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Festival NewsMusic News

Interview: Figurehead talk new single “Heart Like A Sunset”

by the partae April 9, 2026
written by the partae
“Heart Like a Sunset” feels emotional but still really upbeat musically — did the sound come first or were the lyrics and story already there before the track started taking shape?
‘The need for expression was there, and sometimes those really raw emotional feelings can lead to a song almost writing itself. That was the case here, lyrics and chords came together for this tune and it’s pop sensibility was in my head before bringing it to the band. I’m so lucky to have the right team to help me bring it into the world!’ – Joe
The song talks about acceptance and empathy after a breakup, which is a pretty mature way to look at heartbreak — was that message something that came from personal experience?
‘In my experience breakups are difficult, no matter which side of the coin you happen to be on. It’s important to try and be honest, as well as kind and sensitive. I hope this song can provide catharsis or comfort for anyone experiencing similar.’ – Joe
There’s a real mix of sounds in this track, from indie rock to more pop and synth elements — do you consciously try to blend styles, or does that just happen naturally when you’re writing together?
‘I love Talking Heads as much as I love Pantera, Justin Bieber, Paramore, Nine Inch Nails, Tori Amos or Aphex Twin. I think a lot of artists feel that way these days with so much recorded music in history available to us. And what a blessing, to be able to express oneself with all of these palettes and frequencies to draw inspiration from. Death to genre!’ – Joe
You’ve worked again with Dave Parkin on this release — what does he bring to your sound that keeps you coming back to work with him?
‘Dave has always understood our sound and knows what’s best for our tracks. His knowledge of the industry plays a part in this. We leave his studio with a fresh perspective of the tracks, always wanting to book that next session.’ – Ross
How would you say your songwriting has changed over the last couple of years compared to your earlier releases?
‘The process has become more collaborative, and I think everyone is now aiming closer to the direction of what we want to become. When writing songs, I’m always conscious of trying to make it quirky or interesting (at least to myself) and when the other guys enjoy something about it and bring more for us to work with, the song gets time to go through lots of trials and iterations. That’s when you get a final product that you can be proud of.’ – Joe
You’ve built a strong following both online and through live shows — do you feel like Figurehead is more of a live band or a studio band at heart?
‘I think every member would have their own take on this. I see figurehead as a live band at heart as that’s where it all started like most bands. Once you’ve locked in a set and earned money from those shows that’s when the studio sessions get booked. There’s definitely magic on both sides.’ – Ross
When you were writing “Heart Like a Sunset”, was there a particular moment where you realised the song was something special?
‘As soon as I found that chorus groove I was sure that the rest of the song had its place, almost like the final piece required to see the whole puzzle.’ – Joe
Fremantle has such a strong music scene — how much has being based there influenced the band and your sound?
‘Half of us are from Fremantle and some are from further north of the river, so we span a fairly large scope of venues and local bands which is a great position to have! But Freo venues like Mojo’s and Clancy’s and more recently Gage Roads with their “Live and Local” events have been imperative in growing our audience and establishing ourselves as a live act. We are supporting The Vanns at Gage Roads 12 June .’ – Joe
With new music coming out and more on the way, are you working towards a bigger project or just releasing songs as they come?
‘The current audience climate is calling for more singles at this stage, but an EP is definitely on the agenda in the near future!
We have another single scheduled for release in June and are currently in the studio recording new material ‘ – Joe
Looking ahead, what do you want people to feel when they listen to Figurehead for the first time?
‘I want any new listeners to hear themselves in our music. A lyric or styling that rings true to who they are, that compels them in a really personal way.’ – Joe
‘If first listeners felt excitement and a curiosity for the band that would make me happy. When I hear a new band and I get those feelings that’s when I know I’m hooked. ‘ – Ross
PLAY/LISTEN

FIGUREHEAD: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed

April 9, 2026 0 comments
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Festival NewsMusic News

FESTIVAL OF THE STONE 2026 LINEUP ANNOUNCEMENT Saturday 20 June, Byron Bay – Music | Community | Tradition

by the partae April 9, 2026
written by the partae
Early Bird Tickets ON SALE NOW

The crew at Stone & Wood are thrilled to share the lineup for Festival of the Stone 2026, returning to the brewery on Saturday 20 June for Byron Bay’s favourite winter gathering of live music, fresh brews and good company.

As the cooler months roll into Northern NSW, Stone & Wood will once again set the stage for an evening of great Aussie music, community spirit and the annual tapping of the much-loved Stone Beer — a limited winter release brewed the old-school way with stones heated over a wood fire.

Now in its twelfth year, Festival of the Stone has become a beloved fixture on the music festival calendar. Each year, fans from near and far come together to celebrate music, enjoy amazing beer and share good times, all while supporting Byron’s Fletcher Street Cottage. This year’s lineup is a beauty, welcoming Pacific Avenue, Ruby Fields, Dear Seattle, Eliza & The Delusionals and Liquid Zoo.

South Coast rockers Pacific Avenue cemented their place in the Australian music landscape with their breakout 2023 debut album Flowers, which debuted at #1 on the ARIA Australian Albums Chart and earned multiple ARIA and AIR Award nominations. Their blend of classic rock and heartfelt ballads, paired with Harry O’Brien’s distinctive vocals, has seen them build a strong following through touring, radio support and global streams. With their sophomore album Lovesick Sentimental just released, they’ll take the stage with new tracks alongside fan favourites.

Sydney singer-songwriter Ruby Fields has built a devoted following through sharp, relatable storytelling and a distinct indie-rock sound. She first gained attention in 2017 when triple j played her debut single “I Want” the same day it was uploaded to Unearthed. Since then, she has sold out national tours, performed to crowds of more than 20,000 at Splendour In The Grass, toured internationally and delivered a Like A Version. Her debut album Been Doin’ It For A Bit debuted at #1 on the ARIA Albums Chart, cementing her position as one of Australia’s most compelling young songwriters.

Fresh from topping the ARIA Albums Chart with their third studio album TOY, Sydney indie-rockers Dear Seattle are heading to Byron Bay in peak form. The record blends soaring riffs, melodic hooks and reflections on growth and relationships, featuring tracks such as “Evergreen”, “Say What You Want”, “Counting Hours” and “Nothing’s Stopping Me Now”. With strong streaming numbers and a solid run of shows leading into the festival, the band continues to build momentum.

Northern NSW and Brisbane trio Eliza & The Delusionals continue to evolve with their blend of indie pop and guitar-driven rock. Their debut album Now & Then received critical acclaim including a 4.5-star review from Rolling Stone Australia and a triple j J Award nomination. Their follow-up Make It Feel Like The Garden expanded their sound with more layered production and introspective songwriting influenced by time spent touring internationally. Tracks like “Falling For You” continue to resonate with audiences, reinforcing their place as one of Australia’s standout indie acts.

Sydney five-piece Liquid Zoo bring a raw, high-energy indie rock sound shaped by influences such as The Strokes, early Kings of Leon and The Hives. Built for late nights and packed venues, their music combines sharp guitars, driving rhythms and hook-heavy vocals. Their live shows have gained a reputation for their intensity and atmosphere, turning venues into full-scale parties while maintaining tight, dynamic performances.

As always, Festival of the Stone marks the unveiling of Stone & Wood’s 2026 Stone Beer, a rich and limited winter release crafted using heated stones in homage to traditional brewing methods. Alongside the music and fresh pours, the festival will once again raise funds for Fletcher Street Cottage, supporting people experiencing homelessness and hardship in the Byron Shire.

Message your crew and get ready for another night of music, beer and community at Festival of the Stone 2026.

FESTIVAL OF THE STONE

Saturday 20 June, 2026
Stone & Wood Brewery
Centennial Circuit, Byron Bay (Cavanbah)TICKETS

EARLY BIRD ON SALE NOW $65 + BF (18+) | $30 + BF (12-17)
AFTER 1 JUNE $70 + BF (18+)
Under 12s – Free Entry
Website
Facebook
Instagram
X

 

April 9, 2026 0 comments
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Festival NewsMusic News

MATT CORBY ANNOUNCES THE TRAGIC MAGIC TOUR – ADELAIDE, PERTH, MELBOURNE, NEWCASTLE, BRISBANE – JUNE 2026 + SPECIAL GUEST GRETTA RAY | TICKETS ON SALE MONDAY

by the partae April 8, 2026
written by the partae

Frontier Touring is pleased to announce that critically acclaimed singer, songwriter and producer Matt Corby will return to stages across the country this June 2026, bringing his celebrated live show to audiences nationwide with The Tragic Magic Tour.

With multiple ARIA Awards, platinum-selling releases and a body of work that continues to evolve with each release, Matt Corby stands as one of Australia’s most enduring and influential artists. The upcoming tour celebrates the release of the singer’s fourth studio album, Tragic Magic, set for release on Friday 17 April via Island Records (pre-order here) – a deeply personal and soul-soaked collection that captures a new chapter in Corby’s life and artistry.

Praised as one of the country’s most compelling live performers (as witnessed on his national trek supporting US star Teddy Swims in 2025), Corby’s shows are renowned for their intimacy and musicianship – a space where intricate arrangements and his unmistakable voice take centre stage. The Tragic Magic Tour will see Corby perform at some of the country’s most-loved venues, kicking off at Adelaide’s Thebarton Theatre on Wednesday 3 June, followed by Perth’s Riverside Theatre on Thursday 4 June, before heading to Melbourne’s The Forum on Tuesday 9 June. The tour will continue to Newcastle’s Civic Theatre on Friday 12 June, before concluding at Brisbane’s Fortitude Music Hall on Sunday 14 June.

Joining the tour as special guest is Gretta Ray. From a triple j Unearthed High win to touring alongside Maisie Peters, Mumford & Sons and Gang of Youths, Gretta Ray has continued to evolve as one of Australia’s most compelling pop voices. Following her acclaimed debut Begin To Look Around (2021), Ray’s 2023 sophomore album Positive Spin cemented her reputation for sharp, emotionally resonant songwriting.

Tickets to The Tragic Magic Tour go on sale Monday 13 April (11am local time) via frontiertouring.com/mattcorby. Frontier Members presale starts Friday 10 April (11am local time) – see website for details.

Matt Corby is a musical perennial. Three immaculate albums into an original music journey, with no end in sight, Matt first broke through back in 2011 with the bruising ballad and 10x Platinum hit ‘Brother’, a song whose enduring appeal was proven again with its #51 appearance on triple j’s ‘Hottest 100 Of Australian Songs’ in 2025. While it remains a defining song of its era, it is the work since – from the quiet intensity of singles such as ‘Resolution’, ‘Miracle Love’, or ‘Reelin’ – to the expansive albums Telluric (2016), Rainbow Valley (2018), Everything’s Fine (2023) – that underscores a career shaped by evolution over expectation.

The first taste of Corby’s forthcoming album came in the form of singles groove-laden single ‘Burn It Down’, the reflective ‘Long and Short’ and ‘War To Love’. Tragic Magic sees Corby further refine his timeless sound, Corby co-producing every track and performing the majority of instruments across the record.

One of Australia’s most soulful and stirring voices, don’t miss these special shows.


MATT CORBY
​+ special guest Gretta Ray
​
THE TRAGIC MAGIC TOUR
​JUNE 2026
​
Presented by Frontier Touring and triple j ​

FRONTIER MEMBER PRESALE
​
via frontiertouring.com/mattcorby
​
Runs 24 hours from: Friday 10 April (11am local time)
​or until presale allocation exhausted


TICKETS ON SALE
​
Begins: Monday 13 April (11am local time)

Wednesday 3 June
​Thebarton Theatre | Adelaide, SA
​
Lic. All Ages
​ticketmaster.com.au

Thursday 4 June
​Riverside Theatre | Perth, WA
​
Lic. All Ages
​ticketek.com.au ​

Tuesday 9 June
​The Forum | Melbourne, VIC
​
18+
​ticketek.com.au

Friday 12 June
​Civic Theatre | Newcastle, NSW
​
Lic. All Ages
​civictheatrenewcastle.com.au

Sunday 14 June
​The Fortitude Music Hall | Brisbane, QLD
​
18+
​ticketmaster.com.au

** Also playing (not a Frontier show, see artist website for details):

Saturday 6 June
​Winter Wine Festival | Gerringong, NSW

Saturday 13 June
​VIVID, Tumbalong Park | Sydney, NSW

 

FOLLOW MATT CORBY:

Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music ​

April 8, 2026 0 comments
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Festival NewsMusic News

Karnivool Announce Biggest Headline Shows of Their Career

by the partae April 8, 2026
written by the partae

Perth icons Karnivool are thrilled to announce they are taking their number one album, In Verses, on the road for the first time, delivering the biggest headline shows of their career. To celebrate, Karnivool will be joined by special guests TesseracT (UK) and Car Bomb (USA) for an unmissable night of heavy excellence.

Kicking off with a hometown show at the Ice Cream Factory in Perth on July 18, Karnivool will deliver a career spanning set across five capital cities, winding up at Riverstage in Brisbane on July 25.

Landing 13 years after its predecessor, In Verses is a heavy prog masterpiece that stunned critics and fans who were both quick to forgive the band for the agonisingly long wait. A meticulously crafted, richly layered yet welcoming journey, the album is a rare chart-topper that wasn’t built for algorithms or respectable release cycles, yet it soared straight to #1 on the ARIA Chart, becoming the first local album to do so in 2026.

Behind the album’s success is a deeper story about resilience and perseverance. When the bagpipes swell on the album closer Salva, it’s a real triumphant celebration (and quite the tear jerker online) for the band and fans who have waited 13 years for this moment. Karnivool’s next challenge: learning how to deliver live the songs they’ve spent the better part of a decade wrangling into existence.

Joining Karnivool are fellow masters of their craft TesseracT. The UK metal titans are widely regarded as pioneers, expanding metal’s vocabulary beyond all measure with off-kilter riffs, soaring melodies, bending grooves and disorientating atmospherics. Over the course of their career, the band have built a formidable reputation for powerful, mind-altering live shows and Australian legions came out in force to experience their landmark record, War of Being, in 2024.

Rounding out this outstanding line-up is New York innovators Car Bomb, bringing their elite chops and maniacal arrangements to Australia for the very first time! 25 years in with a discography almost as lean as Karnivool’s, Car Bomb mines the depths of extreme metal to create a signature sound that is as confounding as it is cathartic with evolving polyrhythms, shifting tempos and deconstructive guitars designed to pulverise all senses live.

It’s been over a decade since Karnivool have toured a new album and they’ve assembled an elite suite of boundary shattering virtuosos to mark the occasion. Don’t miss this very rare and extraordinary event.

Presale begins Tuesday 14 April 9am local time
Tickets on sale: Thursday 16 April 9am local time

More info from destroyalllines.com

KARNIVOOL
IN VERSES AUSTRALIAN TOUR

With Special Guests TesseracT (UK) and Car Bomb (USA)

Presale begins Tuesday 14 April at 9am local time. Sign up for access here

Tickets are on sale Wednesday 15 April at 9am local time via destroyalllines.com

Saturday July 18
Ice Cream Factory, Perth

Tuesday July 21
AEC Theatre, Adelaide

Thursday July 23
Hordern Pavilion, Sydney

Friday July 24
Margaret Court Arena, Melbourne

Saturday July 25
Riverstage, Brisbane

Praise for Karnivool

“In Verses is spectacular.” – The Australian

“Another thoroughly rewarding album experience that cements Karnivool’s status as one of Australia’s most important and revered heavy acts.” – Double J

“A Karnivool tour is never less than a full-bodied experience — equal parts cerebral, visceral and spiritual.” – The Note Magazine

“Karnivool will march to the beat of their own drum and indulge their musical whims without any care for the demands of the mainstream. In return, they will deliver a masterful show like this.” – Sydney Morning Herald

“A monumental work of art.” – Wall of Sound

“The bar for progressive metal in 2026 has been set, and it’s hard to think of
another band who can raise it.”
 – Metal Hammer

 “In Verses returns Karnivool to the top of the prog-metal mountain.” – Kerrang!

 “Karnivool have not forgotten how to leave a bruise or two.” – Classic Rock

INSTAGRAM

April 8, 2026 0 comments
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Festival NewsMusic News

DEAN TURNLEY EXCLUSIVE MELBOURNE SHOW

by the partae April 8, 2026
written by the partae

Melbourne’s own Dean Turnley has announced an exclusive headline show this June, taking over the iconic Northcote Theatre on Saturday 6th June.

Presented by Untitled Group and Full Circle, the one-night-only performance marks a major moment for one of Australia’s most exciting electronic exports.

Fresh off a standout set at Pitch Music & Arts 2026, which sent ripples across social media and the global electronic scene, and riding the success of his latest release Actin’ Tough, Turnley returns to Melbourne with serious momentum.

Known for his signature blend of house and techno, his sets are as dynamic as they are deeply rooted in dance floor tradition.

Sign up now for access to the presale.

All tickets will be made available to purchase during the presale, and we expect a very high demand for tickets. Sign up and be ready to purchase at 12pm sharp on Thursday 9 April for your best chance to secure tickets.

SIGN UP FOR PRESALE

PRESALE: Thursday 9th April, 2026 at 12:00pm AEST

GENERAL ON SALE: Friday 10th April, 2026 at 12pm AEST

TOUR INFORMATION
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April 8, 2026 0 comments
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Music News

FREMANTLE INDIE ACT FIGUREHEAD RETURN WITH NEW SINGLE “HEART LIKE A SUNSET”

by the partae April 8, 2026
written by the partae

Photo Credit: Mia Shaw

Maintaining consistency as one of the West Coast’s best forces in indie rock, Fremantle five-piece FIGUREHEAD return with their second release of the year, ‘HEART LIKE A SUNSET’.

A bubblegum-pop kaleidoscope of funky guitars, dreamy synths and gut-wrenching vocals, FIGUREHEAD display their impressive ability and range in this breakup anthem.

“The lyrics embrace acceptance and empathy in the wake of a relationship breakdown, championing kindness even in the face of heartbreak.”
— Joe Caddy

Following on from a string of strong releases throughout 2025, the latest from Figurehead repositions the band as ones to watch, not to mention an exciting indication of what is still ahead of these talented musicians.

Recorded with frequent collaborator Dave Parkin (South Summit, Spacey Jane) at Blackbird Sound Studios, ‘Heart Like a Sunset’ comes layered with personality and attitude; the perfect example of a song that represents Figurehead’s chemistry as a band, as well as evolution in their songwriting.

As Figurehead looks forward to 2026 with enthusiasm and curiosity, the WA group will be continuing to follow new influences and sounds in fleshing out their already well-built body of work. Bringing in a diverse range of sounds that fuse alternative rock with contemporary indie pop, Figurehead have developed a strong following online and in the live space.

Cutting their teeth as headliners through WA venues, as well as supporting the likes of The Vanns, Dear Sunday, DICE, San Cisco, Stone Temple Pilots and LIVE, Figurehead have grown support from all corners of the industry throughout their career.

Their music has earned praise from online tastemakers as well as radio by way of Triple J Unearthed, RTR and 4ZZZ, while their current streaming numbers have the band enjoying over 23,000 monthly listeners and 66,000 monthly streams on Spotify, with the total continuing to grow.

PLAY/LISTEN

Single Artwork: Alex Jasper

PRAISE

“This is how Indie-Rock is done my friends!! This rocks socksss”
— EBONY JADE, TRIPLE J

“Built on a foundation of groove and melody, ‘On Repeat’ showcases a band whose music deserves a national audience.”
— CLAIRE MOONEY, TRIPLE J

“A perfectly executed surf rock song from the WA 6-piece. Love it!!!!!!!!”
— SCENESTR (4.5/5 review)

“The big melodies in this are straight up room fillers!”
— EBONY JADE, TRIPLE J

‘Heart Like a Sunset’ is released Wednesday 8th April

FIGUREHEAD: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
April 8, 2026 0 comments
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Music News

JACK WHITE RETURNS WITH TWO NEW SONGS, ‘G.O.D. AND THE BROKEN RIBS’ & ‘DERECHO DEMONICO’

by the partae April 7, 2026
written by the partae

Jack White returns with the release of two fiery new songs, ‘G.O.D. and the Broken Ribs’ and ‘Derecho Demonico’, both available now via Third Man Records via all streaming services. Limited-edition Tri-Color and Black 7” vinyl are also on sale now at thirdmanrecords.com, while the black 7” vinyl arrives at independent record stores worldwide next week. Listen to ‘G.O.D. and The Broken Ribs’ + ‘Derecho Demonico’ HERE.

Over the weekend, White made his sixth appearance (one with The White Stripes and five as a solo artist) on NBC’s SATURDAY Night Live, with host Jack Black. White also appeared on SNL’s 40th and 50th Anniversary TV specials, the latter highlighted by blistering performances of ‘Seven Nation Army’ and Neil Young’s ‘Rockin’ in the Free World’.

Produced by White with backing from his longtime live band, Patrick Keeler (drums), Dominic Davis (bass), and Bobby Emmet (keys), ‘G.O.D. and the Broken Ribs‘ and ‘Derecho Demonico‘ mark the recent Rock & Roll Hall of Fame inductee’s first new music since 2024, a year highlighted by the release of the critically lauded No Name. White’s sixth studio album, the acclaimed collection, was honored with a 2025 GRAMMY® Award nomination for ‘Best Rock Album‘ – White’s 34th solo-career nomination and 46th overall, along with 16 total GRAMMY® Award wins. No Name includes the consecutive #1 U.S. radio hit singles, ‘That’s How I’m Feeling’ and ‘Archbishop Harold Holmes’, the latter of which is joined by an electrically charged official music video starring legendary actor and renaissance man John C. Reilly as the ecstatic, impassioned titular character, now boasting over 3.1M worldwide views via YouTube alone.

Having spent much of 2024 and 2025 traveling across North America, Europe, the United Kingdom, and Japan with his epic No Name Tour, White will return to the road this summer for international headline dates and top-billed festival performances in Europe, the United States, and Asia. For complete details and ticket information, please visit jackwhiteiii.com/tour-dates.

In addition, October 2024 saw the official publication of Jack White Collected Lyrics and Selected Writing Volume 1, available now at thirdmanbooks.com, Third Man physical storefronts, and booksellers in the United States and the United Kingdom. Edited by Third Man Records co-founder Ben Blackwell, the landmark new anthology features never-before-published poems and writings by White, rare and exclusive photos, and new essays written especially for this book by Blackwell, award-winning, Pulitzer Prize and National Book Award-nominated poet Adrian Matejka, and award-winning, Detroit-based filmmaker and writer dream hampton. It also compiles lyrics from both White’s solo recordings thus far, as well as his acclaimed work with The Raconteurs, The Dead Weather, and other collaborations.

Jack White‘s ‘G.O.D. and The Broken Ribs‘ & ‘Derecho Demonico‘ is out now via Third Man Records.
Buy/stream it HERE.

Limited-edition Tri-Color and Black 7” vinyl are on sale now at thirdmanrecords.com,

Stay connected with Jack White:
Website | Facebook | TikTok | Instagram | Youtube | Third Man Books | Third Man Records

April 7, 2026 0 comments
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Festival NewsMusic News

COURTNEY BARNETT ANNOUNCES CREATURE OF HABIT TOUR ​FOR NOVEMBER 2026

by the partae April 7, 2026
written by the partae

Local legend Courtney Barnett today announces Creature of Habit East Coast tour dates for November. The Grammy-nominated singer-songwriter will take her live show to Brisbane’s The Tivoli on 4 November and Melbourne’s Palais Theatre on 7 November, plus a stop at the iconic Sydney Opera House Concert Hall.

Frontier Members can access presale tickets from 9am AEST on Wednesday 8 April, ahead of tickets going on sale at 9am AEST on Friday 10 April. More information at frontiertouring.com/courtneybarnett

More than four years since her last Australian tour, Courtney makes her homecoming in the wake of extensive UK and North American dates. Known for a performance that’s part intimate storytelling, part indie rock, with bursts of raw grunge-like energy, Courtney Barnett live is genuine and authentic. A signature blend of moody guitar, witty, anecdotal lyrics and her laconic talk-singing have cemented her as “one of the most distinctive voices in indie music” (The Mancunion).

 Released in March, Creature of Habit is the highly anticipated new album from the indie trailblazer. It’s a bold, emotionally resonant record that explores the central question: how to get out of your own way so you can truly feel your life.

Written in the wake of a relocation from Australia to Los Angeles and the closure of her long-running label Milk! Records, Barnett was grappling with changes that put the future of both her life and career in question. Rather than internalising those feelings, she decided to bring all this swirling confusion directly into the recording process. With singles ‘Stay in Your Lane’, and ‘Site Unseen (feat. Waxahatchee)’ setting the tone, the album marks a decisive new chapter in Courtney Barnett’s musical evolution.

​Courtney took to the stage at Manchester’s Radio 6 Music Festival last month, launching Creature of Habit to widespread acclaim. She also delivered a powerful live rendition of ‘Mantis’ for US television’s CBS Mornings’ Saturday Sessions.
​With Creature of Habit, Courtney Barnett reaffirms her place as one of the most compelling voices in modern rock; unafraid to confront uncertainty, embrace vulnerability, and transform it into something deeply human and electrifying.

Courtney will bring her new record and extensive catalogue to life with performances in some of Australia’s premiere venues this November, transforming each track into a dynamic, shared experience that resonates long after the final note.

Courtney Barnett’s Creature of Habit is out now (Fiction Records) – Get it HERE!

COURTNEY BARNETT
​AUSTRALIAN TOUR
​NOVEMBER 2026
​
Presented by Frontier Touring, Penny Drop and Triple R*

FRONTIER MEMBER PRESALE
​
Via frontiertouring.com/courtneybarnett
​Runs 47 hours from: Wednesday 8 April (9am AEST)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 10 April (9am AEST)

 ​WEDNESDAY 4 NOVEMBER
​The Tivoli | Brisbane QLD (18+)
​
ticketmaster.com.au
​FRIDAY 6 NOVEMBER
​Sydney Opera House Concert Hall | Sydney NSW (Lic. All Ages)
​
sydneyoperahouse.com
​
SATURDAY 7 NOVEMBER
​Palais Theatre | Melbourne VIC (Lic. All Ages)
​
ticketmaster.com.au

*Triple R presenting Melbourne show only

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW COURTNEY BARNETT:

Website | Facebook | Instagram | YouTube | Spotify

frontiertouring.com/courtneybarnett

April 7, 2026 0 comments
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Festival NewsMusic News

EARL SWEATSHIRT, MIKE, AND SURF GANG RELEASE DOUBLE LP – POMPEII // UTILITY LP EARL SWEATSHIRT & MIKE TOURING ANZ THIS MAY

by the partae April 7, 2026
written by the partae

Earl Sweatshirt, MIKE, and SURF GANG release their double album POMPEII // UTILITY via 10k/Tan Cressida/SURF GANG Records. A long-rumored, coveted collaboration between two friends who happen to be two of the most critically celebrated rappers in the game and renowned producer collective SURF GANG, the double album is a capstone on the musical community they’ve cultivated over the last decade. From top to bottom, there was a clear concerted effort to keep every angle of the project within the family. All of the art for this project, from single covers to the album cover, is pulled from work by sculptor and Earl Sweatshirt’s childhood friend, Sharif Farrag. LISTEN HERE.

Over the past week, Earl, MIKE, and SURF GANG have shut down intimate venues in LA, New York City and London for three secret shows they unveiled via a scavenger hunt on their website last month. Later next month, MIKE and Earl will also be playing a series of Australian and New Zealand tour dates in May, including a show at Sydney Opera House as part of Vivid LIVE Festival. Tickets are on sale below, with support on select dates from C.FRIM and Chef Chung. Following that, the official Home on the Range tour kicks off in June, which includes 26 US stops beginning June 9th in Riverside, before taking it overseas to Europe.

Structured as a double-sided album with MIKE on one side (POMPEII) and Earl on the other (UTILITY), SURF GANG’s Harrison, evilgiane, Elipropperr, and Flea Diamonds lace an animated and frenetic framework through the project with their production, resulting in a full-circle collision of worlds that was inevitable. POMPEII // UTILITY translates those nuanced differences between MIKE, Earl & SURF GANG into a singular language of their own, evoking a shared ethos of collaboration and community-building rather than a transactional exercise. The producer collective’s distinctly online, manic song structures give MIKE & Earl a new opportunity to fold their shared propensity for coded, meditative verses into the larger community they’ve built through their friendship since MIKE first caught the world’s, and Earl’s, attention in 2016, ahead of his cult classic 2017 album MAY GOD BLESS YOUR HUSTLE. In the years since, the pair have tallied notable collaborations like ‘allstar’ on MIKE’s 2020 album weight of the world, and ‘Sentry’ on Earl Sweatshirt and The Alchemist’s collab album VOIR DIRE.

POMPEII // UTILITY LP
MIKE, Earl Sweatshirt, SURF GANG
April 3, 2026 via 10k/Tan Cressida Records
BUY/STREAM HERE

EARL SWEATSHIRT & MIKE TOUR DATES
Fri 22 May – Studio The Venue – Auckland ¢
Sat 23 May – The Timber Yard – Melbourne ¢ &
Sun 24 May – Sydney Opera House – Sydney*
Wed 27 May – The Tivoli – Brisbane ¢ &

¢ – with C.FRIM
& – with Chef Chung
*as part of Vivid LIVE

All ticketing details HERE

Stay connected with
Earl Sweatshirt: Website | Facebook | Instagram | X | YouTube
MIKE: Instagram | X | YouTube | Soundcloud
SURF GANG: Website | Instagram | X | YouTube | Soundcloud

April 7, 2026 0 comments
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Music News

Arky Waters Turns Up the Heat with New Single ‘Molly’

by the partae April 3, 2026
written by the partae

Australian producer/DJ Arky Waters is ramping up anticipation for his upcoming debut album with the release of his latest single, ‘Molly’.

“I just wanted to make some dance music that was fun and dumb. When I first started experiencing club music, I remember the trap DJs always cutting in some bass house in their sets. It was a fun way to provide an energy switch during the set, so I wanted to make something similar. For some of my friends that I’ve shown it to, it’s their favourite track on the record!” says Arky Waters

‘Molly’ is a high-energy, bass-driven track designed to spark the dance floor while showcasing Arky Waters’ playful take on electronic music. With its infectious drive and uplifting drops, it’s the perfect teaser for what’s to come on his debut album.

‘Molly” is out now via Mammal Sounds Records:
https://bfan.link/arky-waters-molly

Socials:

https://linktr.ee/arkywaters

Credits:

Written & Produced by Arky Waters

Mixed by Doug Wright

Mastered by Suture Mastering

Artwork & Photos by Arky Waters

Visuals by Arky Waters

April 3, 2026 0 comments
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Festival NewsMusic InterviewsMusic News

Interview: Will Sparks on Classics, Crowds and the Next Chapter

by the partae April 2, 2026
written by the partae

What made now feel like the right time to look back and build a tour around the music that started everything for you?

Honestly it just felt like the moment. I’ve been doing this for over 15 years now and I realised there’s this whole body of work tracks that shaped everything I became as an artist that I’ve barely touched in my sets. Fans who’ve been with me from the start deserve to hear that music properly, and newer fans deserve to know where it all came from. The timing felt right to honour that.

When you listen to your early tracks today, do you hear nostalgia, or do you hear a completely different version of yourself?

Both honestly. There’s definitely nostalgia I can hear the bedroom, the late nights, the excitement of just making noise and not really knowing what you’re doing. But I also hear someone figuring out their identity.

Melbourne bounce became a global sound — did you realise at the time you were part of something that big, or did it happen without you noticing?

I wouldn’t say it happened without me noticing. It was really a unique moment and period for me growing up. One day I was in my bedroom on shitty speakers then you feel like the next day you’re playing it overseas and people know every drop and you think ok something big has happened here. 

You’ve been in the industry for over a decade now — what’s something about the music world that people don’t see from the outside?

How relentless it actually is. People see the shows, the travel, the highlights but they don’t see how much goes into sustaining a career year after year. The music, the business decisions, the relationships, the mental load of staying relevant while staying true to yourself. It’s not glamorous the whole way through, and the artists who last are the ones who genuinely love it enough to keep going through the hard parts.

How different is the way you make music today compared to when you were producing in your bedroom in the early days?

Night and day in terms of tools and knowledge but the core is the same. I still start with a feeling of how do i want people to people when they hear this. Back then I didn’t have the technical skills to fully execute the vision. Now I do. But if anything, I try to protect that raw instinct. 

Do you think electronic music moves too fast now, or do you like the pace the industry is evolving at?

It moves fast but I think that’s part of what makes it exciting. The challenge is not chasing every trend and losing your identity in the process. The artists I respect most are the ones who evolve on their own terms. If you’re just reacting to whatever’s hot this week, the music shows it. I’d rather be authentic and just on my own course. 

If you could go back and give your younger self one piece of advice when you first started, what would it be?

Trust the process and don’t worry about peoples opinions. I wasted a lot of energy early on caring what people think. The only version of this that works long-term is the one that’s genuinely yours. Everything else is noise.

What keeps you motivated after so many years of touring, releasing music, and being constantly on the move?

The people, honestly. You can have the longest travel day of your life, run on no sleep, and then you walk out and the crowd is going off that resets everything. And I still genuinely love making music. The day that stops feeling exciting is the day I’ll know something’s wrong.

Your new single Teardrop feels like another step forward — where do you see your sound heading over the next few years?

I’m not sure really all the music coming out now I made is from 6-12 months ago. I love making more emotional records but also love records that you know when they’re played live at a festival the crowd is going to go crazy. 

After celebrating the past with this tour, what do you think the next chapter of Will Sparks looks like?

It’s actually one of the most exciting periods I’ve had in a while. More music than I’ve ever released, a collab with Orkestrated that I’m really proud of, Tomorrowland again, and potentially a surprise EP that I think will genuinely catch people off guard. The Classics tour is about honouring where it started  but everything else I’ve got lined up is firmly about where it’s going.

WEBSITE FACEBOOK INSTAGRAM  SPOTIFY

April 2, 2026 0 comments
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Festival NewsMusic News

GUTTERMOUTH Farwell Australian Tour

by the partae April 2, 2026
written by the partae

Guttermouth, the unapologetic, wise-cracking punk rock institution fronted by the one and only Mark Adkins, is heading back to Australia for what the band insists—cross their hearts and hope to die—is absolutely, triple-promise-the-last-time their final tour Down Under.

Titled “One Last Time“, the run consists of just seven shows in October 2026, giving fans one last chance to catch them live before Mark hangs up his mic for good… or at least until he changes his mind again. Turning 60 years old on October 10 this year and having already visited Australia 20+ times, Mark has officially had it. “I’ve been coming here since before half of you were born,” Adkins said in a recent interview from his couch. “I’ve seen the beaches, the bars, the bans, the bullshit. I’ve partied, I’ve fought, I’ve blacked out in places I still can’t pronounce, enough is enough”

OCTOBER 2026

Fri Oct 09 – Lion Arts Factory – All Ages
w/ Ebolagoldfish – MOSHTIX
Sat Oct 10 – The Tote, Melbourne – 18+
w/ Ebolagoldfish & OZTIX
Sun Oct 11 – Factory Floor, Sydney – 18+ (Unless with Guardian)
w/ Ebolagoldfish – FACTORY
Tue Oct 13 – Hamilton Station, Newcastle – 18+
w/ Ebolagoldfish – OZTIX

Fri Oct 16 – Balcony at Coolangatta Hotel, Gold Coast – 18+
w/ Fake News – OZTIX

Sat Oct 17 – Norton’s, Sunshine Coast – 18+ (Unless with Guardian)
w/ Fake News – OZTIX
Sun Oct 18 – Crowbar, Brisbane – 18+
w/ Fake News – OZTIX

Early Bird’s on Sale April 8th for just $35 – $45

SIGN UP FOR EARLY BIRD PRICES 

Guttermouth’s Australian history is pure punk legend: wild nights, venue bans, “farewell” tours that weren’t, and a fanbase that’s ridden the chaos for decades. This tour tips its hat to the country that’s welcomed (and occasionally booted) them back forever. So, grab a ticket if you’re game for one more round. Or don’t. Mark’s feet are up, cold one in hand, zero fucks left. This is it—’One Last Time,’ or whatever the hell comes next…

April 2, 2026 0 comments
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Music News

Sophia Bouvier Introduces a Striking Debut with “Poison Apple”

by the partae April 2, 2026
written by the partae

At just 17, Vancouver-based singer-songwriter Sophia Bouvier steps into view with the quiet confidence of an artist who already knows the power of a well-told story. Her debut single, “Poison Apple,” serves as both an introduction and a statement of intent—an intimate, emotionally charged track that explores what she describes as “the push and pull of temptation, trust, and heartbreak.” There’s a tension running through the song, where sweetness slowly gives way to something sharper, capturing that all-too-familiar moment when illusion fades and consequences settle in. With its vivid lyricism and reflective tone, “Poison Apple” invites listeners to find themselves within it, sitting with the complicated choices we make and the bittersweet aftermath they leave behind. It’s a compelling first glimpse into a songwriting voice that leans into vulnerability without losing its edge.

Bouvier’s path to this moment has been shaped by years of performance and connection. Since picking up the ukulele at eight, she has honed her craft busking on city streets and playing in cafes, restaurants, and local venues across Vancouver. Her musical world draws from a rich lineage—echoes of Lana Del Rey’s cinematic melancholy, Billie Eilish’s understated intimacy, Nina Simone’s emotional depth, and Amy Winehouse’s raw honesty all find subtle expression in her work. Offstage, she channels that same passion into building community, hosting a monthly youth open mic that creates space for emerging voices to be heard. With “Poison Apple,” Sophia Bouvier isn’t just introducing herself—she’s establishing a foundation rooted in storytelling, connection, and a clear sense of artistic identity.

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April 2, 2026 0 comments
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Music News

ANNA JEAVONS COUNTS DOWN TO THE RELEASE OF ANOMIE WITH EMOTIVE SINGLE ‘SMART CASUAL’

by the partae April 2, 2026
written by the partae

Ahead of the release of her studio album ANOMIE, Adelaide-based songwriter and musician Anna Jeavons shares another powerful taster with new single, ‘Smart Casual’.

A song that speaks to Jeavons’ heartfelt and natural talent for songwriting and storytelling, ‘Smart Casual’ is emotive and high impact. Produced by Ben Stewart (Slowly Slowly), it locks listeners in, with commanding vocals and layered guitars building to a moving crescendo. Jeavons pours reflections on a turbulent time in her life into lyrics that feel both accessible and intimate.

“Smart Casual is a song about how we don’t grow all year round and, like plants, need light and time. Like a lot of songs on the album, it wrestles with existential angst; it’s an outpouring of loneliness, and yearning for meaning. In the lyrics I say: I don’t believe in anything; I am more alone than I have ever been.

But it’s not all depressing. At the end you can hear me repeat the lyrics ‘it’ll be alright’, almost like a mantra. I think I wanted to believe I could tend to the parts of me that felt cold or buried – and eventually be ready to unfurl and grow again.”

Indeed, “It’ll be alright” may be the catchcry of the artist’s forthcoming album. A skilled lyricist, Anna carefully articulates commonplace anxieties. But it is hope, not self-pity, that’s left lingering in the listener’s ear.

Along with the release of ‘Smart Casual’, Jeavons is excited to share the song’s official music video, co-directed by Jeavons herself and Brendan Levi.

.

Anna, who lives with Bipolar I Disorder, wanted to visually capture her relationship with nature: one of her great comforts in times of crisis.

“Imagery like lying in grass, or being engulfed by the ocean, is an important visual for the album. Reconnecting with the natural world, and listening to it, helps me slow down; to stop rushing headlong to my death. It makes me feel connected to something bigger, universal, eternal – to the natural order of things. Less alone. I can immerse my miserable, crushing individuality into something older and wiser – the earth, the long grass; a speck intermingling with an enormous universe.

The video was shot at locations between Brownhill Creek, Belair and Lynton Railway Station in Adelaide.

Jeavons wanted to contrast the footage with imagery of lying in bed in a dark room doomscrolling, representing her depression.

“I recruited my friends Brendan Levi and Daniel Wise to bring this one to life. We focused on aligning match cuts between the bedroom and the nature shots, and capturing footage from above that pulls out slowly. I was hoping to create a feeling of expansion, like in the song. It starts simple, then builds and opens up at the end, becoming big and cinematic. We wanted to mirror that in the music video.”

ANOMIE will be released on April 29 – the start of a much-anticipated new chapter for Jeavons, one of Adelaide’s long-beloved storytellers. So far this year, the artist has released six stunning tracks, each speaking to the themes of the album in their own way.

Featuring songs ‘Woo Me’, ‘On The Sidelines’, ‘Milky’ and more, the growing collection has provided newcomers with a great gateway to Jeavons’ music. For longtime fans, it’s been a poignant reminder of her dedication to the craft. With the release of ‘Smart Casual’, we see Anna Jeavons take another step forward, offering more poetic and nuanced musings on what it means to be alive.

SMART CASUAL IS OUT NOW

ANOMIE IS RELEASED WEDNESDAY 29 APRIL.

ANNA JEAVONS: Official Website | Facebook | X | Instagram | TikTok | Triple J Unearthed | YouTube

April 2, 2026 0 comments
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Music News

MAKUA ROTHMAN RELEASES A POWERFUL NEW SINGLE CATCH A WAVE WITH AWOLNATION

by the partae April 2, 2026
written by the partae

Big Wave world champion continues musical rise with one of 2026’s standout collaborations

MAKUA is heading to Australia and is set to perform at Sessions Surf Festival on the Gold Coast on 23 May 2026 + more to be announced

Big Wave world champion Makua Rothman has released his new single Catch A Wave, a powerful collaboration with multi-platinum alternative act AWOLNATION that is already gaining global traction.

A World Surf League title holder, Rothman built his reputation charging some of the most dangerous waves on the planet. But behind the accolades lies a journey marked by personal struggles that once saw him lose his way before rebuilding his life through surfing, music and discipline.

Now emerging as a powerful voice beyond the surf world, the North Shore of Oahu native channels those experiences into music that blends alternative rock and surf punk. His songs draw heavily from life growing up on Hawaii’s North Shore and the tight-knit surf community that shaped him.

His latest release, Catch A Wave, features Aaron Bruno, frontman of AWOLNATION and the voice behind the multi-platinum hit Sail, with the collaboration naturally progressing from creative partnership and into the studio.

At its core, the track is grounded in loss, brotherhood and life in the water, carrying an emotional weight that reflects Rothman’s journey both as an athlete and an artist.

“Music gives us a way to bring back the memories of our friends who have passed and help carry their legacies forward,” Rothman says. “The song is a way to make sure they are not forgotten.”

Working alongside multi-platinum producer Jimmy Messer, whose credits include Madonna, Miley Cyrus and Kelly Clarkson, Rothman has been building momentum as an artist, touring with acts such as AWOLNATION and Sublime.

Australia is a natural stop, with Rothman planning upcoming tour dates. He will kick things off on the Gold Coast at Sessions Surf Festival 2026, with additional dates to be announced. He carries strong recognition among surf audiences, while his crossover into music is connecting with a broader cultural audience across sport, music and lifestyle.

With a new album expected this year, his upcoming visit will introduce Australian audiences to the next chapter of that journey.

LISTEN TO CATCH A WAVE HERE

Available now on all streaming platforms

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April 2, 2026 0 comments
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