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Music News

Paper Lane Debut With A Lush Indie Rock Number ‘Better In My Head’

by the partae
written by the partae

Introducing the Brisbane-based indie rock outfit Paper Lane. With their vintage pop-meets-rock sound and no-holds-barred lyricism, they are debuting with the impressive single, ‘Better In My Head’ (out August 11).

Consisting of Taleena Peck, Luke Martin, David Rentell, and Harry Schneider, Paper Lane offers a delightful and relatable glimpse into the mind of an individual navigating simple interactions, only to find themselves unintentionally disgraced.

This playful yet painfully accurate track is layered with a fun indie groove and lush guitars, capturing the essence of those moments when conversations sound much better in one’s head. Taleena Peck’s smooth, warm, and passionate vocal delivery adds a touch of authenticity, making this track a consolation for anyone who has experienced such relatable mishaps.

Paper Lane’s debut single is a polished entry into the indie rock landscape. Boasting a feel-good energy combined with sophisticated songwriting, ‘Better In My Head’ effortlessly blends elements of pop and the slightest tinge of alt-country, resulting in an accessible, nostalgic and timeless sound. With rock riffs intertwining seamlessly with breezy acoustic guitars and a trademark indie rock beat, the song offers an invigorating and assured display from the band.

Paper Lane’s distinct sound can be described as a fusion of Spacey Jane’s catchy melodies and Paramore’s empowering energy, with a unique twist that is entirely their own.

As one of Brisbane’s newest indie rock acts, this debut single, ‘Better In My Head‘, is just the beginning of their journey, as fans and music enthusiasts alike can expect to be graced by more of their authentic storytelling soon.

‘Better In My Head’ by Paper Lane is out now, on all major music platforms.

PLAY/LISTEN

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Music Interviews

The History of Gunpowder ‘Swallows’ Premiere

by the partae
written by the partae

Crafted within the intimate embrace of a seven-day sojourn at the enigmatic Weird Church nestled in the heart of Cumberland BC, emerges “The History of Gunpowder” like a radiant gem polished in the crucible of artistic passion. This opulent creation unfurls a rare and exquisite tapestry, a symphonic evolution that sees their sonic identity pirouette gracefully toward an acoustic sensibility. Here, the tempestuous maelstrom of distortion gracefully surrenders its throne to the opulent caress of velvet textures, while the once tumultuous growls metamorphose into resounding howls that echo with profound emotion.

In this avant-garde opus, the group ingeniously harnesses the architectural splendor of the historic 19th-century pipe organ that adorns the church, intertwining its melodious resonance with ethereal choral infusions that cascade like celestial whispers, embellishing the core musicians’ sublime artistry. The outcome of this symphonic alchemy is nothing short of a grandiloquent masterpiece – an intimate behemoth that embarks on profound voyages into the realms of community, music, and artistry.

As the cinematic curtain rises on this enchanting odyssey, the film unveils not only the group’s latest, yet-to-be-unveiled opuses, but also interlaces these potent live performances with a series of visual vignettes – mini-cinematic tapestries that dance as interludes, their original soundscapes finely woven into the very fabric of the band’s creative essence. This audacious and atypical format serves as an homage to the art of creation and the embrace of community that nurtured these melodic odes, captured meticulously throughout the week in a documentary panorama that breathes life into their artistic genesis.

In a triumphant crescendo, “The History of Gunpowder” unveils itself as an entrancing, singular opus that beckons the viewer to traverse its multidimensional landscape. It encapsulates not only the mere act of bearing witness, but rather envelops the observer in the very spirit of the congregation, inviting them to bask in the euphoria of sculpting sound within the graceful embrace of a resplendent, cavernous sanctuary. This magnum opus, an orchestration of human experience and symphonic prowess, resonates as a mesmerizing testament to the boundless realms of artistic ingenuity.

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Music Interviews

The History of Gunpowder ‘Swallows’ Premiere

by the partae
written by the partae

Crafted within the intimate embrace of a seven-day sojourn at the enigmatic Weird Church nestled in the heart of Cumberland BC, emerges “The History of Gunpowder” like a radiant gem polished in the crucible of artistic passion. This opulent creation unfurls a rare and exquisite tapestry, a symphonic evolution that sees their sonic identity pirouette gracefully toward an acoustic sensibility. Here, the tempestuous maelstrom of distortion gracefully surrenders its throne to the opulent caress of velvet textures, while the once tumultuous growls metamorphose into resounding howls that echo with profound emotion.

In this avant-garde opus, the group ingeniously harnesses the architectural splendor of the historic 19th-century pipe organ that adorns the church, intertwining its melodious resonance with ethereal choral infusions that cascade like celestial whispers, embellishing the core musicians’ sublime artistry. The outcome of this symphonic alchemy is nothing short of a grandiloquent masterpiece – an intimate behemoth that embarks on profound voyages into the realms of community, music, and artistry.

As the cinematic curtain rises on this enchanting odyssey, the film unveils not only the group’s latest, yet-to-be-unveiled opuses, but also interlaces these potent live performances with a series of visual vignettes – mini-cinematic tapestries that dance as interludes, their original soundscapes finely woven into the very fabric of the band’s creative essence. This audacious and atypical format serves as an homage to the art of creation and the embrace of community that nurtured these melodic odes, captured meticulously throughout the week in a documentary panorama that breathes life into their artistic genesis.

In a triumphant crescendo, “The History of Gunpowder” unveils itself as an entrancing, singular opus that beckons the viewer to traverse its multidimensional landscape. It encapsulates not only the mere act of bearing witness, but rather envelops the observer in the very spirit of the congregation, inviting them to bask in the euphoria of sculpting sound within the graceful embrace of a resplendent, cavernous sanctuary. This magnum opus, an orchestration of human experience and symphonic prowess, resonates as a mesmerizing testament to the boundless realms of artistic ingenuity.

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Music News

Brandon Beal, HEDEGAARD and Lizzy Wang Revive Red Hot Chili Peppers’ “Pretty Little Ditty” Famous Sample; Team Up For Deep, Meaningful, and Groovy Single “The Ones We Lost.” Out Now on Spinnin’ Records

by the partae
written by the partae

Artists: Brandon Beal, HEDEGAARD, Lizzy Wang
Title: The Ones We Lost
Label: Spinnin’ Records

Download / Stream

In a true global joining of forces, Denmark‘s HEDEGAARD, US‘ Brandon Beal, and China‘s Lizzy Wang have just released their stunning collaboration – “The Ones We Lost.” The three artists incorporate both poignant emotion and dancefloor-worthy productions in the track, which opens with Beal‘s soulful vocals and a captivating guitar melody that adds a haunting, melancholic edge to the track. Meanwhile, the progressive and euphonious bassline adds the perfect groove, making “The Ones We Lost” a very powerful summer anthem with depth and groove. Listeners may recognize the original sample from the song “Pretty Little Ditty” by Red Hot Chili Peppers, which was further popularized by Crazy Town on the global hit “Butterfly.” HEDEGAARD and Brandon Beal previously worked together on their hit “Twerk It Like Miley,” which currently has over 110M streams on Spotify and 255M on Youtube. Read on to hear what the artists had to say about their newest creation:

“Instead of doing a track in the style we’ve done in the past, HEDEGAARD and I wanted to create something else – a new and more mature approach for us together, without me rapping but singing instead, and with a storyline that is not party-related at all; a celebration of a long incredible journey and friendship, and an ode to ‘The Ones We Lost‘ along the way. Once we had the sample, we wanted to involve an artist that normally works with the tech house genre, to add some fresh elements to the song. With the recent success in China, it was natural to look for a collaborating artist in that market, and Lizzy Wang is both the biggest female DJ in the country, while she also has a lot of experience with releasing tech house. It was a match made in heaven, and together we added bits and pieces from both our worlds, which turned out to be a soul/pop/tech house hybrid.” – Brandon Beal

“Working with Brandon again felt like old friends coming together, and the energy was electric, turning the recording sessions into an epic musical party. Lizzy‘s unique style and sound were a perfect complement to the track, and the synergy between the three of us was evident from the start. It’s been amazing to see the response to our work in the Chinese territory, which I have come to love as a new home market, after visiting the beautiful Country, and meeting the incredible fans, which I feel lucky to have supporting me. This record truly holds a special place in our hearts, and we can’t wait to share it with the world. ‘The Ones We Lost‘ is a testament to the joy of creating music, celebrating friendships, and paying homage to the music that has inspired us throughout our journey.” – HEDEGAARD

Brandon Beal

The American producer, artist, and songwriter Brandon Beal established himself as a musical heavyweight in 2012, when he released the hit single “Never Let U Go” with Snoop Dogg and Kato. The single was certified platinum in Denmark, and ever since, things have only gone in one direction for Beal. He fought his way to the booming music scene in New York City, where his huge talent ensured him a place in the studio alongside international megastars such as Lady Gaga, Flo Rida, and Chris Brown. Today, Brandon Beal lives in Denmark, and his success and style are both one hundred percent self-made. He is behind some of the biggest club and pop hits in and out of Denmark, having written the majority of Christopher‘s album “Told You So,” which won the Danish Music Award for Best Pop Album in 2014, and the mega-hit “CPH Girls,” on which Brandon Beal was featured, ranked as #2 on China‘s most popular music chart, QQ Music. In his own name, he has released “Twerk It Like Miley“, which topped the Danish charts for weeks. Also in 2014, the hit song, which demonstrates Beal‘s international sound, resulted in a Danish Music Award for Best Club Act – as well as no less than three Danish DeeJay Awards the following year. Brandon Beal has also been part of the team behind all of Lukas Graham‘s albums, which have won a plethora of Danish and international awards. Graham also performed as a guest vocalist on the international hit “Golden,” which is about Brandon‘s own upbringing. Brandon Beal has managed to achieve success far beyond the border of Europe. “Twerk It Like Miley” took over Asia and hit second place on the Spotify charts in the Philippines, after which it was in the Top 10 for twelve weeks in a row. In Malaysia, it was Top 60. “Golden” made it to Top 100 on iTunes in Singapore. Besides the aforementioned, Brandon Beal has been charting in countries and territories like China, Indonesia, Taiwan, Thailand, Vietnam and the United Arab Emirates. With his enormous amount of social media followers – half a million on YouTube and more than 150K on TikTok – combined with performances on SMUKfest, GRØN, a tour with Lukas Graham, his own European tour, a tidal wave of award nominations and twelve number one hits in Denmark and Asia on his resume, Brandon Beal has established himself as one of Denmark‘s leading artists and songwriters. 2023 will offer lots of new energy, new collaborations, new experiences, and new hits.

HEDEGAARD

Since the release of an unofficial remix of Dr. Dre‘s “The Next Episode” in 2011, introducing the audience to HEDEGAARD‘s unique sound, he has produced several of the biggest Danish hits in the last decade, generating more than 1.4 billion streams across streaming platforms. “Happy Home” with Lukas Graham and “Twerk It Like Miley” with Brandon Beal and Christopher, are just a couple of the major hits HEDEGAARD has released and produced over the past years, resulting in several #1 in Denmark and abroad. Before recently, turning his focus back to the clubs. On the singles “JUMANJI” and “SA-MY-D,” HEDEGAARD went back to the urban-club fusion he invented years ago, leading to his big breakthrough and giving him the undisputed title and domain in club music as “The King of Car Music.” The release of the single “ALL DESIGNER” had a global impact, with no. 1 positions in southern Europe, the Baltics, and China; followed up by the single “JEEP,” as the first release under a new joined artist and label agreement with the world’s leading label in club music, Spinnin’ Records, containing several singles, and the launch of his own label entity OneHundred, focusing on further developing the worldwide Car Music trend. With the release of the single “NYC BABY” and the localized version “BEIJING BABY” – released exclusively in China – he took the top spot once again on the weekly QQ Music EDM Chart, and later on the singe took second place on the quarterly version of the same chart. The follow-up single “BORED” entered the Top 20, and became HEDEGAARD‘s 4th Top 20 entry in a row; he underlined his status as the hottest new International EDM artist in China in 2023. In a genre dominated by ghost production, HEDEGAARD is a 100% self-made artist; first and foremost being a naturally gifted musician who turned his focus towards DJing – in that order. Monthly listeners on Spotify range between 1.3 to 1.7 million, and the streaming total of 2022 on the platform was more than 54 million (over 1 million streams a week); figures achieved solely on organic growth, leading to the only conclusion: The audience loves the sound of HEDEGAARD. The achievements are second to none for the Danish club artist, and with the aforementioned international contract and tours in Asia and the US, the HEDEGAARD story has only just begun.

Lizzy Wang

Lizzy Wang has been named the No. 1 female DJ in China for three consecutive years by Djanemag, an unmatched feat – honoring her for tirelessly breaking down barriers and constantly setting new standards for Chinese DJs and electronic producers of all genders. She was the first artist in her home country to gain international attention, propelling Chinese electronic music onto the global EDM scene, with releases through the world’s leading labels in club music, Spinnin’ Records, and mainstage performances in Japan and the US, as the first female Chinese DJ to perform on the mainstage of the major festivals Ultra Music Festival and EDC. Lizzy‘s music has primarily been focused on the tech house genre. Some of her notable releases include “I’m Into You,” “Stranger Things,” and “Shining,” all of which have gained significant popularity and impressive achievements overseas. Her collaboration with MAYLYN on “Secrets” has amassed almost 1.6 million plays on Spotify and topped major DJ charts in many territories, leading to an official remix of the Cash Cash release “Too Late” with Wiz Khalifa & Lukas Graham. In 2021, Lizzy Wang was the first electronic artist to sign with Warner Music‘s electronic music label in the Asia-Pacific region. The same year, she collaborated with Fiona Sit and released the Chinese version of the single “Shining.” The song gained immense popularity on QQ Music, accumulating over 100 million streams, skyrocketing her social media following and fanbase. Besides being an exceptionally talented DJ and producer, Lizzy has completed her undergraduate studies at Columbia University and her graduate studies at Harvard University in the United States.

 

More info on Brandon Beal / HEDEGAARD / Lizzy Wang / Spinnin’ Records:

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Brandon Beal, HEDEGAARD and Lizzy Wang Revive Red Hot Chili Peppers’ “Pretty Little Ditty” Famous Sample; Team Up For Deep, Meaningful, and Groovy Single “The Ones We Lost.” Out Now on Spinnin’ Records

by the partae
written by the partae

Artists: Brandon Beal, HEDEGAARD, Lizzy Wang
Title: The Ones We Lost
Label: Spinnin’ Records

Download / Stream

In a true global joining of forces, Denmark‘s HEDEGAARD, US‘ Brandon Beal, and China‘s Lizzy Wang have just released their stunning collaboration – “The Ones We Lost.” The three artists incorporate both poignant emotion and dancefloor-worthy productions in the track, which opens with Beal‘s soulful vocals and a captivating guitar melody that adds a haunting, melancholic edge to the track. Meanwhile, the progressive and euphonious bassline adds the perfect groove, making “The Ones We Lost” a very powerful summer anthem with depth and groove. Listeners may recognize the original sample from the song “Pretty Little Ditty” by Red Hot Chili Peppers, which was further popularized by Crazy Town on the global hit “Butterfly.” HEDEGAARD and Brandon Beal previously worked together on their hit “Twerk It Like Miley,” which currently has over 110M streams on Spotify and 255M on Youtube. Read on to hear what the artists had to say about their newest creation:

“Instead of doing a track in the style we’ve done in the past, HEDEGAARD and I wanted to create something else – a new and more mature approach for us together, without me rapping but singing instead, and with a storyline that is not party-related at all; a celebration of a long incredible journey and friendship, and an ode to ‘The Ones We Lost‘ along the way. Once we had the sample, we wanted to involve an artist that normally works with the tech house genre, to add some fresh elements to the song. With the recent success in China, it was natural to look for a collaborating artist in that market, and Lizzy Wang is both the biggest female DJ in the country, while she also has a lot of experience with releasing tech house. It was a match made in heaven, and together we added bits and pieces from both our worlds, which turned out to be a soul/pop/tech house hybrid.” – Brandon Beal

“Working with Brandon again felt like old friends coming together, and the energy was electric, turning the recording sessions into an epic musical party. Lizzy‘s unique style and sound were a perfect complement to the track, and the synergy between the three of us was evident from the start. It’s been amazing to see the response to our work in the Chinese territory, which I have come to love as a new home market, after visiting the beautiful Country, and meeting the incredible fans, which I feel lucky to have supporting me. This record truly holds a special place in our hearts, and we can’t wait to share it with the world. ‘The Ones We Lost‘ is a testament to the joy of creating music, celebrating friendships, and paying homage to the music that has inspired us throughout our journey.” – HEDEGAARD

Brandon Beal

The American producer, artist, and songwriter Brandon Beal established himself as a musical heavyweight in 2012, when he released the hit single “Never Let U Go” with Snoop Dogg and Kato. The single was certified platinum in Denmark, and ever since, things have only gone in one direction for Beal. He fought his way to the booming music scene in New York City, where his huge talent ensured him a place in the studio alongside international megastars such as Lady Gaga, Flo Rida, and Chris Brown. Today, Brandon Beal lives in Denmark, and his success and style are both one hundred percent self-made. He is behind some of the biggest club and pop hits in and out of Denmark, having written the majority of Christopher‘s album “Told You So,” which won the Danish Music Award for Best Pop Album in 2014, and the mega-hit “CPH Girls,” on which Brandon Beal was featured, ranked as #2 on China‘s most popular music chart, QQ Music. In his own name, he has released “Twerk It Like Miley“, which topped the Danish charts for weeks. Also in 2014, the hit song, which demonstrates Beal‘s international sound, resulted in a Danish Music Award for Best Club Act – as well as no less than three Danish DeeJay Awards the following year. Brandon Beal has also been part of the team behind all of Lukas Graham‘s albums, which have won a plethora of Danish and international awards. Graham also performed as a guest vocalist on the international hit “Golden,” which is about Brandon‘s own upbringing. Brandon Beal has managed to achieve success far beyond the border of Europe. “Twerk It Like Miley” took over Asia and hit second place on the Spotify charts in the Philippines, after which it was in the Top 10 for twelve weeks in a row. In Malaysia, it was Top 60. “Golden” made it to Top 100 on iTunes in Singapore. Besides the aforementioned, Brandon Beal has been charting in countries and territories like China, Indonesia, Taiwan, Thailand, Vietnam and the United Arab Emirates. With his enormous amount of social media followers – half a million on YouTube and more than 150K on TikTok – combined with performances on SMUKfest, GRØN, a tour with Lukas Graham, his own European tour, a tidal wave of award nominations and twelve number one hits in Denmark and Asia on his resume, Brandon Beal has established himself as one of Denmark‘s leading artists and songwriters. 2023 will offer lots of new energy, new collaborations, new experiences, and new hits.

HEDEGAARD

Since the release of an unofficial remix of Dr. Dre‘s “The Next Episode” in 2011, introducing the audience to HEDEGAARD‘s unique sound, he has produced several of the biggest Danish hits in the last decade, generating more than 1.4 billion streams across streaming platforms. “Happy Home” with Lukas Graham and “Twerk It Like Miley” with Brandon Beal and Christopher, are just a couple of the major hits HEDEGAARD has released and produced over the past years, resulting in several #1 in Denmark and abroad. Before recently, turning his focus back to the clubs. On the singles “JUMANJI” and “SA-MY-D,” HEDEGAARD went back to the urban-club fusion he invented years ago, leading to his big breakthrough and giving him the undisputed title and domain in club music as “The King of Car Music.” The release of the single “ALL DESIGNER” had a global impact, with no. 1 positions in southern Europe, the Baltics, and China; followed up by the single “JEEP,” as the first release under a new joined artist and label agreement with the world’s leading label in club music, Spinnin’ Records, containing several singles, and the launch of his own label entity OneHundred, focusing on further developing the worldwide Car Music trend. With the release of the single “NYC BABY” and the localized version “BEIJING BABY” – released exclusively in China – he took the top spot once again on the weekly QQ Music EDM Chart, and later on the singe took second place on the quarterly version of the same chart. The follow-up single “BORED” entered the Top 20, and became HEDEGAARD‘s 4th Top 20 entry in a row; he underlined his status as the hottest new International EDM artist in China in 2023. In a genre dominated by ghost production, HEDEGAARD is a 100% self-made artist; first and foremost being a naturally gifted musician who turned his focus towards DJing – in that order. Monthly listeners on Spotify range between 1.3 to 1.7 million, and the streaming total of 2022 on the platform was more than 54 million (over 1 million streams a week); figures achieved solely on organic growth, leading to the only conclusion: The audience loves the sound of HEDEGAARD. The achievements are second to none for the Danish club artist, and with the aforementioned international contract and tours in Asia and the US, the HEDEGAARD story has only just begun.

Lizzy Wang

Lizzy Wang has been named the No. 1 female DJ in China for three consecutive years by Djanemag, an unmatched feat – honoring her for tirelessly breaking down barriers and constantly setting new standards for Chinese DJs and electronic producers of all genders. She was the first artist in her home country to gain international attention, propelling Chinese electronic music onto the global EDM scene, with releases through the world’s leading labels in club music, Spinnin’ Records, and mainstage performances in Japan and the US, as the first female Chinese DJ to perform on the mainstage of the major festivals Ultra Music Festival and EDC. Lizzy‘s music has primarily been focused on the tech house genre. Some of her notable releases include “I’m Into You,” “Stranger Things,” and “Shining,” all of which have gained significant popularity and impressive achievements overseas. Her collaboration with MAYLYN on “Secrets” has amassed almost 1.6 million plays on Spotify and topped major DJ charts in many territories, leading to an official remix of the Cash Cash release “Too Late” with Wiz Khalifa & Lukas Graham. In 2021, Lizzy Wang was the first electronic artist to sign with Warner Music‘s electronic music label in the Asia-Pacific region. The same year, she collaborated with Fiona Sit and released the Chinese version of the single “Shining.” The song gained immense popularity on QQ Music, accumulating over 100 million streams, skyrocketing her social media following and fanbase. Besides being an exceptionally talented DJ and producer, Lizzy has completed her undergraduate studies at Columbia University and her graduate studies at Harvard University in the United States.

 

More info on Brandon Beal / HEDEGAARD / Lizzy Wang / Spinnin’ Records:

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UNDERWIRE ARE ‘CALLING OUT’ TO YOU!

by the partae
written by the partae
Wellington rock band Underwire have been around since 2010, formed in the blend of Pixies and Clash tribute band members who turned their on-stage chemistry to their own music. Drawing on this experience they gained a reputation for high-energy performances and an  irrepressible joy in their craft.

Re-emerging in 2020, with refreshed line-up and new energy, Underwire have been writing together for the last three years and have begun releasing a stream of punchy, distinctive songs recorded at Massey University School of Music in 2021, and re-mastered by production legend Scott Seabright (Finn Brothers, Alien Weaponry, Mumford & Sons). In contrast to the wall of sound of their first single ‘Gravity’ released in May 2023, Underwire’s new single ‘Calling Out’ is an evocative post-punk tale of loss and dissolution, a mannered and disquieting outline of a relationship falling apart. So far they’ve been attracting 5 star reviews, been playlisted on a number of UK indie radio shows (eg Northern Quarter Radio ‘Big Fat Indie Show’), and are enjoying access to a wider audience.  Watch for more Underwire releases over the remainder of 2023, and further recordings are scheduled for late 2023 with Scott Seabright at the helm.

Links:
Smartlink for ‘Calling Out’ – https://found.ee/CO-Underwire

Flash-trax review of ‘Calling Out’ – https://flash-trax.com/2023/07/02/underwire-calling-out-single/

 

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Music News

UNDERWIRE ARE ‘CALLING OUT’ TO YOU!

by the partae
written by the partae
Wellington rock band Underwire have been around since 2010, formed in the blend of Pixies and Clash tribute band members who turned their on-stage chemistry to their own music. Drawing on this experience they gained a reputation for high-energy performances and an  irrepressible joy in their craft.

Re-emerging in 2020, with refreshed line-up and new energy, Underwire have been writing together for the last three years and have begun releasing a stream of punchy, distinctive songs recorded at Massey University School of Music in 2021, and re-mastered by production legend Scott Seabright (Finn Brothers, Alien Weaponry, Mumford & Sons). In contrast to the wall of sound of their first single ‘Gravity’ released in May 2023, Underwire’s new single ‘Calling Out’ is an evocative post-punk tale of loss and dissolution, a mannered and disquieting outline of a relationship falling apart. So far they’ve been attracting 5 star reviews, been playlisted on a number of UK indie radio shows (eg Northern Quarter Radio ‘Big Fat Indie Show’), and are enjoying access to a wider audience.  Watch for more Underwire releases over the remainder of 2023, and further recordings are scheduled for late 2023 with Scott Seabright at the helm.

Links:
Smartlink for ‘Calling Out’ – https://found.ee/CO-Underwire

Flash-trax review of ‘Calling Out’ – https://flash-trax.com/2023/07/02/underwire-calling-out-single/

 

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Lucas Penner ‘Blue and Black’ Premiere

by the partae
written by the partae

Penner emerges as a dynamic musical maestro, effortlessly melding a kaleidoscope of genres that dance between the realms of accessibility and avant-garde allure. Born amidst the majestic peaks of British Columbia, his artistic crucible was forged in the vibrant heart of Toronto’s creative crucible. A mélange of indie-folk reverie and electrifying electro-pop experimentation coalesce within him, giving birth to an auditory experience that transcends mere notes and lyrics.

Peeling back the layers of this musical odyssey, we unearth a symphonic mosaic crafted with threads of jazz, folk, soft rock, and the edginess of post-punk. With this new music, Penner beckons listeners into a new realm, a sonic universe that vibrates with emotion, thought, and a dash of the unpredictable. His tunes, an auditory banquet, serves up a sumptuous spread that caters to the taste buds of fans spanning generations. Whether you find solace in the melancholic strains of Elliot Smith, are ensnared by the timeless charm of Frank Sinatra, or yearn for the avant-garde allure of Zappa, Penner’s musical tableau unfurls a feast for every sonic palate to savor and indulge.

In a world where musical boundaries are shattered and the spirit of experimentation reigns supreme, Lucas Penner stands as an artistic luminary, a modern-day minstrel whose melodies carve paths into the uncharted territories of sound. As “All It Does Is Change” prepares to grace our eager ears in the fall, we find ourselves on the brink of a sonic metamorphosis, a journey where each note, each lyric, and each crescendo becomes a brushstroke on the canvas of our emotions. So, brace yourself, for Penner’s musical voyage promises to be nothing short of extraordinary, an ever-unfolding symphony of the heart and soul.

https://www.lucaspenner.com/

https://www.instagram.com/pennerlucas

https://www.facebook.com/lucaspennermusic

https://twitter.com/lukipenner

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Music News

RIBS – Unleash Their Claws In A Healing Indie-Pop Anthem

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written by the partae
Previous Support for Ribs
“Simmers to a perfect heat without ever boiling over”
4 / 5 (Stacy Gougoulis, Triple J) [about ‘felt sad, might delete later’]
 
“Ribs is it? Funny, cos I felt this one up my spine”
4 / 5 (Dave Ruby Howe, Triple J Unearthed) [about ‘felt sad, might delete later’]
“Something tells me that a lot of folks will find comfort in this song’s journey from soothing lullaby to cathartic release”
4 / 5 (Abby Butler, Triple J) [about ‘felt sad, might delete later’]
“There was something about her storytelling that always touched me. The honestly and vulnerability feels like a friend telling me about their day.” (The AU Review) [about ‘Bad Coffee’]

Ribs, the Boorloo-based (Perth, AUS) indie-pop band known for creating honest and expressive music, has released ‘Claws’ (Friday, August 4). With a passion for connecting with others on topics that are often challenging to discuss, such as mental health, social power constructs, and healing from trauma, Ribs delivers a clashing and cathartic anthem that explores the journey of healing from intimate partner violence.

Originally conceived as a solo, stripped-back lyrical piano project by Georgina Cramond, Ribs received critical acclaim and emotional responses from audiences in her one-woman music and storytelling show, ‘Interrupting a Crisis’.

Driven by a desire for collaboration and connection with other artists, Cramond found like-minded creatives to join the project, resulting in the dynamic four-piece band that exists today, with each member contributing to Ribs’ authentic songwriting, supported by vibrant, immersive sounds.

Now, ‘Claws’ is Ribs’ heaviest release to date, both in terms of content and sound. The song serves as a powerful anthem for those who have endured abuse and have embarked on a journey of healing from intimate partner violence. Drawing from her own lived experience, Georgina Cramond’s poignant songwriting delves into the pain, anger, and growth that are intertwined with this transformative process.

Cramond shares, “Growing claws is about learning what you will no longer accept, how anger can be a protective and productive force, and regaining control over the jagged parts of your history.” Her guarded vocals in the verses are contrasted by a commanding, hardened chorus, where she screams out, “I grew claws”, to reclaim her own power and control in her life.

The song’s composition perfectly complements its emotional depth, with gritty guitars riffing away alongside steady acoustic guitars and floaty keys. The upbeat drums and full-bodied bass lines drive the song forward while haunting electric guitar pick slides and dissonant bends toy with the mind. In a sonic interplay, the indie-pop instrumentation bursts with a bright, joyful light, creating a compelling contrast that echoes the complexities of healing and empowerment.

‘Claws’ marks a massive milestone in the band’s growth which has had steady momentum over recent years, evident in their performances supporting esteemed WA music heavyweights like Timothy Nelson, Jack Davies and The Bush Chooks, Axel Carrington and more. Their captivating performances at the acclaimed Nannup Festival and other shows have further solidified their position as an emerging force in the indie-pop scene.

Ribs’ music has seen support from the likes of The AU Review, Triple J and has been featured in notable events like RTRfm’s Radiothon and Slightly Odway. In 2018, Cramond received the Best Newcomer award at PAWA (Performing Arts Western Australia), further solidifying her status as a talented and influential artist.

Unleash the claws with Ribs (Friday, August 4), with this empowering new single.

If the themes in this causes any distress and you need assistance, please get in touch with:
1800 Respect – 1800 737 732
Beyond Blue – 1300 22 4636
Lifeline -13 11 14
Headspace – 1800 650 890
Kids Helpline – 1800 55 1800
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Music News

Wolf & Chain Showcase A Newfound Pop Sensibility In Blood Pumping Single ‘Phantom’

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written by the partae
Support for Wolf & Chain
‘Phantom’ – First Play on Triple J Unearthed TOPS

‘Phantom’ added to Apple Music’s New Music Daily and The Riff

‘Phantom’ played on Channel 7’s Friday Night Fooy (Friday August 4)

‘Taste of Blood’ Video Of the Week on Rolling Stone AU / Tone Deaf

‘Taste of Blood’ and ‘An Honest Mistake’ added to official Apple Music playlist ‘The New Rock’

“When you love rock operas but are midway through a True Blood binge watch. Wolf & Chain hoist the drama up high with this epic and theatrical punky burner.“
4 / 5 stars – Dave Ruby Howe, Triple J

“Hell yeah! I can really hear you give it your all in this one. Big MCR sounds for sure.”
4 / 5 – Claire Mooney, Triple J

“An upcoming Aussie act who will straight up fuel all your emo desires.”
Wall of Sound

PLAY/LISTEN

Wolf & Chain, the Adelaide-based alt rock outfit known for their unique brand of dark, aggressive pop and chaotic anthems, return with a goosebump-inducing single, ‘Phantom’ (Out August 4).

Following the success of their EPs ‘An Honest Mistake’ and ‘Amor Mortal’, Wolf & Chain are back with a refined mindset and a freshly sharpened sound. ‘Phantom’ marks a new era for the band, showcasing their growth by weaving in a matured and accessible sound that delves into unexplored territories within their musical repertoire.

Drawing inspiration from a transformative experience, ‘Phantom’ was born out of the band’s time at a secluded farm, where they retreated to record demos and immerse themselves in the creative process. During their stay, the band members fell ill and encountered a dark, looming presence that influenced their songwriting. The result is a haunting and powerful track that documents their journey of self-discovery, defying the challenges they have each faced.

Stepping into this new chapter, Wolf & Chain’s commitment to experimentation is evident throughout this blood pumping single. The song’s intricate layers and arrangements have the band blending their alt rock characteristics with a fresh pop sensibility.

Each element serves a purpose, from the pulsating palm-muted guitars that punctuate the verses with the thumping bass kick and electronic snare that drive the rhythm forward. The chorus unleashes a wall of guitars, perfectly complementing the cathartic vocal delivery of lead singer Jack Cumes. The bridge erupts in a signature Wolf & Chain style before they pull the cord to a steadfast palm-muted guitar and kick drum. With a massive full-band crescendo, the band see the song out with a vindicating final chorus.

Collaborating with Josh Meyer of Those Who Dream played a significant role in the creation of ‘Phantom’, offering the band a fresh perspective and pushing their boundaries. The track represents a pivotal moment for Wolf & Chain as they emerge from the shadows and embrace this new direction.

Since their inception in 2020, Wolf & Chain have been building a dedicated following, gaining recognition from renowned music publications and radio stations, including Rolling Stone AU, Don’t Bore Us, Wall Of Sound, Triple J, Triple J Unearthed and much more. They have toured extensively and have shared stages with notable acts such as Black Veil Brides, Creeper, and Between You & Me.

Relish in Wolf & Chain’s newfound pop sensibility with‘Phantom’ on all major streaming platforms (Friday, August 4).

PLAY/LISTEN

Follow Wolf & Chain
Spotify | Apple Music | Bandcamp | Soundcloud
Facebook | Instagram | Youtube

 

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PACES – Silver Lining

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written by the partae

PACES (Mikey Perry) continues a bold transition with this latest single, Silver Lining. A departure from his previous tropical electronica sound. With “Silver Lining,” Perry has embraced a more personal and intimate style, drawing inspiration from classic emo & pop-punk bands like Jimmy Eat World and Blink-182 but also modern scholar of the sound like KennyHoopla & POORSTACY.

The song opens with a gentle acoustic verse that builds to a soaring chorus. The lyrics are heartfelt and honest, and the music is both catchy and momentous. Silver Lining is a song about finding hope in the midst of darkness, and it’s a powerful reminder that even the most difficult times can have their bright side.

Perry has said that he wrote Silver Lining when his heart was full of love. He describes the song as a “cinematic love letter” that captures the feeling of falling in love with someone, for the first time. There’s a reflection of Perry’s own personal journey. In recent years, he has undergone a significant transformation, both personally and professionally. A near instant metamorphosis across most aspects of his life left Mikey in a state of shock that took time to overcome.

Silver Lining is the fourth single from PACES’ forthcoming album, Three Summers. The album is a collection of personal and introspective songs that explore Perry’s own experiences. It is a departure from his previous work, but it is a natural evolution for an artist who has faced grand turmoil and come out a different person.

PACES – Silver Lining is out now on all good platforms

Spotify Link: https://open.spotify.com/album/6lKtO1cR62g16Glem1hrnv

Commercial Link: https://bfan.link/silver-lining-2

www.linktr.ee/pacesmusic www.instagram.com/pacesmusic/ www.tiktok.com/@pacesmusic

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NuBass Interview

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written by the partae

Where are you currently based?

I’m based in London, United Kingdom and have been all my life, can’t really imagine living anywhere else currently! 

What’s been happening recently?

I have literally just landed back from my Australia/New Zealand tour where I was away for a couple weeks so feeling a bit rough as that journey shouldn’t be underestimated! Had such an incredible time so well worth it. 

You have a new collab with Michael Sparks called ‘Magic Carpet’ – out Aug 4th, how did this collab come to be?

We’ve spoken about it for a while since we both supported each other’s music at shows. I managed to meet Michael when he was over in London last year and since then we’ve done a few tracks together, with “Magic Carpet” being the first one we release. 

Please tell us about the song writing process:

The idea was originally Michael’s, started out as a general melody idea that can be heard in the final track with some drums. I took this idea and added my own take on it, added some more of my bass sounds, drums and musical elements to tie it all together. Finally Michael added some vocals which are actually just processed vocals he did himself and think they turned out great and captured the vibe and energy instantly. It was actually a very easy process! 

What or influenced the songwriting?

It definitely takes Middle Eastern influences which is quite a strange one for both of our previous work. We were keen to create something different and approach this track from a different angle to usual – it’s maybe not exactly what people would expect a track between us to sound like! 

Where and when did you record/produce/master and who did you work with?

We both live either side of the Atlantic so in person production wasn’t possible for this. Michael sent be stems (individual parts to the idea) and I put them into Ableton on my end. From there I added all of my production and sent it back to him for final mastering. Again, all a very streamlined process and find the less you go back and forth on ideas, the better the final outcome. 

What does this track mean to you?

This track means a lot in the way that it’s a different take on bass music to usual with the Middle Eastern elements and unique sounds we made for it. Also on a personal level it’s always great to make tracks with people that you genuinely have friendships with and push each other musically. Also with it releasing on Spinnin Records, probably the biggest and most renowned dance music label globally, it gives it the best chance for success. 

Please tell us about your shows in OZ + summer touring:

The Australia and New Zealand shows were up there with some of the best experiences i’ve had. It’s always a bit daunting travelling to the other side of the world to a new audience and not knowing exactly how your music and shows will be perceived but I was so relieved to see such engaged and knowledgeable crowds who genuinely loved the music. Adelaide at Electric Circus was a special one for me especially after seeing the club and engaging with them since pre-covid, it was always a target to play there one day and it didn’t disappoint – dark, sweaty, intense lights, huge sound system. Absolutely everything I love! 

What can we expect from your live shows?

My live shows are based around my music, whether that be released or unreleased specials for shows. I also play lots of music that influences me from other producers I love such as Knock2, Chris Lorenzo, TS7 and anyone pushing out the best bass music. Depending on the situation I also delve into some of my other favourite genres such as Garage, Dubstep and Drum & Bass where I have more freedom to do so. Expect high energy music and crowds! 

Please tell us about your collaboration with AC Slater:

I don’t think it’s any secret if you follow my music that the track is a reworked and revamped version of a remix I did for shows of Missy Elliott “Lose Control”, a track I absolutely love and needed to do my own NuBass version of. I played this at shows for about a year and posted on social media but never had any intention of releasing. AC and I have been good friends for a long time through his label Night Bass and have been speaking about doing a track together for ages. 

He was keen to have a go reworking the track into an original and he did a great job adding his unique sounds and offering a fresh take on the structure. Kaleena Zanders was the final piece to the puzzle who recorded vocals over the top in person with AC in Los Angeles and it all came together great. 

Any other new music on the way?

I have a collaboration with Legacy out in September on Night Bass – always love releasing on there as they give me a lot of freedom to try new sounds regularly. That’s a more groovy house track with big switches in the drop to heavier bass music, another very unique track! 

Aside from this, I am working on my first studio album, not many details worked out yet but already have a few tracks finished and the general concept is coming together. Really excited to get it finished! 

Who are you listening to at the moment?

Within bass music, I usually listen to Knock2, MPH and Hamdi at the minute. I actually tend to stay away from listening to too much music to stop myself aiming for other peoples sound and go more into Drum & Bass – really into Jungle at the moment and the older gritty style to it. Definitely influences some of the sounds and grooves I use. 

What’s planned for the remainder of 2023?

I’m playing in Japan for the first time in a couple of weeks. That will be incredible! Otherwise there are a few more shows to round up the year here in the UK and Canada announced for the moment but lots more to share soon. Away from touring, I am planning to get really stuck into production again as travelling has meant that lower on the priority list so I can hit the ground running in 2024. 

Favourite food and place to hangout?

Always Asian food, Sushi, Thai Green Curry, Katsu Curry – anything with rice and spice. Here in London, it’s with friends and family on the weekends. I’m not out of the country catching up over a/several pints at the pub! 

https://www.instagram.com/nubassuk/

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Music InterviewsMusic News

NuBass Interview

by the partae
written by the partae

Where are you currently based?

I’m based in London, United Kingdom and have been all my life, can’t really imagine living anywhere else currently! 

What’s been happening recently?

I have literally just landed back from my Australia/New Zealand tour where I was away for a couple weeks so feeling a bit rough as that journey shouldn’t be underestimated! Had such an incredible time so well worth it. 

You have a new collab with Michael Sparks called ‘Magic Carpet’ – out Aug 4th, how did this collab come to be?

We’ve spoken about it for a while since we both supported each other’s music at shows. I managed to meet Michael when he was over in London last year and since then we’ve done a few tracks together, with “Magic Carpet” being the first one we release. 

Please tell us about the song writing process:

The idea was originally Michael’s, started out as a general melody idea that can be heard in the final track with some drums. I took this idea and added my own take on it, added some more of my bass sounds, drums and musical elements to tie it all together. Finally Michael added some vocals which are actually just processed vocals he did himself and think they turned out great and captured the vibe and energy instantly. It was actually a very easy process! 

What or influenced the songwriting?

It definitely takes Middle Eastern influences which is quite a strange one for both of our previous work. We were keen to create something different and approach this track from a different angle to usual – it’s maybe not exactly what people would expect a track between us to sound like! 

Where and when did you record/produce/master and who did you work with?

We both live either side of the Atlantic so in person production wasn’t possible for this. Michael sent be stems (individual parts to the idea) and I put them into Ableton on my end. From there I added all of my production and sent it back to him for final mastering. Again, all a very streamlined process and find the less you go back and forth on ideas, the better the final outcome. 

What does this track mean to you?

This track means a lot in the way that it’s a different take on bass music to usual with the Middle Eastern elements and unique sounds we made for it. Also on a personal level it’s always great to make tracks with people that you genuinely have friendships with and push each other musically. Also with it releasing on Spinnin Records, probably the biggest and most renowned dance music label globally, it gives it the best chance for success. 

Please tell us about your shows in OZ + summer touring:

The Australia and New Zealand shows were up there with some of the best experiences i’ve had. It’s always a bit daunting travelling to the other side of the world to a new audience and not knowing exactly how your music and shows will be perceived but I was so relieved to see such engaged and knowledgeable crowds who genuinely loved the music. Adelaide at Electric Circus was a special one for me especially after seeing the club and engaging with them since pre-covid, it was always a target to play there one day and it didn’t disappoint – dark, sweaty, intense lights, huge sound system. Absolutely everything I love! 

What can we expect from your live shows?

My live shows are based around my music, whether that be released or unreleased specials for shows. I also play lots of music that influences me from other producers I love such as Knock2, Chris Lorenzo, TS7 and anyone pushing out the best bass music. Depending on the situation I also delve into some of my other favourite genres such as Garage, Dubstep and Drum & Bass where I have more freedom to do so. Expect high energy music and crowds! 

Please tell us about your collaboration with AC Slater:

I don’t think it’s any secret if you follow my music that the track is a reworked and revamped version of a remix I did for shows of Missy Elliott “Lose Control”, a track I absolutely love and needed to do my own NuBass version of. I played this at shows for about a year and posted on social media but never had any intention of releasing. AC and I have been good friends for a long time through his label Night Bass and have been speaking about doing a track together for ages. 

He was keen to have a go reworking the track into an original and he did a great job adding his unique sounds and offering a fresh take on the structure. Kaleena Zanders was the final piece to the puzzle who recorded vocals over the top in person with AC in Los Angeles and it all came together great. 

Any other new music on the way?

I have a collaboration with Legacy out in September on Night Bass – always love releasing on there as they give me a lot of freedom to try new sounds regularly. That’s a more groovy house track with big switches in the drop to heavier bass music, another very unique track! 

Aside from this, I am working on my first studio album, not many details worked out yet but already have a few tracks finished and the general concept is coming together. Really excited to get it finished! 

Who are you listening to at the moment?

Within bass music, I usually listen to Knock2, MPH and Hamdi at the minute. I actually tend to stay away from listening to too much music to stop myself aiming for other peoples sound and go more into Drum & Bass – really into Jungle at the moment and the older gritty style to it. Definitely influences some of the sounds and grooves I use. 

What’s planned for the remainder of 2023?

I’m playing in Japan for the first time in a couple of weeks. That will be incredible! Otherwise there are a few more shows to round up the year here in the UK and Canada announced for the moment but lots more to share soon. Away from touring, I am planning to get really stuck into production again as travelling has meant that lower on the priority list so I can hit the ground running in 2024. 

Favourite food and place to hangout?

Always Asian food, Sushi, Thai Green Curry, Katsu Curry – anything with rice and spice. Here in London, it’s with friends and family on the weekends. I’m not out of the country catching up over a/several pints at the pub! 

https://www.instagram.com/nubassuk/

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Michael Sparks and NuBass collab on fiery new single ‘Magic Carpet’

by the partae
written by the partae

Buy / Stream ‘Magic Carpet’ here

 

Michael Sparks and NuBass have released their collaborative new record which is out now on Spinnin Records.

In a formidable display of collaborative prowess, Michael Sparks and NuBass combine their musical acumen with their new bass house banger. Aptly titled ‘Magic Carpet’, this high-octane opus serves as a veritable showcase of cutting-edge synth melodies, woven intricately into the sonic fabric. As the beats unfurl with an unyielding force, the infectious vocals unleash a potent surge of energy, compelling even the most reticent to succumb to the rhythm’s magnetic allure. 

Brimming with an unwavering intensity, ‘Magic Carpet’ embarks its listeners on a sonic odyssey into the heart of bass house, where the boundaries of musical ingenuity are masterfully explored and surpassed.

About the artists: 

Michael Sparks is a visionary DJ and producer hailing from the US. With an unyielding passion for crafting immersive sonic experiences, Sparks has become a driving force in the industry, captivating audiences worldwide. Armed with a knack for fusing cutting-edge synth melodies with heavy-hitting drops, he has carved a distinct niche in the bass house genre. Michael’s relentless pursuit of perfection and his uncanny ability to manipulate elements has resulted in an impressive discography of heavy duty records. 

London based producer and DJ NuBass has established himself amongst the new wave of bass producers, focusing on the darker, grittier side to the sound and is pushing forward his brand of high energy underground flavours. Recent releases include ‘Knock Knock’ VIP on Zero’s label and a collab called ‘Lose My Mind’ with one of the godfathers of the bass house movement AC Slater. His releases are regularly supported by the likes of Moksi, Chris Lorenzo, Skrillex to name a few. 

You can find more information on Michael Sparks / NuBass via their IG links.

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American-Taiwanese Artist JVNA announces Her 2nd Studio Album – “Play With You,” Releases Empowering Namesake Single

by the partae
written by the partae

Artist: JVNA
Title: Play With You
Label: Self-release

Download / Stream

Multi-talented artist JVNA returns with her new track “Play With You,” a female empowerment-themed gem that also serves as the leading single from her forthcoming studio album. Listeners familiar with her previous body of work – “Hope In Chaos” will immediately recognize a transformation in JVNA‘s sonic style. While the former was deeply emotional and vulnerable, “Play With You” single sends a message that JVNA is here to take over control. Featuring her sultry vocals – impressively ranging from spoken word rap to breathy singing – along with melodic basslines and heavy-hitting, serrating synths during the drop, the track positions JVNA nearer to a villain than the melancholic damsel of her past. After pairing the track with its accompanying music video, we’d venture to say the rest of the album will also have strong influences from alt-pop, J-pop, K-pop, anime, gaming, and trance to continue the villainess storyline.

“Visually, I pictured this song being about a cunning anime demon girl in a video game seducing her enemies and killing them at the end. But this song’s message is really about being in charge of your own fate and winning the game of life itself throughout its challenges. Sort of like you’re the game master behind everything pulling the strings. I often face a lot of issues, and I feel like it’s constantly a boys club. I talk about overthrowing the patriarchy in this song with the lyrics – ‘the boys think that I’m here for company, but I’m conducting all the symphonies. I’m the final boss that’s gonna tear them down‘” – JVNA about “Play With You” single

California-based singer-songwriter and multi-instrumentalist JVNA produces electronic music that plays at the dichotomy of light and dark, bass and melody, organic and synthetic. Raised by Taiwanese immigrants, JVNA studied classical piano from the age of 6 and started writing songs when she was 11. Her studies continued at the San Francisco Conservatory of Music, where she learned to score films and video games. Initially, JVNA made fun edits and remixes of her favorite anime and video game soundtracks; her take on MapleStory‘s “Login Theme” caught fire on the internet, earning half a million views in 24 hours. Her 2018 song “I’m With You,” inspired by her father’s death two years earlier, dared to dive deep into an emotional world. JVNA self-directed the song’s music video. The Follow-up single “Catch Me,” released in 2019, took JVNA on a sold-out tour across the United States. Due to the pandemic, it was canceled, and JVNA returned to the studio to focus on the album’s production. She pushed herself to incorporate more live keys, piano, and organic textures. In 2021 JVNA released her debut studio album – “Hope In Chaos,” which is a diverse collection of styles featuring JVNA‘s voice like it’s never been heard before, opening up about so much more than the standard dance floor love songs.

More info on JVNA:

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