sexy

by the partae January 29, 2021
written by the partae

Delfina’ is the much anticipated follow up to MorningMaxwell & Max Glyde’s ‘Take It In’  (Just chill); this time with vocal powerhouse Blush’ko (new dance beats, new music friday, just chill etc). A soulful, sexy summer tune perfect to kick off your night; Blush’ko’s enticing vocals compliment the infectious baseline and signature Max Glyde chords to go with the vintage MorningMaxwell stabs. This song is the beginning of a 2 song journey as a three way collective – look out for song #2 Feb 28th

LISTEN: https://ditto.fm/delfina

 

https://www.facebook.com/morningmaxwell

January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
Forgotten Futures Festival announces full line up including Douglas Dare, Penelope Trappes, Jo Quail, Gallops, Alexandra Hamilton-Ayres and more
Festival NewsMusic News

Forgotten Futures Festival announces full line up including Douglas Dare, Penelope Trappes, Jo Quail, Gallops, Alexandra Hamilton-Ayres and more

by the partae January 29, 2021
written by the partae

www.frgttnftrs.com

Forgotten Futures is an immersive live arts event taking place at Attenborough Art’s Centre on 1st May, which will also be streamed in high quality.

TICKETS AVAILABLE FOR BOTH LIVE EVENT AND LIVE STREAM:
https://www.gigantic.com/forgotten-futures-tickets/attenborough-arts-centre/2020-05-30-14-00

TICKETS:
https://www.gigantic.com/forgotten-futures-tickets/attenborough-arts-centre/2020-05-30-14-00

Forgotten Futures Festival is pleased to announce the full line up of artists for Forgotten Futures 2021, including Penelope Trappes (Houndstooth) Douglas Dare (Erased Tapes), Jo Quail (Poppy Ackroyd etc), and Gallops. They are joined by an eclectic programme of music, carefully curated from across the worlds of classical music, electronica, post-rock, shoegaze and more, creating an engaging and unusual programme of music and visual art.

Forgotten Futures is a musically diverse programme of artists across a full day of immersive performances staged within spectacular environments, taking place at Leicester’s Attenborough Arts Centre’s hall, galleries and studios. The event encourages collisions between music and visual art – whether they are being created simultaneously, responded to, or forming the backdrop for each other. An accessible experimental event, it is set to be an inspiring day of artistic expression.

The festival offers tickets for both the live event at Attenborough Arts Centre, and for a high quality live stream. 

Performances from
DOUGLAS DARE
GALLOPS
JO QUAIL
PENELOPE TRAPPES
RICH LIST
ALEXANDRA HAMILTON-AYRES
CEREMONY: AUDIOVISUAL ORCHESTRATIONS
TOM MORRIS (HER NAME IS CALLA)
ALLATSON / WASTELL / WOODHEAD (Trio)
CHIEF SPRINGS
EYRE LLEW
NATALIE EVANS
LION/S
MUTED FNORD
PEOPLE NEED GOALS
REEDER
PETER WYETH

Plus curated spaces from
HAIKU SALUT
COURTNEY ASKEY & NANCY DAWKINS
INTERACT DIGITAL ART

Headliner Douglas Dare is an English songsmith whose third studio album Milkteeth was released in February 2020 on Erased Tapes Records. Dare’s music speaks of his own experiences of universal themes like love, loss and childhood. Perhaps most importantly, his music gives a voice and a sanctuary to anyone who’s ever felt unusual or out of place. Whether he’s singing of the pain of those in the Magdalene Laundries as on Whelm, describing coming out to his parents on Aforger, or processing his own childhood isolation on Milkteeth, Dare has a graceful honesty and an abiding clarity of vision in his simple and distinctive sound.

Penelope Trappes is a London-based, Australian-born vocalist, musician and ethereal soundscaper. She spent 2016 writing and recording what would become her first solo album, ‘Penelope One’ in a piano studio in East London. Composed of mostly percussion-less, reverb-heavy haunting atmospherics with dystopian themes, the LP was released via Optimo Music in 2017 on vinyl and as a photo book. The first single ‘Puppets’ premiered by opening the Fendi SS17 runway show. Penelope signed to Houndstooth in 2018 and released her sophomore LP ‘Penelope Two’ to critical acclaim. The minimalist, ethereal album was built around field recordings, meditations, guitars, synth drones, piano and reverb, and deals with mortality, predestination and empathy.  2019 saw the release of ‘Penelope Redeux’ consisting of reworks of songs from ‘Penelope Two’ by Cosey Fanni Tutti, Mogwai, Félicia Atkinson, Nik Colk Void and more. ‘Penelope Three’ will be out in Spring of 2021 on Houndstooth.

Jo Quail is an internationally acclaimed composer and virtuoso cellist from London, UK. Equally at home on stage solo, with bands or in collaboration with choir and orchestra she combines an eloquent mastery of her instrument with innovative looping techniques, to realise her complex, evocative music for audiences worldwide. Inspired by the visual arts as much as by fellow composers, Jo cites Barbara Hepworth and Georgia O’Keefe as key influences, alongside the diverse music of Debussy, Pärt, Tool, and Trent Reznor. As a result, she freely crosses the boundaries between genres, awakening listener emotions, and taking audiences into uncharted territory with each concert. Her exuberant, celebratory performance style has won her a fanbase in the contemporary classical world as well as among enthusiasts of post-rock, metal and electronica.

After releasing their debut album, a monstrous slab of dark experimental rock Yours Sincerely Dr. Hardcore in 2012, Wrexham’s Gallops soon announced they were no more and broke up in 2013. In 2016, almost three years to the day, they announced their return. Awakening from their nap, they have done so revitalised, rejuvenated and driven, creating an album that stretched their horizons even further and is driven by the propulsive charge of electronic music – Bronze Mystic was released a year later.

EVENT INFO

HOW DO WE PUT ON AN EVENT IN 2021?
We are extraordinarily aware of the uncertainty surrounding events scheduled for 2021 and want to make sure that Forgotten Futures takes place in one form or other. Initially we are offering both a general admission ‘in person’ ticket as well as a streamed ticket – for anyone who, for whatever reason, isn’t able to attend and experience the event in person. If it’s not safe for the ‘In Person’ element of the festival to take place in a workable form, all General Admission ticket holders will be offered at least a partial refund, and the event will become completely online, with streams of as much of the programme as practically possible, offered to the highest quality we are able.We sincerely hope we can be together in a room for Forgotten Futures, but if we can’t do that safely we will come together digitally for what will be a spectacular streamed event.

CREATING AN ACCESSIBLE EVENT
Forgotten Futures aims to be as accessible an event as we can be. Attenborough Arts Centre is fully wheelchair accessible, has accessible toilets, an Induction loop hearing system, adult changing facilities and shower, accessible parking spaces and is welcoming of assistance dogs. We encourage anyone who may have specific access requirements to contact us ahead of the event to discuss anything we can do to facilitate making their attendance at the event as easy as possible.

If you require particular assistance, you are also entitled to a free companion or carer ticket.

If attending in person is not practical, we also offer a streamed ticket, intended as a concession for those who are not able, or not comfortable, attending live music events – whether that be due to disabilities, anxiety, health or any other reason.

We also want everyone to feel safe and welcome at our events. We have a Saf(er) Spaces policy which is in place for Forgotten Futures. There will also be gender neutral bathrooms available.

Twitter
Link
Website
January 29, 2021 0 comment
0 FacebookTwitterPinterestEmail
In 2021 CLIKNO celebrates its 5th anniversary and presents with its 10th release a very special acoustic techno EP from Dr.Nojoke entitled “Muaco". Muaco stands for Music against Corona and deals with the clubless time we are all experiencing. When Dr.Nojoke picked up his Höfner acoustic guitar during the lockdown in spring he was looking for new inspirations. The recordings led to three brilliant poly-rhythmical tracks for a special trip far off the beaten path. Dr.Nojoke suggests his EP as much as a way for home-clubbing as well as a listening experience. We don´t even know, if it is techno or what, but as mostly all parts were created with acoustic guitar you may file it under acoustic techno or guitar techno. We think it is just great groovy music - pulsating, hypnotic, danceable, kraut-ish, freaky - that should be played everywhere.
Music News

Dr.Nojoke releases an acoustic techno EP from the Corona era on CLIKNO.

by the partae January 28, 2021
written by the partae

In 2021 CLIKNO celebrates its 5th anniversary and presents with its 10th release a very special acoustic techno EP from Dr.Nojoke entitled “Muaco”.

Muaco stands for Music against Corona and deals with the clubless time we are all experiencing.

When Dr.Nojoke picked up his Höfner acoustic guitar during the lockdown in spring he was looking for new inspirations. The recordings led to three brilliant poly-rhythmical tracks for a special trip far off the beaten path. Dr.Nojoke suggests his EP as much as a way for home-clubbing as well as a listening experience.

We don´t even know, if it is techno or what, but as mostly all parts were created with acoustic guitar you may file it under acoustic techno or guitar techno.

We think it is just great groovy music – pulsating, hypnotic, danceable, kraut-ish, freaky – that should be played everywhere.

bandcamp link
https://clikno.bandcamp.com/album/muacodetails:
Artist: Dr.Nojoke
Title: Muaco
Label: CLIKNO
Cat.-No.: CLIKNO D05
Format: digital
Release date: January 29th 2021
Style: acoustic techno, deep techno, minimal technoTracklisting
01     Muaco 05:45
02     S-Oum 08:19
03     Dengi 05:30

 

social links CLIKNO
www.instagram.com/cliknolabel
www.facebook.com/cliknolabel
www.twitter.com/CLIKNOlabel

social links Dr.Nojoke
www.instagram.com/dr.nojoke
www.facebook.com/Dr.Nojoke.fanpage
www.twitter.com/dr_nojoke

January 28, 2021 0 comment
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • Daniel Trakell Interview
  • Haast Hunter Interview
  • Pippa Scott ‘Valerie’ Premiere
  • Louwop ‘Ghosts’ Premiere
  • Tess Anderson ‘Self Control’ Premiere

Recent Comments

  • Dave Canto on Berlin Based Band GHEIST Present Their ‘acoustic – unusual’ EP; A Collection Of Acoustic Versions | Stream Now
  • Amelia Poon on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love
  • Tony on PREMIERE: Sharl’s elegant pop shines light into the darkness with I Fell in Love
  • Jacqueline Rose on Cherie Laurent
  • Peter Gash on Chloe Styler Releases Shining Indie-Pop Number ‘Girlfriend’

Archives

  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • February 2017
  • July 2016

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos

The Partae © 2022


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Eats & Drinks
  • About Us
  • Contact Us / Advertise
  • Submit Event