With production details now confirmed for Tame Impala’s hugely anticipated Deadbeat Australian tour this October, Frontier Touring and Laneway Presents are pleased to announce that new tickets have been released across all dates and are on sale today, including shows previously marked as sold out.
The just-released tickets are on sale now via frontiertouring.com/tameimpala. Fans are encouraged to get in quick; these won’t last long.
Tame Impala return home this October following two massive runs of shows across North America – a 29-date itinerary kicking off in Florida this July – as well as sold-out arena nights in the UK and Europe. The band’s latest live production has been hailed as one of rock’s most spectacular live shows: a hypnotic collision of towering visuals, immersive staging, lasers, strobe lights and euphoric psych-pop anthems. “A joyous party,” praised The Times (UK), while Hot Press (Ireland) described the show as “a world-class execution of production and immersion.”
Joining Tame Impala as special guest on the Deadbeat tour is electronic artist, songwriter and producer Ninajirachi.
Don’t delay – limited tickets remain across all shows. Don’t miss Tame Impala, bringing it all back home this October.
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WATCH: Tame Impala – ‘Dracula’
TAME IMPALA
+ special guest Ninajirachi
DEADBEAT TOUR
AUSTRALIA – OCTOBER 2026
Presented by Frontier Touring, Chugg Entertainment and Laneway Presents
TICKETS ON SALE NOW
via frontiertouring.com/tameimpala
ALL SHOWS LICENSED ALL AGES
Friday 9 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Saturday 10 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Sunday 11 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Wednesday 14 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Thursday 15 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Friday 16 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Saturday 17 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Monday 19 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Tuesday 20 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Wednesday 21 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Saturday 24 October
RAC Arena | Perth, WA
ticketek.com.au
Sunday 25 October
RAC Arena | Perth, WA
ticketek.com.au
FOLLOW TAME IMPALA:
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Fresh off the success of his fourth studio album, Tragic Magic, Matt Corby returned to triple j studios last week to record his long awaited Like A Version session, a reinterpretation of Tame Impala’s new classic ‘Dracula’. Stripping the electro pop original back and reshaping into something entirely his own, Matt Corby’s Like A Version is now available on all DSPS from here.
Known for his rich, soulful sound, Corby on electric guitar, infused the cover with his Philly soul-inspired sensibilities, elevated by stunning backing vocalists and a moving guitar solo.
As Corby’s fourth entry into the Like A Version archives, ‘Dracula’ arrives on the back of a massive month for the singer, songwriter and producer. Tragic Magic, his fourth studio album, debuted at #1 on the ARIA Australian Album, #1 on the ARIA Vinyl and #3 on the ARIA Album, cementing Corby’s place as one of Australia’s most compelling and influential artists.
Tragic Magic has drawn widespread acclaim, described as “an infinitely beautiful listening experience“ by Beat Magazine and “a timeless addition to popular culture” in a 4-star review from Tyler Jenke from The Australian. Rolling Stone praised Corby’s “incredible ear for melody’ while The Music highlighted his “vocals sounding better than ever”. Beyond his unmistakable voice, Sosefina Fuamoli (The Big Issue/ABC) notes, “Each rhythm and groove on Tragic Magic feels lived in and meticulously written”.
During the Like A Version session, Matt also performed the album standout ‘War To Love’ available to watch/stream now.
Matt Corby will embark on the Australian leg of ‘The Tragic Magic Tour’ next week, kicking off in Adelaide on Wednesday June 3, followed by Perth, Melbourne, Newcastle, and Brisbane. Due to overwhelming demand a second Melbourne show has been added, with Newcastle and Melbourne first show, now sold out. In addition, Matt will perform at the Winter Wine Festival in Gerringong on Saturday June 6 followed by a free show at Vivid Sydney on Saturday June 13.
Matt Corby The Tragic Magic Tour
Special guest Gretta Ray
Friday May 29, Auckland Town Hall, New Zealand
Wednesday June 3, Thebarton Theatre, Adelaide, SA
Thursday June 4, Riverside Theatre, Perth, WA
Tue June 9 – The Forum, Melbourne, VIC ** SOLD OUT
Wed June 10 – The Forum, Melbourne, VIC
Fri June 12 – Civic Theatre – Newcastle NSW **SOLD OUT
Sun June 14 – Fortitude Music Hall – Brisbane, QLD
Festival Live Show Dates
Sat June 6 – Winter Wine Festival, Gerringong – NSW
Sat June 13 – VIVID Tumbalong Park – Sydney NSW
For all ticket and touring information here
FOLLOW
+ Thu 24 Sept | Marvel Stadium | Melbourne
+ Tickets on sale Mon 1 Jun
Dom Dolla is set to make his debut at Marvel Stadium in Melbourne on Thursday 24 September, in partnership with Untitled Group and Frontier Touring. Landing on the eve of Melbourne’s long weekend, the announcement marks an Australian-exclusive event and a landmark homecoming moment for the city.
Returning home, the GRAMMY Award-nominated DJ and producer will take the stage at Marvel Stadium in front of his home crowd for the world premiere of his brand new stadium production, in what promises to be one of the most anticipated electronic music events the city has seen.
This show follows Dom’s record-breaking debut Australian stadium performance at Allianz Stadium, Sydney in December, 2025 where Dom transformed the venue into a super-club for the night, setting a new benchmark for electronic music in this country. He continued that momentum with his headline countdown set at Beyond The Valley.
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The upcoming Marvel Stadium show will be one of the largest headline electronic shows ever staged in Australia, and follows the recent announcement of his latest US headline show set to take place at New York’s Flushing Meadows Corona Park this October.
Following a landmark close to 2025, Dom has since released new music, including ‘Addicted to Bass’ and ‘Don’t Worry Baby’ feat. Tiga, both first teased live during his recent Allianz Stadium Sydney show.
Dom’s catalogue has now surpassed 1.5 billion streams, earning him four ARIA Awards for Best Dance/Electronic Release to date and the inaugural ARIA Global Impact Award presented by Spotify. In 2025, the DJ and producer headlined two sold-out shows at Madison Square Garden to over 30,000 fans, completed a 10-week residency at the world’s #1 club Hï Ibiza, and made his film soundtrack debut with the release of “No Room For A Saint” ft. Nathan Nicholson for the highly celebrated movie “F1”.
DOM DOLLA
AUSTRALIA
SEPTEMBER 2026
Presented by Untitled Group and Frontier Touring
ARTIST PRESALE
via DomDolla.lnk.to/Melbourne
Runs 71 hours from: Friday 29 May (12noon AEST)
or until presale allocation exhausted
FRONTIER MEMBER PRESALE
via frontiertouring.com/domdolla
Runs 69 hours from: Friday 29 May (2pm AEST)
or until presale allocation exhausted
UNTITLED PRESALE
via DomDolla.lnk.to/Melbourne
Runs 69 hours from: Friday 29 May (2pm AEST)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Monday 1 June (12noon AEST)
Thursday 24 September
Marvel Stadium | Melbourne, VIC
18+
ticketmaster.com.au
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier and Untitled websites.
FOLLOW DOM DOLLA:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
frontiertouring.com/domdolla | facebook.com/frontiertouring | instagram.com/frontiertouring | tiktok.com/@frontiertouring | x.com/frontiertouring
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Photography: Jake Harm Nam
Words: Josh Ma – Photography: @JordanKMunns
There’s something fitting about Genesis Owusu returning to the Enmore Theatre, a venue he last visited with a certain infamy, having quite literally broken the floor during his previous run through Sydney. Whether that story has grown in the telling or not, it hangs in the air tonight like a dare. The crowd arrived ready to test the theory again.
The last time Sydney got a proper Owusu headline show it was at the Opera House, which felt like a statement. Tonight felt like a homecoming, sweatier, louder, and considerably less civilised. Exactly as it should be.
He enters not as himself but as the character, the pirate radio DJ, the broadcaster from the fringe. The whole set is framed as Red Star Wu’s pirate radio station, and from the jump with “Pirate Radio”, the crowd buys in completely. It’s a smart conceit; it gives the show a theatrical spine and lets Owusu move between moods and modes without it feeling scattered.
“Stampede” follows and the pit responds accordingly, with a proper head-banging opener sequence from the new record the left hand side of the enmore balcony from a 16 year old wearing his merch. Then things shift, “Waitin’ On Ya” and “Hellstar” bring some groovy, mellow warmth to proceedings, the latter bleeding between songs in a way that feels genuinely inventive. The organs on “WUTD” took the room briefly to church, pulling out an unexpected 80s glow that you didn’t know you needed. He’s got a gift for that kind of tonal whiplash, keeping you slightly off-balance, always second-guessing what’s coming next.
“Right Now Interlude” is where the room gets quiet in a different way. This is Owusu’s manifesto moment, touching on everything from the mines in Congo to Palestine, naming the weight of being alive in this particular era. It’s earnest and uncomfortable in the best possible way. Not every artist earns that space but he does. “The Worldwide Scourge” and “Most Normal American Voter” follow as a kind of political double act, and for the latter he moves into the middle of the room, surrounded on all sides, crowd closing in. It’s one of the better uses of space you’ll see at the Enmore, a venue that’s intimate enough for it to really land.
Then the switch flips again. “4LIFE” restarts the mosh, at one point Owusu shouts out Andrew Tate in the most gleefully pointed way possible, dedicating the chaos accordingly. The run from there through “Blessed Are The Meek”, “Death Cult Zombie”, “Life Keeps Going” and “Big Dog” is relentless, the band locking in tight. The KFC fans went completely feral during “Get Inspired (Remix) / What Comes Will Come”, the kind of performance that makes you stop and just watch someone do their thing.
“Don’t Need You” closes the main set, one of those choruses that has soundtracked spontaneous singalongs at every festival this summer without anyone really planning it. It’s a genuinely weird time to be alive, Owusu notes, and nobody in the room seems to disagree.
The encore brings things back to the pirate radio conceit, a reminder of the community this whole thing has been building. ONE4ALL does exactly what the title promises, before he closes the night with “Leaving the Light”, a song that somehow makes a room full of sweaty, wrung-out people feel completely still.
Genesis Owusu is one of the most genuinely interesting performers this country has produced, and tonight at the Enmore was a reminder of exactly why.
The floor held. This time.
How would you describe where you’re at musically right now, and what led you there over the course of making this EP?
I’ve leant much further into a pop soundscape with this project, as I think is evident with the singles I have been releasing over the last year. This sound evolved partly from the collaboration of working with my co writer/producer Cam, as this sonic world is clearly a strength of his. The music naturally arrived in the overlap between my indie/folk influences and his talent for creating a pop banger.
What did your recording process actually look like day to day?
I was usually only in Sydney for two days at a time — so quite rushed, but a lot of fun.
I’d land on a Saturday morning, grab a coffee with Cam & resident studio dog Wookie, and head straight to the studio, only really emerging for coffee or dinner and often returning after dinner to finish up pretty late. Then it was back in the studio to do the last of the vocals Sunday morning — come nightfall, I was back on a plane!
Where did most of the recording take place, and how did those environments shape the feel of the songs?
For the most part we recorded in Sydney, except for track ‘Better’, which was made right here in Melbourne. Still, ‘Grocery Store’ is kind of the anomaly, being the only song I’d written alone and sometime before the others. Travelling back and forth to Sydney to record & write sounds cumbersome, but actually worked quite well for me. Having somewhere you’re visiting for the sole purpose of being creative is a luxury in its own right and sets up the right mental space to dive in deep.
How did you approach the songwriting for this project, and did that differ from how you’ve written in the past?
Actually yes, this is the first project I’ve had co writers involved in the whole way. Each of the songs felt like a single in their own right, but still cohesive enough sonically and topically to form an EP. I’ve come to really enjoy the collaboration of writing a track with the producer — it’s a form of creating that I can’t do as well on my own, but allows me to get into a different space.
When you’re building a song, what tends to come first for you, the lyrics, the melody, or the overall feeling?
It can change; usually the overall concept — but that might only become apparent after stumbling into a lyric. I think it can change over time. I used to start more with chords that would drag something to the surface I could then explore.
Was this EP written over a long period of time or in a more focused window?
Aside from Grocery Store, which still had a little workshopping, the writing was done within maybe 12 months total.
At what point did the project start to feel cohesive to you?
Cam and I started working together intending on recording Grocery Store, but we ended up writing 10 Seconds of Silence. After deciding to fly back to Sydney and finish 10SOS, Phase emerged when we had a few hours to spare. So pretty quickly it was obvious we were onto something that deserved to be followed through as its own body of work. Better was the sweet & moody final touch that, while maybe a little unique to the others, felt to me like the final touch to complete Rust’s narrative.
What challenged you the most while making this EP, either creatively or personally?
Distance was definitely a challenge we had chosen to take on, recording remotely or flying between states. Creatively speaking, I sometimes worried this pop focused direction might be too much of a departure from what I’d previously thought was ‘me’, but the production and arrangements we settled on I couldn’t have been happier with. I think the style does the music justice and walked the line beautifully between my previous releases and the more mature sound I was chasing.
What role did collaboration play in both the writing and recording process?
The whole project was collaborative! I went into these sessions more hands off than I had ever been before — meaning I didn’t come in with specific preconceived ideas for the most part. Showing up with some influences, maybe a concept or story to tell, and letting my collaborators shape the final product was refreshing & exciting.
Looking back now, what do you think this EP captures about you at this point in your life?
The title felt fitting for its imagery — how the presence of rust acknowledges a chapter of time is irretrievable or can never be quite the same. The songs detail a chapter of my life from start to end, of making difficult choices & finding the confidence to push forward.
When someone listens from start to finish, what kind of experience do you hope it creates for them?
If listeners really dive into the lyrics (which of course I hope they will), it’s partly my intention that they can find a piece of themselves reflected somewhere in the stories. The songs are ordered chronologically, so in a random order I expect they could sound a bit separate, but I’m really proud of the little world that lives within each track.
LAUNCH SHOW TICKETS – WORKERS CLUB – MAY 23, 2026
The air inside Sydney’s Metro Theatre on Sunday night was thick with sweat, anticipation, and the unmistakable hum of a global breakout moment. Fresh off the internet-breaking success of his viral hit “Big Dawgs,” Indian rap phenomenon Hanumankind made his highly anticipated Australian headline debut on May 17. The OTW Tour stop felt less like a standard concert and more like a heavy, high-octane celebration, proving that his sonic grip extends far beyond smartphone screens.
From the second the lights dropped, the crowd matching every syllable of his relentless, Southern-fried flows. Local support from The Browns and Ashwarya set the baseline, but the room completely fractured into chaos when the main act took center stage. Mosh pits opened up effortlessly across the floor, driven by a raw, bass-heavy energy that hasn’t been seen at the George Street venue in months.
Our cameras were down in the trenches of the pit to capture the sweat, the strobe lights, and the pure crowd pandemonium. Scroll through the exclusive gallery below to see exactly how Hanumankind conquered Sydney.
Photography: Jake Harm Nam
Photography: Jake Harm Nam
Heavy bass shook the concrete floors of Sydney’s UNSW Roundhouse on Thursday night (14/05/26) as Maggie Lindemann tore through a sold-out room. Stopping in town for her I Feel Everything tour, the California singer gave fans zero room to breathe, launching straight into a high-octane setlist that kept the floor shaking from the first chord. Our photographer fought through a sea of hands to capture the sweat, the strobe-lit chaos, and the raw vocal power of a classic alt-punk night.
Bestselling author, award-winning podcast host and purpose-driven entrepreneur to bring his transformational live experience to Australia
Tickets on sale from $89 at TICKETS
Wanderlust True North is proud to announce globally renowned author, podcast host and purpose-driven entrepreneur Jay Shetty as the next guest in its celebrated live conversation series, bringing one of the world’s most influential voices in mindfulness, connection and personal growth to Australian audiences this November.
Following his sold-out tour in 2023 Jay Shetty returns to Australia with a brand-new show, bringing his live experience to the stage for a powerful three-day tour. Appearing at The Plenary on Friday, 13 November in Melbourne before heading to the Tik Tok Centre in Sydney on Saturday, 14 November and wrapping up in Brisbane on Monday, 16 November at the Brisbane Convention & Exhibition Centre.
Presented by Wanderlust True North, audiences can expect a live, transformative experience with Jay Shetty blending powerful storytelling with practical insights you can take beyond the room.
“I’m honoured and excited to bring my speaking series to Australia this spring and connect with like-minded individuals through purposeful mindfulness,” said Jay Shetty.
Exploring the four decisions that shape your entire life: how you feel about yourself, how you make money, who you choose to love, and how you serve the world. Through raw storytelling, life-changing insights, and practical wisdom you can immediately apply, Jay will challenge the way you think about success, purpose, relationships, and fulfillment. This is more than a talk – it’s about the actions you take, the decisions that shape your life, and the lasting transformation that stays with you long after you leave the room.
Quote from Wanderlust Founder, Radek Sali: “Jay has an extraordinary ability to connect with people across generations and cultures through honesty, compassion and insight, his conversations go far beyond inspiration — they leave audiences feeling empowered with tangible tools and a renewed perspective on how they live and connect.”
Known for his ability to connect deeply with audiences through powerful storytelling and practical wisdom, Jay Shetty has built a global community inspired by purpose, relationships, mental wellbeing, and personal transformation. His chart-topping podcast, On Purpose with Jay Shetty, reaches more than 35 million listeners monthly and has featured conversations with some of the world’s most influential figures including Oprah Winfrey, Michelle Obama, Sir Lewis Hamilton, Chris Hemsworth, Kim Kardashian, Emma Watson, Kobe Bryant, Selena Gomez and Tom Hanks.
Jay is the bestselling author of Think Like A Monk and 8 Rules of Love, books that have resonated with millions around the world for their ability to translate timeless wisdom into practical tools for modern life. His work continues to redefine the wellness conversation by making self-growth accessible, actionable, and grounded in real human experience.
TOUR DETAILS
JAY SHETTY LIVE – THIS CHANGES EVERYTHING!
Melbourne – Friday 13 November – The Plenary
Sydney – Saturday 14 November – Tik Tok Arena
Brisbane – Monday 16 November – BCEC – Brisbane Convention and Exhibition Centre
Tickets are on-sale from $89.00
This will be a rare opportunity to experience Jay Shetty live — an uplifting and thought-provoking evening designed to leave you inspired, grounded and equipped with tools to navigate modern life with greater clarity and purpose.
Maggie Lindemann is heading back to Australia in May 2026 and this time she is arriving with more confidence, more intensity and a completely evolved sound. Following the success of her previous Australian appearances, the singer songwriter will return for a five date national tour that celebrates her latest album I FEEL EVERYTHING.
For fans who have followed Lindemann from her early breakout singles through to her darker alternative era, this tour feels like a defining moment. She is no longer experimenting with identity or sound. She has fully stepped into her own lane and audiences are responding in a major way.
Blending emotional lyricism with explosive pop rock energy, Lindemann has become one of the most recognisable voices in modern alternative pop. Her music moves between vulnerability and chaos with ease, drawing influence from emo, punk and industrial pop while still delivering hooks that stay with listeners long after the song ends.
Her latest album I FEEL EVERYTHING captures that evolution perfectly. The record dives into heartbreak, healing, anxiety and self discovery while pushing her sound into heavier and more cinematic territory. It is personal, raw and unapologetically honest, which is exactly why fans have connected with it so deeply.
The Australian run begins in Perth before moving through Adelaide, Sydney, Melbourne and Brisbane. Each venue offers an intimate but high energy setting that suits Lindemann’s emotionally charged performances.
Australian Tour Dates
May 10 — Perth — Magnet House
May 12 — Adelaide — The Gov
May 14 — Sydney — Roundhouse
May 15 — Melbourne — Forum Melbourne
May 17 — Brisbane — The Tivoli
Fans attending the shows can also access VIP packages that include early entry, exclusive merchandise, signed memorabilia and a meet and greet experience with Lindemann.
Part of what makes Maggie Lindemann stand out in today’s music landscape is her ability to connect so directly with her audience. Her songs feel unfiltered and personal, and that honesty carries into her live performances. Whether she is delivering emotionally heavy ballads or explosive crowd favourites, there is an intensity to her shows that leaves a lasting impression.
With alternative pop continuing to dominate youth culture worldwide, Lindemann’s return to Australia arrives at the perfect time. The 2026 tour is shaping up to be more than just another run of shows. It feels like the arrival of an artist who has fully realised her creative identity and is ready to own every stage she steps onto.
Tickets for the tour are on sale now through Destroy All Lines
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One of Australia’s most successful global dance exports, Sonny Fodera is returning home to Australia for his ‘can we do it all again’ tour this October! He’ll be bringing his world-renowned house sound to Brisbane, Melbourne, Perth, and Sydney. |
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PRESALE: Tuesday 5th May, 12pm AEST GENERAL ON SALE: Wednesday 6th May, 12pm AEST |
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Following sold-out tours across the UK, Europe and North America, and standout sets at global festivals including Creamfields, Tomorrowland and Coachella, Sonny Fodera returns home for his biggest Australian run to date. Off the back of a sold-out 2025 tour, demand is expected to be huge. Sign up now for your best chance at securing tickets. |
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TOUR DATES Thursday 15 October, 2026 | Fortitude Music Hall, Brisbane / Meanjin |
Asia stops also announced today – include Bangkok, Manila, and Taipei
Frontier Touring and AEG Presents are thrilled to welcome back iconic artist group XG (Xtraordinary Genes) to Australia this October for the XG WORLD TOUR: THE CORE.
Last in Australia in 2025, the group returns this year in what will be their biggest shows in market to date. This will be XG’s second world tour, promoting their first full album THE CORE – 核 with performances showcasing their signature styles, high-energy performances, powerful vocals, sleek choreography and their growth as a global act.
The group will visit Rod Laver Arena, Melbourne on Monday 12 October and Qudos Bank Arena, Sydney on Wednesday 14th October. Frontier Members can access their presale from 12pm local time on Wednesday 6 May, before tickets go on sale Thursday 7 May from 1pm local time. Tickets and tour information via frontiertouring.com/xg.
Since their last visit, XG made their Coachella debut in 2025. As the only Japanese artist to perform that year, the group closed out the Sahara stage across both weekends, delivering electrifying performances. Their impressive stage presence and live vocals further cemented their global status.
XG WORLD TOUR: THE CORE celebrates the group’s first full-length album THE CORE – 核, released this January to praise from fans and critics alike. Kicking off the tour in February to massive demand, with multiple sold out shows across their home of Japan in Yokohama, Osaka, Nagoya and more, Aussie Alphaz can now expect to hear the group’s biggest hits and latest tracks live this October, with the show featuring performances of ‘LEFT RIGHT’, ‘WOKE UP’ and new songs – ‘HYPNOTIZE’ and ‘ROCK THE BOAT’ plus many more.
XG WORLD TOUR: THE CORE IN ASIA & AUSTRALIA
Bangkok 19 July (Sun) IMPACT Arena
Manila 22 July (Wed) SM Mall of Asia Arena
Melbourne 12 October (Mon) Rod Laver Arena
Sydney 14 October (Wed) Qudos Bank Arena
Taipei 17 October (Sat) Taipei Arena
And more coming soon…
XG
XG WORLD TOUR: THE CORE
OCTOBER 2026
Presented by Frontier Touring and AEG Presents
ALPHAZ ANNUAL PREMIUM/STANDARD・MONTHLY PAID MEMBERS PRESALE
Begins: Monday 4 May (11am local time)
xg.pasch.fan/
ALL ALPHAZ MEMBERS (INCLUDING FREE MEMBERS) PRESALE
Begins: Tuesday 5 May (11am local time)
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FRONTIER PRESALE
Begins: Wednesday 6 May (12pm local time)
via frontiertouring.com/xg
TICKETS ON SALE
Begins: Thursday 7 May (1pm local time)
ALL SHOWS ALL AGES
Monday 12 October
Rod Laver Arena | Melbourne, VIC
Lic. All Ages
ticketek.com.au
Wednesday 14 October
Qudos Bank Arena | Sydney, NSW
Lic. All Ages
ticketek.com.au
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW XG:
Website | Instagram | YouTube | TikTok | X | Facebook