
FIGUREHEAD: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed

FIGUREHEAD: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
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Frontier Touring is pleased to announce that critically acclaimed singer, songwriter and producer Matt Corby will return to stages across the country this June 2026, bringing his celebrated live show to audiences nationwide with The Tragic Magic Tour.
With multiple ARIA Awards, platinum-selling releases and a body of work that continues to evolve with each release, Matt Corby stands as one of Australia’s most enduring and influential artists. The upcoming tour celebrates the release of the singer’s fourth studio album, Tragic Magic, set for release on Friday 17 April via Island Records (pre-order here) – a deeply personal and soul-soaked collection that captures a new chapter in Corby’s life and artistry.
Praised as one of the country’s most compelling live performers (as witnessed on his national trek supporting US star Teddy Swims in 2025), Corby’s shows are renowned for their intimacy and musicianship – a space where intricate arrangements and his unmistakable voice take centre stage. The Tragic Magic Tour will see Corby perform at some of the country’s most-loved venues, kicking off at Adelaide’s Thebarton Theatre on Wednesday 3 June, followed by Perth’s Riverside Theatre on Thursday 4 June, before heading to Melbourne’s The Forum on Tuesday 9 June. The tour will continue to Newcastle’s Civic Theatre on Friday 12 June, before concluding at Brisbane’s Fortitude Music Hall on Sunday 14 June.
Joining the tour as special guest is Gretta Ray. From a triple j Unearthed High win to touring alongside Maisie Peters, Mumford & Sons and Gang of Youths, Gretta Ray has continued to evolve as one of Australia’s most compelling pop voices. Following her acclaimed debut Begin To Look Around (2021), Ray’s 2023 sophomore album Positive Spin cemented her reputation for sharp, emotionally resonant songwriting.
Tickets to The Tragic Magic Tour go on sale Monday 13 April (11am local time) via frontiertouring.com/mattcorby. Frontier Members presale starts Friday 10 April (11am local time) – see website for details.
Matt Corby is a musical perennial. Three immaculate albums into an original music journey, with no end in sight, Matt first broke through back in 2011 with the bruising ballad and 10x Platinum hit ‘Brother’, a song whose enduring appeal was proven again with its #51 appearance on triple j’s ‘Hottest 100 Of Australian Songs’ in 2025. While it remains a defining song of its era, it is the work since – from the quiet intensity of singles such as ‘Resolution’, ‘Miracle Love’, or ‘Reelin’ – to the expansive albums Telluric (2016), Rainbow Valley (2018), Everything’s Fine (2023) – that underscores a career shaped by evolution over expectation.
The first taste of Corby’s forthcoming album came in the form of singles groove-laden single ‘Burn It Down’, the reflective ‘Long and Short’ and ‘War To Love’. Tragic Magic sees Corby further refine his timeless sound, Corby co-producing every track and performing the majority of instruments across the record.
One of Australia’s most soulful and stirring voices, don’t miss these special shows.
MATT CORBY
+ special guest Gretta Ray
THE TRAGIC MAGIC TOUR
JUNE 2026
Presented by Frontier Touring and triple j
FRONTIER MEMBER PRESALE
via frontiertouring.com/mattcorby
Runs 24 hours from: Friday 10 April (11am local time)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Monday 13 April (11am local time)
Wednesday 3 June
Thebarton Theatre | Adelaide, SA
Lic. All Ages
ticketmaster.com.au
Thursday 4 June
Riverside Theatre | Perth, WA
Lic. All Ages
ticketek.com.au
Tuesday 9 June
The Forum | Melbourne, VIC
18+
ticketek.com.au
Friday 12 June
Civic Theatre | Newcastle, NSW
Lic. All Ages
civictheatrenewcastle.com.au
Sunday 14 June
The Fortitude Music Hall | Brisbane, QLD
18+
ticketmaster.com.au
** Also playing (not a Frontier show, see artist website for details):
Saturday 6 June
Winter Wine Festival | Gerringong, NSW
Saturday 13 June
VIVID, Tumbalong Park | Sydney, NSW
FOLLOW MATT CORBY:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
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Perth icons Karnivool are thrilled to announce they are taking their number one album, In Verses, on the road for the first time, delivering the biggest headline shows of their career. To celebrate, Karnivool will be joined by special guests TesseracT (UK) and Car Bomb (USA) for an unmissable night of heavy excellence.
Kicking off with a hometown show at the Ice Cream Factory in Perth on July 18, Karnivool will deliver a career spanning set across five capital cities, winding up at Riverstage in Brisbane on July 25.
Landing 13 years after its predecessor, In Verses is a heavy prog masterpiece that stunned critics and fans who were both quick to forgive the band for the agonisingly long wait. A meticulously crafted, richly layered yet welcoming journey, the album is a rare chart-topper that wasn’t built for algorithms or respectable release cycles, yet it soared straight to #1 on the ARIA Chart, becoming the first local album to do so in 2026.
Behind the album’s success is a deeper story about resilience and perseverance. When the bagpipes swell on the album closer Salva, it’s a real triumphant celebration (and quite the tear jerker online) for the band and fans who have waited 13 years for this moment. Karnivool’s next challenge: learning how to deliver live the songs they’ve spent the better part of a decade wrangling into existence.
Joining Karnivool are fellow masters of their craft TesseracT. The UK metal titans are widely regarded as pioneers, expanding metal’s vocabulary beyond all measure with off-kilter riffs, soaring melodies, bending grooves and disorientating atmospherics. Over the course of their career, the band have built a formidable reputation for powerful, mind-altering live shows and Australian legions came out in force to experience their landmark record, War of Being, in 2024.
Rounding out this outstanding line-up is New York innovators Car Bomb, bringing their elite chops and maniacal arrangements to Australia for the very first time! 25 years in with a discography almost as lean as Karnivool’s, Car Bomb mines the depths of extreme metal to create a signature sound that is as confounding as it is cathartic with evolving polyrhythms, shifting tempos and deconstructive guitars designed to pulverise all senses live.
It’s been over a decade since Karnivool have toured a new album and they’ve assembled an elite suite of boundary shattering virtuosos to mark the occasion. Don’t miss this very rare and extraordinary event.
Presale begins Tuesday 14 April 9am local time
Tickets on sale: Thursday 16 April 9am local time
More info from destroyalllines.com
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Melbourne’s own Dean Turnley has announced an exclusive headline show this June, taking over the iconic Northcote Theatre on Saturday 6th June. Presented by Untitled Group and Full Circle, the one-night-only performance marks a major moment for one of Australia’s most exciting electronic exports. Fresh off a standout set at Pitch Music & Arts 2026, which sent ripples across social media and the global electronic scene, and riding the success of his latest release Actin’ Tough, Turnley returns to Melbourne with serious momentum. Known for his signature blend of house and techno, his sets are as dynamic as they are deeply rooted in dance floor tradition. Sign up now for access to the presale. All tickets will be made available to purchase during the presale, and we expect a very high demand for tickets. Sign up and be ready to purchase at 12pm sharp on Thursday 9 April for your best chance to secure tickets. |
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PRESALE: Thursday 9th April, 2026 at 12:00pm AEST GENERAL ON SALE: Friday 10th April, 2026 at 12pm AEST |
Photo Credit: Mia Shaw
Maintaining consistency as one of the West Coast’s best forces in indie rock, Fremantle five-piece FIGUREHEAD return with their second release of the year, ‘HEART LIKE A SUNSET’.
A bubblegum-pop kaleidoscope of funky guitars, dreamy synths and gut-wrenching vocals, FIGUREHEAD display their impressive ability and range in this breakup anthem.
“The lyrics embrace acceptance and empathy in the wake of a relationship breakdown, championing kindness even in the face of heartbreak.”
— Joe Caddy
Following on from a string of strong releases throughout 2025, the latest from Figurehead repositions the band as ones to watch, not to mention an exciting indication of what is still ahead of these talented musicians.
Recorded with frequent collaborator Dave Parkin (South Summit, Spacey Jane) at Blackbird Sound Studios, ‘Heart Like a Sunset’ comes layered with personality and attitude; the perfect example of a song that represents Figurehead’s chemistry as a band, as well as evolution in their songwriting.
As Figurehead looks forward to 2026 with enthusiasm and curiosity, the WA group will be continuing to follow new influences and sounds in fleshing out their already well-built body of work. Bringing in a diverse range of sounds that fuse alternative rock with contemporary indie pop, Figurehead have developed a strong following online and in the live space.
Cutting their teeth as headliners through WA venues, as well as supporting the likes of The Vanns, Dear Sunday, DICE, San Cisco, Stone Temple Pilots and LIVE, Figurehead have grown support from all corners of the industry throughout their career.
Their music has earned praise from online tastemakers as well as radio by way of Triple J Unearthed, RTR and 4ZZZ, while their current streaming numbers have the band enjoying over 23,000 monthly listeners and 66,000 monthly streams on Spotify, with the total continuing to grow.
Single Artwork: Alex Jasper
PRAISE
“This is how Indie-Rock is done my friends!! This rocks socksss”
— EBONY JADE, TRIPLE J
“Built on a foundation of groove and melody, ‘On Repeat’ showcases a band whose music deserves a national audience.”
— CLAIRE MOONEY, TRIPLE J
“A perfectly executed surf rock song from the WA 6-piece. Love it!!!!!!!!”
— SCENESTR (4.5/5 review)
“The big melodies in this are straight up room fillers!”
— EBONY JADE, TRIPLE J
‘Heart Like a Sunset’ is released Wednesday 8th April
Jack White returns with the release of two fiery new songs, ‘G.O.D. and the Broken Ribs’ and ‘Derecho Demonico’, both available now via Third Man Records via all streaming services. Limited-edition Tri-Color and Black 7” vinyl are also on sale now at thirdmanrecords.com, while the black 7” vinyl arrives at independent record stores worldwide next week. Listen to ‘G.O.D. and The Broken Ribs’ + ‘Derecho Demonico’ HERE.
Over the weekend, White made his sixth appearance (one with The White Stripes and five as a solo artist) on NBC’s SATURDAY Night Live, with host Jack Black. White also appeared on SNL’s 40th and 50th Anniversary TV specials, the latter highlighted by blistering performances of ‘Seven Nation Army’ and Neil Young’s ‘Rockin’ in the Free World’.
Produced by White with backing from his longtime live band, Patrick Keeler (drums), Dominic Davis (bass), and Bobby Emmet (keys), ‘G.O.D. and the Broken Ribs‘ and ‘Derecho Demonico‘ mark the recent Rock & Roll Hall of Fame inductee’s first new music since 2024, a year highlighted by the release of the critically lauded No Name. White’s sixth studio album, the acclaimed collection, was honored with a 2025 GRAMMY® Award nomination for ‘Best Rock Album‘ – White’s 34th solo-career nomination and 46th overall, along with 16 total GRAMMY® Award wins. No Name includes the consecutive #1 U.S. radio hit singles, ‘That’s How I’m Feeling’ and ‘Archbishop Harold Holmes’, the latter of which is joined by an electrically charged official music video starring legendary actor and renaissance man John C. Reilly as the ecstatic, impassioned titular character, now boasting over 3.1M worldwide views via YouTube alone.
Having spent much of 2024 and 2025 traveling across North America, Europe, the United Kingdom, and Japan with his epic No Name Tour, White will return to the road this summer for international headline dates and top-billed festival performances in Europe, the United States, and Asia. For complete details and ticket information, please visit jackwhiteiii.com/tour-dates.
In addition, October 2024 saw the official publication of Jack White Collected Lyrics and Selected Writing Volume 1, available now at thirdmanbooks.com, Third Man physical storefronts, and booksellers in the United States and the United Kingdom. Edited by Third Man Records co-founder Ben Blackwell, the landmark new anthology features never-before-published poems and writings by White, rare and exclusive photos, and new essays written especially for this book by Blackwell, award-winning, Pulitzer Prize and National Book Award-nominated poet Adrian Matejka, and award-winning, Detroit-based filmmaker and writer dream hampton. It also compiles lyrics from both White’s solo recordings thus far, as well as his acclaimed work with The Raconteurs, The Dead Weather, and other collaborations.
Jack White‘s ‘G.O.D. and The Broken Ribs‘ & ‘Derecho Demonico‘ is out now via Third Man Records.
Buy/stream it HERE.
Limited-edition Tri-Color and Black 7” vinyl are on sale now at thirdmanrecords.com,
Stay connected with Jack White:
Website | Facebook | TikTok | Instagram | Youtube | Third Man Books | Third Man Records
Local legend Courtney Barnett today announces Creature of Habit East Coast tour dates for November. The Grammy-nominated singer-songwriter will take her live show to Brisbane’s The Tivoli on 4 November and Melbourne’s Palais Theatre on 7 November, plus a stop at the iconic Sydney Opera House Concert Hall.
Frontier Members can access presale tickets from 9am AEST on Wednesday 8 April, ahead of tickets going on sale at 9am AEST on Friday 10 April. More information at frontiertouring.com/courtneybarnett
More than four years since her last Australian tour, Courtney makes her homecoming in the wake of extensive UK and North American dates. Known for a performance that’s part intimate storytelling, part indie rock, with bursts of raw grunge-like energy, Courtney Barnett live is genuine and authentic. A signature blend of moody guitar, witty, anecdotal lyrics and her laconic talk-singing have cemented her as “one of the most distinctive voices in indie music” (The Mancunion).
Written in the wake of a relocation from Australia to Los Angeles and the closure of her long-running label Milk! Records, Barnett was grappling with changes that put the future of both her life and career in question. Rather than internalising those feelings, she decided to bring all this swirling confusion directly into the recording process. With singles ‘Stay in Your Lane’, and ‘Site Unseen (feat. Waxahatchee)’ setting the tone, the album marks a decisive new chapter in Courtney Barnett’s musical evolution.
Courtney took to the stage at Manchester’s Radio 6 Music Festival last month, launching Creature of Habit to widespread acclaim. She also delivered a powerful live rendition of ‘Mantis’ for US television’s CBS Mornings’ Saturday Sessions.
With Creature of Habit, Courtney Barnett reaffirms her place as one of the most compelling voices in modern rock; unafraid to confront uncertainty, embrace vulnerability, and transform it into something deeply human and electrifying.
Courtney will bring her new record and extensive catalogue to life with performances in some of Australia’s premiere venues this November, transforming each track into a dynamic, shared experience that resonates long after the final note.
Courtney Barnett’s Creature of Habit is out now (Fiction Records) – Get it HERE!
COURTNEY BARNETT
AUSTRALIAN TOUR
NOVEMBER 2026
Presented by Frontier Touring, Penny Drop and Triple R*
TICKETS ON SALE
Begins: Friday 10 April (9am AEST)
*Triple R presenting Melbourne show only
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW COURTNEY BARNETT:
Earl Sweatshirt, MIKE, and SURF GANG release their double album POMPEII // UTILITY via 10k/Tan Cressida/SURF GANG Records. A long-rumored, coveted collaboration between two friends who happen to be two of the most critically celebrated rappers in the game and renowned producer collective SURF GANG, the double album is a capstone on the musical community they’ve cultivated over the last decade. From top to bottom, there was a clear concerted effort to keep every angle of the project within the family. All of the art for this project, from single covers to the album cover, is pulled from work by sculptor and Earl Sweatshirt’s childhood friend, Sharif Farrag. LISTEN HERE.
Over the past week, Earl, MIKE, and SURF GANG have shut down intimate venues in LA, New York City and London for three secret shows they unveiled via a scavenger hunt on their website last month. Later next month, MIKE and Earl will also be playing a series of Australian and New Zealand tour dates in May, including a show at Sydney Opera House as part of Vivid LIVE Festival. Tickets are on sale below, with support on select dates from C.FRIM and Chef Chung. Following that, the official Home on the Range tour kicks off in June, which includes 26 US stops beginning June 9th in Riverside, before taking it overseas to Europe.
Structured as a double-sided album with MIKE on one side (POMPEII) and Earl on the other (UTILITY), SURF GANG’s Harrison, evilgiane, Elipropperr, and Flea Diamonds lace an animated and frenetic framework through the project with their production, resulting in a full-circle collision of worlds that was inevitable. POMPEII // UTILITY translates those nuanced differences between MIKE, Earl & SURF GANG into a singular language of their own, evoking a shared ethos of collaboration and community-building rather than a transactional exercise. The producer collective’s distinctly online, manic song structures give MIKE & Earl a new opportunity to fold their shared propensity for coded, meditative verses into the larger community they’ve built through their friendship since MIKE first caught the world’s, and Earl’s, attention in 2016, ahead of his cult classic 2017 album MAY GOD BLESS YOUR HUSTLE. In the years since, the pair have tallied notable collaborations like ‘allstar’ on MIKE’s 2020 album weight of the world, and ‘Sentry’ on Earl Sweatshirt and The Alchemist’s collab album VOIR DIRE.
POMPEII // UTILITY LP
MIKE, Earl Sweatshirt, SURF GANG
April 3, 2026 via 10k/Tan Cressida Records
BUY/STREAM HERE

EARL SWEATSHIRT & MIKE TOUR DATES
Fri 22 May – Studio The Venue – Auckland ¢
Sat 23 May – The Timber Yard – Melbourne ¢ &
Sun 24 May – Sydney Opera House – Sydney*
Wed 27 May – The Tivoli – Brisbane ¢ &
¢ – with C.FRIM
& – with Chef Chung
*as part of Vivid LIVE
All ticketing details HERE
Stay connected with
Earl Sweatshirt: Website | Facebook | Instagram | X | YouTube
MIKE: Instagram | X | YouTube | Soundcloud
SURF GANG: Website | Instagram | X | YouTube | Soundcloud
Australian producer/DJ Arky Waters is ramping up anticipation for his upcoming debut album with the release of his latest single, ‘Molly’.
“I just wanted to make some dance music that was fun and dumb. When I first started experiencing club music, I remember the trap DJs always cutting in some bass house in their sets. It was a fun way to provide an energy switch during the set, so I wanted to make something similar. For some of my friends that I’ve shown it to, it’s their favourite track on the record!” says Arky Waters
‘Molly’ is a high-energy, bass-driven track designed to spark the dance floor while showcasing Arky Waters’ playful take on electronic music. With its infectious drive and uplifting drops, it’s the perfect teaser for what’s to come on his debut album.
‘Molly” is out now via Mammal Sounds Records:
https://bfan.link/arky-waters-molly
Socials:
Credits:
Written & Produced by Arky Waters
Mixed by Doug Wright
Mastered by Suture Mastering
Artwork & Photos by Arky Waters
Visuals by Arky Waters
What made now feel like the right time to look back and build a tour around the music that started everything for you?
Honestly it just felt like the moment. I’ve been doing this for over 15 years now and I realised there’s this whole body of work tracks that shaped everything I became as an artist that I’ve barely touched in my sets. Fans who’ve been with me from the start deserve to hear that music properly, and newer fans deserve to know where it all came from. The timing felt right to honour that.
When you listen to your early tracks today, do you hear nostalgia, or do you hear a completely different version of yourself?
Both honestly. There’s definitely nostalgia I can hear the bedroom, the late nights, the excitement of just making noise and not really knowing what you’re doing. But I also hear someone figuring out their identity.
Melbourne bounce became a global sound — did you realise at the time you were part of something that big, or did it happen without you noticing?
I wouldn’t say it happened without me noticing. It was really a unique moment and period for me growing up. One day I was in my bedroom on shitty speakers then you feel like the next day you’re playing it overseas and people know every drop and you think ok something big has happened here.
You’ve been in the industry for over a decade now — what’s something about the music world that people don’t see from the outside?
How relentless it actually is. People see the shows, the travel, the highlights but they don’t see how much goes into sustaining a career year after year. The music, the business decisions, the relationships, the mental load of staying relevant while staying true to yourself. It’s not glamorous the whole way through, and the artists who last are the ones who genuinely love it enough to keep going through the hard parts.
How different is the way you make music today compared to when you were producing in your bedroom in the early days?
Night and day in terms of tools and knowledge but the core is the same. I still start with a feeling of how do i want people to people when they hear this. Back then I didn’t have the technical skills to fully execute the vision. Now I do. But if anything, I try to protect that raw instinct.
Do you think electronic music moves too fast now, or do you like the pace the industry is evolving at?
It moves fast but I think that’s part of what makes it exciting. The challenge is not chasing every trend and losing your identity in the process. The artists I respect most are the ones who evolve on their own terms. If you’re just reacting to whatever’s hot this week, the music shows it. I’d rather be authentic and just on my own course.
If you could go back and give your younger self one piece of advice when you first started, what would it be?
Trust the process and don’t worry about peoples opinions. I wasted a lot of energy early on caring what people think. The only version of this that works long-term is the one that’s genuinely yours. Everything else is noise.
What keeps you motivated after so many years of touring, releasing music, and being constantly on the move?
The people, honestly. You can have the longest travel day of your life, run on no sleep, and then you walk out and the crowd is going off that resets everything. And I still genuinely love making music. The day that stops feeling exciting is the day I’ll know something’s wrong.
Your new single Teardrop feels like another step forward — where do you see your sound heading over the next few years?
I’m not sure really all the music coming out now I made is from 6-12 months ago. I love making more emotional records but also love records that you know when they’re played live at a festival the crowd is going to go crazy.
After celebrating the past with this tour, what do you think the next chapter of Will Sparks looks like?
It’s actually one of the most exciting periods I’ve had in a while. More music than I’ve ever released, a collab with Orkestrated that I’m really proud of, Tomorrowland again, and potentially a surprise EP that I think will genuinely catch people off guard. The Classics tour is about honouring where it started but everything else I’ve got lined up is firmly about where it’s going.
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At just 17, Vancouver-based singer-songwriter Sophia Bouvier steps into view with the quiet confidence of an artist who already knows the power of a well-told story. Her debut single, “Poison Apple,” serves as both an introduction and a statement of intent—an intimate, emotionally charged track that explores what she describes as “the push and pull of temptation, trust, and heartbreak.” There’s a tension running through the song, where sweetness slowly gives way to something sharper, capturing that all-too-familiar moment when illusion fades and consequences settle in. With its vivid lyricism and reflective tone, “Poison Apple” invites listeners to find themselves within it, sitting with the complicated choices we make and the bittersweet aftermath they leave behind. It’s a compelling first glimpse into a songwriting voice that leans into vulnerability without losing its edge.
Bouvier’s path to this moment has been shaped by years of performance and connection. Since picking up the ukulele at eight, she has honed her craft busking on city streets and playing in cafes, restaurants, and local venues across Vancouver. Her musical world draws from a rich lineage—echoes of Lana Del Rey’s cinematic melancholy, Billie Eilish’s understated intimacy, Nina Simone’s emotional depth, and Amy Winehouse’s raw honesty all find subtle expression in her work. Offstage, she channels that same passion into building community, hosting a monthly youth open mic that creates space for emerging voices to be heard. With “Poison Apple,” Sophia Bouvier isn’t just introducing herself—she’s establishing a foundation rooted in storytelling, connection, and a clear sense of artistic identity.
Ahead of the release of her studio album ANOMIE, Adelaide-based songwriter and musician Anna Jeavons shares another powerful taster with new single, ‘Smart Casual’.
A song that speaks to Jeavons’ heartfelt and natural talent for songwriting and storytelling, ‘Smart Casual’ is emotive and high impact. Produced by Ben Stewart (Slowly Slowly), it locks listeners in, with commanding vocals and layered guitars building to a moving crescendo. Jeavons pours reflections on a turbulent time in her life into lyrics that feel both accessible and intimate.
“Smart Casual is a song about how we don’t grow all year round and, like plants, need light and time. Like a lot of songs on the album, it wrestles with existential angst; it’s an outpouring of loneliness, and yearning for meaning. In the lyrics I say: I don’t believe in anything; I am more alone than I have ever been.
But it’s not all depressing. At the end you can hear me repeat the lyrics ‘it’ll be alright’, almost like a mantra. I think I wanted to believe I could tend to the parts of me that felt cold or buried – and eventually be ready to unfurl and grow again.”
Indeed, “It’ll be alright” may be the catchcry of the artist’s forthcoming album. A skilled lyricist, Anna carefully articulates commonplace anxieties. But it is hope, not self-pity, that’s left lingering in the listener’s ear.
Along with the release of ‘Smart Casual’, Jeavons is excited to share the song’s official music video, co-directed by Jeavons herself and Brendan Levi.
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Anna, who lives with Bipolar I Disorder, wanted to visually capture her relationship with nature: one of her great comforts in times of crisis.
“Imagery like lying in grass, or being engulfed by the ocean, is an important visual for the album. Reconnecting with the natural world, and listening to it, helps me slow down; to stop rushing headlong to my death. It makes me feel connected to something bigger, universal, eternal – to the natural order of things. Less alone. I can immerse my miserable, crushing individuality into something older and wiser – the earth, the long grass; a speck intermingling with an enormous universe.
The video was shot at locations between Brownhill Creek, Belair and Lynton Railway Station in Adelaide.
Jeavons wanted to contrast the footage with imagery of lying in bed in a dark room doomscrolling, representing her depression.
“I recruited my friends Brendan Levi and Daniel Wise to bring this one to life. We focused on aligning match cuts between the bedroom and the nature shots, and capturing footage from above that pulls out slowly. I was hoping to create a feeling of expansion, like in the song. It starts simple, then builds and opens up at the end, becoming big and cinematic. We wanted to mirror that in the music video.”
ANOMIE will be released on April 29 – the start of a much-anticipated new chapter for Jeavons, one of Adelaide’s long-beloved storytellers. So far this year, the artist has released six stunning tracks, each speaking to the themes of the album in their own way.
Featuring songs ‘Woo Me’, ‘On The Sidelines’, ‘Milky’ and more, the growing collection has provided newcomers with a great gateway to Jeavons’ music. For longtime fans, it’s been a poignant reminder of her dedication to the craft. With the release of ‘Smart Casual’, we see Anna Jeavons take another step forward, offering more poetic and nuanced musings on what it means to be alive.
SMART CASUAL IS OUT NOW
ANOMIE IS RELEASED WEDNESDAY 29 APRIL.
ANNA JEAVONS: Official Website | Facebook | X | Instagram | TikTok | Triple J Unearthed | YouTube
Big Wave world champion continues musical rise with one of 2026’s standout collaborations
MAKUA is heading to Australia and is set to perform at Sessions Surf Festival on the Gold Coast on 23 May 2026 + more to be announced
Big Wave world champion Makua Rothman has released his new single Catch A Wave, a powerful collaboration with multi-platinum alternative act AWOLNATION that is already gaining global traction.
A World Surf League title holder, Rothman built his reputation charging some of the most dangerous waves on the planet. But behind the accolades lies a journey marked by personal struggles that once saw him lose his way before rebuilding his life through surfing, music and discipline.
Now emerging as a powerful voice beyond the surf world, the North Shore of Oahu native channels those experiences into music that blends alternative rock and surf punk. His songs draw heavily from life growing up on Hawaii’s North Shore and the tight-knit surf community that shaped him.
His latest release, Catch A Wave, features Aaron Bruno, frontman of AWOLNATION and the voice behind the multi-platinum hit Sail, with the collaboration naturally progressing from creative partnership and into the studio.
At its core, the track is grounded in loss, brotherhood and life in the water, carrying an emotional weight that reflects Rothman’s journey both as an athlete and an artist.
“Music gives us a way to bring back the memories of our friends who have passed and help carry their legacies forward,” Rothman says. “The song is a way to make sure they are not forgotten.”
Working alongside multi-platinum producer Jimmy Messer, whose credits include Madonna, Miley Cyrus and Kelly Clarkson, Rothman has been building momentum as an artist, touring with acts such as AWOLNATION and Sublime.
Australia is a natural stop, with Rothman planning upcoming tour dates. He will kick things off on the Gold Coast at Sessions Surf Festival 2026, with additional dates to be announced. He carries strong recognition among surf audiences, while his crossover into music is connecting with a broader cultural audience across sport, music and lifestyle.
With a new album expected this year, his upcoming visit will introduce Australian audiences to the next chapter of that journey.
Available now on all streaming platforms