In the age of the anthropocene, where humankind reigns but humanity is scarce – an electro power pop duo from Korea seek to dismantle the self-serving psyche and conjure a joyous community of impenetrable, universal togetherness in its wake. Introducing Wedance (위댄스): a band, a statement, a warning. After releasing a treasure trove of glorious a-tonal, spasmodic pop bliss by way of 16 EPs and three full length albums since 2011, the beloved happiness conjurers are back with their latest LP Dance Pop featuring the certified banger, ‘Ironism’ (아이러니즘). To celebrate the release, Wedance are thrilled to announce that they will be heading to Australian palms, fingertips and screens of all sizes this October and November, in the country’s first ever national digital tour by a Korean artist.

Released in July 2020, Dance Pop is the outfit’s debut material to be available both physically and digitally, having previously offered all releases exclusively via small run CD pressings with mere handfuls only ever available to purchase at live shows. Thus, trying to collect the plethora of Wedance recordings is a feat in itself. This idea of a musical scavenger hunt, trying to piece together the entirety of an artist’s body of work in the age of digital and easily transmittable everything, greatly appeals to their fans. Now for the first time, Australian ears and audiences are finally able to delve into the wonderful world of Wedance, starting with the pied piper anthem of indie strangeness, ‘Ironism’.

“A poet of our time walks down the road. Even though the poet tries to walk with a clear mind, it doesn’t work. The ironies that are to be seen everywhere constantly irritate and simmer away until they eventually burst out in fury. Finally, the poet opens a notebook and writes down a new word “Ironism.” The ironic landscapes of the city, which used to confuse us became more vivid and clearer when we decided the name of the song would be ‘Ironism’” – Wedance (위댄스)

Dancing their way to Australian devices this spring, Wedance will bring their unprecedented energy, charisma and penchant for all things fashion to our virtual shores for four special performances across the country. Having previously performed in Australia at the 2016 Aus Asia Festival and the 2018 Bigsound Festival, as well as multiple Festival appearances throughout Asia and the world including Fuji Rock, Primavera Sound, Nuits Sonores, Bug Sounds, Baybeats and more, their upcoming virtual tour is not one to miss. This October, join Wedance for a run of online dance parties to end all dance parties as they take on Bigsound, Isol-Aid and The Tivoli, beckoning all to join in on the alt-bacchanal. Be sure to pack your dance shoes!

Wedance ‘Danceparty at Your Fingertips’ Digital Tour Dates
Bigsound
Dancing On The Farm Showcase & Q&A
Wednesday 21 / Thursday 22 October
Showcase time: TBA
Details: https://www.bigsound.org.au/events/wedance-dancing-on-the-farm

Isol-Aid Festival
Saturday 31 October
Performance time: TBA
https://www.isolaidfestival.com/

Open Session Program at The Tivoli – Supporting Jaguar Jonze
Friday 20 November
Doors 7.00pm
Starts 8.00pm
Tickets $35 for cabaret style show via https://thetivoli.com.au/events/wedance

Wedance Facebook Wedance Instagram Wedance Website Wedance Spotify

 

The 2020 AIR Awards returned to Adelaide, Australia’s UNESCO City of Music, tonight to celebrate the success of the vibrant Australian Independent Music sector. The ceremony took place at The Lion Arts Factory and was broadcast on AIR’s YouTube channel.

An official Welcome to Country opened the show which included moving performances from Stella Donnelly, The Teskey Brothers, Angie McMahon and The Soul Movers. Dylan Lewis returned as AIR’s Master of Ceremonies and was joined by Adelaide host Jessica Braithwaite and a line-up of guest presenters, including Murray Cook and Fanny Lumsden.

18 Awards were given out, including 4 new categories that were added to the celebration line up.

Stella Donnelly was awarded Independent Album of the Year and Best Independent Pop Album for “Beware of the Dogs”. Tones and I also went home with two awards including Breakthrough Artist Of The Year presented by PPCA and Song of the Year for her record breaking hit single “Dance Monkey”.

Sampa The Great took home the Best Independent Hip Hop Album for The Return, Best Independent Dance, Electronica or Club Single went to Dom Dolla for San Frandisco; and Best Independent Dance or Electronica Album or EP was awarded to The Jungle Giants for their work Heavy Hearted 1,2,3,4, AM Remixes.

Best Independent Punk Album went to DZ Deathrays for their album Positive Rising Part 1, Best Independent Blues and Roots Album went to Julia Jacklin for Crushing, Northlane took out the Best Independent Heavy Album for Alien and Best Independent Rock Album went to Angie McMahon for Salt.

Best independent Jazz Album was awarded to Kate Ceberano and Paul Grabowsky for their collaboration of love songs Tryst, whilst Caiti Baker’s Dust (Pt.1) took out the Best Independent Soul/RNB category. Charlie Collins took out the Best Independent Country Album and the Best Independent Classical Album went to the Richard Tognetti and Erin Helyard for Beethoven & Mozart Violin Sonatas with Children’s Album going to Regurgitator’s Pogogo Show for The Really Really Really Boring Album

The highly-coveted award for Best Independent Label sponsored by Moshtix recognised the efforts of ABC Music and the 2020 Outstanding Achievement Award sponsored by Merlin went to Emily Ulman for her incredible work supporting artists during the Covid closure through her work creating the Isol-Aid Instagram festival.

AIR CEO, Maria Amato commented “We congratulate all the nominees and award recipients and are grateful for the ongoing support we have received from the South Australian Government and our supporting partners. We look forward to celebrating the success of the Australian Independent music sector in Adelaide again next year!”

Minister for Innovation and Skills David Pisoni said: “Congratulations to all the winners and finalists of the 2020 AIR Awards which celebrate the outstanding and inspiring talent of Australia’s independent artists across multiple genres.”

THE 2020 AWARDS RECIPIENTS ARE…

BEST INDEPENDENT LABEL

ABC MUSIC
Thanks to Moshtix; Australia’s industry leading GA ticketing provider specialising in live music and entertainment, and proud supporting partner of the 2020 AIR Awards, the recipient of this year’s Best Independent Label award will receive a digital marketing package valued at $10,000 to help showcase their talent to the music public

Music Victoria is excited to announce a new format for 2020 with their first ever exclusive online event. Ahead of the 16th edition of the annual Music Victoria Awards in December, the 2020 Industry Awards will take place online, beamed to wherever you may be across the state on Thursday 8 October to reveal Music Victoria’s Hall of Fame inductees and award seven of the 21 industry-voted awards as well as announce all remaining nominees for both the industry and public-voted categories. 

Hosted by Music Victoria favourites and long-time Awards MCs, RRR’s Chris Gill and PBS Radio’s Lyndelle Wilkinson, the online event will be the first Industry Awards event that is open to the public, and will broadcast via Music Victoria’s Youtube channel. Music Victoria invites all nominees, families, friends, fans and Music Victoria Members to tune in for free from 8pm, Thursday 8 October and be a 

part of this historical event. Co-presenters PBS 106.7FM and RRR 102.7FM will join in the excitement with simultaneous Awards features on their radio shows Sunglasses After Dark with Phil McDougall and RRR 102.7FM program The Australian Mood with Neil Rogers. 

The seven industry-voted awards that will be handed out on the night are the inaugural Outstanding Woman in Music Award (as voted by the Music Victoria Board) and the debut Best Producer Award, as well as previously recognised categories for Best Regional and Outer Suburban Venue (under 50 

gigs per year), Best Regional and Outer Suburban Venue (over 50 gigs per year), Best Venue (under 500 capacity), Best Venue (over 500 capacity) and Best Festival. 

The evening will also announce the two 2020 Hall of Fame inductees and will celebrate the announcements with an intimate live tribute performance on the night as a special treat for all who tune in. The Industry Awards event will announce all nominees for the remaining 14 industry-voted awards and will officially open up the online voting for the seven public-voted awards for Best Album, Best Band, Best Song, Best Solo Artist, Best Musician, Best Breakthrough Act, and Best Live Act. 

Music Victoria is thrilled to announce new education sponsor JMC Academy and new beer sponsor Brick Lane Brewing, and thank departing sponsors Collarts and Mountain Goat for their support of the event over many years. They also welcome Event Partner Scene Change, whose studio will be broadcasting the Industry Awards Live Stream, and Channel 31, who will be broadcasting the Awards Ceremony in December. 

Other new sponsors include Billy Hyde, who are gifting a $100 voucher to all music nominees to spend on Yamaha gear, and Loadin.com who are awarding all festival nominees with their festival management software for free major Partners Bendigo Bank will award regional category winners with $3000 cash each, and nominees of Best Song and Best Album will be awarded a paid and professionally filmed livestream event, thanks to funding from the Victorian Government’s Victoria Together Program. 

Music Victoria also thanks Major Partners City of Melbourne and Melbourne Recital Centre for their ongoing support of the Music Victoria Awards. 

All remaining categories not handed out at the Industry Awards will be recognised on the night of the

official 2020 Music Victoria Awards, taking place on Wednesday 9 December at the Melbourne Recital Centre for the 16th instalment. Stay tuned for further event information. 

2020 Music Industry Awards live-streamed event 

Thursday 8 October 

8.00pm – 9.00pm 

via Music Victoria’s Youtube 

Live Stream also accessible via 

www.musicvictoria.com.au 

Categories awarded at the event: 

Best Regional and Outer Suburban Venue (under 50 gigs per year) 

Best Regional and Outer Suburban Venue (over 50 gigs per year) 

Best Venue (under 500 capacity) 

Best Venue (over 500 capacity) 

Best Festival 

Best Producer 

Outstanding Woman in Music Award 

Other Announcements 

Hall of Fame Inductees 

Remaining industry-voted categories: 

Best Blues Album 

Best Country Album 

Best Electronic Act 

Best Experimental or Avant-Garde Act 

Best Folk Album 

Best Jazz Album 

Best Heavy Album 

Best Hip Hop Act 

Best Reggae and Dancehall Act 

Best Rock/Punk Album 

Best Soul, Funk, R’n’B or Gospel Album 

Best Emerging First Peoples Act (Archie Roach Foundation Award for Emerging Talent) Best Intercultural Music Act 

Best Regional and Outer Suburban Act 

Plus public-voted categories: 

Best Album 

Best Band 

Best Song 

Best Solo Artist 

Best Musician 

Best Breakthrough Act 

Best Live Act 

Voting for all public-voted categories open Thursday 8 October. 

Music Victoria thanks all partners and industry supporters for their ongoing support of the Music Victoria Awards

It’s been a tough year for many, and with over six months since Novel’s last event, it’s been a quiet one too. The agency, known for high-quality productions like B3 @ Marvel Stadium, Let Them Eat Cake @ Werribee Mansion and Pitch Music & Arts Festival, is waiting patiently like most other businesses to finally put up the ‘Doors Open’ sign.

As we start to see some light at the end of the tunnel, everyone can share in the small comfort that, at least, we are all in this together, a sentiment shared by Novel Director Daniel Teuma: ‘Without a doubt, for many, myself included, this has been a challenging year. Who knows what the other side will look like – but the silver lining here is that there is an ‘other’ side. We are choosing to focus on that.’

And by that he is referring to Novel’s first physical event launch since the start of the pandemic – a promising prospect set to open their 2021 account with a bang. The event will see the return of flagship series smalltown, a brand they roll out for top tier international dance acts including DJ KOZE, Nina Kraviz and Stephen Bodzin. The series is also known for conceptualising and utilising diverse and interesting locations, which in the past have included spaces like Caulfield Racecourse and St. Kilda Foreshore. ‘For our first event back we have secured a 5000 plus capacity inner-city location that has never been used before. It’s a location we’ve been working since before COVID.’ For now, however, Novel will announce the event at a later date. Why? ‘We like to build anticipation’, he says calmly before showing us a cheeky smile.

What we can parse out of him is that the location is in an industrial area and has acres of space. More importantly, its almost secluded location will ensure that sound restrictions will be a virtual non-problem. And that will be music to the ears of ticket holders – and the Full Throttle Entertainment team responsible for overseeing and installing their crisp Funktion-One Soundsystem.

So who will play at it? The headliner will be Maceo Plex who will be Ben Klock, who will make his first Australian appearance in two years. There can be no doubt that he is a Melbourne favourite, and you would be hard-pressed to find anyone who does not agree on his techno pedigree. Ben Klock would be worth the price of admission alone. Still, Teuma promises more announcements down the track: ‘We have more international artists lined up which we will announce over the next couple of months.’

Ben Klock (GER)

A fixture in Resident Advisor’s top-10 DJs for the best part of a decade, Ben Klock needs little introduction. Having become a Berghain resident in 2005, he has since established himself at the forefront of Berlin’s modern techno movement, an ever-present symbol of the city’s vast musical landscape. His long-standing relationship with the notorious techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ-producers of his generation. Soundcloud

smalltown Street Rave w/ Ben Klock and more TBAUnique Outdoor Space TBA Sunday 7th March 2021 Time: 12PM – 11PM Tix on sale 12PM, Wednesday 7th October As per all Novel events, smalltown street party will be compliant and adhere to all regulations including a COVID-19 safe plan. Until further info is known regarding COVID-19 regulations the event must adhere to, Novel is only selling to 25% of the venue’s capacity. In the event of the postponement of this date, all ticket holders will be entitled to retain their ticket for the new event date or a refund upon request. Local Support TBA Tickets on sale now from  www.novel.com.au/upcoming-events/   Facebook event https://www.facebook.com/events/618221922207350

Single Launch shows:
The Vanguard, Sydney – THURSDAY, OCTOBER 15
Lalala’s, Wollongong – FRIDAY, OCTOBER 23

Having spent the past couple of years sweating it out in venues up and down the East Coast of Australia, Eddie Boyd AKA Human Noise (formerly Boydos) has returned with a fresh moniker, revived energy, and his strongest single to date.

Listening to his debut record It’s Alright, Look At Me I’m Young (2019), you wouldn’t have guessed all was not quite well in the camp of the Sydney muso. Swaying between heartful Jeff Buckley-esque songmanship and bouncy indie rock, all the while chronicling his foray into young manhood, IALAMIY quickly established him as one of the most exciting talents in the Australian musical ecosystem. Yet, the name “Boydos”, niggled away at the enigmatic songwriter.

“It always felt like a rushed choice to me” Boyd says of his former title. “I had been stewing on it for a long time and I just didn’t feel connected to “Boydos”. I definitely think the new name represents the music better.”

Today we have the first taste of Human Noise’s as yet untitled sophomore album, recorded in New Zealand with NZ Music Award-winning producer Ben Edwards. ‘How Is It You Do That?’, which clocks in at two minutes and six seconds, is a frenetic melodic collage that explodes with energy.

With the drum beat charging toward the finish line, Boyd lets his vocals take center-stage. The emotion that bleeds through the speaker is simply electrifying. Ironically, the track lyrically centers around controlling your mind, or in Boyd’s case, a lack thereof:

“How Is It You Do That?’ is an ode to a friend and his ability to be calm under emotional stress. We were going through similar things at the same time and I really admired the way he could maintain such a rational and forgiving outlook. It was a challenging time for both of us and I’m really happy at how well that angst and frustration was captured in the studio.”

Directed and edited by Boyd himself, with AnnieRose Collis shooting on the night, the video encapsulates the frantic bones of the track. Shot in one take, Boyd gives the song the impassioned performance it deserves as a spattering of colours radiate in the background.

“I was just trying to think of economic ways to make a video clip that wasn’t terrible, and I definitely made a few terrible prototypes. We shot it at half the speed of the final edit, to give it that frantic, unhinged effect. We did a bunch of takes, because if the camera’s not steady, it just looks crazy” he says. “There’s a hilarious early take of me, loping around suburbia, singing full volume at half speed sounding like a total drunk.”

If you’re late to the Human Noise party, now’s the chance to sink your teeth in. The new record is expected early 2021 and if ‘How Is It You Do That?’ is anything to go by, the birth (or rebirth) of Human Noise is something you don’t want to sleep on.

“I’m really excited for everything to be heard, which is a different feeling than I had with the first album,” Boyd says. “I feel more confident in the lyrics. I just feel like … Yeah, I feel excited about everything.”

How Is It You Do That? is out now through Ditto Music.

Single Launch shows:
The Vanguard (Sydney) – THURSDAY, OCTOBER 15
Lalala’s (Wollongong) – FRIDAY, OCTOBER 23

Ticketing info HERE

CONNECT WITH HUMAN NOISE

THE CHURCH

KATE MILLER-HEIDKE

THE LIVING END

THE ANGELS

ROSS WILSON AND THE PEACENIKS

BLUE KING BROWN

JEFF LANG

KARA GRAINGER

And many more to be announced!

Get your tickets on-sale now

The 2021 Bluesfest Third Artist Announcement is a legendary list of exceptional artists who join what is already an incredible line up of Australian talent confirmed to perform next Easter on April 1 – 5^th at the beautiful green Tyagarah Tea Tree Farm located 10 minutes north of Byron Bay.

 Commenting on the announcement Festival Director, Peter Noble OAM says “Look at this line up – all that talent. When it comes to musical talent Australia is an embarrassment of riches and it is a privilege to create a line up to clearly showcase that very fact.”

 Legendary psych-rock guitar stars The Church step on to the Bluesfest stage for the very first time and headline this Third Artist Announcement for 2021 Bluesfest.  Award winning singer-songwriter and Euro Vision 2019 success story Kate Miller- Heidke will bring her touch of class,  whilst punk inspired rock band The Living End with their blend of rockabilly and punk and eternal rock-stars The Angels bring their exhilarating and raw live energy to this powerful line up.  Rock royalty and bona fide legend  Ross Wilson & The Peaceniks have signed on and will be pumping out the non-stop hit machine featuring songs from Daddy Cool to Mondo Rock.  Joining them are festival favourites Blue King Brown,  headed up by the dynamic no-holds- barred pocket rocket Nattali Rize. “Bluesfest is one of our favourite festivals on the planet. We’re looking forward to returning to Australian shores and bringing the full power Blue King Brown show home!” Says Nattali Rize.

With 14 Bluesfest performances behind him, the first in 1994, Jeff Lang is a legend in his own right. Said to play the guitar with the devils in his fingers,  Jeff has won three ARIA Awards and his live performances are always a guaranteed showstopper. Adding more femme force to the bill is the return to Australia from the now Nashville based singer-songwriter Kara Grainger,  her soulful vocals and unique style of slide guitar has earned her ‘opening’ performance slots with Peter Frampton, Buddy Guy and Taj Mahal to name a few. Many in the business will be watching what this lead singer from the much-loved “Papa Lips” is doing now.

The Church

Australian psych-rock guitar masters The Church enter their fifth decade of making music with all the fierce creative energy of their early years. With new members introduced, the band are deep into recording the band’s 25th studio album, 40 years after their formation and will perform at Bluesfest for the first time in 2021. The 2020 epic line-up is bassist, vocalist and founder Steve Kilbey; with longtime collaborator Tim Ebandit Powles drummer and producer across 17 albums since ’94; guitarist Ian Haug who joined the band in 2013 and Jeffrey Cain, touring multi-instrumentalist who is now a full-time member of The Church since the departure of Peter Koppes in early 2020. The band have also recently recruited one of Australia’s finest and most respected guitarists Ashley Naylor (Even, The Grapes). Ashley and Steve have collaborated on many different projects over the years and now was the perfect time to bring Ashley into the band.

Kate Miller-Heidke 

Award winning singer-songwriter and Euro Vision 2019 success story Kate Miller-Heidke traverses the worlds of contemporary pop, folk, and opera.  She has released four studio albums including the top 5 album O Vertigo!, and Curiouser, which reached double platinum sales and featured the multi-platinum hits ‘The Last Day On Earth’ and ‘Caught In The Crowd’, which won Grand Prize in the 2009 International Songwriting Competition.

She won the 2016 Helpmann for Best Australian Contemporary Concert.

Trained as a classical singer at the Queensland Conservatorium, Kate has performed at the Metropolitan Opera in New York and several roles for the English National Opera. Her debut opera as a composer, The Rabbits, won 4 Helpmann Awards including Best Score and Best New Australian Work. With her collaborator Keir Nuttall, she has written the music and lyrics to Muriel’s Wedding: The Musical, which premiered at the Sydney Theatre Company and played throughout 2019 in Sydney, Melbourne and Brisbane.

 The Living End

The Living End consider themselves to be a rock ‘n’ roll band based on punk ethics, citing The Clash, Iggy Pop, The Who and The Jam as influences and bands with whom they share the same ideals.  Formed in 1994 and since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums).  The band rose to fame in 1997 after the release of their double A-sided single, ”Second Solution” / “Prisoner of Society”, which peaked at No. 4 on the Australian Singles Chart and went on to sell triple platinum. They have released seven studio albums and two reached the No. 1 spot on the Australian Albums Chart - self-titled album (12 October 1998) and State of Emergency (4 February 2006). They have also gained chart success in the United States and the United Kingdom.  Said to be one of Australia’s most ferocious live acts, their blistering live performances have earned the band an enviable position as one of Australia’s greatest live bands.

The Angels

Delivering raucous hard rock in the tradition of contemporaries like AC/DC and Rose Tattoo, the Angels are among the longest-lasting and most beloved bands ever to emerge from the Australian pub circuit. Their roots date back to 1973, when singer Doc Neeson and guitarist Rick Brewster first teamed up, but it was really in 1976 when they really started making their mark. Discovered by  AC/DC‘s Angus Young and Bon Scott, and signed to their label Albert Productions, their first single, ‘Am I Ever Gonna See Your Face Again’ was an instant hit – and set The Angels on their loud and proud rock journey.

Albums ‘The Angels,’ No Exit’, ‘Face To Face’, ‘Night Attack’, ‘Beyond Salvation’ and more followed …
and the Angels rock juggernaut rolled on through the decades. They lost two original members, Chris Bailey and Doc Neeson, but have never wavered in their musical mission.

Thirteen studio albums, eight Top 10 albums, 17 Top 40 singles … but that tells only part of The Angels story. It’s the relationship with the audience that means everything to the band, built via thousands of gigs. An exhilarating exchange of energy, legendary live shows, raucous audience ‘call-backs’, high-energy, high-voltage sets have made The Angels synonymous with Aussie pub-rock – and continues to keep The Angels at the forefront of our music industry as one of the most beloved rock bands in Australia. The Angels remain fierce and uncompromising. They have always done things their own way. So many of their songs   ‘Am I Ever Gonna See Your Face Again’, ‘Take A Long Line’, ‘Comin’ Down’, ‘Shadow Boxer’, ‘No Secrets’ … and more…. are bone-fide Australian anthems, calling out to be sung at high volume in a hot sweaty atmosphere. Featuring Dave Gleeson [Screaming Jets] on lead vocals and still run by founding members John Brewster and Rick Brewster you better answer that call and rally front and centre when The Angels play their first Bluesfest show.

Ross Wilson and The Peaceniks

From ‘Daddy Cool’ to ‘Mondo Rock’ and as a solo artist with no less than 26 ARIA Top 40 hits to his credit as a singer, songwriter and producer, Ross Wilson is one of Australia’s most awarded, respected and well-known artists! The legendary band ‘Daddy Cool’ whose number one anthem ‘Eagle Rock’ smashed all previous sales records in Australia, to the 1977 formation of ‘Mondo Rock’, delivering 80’s hits ‘Cool World’, ‘State of The Heart’, ‘Chemistry’, ‘No Time’, and ‘Come Said The Boy’ and into the 21^st century as a solo performer, Ross Wilson has never been out of the limelight. Twice inducted into the ARIA Hall of Fame, Wilson has written hits for Jimmy Barnes, John Farnham and Joe Cocker, and produced smash hit albums for Jo Jo Zep and the Falcons, Skyhooks and Screaming Jets. Come back again to see an absolute solid gold legend of rock and his full band ‘The Peaceniks’ perform all his hits this year at 2021 Bluesfest.

Blue King Brown

Hailed by Santana as “The voice of the street and the band of the future!” Blue King Brown, is Australia’s premier live urban roots & reggae powerhouse act. Their cross-generational groove and socially conscious sound is lead by the multi talented, relentless energy of Nattali Rize. Powerful vocal & lyrical delivery’s meet a roots, rock & afro groove mash-up built on an irrepressible percussive foundation, cementing their highly regarded live reputation. A force of nature onstage Blue King Brown are festival favourites and return to Bluesfest for the eighth time this year.

Jeff Lang 

This will be the 15^th Bluesfest performance for Australian guitarist-songwriter-vocalist-producer, Jeff Lang who made his Bluesfest debut in 1994. Jeff has built a reputation for making startling music that is accomplished, intricate, gutsy, melodic and loaded with soul. Often taking unexpected turns, he has consistently inspired his audiences by creating a stylistically diverse catalogue of over 30 albums.  As many journalists have written over the years, Jeff is not one to be easily pegged, though in a general sense it’s fair to say he largely trades in roots-oriented rock; wider reaching in collaborations with the likes of roving guitar anthropologist the late Bob Brozman, American blues-rocker Chris Whitley, India’s desert-dwellers Maru Tarang and world music virtuosos Bobby Singh and Mamadou Diabate. Jeff’s work with the latter won the 2010 ARIA for Best World Music Album, while he and Brozman took one home for Best Blues and Roots Music Album in 2002. Jeff received that same award on his own in 2012 for the album ‘Carried In Mind’. In 2020 Jeff published his first book – “Some Memories Never Die” – a memoir of three decades on the road; Memories of gigs where the pay was akin to blood money, reflections on how the road’s twists and turns can be lightened by the presence of fellow travellers and occasionally darkened by them too.

Kara Grainger

Some people just have music running through their veins. Kara’s music journey has taken her all around the globe. From her inner city beginnings in the town of Balmain, Sydney Australia, she has since performed and toured in Japan, Indonesia, India, Switzerland, Germany, the UK, and the USA. Her soulful vocals and unique style of slide guitar has caught the attention of many well renowned artists, she’s opened the show for Peter Frampton, Buddy Guy, Johnny Lang, Taj Mahal, Marc Cohen and Eric Johnson to name a few. Kara has been based in Nashville and returns to Australia after a long stint abroad. Many will be watching what she will bring to the stage on this occasion.

All ticket types and Add-Ons are on-sale now.

For further information on the line-up or artists please see here.

Bluesfest 2021 is being held from 1 – 5 April 2021. Tickets are on sale now via Moshtix.

Keep in touch via Facebook | Twitter | Instagram

BEATPORT LIVE STREAM XX STEREO 2020

Last Thursday, September 17th (Pacific Time) and Friday 18th (European Time), the Spanish label hosted a Beatport Live Stream from a unique location, the Calderon Theater in Valladolid, in Spain. The event revolved around the concept of defense of culture and Art. The line-up featured familiar Stereo names and also brand new talents: DJ Chus, Sparrow & Barbossa, Óscar de Rivera, Oscar L, D-Formation and La Santa. During the DJ session, Kike Garcinuño captured in one of his paintings what he called the ‘Techno Virus of 2020‘. The Work will be auctioned, and the proceeds will be donated to a non-profit organization to help artists affected by the Pandemic.

DJ CHUS REMIXED BY SPARROW & BARBOSSA

Stereo Productions, for the celebration of its 20th anniversary, launches an extraordinary project.

But the relationship didn’t start there. Read our full story:

Emiliano (AKA Uru) Haberli and Bryan Coletta are the names behind the infamous duo Sparrow & Barbossa. Uru (Barbossa) was the original percussionist in DJ Chus & Joeski’s ‘El Amor’ back in 2003. The stars aligned when Chus got in touch with the duo after they reached #1 with their Yeke mix, one of Chus’s favorites. Now, 20 years later, Uru has crafted the drums sequence again. Bryan (Sparrow) is a pianist and comes from a musical family. His father is the legendary guitarist Francis Coletta, who worked with artists like Whitney Houston, Quincy Jones, and Frank Sinatra.

‘El Amor (Sparrow & Barbossa Remix)’

The Pirates duo has kept the original essence of Caterina’s sensual and enraptured Brazilian voice blending in perfect harmony with the timeless bossa nova bassline. Uru rebuilt the percussion section, giving it an extra samba-esque breeze; meanwhile, Bryan plays the afro synths with new sounds that rouse emotive reactions.

‘World Routes (Sparrow & Barbossa Remix)’

The original track was one of the most significant pillars of Iberican Sound, colored with plenty of organic elements. This gem takes on new skin with Sparrow & Barbosa bringing in afro rhythms, dense basslines, and a tribal house atmosphere while keeping the sensuality of the ethnic vocals, imprinting a confident message of joy and celebration.

Black Rain is one of the most mature and profound of Chus’s works, based on the planet’s origins and the ancestral influences of his music. This Eden of organic elements builds a cinematographic soundscape in which the duo preserves the roots and emphasizes the bassline, capturing the original’s natural strength in an eyes-closed epic.

‘El Amor‘ will be available from September, 23rd via Stereo Productions.

NETWORKS

Tickets available now at www.bostonmanorband.com

Blackpool’s very own Boston Manor will be performing a very special live show at their city’s most iconic monument – Blackpool Tower – on 15 October. The performance will be broadcast online across the globe at three different times – 8pm BST, 9pm EDT & 8pm AEST (16 October in Australia) – to accommodate fans worldwide. Tickets are available now.

Having recently released their highly-charged and critically-acclaimed third album GLUE, in the midst of lockdown, this online event will be the first chance to connect with Boston Manor’s new music in a live setting, albeit in a slightly different experience to the usual Boston Manor live show.

Says the band’s vocalist Henry Cox:

“Since Boston Manor formed in 2013 we have never played a hometown show. One of the main issues surrounding having a hometown show was Blackpool being a little off the beaten track – we didn’t know how many of our fans would be able to make it to a show there. When lockdown happened & our headline tour got rescheduled (twice) we decided the perfect way to do a livestream event would be to bring the world our first ever hometown headline show, to play our new album live for the first time & to show our fans where we come from & why Blackpool means so much to us. We will be performing a full set at Blackpool Tower in the iconic Tower Ballroom on Thursday October 15th. The 500 ft landmark is a symbol of Blackpool, something we’ve been staring up at since we were kids, & the ballroom itself is world famous. It’s pretty unbelievable that we’ve been allowed to play here in all honesty. We’ve spent the last few months working on this show & we hope you can join us; it’s something that won’t be repeated.”

Your next chance to see Boston Manor live in the flesh will be at their UK headline tour in March 2021 but for now, grab the popcorn and kick back with what’s sure to be one of the livestreaming highlights of the year.

BOSTON MANOR ARE:
Henry Cox – Vocals  |  Michael Cunniff – Guitar  |  Ash Wilson – Guitar  |  Dan Cunniff – Bass  |  Jordan Pugh – Drums

https://cadenza.tv/hub/oliver-heldens