Previous Support For Anya Anastasia
Play on Double J Radio
Top 20 Three D Radio – #2 Most Played
“Losing Wild is a very impressive way to debut Anya’s sound, it’s soft and smooth in delivery however holds a certain level of power with it’s darker tones.” (AAA Backstage)
“The yearning in Anya’s vocals also draws you in with an eerie, bewitching charm that envelops the senses.” (Scenestr)
“Taking a bold approach to art-rock, ‘Spinning Heads’ balances fluid keys and warm guitar tones with Anya’s angelic vocals.” (Glide Magazine)
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Previous Support For Dusty
“Dusty are in a confident mood on this one, showing some angst and real talk levels that you hear from acts like Moaning Lisa!” 4 / 5
[About ‘Do You Care?’] (Declan Byrne, Triple J)
“Another strong one from this band. Lowkey ferocity to the vocals and it feels full of conviction.” 4 / 5
[About ‘Do You Care?’] (Dave Ruby Howe, Triple J)
“The track is full of conviction and punch, powerfully honest and raw in its delivery…” [About ‘Do You Care?’] (Ungrained)
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After a stunning 5,000-person sold-out Ministry of Sound Classical show in Adelaide, Ministry Of Sound are bringing their spectacular orchestral performance to Melbourne. Ministry of Sound Classical will take place on Saturday 9th April, 2022 at the summer season activation venue Reunion Park, celebrating under a big top at Yarra City’s iconic Burnley Circus Site with special guest vocalists Zoë Badwi, Ben Woolner from SAFIA, ‘Dreams’ vocalist Reigan and Karina Chavez, supported by Touch Sensitive, Dirty South, Goodwill, John Course and more.
Ministry of Sound Classical delivers a stunning session of spine-tingling moments as you relive biggest dance music anthems surrounded by music lovers, reimagined by an orchestra and incredible live vocals.
Ministry of Sound Classical features an all-new set list with the most loved tracks from the biggest decades of dance music, right through to today. Well-loved classics from Robert Miles, Underworld, Cafe del Mar, Moby, Laurent Garnier and Shapeshifter will take audiences to new heights, alongside a slew of freshly reinvented versions of Röyksopp, Robin S, Basement Jaxx and The Temper Trap to name but a few.
As the most trusted name in dance music for three decades, Ministry of Sound continues to celebrate its 30-year anniversary with a series of unforgettable events. Originating as a London club in 1991, Ministry of Sound has grown to be one the biggest electronic music brands in the world, taking in a record label, global touring brand and trusted curators of decades of dance floor memories including the ubiquitous Ministry of Sound Annual and Sessions compilations.
Don’t miss your chance to be a part of these spectacular events! Final tickets are on sale now via https://www.
Reunion Park, Saturday 9 April 22, 2pm
Special guest vocalists Zoë Badwi + Ben Woolner (SAFIA) + Reigan + Karina Chavez
Supported by Touch Sensitive + Dirty South + Goodwill + John Course + Sunshine + Pete McNamara + Mark Pellegrini
The Bluesfest site experienced flash flooding during the Northern Rivers rain event earlier this week.
Thankfully, our event site area where the music occurs escaped and did not have major flooding. “Some car parks and camping grounds did experience flash flooding but the water is subsiding quickly,” Bluesfest Director Peter Noble said.
The load-in continues, the tents are ready to be raised, and with less than two weeks to go before we open our gates, the forward weather report is good, with plenty of sun forecast daily. We are optimistic that our grounds will dry out, and our site will be ready to welcome you.
Bluesfest lovers please note, ALL our stages and food halls will be under big canvas tent tops.
“REST ASSURED – BLUESFEST IS ON – AND WE CAN’T WAIT TO SEE YOU”
We look forward to welcoming you to the greatest gathering of Australian artists in the history of Australian Music, plus some very special international guests.
Here is our Bluesfest 2022 Playing Schedule. See who is playing: on what day, on which stage and at what time!
START PLANNING YOUR BLUESFEST ADVENTURE NOW.
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Bluesfest will take place over 5 days from Thursday 14th April to Monday 18th April 2022 at the Byron Events Farm, Tyagarah, NSW, AUSTRALIA.
All ticket options plus camping, parking and VIP are on sale now via the Bluesfest website.
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Today, Donny Benét, the Sydney-based composer – hailed and panned by critics as “Prince on a serious budget cut” – unveils his new EP, Le Piano, via Dot Dash Recordings / Remote Control Records, alongside new single ‘Cappuccino‘. The EP arrives hot on the heels of a 13-date US and Canada tour, which saw the self-professed “adult entertainer” captivate his evergrowing audiences in New York City, Los Angeles, Chicago and more.
Composed and recorded entirely by himself at the renowned Donnyland Studios in 2021, Le Piano sees Benét masterfully utilise vintage synthesisers and drum machines to present his views on life, love and relationships through the power of song. Of the project, Donny shares: “I wanted to create a short EP of instrumentals reflective of the music that has helped me navigate touring life, and life at home for the past years. For me, I really enjoy the headspace that instrumental music can put you in. You can listen to it in any environment with any degree of commitment. It can be something you listen to on the train, plane, something to have on while you’re doing your chores, working from home, working out or just something to bop along to. As mentioned in past interviews I’m very taken by Japanese artists Hiroshi Yoshimura, Yoshio Suzuki and Ryuichi Sakamoto. Side B of the record is influenced by the effect that these artists have had on my musical approach. Side A is a tip of the hat my love of 12′ funk/city pop/disco instrumentals.”
Speaking to ‘Cappuccino‘, Benét notes: “’Cappuccino’ was a half-finished B side left over from The Don. It sat alongside Beneath the Sheets, a bonus instrumental from The Don. I’d always wanted to release it and revisiting it whilst writing the EP gave it a chance to get a fresh lease on life. Creamy, sweet and strong – I hope you like ‘Cappuccino’”.
It is preceded by the project’s title-track: an intoxicatingly groovy instrumental piece paying homage to, and influenced by, Benét‘s love of funk, city pop and disco.
Donny Benét will be bringing his enigmatic live show to Sydney’s The Factory Theatre on Saturday 9 April and Melbourne’s 170 Russell on Friday 29 April, before heading off on a 23-date tour of Europe and the UK. Tickets are on sale via www.donnybenet.com
Buy / Download Donny Benét – Le Piano: https://donnybenet.lnk.
Donny Benét – UPCOMING SHOWS
2022 AUSTRALIA DATES
Saturday 9 April – Factory Theatre, Sydney NSW – Tickets
Friday 29 April – 170 Russell, Melbourne VIC – Tickets
2022 EUROPE & UK DATES
Tuesday 3 May – Nouveau Monde, Fribourg, CH – Tickets
Wednesday 4 May – Exil, Zurich, CH – Tickets
Thursday 5 May – Milla Club, Munich, DE – Tickets
Friday 6 May – Slovak Radio Building, Bratislava, SK – Free Show
Saturday 7 May – Futurum Music Bar, Prague, CZ – Tickets
Monday 9 May – Lido, Berlin, DE – SOLD OUT
Tuesday 10 May – Loppen, Copenhagen, DK – SOLD OUT
Wednesday 11 May – Musikens Hus, Goteborg, SW – SOLD OUT
Thursday 12 May – Blaa, Oslo, NO – Tickets
Friday 13 May – Fasching, Stockholm, SW – Tickets
Saturday 14 May – Plan B, Malmo, SW – Tickets
Sunday 15 May – Hafenklang, Hamburg, DE – Tickets
Tuesday 17 May – Gebaude 9, Cologne, DE – Tickets
Thursday 19 May – The Hope And Ruin, Brighton, UK – SOLD OUT
Friday 20 May – Hare and Hounds, Birmingham, UK – Tickets
Saturday 21 May – Yes, Manchester, UK – SOLD OUT
Sunday 22 May – Opium, Dublin, IE – Tickets
Tuesday 24 May – Broadcast, Glasgow, UK – Tickets
Wednesday 25 May – Headrow House, Leeds, UK – Tickets
Thursday 26 May – The Dome, London, UK – SOLD OUT
Friday 27 May – Botanique, Brussels, BE – SOLD OUT
Saturday 28 May – Paradiso Noord, Amsterdam, NL – SOLD OUT
Sunday 29 May – Badaboum, Paris, FR – Tickets
Hailing from Sydney, Australia, Benét’s 2011 breakthrough album Don’t Hold Back confused and intrigued many, establishing him as a cult figure in the Australian music scene. Benét‘s piece de resistance came in his fourth album, The Don, featuring the breakthrough single ‘Konichiwa’.
An unexpected invite to the Pohoda Festival (Slovakia) in 2018 allowed Donny to embark on his first European headline tour. Returning for a further 4 sold-out tours, Donny had now established a new fanbase in Europe. 2019 saw Donny open for Mac DeMarco in the US and after blowing away audiences he returned in 2020 for his first headline tour.
In between his frenetic touring schedule, Donny wrote and recorded his acclaimed follow-up album Mr Experience, which was released in 2020. Unable to tour, the album was filmed as an online concert, Live Experience. An accomplished bassist, Donny is joined by his band of professionals, The Donny Benét Show band when performing live.
Donny has toured Australia since 2011 and Europe/US from 2018, regularly selling out headline shows and performing at festivals including Rock Werchter, Down the Rabbit Hole, Pohoda Festival, Valkhof Festival, Plissken Festival, Sydney Festival, Darwin Festival, Vivid Festival, Adelaide Festival, MONA FOMA, Panama Festival, Yours and Owls, and Big Day Out.
Off the back of a jam-packed single launch party at Frankie’s Pizza last night, Big Twisty & The Funknasty share their new single ‘Slave To The Funk’, a funk anthem which embodies everything the Twist is about: booty shakin and getting down. The track comes with an energetic video filmed around Wollongong/Kiama, NSW.
Big Twisty & The Funknasty are arguably one of the hottest upcoming funk/hiphop act in Australia right now. Whipping crowds into a funk frenzy across the country with their explosive, 10-person live show, they are here to open up your mind, free your body and have a funkin’ good time.
Produced by Jack Nigro at The Grove studios, ‘Slave To The Funk’ is a fusion of old school funk and 90’s Hiphop with huge singalong chants, brain busting bass riffs, soulful organ, and an aggressive rap flow. This song speaks to how you can’t escape the funk no matter how hard you try, so surrender your body and get those hips shaking.
Since the formation of the band in 2019, Big Twisty & The Funknasty have wasted no time in developing their live act, appearing on numerous support tours with the likes of Dune Rats, the Vanns and Ocean Alley. Following the release of ‘King Is Back’, ‘Pickup Truck’ and ‘Pussycat’, the crew took off on their own headline tours supporting each single and selling out all shows across the east coast of Australia. Big Twisty & The Funknasty are no strangers to the big stage, having played Yours and Owls festival and Beyond the City.
As the band prepare to play the Australian Grand Prix next week, watch this space for more exciting Big Twisty & The Funknasty news! Bring the FUNK!
Big Twisty & The Funknasty
– ‘Slave To The Funk’
Out now through Mushroom
Listen here
Over 30 artists from the DJ Mag Top 100 – Line Up Phase 2 of the AIRBEAT ONE Festival presents DJ superstars en masse!
The anticipation for “Bella Italia” in Mecklenburg-Vorpommern is growing day by day. From 06 – 10 July 2022, the Neustadt-Glewe airfield will be transformed into an Italian festival village. For the 19th edition of the AIRBEAT ONE Festival, the colors and the gigantic pyro show will shine in green, white and red. A true firework of DJ superstars also delivers the Line Up Phase 2 of Northern Germany’s largest electronic music festival, which is now announced.
Over 30 artists from the DJ Mag Top 100, the world’s most important DJ ranking list, are already confirmed. Seven DJs from the Top 10 alone will be on the gigantic Mainstage: Afrojack, Armin van Buuren, Dimitri Vegas & Like Mike, Don Diablo, Oliver Heldens, Steve Aoki, Timmy Trumpet! With DJ Snake, NERVO, Tiësto, Bassjacker, Danny Avila, Mariana BO six more Top 100 members join the already fixed Mainstage players around 3 Are Legend, Kygo, Marshmello, Vini Vici, W&W, Will Sparks and Yellow Claw. Neelix and the Ostblockschlampen present the German artists on the Mainstage.
In 2022, the new techno arena will finally be inaugurated at the 19th AIRBEAT ONE Festival, the Arena Stage! And for this premiere two sensational stage hosts could be arranged. On Thursday, Boris Brejcha and his “fckng serious brand” will take the reins. On Friday and Saturday it will be colorful and extravagant. With elrow the probably most famous, most colorful and most bizzare Spanish Electro-Dance party export presents itself in Neustadt-Glewe. With Charlotte de Witte, Claptone and Fisher, three Top 100 DJs are also at the start here. Kölsch, Mark Knight and Vintage Culture join the already announced elrow artists around Camelphat and Paul Kalkbrenner in Line Up Phase 2.
The Terminal Stage will also feature some of the stars of the DJ Mag ranking, including Fedde Le Grand, the Dutch house DJ, Lost Frequencies the renowned Belgian DJ and producer, MORTEN, the famous Danish DJ, Nora en pure, the Swiss house DJane and producer, Sunnery James & Ryan Marciano, the famous Dutch DJ duo and VIZE, the slaphouse creators and chart toppers from Germany. The German DJ team of Alle Farben and Robin Schulz is joined by Gestört aber GeiL, Lari Luke, Lexy & K-Paul, Anstandslos & Durchgeknallt and 9PM hit remake producer TOPIC. Lucas & Steve, Dillon Francis, DJ Lidsba, EDX, HUGEL, MALAA, The Stickman and Zeds Dead close Line Up Phase 2 at the Terminal, for which Ofenbach and Tchami were already fixed.
Hardstyle fans can also rejoice, as the takeover of global hard music player Q-dance has already been announced. With Angerfist, Brennan Heart and Miss K8 three acts of the Top 100 were already fixed. Also of huge importance for the hardstyle performance are Adaro, the Dutch hardstyle DJ, Audiotricz, the hardstyle duo, Coone, the Belgian hardstyle DJ, as well as D-Block & S-te-Fan, the Dutch hardstyle duo. They will be joined by Dr. Peacock, Frequencerz, Keltek, Noisecontrollers and Zatox. Psyko Punkz, Ran-D, Rebelion, Sefa, Sound Rush, Sound Rush & Atmozfears pres. 2^1, Sub Zero Project and TNT make the second line up announcement on the new Gladiator Stage complete. Here D-Sturb, Headhunterz Radical Redemption, Warface and Wildstylez were already fixed. And for the pre-opening in the Main Circus on Wednesday icons of the Harder styles in Music like Paul Elstak, Code Black, Deadly Guns, Jeborer and Korsakoff are ready.
A new reputation also surrounds the Second Stage, which from AIRBEAT ONE Festival 2022 onwards will be dedicated to the Indian Spirit Festival, thus opening its arms to and welcoming a whole new breed of artists. The spectrum from now on includes Goa and PsyTrance as well as Trance artists. So the stage will be played by PsyTrance stars like Ace Ventura, Alpha9, Aly & Fila, Andrew Rayel, Animato, Astrix, Avalon, Ben Nicky, Berg, Blastoyz, Bliss, Bubble, Captain Hook, Claudinho Brasil, Fabio Fusco, Ghost Rider, but also absolute Trance legends like Cosmic Gate, Cosmic Tone, Ferry Corsten, Markus Schulz, Morten Granau, Phaxe and Sander van Doorn (presents Purple Haze) are in the line-up.
Tickets for the AIRBEAT ONE Festival 2020 are available at tickets.airbeat-one.de. Currently the “3-Day Regular Ticket – Full Weekend” is available in pre-sale phase III for 159,99€ plus fees. The “3-Day VIP Full Weekend Pass” is still available in pre-sale phase I for 199,99€ plus fees. The VIP Gold Pass costs 1199,00€ plus fees for 3 days. The Pre-Opening Pass for Wednesday is available for 34,99€ plus fees. Day tickets are available from 79,99€ plus fees. Currently, there are still spaces available on all camping options. New is the Easy Camping, where an already pitched tent in the area of the Nord Camping is ready for the visitors. That gives it inclusive tent already starting from 199,98€.
Video link Line Up Phase 2 Trailer:
AIRBEAT ONE 2022
Line Up Phase 2
Mainstage:
3 Are Legend
Afrojack
Armin van Buuren
Dimitri Vegas & Like Mike
DJ Snake
Don Diablo
Kygo
Marshmello
NERVO
Oliver Heldens
Steve Aoki
Tiesto
Timmy Trumpet
Vini Vici
W&W
Yellow Claw
Mainstage Support:
Bassjackers
Danny Avila
Mariana BO
Neelix
Ostblockschlampen
Will Sparks
Arena FCKNG Serious Thursday:
Boris Brejcha
Arena by elrow – Friday & Saturday:
Charlotte de Witte
Camelphat
Claptone
Fisher
Kölsch
Mark Knight
Paul Kalkbrenner
Vintage Culture
Terminal Headliner:
Alle Faben
Dillon Francis
Edx
FEDDE LE GRAND
Flux Pavillion
Gestört aber geil
HUGEL
LARI LUKE
Lost Frequencies
Lucas & Steve
Malaa
Moksi
Morten
Nora en pure
Ofenbach
Robin Schulz
Sunnery James & Ryan Marciano
Tchami
TOPIC
ZEDS DEAD
Terminal Support:
ANSTANDSLOS & DURCHGEKNALLT
DJ LIDSBA
LEXY & K-PAUL
THE STICKMEN
VIZE
Gladiator Stage Q-dance Takeover:
Adaro
Angerfist
Audiotricz
Brennan Heart
Coone
D-Block & S-te-Fan
Dr. Peacock
D-Sturb
Frequencerz
Headhunterz
Keltek
Miss K8
Noisecontrollers
Psyko Punkz
Radical Redemption
Ran-D
Rebelion
SEFA
Sound Rush
2^1
Sub Zero Project
TNT
Warface
Wildstylez
Zatox
Arena Pre-Opening – Main Circus:
Paul Elstak
Code Black
Deadly Guns
Jebroer
Korsakoff
Second Stage hosted by Indian Spirit Festival:
Ace Ventura
Alpha9
Aly & Fila
Andrew Rayel
Animato
Astrix
Avalon
Ben Nicky
Berg
BLASTOYZ
Bliss
Bubble
Captain Hook
Claudinho Brasil
Cosmic Gate
Cosmic Tone
Fabio Fusco
Ferry Corsten
Ghost Rider
Markus Schulz
Morten Granau
Phaxe
Sander van Doorn
There are so many different music-listening devices on the market these days, from earbuds to full-blown surround sound systems. Because there’s so much choice, it can be hard to know which one’s right for you. Do you want a small and portable device that you can take anywhere? Or do you prefer a larger system that will give you better sound quality? In this article, we’ll discuss 4 of the most popular music-listening devices and how to get the most from them.
1. Record Players
Record players were once the most popular way to listen to music. While they’ve been replaced by other devices in recent years, they’re making a comeback. They work by playing vinyl records that have grooves on them -and the needle of the player follows them. This creates a unique (‘more live’) sound that many people prefer over digital (‘more sterile’) music.
Record players require more maintenance than other devices as the needle can get dirty and worn down over time. You’ll also need to buy vinyl records to play on them, which can be expensive (unless you find secondhand ones). Finally, record players aren’t the cheapest option, although the prices are coming down. However, they can provide a unique listening experience that you won’t get with other devices.
Additional Resources
If you’re considering investing in one, check out some of the specialist websites on the internet. The popularity of toprecordplayers.com demonstrates peoples’ desire to find the best record players and reviews, and comparisons of top turntables. Folks want to access buying guides for portable record players, plus floor speakers and headphones for vinyl. You can also discover tips and advice on turntable noise, pitch adjustment, and issues with needles or volume.
2. CD Players
CD players are becoming less common these days, due to the advent of streaming apps like Spotify. They work by playing discs that have music encoded on them. CD players usually come with a built-in amplifier and speakers, making them a great option for people who don’t want to use Bluetooth or wifi. Many modern versions will resume playing where you left off last time.
Make sure you always keep your CDs in good condition as they can become scratched over time. You should also try not to play them too loudly as this can damage the speakers. Finally, consider investing in a CD player with a remote control so you can change the track or volume without having to get up.
3. Bluetooth (Smart) Speakers
Bluetooth speakers are a type of audio speaker that allows you to wirelessly play your music from your phone or other devices. They come in a variety of shapes and sizes and have many different features, such as the ability to connect multiple devices at once.
Make sure you connect the speaker to a power source and try to keep it in an open space as this will improve the sound quality. Some speakers (such as Sonos) allow you to calibrate the sound EQ according to the room that you’re in. As with CD players, playing your music too loudly can damage the speaker.
4. Headphones And Earbuds
Headphones are a type of audio device that allows you to listen to your music privately. They’re ideal for use around the house (especially the wireless versions) or when jogging. If you want to use them for listening to music while you work, noise-canceling headphones would be a good option. Secondly, make sure you keep them clean by using a soft cloth to wipe them down every once in a while. Thirdly, only play them at a volume that is safe for your ears. Finally, take care of the headphones’ cords by coiling them up properly and keeping them away from heat sources.
Earbuds are a type of headphones that fit inside your ear canal. They’re small and lightweight, making them a good option for people who want to listen to their music on the go. Earbuds come in both wired and wireless varieties, and many come with built-in microphones so you can take calls without having to remove them from your ears. They need looking after in similar ways to standard headphones. If you plan on using them while working out, however, choose earbuds that are designed for use during physical activity.
Hopefully, you’ve learned a little more about these major examples of music-listening devices. By looking after them properly they’ll perform at their best for the longest time possible. You’ll be able to enjoy your music for many years to come, thanks to the wonders of modern technology.
Where are you currently based?
Jaeden: Brisbane, but originally we’re all coastal kids from the Sunny Coast all the way down to Coffs Harbour!
How did you first start playing music?
Jaeden: I started guitar when I was 5. As a teenager I did open mics where I started singing… I got into programs such as T.D.P (Syd) and from those I started playing at conferences through the education department. Travelling up and down the East Coast for those really got me into the life of a professional musician, and it all sort of rolled on from there!
India: I was brought up with music constantly playing around the house and as a toddler my parents would set up pots and pans from the kitchen and create a makeshift drum kit for me with chopsticks as the drum sticks. Then over time I picked up my dad’s acoustic guitar, started lessons and then found a love of bass through playing my grandads old 70’s Fender Jazz and I was hooked!
Jono: I started playing piano when I was 8 and then eventually wanted to learn instruments like guitar and bass when I was a bit older. I only really started playing drums when I was 15.
How did Reckless Coast form?
Jaeden: I started the band when I came to Brisbane with a few mates who only stayed on for a bit… that’s when I met India and we really hit off, just with the same goals and inspirations…
India: I saw Jaeden made an ad looking for a bassist and drummer, the first time I saw it I didn’t respond and thought “if it’s meant to be, I’ll see it again.” A few days later he posted a different ad and I saw it again so responded. We had a jam session just guitar and bass and hit it off instantly.
Jaeden: Our drummer then left to pursue other avenues in Melbourne late 2020, and that’s when Jono jumped on board… I didn’t even know he was a drummer ahahaha, but we were good mates and jammed… turns out he’s a mad man on the skins and so here we are!
Jono: Bit of a long story on how we all became friends to be honest. I have known Jaeden for approx 3-4 years just because I used to do sound for the band for work before I joined. Both myself and Jaeden’s projects would end up on lineups together because of our similar styles. So we saw a lot of each other. Eventually we just caught up for a beer and he mentioned that Vann (the previous drummer) had moved and I was keen to play some drums again and here we are.
What’s been happening recently?
India: We’ve been in the studio with producer Cody McWaters (King Stingray, Selfish Sons, The Chats) recording new songs, getting ready for the tour and workshopping another batch of new tunes that I’m so excited to share in the near future!
Your latest single ‘Do You Want Me’ will be out on April 8, what influenced the sound and songwriting?
Jaeden: I was working at a pub at the time, and was very much tired of the same ol nonsense. One shift in particular I was just over it… too much to do, not enough help, even less motivation and I remember thinking of how much I just wanted to do music rather than this job and the thoughts that went through my head during that shift pretty much wrote the song.
Sound wise, the riff came out with a pub rock vibe… which is funny considering the song’s inspiration. I wanted a tune with pumping, energetic ferocity, so the vocals are almost preaching in their delivery. So it didn’t feel like a re-hashed Oz Rock track though, I added a euphoric, almost relieving chorus (plus a few other elements).
What does this track mean to you?
Jaeden: Just a blatant question to life I guess hahaha. For me, it’s for anyone who feels like they’re getting nowhere and are at that point of questioning whether to keep going or what the hell are they doing it for… it’s a song for that moment haha
India: To me this song is special because it ties in our old school rock inspiration but with a modern edge. Lyrically, it makes you think about what you want but in a ‘zero f**ks given’ type of way!
Jono: To me it’s kind of a transition from the old school style of the band to the new stuff we have coming out.
Where and when did you record/produce/master and who with?
Jono: As India mentioned before, Cody McWaters recorded and mixed this track. Matthew Gray mastered the track.
How did you approach the recording process?
Jono: Before we hit the studio I threw some demos together and sent them to Cody and he made some notes and we did some pre-production to polish the track off. We tracked the drums at Jeff Lovejoys studio in Moorooka and recorded the rest at Hunting Ground Studios.
India: Our recording process runs so smoothly with Jono and Cody. We also don’t limit ourselves to making changes on the day of recording, giving us more creative freedom in the process.
Any tours coming up?
India: We have an east coast tour coming up, shows ranging from the Sunshine Coast down to Sydney and the Central Coast area, and on our way back north will play Gold Coast and a Brisbane show too!
What do you find most rewarding and challenging whilst being on the road?
Jaeden: The most rewarding thing is meeting people you would’ve never met if you just sat around in the same town… every tour I always get excited about who I might meet, or who I’m gonna see again.
India: I agree, the rewarding part is meeting new people and seeing them light up when you play. Challenging part is probably just the change in sleep schedule. But nothing too bad! I’m always grateful to just tour and take in the highs and the lows. It’s all part of the fun.
Jono: Yeah same. I love meeting new people. I haven’t been to the towns we are going to to play shows so I am excited.
What spots do you like playing and where do you want to play?
India: I loved playing NSW for the Curious Affection tour. They’re super chill but always ready to jam out to rockier music like ours. I would love to play the UK though, I’d happily tour there ASAP.
You’ve changed your band name, why the change?
Jaeden: After we released our last single “TALK” we realised we were a much more refined band. It was a new era for us and we wanted to let people know we were serious about it all… plus the old name Rude Rum didn’t portray us properly musically or as individuals.
We’re three coastal kids who love a good rock show so Reckless Coast was a perfect fit.
What are you looking forward to in this new era as a band?
India: I’m really looking forward to releasing more music that is currently being written and workshopped. As Jaeden said, we’re much more refined now. We know exactly what we like, what we want and we’re more than ready to do it!
Who are you listening to at the moment?
Jaeden: I’ve been on a mad Frank Carter & The Rattlesnakes binge haha hooked on the drive that band puts out… and I’ve also just got into Amyl and the Sniffers too! Just diggin their style of raw energy.
India: Recently I’ve been listening to a lot of Hot Milk, and for some reason a lot of early 2000’s rock, and nu-metal? Just revisiting the modern classics!
Jono: Sly Withers, Polaris, Ruby Fields. I also get around local bands like Verum, Ben Tenison, Annoying Neighbours, Patient Lounge, Brixton Alley and Space Flamingo.
What do you like to do away from music?
Jaeden: I love cooking, especially things from scratch like flatbreads, dumplings, burgers… I’m vegetarian too and I love figuring out creative ways to make alternate versions of things
India: If I’m not playing music I’m doing something creative, whether that’s designing gig posters for artists or promotional assets for other band’s releases. Brain constantly thinking of what I can do next!
Jono: I love basketball and Fishing. My career at the moment is entirely based around music which is awesome. But I try and do other things in my down time.
What’s planned for 2022?
Jaeden: more music, more shows, and just rad things in general… we want to do some extra content that’s a little off the track, but just to have something fun for the fans to engage with.
Favourite food and place to hangout?
Jaeden: Currently… dumplings… gawd damn love those things
Recently found a rad secret bar called Cindy Chows which I believe was inspired by Shanghai speakeasy bars of the 1920’s… feels so exclusive.
India: My favourite food will always be anything Italian. I love Cindy Chows too! I much prefer the more hidden and low key hangouts than the hustle and bustle locations nowadays.
Jono: Been loving Italian at the moment as well. Also been loving sashimi for some reason,
Photo by: Lachlan Connor
Sydney’s Taylor B-W is back with a new slice of indie/R&B in ‘In Ur Net’, a fresh and vibrant cut from the artist who has been continuing to grow her body of work over the last year and a half.
When it comes to Taylor’s work, listeners are presented with music they can vibe out to in any club or party setting; while also being served lyricism that is personal, relatable, tackling a full spectrum of emotion.
‘In Ur Net’ continues this tradition for Taylor: it’s a song that presents as a crisp fusion of R&B, Reggaeton and contemporary pop music and beneath, there exists songwriting that pulls the listener in a direction marked by depth and impact.
A song about getting lost in obsession and lust for someone who doesn’t deserve it, ‘In Ur Net’ covers feelings of emotional entrapment and the all-encompassing overwhelming feelings that can come with it. For this project, Taylor worked with producer Liam Quinn at Alexandria’s Ralph Street Studios to get ‘In Ur Net’ just right.
“Like most of my songs, ‘In Ur Net’ is a fun, danceable pop song on face-value, however, behind the shininess, I delve into something deeper. This song is my take on how obsession and desire for someone can transform into delusion and mania.
‘In Ur Net’ is for anyone who has experienced an uncontrollable obsession and lust for someone who they know doesn’t deserve them. It’s like you are stuck in deep water, trying to swim up to the surface, but something keeps sucking you deeper and deeper, giving you tunnel vision.”
TAYLOR B-W
Sonically, ‘In Ur Net’ sees Taylor moving into territory where we can hear the likes of Mabel, Dua Lipa and The Weeknd all coexisting; music made with attitude and no fear of blending genre and time with intensely personal narrative perspectives.
For the music video, Taylor worked with filmographer Desmond Hoo around different areas of Sydney’s inner west including Sydney Park and Newtown.
“I came across Desmond Hoo’s work randomly while flicking through Instagram and I reached out to him to see if he would be interested in collaborating on my music video. I sent him a Pinterest mood board and an extensive YouTube playlist with videos that emulated my vision.
Des had a really fresh take on my initial vision, by delving into the sentiment behind my lyrics. He wanted to create an intimate ode to the cataclysm that is love, an anthem for those who get caught in love’s web. With a series of carefully composed frames we feel a claustrophobia between me and my partner – without the camera ever revealing the partner’s face. I’m caught in his orbit, unable to let go.”
TAYLOR B-W
Following on from 2021’s ‘I’m So Broke’ and ‘Nunchucks’, Taylor steps up once again as a strong addition to the current wave of Sydney Pop/R&B voices turning heads.
PRAISE FOR TAYLOR B-W
“Taylor’s delivered another belter of a chorus here that has an octopus-like grip on you by the end.”
Triple J, Declan Byrne (‘I’m So Broke’, 2021)
“She has quickly established her penchant for crafting tracks that feel simultaneously dynamic and well thought-out; they’re always bursting at the seams with explosive energy, but never sacrifice musical acumen.”
Happy Magazine
“Taylor B-W is combining modern electro-pop influences with the nostalgia of ’90s hip hop and R&B to create bouncy, playful tunes that speak to you on both a physical and emotional level.”
Like Velvet
Taylor will be performing a special free show as part of Great Southern Nights this April in Newtown – a perfect opportunity to reconnect and catch ‘In Ur Net’ live!
TAYLOR B-W LIVE
Friday 8th April Cooper’s Hotel Newtown
Free Entry
PLAY/LISTEN
‘In Ur Net’ is out now.
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
Mia Lovelock, an Australian musician, captures our attention with a lovely new single titled ‘Winter Comes,’ which features her soulfully golden vocals, powerful melody, and a deep sounding instrumental, resulting in a genuinely refreshing dose of atmospheric trip-hop. As Mia reveals below, the song is about being content and focusing on the silver lining of life, and with the song’s euphoric instrumentation and meaningful lyrics, she has nailed the delivery of that message.
‘Winter Comes’ encourages us to remember the past, be strong in the present, and work together for a better future.” – Mia Lovelock We’ve been admirers of her previous work, including Last Night, which was added to Spotify’s Deadly Beats playlist and Apple Music’s FIRST playlist, and we encourage you to hit the play button on ‘Winter Comes’.
https://www.instagram.com/mialovelock/
https://www.facebook.com/mialovelockofficial
The time has come friends, an invitation to Planet Oasis is here.
The long awaited new studio record from Maitland’s Just A Gent arrives on April 21st and as the countdown to release day enters its final stretch, the acclaimed producer and DJ has announced East Coast tour dates to celebrate.
Across four dates in June and July, Just A Gent will be bringing Planet Oasis to life, with special guest Solomon France (FKA SØL) supporting at each show, with local supports to be announced.
The tour will be the first time Just A Gent has been able to bring such a conceptualised record into the live arena. Planet Oasis, a five year process that has culminated in some of Just A Gent’s strongest and most cohesive music to date, has spawned some incredible music and to think about how it will be realised at live shows?
Fans have every right to be excited.
“Planet Oasis, the dream utopia. A brand new show, a brand new vision and a newfound love for artistry and the power it can possess. Years in the making, Planet Oasis is a collection of sounds that pushes the boundaries of sonics to create an undefinable experience that will leave you questioning what is possible and what we can achieve.”
JUST A GENT
Over the last year, Just A Gent has been laying the foundation for Planet Oasis, releasing a string of popular singles highlighting some incredible collaborations with artists including Greta Stanley (‘Sleeptalking’), Arno Faraji (‘Who Would Have Thought’), Sammi Constantine (‘Trip To Mars’) and most recently on lead single ‘Don’t Wait For Me’ (featuring Lani Rose).
“I put everything I have into this record. I collaborated with my favourite creatives to bring it together. I hope it inspires you to do more and I hope that together we can build an even better world for the next generations. An oasis, Planet Oasis.”
JUST A GENT
Planet Oasis represents the natural evolution of Just A Gent as a producer, yes, but it also marks a turning point for him as a creative. With a career that has already racked up over 200 million streams, Just A Gent has never taken a moment to rest on his laurels. Instead, he has been driven by the desire to keep chasing a new sound. Planet Oasis, with its sonic weaves, and ‘Don’t Wait For Me’ arriving as its latest turn, is the culmination of ambition meeting challenges, resulting in a defining final product.
PRAISE FOR JUST A GENT
“The collaboration with Western Australian up and coming hip hop firebrand Arno Faraji sees the two enforcers meet in the middle of their distinct sonic worlds. The execution is perfect…”
Purple Sneakers (‘Who Would Have Thought’, 2022)
“This is the ‘Super Rich Kids’ of 2022 and I love it.”
Triple J, Declan Byrne (‘Who Would Have Thought’, 2022)
“Buying a one way ticket to whatever tropical location Just A Gent is going to. Such a slick, spacey groove.”
Triple J Unearthed, Dave Ruby Howe (‘Island Fever’, 2021)
“Magic! Swept up in it all.”
Triple J, Claire Mooney (‘Swallowed Up’, 2021)
“Just A Gent has an uncanny ability to blend hypnotic future bass and booming trap under a melodic umbrella.”
EDM.com
“…the artist has found a unique styling that only he can purvey.”
Dancing Astronaut
Tickets are on sale now, with Sydney fans able to access a special pre-sale bracket where they will be able to get their hands on an exclusive cut track from Planet Oasis and some more goods!
JUST A GENT AUSTRALIAN TOUR DATES
More special guests to be announced
Friday 24th June Manning Bar Sydney
Pre-sale Access
Friday 1st July The Brightside Brisbane
Saturday 2nd July Howler Melbourne
Planet Oasis is released April 21st
Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
Mia Lovelock is excited to release her latest single Winter Comes on the 30th March 2022. Through rhythm, melody, and language, Winter Comes reflects on past crimes and shines light through growing awareness. This song is about the fragile nature of sovereignty, the scars of stolen generations, and the beauty of healing in a place that’s always been home.
The production on Winter Comes is inspired by ’90s Trip Hop and driven by relaxed downtempo beats. Reflecting acts like Massive Attack and Portishead, Lovelock merges acoustic and electronic vibes to tell a story that is close to her heart.
Lovelock believes in the power of music. “Winter Comes is about unity, healing and sovereignty for First Nations people. Bringing awareness to recognise the past, stand strong in the present, and work towards a future to unite.”
Mia Lovelock is performing at Torch Fest in Sydney on April 2, 2022. Taking place at The Factory Theatre in Marrickville, her performance will combine music, art, and fashion, featuring her own wearable art designs. Lovelock’s music will be set against a backdrop of live painting, models, dancers, and a DJ set. Torch Fest is a mental health music festival presented by Listen Up Music.
The artwork that Lovelock will create live on stage at Torch Fest will be up for silent auction at the festival, with all proceeds going to the mental health music charity Listen Up Music.
About Mia Lovelock
Mia Lovelock has a diverse range of skills as a musician, artist and fashion designer. She spent her childhood years in Arnhem Land and Papua New Guinea and shares an indigenous heritage with the Taungurung people of central Victoria.
Lovelock creates soulful music inspired equally by traditional folk and modern electronica. She launched her debut single Endure at the end of 2020. This beautiful song captured the attention of music lovers and reviewers from across Australia. Since then, she has also released The Game and Last Night, gaining positive support and airplay on Triple J — Australia’s national radio network.
Last Night made it onto Spotify’s Deadly Beats playlist, and was also added to the Apple Music playlist FIRST.
Away from music, Lovelock has created a fashion label and exhibited work as a visual artist. Her wearable art pieces have been featured in USA publications Elegant Magazine, SALYSE, and Prolific, and her visual art has been featured on the ABC TV series Black Comedy.
As the latest chapter of her story, Lovelock’s new single Winter Comes helps us to recognise the past, stand strong in the present, and work together for a shared future.
https://www.instagram.com/mialovelock/
https://www.facebook.com/mialovelockofficial
+ special guests Kamasi Washington (Melbourne/Auckland only) & Mildlife
Tickets on sale Friday 1 April
Performing their biggest headline shows in Australia and New Zealand to date, Houston, Texas psych-funk auteurs Khruangbin will bring their First Class Tour to Fremantle, Sydney, Melbourne, Brisbane and Auckland in November/December 2022.
Last here in 2019, the acclaimed three-piece exist in their own orbit, their legendary live show – a mixtape of surf-rock cool, dubby disco and worldly funk – held down by the steady hand of drummer Donald Ray ‘DJ’ Johnson Jr, virtuosic guitarist Mark Speer, and enigmatic bassist Laura ‘Leezy’ Lee.
Live on stage Khruangbin’s electric range is performed with impeccable style, their sound rooted in globetrotting. With three studio albums to date – debut The Universe Smiles Upon You, 2018’s Con Todo El Mundo, and 2020’s Mordechai– tracks such as ‘Dern Kala’ , ‘Maria También’ and ‘People Everywhere (Still Alive)’ have become live anthems for their many fans, no mean feat for a largely instrumental group. 2021’s Mordechai Remixes featured re-imaginings by Kadhja Bonet, Soul Clap, Quantic, Harvey Sutherland, and more.
Sonic instrumental world-builders, Khruangbin’s sound is meticulously constructed and universally adored. Praised by The New York Times, Billboard, Los Angeles Times, FADER and more, they regularly sell-out multiple nights at iconic venues worldwide – from The Greek in Los Angeles to London’s O2 Academy Brixton – possessing a live show not to be missed, as attested by two recent reviews:
‘Khruangbin treated the audience to a dazzling 20-minute encore, song after enthralling song. Nearly all audience members were either swaying or dancing the entire set. If you ever have a chance to see Khruangbin live, don’t miss it!’ – utahmagazine.com
‘Drawing inspiration from Thai funk, Jamaican reggae, Asian pop, and American Funk and R&B, Khruangbin accomplishes a global sound that any music lover can appreciate’ – melodicmag.com
Joining the bill to bring light, joy and power to the Melbourne and Auckland shows is LA tenor saxophonist and bandleader Kamasi Washington. Washington’s cinematic compositions and fearless performances have inspired a whole new audience, the dynamic Washington having worked with luminaries such as Flying Lotus, Kendrick Lamar, St Vincent, Florence + the Machine, and Herbie Hancock. His breakout albums The Epic and Harmony Of Difference are interstellar trips through a rich history of Black American music.
Bringing their kaleidoscopic sound, Melbourne’s favourite groove cosmonauts Mildlife will join the bill as main support in Fremantle and Brisbane, plus open proceedings at Sidney Myer Music Bowl. The Melbourne event is presented in partnership with ALWAYS LIVE, a new state-wide celebration of contemporary live music supported by the Victorian Government through Visit Victoria.
Tickets go on sale Friday 1 April (2pm local time) via frontiertouring.com/khruangbin
Don’t miss the incredible Khruangbin performing live, this Nov/Dec!
KHRUANGBIN
With special guests Kamasi Washington (Melbourne/Auckland only) and Mildlife (Fremantle/Brisbane/Melbourne)
FIRST CLASS TOUR
AUSTRALIA & NEW ZEALAND
NOVEMBER/DECEMBER 2022
Presented by Frontier Touring, Chugg Entertainment, Penny Drop, 95bFM (Auckland show) and ALWAYS LIVE (Melbourne show)
FRONTIER MEMBERS PRE-SALE
via frontiertouring.com/khruangbin
Runs 24 hours from: Wednesday 30 March (11am local time)
or until pre-sale allocation exhausted
Pre-sale timings staggered per show, visit website for more details
GENERAL PUBLIC ON SALE
Begins: Friday 1 April (2pm local time)
Wednesday 23 November
Fremantle Arts Centre | Walyalup / Fremantle, WA
18+
oztix.com.au | 1300 762 545
Sunday 27 November
Sydney Opera House Concert Hall | Gadigal Country / Sydney, NSW
All Ages
sydneyoperahouse.com | Ph: 02 9250 7777
Wednesday 30 November
The Fortitude Music Hall | Meanjin / Brisbane, QLD
18+
ticketmaster.com.au | Ph: 136 100
Saturday 3 December
Sidney Myer Music Bowl | Naarm / Melbourne, VIC
All Ages
ticketek.com.au | Ph: 132 849
Presented by ALWAYS LIVE
Tuesday 6 December
Spark Arena | Tāmaki Makaurau / Auckland, NZ
All Ages
ticketmaster.co.nz | Ph: 0800 111 999
khruangbin.com | facebook.com/khruangbin | twitter.com/khruangbin instagram.com/khruangbin | Spotify | YouTube
kamasiwashington.com | facebook.com/kamasiw | twitter.com/KamasiW | instagram.com/kamasiwashington | Spotify | YouTube
frontiertouring.com/khruangbin
twitter.com/frontiertouring | instagram.com/frontiertouring
alwayslive.com.au | facebook.com/
Instagram: @alwayslivevic