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Music Interviews

Music InterviewsMusic News

Mainland Interview – One Way Ticket To Midnight Out Now!

by the partae July 21, 2023
written by the partae

Where are you currently based?

Denver, Colorado, U.S.A.

What’s been happening recently?

Despite the new album just releasing, we’ve been writing more tunes for our next album. We’re also locking in some Australian tour dates at the moment.

Your album ‘One Way Ticket To Midnight’ will be out Friday 21st July, what influenced the sound and songwriting?

Musically, Mainland Break is propelled by a passion for jangly, guitar-driven indie rock. Over the past few years we’ve been inspired by a wave of great bands who have built on that classic sound by injecting some modern indie rock/post-punk attitude, instrumentation, and production. Rolling Blackouts Coastal Fever, Quivers, and Ducks Ltd. are prime examples of bands that do this very well and motivate us to make music.

What would you like the listeners to take away from the album?

Indie rock isn’t dead!

Where and when did you record and who with?

We recorded the album in late 2022 with Mark Anderson, at his studio (Cowboy Cowabunga Recordings) in the secluded mountain town of Evergreen, Colorado.

What’s the meaning behind the album title?

The album title is a direct quote of something we heard during a night out. We were walking along an urban Denver street when a passerby on a little BMX bike came speeding down the sidewalk, standing on his pegs, repeatedly shouting “I’m on a one-way ticket to midnight!” He embodied the feeling of freedom and excitement that we felt could only come from having some kind of “one-way ticket to midnight.” We aspire to capture the energy of that moment in a lot of our music. Ultimately that’s how the phrase made its way into the title of the album and the lead single.

Favourite things about Australia?

The music! And the Betoota Advocate.

Favourite Aussie bands at the moment?

We’re big fans of Quivers, Rolling Blackouts Coastal Fever, Jacqui Lumsden, dust, and Major Plains.

Any memories/stories from the filming of the music video for Portland?

During the shoot, we stopped by the famous Hotel Caesars (which makes a cameo in the video) and had the original Caesar salad. Many of the shots in the video were inspired by the colors and vibrant life around the hotel and downtown Tijuana.

Please explain the importance of the overarching theme of a setting sun and the journey through the night:

The whole album follows the course of a night – starting at sunset and working towards the hours before sunrise. Many of the songs are inspired by time spent with each other and friends, and often, the songs are pining to have those times back again. We use the setting sun as that unobtainable eternity – something to always be chased.

Favourite moments as a band?

We loved performing with Quivers here in Denver and taking them out for pizza and doughnuts after the show. We’ll also never forget accidentally filling a 750 litre septic tank with lake water and nearly sinking a houseboat together.

Who are you listening to at the moment?

We can’t get enough of Kiwi Jr., Public Body, dust, and Slow Pulp.

What’s planned for the remainder of 2023?

We’ll be releasing a single at the end of 2023, then we’ll be heading out on an Australian tour in early 2024.

Favourite food and place to hangout?

When we’re hanging out together, we’re often eating corn dogs at one of our favourite dive bars…potentially engaging in some karaoke, depending on how much mustard we put on the ‘dogs.

July 21, 2023 0 comments
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Music InterviewsMusic News

Wasteland Interview

by the partae July 20, 2023
written by the partae

Where are you currently based?

 

Currently Based in Sydney, Australia!

 

How did you first start playing music?

 

I was a young University kid, and at 18 (maybe a little before that age let’s be honest here), I started going out to clubs. There was one club in particular called the Paramount that I’d go to (everyone from Perth knows the Paramount). I was just mesmerized by the DJ, i went back every week, till i finally thought, “That’s it” I’m going to dive in.

I was nervous telling my parents as they thought it would be a stupid idea, but found out that my Dad actually DJ’d some parties back in the 70s and 80s, so they were all for it. So it was a great experience, I DJ’d for many years even eventually playing at the Paramount. This all led me to find producing and songwriting which was the catalyst in moving cross country to Sydney!

 

What’s been happening recently?

 

Heaps actually, my little song factory has been in full swing! Just finished off an EP for Melb Pop artist Greg Gould, and been doing so many songs for big DJs in the Dance Space, including Timmy Trumpet, Armin Van Buuren. I had 4 of my songs land in the Q Dance Top 100 of 2022, so happened to find myself in the writing space for a lot of big Hard Dance and Hardstyle acts (Working closely with Maikki). Also doing a bunch of work on Music for Media, including TV and Movies, we recently landed two big campaigns for Mitsubishi Australia, and also Community Chest Singapore. Whilst also trying to develop a system that’s repeatable to break artists on Tiktok! Plus recently heading to Europe and the US for songwriting trips, so I’ve been very busy!

 

Please tell us about what music production means to you:

 

As a DJ i always never felt 100% right playing other peoples music, i mean at the end of the day, I was playing out someone else’s creative vision. Growing up, i always had really strong creative ideas about how things should go. I was always more a creative person than an analytical person. So when i started making music it felt way more “right” to me than ever DJ’ing. I love to have ideas, it’s one of my greatest passions in life, and producing allows me to do that, day after day again and again. Being able to produce is basically being able to draw sonically, and when you can draw, then you can get out all the weird and wonderful things that live in my head. A Lot of people never get to that stage, because learning how to produce is like learning an instrument, it might take 8 years of learning guitar before you can sit down and just musically flow. I’m in a place where i can musically flow and its amazing, i wish everyone could one day download this skill matrix style.

 

How did you approach production?

 

It always has an overarching goal of what I am trying to do, it’s very rare I just create for the hell of it, but I like this way, it’s nice to sorta undertake project by project.  From there it either comes “idea first”, or “sound first”.

If “idea first”, it might be a lyric i had thought of (for example i recently did a song called “Komodo”) i always thought it would be cool to have a song titled that, then i could move into the sounds that i imagine support a song like that, i imagined it sounding sorta exotic and super tribal. Or the other way is to go sound first, in which I will just be constantly hunting for sounds that make me go “ahh yes”. So both sides then from that point happen pretty organically, till the end of the song!

What equipment do you use?

 

I use a

16 inch Macbook Pro Intel i9 – Last year before the Apple M Series 🙁

Adam – A77X Speakers

RME – UCX Soundcard

Virus – TI2 Synth/keyboard.

Audeze – LCD-X Headphones

Apple Logic Pro

 

Who or what influences your sound and production technique?

 

I’d say alot of my life has been learned by emulation, then walk past that into my own ground of that. I’d say I’m more influenced by artists than producers, and if you combine these 5 artists I think you get my natural sound.

  1. LANY

  2. Halsey

  3. Red Hot Chilli Peppers

  4. Coldplay

  5. Avicii

 

Then from produce point of view i really admire

  1. Max Martin

  2. Zedd

  3. Ian Kirkpatrick

 

What tips do you have for up and comers?

 

So many! Here’s just some one liners that I have developed and lived by.

 

  1. People will let you in any door if you’re good enough, so just keep knocking and improving and eventually you’ll get through.

  2. Your Network is made up of friends of friends, that’s where opportunities will come from, same way, help introduce people to who you know.

  3. The reason you are doing music is that you have good music taste, that should stay as your North Star, if you do that the music you make will be good, – make music you think is dope, seems obvious but it’s hard to separate.

  4. If you don’t have an idea you don’t have a song, early on a lot of producers spend so much time, adding layers and mixing something with no real idea in it – I learnt that the hard way.

  5. Think less about what you want to do for a job, school, career and more about what you wanna do in life, you have 80 years on this planet at best, make sure your path is always pointed and moving towards what you actually want to do.

 

Please tell us about any upcoming collabs:

 

Well a lot of my work these days is more working with and developing artists, So I’m going to mention a couple artists Im working with that really excite me and i think could be massive coming out of the Australian Music Industry.

 

Voli K

Amazing singer, recently been on tour with Tones and I and Mackelmore, amazing powerful soul voice, that just feels so authentic and real.

 

Clara Fable

Amazing Pop Meets Burlesque artist, nobody can turn out a look better than Clara. Her voice is also amazing and feels like a pop star already. Very excited by where she’s headed.

 

Maikki

In the dance space, no one is doing better powerful pop punk meets EDM vocals, I’ve been with her since the inception on her team, and she is just going from strength to strength, plus throwing down huge streaming numbers!

 

How do you usually decide who you will work with?

 

It’s usually a combination of things, but mainly it’s uniqueness, being good or having a good voice is one thing, but being unique really sets people apart. I also find a lot of artists or singers in the industry usually might be doing one genre or style, where in another style they would do way better, but they’re just not exploring it. So I love taking singers and artists into genres they don’t usually do, and getting amazing results.

 

The other is trying to work with artists that i think are ready for a breakout, just haven’t found the connection of right elements put together, that’s the most exciting part for me, then trying to engineer thaa moment.

Its super early days, but I’m loving the chase and it leads me to some great artists and singers. Recently I was watching a Theatre show on Tina Turner’s life, and the lead singer had this AMAZING voice, so I reached out and she’s coming into the studio today and were going to try some Diva house vocals, so I’m always on the lookout! So if you’re reading this SEND ME YOUR MUSIC!

 

Please tell us about the Aussie landscape VS the US market?

 

That is a tricky one, I guess the US market is the tastemaker for the rest of the world, which i love! Also just the economy of scale, a platinum record in the USA is 27 times more sales than Australia. So you get all the great parts of any industry flocking to where the money is. Alot of bad comes with it also, but the best of the best converge on the US Market.

 

Australia on the other hand is more insular, a lot of acts here are only big here, and struggle to break out in the rest of the world. It is less daunting of a music scene to begin in though, and generally face to face people are pretty great in Australia. But the music industry is ALOT smaller, I was in Perth (City of 4 million) and there was no real music industry there (hence my move), and I see Sydney as a halfway point between Perth and the US Market. 😉

 

Who are you listening to at the moment?

 

Im more of a song guy than a album or EP guy, so heres some great songs im hooked on at the moment!

 

Post Malone – Mourning

Eli Brown – Be the One

Kesha – Eat the Acid

Frank Walker ft. Ella Hendersen – I go Dancing

Torren Foot, Azealia Banks – Net Bottega

Mike Posner – Aint Dead Yet (Elis Edit)

LDRU, Peptalk – Alone Again

Ian Dior – Saddest SoundTrack

Red Hot Chilli Peppers – Eddie

 

*Check Out Peptalk in my list, an amazing Pop Group from Sydney making waves, that i think will have a huge breakout soon also!

 

What’s planned for the remainder of 2023?

 

Well I’m off to Asia this week for a little relaxation and recouping Holiday, but after that just head down work! I might do a Europe Trip for music around October for ADE (Amsterdam Dance Event), but that’s still up in the air. Then just grinding trying to get a platinum record!

 

Favourite food and place to hangout?

 

Me and my Fiancee are obsessed with an American Bar and BBQ Restaurant in Surry Hills in Sydney called Surleys! It’s super typical American style bar, with the best Sierre Nevda Beer on tap and wings you cant imagine, maybe my affection for it is foreshadowing who knows 😉

 

Me and my Fiancee are obsessed with an American Bar and BBQ Restaurant in Surry Hills in Sydney called Surleys! It’s super typical American style bar, with the best Sierre Nevda Beer on tap and wings you cant imagine, maybe my affection for it is foreshadowing who knows 😉

Instagram www.instagram.com/wastelandmusic

Facebook www.facebook.com/wastelandmusic

Spotify Full Discography

July 20, 2023 0 comments
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Festival NewsMusic InterviewsMusic News

GEOFF ACHISON & STEVE SEDEGREEN TALK BLUES/JAZZ AT RICHMOND CENTRAL CLUB THIS SUNDAY ARVO FOR DOUBLE TROUBLE BLUES SESSIONS

by the partae July 17, 2023
written by the partae

TICKETS LINK

You both bring your own unique flavour of Blues (Geoff) and Jazz (Steve) in that shared space. Particularly with you both leading the jam, how do you expect to manage and lead Kaliopi & the Blues Messengers during the jam?

G – I spent many years touring as a solo artist and having backing groups supplied for me at various destinations. It wasn’t unusual for me to meet the band as we were plugging in our amps and tuning up. It was a steep learning curve, but over time I developed a range of techniques for assessing where the individual & collective strengths lay, and an inner repertoire of blues standards that could be whipped into some sort of shape to create a night’s entertainment for the crowd. It is slightly terrifying, but that’s also what makes it exhilarating. It’s a good crew and they are all stonking good players, so I am simply looking forward to it!

S – I will let it evolve and provide some direction if needed, making sure all musicians feel safe, and can be themselves to express their voice. 

Back in the day at Dizzy’s on Swan St we used to have a Blues night on Cup Eve. It was always a huge success with Geoff and I “meeting in the middle” as he tried to be more ‘Jazzier’ and I tried to be more ‘Bluesy’ the result was always unexpected, but great fun and very enjoyable for all. 

Geoff, you’ve recently been in the studio recording a new acoustic album. Can we expect you to shed some of your new material or recent recordings in your solo set prior to the all-in jam?

G – Yeah, I’ll play a solo set to kick off the day, and there‘ll likely be a few of the tracks I’ve recorded for the solo album. The main crux of that project is that it’s all direct to tape, no overdubs, just me with my acoustic guitar, and intended for release on vinyl. So it’s old-school recording showcasing a few newies mixed with some old faves which have never been available on wax before. In any case, the solo acoustic set-up allows me the freedom to simply play whatever pops into my head. I can change the chord sequence, the key and even the tempo if I want to if that’s where the feeling takes me. A lot of young artists use loops and pedals with their acoustic guitars these days, and they sound amazing, but I’m still kicking it with wood, wire and my bare hands. It’s simply the purest and most honest music can get.

What significance is Richmond’s Central Club Hotel for you both?

G – The good old Central Club was a venue I used to make a weekly excursion to for their Tuesday night jam session way back in the 1980’s. It usually featured all manner of up and coming bands playing a variety of styles whether it was blues, folk, punk, rock, pop, jazz or ska. in the 90’s, it became a favourite for national and international blues acts. In 1995 I played a set at The Central Club that won me a ticket to the USA to play the 12th Annual Blues Talent Competition in Memphis Tennessee. So yeah, the good ol’ Central Club has always had a place in showcasing and promoting local music in Melbourne. It is just awesome to be returning there for this the next Double Trouble Blues Sessions.

S – I have a very close relationship with that venue, I have launched CD’s there, I house my Concert Grand Piano there, hosted many performances there and continue to hold regular performance workshops there. 

The Hotel of course has a very strong legacy and historical context of great Australian music and bands. 

You have both mentored and taught Kaliopi, how do you think your blended qualities will transcend into her performance or the all-in- jam set? 

G – There’s no doubt it, Steve is the maestro here, but I just love that Kal has taken the opportunity to learn from as broad a range of musicians as she can. The blues is a huge story of which jazz is a major part. My approach probably leans more towards a roots-rock style, whilst Steve’s musicality embraces a style so broad that it defies definition. It’s something we all aspire to achieve, but for my part, I am hoping to learn a lot from Sunday’s gig with Steve & Kal.

S – Kali has a deep emotional connection to music particularly the Blues, and so is ideally suited to this music. The essence of the blues is achieved by playing with honesty and from the heart with a firm sense of self belief. Kali already has these qualities and so will only offer a deeper experience and performance. 

TICKETS LINK

DOUBLE TROUBLE BLUES SESSIONS

www.doubletroublebluessessions.com

https://www.facebook.com/doubletroublebluessessions

July 17, 2023 0 comments
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Music InterviewsMusic News

Sir Winston Interview

by the partae July 13, 2023
written by the partae

Where are you currently based?

I don’t really have a base at the moment. I was in Australia over summer, then New York for a few months and now I’m in Europe for the next few months. 

What’s been happening recently?

Working on remixes for the tracks on the EP and doing DJ shows in Europe.

Your single ‘Perfectly Numb’ from your debut EP is out now, how did this track come about & what influenced the sound and songwriting for the EP?

It’s from a new EP called ‘Démons à Combattre’. I wrote most of the songs whilst living in Paris last year. There is a French theme to the EP.  I loved living in Paris and I wanted this EP to have a really strong theme. I wanted to explore temptation, forbidden fruit – fighting against inner demons. I walked the streets of Paris at night recording ideas into my phone. When I got to New York I was ready to record. 

The track Perfectly Numb really moves and there’s a lot going on. I love the energy and the structure – it’s really pumping.  It’s a throwback to the music of the 2010’s – bloghaus or “indiesleaze” as it’s recently been coined. I wanted to keep the spirit of this era within the track and I guess the references are pretty obvious. There’s a hedonistic indulgence to Perfectly Numb. It’s about being in a self-induced deluded state – where you’re temporarily stuck, you’re ok– but there’s no turning back – your committed – it can’t be undone. Time to sit back and roll with it – ride out the moment.

Where and when did you record and who with?

I recorded it at Transmitter Studios in Greenpoint, Brooklyn, New York with Abe Seiferth who co-produced and mixed it with me.

How did the music video come about and who did you work with?

To get to the studio in Greenpoint Brooklyn from Manhattan I usually take the subway. I’m constantly blown away by what I see on the subway – it’s a mad zoo at times. Regularly I would see subway dancers jump on and perform – especially W.A.F.F.L.E crew. They are a crew of Litefeet dancers from the Bronx. So I reached out to them about being in the video and they were down. Wiz The Kid, Joel Leitch and Lady Slic all appear in the video pulling awesome dance tricks. We filmed in the middle of the night on the subway when not many people were around. We were down there for hours – it was surreal when we came back up to the street. it was a long but fun experience. 

What’s the meaning of the EP title?

“Démons à Combattre” means “Demons to Fight” in French.

Any plans to play live/tour?

I’m currently doing DJ shows across Europe and I’ll be back in Australia to play a lot over summer.

Favourite food and place to hangout?

There is a hole-in-the- wall taco spot in Greenpoint near the studio called Taqueria Ramirez. We go there most days for lunch when recording. The pastor tacos there are incredible! My fave spot to hang – well I love to go down to the Hudson River in the West Village in New York of an evening and watch the sunset. It’s a real gratitude moment. More and more I like to hang out where I can experience natural beauty. I did a show last week in Bourg Saint Maurice in the French Alps. I went for a hike one day high up the mountain and came across this tiny village called La Côte. It was the most beautiful place, surrounded by mountains, with small stone cottages and a stream running through it. This could be my new favourite place to hang.

 Official Website | triple j Unearthed | Facebook | Instagram

July 13, 2023 0 comments
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Music InterviewsMusic News

Jebroer + Lady Bee ‘Bee Alright’ Collab Interview

by the partae July 11, 2023
written by the partae

Jebroer

 

Where are you currently based?

The Netherlands

 

What’s been happening recently?

Currently I’m touring in Europe. Everyday a different country. And i finished the recordings of my upcoming projects. 

 

How did you come to collaborate with Bee on ‘Bee Alright’?

I know Bee for a longggggg time. She connected me before anyone knew me. I think that’s 10 years ago. We recorded a song that we never released. After that we kept in touch and supported each other regardless in our journey. We’re more friends than colleagues. Later on, we worked on 2 releases. ‘After The After’ and ‘In Mijn Systeem’ with Alvaro. Both very nice releases. Last year I recorded the vocals of ‘Bee Alright’. I send it to Bee and she liked it. With a little Boaz touch I think this is the perfect match. I love it. Hope you love it too 

 

Please explain the songwriting and recording process together:

It’s a very natural process as we know each other so well. Usually, one of us comes with an idea and if the other one likes it too, we jump into the studio and work on it.

 

How did you two first meet?

Like I said we met over 10 years ago. Bee reached out to me when I just started out with making music. We recorded a track and became very good friends.

 

Please tell us about your long-term friendship:

It’s amazing to have a friend that works in the industry as well. She understands me in a way other people might not. She gives the best advice, makes me laugh and is just the sweetest friend you can wish for. 

You’re very successful in Germany, please tell us what this means to you:

I love it! I’m really grateful that my German fans embraced my music and support me in everything I do.

 

Please tell us about any upcoming music:

I just finished my German album. I want to drop it around October. For the rest I’ll be releasing a lot of Dutch and English music.

 

Do you have any future collabs on the way?

Yes, but you just have to wait and see with who.

 

Any tours coming up?

Yes, I have a lot of festivals and gigs in Germany and Spain this summer. Can’t wait to be back at Airbeat One, Parookaville and all the others festivals and clubs to make one big party!

 

Who Are you listening to at the moment?

That Mexican OT, Paul Wall – Johnny Dang 

 

Favourite food and place to hangout?

Turkish pizza with a lot of garlic sauce a neef 

 

https://www.instagram.com/jebroer/

https://www.tiktok.com/@jebroerforlife

https://twitter.com/i/flow/login?redirect_after_login=%2FJebroer

https://www.facebook.com/ILikeJebroer/?locale=nl_NL

 

Lady Bee

 

 

Where are you currently based?

Born in Amsterdam and also based in Amsterdam

What’s been happening recently?

Well, I just got married 2 months ago so for a month I was on my honeymoon vibes. Also did a gig in Bali while on our honeymoon that was pretty awesome. But currently really busy with DJ shows because it’s festival season, my fav season ? and of course every week doing studio session so expect a lot more lady bee tunes soon. 

How was it collaborating with Jebroer on ‘Bee Alright’?

 I really love him. we know each other for a while now. In the beginning of our careers, we already had a connection and besides growing as friends we also hit the studio. So, we already collaborated on 2 records. (‘In Mijn Systeem’ and ‘After De After’), and this is the third one and I am sure not the last 😉 

What does this single mean to you?

It means that I am continue doing what I love and block the opinions of others. I am going to make the most out of my life while having fun. 

 

Please explain the creative process:

Jebroer had send me vocals and asked me if I was feeling it. Of course I loved it and made a demo right away. Played it a couple of times in my set, and the crowd loved it. But we were missing something in the production. So, we send the song to Boaz and he made a masterpiece out of it. 

 

What new music do you have on the way?

End of this month I have a release together with DJ/producer Curbi. And in August I have a club banger on DJ/producer Tchami his label “Confession”. And in September I got a release on Sam Feldt is label Heartfeldt. And I promise you there is a lot more to come 🙂 

 

You’re a newly wed, congratulations! How is married life treating you? 

I am still on cloud 9. ?❤️

Any upcoming shows?

Tomorrowland, Mysteryland, Dreamfields, and I am playing on the mainstage of Pride Amsterdam and have my own boat during the parade

 

Who are you listening to at the moment?

My wife 😉

 

What’s planned for the remainder of 2023
I am planning something really exciting for Amsterdam Dance Event in October 😉 I will tell about this soon.

 

Favourite food and place to hangout?

Spicy asian food and my fav place to hangout is HOME !! 

 

Please include links to socials and website.

www.instagram.com/ladybeeofficial

www.facebook.com/ladybeeofficial

www.tiktok.com/ladybeeofficial 

July 11, 2023 0 comments
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Fashion & CultureMusic InterviewsMusic News

Iconic comedy troupe, The Mighty Boosh are returning to Australia with a captivating photo exhibition.

by the partae July 11, 2023
written by the partae

Diving into the whimsical world of The Mighty Boosh, actor and photographer Dave Brown unveils over twenty years of iconic memories from the global phenomenon.

Australia, July 10, 2023 – The Mighty Boosh, are back, this time as the stars of ‘Behind The Boosh’ – a captivating photo exhibition that delves deep into the whimsical world of the iconic comedy troupe. Presented by Behind the Gallery on the twenty-year anniversary of The Mighty Boosh pilot. This exclusive showcase invites viewers on a mesmerising journey through the lens of one friend and integral member, Dave Brown.

‘Behind The Boosh’ offers a rare glimpse into the extraordinary creative universe of The Mighty Boosh, the award-winning British comedy sensation created by Noel Fielding and Julian Barratt that became a cult hit in the 2000s. With its roots in stage shows that garnered acclaim at the Edinburgh and Melbourne Comedy Festivals including Perrier award best newcomers and Barry Humphries award, The Mighty Boosh evolved into a global phenomenon, encompassing a radio series, three television series, and two sold-out live tours.

As part of The Mighty Boosh since their inception in the late ’90s, Dave Brown has played a pivotal role in the show’s success. Beyond his iconic portrayal of Bollo the Gorilla and other unforgettable characters like Naan bread, Black Frost and Australian zookeeper Joey Moose, Brown’s creative genius extends to diverse artistic realms. He compiled and designed The Mighty Book of Boosh, tour posters, DVDs, set graphics, and merchandise. Additionally, he has lent his talents to choreography, music and capturing the essence of The Mighty Boosh through his photography.

Reflecting on his experience and his upcoming exhibition, Dave Brown shared, “These images are like children to me, badly behaved children with no manners but also beautifully funny, insanely dressed up children that are 2 dimensional and don’t move. I can’t wait to set these kids loose on the Australian public, I think I may have taken the child metaphor too far. But I love these pics, incredible memories of a special time with my Boosh band of brothers and sharing them with our beautiful Aussie Boosh fans is long overdue”.

‘Behind The Boosh’ showcases Brown’s extensive photographic archive, carefully curated to present a collection of his personal favorites. These captivating images span over 20 years, capturing poignant moments from early live gigs, behind-the-scenes glimpses during TV show filming, and the electric energy of their global tours. Through Brown’s lens, viewers gain an intimate insight into the lives and characters of The Mighty Boosh creative collective, providing a visual narrative unlike any other.

“The love The Mighty Boosh still has to this day, is comparable to legendary acts such as Monty Python and continues to draw in people of all ages. 

 “It was such a bonus to have a great photographer who was part of the show, Dave never missed anything!  “I almost find it difficult to look at them because it takes me back immediately to that time, and because Dave was always taking photos, the snaps are genuine; they’re not posed.” Said, Noel Fielding.

 Julian Barratt adds, “Dave is a lens with legs! Ever since I have known him, he’s had a camera strapped to his face. I have a terrible memory which is why Dave is my saviour, if we are our memories then without Dave Brown I simply would not exist.”

“Not only has it forged a haven for those on the fringes of society, but it continues to captivate audiences with its unique comedy, art direction and the extraordinary world it has created through surrealism and fantasy. Our aim was to provide Australia with a remarkable Boosh Experience, and with Dave’s photographs transporting viewers directly into the world of Howard and Vince, we believe that “Behind The Boosh” will accomplish just that,” Stephen Dallimore, Behind the Gallery Creative Director, says of the upcoming exhibition.

‘Come with us now, on a journey through time and space, to the world of the mighty boosh’ as ‘Behind The Boosh’ unveils an extraordinary collection of photographs, each an unparalleled visual spectacle that pays homage to The Mighty Boosh and Dave Brown’s unrivalled artistry.

The exhibition will be hosted by actor and photographer Dave Brown this August in both Melbourne and Sydney.

All press images can be found HERE

SYDNEY

450 Elizabeth St, Surry Hills NSW 2010

Event details here

August 2: PR and media preview opening night from 6:30pm for the public.

August 3 – 6: Open to the public

Saturday 5th August: Artist Talk with Dave Brown

 

MELBOURNE

North Gallery Level 1/55-57 Gertrude St, Fitzroy VIC 3065

Event details here

August 16: PR and media preview / opening night from 6:30pm for public

August 17 – 20: Open to the public

Saturday 19th August: Artist Talk with Dave Brown

All details available at Behind the Gallery.

July 11, 2023 0 comments
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IRFXXN Interview

by the partae July 11, 2023
written by the partae

Tell us a bit about ‘Time’ and the significance of the song to you now, if you listen to it back?

Being the one song for me that’s been sitting in the vault for agesss, finally being able to release it is such a special feeling. Being able to listen to it whenever and playlist it just makes me fall in love with the track all over again.

It’s always been one of the songs I say I’m the most vulnerable in, could be part of the reason it took me a while to get it out was that I’m still learning to be comfortable in my personal stories and letting people hear them.

How do you think your songwriting confidence and style has evolved since the release of ‘Latest Song?’

I believe from the release of ‘Latest Song’ till ‘Time’, there’s a major difference in storytelling. I think the ability to reach deeper and write from a third person view, where I’m analysing my situation, is a new skill I’ve learnt. That’s why with this track you can see it from two views: the person singing and the person being sung too.

Were there any specific musical influences that worked their way into your writing for this track?

Whenever I write or record ,I try to put my mind in the frame of the all time greats. Guys like Michael Jackson, Eminem, Ed Sheeran. The ones who make timeless music are the best to inspire yourself off, no matter what they put out and how much time passes, the music is still so good for any age and any generation.

What do you think it has been about ‘Time’ that has connected with your social media audience, TikTok in particular?

I think the combination of it being a Color Violet/Hold On We’re Going Home type aura. That’s the sound that gets everyone grooving and it’s easy to pick up, which I think is the reason it’s blown up as it has. There’s something about it being so simple, but complex at the same time that is the intriguing factor.

‘Latest Song’ saw you go viral on TikTok – was this expected, and have you felt pressure to up the ante or keep the momentum going?

COMPLETELY unexpected. The song wasn’t even meant to come out. The sole reason was the fans that got attached to that tiktok, so thank you and thank you a lot for helping me kickstart this journey. The pressure is always on, but that’s what I’m here for.

Who are you listening to at the moment, what’s one artist and album you can recommend?

John Mayer’s Sob Rock album. I listened to a couple singles when the album came out but didn’t go into depth with all the songs. Going back to it now, this album is just the right mix between foot tapping and easy listening, and I can’t stop going to it in my early mornings.

What are your plans for the rest of 2023?

BANG IT OUT!!! Get out as much music as I can and finally start performing live, and getting my personality out there. I’ve got a lot to say and to anyone willing to hear it and experience it, I can promise you won’t be dissatisfied with what’s about to hit your playlists. Can’t wait to meet my fans in person and let them know more about who I am.

Instagram | YouTube | Triple J Unearthed

July 11, 2023 0 comments
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Texas King Interview

by the partae July 8, 2023
written by the partae
Where are you currently based? 
We’re based out of London Ontario! Phil is a London native, Jordan comes from Oakville originally, and Melvin came from Cambridge!
 
How did Texas King form?
We met in college at Fanshawe in London. In the Music Industry Arts program. We recorded our first EP there in the studio facilities provided and as soon as we graduated we immediately hit the road touring almost every weekend!
What’s been happening recently?
We just finished our Whatever You Break tour across Canada in a headline role. It was awesome! Seeing our song “Whatever You Break” climb the charts while crossing the country and playing in the radio markets that people are listening in was wild! Now we are working on our full length record due 2024!
Your new EP Capsize is out on July 7, 2023, what influenced the sound and songwriting?
As usual, real life experience and trying to dissolve some of the stigma around mental health and the behaviours that come as a result of it. It’s a hands up admittance of defeat saying.. I messed up.. the boat is flipped over… what are we gunna do next.. a crucial time decision time.
How did you go about writing Capsize?
Voice notes and demos at home first. Usually starts on a guitar or a piano and then we build it up together as a band in demo land over in melly’s basement and then we record.. a lot of the magic happens in studio.
Where and when did you record/produce/master and who did you work with?
We recorded at Bath House studio in Kingston with brian moncarz and we recorded at Noble Street Studio in Toronto with Peter Van Hel Voort and Matt Snell.
What does this EP mean to you?
I think it’s our best yet.. I’m excited as hell for everyone to hear it all together. It was a labour of love we slogged it out we grew like crazy over the course of writing this and making it.. it will always hold a special place in my heart.
What do you have planned for this EP?
Right now our next plan with it is just to put it out… so I guess we plan to release it right now but long term just want to reach as many new ears as possible .
Any upcoming shows? We have an upcoming show in Bala, ON on August 19th opening for The Trews.
Who are you listening to at the moment?
Miley Cyrus, Dijon, Haim, and Foals!
What’s planned for the remainder of 2023?
Festival season, some shows in the states, and then heading across the pond to play some UK dates! Very excited!
Favourite food and place to hangout?
Trinidadian Roti (chicken or goat) spicy with a cold beer on a park bench on a nice sunny day.. any city.. any day.. that’s the life… that’s what i’m talking about baby yea!

Instagram: @texaskingband

Twitter: @texaskingband

Facebook: /TexasKingOfficial

Website: https://www.texasking.ca/ 

July 8, 2023 0 comments
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New Age Fruits

by the partae July 4, 2023
written by the partae

Where are you currently based?

Sans Souci, Sydney.

What’s been happening recently?

Earlier this year we scored support gigs for British India and Telanova, and also made our festival debut which has been unbelievable! More recently we’ve been celebrating the release of our new single and getting practice in for our single launch gig coming up.

Your latest single ‘Uncharted’ is out now, what influenced the sound and songwriting?

Our main influences come from bands like Arctic Monkeys, Kings of Leon, The Strokes, Foo Fighters, Catfish and the Bottlemen.

Where and when did you record/produce/master and who did you work with?

Recorded a couple of months ago at Def Wolf Studios at Kurnell. The song was recorded and produced by Daniel Antix and mastered by George Georgiadis.

How did the concept for the music video come about?

Marty is a Carpenter and built a door to hang in different locations to bring the lyrics in the chorus “take me hand and walk with me through the door…” to life. We come up with all our ideas over beers hanging out all together- we have brainstorming sessions and just come up with plenty of hilarious dumb ideas until something sticks!

Where and when did you film and who did you work with?

We filmed a month ago in Kurnell in the National park which gave us several great locations to film, also Wanda Sandhills and finally on top of a car park in Cronulla. We worked with Manning Chai, an incredibly talented local guy.

Who are you listening to at the moment?

Foo Fighters, Greta Van Fleet, Deftones, Telenova, British India, The Buoys, Lil Uzi Vert just to name a few!

What’s planned for the remainder of 2023?

We are going to focus on recording and putting our debut EP out next which we are very excited for- Hopefully it’s out before the end of the year! And a couple of shows in the near future too.

Favourite food and place to hangout?

Definitely our local pub, far too often hahaha

July 4, 2023 0 comments
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Jesse Boyle Interview

by the partae June 24, 2023
written by the partae

Where are you currently based?

I’m currently living in Los Angeles! 

What’s been happening recently?

Well, a lot! I have just recently returned from Brazil and Mexico following a Chase Atlantic headline tour! It was such a fantastic experience to visit those countries for the first time and I can’t wait to go back! I also had the pleasure to release my new Short Film (UN) Justify which I’m really happy that it’s finally out in the world.

Please tell us about any projects that you’ve been working on:

Right now, I’m working on a couple of feature – length scripts which I’m very excited about. One is based off my most recent short film ‘(UN) Justify’ and the other, a sci-fi epic. Additionally, I’ve started shooting a feature documentary that I’m really excited about involving a number of incredible, talented and smart humans!

How did you get into film/directing?

I’ve always been obsessed with Film. However, I never gave myself permission to look too much into it from a young age. I kind of put myself in a box with my own self-limiting beliefs at the time and really just focused on being a musician. 

During Covid however, I found myself going through a particularly troublesome time after a special relationship ended. This is what led me to write my first short film ‘You Are The Ocean’ and deep dived into how to actually make a film myself by watching interviews and kind of self-teaching how it all works.

Best memories in directing/film so far?

I think just the ability to see the words you’ve written on paper come to life on camera is a really liberating thing. Writers rack their minds and souls when putting the words on the page and it’s a very vulnerable experience to not only have an actor embody those characters and speak those words, but also for the world to be exposed to those thoughts and feelings.

That, and also singing with Zero Gravity Management and my manager Jermaine was a really amazing feeling and I can’t wait for the years to come and see what we will accomplish together.

What are you most excited about achieving/biggest goals for the year ahead and beyond?

For this year I’m really looking forward to continuing to shoot this Documentary and get these two scripts done. I’ve also got another Short Film that I’m very eager to shoot in the meantime in which I’m currently putting the final touches on!

How has drumming in Chase Atlantic influenced your directing?

I think one informs the other. While drumming I feel an incredible tribal-ness come out and let a lot of emotional expression take reign. This creates even more room for a more vulnerable and emotional side of myself to come out when writing. 

The show also really revolves around a story and a ‘universe’ that has been created. So there’s lots of storytelling in the shows which keeps the creative juices flowing amongst all of us.

What would you like people to take away from your films/directing work?

Once someone watches a film, or listens to a song, it becomes theirs. I want them to take something, anything, out of what I make and make it their own. 

I try to create thought-provoking works that may sometimes make people feel uncomfortable. In all honesty it’s something I’m probably working through myself and this is the only way I know.

There’s a place for pure entertainment, fun and relaxing for sure, but I also think  it’s important for us as a society as a whole to sometimes absorb art that speaks on a more thought-provoking and challenging level and take moments to reflect and discuss. 

That is, after all, one of the magical things about making art and why storytelling is our species’ oldest traditions.

How is the film industry different compared to the music industry?

Well, the film industry has a lot more people at play to get something done. Similarly to music, when writing, it is a solo thing that you can do by yourself. However, shooting something takes a lot of talented people to be involved. From actors, producers, crew, the list goes on. But the bigger things get and the more elaborate you desire your shoot, the more people it requires. It’s a super collaborative medium. However, technology is so good these days you can shoot anything with a few friends and make it work with your iPhone. It really just depends on what you, as a director, see as the vision and what the best way is to execute that vision.

On the other hand, the Music world differs in this aspect, especially Chase Atlantic. The most compelling work was made in a bedroom studio and minimal overheads. Everything is in house, self produced, self written, self recorded. So getting the actual product done takes a lot less people than you would need to shoot a film.

Highlights of living in LA?

Well, i’ve been fortunate enough to be coming to and from LA for the most part of the last 8 years, so it’s always felt like a home to me. I’ve made incredible friends here which i’m very thankful for. I think the most inspiring thing about being here is the pace and the talent. Everyone you meet is really the best at what they do. The city is a melting pot of creative ideas and excellent execution and you can’t help but let that drive rub off on you.

That, and I was ordering a burger from a store the other day and Christopher Nolan was standing right in front of me. Very LA haha.

Favourite directors/influences?

Christopher Nolan and Denis Villenuce have to be my most influential currently-working directors. Their work speaks for itself.

However, when I write or conceptualize a film or screenplay, I still draw heavily on my musical brain and use a lot of score to get the juices flowing. This is where Johan Johannson’s composition work really influences my style, as well as the composer Ryuichi Sakamoto. If you’re not familiar I urge you to check out their work.

What’s planned for the remainder of 2023?

Lots. Of. Writing. This year so far really has been setting up the years to come with a large body of screenplays to draw from and concepts to develop. I want to shoot a new short as a proof of concept for another feature too which I’m really excited about.

Other than that, I will be embarking to London and Europe in September to perform at Reading and Leeds festival as well as Lollapalooza Berlin with Chase Atlantic. They’re both historical festivals and it’ll be the first time playing on both main stages, so I think everyone is keen for those!

There’s a couple of other things in the works, but that has to stay hush hush for now ;).

Favourite food and place to hangout?

I do love my local coffee shop Oaks Cafe here in LA, but I’ve also got to say the food at the new Birds Street Club is to die for. There’s also a little dive bar called ‘The Woods’ which is a great spot for a drink and hang. I should probably have a loyalty card to the place by now.

Instagram: https://www.instagram.com/jesse.boyle

Twitter: https://twitter.com/jessePboyle

June 24, 2023 0 comments
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Mister Co Interview

by the partae June 19, 2023
written by the partae
Where are you currently based?
We are currently based in the North West suburbs of Melbourne, Victoria.
 
What’s been happening recently?
Lately, we have been really busy, traveling around Australia, performing as much as we can. We have been focusing heavily on finishing our debut Album “On This Journey”, reflecting on our lives together so far and exploring new sounds and feels.
 
Your latest single ‘Don’t Talk About It’ will be released on June 17, what influenced the sound and songwriting?
We both love “Rock” music and grew up listening to 80’s, 90’s, and modern rock, and we felt this sound did the theme of the new single justice. Lyrically the track explores the themes of self liberation and disconnecting from people who do not support you and stad in the way of you and your happiness. The centre of the song was our experience coming out together as a couple, the fears, trials and obstacles we had to overcome to find happiness together.
 
How did you go about writing Don’t Talk About It?
This one was actually really easy, it was one of those things where once we started it just flowed. Lyrically and melodically it only took us 4 hours to write this track, there were so many things bottled up that this song allowed us to release and let go of.
 
Where and when did you record/produce/master and who did you work with?
We started recording the song in our home studio in September 2022 and reached demo phase really quickly. We then took a break from it and revisited it in March this year where Dominik Honold from Protonaut Studios from Germany took the track for mix, master and co-production.
 
Please tell us about the inspirations and influences for the project:
 
How did the project come about?
Mister Co. was the platform we created to share our music together and with our audience. Both being musicians and always having a hand in music, after our honeymoon in April 2022 we sat down and came up with the name and the rest is now history.
 
What it’s like working with your partner? What are the challenges & benefits?
Honestly it is such an incredible experience, we get to do something we both love together and we get to share all the successes and achievements side by side. Creative differences are always a challenge but if you use the differences and fuse them into one sound you start creating a new feel which reflects the both of us separately and together. Being a creative can be a lonely road, so to have your partner there with you the whole way really helps the mind and soul.
 
Where do you feel most inspired to write music?
Honestly together, the where isn’t really important to us. Being seasoned travelers we seem to write wherever we travel drawing inspiration from our surroundings.
 
Who are you listening to at the moment?
We are always listening to the greats, but more recently we have fallen in love with Allen Stone and everything indie soul.
 
What do you like to do away from music?
We actually both run a business called Pinnacle Choice in the real estate industry, so away from music we love building our family business, traveling wherever we can, and sitting on the couch playing PS5 together.
 
What’s planned for the remainder of 2023?
2023 is a massive year for us, we will be supporting our first tour with Eamon Conor in September, releasing another 3 singles and finishing up our debut album for a 2024 release.
 
Favourite food and place to hang out?

THIS IS A HARD ONE, but we would both agree we love Japanese food and hanging out on our road trips across the country.

Social: https://linktr.ee/misterco.melbourne

June 19, 2023 0 comments
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Heterochromia Interview

by the partae June 19, 2023
written by the partae

Where are you currently based?

We’re currently based in Sydney

What’s been happening recently?

Things have been pretty non-stop! The reception to our new single has been overwhelmingly positive so we’ve really been trying to ride that wave while we rehearse a bunch for tour.

Your latest single ‘Plastic’ is out now, what influenced the sound and songwriting?

Plastic was written out of frustration really. At the time I felt like I was really only being seen as a toy by the men in my life and it took a lot of work to build the self-worth to stand up to that and say “Hey! no! fuck you! I’m a human being”. That’s why although the lyrics of the song are pretty almost bitter (I’m a big fan of The Smiths so a lot of my writing has that sarcastic tone to it), instrumentally we really went for something with a much brighter almost nostalgic tone. We were playing a lot of 00’s pop between writing sessions and I think that comes through.

What does this single mean to you?

Plastic means a huge deal to me! It feels like such a time capsule of this awful thing I overcame. I’m proud of how overall positive it ended up being and I think it’s some of mine and Josh’s (Gonzalez/producer) best work.

Where and when did you record/produce/master and who did you work with?

I recorded the song with Josh Gonzalez who is a long time friend and creative partner. His writing and production is really what makes Heterochromia what it is. We wrote and recorded the song in his home studio and then sent it off to Chris Vernon to mix and master, because I just have a bunch of talented besties and the band is a great excuse to work with them

How did you approach the recording process?

Very very slowly and with a lot of patience on Josh’s end. Heterochromia is my first time having the musician hat on and so there was a lot to learn. We didn’t want to settle at all. Consequently there was a lot of tweaking until we were both stoked.

You have an upcoming tour, where are you headed?

Yeah oh my god I’m so excited! We’re adventuring around the East coast for the first time with a bunch of old and new friends and then finishing off with a hometown headliner. The tour starts with Canberra and Melbourne so I’m currently in the market for some nice and thick jackets.

What can we expect from your live shows?

Dancing and chaos wrapped in pastel satin. We’ve got such a wonderful, fun live band and we’re all up for a boogie and a banter so that seems to be the kind of vibe we attract in a crowd. We’re playing our whole new ep + a couple overs and maybe some bonus tracks *wink wink*. It should be a really fun time! 

Who are you listening to at the moment?

Right this second I’m listening to Jenette Mccurdy’s audiobook. But in terms of music recently I’ve been hyperfixating over Belle Haven’s new songs, Lewis Capaldi’s new album and a bit of Black Flag. I really like to keep spotify’s algorithm guessing in terms of what to recommend to me.

What’s planned for the remainder of 2023?

Well we’re going to release this EP finally, make some new friends up and down the east coast and then maaaaybe even release a little more music before the year ends.

https://www.facebook.com/heterochromiaau/

June 19, 2023 0 comments
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NOASIS INTERVIEW

by the partae June 19, 2023
written by the partae
Where are you currently based?
 
South Australia Adelaide.
 
How did NOASIS form?
 
In a dis-used hotel room back in England really to pick up the disappointed who couldn’t buy tickets to see Oasis.
 
What’s been happening recently?
 
Noasis are prepping for the Australian dates kicking off in July. All major cities and great venues. We’ve been working on production and honing that Wall Of Sound.
 
Your latest single ‘Walk On’ is out now, what influenced the sound and songwriting?
 
Tom Spiby’s brainchild. He’s also into electronic music and produces vibes like Walk On from his Lo-Fi studio. Darren and Tom got together to put some riffs and things to it and out it popped. The rest of the band were blissfully drinking Stone & Wood somewhere at the time.
 
How did this single come about?
 
As above.
 
Where and when did you record/produce/master and who did you work with?
 
Lo-Fi vibe so we did most of it in our studio. It then went over to Gabriel Agostino (Best World Music Album award winner) for mixing and finally onto Wayne @Suture for mastering.
 
How did you approach the recording process?
 
Casually and ad-hoc. The story goes Tom whipped this tune up one Saturday night whilst sulking about lack of money.
His friends popped around to see him later and he aired it to them. They (having been out probably on the Stone & Wood) dancing all around the place to Walk On and so it made the cut.
 
You have an upcoming tour, what can we expect from a NOASIS show?
 
As you’ll guess by the name this show is about bringing that Wall Of Sound Oasis are famous for, back to life. A punter can expect to be bamboozled by the uncanny likeness of the look and the sound of Noasis. “A support band member said a few weeks ago that watching Noasis fucks with his head, and the lines blur between what once was and what is in front of him” I took it as a compliment and passed him a Stone & Wood.
But big show.. Big Sound.. Big Production.. big headache the day after.
 
Any shows that you’re particularly looking forward to play?
 
The Triffid Brisbane is an insane venue to play and attend.  Also very excited to play the new Hindley Street Music Hall in Adelaide. NEXT LEVEL PRODUCTION!!!
 
Where are you headed?
 
To the shower.
 
Who are you listening to at the moment?
 
Sam Fender.
 
What’s planned for the remainder of 2023?
Gigs/write/record/sleep/repeat.
 
Favourite food and place to hangout?
 
Vegan Pho and Miss Hoi An who provides the Pho.
Socials: 
 
https://www.instagram.com/noasis_official/ 
 
Website: 
 
http://www.noasis.com.au/ 
June 19, 2023 0 comments
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Festival NewsMusic InterviewsMusic News

Serwah Attafuah / Future Art x The Partae – Interview

by the partae June 14, 2023
written by the partae

Where are you currently based?

On Dharug land in Western Sydney!

What’s been happening recently?

Just moved into a new art studio so I’m incredibly excited to start creating something new here. I also joined and started two new bands, I haven’t played music in a group setting in over 4 years so I’m stoked to start releasing new tunes.

Please tell us about the work you will be presenting at the Future Art is Vivid event:

It will be a mixture of my recent digital art, including my minted NFTs. Most of my work is what I describe as surreal cyber dreamscapes and heavenly wastelands, populated by afro-futuristic abstractions of self with strong ancestral and contemporary themes.

How did your partnership with Future Art come about?

I met Dave and Sats from Future Art back in 2021 I believe and we have been working together on various projects ever since! It was so cool to meet them as at the time I didn’t really know anyone in Sydney who participated or even knew of Web3. One of the first collaborations we did together was for last years Future Art x Vivid in which we created an AR experience with Yahoo that people could view all over Sydney.

What can people expect from the event?  It sounds very immersive and engaging, can you describe the experience?

It will be wild if its anything like last years event!! There’s lots of things happening, and the music will compliment the visuals so well. I’m particularly excited to see what Giant Swan is going to do.

Please tell us about your transition from Music artist to visual artist:

It felt very natural, I had basically been playing music full time for years and hadn’t had the chance to work on my visual art. I’m the type of person that likes to put 100% of my time and energy into one thing rather than multitasking so I made time for just art. I still love to play music but at the moment my big focus is on visual.

What it was like working with big brands and garnering the attention of Paris Hilton?

It’spretty surreal, actually. Every job is so different and it helped me learn a lot. The artwork I created for Paris Hilton was one of my favourite projects to date; she was super lovely to work with and couldn’t be happier with the artwork!

How did you come to work with brands?

I started working and collaborating with larger brands and celebs at the start of the pandemic when a lot of design agency’s had to go online. I had been putting my work out on different parts of the web for over a decade at that point so I guess I had built up a decent enough portfolio.

Who are you listening to at the moment musically?

Mostly industrial metal like Godflesh and dance music like Snow Strippers, when I’m working I like to listen to ambient music such as Deepchord and Stephen Hitchell.

What do you have planned for the remainder of 2023?

I’ve got some large scale international projects that I’m working on and I’m very excited to announce when I get the chance (keep and eye out on my socials). I’m also working on a blockchain based game set in Sydney.

Favourite food and place to hangout?

At the moment I’d say La Disfida in Haberfield – best pizza and Italian food in Sydney!!

EVENT DETAILS: 

Date: June 16

Time: 8pm – 3am

Tickets: From $39 and available here

Location: Home the Venue

WEBSITE

June 14, 2023 0 comments
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Jack Bratt Interview

by the partae June 14, 2023
written by the partae
Where are you currently based?
 
The Gold Coast. 
 
How did you first start playing music?
 
I started playing in a duo with my dad when I was fourteen, he’s a great singer and guitarist and has been playing all of his life, so within a year of learning how to play guitar he invited me to start working with him, it was a great experience being able to start so long and get a head start in the industry.
 
What’s been happening recently?
 
Recently I’ve been in the studio and have just released my new single. 
 
Your latest release after coming back from New York ‘Hand On Heart’ is out now, what influenced the sound and songwriting?
 
I think being so far away from home and my past few years in Australia really gave me some time to reflect on how I was feeling about a really huge shift in my life. 
 
How did you go about writing Hand On Heart?
 
I wrote it in my bedroom in Brooklyn while I was living in New York, the chords just came to me while I was doing some looping, and the lyrics and melody came really quickly. The basic demo was recorded within an hour.
 
Where and when did you record/produce/master and who did you work with?
 
I worked with my amazing producer Joel Myles at hunting grounds in Brisbane, and it was mastered by Matt Bartlem. 
 
What did you get upto in New York?
 
I spent a lot of time just exploring the city, going to places of cultural significance, and obviously a lot of writing. It was a very special time. 
 
How does it feel to be back in Brisbane?
 
It’s been great being back in Australia, I really missed the sunshine and the ocean and just the overall quality of life we have here.
 
Please tell us about any new projects:
 
I’m working towards finishing my second album. 
 
What’s planned for the remainder of 2023?
 
More music being released and more live performances. 
 
Who are you listening to at the moment?
 
I’m loving listening to Boygenius at the moment, they are such an amazing group. 
 
Favourite food and place to hangout?
 
I love going out to brunch at Medley in Brisbane. It is a perfect breakfast spot right on the brisbane river. 

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