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Interview: Hydraulix on Deadbeats, Australian Bass Music and Building His Own World

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Category:

Festival News

Festival NewsMusic News

ALL EARS: FOCUS AUSTRALIA 2026: With Matthew Ifield and Vietnamese artist Mỹ Anh

by the partae June 11, 2026
written by the partae
Two music cultures, two artists, one journey with Matthew Ifield and Mỹ Anh across Hue and Hanoi

The Australian Embassy in Vietnam and Hot Panda Media have announced ALL EARS: FOCUS AUSTRALIA 2026, a flagship music and cultural exchange initiative that continues to strengthen connections between the Australian and Vietnamese music industries.

Running from 14–17 June across Hue and Hanoi, the program will feature acclaimed Vietnamese artist Mỹ Anh and Australian singer-songwriter Matthew Ifield, bringing together performance, songwriting, professional development and industry engagement.

The 2026 iteration of ALL EARS seeks to consolidate the significant industry advancements achieved since the program was first held in 2024, building on significant industry outcomes generated by the Australian Embassy-supported music industry delegation that attended the Vietnam Music Week and the HOZO Festival in December 2024.

“We are thrilled to support this musical collaboration between Australia’s Matthew Ifield and Vietnam’s Mỹ Anh,” said Her Excellency Gillian Bird PSM, Australian Ambassador to Vietnam.

“Creative connections and exchange between young people in Australia and Vietnam will help build cultural understanding between our nations.”

These strategic engagements have led to collaborations involving a diverse array of Vietnamese and Australian companies, including Live Nation, Turning World, This Much Talent, Concord Publishing, EMC, Lonely Lands Agency, Hot Panda Media, INQ International, and the Victorian Music Development Office (VMDO).

The initial investment has generated strong industry outcomes, fostering new partnerships, creative collaborations, and market opportunities between Australia and Vietnam. VMDO facilitated connections by hosting Hot Panda Media and INQ International in Melbourne, visiting to attend AsiaTOPA and take part in an APAC networking event, panel, industry meetings, and executive lunches. Concord and INQ collaborated on songwriting sessions in Melbourne, bringing together Vietnamese artists, including MINH, with Australian songwriters and Concord artists Glenn Hopper and Maribelle Añes, resulting in a new cross-border songwriting partnership and releases.

Vietnamese artist Mỹ Anh was invited to perform at Vivid Sydney and secured an additional Melbourne show at Northcote Social Club through collaboration with Lonely Lands Agency and This Much Talent. Building on this momentum, Vietnamese artists Mỹ Anh and MINH have also engaged This Much Talent to lead their international PR, supporting their expansion into Australia and new global markets.

The Australian government has identified the enormous potential in Southeast Asia for Australia’s creative industries in its economic strategy released in 2022, ‘Invested: Australia’s Southeast Asia Economic Strategy to 2040’. With Vietnam one of the fastest-growing Southeast Asian markets, the time is right to deepen our relationships with this exciting music ecosystem.

“The Victorian Music Development Office are delighted to be included in the 2026 Hot Panda Vietnam delegation, further building on the relationships, market insights and industry connections established through our ongoing international engagement program,” said Kirsty Rivers, General Manager, Victorian Music Development Office (VMDO).

“This opportunity will help strengthen connections for Victorian music businesses and artists to connect with one of Southeast Asia’s fastest-growing creative markets.”

“Music has so much to offer in the relationship between our two countries. It’s a joy to be working with the Australian Embassy in Vietnam and so many respected music industry partners to facilitate these creative connections between Australia and Vietnam,” said Kate Ben-Tovim, Director of Turning World

A central component of ALL EARS: FOCUS AUSTRALIA 2026 is the artistic partnership between Mỹ Anh and Matthew Ifield. Their collaboration includes a joint performance at the Hue Festival, a songwriting residency in Hanoi, and a Showcase and Open Talk at VinUniversity designed to connect with up-and-coming Vietnamese music professionals.

The program also features expert-led panel discussions. The BEYOND BORDERS session highlights Sarah Guppy (Director of Record Store Day Australia and Owner of This Much Talent), alongside Michael Choi (CEO of INQ International and International Relations Officer of VCIDA) and Andie Tran (Director of The Orchard Vietnam). Mỹ Anh and Matthew Ifield will also contribute to these industry dialogues.

Furthermore, the KNOW YOUR COPYRIGHT panel will feature Cath Haridy (CEO of the Australian Music Centre), Matt Tanner (VP of A&R at Concord Publishing ANZ), and Kirsty Rivers (General Manager of the VMDO), with Andie Tran returning to provide additional insights.

For Mỹ Anh, the program reflects the value of long-term cultural exchange. “This time last year, Australia welcomed me with love when I performed at VIVID Sydney and Social Sanctuary in Melbourne. This year, I am beyond excited to perform with a very talented Australian artist, Matthew Ifield, at Hue Festival. I believe music and the arts are such a beautiful way to share ideas, make new friends and find inspiration from one another.”

Matthew Ifield said the opportunity represents a meaningful connection with Vietnam’s culture and creative community.“To be able to perform at the Hue Festival, surrounded by so much history and culture, feels really special. I’m grateful to be invited into that space and excited to bring my music to Vietnam in a setting that celebrates both heritage and contemporary creativity.”

ALL EARS: FOCUS AUSTRALIA 2026 demonstrates how sustained cultural investment can create lasting industry relationships, new creative opportunities and stronger music sector engagement between Australia and Vietnam.

ALL EARS: FOCUS AUSTRALIA 2026
Organised by Hot Panda Media. Supported by the Australian Embassy in Vietnam
Co-organised by Turning World, This Much Talent, and Wenona Lok.
In partnership with The Orchard, VMDO, and VinUniversity.

14 – 17 June 2026
Hue City (Hue Festival) and Hanoi City
Mỹ Anh (Vietnam) and Matthew Ifield (Australia) – Live performance at Hue Festival in Hue City
Songwriting Session, Open Talk & Showcase at VinUniversity, in Hanoi  City


PANEL: BEYOND BORDERS – MUSIC EXPORT INSIGHTS
Moderator: Dong Nguyen, Founder & CEO of Hot Panda Media

Speakers:

Michael Choi, CEO of INQ International and  International Relations Officer of VCIDA (Vietnam Cultural Industry Development Associations
Andie Tran,  Director, The Orchard Vietnam

Sarah Guppy, Owner/Director of This Much Talent / Record Store Day Australia

Matthew Ifield: Artist

Mỹ Anh: Artist

PANEL: KNOW YOUR COPYRIGHT – REVENUE / USE / PROTECT
Moderator: Dong Nguyen, Founder & CEO Hot Panda Media

Speakers:

Andie Tran,  Director, The Orchard Vietnam

Matt Tanner, VP of A&R of Concord Publishing ANZ

Cath Haridy, CEO at the Australian Music Centre
Kirsty Rivers, General Manager, Victorian Music Development Office (VMDO)

RSVP to attend events: megatix.vn/events/all-ears-focus-australia-2026

Matthew Ifield

Recently signing major international deals with EMI Music Australia, Capitol Records in the US and Fontana Records in the UK, Matthew has captivated global audiences with his warm, mesmerising vocals. Following the success of his debut album “My Favourite Place To Be” and a sold-out tour across India, Matthew now turns his focus to Southeast Asia – bringing his music closer to young audiences in Vietnam.

Mathew Ifield Website

Mỹ Anh: Artist

Mỹ Anh belongs to a new generation of Vietnamese artists: raised alongside the internet, making music with a global sensibility while keeping a deeply Vietnamese core. She is among the few Vpop artists to have performed at VIVID Sydney 2025 – the largest light and music festival in Australia, appeared at APEC side events, and accompanied Chanel in its Cruise campaign across Asia. What makes MỹAnh stand out is the way she enters every space: always confident yet unassuming, always international yet never distant. At ALL EARS 2026, Mỹ Anh is not only a Vietnamese artist introducing herself to the world, but also a representative of her country’s cultural and artistic current.

Mỹ Anh Website

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June 11, 2026 0 comments
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Festival NewsMusic News

CASSIAN returns home for his biggest headline tour yet

by the partae June 11, 2026
written by the partae

Cassian returns home for his biggest Australian headline shows yet, bringing his Grammy-winning productions and global melodic techno profile to a premium home tour moment.

Supported by Nils Hoffmann [LIVE], Mild Minds [DJ Set], Samantha Loveridge and OLIIV.

Sign up now for exclusive presale access and your best chance at securing tickets.

SIGN UP FOR PRESALE

PRESALE: Thursday 18 June, 12pm AEST

GENERAL ON SALE: Friday 19 June, 12pm AEST

TOUR DATES:

Saturday 31 October, 2026 | Portugal Club, Sydney / Eora

Saturday 7 November, 2026 | Heide Sculpture Park, Melbourne / Naarm

TOUR INFORMATION

Fresh from commanding stages at Coachella and Tomorrowland, and serving as Musical Director for Anyma’s groundbreaking Sphere Las Vegas show, Grammy-winning producer Cassian has cemented his reputation as a leading global force in melodic techno. Renowned for his world-class studio work. Including a Grammy win for mixing RÜFÜS DU SOL’s ‘Alive’ and heavyweight collaborations with John Summit and Hayden James, his signature sound continues to define the modern electronic landscape across premier labels like Afterlife, Rose Avenue, and Experts Only.

For these upcoming dates, fans can expect a powerful, hypnotic journey through his signature blend of melodic house, progressive techno, and euphoric club energy, all elevated by world-class production in two uniquely curated open-air environments.

WATCH: CASSIAN Live from New York – Brooklyn Storehouse 2026 Full Set

 

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Festival NewsMusic News

Just Announced: DJ Heartstring -The Wool Store

by the partae June 11, 2026
written by the partae

The Wool Store Returns For 2026

Berlin’s most emotionally charged duo are coming to Melbourne bringing their high-intensity, love fuelled trance music to The Wool Store on Friday 25th September 2026.

Leo and Jonas turn dance floors into something that actually feels like something. If you saw them at Beyond The Valley, you already know.

PRESALE

Tue 16 June — 12pm AEST

ON SALE

Wed 17 June — 12pm AEST

SHOW DATE

Fri 25 Sep — The Wool Store — Melbourne

SIGN UP HERE

TOUR INFORMATION

DJ HEARTSTRING

Berlin duo DJ HEARTSTRING have built one of electronic music’s most devoted followings through their signature Trance sound.

Blending melancholy and euphoria, underground energy with pop sensibility, and high-BPM trance with emotionally driven songwriting, their sets turn dance floors into shared emotional release points.

Their rise has included appearances at Movement Detroit, ARC Music Festival, Awakenings, Lost Village and We Love Green, alongside a viral Boiler Room Melbourne set that introduced them to a new wave of fans locally. Australian audiences will remember their standout performance at Beyond the Valley.

On the release front, their recent single ‘A Thousand Lies’ with DMA’S via Steel City Dance Discs has quickly become a standout in their sets, adding to a run of widely supported collaborations including ‘Don’t Stop’ with southstar and ‘If U Want My Heart’ with KETTAMA and KLP.

SIGN UP HERE

The Wool Store

Built in the 1940s and heritage-listed as the largest single wool store building in Victoria, The Wool Store is one of Australia’s most iconic event spaces — and it’s back for 2026.

The venue’s return began with Dom Dolla and Solomun back-to-back, followed by KI/KI across two nights, a sold-out RÜFÜS DU SOL show, and X CLUB.’s largest Australian headline to date.

Now, it’s back on Melbourne’s Grand Final public holiday with DJ HEARTSTRING on Friday 25th September.

FOLLOW HERE
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June 11, 2026 0 comments
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Festival NewsMusic News

Show Me The Body share new single ‘Eat For Peace’ from forthcoming album Alone Together (July 10 via Loma Vista Recordings)

by the partae June 10, 2026
written by the partae

Photo: Wes Knoll

Following the announcement of their 4th studio album, Alone Together, arriving July 10th via Loma Vista Recordings, Show Me the Body announces their North American tour and shares the album’s third single, ‘Eat For Peace‘. LISTEN HERE + WATCH HERE + PRE-SAVE LP HERE.

“‘Eat For Peace’ is the first song on Alone Together. It’s the first message we communicate, one that defines this record as well as who we are “Radical love compels me to fight.” It’s the credo.” – Julian Cashwan Pratt.

Alone Together serves as the official follow-up to the band’s celebrated 2022 album Trouble The Water, and bears themes of praxis and putting belief into action. Alone Together is not about atmosphere, but about direct communication, a call to galvanize ourselves and the people around us. Working alongside producers Klas Åhlund (Robyn, Ghost) and Kenneth Blume III (Geese, Fcukers), Show Me The Body has recontextualised their core language into something with more focus, urgency, and clarity than ever before. Alone Together is not about atmosphere but about direct communication, a call to galvanize ourselves and the people around us.

Bones of Show Me The Body‘s fourth full-length album formed first in their Corpus studio, in the basement of the building that also serves as the New York City collective’s headquarters and the home in which frontman Julian Cashwan Pratt lives with his young family. Writing the album in the wake of the birth of his daughter. Alone Together brings the band’s ethos of resilience in the darkest moments into startling focus, making for the trailblazers’ most harrowing and joyous output to date.

Klas Åhlund, one of the album’s producers, came over from Sweden to visit Pratt and Steed in Queens and gave a blunt assessment of the band’s demos. “He caught me at me becoming an adult, so I didn’t tell him to fuck off.” And so, Pratt said, the band sat with Åhlund‘s one critical piece of advice: “There’s certain parts of our music that are distinctly Show Me The Body. And he was like, ‘those parts only your band could do? You should just do that all the time. All the parts that sound like everybody else, you should just do less.'” With this ringing in their minds, they soon decamped to the California studio of Kenneth Blume III, where the band and their new odd-couple producers took that core sound to unheard-of heights.

During the making of the album, Show Me the Body’s Julian Cashwan Pratt launched a series of conversations in which he speaks with “a few of my best friends, creative peers, and mentors about life, loss, family, community, art, and praxis.” The series is called “Alone Together” and was directed by Nicolas Heller (New York Nico). Episodes 1, 2, 3, & 4 with Dracula O. / Chi, Kasie Kirkland AKA Yung Mayne, Jaylen Strong, and Yo Chill are all available on the Show Me the Body YouTube page and Spotify.

This summer, the band will make the rounds in the UK and Europe, playing select festival dates and supporting Deafheaven on a run of shows before embarking on their North American tour in the fall.

Listen and watch to “Eat For Peace” above, and check out the full run of tour dates and hi-res assets below. Alone Together will be available via all digital platforms and physically on CD and Vinyl. Check out more physical merchandise, including the pressings of Alone Together on vinyl, their Krink marker collab, Alone Together and new coffin t-shirts, and upcoming tour dates at showmethebody.com. Stay tuned for more news from Show Me the Body.

SHOW ME THE BODY
Alone Together LP
JULY 10 via Loma Vista Recordings
PRE-SAVE HERE

‘Eat For Peace’ is out now, buy/stream it here.

TRACKLIST
Overture
Eat For Peace
No God
Good Time
Dance In The USA
Do What’s Right (Happy)
Interlude
See You Again
Mileage
New Line
Trust
Finale
Alone Together

Stay connected with Show Me The Body:
23 Profile | Website | Instagram | YouTube | X | Facebook

June 10, 2026 0 comments
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Festival NewsMusic News

Sawyer Hill (USA): Arkansas indie-rocker announces debut AU dates on the Everybody’s Home, Nobody’s Happy Tour – February 2027

by the partae June 9, 2026
written by the partae

Frontier Touring is excited to welcome US alt-rock breakout star Sawyer Hill as he brings his Everybody’s Home, Nobody’s Happy Tour to Australia for debut shows in February 2027.

Celebrating his upcoming album Everybody’s Home, Nobody’s Happy [out 21 August], Hill will take the release across the globe in his biggest headline tour to date. Kicking off the Australian leg at The Night Cat, Melbourne on Thursday 4 February before heading to Sydney’s Oxford Art Factory on Friday 5 February and a final show at The Triffid, Brisbane on Saturday 6 February.

Frontier Members can access their presale from 12pm local time on Wednesday 10 June, before tickets go on sale from 1pm local time. Tickets and tour information via frontiertouring.com/sawyerhill.

Watch: Sawyer Hill – High On My Lows

Fast becoming known for his genre-bending musicianship, lyrical storytelling and unmatched live presence, Sawyer Hill is the indie-rock newcomer that is on everybody’s radar. Playing bars as a teenager, sneaking through the back door so he wouldn’t be carded by bouncers, Sawyer graduated to national stages with the release of viral 2023 single ‘Look at the Time’. Catching the attention of fans across the globe, the multi-talent has since racked up over 130 million streams and more than 250 million video views, leading to the release of 2025 album Heartbreak Hysteria which cemented itself as an impressive debut for the young singer-songwriter.

Soon leaving Arkansas, bringing his music across the United States and Europe, Hill curated a standout live set. Generating a huge online following along the way, he performed sold out stops at LA’s Troubadour and NYC’s Bowery Ballroom, as well as an extensive tour supporting UK rocker Yungblud, with a summer of festival sets across the North America to come, including Outside Lands Festival, Bourbon and Beyond and Festival Corona Capital.

Upcoming album Everybody’s Home, Nobody’s Happy, draws on these experiences on the road. A project centred around his feeling of longing for home – an unexpected feeling – Hill hones in on the sonic and lyrical identity of the album, working with notable collaborators Mike Crossey [The 1975, Arctic Monkeys], Chris Greatti [Poppy, Yungblud], and Ryan Linville [Olivia Rodrigo, Dermot Kennedy]. What has resulted is an album of confidence, with a sound and style that feels like a Sawyer Hill record – being a voice for the loners and the doubters, the Southern kid who doesn’t understand why he’s meant to shut up about his feelings.

These debut live shows are not to be missed – catch alt-rock sensation Sawyer Hill on the Everybody’s Home, Nobody’s Happy Tour heading to Australia in February 2027.


SAWYER HILL
​EVERYBODY’S HOME, NOBODY’S HAPPY TOUR
​AUSTRALIA
​FEBRUARY 2027
​Presented by Frontier Touring


FRONTIER MEMBER PRESALE
​via frontiertouring.com/sawyerhill
​Runs 24 hours from: Wednesday 10 June (12pm local time) ​
​or until presale allocation exhausted

TICKETS ON SALE
​Begins: Thursday 11 June (1pm local time)


Thursday 4 February
​The Night Cat | Melbourne, VIC
​18+
​universe.com

Friday 5 February
​Oxford Art Factory | Sydney, NSW
​18+
​moshtix.com.au

Saturday 6 February
​The Triffid | Brisbane, QLD
​18+
​moshtix.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW SAWYER HILL:
​Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music

June 9, 2026 0 comments
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Festival NewsMusic News

JET RETURNS TO THE REGIONS OF AUSTRALIA THIS OCTOBER & NOVEMBER

by the partae June 9, 2026
written by the partae

Following a hugely successful run across regional east coast centres in April and May, one of Australia’s most recognisable rock outfits Jet announce Part 2 of their Rumblin’ Regional Revue Tour in Australia throughout October and November.

Rumblin’ to 11 regional centres to deliver their signature hooks, timeless classics and electrifying live show, the tour kicks off on Thursday 22 October at UC Refectory in Canberra, stopping all stations from Wollongong, Erina, Hobart, Forth, Toowoomba, Coolum Beach, Gold Coast, Traralgon, Ballarat, and finishing up at Pier Bandroom in Frankston on Saturday 14 November.

General public tickets go on sale on Friday, 12 June, 12pm (local). For complete tour & ticket information, visit: livenation.com.au 

The Live Nation Presale starts Thursday, 11 June, 12pm (local) until Friday, 12 June, 11am (local) or until allocation is exhausted. To purchase presale tickets, sign up now at livenation.com.au/register.

Twenty-five years into their illustrious career, Jet haven’t lost an ounce of what makes them one of the country’s most exciting and enduring rock bands. In 2023, JET returned to live form after a five year hiatus from touring, to celebrate 20 years of their debut album Get Born. That same year their enduring legacy was officially recognised in November, when they were inducted into the ARIA Hall of Fame.

Since then, Jet has been riding a wave of momentum. 2025 saw Jet perform huge shows across the US and join Lenny Kravitz locally on his Blue Electric Light Tour to adoring fans and rave reviews with Rolling Stone stating, “We immediately get what we need from the Melbourne rockers”.

Originally hailing from Dingley in Melbourne’s south-east, Jet exploded onto the global stage following their formation in 2001. Their landmark 2003 debut album, Get Born, sold more than 6.5 million copies worldwide, earning nearly 10x Platinum certification in Australia and Platinum accreditation in both the US and UK. Packed with era-defining singles including ‘Are You Gonna Be My Girl’, ‘Rollover DJ’ and ‘Look What You’ve Done’, the album saw the band collect six ARIA Awards in 2004. ‘Are You Gonna Be My Girl’ and ‘Cold Hard Bitch’ both reached No. 1 on the US Modern Rock charts, cementing Jet’s place among the biggest rock acts in the world and propelling them to headline festival stages across the globe.

Building on that success, Jet returned in 2006 with their sophomore album, Shine On. Showcasing the band’s trademark blend of swaggering rock and infectious melodies, the record delivered fan favourites including ‘Put Your Money Where Your Mouth Is‘, ‘Bring It On Back‘ and ‘Rip It Up‘. The album achieved Platinum status in Australia and was supported by a string of acclaimed international headline tours, as well as a memorable run on the 2007 Big Day Out festival circuit.

After delivering knock out performances on Part 1 of the Rumblin’ Regional Revue in April and May this year, Jet are polished and poised to blow away crowds on Part 2 of the tour. Don’t miss Jet at the top of their game, 25 years deep into their career, on the Rumblin’ Regional Review this October and November.

Joining Jet across all shows (except Tasmania) are Sydney 5-piece alt-rockers, Liquid Zoo. Bursting onto the scene just last year, Liquid Zoo are making waves with their infectious energy and brazen confidence on tracks like ‘Taste’, ‘Tell Me’ and ‘Can’t Afford It’. Self-certified as “20% rock, 80% roll”, Liquid Zoo channel the swagger of The Rolling Stones and the sharp-edged cool of The Strokes. Warming the stage across the Tasmanian shows are Hobart’s own acid-psych blues-rock four-piece Spooky Eyes. Having supported the likes of Foo Fighters, Jack White and Wolfmother, the electrifying outfit are known for punishing ears with their eclectic brand of amplified psychedelic blues. Their signature sound is on full display across tracks such as ‘Evil Eye’ and ‘Harvest’.

JET
RUMBLIN’ REGIONAL REVIEW TOUR (ROUND 2) – AU 2026For complete tour & ticket information, visit: livenation.com.au 

UC REFECTORY, CANBERRA – THURSDAY 22 OCTOBER
WAVES, WOLLONGONG – FRIDAY 23 OCTOBER
WOODPORT HOTEL, ERINA – SATURDAY 24 OCTOBER
ODEON THEATRE, HOBART – FRIDAY 30 OCTOBER
FORTH PUB, FORTH – SATURDAY 31 OCTOBER
THE POWERHOUSE, TOOWOOMBA – THU 5 NOVEMBER
BLACK FLAG BREWING, COOLUM BEACH – FRI 6 NOVEMBER
MIAMI MARKETTA, GOLD COAST – SAT 7 NOVEMBER
THE DECK, TRARALGON – THU 12 NOVEMBER
CIVIC HALL, BALLARAT – FRI 13 NOVEMBER
PIER BANDROOM FRANKSTON – SAT 14 NOVEMBER

Connect with Jet
Website | Facebook | Instagram | X |YouTube | TikTok | Spotify
June 9, 2026 0 comments
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Festival NewsMusic News

Bizarro unveils Overtone, Freeform & Mode festival lineups, feat. Barry Can’t Swim (DJ), Interplanetary Criminal, Richie Hawtin, Mall Grab & more

by the partae June 7, 2026
written by the partae

BIZARRO UNVEILS FESTIVAL LINEUPS
OVERTONE | FREEFORM | MODE

THREE FESTIVALS. THREE CITIES. ONE WEEKEND.

FEATURING
(A-Z)

BARRY CAN’T SWIM (DJ) / INTERPLANETARY CRIMINAL
MALL GRAB^ / RICHIE HAWTIN

(A-Z)
2LUBLY* / 6 SENSE^ / ALILIA B2B ANUSHA+ / ASH LAURYN*+
AVALON EMERSON / BELLA CLAXTON / BEN UFO / CALL SUPER*+
CRŸBABY* / D. DAN / EVA CHARLEY^ / FREDDY K / FUCHSIA+
GiGi FM*+ / HARRY HAYES+ / HASVAT INFORMANT*+ / JUN WAN+
KSMBA+ / LIZA^
 / MEMPHIS LK / MIKALAH WATEGO / NED BENNETT
NGAARU^ / OBEIDO+ / OGAZÓN*+ / RAKHI* / RON TRENT*+
SHIMMY^ / STORM MOLLISON*+ / SWIM / TORI PEPPER^
TWIENA*+ / TWO SHELL

^OVERTONE +MODE *FREEFORM

OVERTONE FESTIVAL
FRIDAY 2 OCTOBER | GOLD COAST/KOMBUMERRI | 
EARLY ACCESS TICKETSFREEFORM FESTIVAL
SATURDAY 3 OCTOBER | MELBOURNE/NAARM | EARLY ACCESS TICKETSMODE FESTIVAL
SUNDAY 4 OCTOBER (LABOUR DAY WEEKEND) | SYDNEY/EORA | EARLY ACCESS TICKETS

Bizarro unveils the 2026 lineups for Overtone, Freeform and Mode festivals, taking over iconic sites in Gold Coast/Kombumerri, Melbourne/Naarm and Sydney/Eora this October. Three heavyweights among their respective scenes are set to headline – Barry Can’t Swim (DJ), Interplanetary Criminal and Richie Hawtin, while Mall Grab will also top the Overtone bill.

Each respective lineup is centred on the same DNA celebrating electronic music on day-to-night dancefloors, while also being individually sculpted by the cities and spaces around them. Across one weekend, three festival rosters will bridge global electronic names with local talent, injecting world-class music experiences into three unique locations down the East Coast.

Edinburgh-born, London-based producer Barry Can’t Swim is arguably one of the most exciting electronic acts in the world. Armed with the groove-heavy, jazz-inflicted dance euphoria of breakout 100M+ streamed debut When Will We Land?, to 2025 album Loner, he’s earned his headline chops through stand-out performances across Glastonbury, Warehouse Project, All Points East, Lost Village and more. Label boss and figurehead for club music coming out of Northern England, Interplanetary Criminal also takes a rightful place atop the trio of festivals as this generation’s UKG hero. His wealth of club ready releases include 2x Platinum “B.O.T.A. (Baddest Of Them All)” with Eliza Rose, high profile remixes, collaborations with KETTAMA, Sammy Virji, Gorgon City and more, and folks can expect plenty of high octane speed garage, bassline and donk from the game-changing producer’s festival set.

British-Canadian electronic musician and DJ Richie Hawtin is a legacy unto himself, a vanguard of the art and technological communities and named by DJ Mag as “techno’s future-focussed pioneer”. Spearheading the early 90s minimal techno movement and shaping the techno sound that has become synonymous with Detroit’s scene, Hawtin has gone on to become a three-time winner of DJ Awards’ Best Techno DJ, put an underground edge on avant-garde electronica with his Plastikman pseudonym, and nurtured fellow talent under Plus8 and Minus Records. Overtone will give Gold Coast an extra treat, with Australian DJ and producer Mall Grab also joining as headliner. Needing little introduction to the local scene, the dancefloor giant has consistently risen in success with his artistic finesse and nostalgic yet boundary-pushing production styles, felt most recently in his re-work of Milky’s “Just The Way You Are”.

Maxing out the lineups are an elite assortment of curators, each having firmly made their mark on the global electronic scene. Among them are Detroit-born, Atlanta-based house and techno DJ and cultural voice Ash Lauryn, esteemed musical polymath, Berghain queen and sought-after festival DJ Avalon Emerson, high-energy fixture Melbourne/Naarm’s club scene Bella Claxton, London DJ and radio icon Ben UFO, the inventive, always danceable techno of Call Super, the raw grooves and psychedelia of Berlin-based DJ and producer D. Dan, fellow Berlin-based DJ and activist Freddy K, GiGi FM’s hypnotic and fluid techno, and the pulsating, underground productions of Melbourne/Naarm’s Hasvat Informant.

Australian-raised, London-based DJ, producer and vocalist Memphis LK will bring her transportive show built on her DIY artistry, alongside the experimental rhythms of Bundjalung DJ Mikalah Watego and the mixed bag styles of hardgroove producer Ned Bennett. Part-Spanish, part-Luxembourgish artist Ogazón joins them hailing from Amsterdam’s after-hour scene, along with Grammy-nominated American house music producer Ron Trent, the transatlantic sound of Rinse FM resident Storm Mollison, Melbourne/Naarm-born, London-based producer and one of our most compelling electronic exports, SWIM, the 4×4 rave and techno of TWIENA, and mischievous UK duo Two Shell’s blends of UKG, post-dubstep and techno.

Overtone alone will also be treated to sets from 6 SENSE, Eva Charley, LIZA, Ngaaru, SHIMMY and Tori Pepper, while 2LUBLY, Crÿbaby and Rakhi join the Freeform lineup. Expanding the menu at Mode are buzzy locals alilia b2b anusha, Fuchsia, rapidly-rising Sydney/Eora producer Harry Hayes, producer, Gunggandji / Wiradjuri DJ Jun Wan, vocalist and DJ KSMBA and Chinese Laundry resident Obeido.

Overtone channels a raw, rave-inspired aesthetic and brings it to Musgrave Park on FRIDAY 2 OCTOBER. Freeform is co-presented by Crown Ruler, and will deliver its largest lineup yet across four stages within the iconic grounds of Sidney Myer Music Bowl on SATURDAY 3 OCTOBER. Mode Festival stands at the forefront of the Australian electronic scene – a multidimensional celebration of cutting-edge music, striking visuals and forward-thinking and design that returns to Cockatoo Island/Wareamah on SUNDAY 4 OCTOBER, making the most of the city’s Labour Day long weekend.

Early access for each festival commences on Wednesday 10 June – your chance to access tickets before they go on sale to the general public. General on-sale begins on Thursday 11 June.

Lineups are unique for each event, so find out who’s coming to your city in the event breakdowns below.

OVERTONE: WEBSITE | INSTAGRAM
FREEFORM: WEBSITE | INSTAGRAM
MODE: WEBSITE | INSTAGRAM
BIZARRO: INSTAGRAM
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RUM JUNGLE RELEASE DEFINING SOPHOMORE ALBUM MARGINALIA

by the partae June 7, 2026
written by the partae

Photo credit: Nikola Jokanovic

Rum Jungle return with Marginalia, a sophomore album that captures a band in transition, balancing the weight of growth with a newfound sense of creative freedom. Written across a year of personal and professional change, the record reflects a period of introspection, self-questioning and emotional turbulence, ultimately arriving at a place of clarity and acceptance.

At its core, Marginalia explores themes of time, memory and self-worth, tracing the tension between nostalgia, uncertainty and the decision to embrace the present. Moments of inner turmoil sit alongside feelings of release and optimism, framing the album as both a time capsule of a specific period and a broader reflection on navigating change.

The album arrives at a landmark moment for Rum Jungle. Following years of relentless touring and a rapidly growing international audience, the four-piece are preparing for their biggest chapter yet, with major festival appearances at Austin City Limits and Shaky Knees, an extensive Australian and New Zealand headline tour, and a UK and European run supporting acclaimed UK indie outfit Cassia. The upcoming shows continue the band’s steady rise from regional Australian venues to international stages, cementing their reputation as one of the country’s most exciting live acts.

Sonically, Marginalia expands significantly on the band’s debut. Where earlier material was shaped in confined spaces, this record was brought to life in larger studio environments, resulting in a more expansive and dynamic sound. Live recording techniques and loose, jam-led sessions give the album a raw immediacy, with booming drums, textured guitars and a sense of space that elevates the band’s signature melodic instincts. The result is a body of work that feels both more ambitious and more instinctive, capturing the energy of a band leaning into experimentation without losing their core identity.

Drawing from a wide range of influences, Marginalia blends indie rock and alternative textures with elements of slacker rock, acoustic songwriting and contemporary pop sensibilities. Touch points span from the distorted edge of Pixies and the loose jangle of Pavement to artists such as The Strokes, Dominic Fike, Mk.gee, Beck, Lana Del Rey and Dijon. The diversity of these influences creates a natural push and pull across the record, contributing to its tonal variation and emotional depth.

Recorded across immersive sessions in Sydney, the album’s creation mirrors its themes: a period of intensity, unpredictability and close-quarters living, with the band effectively residing inside the studio as the record took shape. That environment fostered both spontaneity and reflection, allowing moments of instinct and clarity to guide the process as much as deliberate experimentation. The result is a record that feels lived-in and immediate, capturing not just the songs themselves but the energy and conditions in which they were made.

Ultimately, Marginalia documents a band learning to navigate uncertainty, acknowledging that happiness is not constant, but choosing to move forward with intention. It is both a reflection on who Rum Jungle have been and a statement of who they are becoming, a defining release from a band entering its most ambitious era yet.

TOUR DATES

Tickets available at www.rumjungleband.com

MARGINALIA AU/NZ TOUR

with special guests sleepazoid and Local the Neighbour*
Perth only supports Great Gable & Blush | NZ supports BADTAB

Thursday 11th June, 2026 | Tuning Fork, Auckland [AA]
Friday 12th June, 2026 | San Fran, Wellington [AA]
Saturday 13th June, 2026 | Wunder Bar, Christchurch [18+]
Friday 19th June, 2026 | Princess Theatre, Brisbane*^ [AA]
Friday 26th June, 2026 | Roundhouse, Sydney*^ [AA]
Saturday 27th June, 2026 | Northcote Theatre, Melbourne*^ [AA]
Friday 3rd July, 2026 | Astor Theatre, Perth [AA]
Saturday 4th July, 2026 | Hindley Street Music Hall, Adelaide*^ [AA]
Sunday 5th July, 2026 | In the Hanging Garden, Hobart*^ [AA]


MARGINALIA NORTH AMERICAN TOUR

Tuesday 8th September, 2026 | Cat’s Cradle – Back Room, Carrboro, NC
Wednesday 9th September, 2026 | Pearl Street Warehouse, Washington, DC
Thursday 10th September, 2026 | Baby’s All Right, New York, NY
Friday 11th September, 2026 | The Sinclair, Cambridge, MA
Sunday 13th September, 2026 | Horseshoe Tavern, Toronto, ON
Tuesday 15th September, 2026 | Subterranean, Chicago, IL
Thursday 17th September, 2026 | Ace of Cups, Columbus, OH
Friday 18th September, 2026 | The End, Nashville, TN
Saturday 19th September, 2026 | Shaky Knees, Atlanta, GA
Tuesday 22nd September, 2026 | The Bottleneck, Lawrence, KS
Thursday 24th September, 2026 | Marquis, Denver, CO
Saturday 26th September, 2026 | Velour Live Music Gallery, Provo, UT
Monday 28th September, 2026 | Polaris Hall, Portland, OR
Wednesday 30th September, 2026 | Rickshaw Theatre, Vancouver, BC
Thursday 1st October, 2026 | Neumos, Seattle, WA
Sunday 4th October, 2026 | The Chapel, San Francisco, CA
Monday 5th October, 2026 | Echoplex, Los Angeles, CA
Tuesday 6th October, 2026 | Voodoo Room, San Diego, CA
Sunday 11th October, 2026 | Austin City Limits, Austin, TX


UK/EU TOUR (SUPPORTING CASSIA)

Wednesday 4th November, 2026 | Wylam Brewery, Newcastle, UK
Thursday 5th November, 2026 | O2 Academy, Bristol, UK
Friday 6th November, 2026 | Rescue Rooms, Nottingham, UK
Saturday 7th November, 2026 | Arts Club, Liverpool, UK
Sunday 8th November, 2026 | The Garage, Glasgow, UK
Tuesday 10th November, 2026 | Project House, Leeds, UK
Wednesday 11th November, 2026 | CHALK, Brighton, UK
Thursday 12th November, 2026 | Trix Club, Antwerp, BE
Saturday 14th November, 2026 | Melkweg OZ, Amsterdam, NL
Sunday 15th November, 2026 | Nachtleben, Frankfurt, DE
Monday 16th November, 2026 | Dynamo Werk 21, Zurich, CH
Tuesday 17th November, 2026 | WUK, Vienna, AT
Friday 20th November, 2026 | Lido, Berlin, DE
Saturday 21st November, 2026 | Mojo Club, Hamburg, DE
Sunday 22nd November, 2026 | Club Volta, Cologne, DE
Monday 23rd November, 2026 | Ampere, Munich, DE
Wednesday 25th November, 2026 | Backstage By The Mill, Paris, FR
Friday 27th November, 2026 | O2 Forum Kentish Town, London, UK
Thursday 3rd December, 2026 | O2 Ritz, Manchester, UK

STREAM

Tickets available at www.rumjungleband.com

 

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LEAPS AND BOUNDS MUSIC FESTIVAL RETURNS IN 2026

by the partae June 7, 2026
written by the partae
City of Yarra’s annual winter music festival, Leaps and Bounds, returns to a full ten-day format in 2026, championing the venues, artists, DJs, promoters and collectives that make Yarra one of Australia’s most important live music communities.

Beloved institutions, late-night haunts, DIY spaces and neighbourhood locals will host live shows, broadcasts, pop-ups, record fairs and one-off collaborations across Fitzroy, Collingwood, Abbotsford and Richmond from Thursday 16 to Sunday 26 July, with every event either free or low cost to attend.

“Live music is a fundamental part of Yarra’s identity,”  Yarra City Council Mayor, Stephen Jolly said.

“Leaps and Bounds is about backing that culture by supporting the local artists, bookers, promoters and venue operators who make us one of the most important music communities – if not the most – in Australia. And with ten days of free and low-cost events, we’re making sure that more people can experience it.”

Presented in partnership with local venues, promoters and communities, Leaps and Bounds continues to showcase the people and places that make Yarra one of Australia’s most important live music destinations.

This year’s program includes several all-day venue takeovers, including IN MOTION, part of HIGH GROUND, taking over The Night Cat, The Evelyn Hotel and Punters Club with Public Figures, Skeleten and more.

Collingwood’s new train carriage venue Trainscendence hosts Loco Motion, a weekend of music, arts and creative culture for all ages featuring Charlie Needs Braces and more. The Gem hosts a free Sunday session: Stone Fest featuring Girlatones, Daisy Kilbourne and Hannah Kate, while Liberate Community presents Equaliser: A Disability Pride Party at The Leadbeater Hotel in Richmond.

Global sounds, storytelling and cultural exchange feature throughout the program, including Stani Goma’s To Bina: A Night of Soukous Vibrations Powered by El Gran Mono at Abbots Yard, Diversity Funk at The Horn and Akwaaba at Old Plates – a celebration of West African music, culture and food headlined by Immy Owusu and Sensible J. The Builders Arms Hotel also hosts The Yalinguth Archives, a special night of yidaki, songs and stories reflecting on Fitzroy’s iconic meeting places and the Aboriginal community that helped shape them.

Lower Johnston St heats up with Nighthawks and The Bendigo teaming up for Lowlight on Lojo, while nearby Lulie Tavern hosts LittlePalooza, a free and fully accessible all-day party featuring Leroy MacQueen, Platonic Sex and more. The Tote also welcomes South Australian Aboriginal hip hop crew DEM MOB.

Further up the road, The Old Bar is putting on a zine fair soundtracked by loud DIY punk, Baxter’s on Brunswick St makes way for some of the city’s best emerging artists across three nights with Sounds Like Tomorrow, and Glamorama teams up with REELIZE Studio for an immersive AV club night INFUSE ft. dozie.

As always, the Leaps and Bounds Record Fair returns to Collingwood Town Hall, while PBS continues its festival tradition with a live broadcast from the Yorkshire Stingo Hotel in Abbotsford.

There are plenty more discoveries to be made across the festival, with further special events taking place at Bodriggy Brewpub, Skydiver Records, Smith St Hotel, The Catfish, Railway Hotel, Yah Yahs, The Standard, The Grace Darling, and Bar Open.

Plus, a secret venue launch party set to be revealed closer to the festival!

For the full program, visit Leaps and Bounds Music Festival.

Leaps and Bounds Music Festival is proudly presented by Yarra City Council and supported by PBS.

Winter sounds better in Yarra.

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Introducing HIGH GROUND & their inaugural winter program ft. including Protomartyr, Violent Magic Orchestra, Mildlife and lots more

by the partae June 7, 2026
written by the partae

Located on Wurundjeri Country, HIGH GROUND is a live music series inspired by Fitzroy’s traditional name, Ngár-go – an area long synonymous with creative independence, resistance, and pushing boundaries.

Launching this winter across The Night Cat, The Evelyn and Punters Club, HIGH GROUND celebrates Fitzroy’s rich musical legacy with a multi-genre collision of sound from the fringes to the forefront. Running from May through August, the program features a broad lineup of live music, bringing audiences back to Fitzroy’s beloved independent venues during the colder months.

The inaugural program features performances from internationally acclaimed post-punk outfit Protomartyr, Senegalese rhythmic pioneers Mark Ernestus & Ndagga Rhythm Force, Japanese audiovisual collective Violent Magic Orchestra, New York experimental group YHWH Nailgun, Naarm psychedelic-jazz favourites Mildlife and Los Angeles R&B artist Jenevieve, alongside a mix of local artists, collectives, DJs and community-led programming.

At the centre of the program is HIGH GROUND: IN MOTION, a multi-stage event taking place Saturday, July 18, across all three venues within the Fitzroy Triangle: The Night Cat, The Evelyn and Punters Club. Presented by CLBR, PBS 106.7FM and Leaps and Bounds Music Festival, audiences can move between venues for one night of live music, DJs and late-night programming.

The first IN MOTION lineup includes performances from Skeleten, Sleepazoid, XIAO XIAO, Orange Moon, No News, Rain Dogs, Horatio Luna, DJ LUV YOU, Public Figures, Setwun & The Soulstranauts and Miles Nautu.

Fitzroy has stood as one of Australia’s most important homes for live music for decades – a suburb built on independent venues, underground scenes, DIY spaces, late nights and generations of artists shaping counterculture. From the influential Punters Club era of the 1990s to Fitzroy’s underground warehouse rave movement and the vibrant scenes emerging today, the suburb has long been a meeting point for artists, communities and ideas.

Across the years, global cultural figures have intersected with Fitzroy’s creative identity; Muhammad Ali walked Gertrude Street during his 1979 visit to the Aboriginal Health Service, Keith Haring painted nearby walls in the 1980s, Kylie Minogue performed one of her earliest shows at a Fitzroy Football Club fundraiser, and Jeff Buckley played an impromptu rooftop set above Triple R on Victoria Street in 1996.

Fitzroy’s music venues have helped shape generations of local and global music culture. The Punters Club became a rite of passage for Australian bands throughout the 1990s, helping launch and nurture artists such as Powderfinger, Spiderbait, Magic Dirt, and You Am I. The Evelyn evolved from a historic Brunswick Street pub into one of the northside’s most important independent bandrooms, hosting everyone from Dirty Three and Hiatus Kaiyote to Muse’s first Australian performance. Meanwhile, The Night Cat transformed Johnston Street into a late-night cultural meeting point, with its iconic 360-degree stage becoming synonymous with jazz, funk, soul, hip-hop and marathon dancefloor sessions, hosting artists including The Cat Empire, The Bamboos, King Gizzard & The Lizard Wizard, Sampa The Great and Amyl & The Sniffers.

As part of the program, HIGH GROUND will present a free public gallery exhibition featuring archival photography and memorabilia celebrating some of Fitzroy’s most iconic cultural moments.

“HIGH GROUND is our love letter to Fitzroy. We want to celebrate the creative and cultural history of this incredibly unique community,” says Nate Farrell, CLBR’s Co-Founder & Managing Director. “I spend 95% of my time between Johnston St and Alexander Parade, and every night already feels like a festival to me, being about to bounce between our venues (aka The Fitzroy Triangle). We wanted to bottle that feeling, that excitement of seeing all these dots connect in these spaces with different crowds and scenes coming together, all with Fitzroy as the backdrop.”

Additional artists, exhibitions and activations will be announced over the coming weeks. Follow High Ground to stay updated.

HIGH GROUND FIRST ANNOUNCE
Bridget Small
College Of Knowledge Presents: Soul Dynamite
Disco Mediterranea
DJ Assault (USA)
DJ Luv You
Eden Burns (NZ)
Horatio Luna
horse
Intermood
Jenevieve (USA)
Lamestream
Love Sensation
MAAJELA
Mark Ernestus & Ndagga Rhythm Force (SEN)
Mildlife
Miles Nautu
Milly Strange
Milo Eastwood
New York & Cortisa Star (USA)
Nice Girl
No News
Orange Moon
People Taking Pictures
Pollen Art Club Presents: Rinse
Protomartyr (USA)
Public Figures
Rain Dogs
Setwun & The Soultranauts
Skeleten
Sleepazoid
Sports (USA)
Steady Weather
Stupid F*ck the Silly Clown
The Gnomes
Tony Armstrong: The Let Down
Violent Magic Orchestra (JPN)
Weaver Pres.
XIAO XIAO
YHWH Nailgun (USA)
HIGH GROUND: IN MOTION 
THREE VENUES, ONE NIGHT. SATURDAY 18 JULY
Skeleten
Sleepazoid
XIAO XIAO
Orange Moon
No News
Rain Dogs
Horatio Luna
DJ LUV YOU
Public Figures
Setwun & The Soulstranauts
Miles Nautu
Bridget Small
WEBSITE
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Ocean Sounds Festival 2026 Lineup Revealed

by the partae June 7, 2026
written by the partae

The Hills Are Alive Group present…

OCEAN SOUNDS 2027

Saturday 9th January 2027

PHILLIP ISLAND, VICTORIA

MISSY HIGGINS

THE LIVING END

PETE MURRAY

AND MORE

ARE COMING TO PHILLIP ISLAND FOR OCEAN SOUNDS FESTIVAL ON SATURDAY JANUARY 9, 2027! 

PRESALE TICKETS – ONSALE TUESDAY 9TH JUNE 8:30AM

GENERAL TICKETS – ONSALE WEDNESDAY 10TH JUNE 8:30AM

Soak up the sounds of summer and join us for picnic rugs, smiling friends, stunny local wines, gourmet food and some of Australia’s most amazing live music!

PRE-SALE TICKETS ONSALE
Tuesday, June 9th 8:30AM

GENERAL TICKETS ONSALE
Wednesday, June 10th 8:30AM

SIGN UP FOR PRESALE AND WIN A HELICOPTER FLIGHT AND DELUXE ACCOMMODATION IN PHILLIP ISLAND 

Register, share and earn points for your chance to WIN the ultimate Ocean Sounds Festival Weekend Festival Experience including:

Helicopter Flight for 2 people over Phillip Island

2 Festival Tickets to Ocean Sounds 2027

 1 night of Accommodation at Silverwater Resort

 Gourmet Graze Farm to Plate Platter for 2 people

Transport To and From the Festival

Hurry, registrations close at 5pm on June 8th. All entries receive Presale Access to tickets for Ocean Sounds Festival 2027.

SIGN UP FOR PRESALE
 

A LOOK INTO OUR 2027 LINEUP…

🏆 Won a total of 17 ARIA Awards and 67 ARIA nominations

🎶 Over 1 BILLION streams between them

💯 And have been featured on triple j Hottest 100 a total of 38 times

OCEAN SOUNDS

Ocean Sounds is an annual family-friendly, music-lovers’ all-day sunset concert series that will take place on the beautiful Phillip Island this summer.

Alongside some of Australia’s best live acts, Ocean Sounds will also showcase local wines, cheeses and gourmet food vans.

Attendees are invited to bring their family, friends, good vibes and to enjoy a memorable experience of quality music in a relaxed, atmospheric and picturesque environment.

Please mark Saturday 9th January, 2027 in your calendar and get ready to sing along with some of Australia’s most iconic live acts!

TICKET PRICES

GENERAL ADMISSION (18+)

Presale Tickets: $139 + booking fee

General Tickets: Starting from $149 + booking fee

ACCOMPANIED YOUTH TICKET (6-17 YEARS)

Presale Tickets: $54 + booking fee

General Tickets: $59 + booking fee

ACCOMPANIED CHILD TICKET (5 AND UNDER)

General Tickets: $10 + booking fee

oceansoundsfestival.com.au

FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE | SPOTIFY

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HANS ZIMMER LIVE – THE NEXT LEVEL | 2nd Sydney and Melbourne shows added. Tickets on sale Now

by the partae June 7, 2026
written by the partae

Following overwhelming demand during presale, Frontier Touring is thrilled to announce second shows have been added in both Melbourne and Sydney for multiple Academy Award® and GRAMMY®-winning composer Hans Zimmer, who returns to Australia this October with his visionary new arena production, Hans Zimmer Live – The Next Level.

In Melbourne, a second and final show has been added at Rod Laver Arena on Sunday 25 October, following the previously announced concert on Saturday 24 October.

Meanwhile, Sydney fans will now have two opportunities to experience his spectacular production, with a second show added at Qudos Bank Arena on Thursday 29 October, following Zimmer’s already announced performance on Wednesday 28 October.

 All shows, including the two new dates, go on sale today: Wednesday 3 June, 2pm (local time). For full tour and ticket information see frontiertouring.com/hanszimmerlive.
Hans Zimmer Live The Next Level credit Frank Embacher

Performing alongside his powerhouse 19-piece live band and featuring the acclaimed vocals of Australian musician Lisa Gerrard among a world-class ensemble, Hans Zimmer Live – The Next Level has already captivated audiences across Europe, completing a run of 50 sold-out shows in 17 countries and performing to more than 600,000 fans.

From Gladiator, Pirates of the Caribbean, The Dark Knight, Interstellar, Mission: Impossible, F1, The Lion King, Black Hawk Down, The Last Samurai and Dune, Zimmer’s extraordinary body of work has shaped some of cinema’s most iconic moments. Hans Zimmer’s extraordinary compositions have scored more than 500 projects across all mediums, which combined have grossed more than $28 billion at the worldwide box office. Zimmer has been honored with two Academy Awards®, three Golden Globes®, five Grammys®, an American Music Award, seven Emmy ® nominations and a Tony® nomination.

With demand already proving extraordinary, fans are encouraged to secure tickets early. Don’t miss Hans Zimmer Live – The Next Level this October.

Hans Zimmer credit Suzanne Teresa

About Hans Zimmer

Hans Zimmer has scored more than 500 projects across all mediums, which combined grossed over $30 billion at the worldwide box office. He has been honored with two Academy Awards®, three Golden Globes®, five Grammys®, an American Music Award, seven Emmy ® nominations and a Tony® nomination.

Zimmer’s career highlights include Dune: Part One, Dune: Part Two, Interstellar, Top Gun: Maverick, No Time to Die, Gladiator, The Thin Red Line, As Good as It Gets, Rain Man, The Dark Knight trilogy, Inception, Thelma & Louise, The Last Samurai, 12 Years a Slave, Blade Runner 2049 (co-scored with Benjamin Wallfisch) and Dunkirk. He also scored David Attenborough’s Prehistoric Planet, the final season of HBO MAX’s hit series Euphoria, and Joseph Kosinski’s F1, the highest-grossing sports film of all time, which earned him a Golden Globe® nomination. Upcoming, Zimmer will score the third part in Denis Villeneuve’s Dune franchise, releasing December 18.

His concert film Hans Zimmer & Friends: Diamond in the Desert was released in cinemas worldwide in 2025. It features live performances of Zimmer’s most revered compositions, as well as conversations with his closest collaborators, including Billie Eilish, Sir Christopher Nolan, Denis Villeneuve, Finneas, Jerry Bruckheimer, Johnny Marr, Pharrell Williams, Tanya Lapointe, Timothée Chalamet and Zendaya. ​

Beyond his award-winning compositions, Zimmer is a remarkably successful touring artist. He recently concluded his first North American and European Hans Zimmer Live tours. He has also performed in the Middle East, including two consecutive nights at Dubai’s renowned Coca-Cola Arena, as well as at Formula 1’s Singapore Grand Prix.


HANS ZIMMER LIVE – THE NEXT LEVEL
​AUSTRALIA
​OCTOBER 2026
​
Presented by Frontier Touring, Semmel Concerts and RCI Global


TICKETS ON SALE
​
Begins: Wednesday 3 June, 2pm (local time)

ALL SHOWS LICENSED ALL AGES


Monday 12 October
​RAC Arena | Perth, WA
​ticketek.com.au

Thursday 15 October
​AEC Arena | Adelaide, SA
​ticketek.com.au

Tuesday 20 October
​Brisbane Entertainment Centre | Brisbane, QLD
​ticketek.com.au

Saturday 24 October
​Rod Laver Arena | Melbourne, VIC
​ticketek.com.au

Sunday 25 October
​NEW SHOW!
​Rod Laver Arena | Melbourne, VIC
​ticketek.com.au

Wednesday 28 October
​Qudos Bank Arena | Sydney, NSW
​ticketek.com.au

Thursday 29 October
​NEW SHOW!
​Qudos Bank Arena | Sydney, NSW
​ticketek.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW HANS ZIMMER LIVE:
​Website | Facebook | X | Instagram 

FOLLOW HANS ZIMMER: 
​Facebook
 | X | Instagram | YouTube

frontiertouring.com/hanszimmerlive

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BIGSOUND 2026 announces Julia Jacklin, trials + King Gizzard for conference program

by the partae June 7, 2026
written by the partae

Julia Jacklin, trials

King Gizzard and The Lizard Wizard

Confirmed for Artist in Conversations at BIGSOUND

 NEW WAVE OF INTERNATIONAL INDUSTRY GUESTS INCLUDE

BONNAROO, MOM+POP, PARTISAN RECORDS, PITCHFORK AND SOHO HOUSE

 

      International guests confirmed for BIGSOUND 2026 – Partisan Records, Pitchfork, Bonnaroo, Soho House, MOM+POP (US), ROAM Artists (UK), Reeperbahn (GER), DMT Law Firm (US), Carpark Records (US), The Great Escape (UK), True Panther (US) and SXSW (US)

      Artists In Conversations confirmed – Stu Mackenzie and Lucas Harwood (King Gizzard and the Lizard Wizard), Julia Jacklin, and trials

      Early Bird Tickets On Sale Now, Delegate Tickets from $699 – visit bigsound.org.au to take advantage, early bird offer ends Monday, 30 June 2026

 

Magandjin (Brisbane), Queensland – BIGSOUND is excited to announce esteemed international industry guests, as well as its first wave of Artist In Conversation for their 25th anniversary edition this September 1-4, 2026.

This year, BIGSOUND is focused on delivering more opportunities for delegates to connect directly with the global market, with an expanded focus on facilitated networking, conversations and meetings throughout the week. With more networking events than ever before, this year’s BIGSOUND aims to nurture meaningful connections, with the return of our roundtables, conversation corners, curated meetings, and bigger-better mixers. BIGSOUND is excited to bring an expertly curated and diverse program of networking events, panels and discussions to connect Australian artists and industry with international delegates; ranging from festivals, labels, sync, media, agents and more.

Bringing over a decade of experience from a massive career as part of one of Australia’s most prolific rock groups, King Gizzard and the Lizard Wizard, delegates will have the chance to hear from Stu Mackenzie and Lucas Harwood as they reflect on their career. Taking the BIGSOUND stage in 2013, this Melbourne band caught the attention of punters and music industry alike, building momentum before catapulting into a career filled with a ton of music, massive wins and everything in between. With over 25 albums to their name, this globally known collective has remained steadfast in their creative vision and approach to art, leading them into the overseas market and becoming one of the most important bands of their generation.

Acclaimed songwriter and musician, Julia Jacklin also joins the BIGSOUND Artist in Conversation lineup; the multi ARIA Award nominee whose catalogue of striking alt-pop and indie music has won her a global audience made her first appearance at BIGSOUND in 2016 – just ahead of the release of her seminal debut album Don’t Let The Kids Win. Jacklin has become one of Australia’s finest songwriters and performers, known as a master of emotional storytelling – most recently evidenced on her ARIA-nominated album PRE PLEASURE. Jacklin has proven time and again her enduring talent, and has taken it to the world. In 2026, Jacklin returns to international stages, having signed her first-ever global record deal with 4AD, marking an exciting new chapter for the artist.

Award-winning Ngarrindjeri hip hop producer, composer and innovator, trials has been a driving force behind some of Australia’s most important projects. With funkoars, one of Australian hip hop’s most respected groups, and then with A.B. ORIGINAL, his powerful project with Yorta Yorta artist Briggs, trials is one of the country’s most important creatives. In 2026, trials has stepped out into the solo spotlight, releasing his long-awaited debut album hendle to widespread acclaim.

Included in today’s international guest announcement:

  • Partisan Records – Chris Fraser (Head of A&R): joined Partisan in May 2025, working closely with label founder Tim Putnam in overseeing the current and future roster, helping to bring their creative vision to life. With offices in New York, London and Los Angeles, Partisan has signed Geese/Cameron Winter as well as Blondshell, and works with artists including IDLES, Cigarettes After Sex, PJ Harvey, Ezra Collective and Laura Marling; as well as launching the career of Fontaines D.C.
  • Pitchfork – Nina Corcoran (Associate Staff Writer): Chicago-based, joined the staff team in 2021 after contributing to the website since 2015. She’s also written for Rolling Stone, Wired, NPR and Stereogum, and was previously the music editor of alt-weekly newspaper, DigBoston.
  • Bonnaroo – Bryan Benson (Music Exec, Talent Buyer): Bryan Benson is a live music executive and talent buyer helping book and curate lineups for major festivals including Bonnaroo, Boston Calling, Railbird and High Water. Benson is also the Lead Buyer for Live Nation in Nashville, where he oversees bookings for venues across the city, including Bridgestone Arena, Ryman Auditorium, FirstBank Amphitheatre, Ascend Amphitheatre, and Live Nation’s new iconic room, The Truth.
  • Mom+Pop Music – Thaddeus Rudd (Co-Owner): Thaddeus Rudd co-owns New York-based independent Mom+Pop Music alongside Michael Goldstone. With a roster spanning Magdalena Bay, Porter Robinson, Courtney Barnett, MGMT and Underscores, and a back catalogue including Flume and Tash Sultana to name a few, Mom+Pop is an independent label force to be reckoned with. 
  • Soho House London – Jessica Moss (Music Programming): Jessica Moss leads music programming at Soho House London, with over 100 events a month across the UK and Europe, working with a huge range of artists and genres from Skepta and the Wu-Tang Clan, to Honey Dijon, KAYTRANADA and Nubya Garcia.

Also included on today’s announcement, are representatives from some of the world’s most recognisable music festivals such as Director of SXSW Music, Dev Sherlock; Marie Robinson from The Great Escape; artist booker for MOJO in the Netherlands, Puck Stoelinga;  Yuta Nomura, founder and organiser of CUEW Showcase & Conference in Shibuya, Tokyo, as well as the ONE MUSIC CAMP and ARIUFUJI Weekenders in Japan.

International label delegates announced for BIGSOUND today also include TBA Agency festivals agent Kyle Kernohan; BBC Radio 1 presenter and DJ Tara Kumar, and two representatives from India: Rafael Pereira from India International Music Week and Roydon Bangera from Skillbox.

“BIGSOUND has always been a place where real connections happen, and this year we’re focused on creating even more opportunities for Australian and New Zealand artists and industry to connect with each other and the global market. The program focuses on the conversations the industry is having right now — how the business is changing, how we stay ahead, and how Australian and New Zealand artists continue to grow on the global stage.” — Kristy Ellis, Interim CEO, QMusic

BIGSOUND 2026 will again feature the popular Roundtables, Conversation Corners, Artist Hub, Content House, Delegate Hub, and Goolwal Goolwal, (Yagara language for BIGSOUND) – BIGSOUND’s First Nations-led program bringing free cultural experiences by day and deadly tunes by night. Alongside these crowd favourites an expanded technology and partner showcase program will be launched in the coming months.

The full BIGSOUND program will launch in July, with early bird tickets on sale now – make sure you are subscribed and staying tuned to all official updates via the BIGSOUND website: www.bigsound.org.au/subscribe

QMusic is supported by the Queensland Government through Arts Queensland and the Australian Government through Creative Australia, its principal arts funding and advisory body.

About BIGSOUND

The biggest week in Australian music and largest music industry event in the Southern Hemisphere, BIGSOUND has been where the music industry does business for 25 years. Held annually in the sacred home and beating heart of Australia’s Live music scene – Fortitude Valley, Magandjin (Brisbane), BIGSOUND is four days and three nights of showcases, development, conversations and connections.

BIGSOUND is the place where managers find their next act, agents close touring deals, labels discover the artists that define the next generation, and where introductions made over a drink at the Artist Hub become the partnerships that shape careers. Part showcase, part conference, part pilgrimage for the Australian music industry and its global peers – BIGSOUND is a cultural moment that has helped launched and propelled the careers of artists including Flume, Tash Sultana, Tones and I, and Courtney Barnettt, and continues to attract the international music industry to Brisbane each September.

BIGSOUND 2026 | 1–4 September, Fortitude Valley, Brisbane. Early bird tickets on sale now.

About QMusic

QMusic is the not-for-profit music industry peak body and development association for Queensland. The work of QMusic is critical to the success and development of Queensland’s music economy. It is the only significant and established not-for-profit organisation in Queensland dedicated to delivering sector and talent development, and recognition and capacity building initiatives including Industry Connect, the QMAs, and BIGSOUND.

 

For more information on BIGSOUND 2026 visit

www.bigsound.org.au 

 

BIGSOUND 2026 | 1 – 4 September Fortitude Valley Brisbane, QLD

 

INTERNATIONAL INDUSTRY GUESTS – JUST ANNOUNCED

 

Bonnaroo (C3 Presents) – Bryan Benson (US)

CUEW / One Music Camp / Arifuji Weekenders – Yuta Nomura (JP)

India International Music Week – Rafael Pereira (IN)**

Mojo – Puck Stoelinga (NL)

Mom+Pop Music – Thaddeus Rudd (US)

Pitchfork – Nina Corcoran (US)

Partisan Records – Chris Fraser (UK)

Skillbox – Roydon Bangera (IN) 

Soho House – Jessica Moss (UK)

TBA Agency – Kyle Kernohan (US)

 

** delivered in partnership with Sounds Australia and Consul General to Mumbai

  

INTERNATIONAL INDUSTRY GUESTS – ALREADY ANNOUNCED

 

Bandcamp – Mariana Timony (US)

Carpark Records – Steph Salas (US)

DMT Law Firm – David Telfer (US)

Hellfest – Christie Medina-Gonzalez (FR)

Low Profile – Carole Ann Vetter (US)

Reeperbahn – Patrick Daniel (GER)

ROAM Artists – Lucy Atkinson (UK)

Rough Trade Retail – Nigel House (UK)

Sziget – Márk Bónal (Hungary)

SXSW – Dev Sherlock (US)

The Great Escape – Marie Robinson (UK)

True Panther – Kelley Lin (US)

 

TICKET PRICING

 

EARLY BIRD DELEGATE TICKETS ON SALE NOW

 FULL DELEGATE EXPERIENCE – Full Price $899

 Early Bird Offer (ends 30 June)
$699 / QMusic Subscribers & Reciprocal Members $649

Join the waitlist for festival tickets. 

 

*Concession and youth pricing is available by request. Prices are subject to change and platform booking/processing fees

June 7, 2026 0 comments
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Festival NewsMusic News

Luude returns to Australia

by the partae June 7, 2026
written by the partae

LUUDE TOUR KICKS OFF THIS WEEKEND

This is it. Luude’s Australian return lands this Saturday, and tickets are nearly gone across all cities.



TOUR INFORMATION

SET TIMES

Here’s how the nights look:

Sat 6 June, 2026 | Eora/Sydney
7:00pm – Doors and Foura
9:00pm – Charlie Shell B2B Prizefight
11:00pm – Luude



SYD TICKETS

Sat 13 June, 2026 | Boorloo/Perth
7:00pm – Doors and Charlie Shell B2B Prizefight
9:00pm – Foura
11:00pm – Luude



PERTH TICKETS

Fri 26 June, 2026 | Tarntanya/Adelaide
7:00pm – Doors and Charlie Shell B2B Prizefight
9:00pm – Foura
11:00pm – Luude



ADE TICKETS

Fri 26 June, 2026 | Meanjin/Brisbane
7:00pm – Doors and Foura
9:00pm – Charlie Shell B2B Prizefight
11:00pm – Luude



BNE TICKETS

Sat 4 July, 2026 | Naarm/Melbourne
7:00pm – Doors and Foura
9:00pm – Charlie Shell B2B Prizefight
11:00pm – Luude



MEL TICKETS

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June 7, 2026 0 comments
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Festival NewsMusic News

The Velvet Club announce national album tour for August. The debut album Are You Falling In Love? out July 10

by the partae June 3, 2026
written by the partae

With the release of their long-awaited debut album Are You Falling In Love? (out July 10) on the horizon, rising Naarm indie rockers The Velvet Club are today proud to announce a national tour in support of the record, taking place in August. The four-date run will see the band bring their magnetic, nostalgia-rich live performances to stages in Sydney, Brisbane, Perth, and Melbourne. Tickets are on sale now and available HERE.

“We can’t wait to tour our debut album,” says frontman AJ Tilyard. “It feels like this is what we have been building up to for the 8 years we have been a band. We have always been a live band first and have always put all of our energy and focus into our live shows.”

Over the past year or so while writing and recording the album, and around single releases, The Velvet Club opted to play a handful of secret shows, small rooms, and parties both in Melbourne and interstate. The upcoming album tour marks the band’s first official headline tour since their Space Between EP run in 2024, and will see emerging Adelaide favourites Pureé support the east coast dates, and WA indie darlings Ghost Care join in for Perth.

“This headline tour around Australia is so exciting for us, we have so much planned for these shows to bring all of these new songs to life for you. I have no doubt these will be the best shows we’ve ever put on, especially having two of our favourite Australian bands Pureé and Ghost Care on support duties at the shows!” 

The tour announcement follows the recent release of fan-favourite track ‘We Don’t Talk’, which debuted on triple j Drive with Abby and Tyrone. Stream HERE, and watch the music video HERE. It’s the latest of three singles released so far from the band’s upcoming debut album, Are You Falling In Love?, due for release on July 10. Pre-save the album HERE and pre-order merch and vinyl HERE.

The Velvet Club

Are You Falling In Love? Album Tour 

With special guests Pureé & Ghost Care *

7th August – Marrickville Bowlo, Sydney

8th August – Black Bear Lodge, Brisbane

14th August – Rosemount Hotel, Perth *

21st August – Howler, Melbourne

Tickets HERE

Are You Falling In Love? is a triumphant return to creative joy for The Velvet Club, as the product of a burnout-induced hiatus in the wake of their 2024 EP Space Between. The band’s decision to take a break from writing, recording, and touring instead found AJ in his most prolific songwriting period yet. The unravelling of a long term relationship, and the rise of anxiety and other mental health struggles during that time saw AJ turn to songwriting and nostalgia as a salve, revisiting live videos of the bands he had decorated his bedroom walls with in high school – the likes of The Strokes, The Vaccines, The Drums and The Smiths.

“The theme of the album basically encapsulates this year and a half period of my life between 2024-2026 where everything seemed to come to a head,” AJ reflects. “While writing, I started therapy, and after we began tracking for the album I started medication to help manage depression, anxiety and OCD. Finally addressing these as issues I had been ignoring definitely changed the trajectory of this album, and helped shape the overall tone and feeling of the record.”

Throughout the record’s 10 tracks, The Velvet Club navigate mental health struggles, relationship breakdowns, friendship, and solitude, fuelled by jangly guitars and hooks that move from bright to melancholic and back again. The Velvet Club’s return to the hazy immediacy and raw, unpolished charm of 2000s indie is what made the title track ‘Are You Falling In Love?’ the perfect album opener. At just over two minutes, the track captures the punchy energy of a TVC live show with its catchy, repetitive melodies – an intentional choice that AJ says “really sets the scene for the rest of the album.”  Songs like ‘Blue’ and ‘We Don’t Talk’ dive into AJ’s experience with heartbreak and healing, while ‘Wasted Space’ and ‘I Need Something Too’ touch on mental health, particularly his experience with OCD and his journey in accepting its impact on his life.

From their intimate DIY release parties and secret shows, to tearing up the stage alongside the likes of Hockey Dad, DICE, The Rions, and Rum Jungle, The Velvet Club’s passion for honouring and reimagining a beloved genre has led the band to a tight-knit community of music lovers, musicians, and fans alike. As well as their influences abroad, The Velvet Club also look to their peers – the likes of sleepazoid, The Belair Lip Bombs, and Highschool – for motivation. “Aside from the personal cathartic experience of writing and creating it, my favourite thing about making music is the community you build around it,” says AJ. “All the friends we’ve made through it and the bands we’ve grown close to along the way have been by far the most rewarding part about making music.”  

That sense of community is what led them to working with friend, producer, and fellow musician Luke Thomas (Fan Girl, Harris, World’s Best Neighbours) on Are You Falling In Love?. “We literally could not have made the record without Luke. He co-produced and engineered the entire thing from his own studio, Taste Police, in Brunswick. It’s also why I believe this album sounds so true to us and what we are about as a band. We made this record completely on our own with our friends.” The album was mixed by Scott Hoorscroft (DMA’s, Middle Kids, DZ Deathrays) and mastered by George Georgiadis (The Rions, The Buoys, Teenage Dads).

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