Prolific multi-platinum Australian artist Crooked Colours today announces his fourth studio album Dirt Road Gold, set for release Friday August 21st 2026. Alongside the announcement an upcoming multi-date Australian tour and drop of his latest single from the LP, ‘Oxford’. Once a trio now solely led by lead singer Philip Slabber, this is a deeply personal and career defining moment for Crooked Colours, his vulnerability on display as he steps through to the dawn of a new era. Pushing the boundaries of his own musical scope and in turn flawlessly delivering. Slabber effortlessly genre-hops through Dirt Road Gold, from alternative euphoric builds to upbeat melodies to electronic stabs alongside his instantly recognisable heartbreaking vocals; stacked to perfection. Available to pre-save here.
Speaking of the overall process, creativity and what to expect from Dirt Road Gold Slabber shares, “The inspiration for the album wasn’t one single thing, it was movement. Change. The push and pull between holding onto what’s familiar and letting it go. There were moments of isolation, but also a lot of clarity in that space. Sonically, I wanted it to feel expansive but intimate at the same time, something that could live in a club but still hit you when you’re alone driving at night. I want you to be able to hear the moments.”
An industry heavyweight both locally and abroad with nods from Billboard, NME and Dancing Astronaut, Crooked Colours continually craft a distinctive soundscape with over a decade of multifaceted experience. Known for bridging the gap between indie and electronic music, ‘Oxford’ succeeds the Rolling Stone AUNZ featured-single ‘Pink Limo’ followed by ‘Come Thru’, all calling Dirt Road Gold home. Showcasing the calibre and hinting at the dynamic of the overall album. Effortlessly navigating sonic moments of light and shade, a true stand-out in the current global dance scene, and highlighting Slabber’s unparalleled storytelling ability.
With a dedicated following as a cornerstone of the Australian music scene, the upcoming Dirt Road Gold tour kicking off in October will see Crooked Colours perform at Freo. Social in Fremantle, Metro Theatre in Sydney, Northcote Theatre in Melbourne, Lion Arts Factory in Adelaide, Brisbane’s The Triffid and Byron Bay’s The Northern.
Of-late, 2025 saw Crooked Colours take on a national tour before making his way across Europe hitting London, Paris, Berlin and more. Having notably performed at Laneway Festival, Falls Festival, Beyond The Valley, Red Rocks, Bonnaroo, Grooving The Moo, Spilt Milk and Splendour In The Grass, Slabber has continually earnt a dedicated following as an institution in the dance realm.
As one of the globe’s most reliable and energetic Australian exports, previous albums Vera (2017), Langata (2019) and triple j Feature Album Tomorrows (2022), all encompassing the brooding, sun-kissed euphoria of Crooked Colours. Collectively delivering standout tracks including ARIA Platinum accredited records ‘Flow’ and ‘Do It Like You’, alongside Gold singles ‘I Hope You Get It’, ‘I’ll Be There’, ‘Hold On’ and ‘Love Language’; quickly surpassing one billion streams worldwide across all platforms and counting.
Highlighted collaborations with Don Toliver, Masked Wolf and Ladyhawke alongside official remixes from Claptone, HOSH, Kyle Watson, SNBRN, Alison Wonderland, Hermitude and Bag Raiders all adding to the culture and escape that is Crooked Colours. Dirt Road Gold and all that it embodies, will no doubt add to the act’s long and growing list of accolades.
Crooked Colours’ Dirt Road Gold LP is set for release on Friday August 21st 2026.
Pre-save/pre-order here
BUY/STREAM: CROOKED COLOURS – OXFORD
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Dom Dolla | Thursday 24th September | Marvel Stadium, Melbourne (SOLD OUT)
Melbourne’s own Dom Dolla has sold out his Marvel Stadium show and is set to deliver one of the most significant moments in Australian electronic music history this September.
Presale allocations were exhausted within hours, with all remaining tickets selling out instantly from general on sale.
Presented by Untitled Group and Frontier Touring, the show is an Australian-exclusive and the world premiere of his brand new stadium production in front of his home crowd.
The sellout cements a remarkable trajectory for the GRAMMY Award-nominated DJ and producer. Following his record-breaking, sold-out debut at Allianz Stadium in Sydney in December 2025, he now brings the experience to Melbourne on a scale that puts Australian electronic music on a new footing globally.
Nicholas Greco, Co-Founder and Managing Partner of Untitled Group said, “Untitled Group has been part of Dom’s journey from the very start of his career, and to watch him sell out Marvel Stadium in his hometown is a moment we’ll never forget. This puts electronic music in Australia firmly on the global map and is a historic moment for Dom, for Melbourne, and for electronic music fans across the country.”
Dom’s catalogue has surpassed 1.5 billion streams, earning him four ARIA Awards for Best Dance/Electronic Release and the inaugural ARIA Global Impact Award presented by Spotify.
In 2025, he headlined two sold-out nights at New York’s Madison Square Garden to over 30,000 fans, completed a 10-week residency at the world’s #1 club Hi Ibiza, and made his film soundtrack debut with “No Room For A Saint” ft. Nathan Nicholson for the movie “F1” and has collaborated with Kid Cudi, Tove Lo & Nelly Furtado.
This is an 18+ event.
Get connected:
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Frontier Touring are thrilled to announce Massive Attack will perform three exclusive headline shows in Brisbane, Sydney and Melbourne this August. This will be the band’s first live dates in Australia in 16 years.
Tickets go on Friday 5 June (3pm local time) via frontiertouring.com/massiveattack. Frontier Members can get early access via the presale, which starts Thursday 4 June (2pm local time) – see website for further details.
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Watch: Massive Attack / Tom Waits – ‘Boots on the Ground’
MASSIVE ATTACK LIVE 2026
AUSTRALIAN TOUR
AUGUST 2026
Presented by Frontier Touring
FRONTIER MEMBER PRESALE
via frontiertouring.com/massiveattack
Runs 24 hours from: Thursday 4 June (2pm local time)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Friday 5 June (3pm local time)
Thursday 6 August
Brisbane Entertainment Centre | Brisbane, QLD
Lic. All Ages
ticketek.com.au
Sunday 9 August
Qudos Bank Arena | Sydney, NSW
Lic. All Ages
ticketek.com.au
Tuesday 11 August
Rod Laver Arena | Melbourne, VIC
Lic. All Ages
ticketek.com.au
FOLLOW MASSIVE ATTACK:
Godskitchen returns to Australia, reigniting the country’s love affair with uplifting trance and thunderous main room energy. A name synonymous with epic production, iconic visuals and spine-tingling, hands-in-the-air moments. This is more than a comeback — it’s a revival of the spirit that defined a generation of dance culture. Australia prepare for ‘The Resurrection.’
GODSKITCHEN ARTIST LINE-UP
ALY & FILA . GABRIEL & DRESDEN . SOLARSTONE
Plus
(Melbourne Only)
ANTHONY PAPPA . BINARY FINARY
A-Z
Ahmet Atasever
Ben Evans
David Chouman x Clara Yates
Dark Sin
Mark James
Mike Nichol
Scott Alert
Steve Bleas
Steve Strangis
Photography & Words: Jake Harm Nam
Sydney Opera House has hosted some of music’s most celebrated performers, but few arrive with the kind of anticipation surrounding Mitski’s return. Last night the acclaimed singer songwriter stepped onto the Concert Hall stage for the first of four sold out performances, bringing her latest tour to one of Australia’s most iconic venues and reaffirming her reputation as one of contemporary music’s most captivating live artists.
The excitement inside the venue is evident long before the show begins. Fans fill every level and every seat of the concert hall, many having waited years for the opportunity to see Mitski perform again in Australia. The stage resembles an intimate living room, a chaise lounge sits beside a desk and carefully placed lamps, creating a striking contrast against the scale of the Opera House. Above, large suspended screens hang from the ceiling, displaying projected imagery that shifts and evolves throughout the evening. Together, these visual elements transform the Concert Hall into a dreamlike theatrical space, perfectly complementing the emotional weight and cinematic quality of Mitski’s music.
Throughout the evening, Mitski moves with a deliberate theatricality, every gesture appearing carefully considered. Rather than relying on elaborate spectacle, she builds an atmosphere through presence alone, transforming the Concert Hall into something that feels unexpectedly intimate.
The setlist draws heavily from her recent work while weaving together material from across her catalogue. “Working for the Knife” arrives early, its themes of artistic exhaustion and expectation resonating deeply within the grand surroundings of the Opera House. “Buffalo Replaced” and “Dead Women” showcase the richness of her newer material, while “Heaven” and “Rules” demonstrate the emotional depth that has defined her songwriting for more than a decade.
Part of Mitski’s enduring appeal lies in her ability to articulate feelings that often seem impossible to explain. Her songs rarely provide resolution. Instead, they exist within uncertainty, loneliness, desire and self-reflection, inviting listeners to find their own meaning. That connection is evident throughout the night as the audience hangs on every word.
The loudest reactions are reserved for several fan favourites. “I Bet on Losing Dogs” transforms the Concert Hall into a communal choir, while her songs “Washing Machine Heart,” “I Want You” and “Francis Forever” are greeted with thunderous applause. Yet even during these familiar moments, Mitski avoids nostalgia. Each song feels newly interpreted, shaped by the confidence and perspective of an artist continuing to evolve.
A standout moment arrives with a reworked rock version of “Stay Soft.” The heavier arrangement injects fresh energy into the latter half of the set and provides one of the evening’s most exhilarating performances. Elsewhere, the delicate beauty of “A Horse Named Cold Air,” “Two Slow Dancers” and “Lightning” demonstrates her remarkable ability to hold an audience’s attention through restraint rather than volume.
As the show moves towards its conclusion, the emotional intensity only deepens. “My Love Mine All Mine” is met with near reverent silence before thousands join together for its final lines. In a venue known for hosting unforgettable performances, it feels like one of those rare moments destined to linger long after the lights come up.
For the encore, Mitski returns with “Pearl Diver” offering a quiet and reflective ending to an evening defined by emotional honesty and artistic precision.
As the first of four sold out nights at the Sydney Opera House, the performance sets an exceptionally high benchmark for the residency to come. Seven years after her last Australian visit, Mitski’s connection with local audiences appears stronger than ever. In an era increasingly dominated by spectacle, she continues to prove that vulnerability, craftsmanship and genuine artistry remain just as powerful.
Photographer : Jordan Munns
Words: Jarm Harm Nam
Khamari made his Australian debut at Sydney Opera House last night, bringing his deeply intimate blend of neo-soul and alternative R&B to one of the country’s most iconic music venues. Performing as part of Vivid LIVE, the Boston born artist transformed the Joan Sutherland Theatre into a space that felt remarkably close and intimate, drawing the audience into the quiet intensity and warmth that defines his music.
Opening the set with He Said, She Said, Khamari eased the audience into his world with quiet emotional precision rather than immediate spectacle. It was a fitting introduction, the song’s delicate tension and restrained delivery immediately set the tone for a performance built more on feeling than theatrics.
The setlist moved fluidly through highlights from across his catalogue. Doctor, My Eyes landed with a hypnotic groove, while I Love Lucy and Head in a Jar drew some of the loudest reactions of the night, their hazy melodies filling the theatre with a kind of collective sway. Later in the set, nearing the final stretch of the night, Apollo Eighteen arrived with a heavier emotional weight live than it does on record, feeling like one of the performance’s emotional turning points.
One of the evening’s most memorable moments came during Euphoria, when Khamari slipped in the lyric “Sydney makes me feel,” catching the crowd off guard and earning an immediate roar of approval.
Another standout arrived after ending his song Sycamore Tree, when Khamari picked up his guitar and launched into an extended solo alongside the band. Up until that point the performance had been remarkably restrained, so the moment felt like a sudden emotional release, a loose, soulful, and slightly psychedelic while still holding onto the intimacy that defined the rest of the set. The chemistry between Khamari and the band gave the performance a sense of spontaneity that made it feel alive in the room.
Throughout the night, Khamari’s voice remained controlled and intimate for one moment then suddenly soaring with raw ache the next. By the time he closed with These Four Walls, the crowd seemed fully suspended in his world. The final chorus echoed through the Opera House like a release of everything the set had been quietly building toward. For an artist making his Australian debut on one of the country’s most iconic stages, Khamari delivered a performance that felt both intimate and commanding, proving that even on one of the country’s most prestigious stages, his music has the power to make a room entirely his own.
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PURITY RING AUSTRALIAN TOUR DATES
Spotify Pre-Sale commences 10am AEST, Monday 13 April
Artist Pre-Sale commences 10am AEST, Tuesday 14 April
General on-sale commences 10am AEST, Wednesday 15 April
WEDNESDAY 10 JUNE THE TIVOLI (OPEN SEASON) BRISBANE TICKETS
THURSDAY 11 JUNE NORTHCOTE THEATRE MELBOURNE TICKETS
SATURDAY 13 JUNE METRO THEATRE SYDNEY TICKETS
Also appearing at DARK MOFO in Hobart, Tasmania.
ABOUT PURITY RING
Purity Ring released their first three albums on the legendary label 4AD, beginning with Shrines, which earned Pitchfork’s Best New Music honours and was shortlisted for the Polaris Prize. Their breakout track ‘Fineshrine’ is certified gold in the US, and ‘Grandloves’ was sampled by Playboi Carti on his Die Lit track ‘Fell In Love’. In recent years, they remixed ‘Knife Party’ as the lead single for the 20th anniversary reissue of Deftones’ classic album White Pony and collaborated with industrial pop duo Black Dresses on the track ‘Shines’. Since emerging in the early 2010s, Corin and mj have made a lasting impact on the electronic pop landscape, building a world all their own with immersive self-produced albums and designing groundbreaking visual live show experiences. Their latest era of self-released music is a step fully into a vision they’ve been circling for years – one that feels vast, unrestrained, and true to who they’ve become manifested on their self-titled fourth album.
purity ring LP marks the beginning of a bold new chapter as the band’s most immersive release to date. Long known for their fusion of body horror imagery and ethereal electronics, the duo now shift their focus from the physical to the fantastical, crafting a concept album that serves as the soundtrack to an imagined RPG. Inspired by games like Nier Automata and Final Fantasy X, the record tells the story of two hapless characters — embodiments of mj and Corin — on a journey to build a kinder world amid the ruins of a broken one. But this is no escapist fantasy: it is the first step of forbidden dreaming, of imagining a place where the vulnerable are heeded, where grief is spoken aloud and held collectively, where family is a verb rather than a noun, where hope and home can bloom together.
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With production details now confirmed for Tame Impala’s hugely anticipated Deadbeat Australian tour this October, Frontier Touring and Laneway Presents are pleased to announce that new tickets have been released across all dates and are on sale today, including shows previously marked as sold out.
The just-released tickets are on sale now via frontiertouring.com/tameimpala. Fans are encouraged to get in quick; these won’t last long.
Tame Impala return home this October following two massive runs of shows across North America – a 29-date itinerary kicking off in Florida this July – as well as sold-out arena nights in the UK and Europe. The band’s latest live production has been hailed as one of rock’s most spectacular live shows: a hypnotic collision of towering visuals, immersive staging, lasers, strobe lights and euphoric psych-pop anthems. “A joyous party,” praised The Times (UK), while Hot Press (Ireland) described the show as “a world-class execution of production and immersion.”
Joining Tame Impala as special guest on the Deadbeat tour is electronic artist, songwriter and producer Ninajirachi.
Don’t delay – limited tickets remain across all shows. Don’t miss Tame Impala, bringing it all back home this October.
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WATCH: Tame Impala – ‘Dracula’
TAME IMPALA
+ special guest Ninajirachi
DEADBEAT TOUR
AUSTRALIA – OCTOBER 2026
Presented by Frontier Touring, Chugg Entertainment and Laneway Presents
TICKETS ON SALE NOW
via frontiertouring.com/tameimpala
ALL SHOWS LICENSED ALL AGES
Friday 9 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Saturday 10 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Sunday 11 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Wednesday 14 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Thursday 15 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Friday 16 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Saturday 17 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Monday 19 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Tuesday 20 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Wednesday 21 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Saturday 24 October
RAC Arena | Perth, WA
ticketek.com.au
Sunday 25 October
RAC Arena | Perth, WA
ticketek.com.au
FOLLOW TAME IMPALA:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
Fresh off the success of his fourth studio album, Tragic Magic, Matt Corby returned to triple j studios last week to record his long awaited Like A Version session, a reinterpretation of Tame Impala’s new classic ‘Dracula’. Stripping the electro pop original back and reshaping into something entirely his own, Matt Corby’s Like A Version is now available on all DSPS from here.
Known for his rich, soulful sound, Corby on electric guitar, infused the cover with his Philly soul-inspired sensibilities, elevated by stunning backing vocalists and a moving guitar solo.
As Corby’s fourth entry into the Like A Version archives, ‘Dracula’ arrives on the back of a massive month for the singer, songwriter and producer. Tragic Magic, his fourth studio album, debuted at #1 on the ARIA Australian Album, #1 on the ARIA Vinyl and #3 on the ARIA Album, cementing Corby’s place as one of Australia’s most compelling and influential artists.
Tragic Magic has drawn widespread acclaim, described as “an infinitely beautiful listening experience“ by Beat Magazine and “a timeless addition to popular culture” in a 4-star review from Tyler Jenke from The Australian. Rolling Stone praised Corby’s “incredible ear for melody’ while The Music highlighted his “vocals sounding better than ever”. Beyond his unmistakable voice, Sosefina Fuamoli (The Big Issue/ABC) notes, “Each rhythm and groove on Tragic Magic feels lived in and meticulously written”.
During the Like A Version session, Matt also performed the album standout ‘War To Love’ available to watch/stream now.
Matt Corby will embark on the Australian leg of ‘The Tragic Magic Tour’ next week, kicking off in Adelaide on Wednesday June 3, followed by Perth, Melbourne, Newcastle, and Brisbane. Due to overwhelming demand a second Melbourne show has been added, with Newcastle and Melbourne first show, now sold out. In addition, Matt will perform at the Winter Wine Festival in Gerringong on Saturday June 6 followed by a free show at Vivid Sydney on Saturday June 13.
Matt Corby The Tragic Magic Tour
Special guest Gretta Ray
Friday May 29, Auckland Town Hall, New Zealand
Wednesday June 3, Thebarton Theatre, Adelaide, SA
Thursday June 4, Riverside Theatre, Perth, WA
Tue June 9 – The Forum, Melbourne, VIC ** SOLD OUT
Wed June 10 – The Forum, Melbourne, VIC
Fri June 12 – Civic Theatre – Newcastle NSW **SOLD OUT
Sun June 14 – Fortitude Music Hall – Brisbane, QLD
Festival Live Show Dates
Sat June 6 – Winter Wine Festival, Gerringong – NSW
Sat June 13 – VIVID Tumbalong Park – Sydney NSW
For all ticket and touring information here
FOLLOW
+ Thu 24 Sept | Marvel Stadium | Melbourne
+ Tickets on sale Mon 1 Jun
Dom Dolla is set to make his debut at Marvel Stadium in Melbourne on Thursday 24 September, in partnership with Untitled Group and Frontier Touring. Landing on the eve of Melbourne’s long weekend, the announcement marks an Australian-exclusive event and a landmark homecoming moment for the city.
Returning home, the GRAMMY Award-nominated DJ and producer will take the stage at Marvel Stadium in front of his home crowd for the world premiere of his brand new stadium production, in what promises to be one of the most anticipated electronic music events the city has seen.
This show follows Dom’s record-breaking debut Australian stadium performance at Allianz Stadium, Sydney in December, 2025 where Dom transformed the venue into a super-club for the night, setting a new benchmark for electronic music in this country. He continued that momentum with his headline countdown set at Beyond The Valley.
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The upcoming Marvel Stadium show will be one of the largest headline electronic shows ever staged in Australia, and follows the recent announcement of his latest US headline show set to take place at New York’s Flushing Meadows Corona Park this October.
Following a landmark close to 2025, Dom has since released new music, including ‘Addicted to Bass’ and ‘Don’t Worry Baby’ feat. Tiga, both first teased live during his recent Allianz Stadium Sydney show.
Dom’s catalogue has now surpassed 1.5 billion streams, earning him four ARIA Awards for Best Dance/Electronic Release to date and the inaugural ARIA Global Impact Award presented by Spotify. In 2025, the DJ and producer headlined two sold-out shows at Madison Square Garden to over 30,000 fans, completed a 10-week residency at the world’s #1 club Hï Ibiza, and made his film soundtrack debut with the release of “No Room For A Saint” ft. Nathan Nicholson for the highly celebrated movie “F1”.
DOM DOLLA
AUSTRALIA
SEPTEMBER 2026
Presented by Untitled Group and Frontier Touring
ARTIST PRESALE
via DomDolla.lnk.to/Melbourne
Runs 71 hours from: Friday 29 May (12noon AEST)
or until presale allocation exhausted
FRONTIER MEMBER PRESALE
via frontiertouring.com/domdolla
Runs 69 hours from: Friday 29 May (2pm AEST)
or until presale allocation exhausted
UNTITLED PRESALE
via DomDolla.lnk.to/Melbourne
Runs 69 hours from: Friday 29 May (2pm AEST)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Monday 1 June (12noon AEST)
Thursday 24 September
Marvel Stadium | Melbourne, VIC
18+
ticketmaster.com.au
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier and Untitled websites.
FOLLOW DOM DOLLA:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
frontiertouring.com/domdolla | facebook.com/frontiertouring | instagram.com/frontiertouring | tiktok.com/@frontiertouring | x.com/frontiertouring
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