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Interview: Mr Elusive on the Story Behind Medicinal Liquor

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Category:

Music News

Music News

ART WITH ME PRESENTS: DANCE WITH ME TULUM FESTIVAL

by the partae March 22, 2022
written by the partae
Tickets: tixr.com/pr/AWM2/38592
Date: 22nd – 24th April
Location: Ahau Hotel, Tulum Mexico

The multi-platform international art, music and cultural festival founded in Tulum, Mexico back in 2018 is proud to announce DANCE WITH ME GNP in the world-renowned Caribbean hotspot on April 22-24

One of six “pillars” under the Art With Me GNP umbrella, DANCE WITH ME celebrates the aural art of music and the creative expression of movement. Spanning a wide range of genres and cultural influences, this exclusive event will feature live performances by Elephant heart and Kerala Dust and DJ sets by Jamie Jones, Rony Sieklay, Serge Devant, Sabo & Goldcap, Yokoo & Matthew Delay and more, beneath Tulum’s star-pocked sky. In addition, there will be wellness activities under the Breathe With Me banner including yoga, meditation, sound baths and more that will be backdropped by the sea’s undulating rhythms (sonorous symphony, whisper). Eat With Me will offer a journey into the culinary arts under the innovative tutelage of Chef Jose Luis Hinostroza.
Like all Art With Me fetes, DANCE WITH ME is an immersive, experiential exploration of the creative spirit. More than just a music festival, more than simply a spiritual retreat or gastronomical adventure, DANCE WITH ME is about uniting people in an expansive, uplifting, joyful environment that highlights life as art.

Founder David Graziano states “We love the opportunity to bring Pillar Events like Dance With Me to our Art With Me community between the times of our flagship Art With Me events.  This allows us to continue experimenting with creative initiatives year round.”

All DANCE WITH ME GNP events and activities will take place within the enchanting ocean-front milieu of Tulum’s renowned Ahau Hotel.

LINE-UP

Elephant Heart
Facundo Mohrr
Isaiah Martin
Jamie Jones
Kerala Dust
Matt Caines
Ricoloop
Rony Seikley
Sabo & Goldcap
Serge Devant
Vanjee
YokoO & Matthew Dekay
and more…

WEBSITE
https://artwithme.org/

INSTAGRAM
https://www.instagram.com/artwithmelife/

FACEBOOK
https://www.facebook.com/artwithmefestival
March 22, 2022 0 comments
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Festival NewsMusic News

BUSKERS BY THE LAKE RETURNS FRI 19 – SUN 21 AUGUST 2022 PERFORMER APPLICATIONS OPEN

by the partae March 22, 2022
written by the partae
APPLY TO PERFORM AT BUSKERS BY THE LAKE

It’s time to start perfecting that hidden talent…because Buskers by the Lake is back. The three-day family friendly extravaganza will be returning to the Sunshine Coast from Friday 19 to Sunday 21 of August 2022. Today, organisers put out the call for applications to perform at the iconic annual busking festival.

Performers of all ages, talents and specialties are invited to apply to join the curated collection of buskers. Whether it’s juggling with watermelons, dancing poodles, human scarecrows or absolutely anything in between…applications to perform at Buskers by the Lake are open to everyone HERE. 

Step into this year’s ‘FANTASYLAND’ and experience the mystical and magical talents of the world’s most fantastical buskers. After its triumphant debut at its new home along the picturesque Lake Kawana, the multi-award winning Buskers by the Lake will be once again wowing crowds along the waterside. Music lovers will also have the chance to catch top singer-songwriters go head to head as the prestigious Battle of the Buskers, previously won by Aussie fave Tones and I, kicks off the festivities. As if that wasn’t enough, ticketed sideshows and nightly after parties are set to delight. Boasting an entirely new and wildly diverse lineup, the festival is also sporting a fresh new date that will allow patrons and performers alike to enjoy the fresh breeze and warm sun of late winter.

Event Director, Cindy Jensen, is already busy building a thrilling lineup for this year’s festival and is excited that eased-restrictions and open borders will once again allow performers from all over the globe to join in on the fun. “We’re coming back bolder and more daring in 2022 and can’t wait to have our travelling performers and fans back, enjoying the festivities in our new Sunny Coast home”.

Sunshine Coast Portfolio Councillor Jason O’Pray says ‘The winter spectacular Buskers by the Lake is a fantastic addition to our diverse events calendar that showcases our region as an arts and culture destination.With ambitious growth plans to be a renowned international busking festival, this grass-roots event has real potential to evolve after its debut in 2021. The festival is yet to demonstrate its full potential in the region and I’m optimistic that more favourable travel and tourism conditions will see the event grow in year two.”

Got a hidden talent, party trick or special skill to share with the world? There’s no talent too wild, weird or wonderful.

Apply to perform at Buskers By the Lake now!

March 22, 2022 0 comments
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Festival NewsMusic News

GREEN IS THE NEW BLACK: Official Trailer & Screenings

by the partae March 22, 2022
written by the partae
Earthwalker and UNFD present a film by In Hearts Wake
GREEN IS THE NEW BLACK
A Documentary About the Music Industry and the Environment
greenisthenewblack.film
Today, Australian heavy music act In Hearts Wake is releasing the official trailer for their feature length documentary GREEN IS THE NEW BLACK alongside the announcement of Australian and international screening dates across Earth Week 2022 this April.

Conceived during the catastrophic bush fires of early 2020, filmed during the global pandemic and released as unprecedented floods have devastated the East coast of Australia, Green Is The New Black holds a mirror up to the music industry and its relationship to the environment.

PLAY/WATCH

Green Is The New Black chronicles the making of In Hearts Wake’s 100% carbon offset 2020 album Kaliyuga and their journey to become a certified Carbon Neutral Organisation but it’s more than a film about one band and one album. As In Hearts Wake examine their processes and search for more environmentally sustainable options, inspiring new possibilities for an entire industry begin to emerge.

Through conversations with creatives, experts and professionals including Damon Gameau (2040, That Sugar Film), Tamara Smith (Greens Member for Parliament), AY Young (United Nations Young Leader), Jessica Ducrou (Splendour in the Grass Festival Co-founder), Heidi Lennfer (FEAT Artists) and Luke Logemann (UNFD Records), In Hearts Wake uncover unsettling truths, face human adversity and discover inspiring solutions for a new earth-aligned way forward.

Green Is The New Black will screen at Bangalow Film Festival on April 12, with 100% of ticket sales to be donated to local charities directly assisting the Northern Rivers flood recovery.

Kicking off in Earth Week, Green Is The New Black will then screen at Palace Cinemas around Australia as well as special screenings in Los Angeles, Toronto and London.

Formed in Byron Bay in 2006, In Hearts Wake are one of Australia’s leading heavy music acts. Their fiercely loyal following has been forged from relentless world touring, passionate ecological advocacy and hard-hitting, melodic-driven music. The band have received four top-5 records, earned an ARIA nomination for Best Hard Rock album, 110 million digital streams and over 100,000 records sold worldwide. They are the only known band to be registered as a Carbon Neutral Organisation.
“When we first started this band, we just wanted to tour the world and play music, but the further we travelled the more it hit home. We were unintentionally endangering our own future. The world we knew was changing fast and we realised we had to change with it.” Jake Taylor, vocalist In Hearts Wake / Producer and Co-Director Green Is The New Black.
GREEN IS THE NEW BLACK SCREENINGS
Presented by Heaps Normal, Afends, New World Artists & UNFD

Tue 12 April – Bangalow Film Festival – Bangalow, Australia – 7.30pm (Fundraiser)
Thu 21 April – Palace Central, Sydney  – 6.30pm
Thu 21 April – Los Feliz, Los Angeles USA  – 7.45pm
Fri 22 April – Palace James St, Brisbane – 6.30pm
Fri 22 April – The Rec Room, Toronto CAN – 7.00pm
Thu 28 April – Palace Raine Square, Perth – 6.30pm
Fri 29 April – Palace Westgarth, Melbourne – 6.30pm
Sat 30 April – Palace Nova, Adelaide – 6.30pm
Sat 30 April – Prince Charlies Cinema, London UK – 6.00pm

Tickets for all screenings available at inheartswake.com / greenisthenewblack.film

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March 22, 2022 0 comments
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Music InterviewsMusic News

Mille

by the partae March 22, 2022
written by the partae

Where are you currently based?

I’m currently based in Melbourne. All my recording, mixing and mastering is done in Melbourne as well!

How did you first start playing music?

I was enrolled in music lessons from a young age by my mum. I learnt piano in primary school, dabbled in some violin (which I was really bad at) and started some vocal lessons around age eleven. High-school was where I kind of realised my passion for music — I started doing live performance gigs through school, heaps of musical theatre too.

It just kinda went up from there I guess. 

I kept reaching for bigger goals and eventually found myself in a recording studio in 2020, and I just fell in love with all that comes with being a recording artist. It’s such a different environment, and the skillset in comparison to live performance is mental — it’s a whole other world.

What’s been happening recently?

I’ve been working towards my EP really. Conceptualising lots of different aspects to go alongside the music. My favourite part of creating and being an artist is thinking of visuals, graphics —all of it. There’s something so fantastic about bringing music to life visually, especially when it’s your own story. 

The tracks for the EP have been in the works since early 2021 and I’m so excited with the way it’s all shaping up. It’s truly just an audio representation of growth and experimentation. It means so much to me and I’m beyond excited for it to come out.. 

Your second single ‘get2going’ will be released on March 27, 2022, what influenced the sound and songwriting?

I was really into dance and hyper-pop, like ‘PinkPantheress’ type vibe when I wrote it. I wanted something sexy, fast and catchy.  It all really comes together when I’m in the studio with Ben—it just ties itself in a nice little bow. We just vibe, with loose intention and the end result is always exactly what I’d hoped for, I really don’t know how we do it to be honest. I knew I wanted the sound to be maximal, lots of layers, lots of stacks and heaps of little details that just bring the song together. I usually write a hook on its own or to a beat, then we just build from there.

How did you go about writing get2going?

I wrote the hook in my room kind of accidentally, just walking around my house humming this line about ‘waking up in heaven with u’, then without thinking too hard and it just slipped out and I was like oh.. that’s kinda cool

Then I just wrote a very loosely structured song in like 20 minutes to a plain Youtube beat. I didn’t really like writing with specific A,B structure or anything like that at the time, it definitely works, I just wasn’t digging it. I was more into — what am I trying to say, what’s my intention, and now let’s make it a song. 

I made a little demo in my room and sent it to Ben Oldland, and then that’s it. We jumped in, refined it and now it’s here! 

How would you describe the single?

I would describe it as a bratty, sexy little song. I don’t know where the attitude came from—I am definitely not that rowdy most of the time—but I think it really works.

I mean, what can I say? I like feeling sexy, I like doing things..

But one of the reasons I really love this single is because it was the first song I wrote and recorded that really felt like it was going in the direction I wanted artistically— I felt my previous single was a bit absent, like I wasn’t really myself. But that’s the best part about creating music I guess, each time you look back it’s exciting to see that kind of growth. And I love get2going, it just gives me a lot of confidence. I hope it can make other people feel the same, like being sexual isn’t shameful or dirty—it’s fun and flirty, it’s a part of living. 

Where and when did you record/produce/master and who with?

I recorded this in 2021 with Ben Oldland—fantastic guy, and he produced it too. Got it mastered with Panorama Mixing & Mastering. I really love working with both of them, they understand the vision, and I’m never disappointed when I work with them.

Who are you listening to at the moment?

My friend recently showed me Teyana Taylor, and I’m absolutely loving them. ‘Issues/Hold On’ is definitely one of my favourite songs at the moment. But I really do love the classics, especially when I’m working. I love Nina Simone and Billie Holiday. God I love Billie Holiday.. But I’ll also forever love good funky music to put me in a good mood.. Tom Misch, Jacob Collier, all the goods!

What do you like to do away from music?

To be honest I’m never away! I’m on the bus listening to different albums to hear production styles, different vocals, different instrumentation, I really just can’t be away as weird as that is.

I do love the beach though. And eating out—that’s about it really.

What’s planned for 2022?

Finishing up the EP! Got some exciting details finalised the other day and it just fuels the fire you know? I love the whole process from writing the songs to every detail up until its out —and after!

But mainly, just the EP.. 

After it’s released I’ll start (hopefully) doing some live performances and getting into the swing of things, maybe a show here and there! 

Favourite food and place to hangout?

I’m just a brunch kind of person. So any good cafe that has excellent coffee, and a good like eggs benedict or brekkie burger and I’m set man. I’m good — that’s all I need.

I am a homebody though, and just super anxious in general so I really do love just sitting in a watching a movie or something with take away food. Give me dumplings delivered to my door with ‘Howls Moving Castle’ on the TV and you won’t hear from me, I’m good. 

YOUTUBE I UNEARTHED I SOUNDCLOUD I FACEBOOK I INSTAGRAM I CONTACT

March 22, 2022 0 comments
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Music News

Working Men’s Club announce new album & share video for single ‘Widow’

by the partae March 22, 2022
written by the partae
ANNOUNCE NEW ALBUM FEAR FEAR
OUT JULY 15 ON HEAVENLY RECORDINGS

SHARE NEW SINGLE ‘WIDOW‘

Photo credit: Lillie Eiger
Working Men’s Club today announce that their second album Fear Fear will be released on July 15 via Heavenly Recordings. Alongside the announcement, they also share new single ‘Widow,’ a pumped-up, amped-up electro-choral shout-out with stabs of Depeche Mode. The track is lead singer Sydney Minsky-Sargeant‘s empathetic reach out to those left behind by recent life, either literally or metaphorically: “Misery is bliss to me / I love you, now you’re dead you see / Lust was easy until you died now I fuck inside my head but not outside“.

Songs created in the shadow of terror and loss, but that crackle and pop with defiance Fear Fear is a record made for agitating and dancing, for heart and soul, for here, now and tomorrow. It’s a record that explores juxtaposition; that of life and death, acceptance and isolation, environment and humanity, hope and despair, the real world and the digital world. That top to bottom rigour, the complete vision is what makes the second album from Working Men’s Club such a stunning and unique achievement.

Their critically acclaimed self-titled debut album, released in summer 2020, was the sound of singer and songwriter Minsky-Sargeant processing a teenage life in Todmorden in the Upper Calder Valley. He was 16 when he wrote some of those songs, now 20, he had to get up and out of the Valley. “The first album was mostly a personal documentation lyrically, this is a blur between personal and a third-person perspective of what was going on.”

Fear Fear documents the last two years. Yes, there is bleakness – but there is also hope and empathy. “I like the contrast of it being happy, uplifting music and really dark lyrics. It’s not a minimal record, certainly compared to the first one. That’s because there’s been a lot more going on that needed to be said.”

Making the busy feel finessed and the dreadful feel magical – Fear Fear manages those feats, and then some. Or, as Syd puts it: “We just set out to make the best-sounding album we could.”

Fear Fear was produced by Ross Orton (Arctic Monkeys, MIA, Tricky) and recorded at Orton’s studio in Sheffield.

Fear Fear by Working Men’s Club
is out July 15 on Heavenly Recordings
Preorder: https://ffm.to/fear-fear

Working Men’s Club
Fear Fear

1. 19
2. Fear Fear
3. Widow
4. Ploys
5. Cut
6. Rapture
7. Circumference
8. Heart Attack
9. Money Is Money
10. The Last One

March 22, 2022 0 comments
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Music News

Earth From The Moon ‘Migratory Birds’ Premiere

by the partae March 18, 2022
written by the partae

The brainchild of John Ounpuu, who originally emerged on the Canadian indie rock scene in the mid-90’s with the Vancouver band Pluto – Earth From The Moon has created new songs that are an ode to self-discovery and the subtle-yet-profound moments of life. The result is an unpredictable, vulnerable and sincere collection of songs, built on strong lyricism and dynamic musicianship. Back in the dayOunpuu found himself signed to Mint Records (and then Virgin), getting nominated for a JUNO award, and heading out on lengthy tours that garnered both regional and national media attention. In 1999 the group disbanded and Ounpuu took his life in another direction. But there was always something about crafting songs that stayed in the back of his mind.

He flirted with the idea of returning to music many times over the years. But the thing that finally pushed him over the edge and back into the creative sphere was mortality. “I was coming up on my 50th birthday. It had been 20 years since I wrote a song that more than a few people heard. I thought: if not now, when? What am I waiting for?”

Diving back in started with a laptop and eventually led to a studio on a secluded island. “The basic tracks were built by me in Garageband. Then they were rebuilt, piece by piece with the help of Ryan Dahle (Mounties / Limblifter / Age of Electric) at his studio on Mayne Island. Ryan’s brother Kurt (New Pornographers, Neko Case, Destroyer) was kind enough to play drums and saxophone.

https://earthfromthemoon.net/

https://www.instagram.com/earthfromthemoon/

https://linktr.ee/earthfromthemoon

 

March 18, 2022 0 comments
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Music News

St. Morris Sinners Release Daring Sophomore Album ‘Zbilanc’

by the partae March 18, 2022
written by the partae

Support for St. Morris Sinners

“The track is gritty and eccentric, loaded with a whole lot of reverb and vocals worthy of an old school saloon stage.” (Hysteria)

“Big Rev Kev is a four minute blend of saloon style classic rock vibes.” (AAA Backstage)

Brandishing their eccentric brand of alt-rock like a sonic weapon loaded with powerful punk, blues and avant-garde influences, Adelaide’s St. Morris Sinners are releasing their daring sophomore album ‘Zbilanc’ on March 18.

Not for the weak of heart, the St. Morris Sinners are celebrated for their unflinching approach to music, attracting attention with their previous blues-based rock releases including 2016 debut LP ‘Songs About Insects’ as well as their captivatingly wacky live performances.

Now, the quirky four-piece are further embracing their avant-garde tendencies in ‘Zbilanc’, marking an evolution in their sound as they unveil a rhythmically diverse 11-track album that delves headfirst into the concept of imbalance, featuring sonic, lyrical and emotional layers that remain charmingly unpredictable. The band states:

“Zbilanc is the Maltese word for ‘imbalance’, which speaks to the heritage of lead singer Stephen Johnson. The concept of the album plays with the theme of imbalance; one side is disjointed, raucous, raw and primal in its delivery, while the other side is heartfelt, sombre and honest in its approach.”

With an introduction that reads more like a warning, ‘Boarding Announcement’ signals the album’s departure as chaotic tribal-inspired instrumentals and a sinister spoken delivery preempt the excitingly eccentric road ahead, with commanding second track ‘Big Rev Kev’ using western reverb-coated electric guitars and deep, powerful vocals to move dramatically between primal outbursts and composed deliveries.

Title-track ‘Zbilanc’ rears up with the shiver-inducing hiss of frontman Stephen Johnson, quickly contrasted by his imposing voice, delivering rousing content between epic guitar riffs and a nu-metal reminiscent level of chaos, anger and unpredictability.

Sweeping in with deep bass guitar grooves, jazzy drums and anecdotal spoken verses arrives ‘Gentrification Blues’, the soulful blues-rock section of the album in full swing with an imploding instrumental breakdown, before transitioning into the swaying ballad of ‘She Swiped Left’, using seductive horns and desolate melodies to convey a modern-day tale of unrequited love during a digital age.

Then, sitting cheekily at the album’s centre is ‘Le Coq Roq Blues’, an upbeat country-blues jam that quivers with the energy of the local pub during peak hour, equipped with line-dancing, friendly faces and a downright good time, until it’s time to acknowledge ‘Elephant in the Gloom’ emerging as a melancholic folk tune that encourages a wistful faraway gaze as heavy electric guitar notes emerge below the surface of grounded acoustic melodies.

‘Organ Grinder’ creeps up slowly with quivering percussion and menacing guitars in anticipation for strong Aussie accented vocals to surface in a stream of consciousness, the song moving freely and without consequence, as it makes its stealthy build to a striking crescendo.

Next, ‘Like Plants Grow’ flourishes as a small hopeful interlude of deceptively sweet piano backing radio-announcer vocals ahead of ‘Dianne’, a guitar-lead song featuring weighty organ notes and sturdy trumpets as Johnson’s vocals search longingly in their desperation.

At the close, we find slow-burning track ‘Epitaph’, a culmination of the album’s instrumental dynamism as it builds with an alt-rock strength, adding epic drums and undeniable electric guitar riffs to steady acoustic guitar melodies while Johnson demonstrates his commanding vocal prowess in its most vulnerable state until eloquent piano chords linger in the air like a bittersweet farewell.

The St. Morris Sinners are no strangers to success, with the HOT PANTS Productions signed band performing nationally and globally, and with a host of bands including King Khan & BBQ Show (Canada), Tex Perkins (Melbourne), Spencer P. Jones (Melbourne), Kim Salmon (Melbourne), The Monkey Wrench (USA) and Kid Congo and the Pink Monkey Birds (USA) and have toured Australia numerous times to growing crowds.

The St. Morris Sinners sophomore album ‘Zbilanc’ is out everywhere on March 18.

LISTEN/PLAY

Follow St. Morris Sinners

Spotify | Apple Music | Bandcamp | Soundcloud | Triple J Unearthed

Facebook | Insta: @st.morrissinners | Youtube

March 18, 2022 0 comments
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Festival NewsMusic News

FLIGHT FACILITIES – AIRFIELDS VENUE CHANGE + SET TIMES

by the partae March 17, 2022
written by the partae
AIRFIELDS EVENT – THIS SATURDAY 19 MARCH
VENUE UPGRADE | SET TIMES

The Entertainment Quarter, Moore Park

A Message from Flight Facilities…

After 2 years of COVID cancellations unfortunately the rain has now waterlogged Victoria Park and forced all City of Sydney parks to be closed to events.

But, in a time of bad news, here’s the good news…

Our team has pulled off a miracle and been able to find a venue, perhaps better than the original.

A huge thanks to Department for Planning and Environment; the Office of the 24-Hour Economy Commissioner, Minister Ayres, Minister Roberts, the team at The Entertainment Quarter and The Australian Festival Association.

Airfields, this Saturday, is approved to go ahead at The Entertainment Quarter, Moore Park. You’ll want to get there early for all of this….

t’s Flight Facilities’ first Australian live show since 2019, and they’ve put everything into it, pulling together some of their favourite local and international artists for a full day event. This is a hometown show not to be missed.
FLIGHT FACILITIES – AIRFIELDS, SYDNEY
NEW VENUE | SAME LINEUP
The Entertainment Quarter, Moore Park

FLIGHT FACILITIES – 8.15PM
COSMO’S MIDNIGHT – 6.55PM
JAYDA G – 5.45PM
CC:DISCO! – 4.45PM

SYCCO – 3.45PM
MERCI, MERCY – 2.30PM

MEL BLUE – 1.30PM

Final release tickets are available now!

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March 17, 2022 0 comments
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Music News

iaki Vallejo – Donde Esta el Amor (feat. thando)

by the partae March 17, 2022
written by the partae

Melbourne’s iaki Vallejo has a silky smooth new serenade entitled “Donde está el amor”. A heartbreaking admonition of lost love for family, children and the planet. iaki’s serene voice and masterful performance gently mourn for lost ideals in a time of chaos. Her emotive Spanish vocals are lovingly complimented by a feature verse from RnB/Soul star thando. The dual language aspects of this track speak of a desire to bridge divides and bring the world’s people together. With a combination of African & Indigenous Colombian heritage as well as a passion for Melbourne’s multiculture and a history of cross cultural collaboration; iaki is all about bringing people together.  You can tell that in her music as the rhythms, the lyrics and the collaborations are on a constant journey of exploration and conciliation.

 To celebrate the release iaki will be performing a special on off show for Multicultural Arts Victoria on the evening of release (Tonight, Thursday 17th March) entitled “Tres Cantos”.

The concert will feature Iaki alongside Ethiopian-Australian singer and dancer Seble Girma plus a guest appearance from thando for the live premiere of “Donde está el amor”.

For more information about the event, visit www.mav.org.au/event/tres-cantos/

Commercial Link: https://ditto.fm/dondeestaelamor

Instagram:  https://www.instagram.com/iaki_vallejo

 

March 17, 2022 0 comments
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Festival NewsMusic News

SECRET SOUNDS FLOOD AID

by the partae March 17, 2022
written by the partae
Secret Sounds
FLOOD AID
Proudly presented by Bank of Queensland
Secret Sounds Targets $1 Million in 1 Month for Flood Relief
Every Cent Raised to go Directly to Flood Affected Communities
Featuring Flume (DJ Set), Bernard Fanning, Dune Rats, Wolfmother, The Rubens & more
Funding Lifeline, GIVIT, Koori Mail Bundjalung Community Flood Relief and Northern Rivers Community Foundation
Tickets for all shows on sale 12 noon AEDT, Thursday 17 March (Today!)
DONATE NOW AND WATCH TALLY GROW
Two weeks ago, the Northern Rivers of NSW and Southeast QLD were devastated by a natural disaster of unimaginable magnitude and severity.

Today Secret Sounds is announcing a range of fundraising initiatives to assist with recovery across the region, with a target of raising $1 million in one month and a commitment that 100% of money raised will go directly to flood affected communities.

“I live in this region” said Secret Sounds Co-CEO Paul Piticco. “My nearest town is Murwillumbah and it has been devastated. Local schools, friends’ homes and businesses, lives and livelihoods all just swept away by the floodwater.  This story is repeated in Lismore, Ballina, Mullumbimby, Coraki, Brisbane and many other communities.  The recovery, physically and especially mentally, is going to take a long time and will need lots of support so I am very pleased Lifeline is providing targeted and specialised assistance for everyone that has been affected.   It has been an extremely tough two years for the music business but we are still here and still banding together to help our communities. Please join us. Give generously, buy a ticket, buy a shirt, make a bid and support however you can to get these families and towns back on track.”

“This is deeply personal for us. Many of our team live and operate businesses in the region and some of them have been directly impacted. We have also run our events in the area for decades. We are part of this community and we’re heartbroken to see the pain that’s being felt right across the region” said Jessica Ducrou, Co-CEO of Secret Sounds.

Splendour in the Grass and Falls Festival Byron have kicked off the fundraising with a $100K donation each ($200K in total). Bank of Queensland has also jumped on board as a key sponsor to help make the concerts happen.

Martine Jager, Bank of Queensland’s Group Executive Retail Banking said “From Gympie to Lismore, and many areas throughout Queensland and NSW, we’ve seen the devastation the floods have had on our people, customers and their local communities. We’re so pleased we could come together and help those who have been impacted, while also supporting the music industry which itself has faced many challenges from the pandemic. We’re proud of this partnership so let’s all do what we can to get onboard, buy a ticket and support Aussie music and communities.”

Secret Sounds would also like to thank Wanderlust, Jack Daniel’s, Byron Bay Brewery, Smirnoff and Red Bull who have also jumped on to assist with this campaign.

From fundraiser gigs and limited-edition merch items to auctions, there’s a range of ways the public can get involved to help the cause.

FUNDRAISER GIGS
Tickets for all shows on sale 12 noon AEDT, Thursday 17 March (Today!)
One of the biggest acts on the planet, Flume (DJ Set), will hit the Kingscliff Hotel this Saturday for a DJ set with a bunch of his musician mates.  Aussie icon Bernard Fanning will play the Fortitude Music Hall in Brisbane on Saturday 26 March with The Rubens, Cub Sport (DJ Set), Last Dinosaurs and Stevan. And multiple ARIA and Grammy award winning rock act and Byron locals Wolfmother will take to the stage at Byron Beach Hotel with Dune Rats and fellow local Tex Perkins.
ANDY GARVEY + DAMEEEELA + DJ SEINFELD + FLUME (DJ SET)
+ JONO MA + RONA

Kingscliff Hotel, Kingscliff – Saturday 19 March

BERNARD FANNING + THE RUBENS + CUB SPORT (DJ SET)
+ LAST DINOSAURS + STEVAN + HANNI

The Fortitude Music Hall, Brisbane – Saturday 26 March

WOLFMOTHER + DUNE RATS + TEX PERKINS & JEZ MEAD + WAAX
+ KOBIE DEE + MYLEE GRACE

Byron Beach Hotel, Byron Bay – Saturday 26 March

In addition to these shows, FLIGHT FACILITIES have allocated 100 tickets to their almost sold out Airfields event this Saturday in Sydney. They’ll be available for a special price of $99.90 and all proceeds from those sales will go to Secret Sounds Flood Aid.
WHERE THE MUDDY HELL ARE YOU MERCHANDISE
It’s a bit cheeky but it’s also a bit true yeah? Limited edition “Where The Muddy Hell Are You” t-shirts and hats will be available across the fundraiser month.
AUCTION
Stay tuned to the Flood Aid Auction site as items and experiences are added across the campaign month including VIP tickets to the sold out 2022 Splendour in the Grass as well as money can’t buy experiences with some big names!

TICKETMASTER & MOSHTIX DONATION OPTIONS
For the duration of the Flood Aid campaign, all Australian Live Nation and Secret Sounds Group shows will include a donate button at checkout. Ticket buyers can add their donation to the ticket price. Thanks to Live Nation, Ticketmaster and Moshtix for supporting the campaign!
RECIPIENT ORGANISATIONS
All money raised through Secret Sounds Flood Aid campaign will be distributed between four key organisations to provide direct assistance where it is needed. Every cent of every dollar raised will go directly to the community. All recipient organisations have made this commitment.

LIFELINE will provide tailored face to face and digital psychological first aid for affected communities including counselling, information resources for individuals, crisis helplines and Lifeline text. These services are being specifically created for these communities and for this situation.

Lifeline CEO Colin Seery said that the organisation’s staff and volunteers have been working on the ground tirelessly to support local people.

“Lifeline is at the very heart of the communities that have been hardest hit so we have a clear picture of just how devastating these floods have been for individuals and families.”

“The funds raised from the Secret Sounds initiatives will enable us to continue to extend and tailor Lifeline services and to help communities reach a point where they regain sustainability and resilience.”

GIVIT is a national donation platform managing donations of items, services and funds for people impacted by floods across parts of Queensland and New South Wales. GIVIT works directly with councils, outreach teams, charities and community groups in impacted areas to identify exactly what’s needed to make sure people get what they need, when they need it.

The local newspaper of the Bundjalung region, KOORI MAIL is wholly owned by five Bundjalung Aboriginal community organisations. These regions have been severely flood impacted and fundraising will directly support these communities.

The well-established Byron Community Centre has partnered with regional philanthropic body, NORTHERN RIVERS COMMUNITY FOUNDATION, to support a community led flood recovery. Funds will be distributed to grass roots community organisations throughout the Northern Rivers Region, getting help to communities when and where they need it.

It is impossible to overstate the impact of the flooding that hit Northern NSW and Southeast QLD a fortnight ago. All previous records were smashed by metres. Roads and bridges were washed away. Schools were destroyed. Thousands of homes were inundated, with water levels in Lismore exceeding a previously unfathomable 14 metres. Residents climbed into ceiling cavities to escape the floodwaters or onto rooftops in hope of being rescued by civilians in tinnies.

Huge landslides moved houses down mountains in the hills behind Mullumbimby, and now scar the Northern NSW hinterland. Heroic community members trekked through the bush, across raging torrents and waist high mud to rescue the isolated and injured. They carried in generators, fuel, supplies, even a satellite dish and radios and they encountered scenes that no civilian volunteer should ever have to witness.

Further south in Woodburn and Coraki the floodwater has only just subsided and a massive clean-up effort is underway in that devastated region.

Thousands of homes are now uninhabitable. The families who lived in them are facing an uncertain future. Northern NSW was already facing a housing crisis and the situation is now critical. Many have also lost their businesses or income for the foreseeable future.

Whether directly affected by flooding or volunteering for rescue and clean up, this disaster has been traumatic for the entire community and has taken a huge emotional toll on everyone in its path.

You support, to help raise as much money as possible for devastated communities, is much appreciated!

March 17, 2022 0 comments
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Music News

MOSSY Shares Video For New Single ‘Special Attention’ + Debut Album ‘N2KY’ Out Tomorrow!

by the partae March 17, 2022
written by the partae
Photo Credit: Josh Hourigan
MOSSY SHARES NEW SINGLE & SELF-DIRECTED VIDEO
‘SPECIAL ATTENTION’
FEATURING PURIENT
LIFTED OFF DEBUT ALBUM N2KY, OUT TOMORROW!
ALBUM LAUNCH PARTY AT MELBOURNE’S COLOUR CLUB ON
FRIDAY 15 APRIL

Today, I OH YOU are excited to share ‘Special Attention’, the new single from Melbourne’s genre-bending creative MOSSY (Jamie Timony), lifted off his long-awaited debut album N2KY – out tomorrow! The silky track arrives with a self-directed video from the multi-faceted artist. MOSSY also today announces a Melbourne album launch party for N2KY, scheduled for Friday 15 April at Colour Club.

One of the album’s more cloud rap leaning moments, MOSSY describes ‘Special Attention’ as an ode to the “push / pull sensation of needing someone and simultaneously rejecting dependence on them.” Melbourne artist Purient brings her glossy vocals to the track, in stunning harmony with MOSSY’s icy top line and snapping trap beat.

He continues, “The song is basically about anxiety, when your mind serves up the worst-case scenarios and the walls start closing in—that feeling of being sucked toward an unhappy destiny.”

The video for ‘Special Attention’ was originally going to be shot with MOSSY’s brother Ben again, but after losing a shoot location at the last-minute MOSSY says the idea kind of fell apart. “I knew I still wanted to direct something myself, something more lo-fi this time. Kate (Purient) woke up one morning with a location in mind—a dam she’d been to in Healesville. The clip was shot by Jordan Hourigan,” MOSSY explains. “Once we got to the location, we couldn’t believe that there was this gigantic compass / sundial looking thing which I think fits really well thematically with ‘Special Attention’. It kinda saved the day.”

Across 10 dynamic and introspective tracks, produced by Dean Tuza (The Rubens, Stella Donelly) and mixed by multi-Grammy winner Stu White (Beyonce, Megan Thee Stallion, FKA Twigs), N2KY continues to explore the sentiment of a partnership having the potential to either nourish and support, or constrict and threaten. In his embrace of electronic post-punk, pop fundamentals from the Scandinavian underground club scene, and the recent wave of emo trap artists, MOSSY captures the sensation of surrendering to a force – whether spiritual, sonic or both – and the comfort found in that.

‘Special Attention’ joins recent singles ‘Why Can’t You See?’ and ‘Unfazed’, which were both added to FBi and  global hyperpop tastemaker playlists across Spotify, Apple, Amazon and SoundCloud, with the latter bringing in a dazzling re-work by Melbourne artist Banoffee. N2KY’s first single ‘Shade’ came with an energetic remix by 17-year-old Canadian Hyperpop artist kmoe that was added to global Spotify playlists creamy (696k followers), hyperpop, Friday Cratediggers, cellophane, and Apple Music’s Glitch, New In: Electronic, Future Sounds and Electronic Pop. Combined, the album’s singles have seen support from the likes of Matt Wilkinson and Zane Lowe, and firmly established MOSSY in the alternative pop world.

‘Special Attention’ is the final piece of the N2KY puzzle, which is out tomorrow and will be brought to life at MOSSY’s album launch party next month! Get your hands on tickets via eventbrite.com/.

MOSSY Album Launch Party
Tickets available via eventbrite.com/
Fri 15 April | Colour Club | Melbourne, VIC | 18+

 

MOSSY – ‘Special Attention’
Out now through I OH YOU
Listen/watch hereMOSSY – N2KY
Out Friday 18 March through I OH YOU
Pre-order here

Tracklisting:
1. Shade
2. I Will Be the One Who Says Yes
3. Broke Again
4. Dim Rays of Hope
5. Where Does the Time Go?
6. N2KY
7. Why Can’t You See?
8. A Few Minutes of Silent Staring
9. Special Attention
10. Unfazed

March 17, 2022 0 comments
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Festival NewsMusic News

BODY TYPE SHARE NEW PREVIEW TO DEBUT LP VIA ‘BUOYANCY’ EVERYTHING IS DANGEROUS BUT NOTHING’S SURPRISING LP OUT MAY 20 VIA POISON CITY RECORDS

by the partae March 17, 2022
written by the partae
Photo by Ellen Virgona

PRAISE FOR BODY TYPE

“One of the most consistently impressive, powerful, and exciting bands on the Australian scene”
Rolling Stone

“Sex & Rage [is] a blistering, sharp-toothed cut that oscillates between angular,
incendiary post-punk and the kaleidoscopic indie-pop of the band’s earlier catalogue”

NME

“Sex & Rage crushes hard”
Clash

“Chock-full of angsty lyrics and post-punk riffs”
Frankie Magazine

“Refreshingly exciting and ridiculously good fun”
The Line of Best Fit

“It’s impossible not to fall head over heels for them”
DIY

“All-female outfit spark a new era with indie-rock-punk euphoria”
Pilerats

“Explosive”
Lock Mag

Body Type, the all-female rock group, today share the latest cut from their debut album Everything Is Dangerous But Nothing’s Surprising, through the endearingly peculiar ‘Buoyancy‘. LISTEN + WATCH HERE.

Spawned from a text exchange poem between Annabel Blackman to Georgia Wilkinson-Derums, ‘Buoyancy‘ is all impulse and energy, a fast-paced jam itching with spontaneity. Written in the midst of a heatwave, Georgia reveals “Buoyancy started as a playful text message exchange between Annabel and me. In many ways, the song is about grappling with internal inconsistencies and moral ambiguities in an incoherent style. It’s had a few iterations – when I brought it to the group it had more of a slow Big Star spirit. Soph and Annabel made it more angular, more tongue in cheek with the guitar, which further injects the song with distorted meaning. It’s also a personal reminder that when certain things are rendered uncertain those you love are an eternal rudder.”

It’s a bizarre tale of sand piles, burning spines and floatation devices, indicative of Body Type‘s regenerated live show spirit, rife across Everything Is Dangerous But Nothing’s Surprsing. The band’s debut is a vivacious, confident romp, as speedy in pace as it is leisurely, intimately coy and entirely Body Type. While Sophie, Annabel and Georgia again share singing duties throughout, as with their previous releases, they’ve never sounded so gleefully unmoored.

Everything Is Dangerous But Nothing’s Surprising is teeming with yelps, yowls, screams, growls, whimpers, whispers, chants, deadpan delivery, laconic one-liners and elongated ‘ahs’ that sound like a demonic girls choir. The guitars are similarly liberatory, surging and spasming to new inventive heights. ‘Buoyancy‘ follows the feisty ‘Sex & Rage‘, lauded by Rolling Stone, Frankie, NME, Clash, DIY, Dork, The Line Of Best Fit, Double J and across community radio stations FBi Radio, RTR FM, SYN, 2SER, and others.

In the wake of back-to-back tours and releases, Sophie McComish, Annabel Blackman, Cecil Coleman, and Georgia Wilkinson-Derums regrouped in early 2020, to record their debut album eight days – shortly before they would become separated by the pandemic. Recorded and mastered by Jonathan Boulet, and entirely self-funded, the album is exultant, effusive, playful, cutting, and maybe most significantly, incandescent in its fury. Following their recent appearance alongside King Gizzard and the Lizard Wizard at the Enmore Theatre, you can experience Everything Is Dangerous But Nothing’s Surprising now as Body Type tour across so-called Australia. Tickets are on sale now, see all tour dates + purchase info BELOW.

EVERYTHING IS DANGEROUS BUT NOTHING’S SURPRISING
May 20 via Poison City Records
PRE-SAVE / PRE-ORDER HERE

‘Buoyancy‘ is out now, buy/stream it here.

Fri 8 April – The Lansdowne – Eora / Sydney NSW
Sat 9 April – The Servo, Dharawal Land / Port Kembla, NSW
Sat 4 May – Mojo’s Bar – Walyalup / Fremantle, WA

Tickets available here.

Stay connected with Body Type:
Website | Facebook | Twitter | Instagram | Youtube

March 17, 2022 0 comments
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Festival NewsMusic News

DMA’s Australian headline tour kicks off this month + special guests announced

by the partae March 17, 2022
written by the partae

Final tickets on sale now!


DMA’S kick off their first AU tour in three years in a fortnight & today reveal special guests

Sydney and Brisbane sold out; Fremantle show postponed


210+ million streams and counting; thousands of international arena tickets sold. A Top 10 UK chart debut with THE GLOW. Five x 2021 ARIA nominations. Just announced as a finalist in 2022’s Vanda & Young Global Songwriting Competition. The accolades for all conquering Sydney trio DMA’S keep on coming!

With their Sydney and Brisbane shows sold out and Melbourne and Adelaide not far behind, DMA’S will finally kick off their hotly anticipated Australian tour in just two weeks’ time… their first headline AU tour in three long years!

Announced earlier this week on the line-up to 2022’s Reading and Leeds, these will be DMA’S biggest Aussie shows to date, packed full of crowd favourites like ‘Delete’, ‘Silver’, ‘The End’, ‘Step Up The Morphine’ and more. It’s been a long wait for fans of the ‘Junk Truck Head’ trio, who’ve carved themselves an enviable career as one of Australia’s biggest selling live acts.

WA show update: Unfortunately, due to changes to density limits and restrictions regarding live music venues in WA, DMA’S show at Fremantle Arts Centre on Sunday 3 April is postponed. Fans should hold onto their tickets, as they’ll be valid for a new date (set to be revealed soon). Ticketholders will be sent information direct via ticketing agency Oztix, be sure to follow the Perth Facebook event for show updates.

Announced today and joining DMA’S on tour as special guests are:

Adelaide opener is SA’s Wedding Motel. Blending eerie-sad-disco with dystopian-folk motifs, Wedding Motel recently made their live debut supporting punkers Pist Idiots and draw from a wide range of influence: think “Martin Newell associated bands of the 70’s and 80’s (Stray Trolleys/Cleaners From Venus), Leonard Cohen’s Death of a Ladies Man and the sardonic mumblings of David Berman”. Kinked pop songs smothered in a hangover.

Sydney and Melbourne: Hayley Mary transitioned from frontwoman of The Jezabels to fully fledged solo artist in 2020, via killer singles such as ‘The Piss, The Perfume’, the anthemic ‘Like A Woman Should’, and triple j regular ‘Would You Throw A Diamond?’. Mary’s most recent release is her third solo EP, Fall In Love, co-recorded with DMA’S’ Johnny Took.

In Brisbane, DMA’S will be joined by special guest THE RIOT. The radical trio launched back in 2020 via their thunderous debut ‘Dog In The Shade’, which featured the talents of Matt Corby and Alex Henriksson. Unburdened by genre, THE RIOT are here to disrupt prescriptive notions of genre in a stale music ecosystem.

One thing is for certain: DMA’S put on one hell of a show. With remaining show tickets almost gone, grab them before they all go!


DMA’S
With special guests Hayley Mary, THE RIOT and Wedding Motel

AUSTRALIA
MARCH & APRIL 2022
Presented by Frontier Touring, Secret Sounds and FRNDS MGMT


FINAL TICKETS ON SALE NOW 
via frontiertouring.com/DMAS

Thursday 31 March
Thebarton Theatre | Adelaide, SA

All-Ages
ticketmaster.com.au | Ph: 13 61 00

Sunday 3 April
Fremantle Arts Centre | Fremantle, WA
POSTPONED

Friday 8 April
Hordern Pavilion | Sydney, NSW

SOLD OUT

Thursday 14 April
Margaret Court Arena | Melbourne, VIC
All-Ages
ticketek.com.au | Ph: 132 849

Saturday 16 April
The Fortitude Music Hall | Brisbane, QLD

SOLD OUT

DMASDMAS.com | facebook.com/DMASDMAS
Twitter: @dmasmusic | Instagram: @dmasmusic
Spotify | YouTube

frontiertouring.com/DMAS | facebook.com/frontiertouring
Twitter @frontiertouring | Instagram @frontiertouring

March 17, 2022 0 comments
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Music InterviewsMusic News

MOSSY

by the partae March 16, 2022
written by the partae

Where are you currently based?

South Yarra, Melbourne.

How did you first start playing music?

Started playing keyboard when I was 6. I just wanted to be able to play Kiss From a Rose and the theme song to Titanic.

What’s been happening recently?

It’s been a pretty busy couple of months directing/ editing videos with my brother for all the singles from my album.

Your debut album ‘N2KY’ will be out on March 18, what influenced the sound and songwriting?

It’s heavily influenced by Scandinavian sounds and textures—cloud rap, synth pop, nu-wave—artists like Bladee, Lust for Youth, First Hate. Lots of ambient textures, sequencers, icy synths, auto-tuned vocals.. that kinda thing.

How did you go about writing the music?

I wrote most of the original ideas on a shitty Casio Keyboard and an acoustic guitar (for the first time ever). Later in the studio with Dean Tuza (producer) we started fleshing out the ideas with different synths and programming beats on the 808 or 909. I’ve been getting my producing chops up the last couple of years so my new demos sound less… shit.

Where and when did you record/produce/master and who with?

We did the whole album in Dean’s studio in South Yarra, Melbourne. South-side represent. The album was mixed in LA by my dear friend Stuart White (Beyoncé, Jay-Z) and mastered by John Davis at Metropolis.

How did you approach the recording process?

Because the songs for this album were so raw to begin with, Dean and I referenced a lot of artists that we love, and started working out how to dress these songs properly. Some songs completely transformed. We were very thorough.

What does this album mean to you?

I didn’t really know until I finished. N2KY stands for Nice 2 Know Ya. It’s basically an album about rejecting enmeshment and dependence on others. It’s a record about craving freedom, whatever that means.

What do you like to do away from music?

I’m very interested in mental health. I read a lot of books on that. Dependence on substances and the many different approaches to dealing with that interests me as well, having had my own struggles at times. I love boxing cos it keeps me fit and focused. Big Formula 1 fan too. I also play Fortnite every day, and I love being around my friends.

Who are you listening to at the moment?

Bladee, Lust For Youth, First Hate, Iceage, Ecco2k, HTRK, Acopia.

What’s planned for 2022?

I’ve got a second album shaping up nicely, so hopefully I can get that finished!

Favourite food and place to hangout?

It’s definitely a Melbourne hot spot atm, but I can’t go past Hope St Radio. Wine is great, food is incredible, and it’s an environment that really promotes socialising—I love it, sue me.

LISTEN/PLAY

https://www.facebook.com/mossylovesyou

http://soundcloud.com/mossymossy

https://www.instagram.com/mossylovesyou/

March 16, 2022 0 comments
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Festival NewsMusic News

JUST ANNOUNCED: Peking Duk’s Keli Holiday to headline inclusive and accessible gig Groove Tunes this weekend at The Corner!

by the partae March 16, 2022
written by the partae

The most anticipated accessible gig on the local calendar, Groove Tunes just got a whole lot tastier with the arrival of new headliner, Keli Holiday of Peking Duk. Announced last month and taking place this Saturday 19 March at coveted Richmond venue The Corner, Groove Tunes will present a fun and accessible night of entertainment, highlighting the creativity and inclusivity of the disability community, while also creating awareness to excel standards of accessibility in the music industry and beyond. Accessibility consultancy, Tibi Access—the incredible team of disability advocates behind the Groove Tunes project—are beyond excited to welcome Keli Holiday and his shimmering, ethereal and uplifting dance music to the fold in what is sure to be a night to remember.

From the mind of a man living off of nothing but New Order records, beer, sleepless nights and the sheer excitement and love of exploring an unknown city named New York, Keli Holiday is the solo project of Adam Hyde (one half of multi ARIA award winning, 10x platinum selling Australian eclectic electronic duo Peking Duk). In the wake of Peking Duk’s non-stop, two month North American tour, Hyde was told he had time for a holiday when he got home but instead of flying to a beach somewhere he decided to use an old guitar he had sitting in his bedroom to create something special. He sheepishly showed his best friend Thomas Stell aka Golden Features the 12 tracks he’d penned in four weeks, before Tom shared the project with Adam’s longtime idol that he’d never met—KIM from the iconic duo The Presets. KIM and Adam soon tightened up the dusty recordings and made it shine. Two years later and the marriage of longing for that holiday he’ll never get back mixed with the strumming of that dusty old guitar birthed the love child that is Keli Holiday.

Keli Holiday joins previously announced acts Matilda Pearl, Saint Ergo, Edward Roussac and Irene Zhong, rounding out an absolutely killer bill of local acts with more than half the lineup made up of artists living with disability. Tibi Access’ mission to bring the joy of live music to the disability community, while also increasing awareness of the need for events and venues to be more accessible is the driving force behind this weekend’s Groove Tunes event. Through a survey Tibi conducted in 2018, people living with a disability expressed their love of attending live music events, however the fear and lack of access stopped them from going. As an accessible gig, Groove Tunes will provide support services such as Auslan interpreters, printed braille tickets, in-venue access ramps and lowered bar access, accessible signage, a sensory zone and sensory packs, on-stage lyric videos, as well develop an accessible website and keep ticket prices low for the music industry and disability community alike—allowing access to people of all abilities to not only attend, but have a fun, safe and memorable experience.

Do not miss your chance to catch Keli Holiday in his first live show of the year at one of Melbourne’s most cherished accessible venues alongside some favourite artists you haven’t yet discovered at Groove Tunes this Saturday night. Final release tickets moving quick sticks, with free entry for companion card holders. Can’t make it on Saturday? Support Groove Tunes and your fellow gig-goers by purchasing a Pay It Forward ticket for someone in the disability community!

Groove Tunes
Saturday 19 March
The Corner Hotel, Richmond
Featuring Keli Holiday, Matilda Pearl, Irene Zhong, Edward Roussac, Saint Ergo 
*all artists in bold italic are artists who identify as living with disability

Tickets
General Admission – $55 +BF
Companion Tickets – free for companion card holders
Pay It Forward (Buy a ticket for someone in the disability community) – $45 +BF
Tickets via cornerhotel.com

Inclusive Event Features
Accessible signage
Auslan interpreters
Accessible website
In venue access ramps and lowered bar access
On stage lyric videos
Printed braille tickets
Sensory zone and sensory packs

Groove Tunes Facebook
Groove Tunes Instagram
Tibi Access Facebook
Tibi Access Instagram
Keli Holiday Instagram
Keli Holiday Facebook
Matilda Pearl Instagram
Matilda Pearl Facebook
Saint Ergo Instagram
Saint Ergo Facebook
Irene Zhong Instagram
Irene Zhong Facebook
Edward Roussac Instagram
March 16, 2022 0 comments
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