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XG (JAPAN) ICONIC ARTIST GROUP RETURNS WITH 2026 WORLD TOUR: THE CORE

April 23, 2026

The Jungle Giants – Album Launch Parties

April 23, 2026

STEPHEN SANCHEZ: Brings The Lover Down Under Tour to Australia & NZ...

April 23, 2026

FUTURE ISLANDS Share ‘The Ink Well’ and ‘One Day’ New LP From...

April 23, 2026

BAAUER RETURNS WITH U, HIS FIRST ALBUM IN SIX YEARS, ON LUCKYME...

April 23, 2026

Interview: SF WRENS – “The Finish Line” and the Art of Being...

April 23, 2026

Interview: Makua Rothman – “I Just Wanna Live” From Big Waves to...

April 23, 2026

The Temper Trap announce highly anticipated Australian headline dates for September/October 2026

April 20, 2026

MEDIA PUZZLE UNVEIL NEW RACEHORSE: A SURREAL COMMENTARY ON MODERN EXISTENCE

April 20, 2026

SF WRENS DEBUT FRESH NEW SINGLE ‘THE FINISH LINE’

April 20, 2026
Category:

Festival News

LONDON TOPAZ ANNOUNCES STREAM FROM AVALON AIRPORT HANGAR PRESENTED BY UNTITLED GROUP
Festival NewsMusic News

LONDON TOPAZ ANNOUNCES STREAM FROM AVALON AIRPORT HANGAR PRESENTED BY UNTITLED GROUP

by the partae September 15, 2020
written by the partae

SATURDAY 19TH SEPTEMBER: 8PM AEST 

(3AM PDT, 11AM BST)

LOCATION: LONDON TOPAZ FACEBOOK PAGE

IMAGES & ASSETS

“London Topaz refuses to drown in lockdown” – Mikey Cahill (The Age)

“Taps into emotion and also movement the same way a Hayden James, or RÜFÜS DU SOL track would.” – Purple Sneakers

“London Topaz is his own force, and isn’t just another producer following in the footsteps of his predecessors.” – Happy Mag

“His music feels like an organic extension of himself, and his desire to portray this energy throughout his art is infectious.” – PONDER

After featuring on Untitled Group’s Virtual Day Party series, which saw more than half a million households tune in globally, London Topaz is giving us a glimmer of joy, announcing he will be broadcasting a special one-off headline stream from the Avalon Airport Hangar. London Topaz is providing the opportunity for music lovers to connect with each other whilst confined to their homes. The stream will be presented by Untitled Group, Baxter Vodka, Red Bull and Soda Shades.

Filmed from the monumental 8400sqm Avalon Airport Hangar kitted out with Untitled Group’s signature expanse of impressive lighting and production, London Topaz will be showcasing his versatility with deep melodic sounds entwined with some of his own signature productions.

With a style reminiscent of top-tier electronic artists such as RÜFÜS DU SOL and Disclosure, London Topaz’s sound has captured the attention of dance music enthusiasts globally. Building on his impeccable discography that has already clocked over 3 million streams, 2020 has seen London Topaz release successful tracks such as ‘Be Mine’ and ‘Drown’.  Despite the pandemic he has reached new heights this year, with releases being supported by triple j (click here for recent triple j Mix Up) and a series of out-of-this-world performances including Untitled Group’s Virtual Day Party alongside Dom Dolla & Torren Foot, Beyond The Valley, For The Love, as well as a sold out headline show.

Curating a profound, raw and emotive force, join London Topaz on Saturday 19th September at 8PM AEST.

RSVP HERE

(Facebook event going live at 4:30PM AEST)

FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | SPOTIFY 

September 15, 2020 0 comments
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BIGSOUND announces 2020 keynotes: Tom Morello, Kev Carmody, Tones And I, Amy Shark, Nat's What I Reckon + more!
Festival NewsMusic News

BIGSOUND announces 2020 keynotes: Tom Morello, Kev Carmody, Tones And I, Amy Shark, Nat’s What I Reckon + more!

by the partae September 15, 2020
written by the partae
BIGSOUND 2020 has dropped the mic on its first (and hopefully last) ever 100% virtual program on October 21 and 22, bringing together a stacked first announcement of keynote presenters to lead a program to re-future a challenged industry with positivity, connection and reality.
Tom Morello (Rage Against The Machine, Audioslave, Prophets Of Rage, the Nightwatchman) leads the first announcement with a presentation exploring his life as a musician and activist. BIGSOUND will also host a line up of special in-conversation sessions with the legendary Kev Carmody and ARIA-award winner Amy Shark, as well as a keynote presentation from global superstar Tones And I. Rhoda Roberts and Ziggy Ramo will discuss the Indigenous future of the music industry while American Grammy-nominee Mumu Fresh will discuss career, community and survival in 2020.
BIGSOUND will also welcome Australia’s hero of COVID, culinary crusader Nat’s What I Reckon, who will present an exclusive BIGSOUND cooking show. I OH YOU’s Johann Ponniah will zoom by for a keynote, while globally respected tour and production manager and founder of CrewCare Australia Howard Freeman (Big Day Out, INXS, AC/DC, Eminem, Neil Young, Prince, Rolling Stones) will host a poignant session exploring the hard realities of life on the road, the impacts it has on mental and physical health, and creating a culture of help-seeking.
“Join me at BIGSOUND to talk music, activism, and how the guitar can be a divining rod for truth and justice. The world is at a dangerous crossroads and it’s time to feed the poor, fight the power, and rock the f**k out.” – Tom Morello
—————————————————————————————

“Very few artists radiate and live their purpose the way that Tom Morello does, his power, conviction and guitar shredding sound is like no other”, said BIGSOUND Creative Director Janne Scott. “This keynote is a personal dream of mine and an absolute privilege for BIGSOUND to present, delivered at a time when we could all use a little Morello magic.”

With COVID-19 restricting travel, BIGSOUND 2020 will be the first event in its 19 -year history to go completely free and virtual, in recognition of the difficult times the industry is currently facing and the need more than ever to have a place to come together regardless of location or means. With over 2,000 already registered, the virtual space will enable BIGSOUND’s panel discussions, keynotes and seminars the ability to reach and connect with more people than ever before.
“BIGSOUND has been the meeting place of the music community for nearly two decades and the determination for this event to not only go ahead, but to thrive in a virtual environment is essential for our industry.” said QMusic CEO Angela Samut.
“BIGSOUND has been a leader for years in looking to future business models, mental health and a place of fairness and justice for First Nations peoples working in the music industry as well as giving tomorrow’s Australian icons a platform to learn and be discovered. Never have these things been more important. Never has BIGSOUND been more important.”
BIGSOUND’s second announcement and full program schedule will be unveiled at the end of September along with The BIGSOUND50, this year’s hottest Australian artists who will be exposed to the world and participate in a national and international networking program designed for the times.
BIGSOUND’s First Nations House in partnership with Spotify will also be a key feature of the full program, offering important discussion, learning and understanding, as well as showcasing some of our finest First Nations talent from around the country.
“BIGSOUND 2020 is the perfect opportunity for the music community to come together and take stock of where we find ourselves both nationally and globally after the last six tumultuous months” said Conference Programmer Tom Larkin.
“Featuring some of the most prolific Keynotes we have ever programmed, the conference itself will lead conversations around future facing concepts that are brave, nuanced and shine a light towards recovering a more sustainable industry.”
FREE registration for BIGSOUND 2020 is now open at www.bigsound.org.au
BIGSOUND 2020 FIRST KEYNOTE SPEAKER ANNOUNCEMENT
Tom Morello
Kev Carmody
Tones And I
Amy Shark
Rhoda Roberts
Ziggy Ramo
Nat’s What I Reckon
Mumu Fresh
Howard Freeman
Johann Ponniah
WEBSITE  | FACEBOOK  |  INSTAGRAM |  TWITTER
September 15, 2020 0 comments
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The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J Mushroom Group are pleased to announce the return of The State of Music - INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.   This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.   Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.   Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.  The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here. Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.  THE STATE OF MUSIC INTRODUCING SERIES ARCHIE ROACH introduces DALLAS WOODS LIME CORDIALE introduces NAT VAZER DARYL BRAITHWAITE introduces ELLA J together.vic.gov.au facebook.com/victoriatogether instagram/victoriatogether YouTube #TheStateofMusic VICTORIA TOGETHER
Festival NewsMusic News

The State of Music – ‘INTRODUCING’ series | Episode Three airing this Friday 11 September

by the partae September 9, 2020
written by the partae
  • The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative
  • Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au
  • Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J
Mushroom Group are pleased to announce the return of The State of Music – INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.

This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.

Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.

Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.

The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here.

Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.

THE STATE OF MUSIC
INTRODUCING SERIES

ARCHIE ROACH introduces DALLAS WOODS

LIME CORDIALE introduces NAT VAZER

DARYL BRAITHWAITE introduces ELLA J

together.vic.gov.au
facebook.com/victoriatogether
instagram/victoriatogether
YouTube
#TheStateofMusic

VICTORIA TOGETHER
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Website
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September 9, 2020 0 comments
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BIGSOUND 2020 MOVES TO FREE, VIRTUAL EVENT DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
Festival NewsMusic News

BIGSOUND moves to a free virtual event for 2020!

by the partae September 9, 2020
written by the partae
DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
With ongoing COVID-19 restrictions and domestic border closures, BIGSOUND 2020 will now move to be a free virtual event, allowing and creating new opportunities for Australian artists and industry to connect with each other and the international music community from their own homes and workspaces.
Connecting digitally on Wednesday 21 and Thursday 22 October, BIGSOUND 2020 will focus on three pillars of community, survival, and re-futuring, building on its 18-year history of bringing music, art and business together in a new conference program custom-built for the challenges and awakenings that 2020 has delivered.
“BIGSOUND has always been about bringing our business and arts community together and while we were hopeful of being in our spiritual home in the Fortitude Valley live music precinct, 2020 has made other arrangements,” said QMusic CEO Angela Samut.

“It has never been more important for the Australian industry to come together to focus on survival and re-futuring with a program that offers a mainstream conference program, professional development and mental health activities as well as the introduction of The BIGSOUND 50.”
Despite the unfortunate suspension of live showcases, BIGSOUND Festival co-programmers Dom Miller and Ruby-Jean McCabe, alongside First Nations Programmer Alethea Beetson, will still select the best artist applications to spotlight the next crop of emerging Australian music talent to become The BIGSOUND50. The event will double down on its role in shining a global spotlight on the artists of tomorrow and sharing them with the wider music industry to further expand audiences and connect them with potential business relationships.
As well as significant coverage across BIGSOUND and its official online media and playlists, the artists will receive one-on-ones with industry mentors, online meetings with industry professionals, and opportunities to connect with relevant delegates both during and after BIGSOUND in a unique program to help assist their artist growth, career goals, and potential future pathways. The BIGSOUND50 artists will also get first priority application access for BIGSOUND 2021, giving special consideration for attendance and live performing at next year’s event as the industry moves towards a new normal.
The full BIGSOUND program will be released in late September, under the care of Creative Director Janne Scott, Conference Programmer Tom Larkin, and First Nations Producer and Programmer Alethea Beetson.
The innovative BIGSOUND 2020 virtual program of keynote addresses, online workshops, panels and discussions will explore the serious industrial needs of the business of music, bringing together key players to plot our immediate survival, while taking this unique opportunity in history to have the necessary discussions about re-futuring the building blocks on which we operate.
BIGSOUND will have big conversations, from the new commercial realities through to the mental and physical health of industry participants. From equity of revenue to equity of opportunity, from respect for business through to respect for the community on which it’s built, BIGSOUND will ask the questions and prompt the discussions that need to be had to build a strong industry that will walk us forward into the next decade.
BIGSOUND will again feature First Nations House in partnership with Spotify (this year virtually) providing a poignant and important program of domestic and international delegates discussing the future of the music industry, creating virtual performance opportunities and offering valuable connections to those across the music industry from a First Nations perspective.
“BIGSOUND 2019 saw the largest cohort of Aboriginal and Torres Strait Islander artists showcasing at BIGSOUND,” said First Nations programmer Alethea Beetson.

“With the move to a virtual platform, we have the potential to showcase First Nations artists throughout the whole year; have the long-term Indigenous led conversations required to dismantle and change the music industry; and continue the work of those who have gone before us in building the sovereign music sector.”


“Working with Spotify, we are able to give more space to First Nations artists from these lands, and also continue our collaborations with our First Nations relatives across the oceans – in particular Aotearoa (New Zealand) and Turtle Island (Canada).”
Delegates who purchased a ticket to the BIGSOUND physical event will receive a full refund with free digital registrations open from today at www.bigsound.org.au. The full BIGSOUND delegate portal will be open for registrants from the end of September for networking and exclusive content.
BIGSOUND thanks the ongoing support of our partners: Australia Council for the Arts, Queensland Government through Arts Queensland, Tourism and Events Queensland, triple j, Spotify, Oztix, APRA AMCOS and Levi’s®.
BIGSOUND 2020 won’t have a physical presence this year, but it will deliver on the promise it has made to the music community for 18 years. This was not the year anyone expected, but BIGSOUND will continue to deliver for artists, be the place of the big discussions for industry, and this year be front and centre in bringing the community together at a time that has never been more important.

Free virtual delegate passes are available now from BIGSOUND.org.au

WEBSITE  | FACEBOOK  |  INSTAGRAM |  TWITTER

September 9, 2020 0 comments
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https://www.weare500.com We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th - October 4th 2020. 500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world's biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available. _____________________________________________________________________________ LINEUPS: WEEK 1 OPENING PARTY  (SAT SEP 5TH) GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE WEEK 1 (SUN SEP 6TH) LOCO DICE / WAFF WEEK 2 (SAT SEP 12TH) CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS WEEK 2 SUN SEP 13TH) PATRICK TOPPING & GUESTS  WEEK 3 (SAT SEP 19TH) ANDY C / HARRIET JAXXON WEEK 3 (SAT SEP 20TH) SOLARDO / BEN HEMSLEY WEEK 4  Coming soon... WEEK 5 Coming soon... ______________________________________________________________________________ Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.  Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.  Full details can be found here: https://www.weare500.com 
Festival NewsMusic News

We Are FSTVL announce new socially distanced events We Are 500 – DATES: SEPTEMBER 5TH – OCTOBER 4TH 2020 VENUE: DAMNYS HALL AERODROME, UPMINSTER FROM £24.50 PER PERSON

by the partae September 9, 2020
written by the partae
https://www.weare500.com
We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th – October 4th 2020.
500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world’s biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available.
_____________________________________________________________________________
LINEUPS:
WEEK 1 OPENING PARTY  (SAT SEP 5TH)
GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE
WEEK 1 (SUN SEP 6TH)
LOCO DICE / WAFF
WEEK 2 (SAT SEP 12TH)
CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS
WEEK 2 SUN SEP 13TH)
PATRICK TOPPING & GUESTS
WEEK 3 (SAT SEP 19TH)
ANDY C / HARRIET JAXXON
WEEK 3 (SAT SEP 20TH)
SOLARDO / BEN HEMSLEY
WEEK 4
Coming soon…
WEEK 5
Coming soon…
______________________________________________________________________________
Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.
Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.
Full details can be found here: https://www.weare500.com
September 9, 2020 0 comments
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MICRA RETURN WITH NEW SINGLE & VIDEO 'UNDER MY SKIN' + ANNOUNCE SHOWS FOR NSW
Festival NewsMusic News

MICRA RETURN WITH NEW SINGLE & VIDEO ‘UNDER MY SKIN’ + ANNOUNCE SHOWS FOR NSW

by the partae September 8, 2020
written by the partae
“It’s got depth, it’s got drive, it’s got some magic dust sprinkled on top”
– Richard Kingsmill on ‘Fuzz Captain’, triple j 

“Shimmering swathes of synth and lush guitar tones bring to mind the psychedelic tendencies of fellow Aussies Tame Impala, whilst the hushed vocal of Kafedjiyska conjures a dreamily lucid air that is wholly entrancing” – The Line of Best Fit

“Gorgeous noise pop that isn’t afraid to bleed into the red,” – Clash Magazine

“Ariel Pink and Tame Impala thrown in for a mish-mash of psych- and dream-pop you’ll get lost in” – Pilerats

Micra, Sydney’s spellbinding dream-pop outfit, today release their exciting new single ‘Under My Skin’ via Liberation Records. Premiering via Clash Magazine as their Track of the Day, ‘Under My Skin’ comes with the announcement of upcoming shows in Sydney and Wollongong.

Their first release since supporting Lime Cordiale on the band’s recent national tour, ‘Under My Skin’ boasts diverse influences, marrying the underwater psych grooves of Unknown Mortal Orchestra with the dreamy vocals of Beach House. Weaving dark lyrics and melodies with looping synths and production techniques, ‘Under My Skin’ proves Micra are more than the sum of their parts as it explores the idea of “learning to be comfortable with being uncomfortable.”

“It’s the realisation that everything that you feel happens under the skin (and) the fixation of time passing, which I tend to focus on a little too much” explains the band’s singer Ivana Kafedjiyska. “All these discomforts and thoughts are intimate sensations under the skin. Sometimes you have to sit in a feeling and let go only by letting it in.” 

The track arrives complete with a beguiling music video by Jessica Long and features serene imagery of the band surrounded by vast desert landscapes and the setting sun. As the clip unfurls, the psychedelic undertones of the track surface and what was once tranquil becomes obscured.

‘Under My Skin’ follows the release of previous singles ‘Chemical Freedom’ and ‘Fuzz Captain’. The dreamy ‘Fuzz Captain’ received adds to triple j unearthed and FBi Radio as well as profiling by tastemakers The Line of Best Fit and Clash Magazine.

Micra are a sonic experiment from Bulgarian born and raised singer/guitarist Ivana Kafedjiyska and Australian guitarist/producer Robbie Cain, who met by serendipitous fortune at an Unknown Mortal Orchestra show after the ticketing Gods coincidentally sat them next to each other. That chance meeting blossomed into a musical kinship which, after months of jamming in a friend’s Sydney basement, led to the formation of Micra. After wooing industry at last year’s BIGSOUND, Micra went on to perform alongside Tyler, The Creator and RÜFÜS DU SOL at Beyond The Valley as well as recently supporting Lime Cordiale on six sold out shows across Australia.

With much more music to come, 2020 is sure to be an exciting year for the duo.

MICRA ‘UNDER MY SKIN’ TOUR

Wednesday 28th October
La La La’s, Wollongong

Saturday 31st October
Oxford Arts Factory, Sydney

‘Under My Skin’
Micra

Single out now through Liberation Records

Available to buy/stream here

MICRA

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September 8, 2020 0 comments
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The National Gallery of Victoria has announced the second edition of the landmark, city-wide exhibition, Melbourne NOW, which will be centred at The Ian Potter Centre: NGV Australia in 2023. The exhibition will mark the ten-year anniversary of the inaugural 2013 exhibition which was a bold and unprecedented survey of some of the most exciting local contemporary practitioners. Melbourne NOW will again highlight the latest art, architecture, design and cultural practice shaping the cultural landscape of Melbourne. The NGV will dedicate an initial $1.5 million commitment to acquire, commission and present new works by local Victorian artists, designers and architects. In a timely announcement, new works by Victorian artists will begin to be actively acquired and commissioned beginning this year and will continue for the next three years, where the works will be premiered as part of the 2023 exhibition. ‘The NGV is delighted to be able to support our local creative community with the second iteration of Melbourne NOW. We know new and significant works will be created by Victorian artists and designers for this exhibition, which will celebrate the vibrancy and diversity of our creative sector,’ said Tony Ellwood AM, Director, National Gallery of Victoria.  “Embraced by Victorians and visitors alike, the original 2013 Melbourne NOW exhibition was a landmark presentation of the most exciting art and design being made in one of the world’s most creative cities. Ten years on, Melbourne NOW 2023 is set to be an equally momentous event, while playing an important role in the post-COVID recovery of our creative sector. Although we'll need to wait a while to see the exhibition, the NGV will start investing in the work and careers of local artists now - when they need it most,” Minister for Creative Industries Martin Foley. Celebrating new and ambitious local art and design, Melbourne Now will cross a range of contemporary disciplines including fashion and jewellery, painting, sculpture, architecture, ceramics, video, performance, printmaking and publishing. The exhibition will also mark the second edition of the hugely popular ‘Design Wall’ showcasing work by dozens of the city’s most innovative design practitioners, as well as popular NGV Kids interactive projects.  Bold in scale, Melbourne Now will be displayed throughout all levels of The Ian Potter Centre: NGV Australia, including permanent collection galleries, showcasing new works and commissions by emerging, mid-career and senior practitioners as well as local collectives, many presenting for the first time in Australia’s most visited art gallery. At the heart of Melbourne Now will be a collaborative approach to the celebration of Melbourne’s artists and designers, working closely with a range of community, cultural and educational partners. In 2013, the first edition of Melbourne Now delivered a history-making exhibition at the NGV that surveyed the enormous breath of artistic talent in the local community. Marking the first time the NGV exhibited designers alongside visual artists, the exhibition was an overwhelmingly inclusive experience offering free entry to NGV visitors. Ten years later, the next edition of Melbourne Now will again offer free entry to NGV audiences and be complemented by an extensive public program and an exhibition catalogue providing further insights into unique aspects of the exhibition. Melbourne Now will take place in early 2023 at NGV Australia with further information to be announced soon.
Festival NewsMusic News

NGV ANNOUNCES NEXT EDITION OF THE HISTORY-MAKING MELBOURNE NOW EXHIBITION IN 2023 WITH MAJOR COMMITMENT TO LOCAL ARTISTS

by the partae September 7, 2020
written by the partae

The National Gallery of Victoria has announced the second edition of the landmark, city-wide exhibition, Melbourne NOW, which will be centred at The Ian Potter Centre: NGV Australia in 2023. The exhibition will mark the ten-year anniversary of the inaugural 2013 exhibition which was a bold and unprecedented survey of some of the most exciting local contemporary practitioners. Melbourne NOW will again highlight the latest art, architecture, design and cultural practice shaping the cultural landscape of Melbourne.

The NGV will dedicate an initial $1.5 million commitment to acquire, commission and present new works by local Victorian artists, designers and architects. In a timely announcement, new works by Victorian artists will begin to be actively acquired and commissioned beginning this year and will continue for the next three years, where the works will be premiered as part of the 2023 exhibition.

‘The NGV is delighted to be able to support our local creative community with the second iteration of Melbourne NOW. We know new and significant works will be created by Victorian artists and designers for this exhibition, which will celebrate the vibrancy and diversity of our creative sector,’ said Tony Ellwood AM, Director, National Gallery of Victoria.

“Embraced by Victorians and visitors alike, the original 2013 Melbourne NOW exhibition was a landmark presentation of the most exciting art and design being made in one of the world’s most creative cities. Ten years on, Melbourne NOW 2023 is set to be an equally momentous event, while playing an important role in the post-COVID recovery of our creative sector. Although we’ll need to wait a while to see the exhibition, the NGV will start investing in the work and careers of local artists now – when they need it most,” Minister for Creative Industries Martin Foley.

Celebrating new and ambitious local art and design, Melbourne Now will cross a range of contemporary disciplines including fashion and jewellery, painting, sculpture, architecture, ceramics, video, performance, printmaking and publishing. The exhibition will also mark the second edition of the hugely popular ‘Design Wall’ showcasing work by dozens of the city’s most innovative design practitioners, as well as popular NGV Kids interactive projects.

Bold in scale, Melbourne Now will be displayed throughout all levels of The Ian Potter Centre: NGV Australia, including permanent collection galleries, showcasing new works and commissions by emerging, mid-career and senior practitioners as well as local collectives, many presenting for the first time in Australia’s most visited art gallery.

At the heart of Melbourne Now will be a collaborative approach to the celebration of Melbourne’s artists and designers, working closely with a range of community, cultural and educational partners.

In 2013, the first edition of Melbourne Now delivered a history-making exhibition at the NGV that surveyed the enormous breath of artistic talent in the local community. Marking the first time the NGV exhibited designers alongside visual artists, the exhibition was an overwhelmingly inclusive experience offering free entry to NGV visitors.

Ten years later, the next edition of Melbourne Now will again offer free entry to NGV audiences and be complemented by an extensive public program and an exhibition catalogue providing further insights into unique aspects of the exhibition.

Melbourne Now will take place in early 2023 at NGV Australia with further information to be announced soon.

September 7, 2020 0 comments
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Annual conference within Moscow Music Week showcase festival will happen on 3rd and 4th of September in partnership with Institute of Musical Initiatives (IMI). 6th year in a row musical industry professionals will gather to discuss the most  pressing and sensitive issues, which are common concerns of Russian market representatives: music distribution, digital marketing, streaming platforms management and many more, in the context of this tough year that changed the normal course of things. Due to pandemic this spring clubs, music spaces and concert halls stopped working. How it affected musicians, industry and listeners? What can venues and musical events expect in future? How did organizers manage to cope with switching to online and is there any future for this format? These and many other questions will be discussed by conference participants within lectures, workshops and discussions with Russian and foreign colleagues. This year's conference's leitmotif is digital communications. Conference program includes such themes like: • Streaming services in pandemic period: how to find your listener. Opportunities for independent musicians. • Clubs on lockdown: economics, problems and ethics • Musician profession: art vs management • What to do if online concerts will be back? Experience and future of the format in Russia • I will survive? Or how industry copes with pandemia consequences. European experience. And many more. Among speakers and curators are managers and art-directors of clubs and concert venues (Dom Pechaty, Tele-Club, Punk Fiction, 16 TONS), festivals organizers (Park Live, SOUND UP, BOL’, Picnic Afishy, Ural Music Night), marketing agencies, streamings and record labels representatives (Effective Records, Yandex.Music, Booking Machine Agency, Future Communications) and of course artists (The Retuses, Intourist, Pasosch, CPBCH). Main conference partner IMI is a non-commercial organization which develops music industry within the space of Russian-speaking culture. IMI leads a media industry, publishes books for those who are interested in music business, arranges music conferences and showcases in regions. More information at i-m-i.ru and in IMI’s social networks. Conference partners: Mixmag Russia, Yandex.Music, Moscow Music School, Afisha, ONErpm Russia TuneCore, RMA business school Detailed conference schedule at MMW website and on conference Facebook page. Moscow Music Week is 4-days-long showcase festival and conference from 2th to 5th September, with offline and online programs, the only festival format event in 2020 in Moscow. Musical part will include around 100 artists distributed across 20+ thematic showcases. Once again MMW visitors will be the first to hear musicians, who will become leading voices of the scene in a couple of years.  From dark jazz to emo noise, traditional Caucasian motifs, modern punk, local hip-hop and experimental improvisation. Ionoff Music and BOL’ festival showcases, electronic night program from Dissonance, Quintessence, Oberwave etc.  Full line up includes Lalalar (TUR), CENTR, Hadn Dadn, SOUYZ (BLR), Bad Zu, Zaur Nagoev, Intourist, Lucidvox, Fardi, USSSY, CEO of Everything, Dima Midborn, Wooden Whales, LUTIK, Echo Pamira, Archanga, Hit 'em up, Donatello!,  Tundra Art Ensemble, luni ana, Autosport, Vsadniki JKH, Akul'e Slezy and many more. Open and free online showcase with live streams from Experimental Music Showcase with USSSY and new band called Tvar', Hungarian Showcase with local scene representatives: Platon Karataev, The Qualitons и Torts from Budapest (with the support of Hungarian Cultural Centre and HOTS (Hungarian Oncoming Tunes) and also stream from Kazan club Werk with participants of club’s community — MITYA and Sveta Luk'yanova (ЯNA). Stream will be available on Youtube and Facebook. Links to the stream will be published n the date of event. TICKETS FACEBOOK INSTAGRAM VKONTAKTE
Festival NewsMusic News

Moscow Music Week 2020 conference will discuss pandemic consequences and new ways of music industry development on 3-4 of September

by the partae September 5, 2020
written by the partae

Annual conference within Moscow Music Week showcase festival will happen on 3rd and 4th of September in partnership with Institute of Musical Initiatives (IMI).

6th year in a row musical industry professionals will gather to discuss the most  pressing and sensitive issues, which are common concerns of Russian market representatives: music distribution, digital marketing, streaming platforms management and many more, in the context of this tough year that changed the normal course of things.

Due to pandemic this spring clubs, music spaces and concert halls stopped working. How it affected musicians, industry and listeners? What can venues and musical events expect in future? How did organizers manage to cope with switching to online and is there any future for this format? These and many other questions will be discussed by conference participants within lectures, workshops and discussions with Russian and foreign colleagues. This year’s conference’s leitmotif is digital communications.

Conference program includes such themes like:

• Streaming services in pandemic period: how to find your listener. Opportunities for independent musicians.
• Clubs on lockdown: economics, problems and ethics
• Musician profession: art vs management
• What to do if online concerts will be back? Experience and future of the format in Russia
• I will survive? Or how industry copes with pandemia consequences. European experience. And many more.

Among speakers and curators are managers and art-directors of clubs and concert venues (Dom Pechaty, Tele-Club, Punk Fiction, 16 TONS), festivals organizers (Park Live, SOUND UP, BOL’, Picnic Afishy, Ural Music Night), marketing agencies, streamings and record labels representatives (Effective Records, Yandex.Music, Booking Machine Agency, Future Communications) and of course artists (The Retuses, Intourist, Pasosch, CPBCH).

Main conference partner IMI is a non-commercial organization which develops music industry within the space of Russian-speaking culture. IMI leads a media industry, publishes books for those who are interested in music business, arranges music conferences and showcases in regions. More information at i-m-i.ru and in IMI’s social networks.


Conference partners: Mixmag Russia, Yandex.Music, Moscow Music School, Afisha, ONErpm Russia TuneCore, RMA business school

Detailed conference schedule at MMW website and on conference Facebook page.

Moscow Music Week is 4-days-long showcase festival and conference from 2th to 5th September, with offline and online programs, the only festival format event in 2020 in Moscow.

Musical part will include around 100 artists distributed across 20+ thematic showcases. Once again MMW visitors will be the first to hear musicians, who will become leading voices of the scene in a couple of years.

From dark jazz to emo noise, traditional Caucasian motifs, modern punk, local hip-hop and experimental improvisation. Ionoff Music and BOL’ festival showcases, electronic night program from Dissonance, Quintessence, Oberwave etc.

Full line up includes Lalalar (TUR), CENTR, Hadn Dadn, SOUYZ (BLR), Bad Zu, Zaur Nagoev, Intourist, Lucidvox, Fardi, USSSY, CEO of Everything, Dima Midborn, Wooden Whales, LUTIK, Echo Pamira, Archanga, Hit ’em up, Donatello!,  Tundra Art Ensemble, luni ana, Autosport, Vsadniki JKH, Akul’e Slezy and many more.

Open and free online showcase with live streams from Experimental Music Showcase with USSSY and new band called Tvar’, Hungarian Showcase with local scene representatives: Platon Karataev, The Qualitons и Torts from Budapest (with the support of Hungarian Cultural Centre and HOTS (Hungarian Oncoming Tunes) and also stream from Kazan club Werk with participants of club’s community — MITYA and Sveta Luk’yanova (ЯNA). Stream will be available on Youtube and Facebook. Links to the stream will be published n the date of event.


TICKETS

FACEBOOK

INSTAGRAM

VKONTAKTE

 

September 5, 2020 0 comments
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NEW SINGLE + MUSIC VIDEO 'EVERYWHERE YOU'RE NOT' Feat. DANTE KNOWS + SINGLE LAUNCH SOLD OUT SECOND SHOW ADDED
Festival NewsMusic News

NEW SINGLE + MUSIC VIDEO ‘EVERYWHERE YOU’RE NOT’ Feat. DANTE KNOWS + SINGLE LAUNCH SOLD OUT SECOND SHOW ADDED

by the partae September 4, 2020
written by the partae

DIY Australian indie-pop artist RACKETT drops new electronic single ‘Everywhere You’re Not’ featuring NY rapper Dante Knows, co-written, produced and mixed by Dave Hammer (Lime Cordiale, Mia Rodriguez), and mastered by Andrew Edgeston (Amy Shark, Tia Gostelow).

Beat driven and bass-heavy, the single punches into a huge dance drop out of a euphoric, stripped back chorus. Featuring 16 bars of rap by NY born, SYD based rapper, Dante Knows, the single is another reveal of what RACKETT fans can expect from her debut mini-album due for release in late November 2020.

“‘Everywhere You’re Not’ is about freedom and liberation from an ex-lover. It’s a realisation that the world is a big place full opportunities and the awakening of possibilities from the limitations of staying in one place, with one person. As a massive Dante Knows fan I was thrilled to have him on the single, I saw him perform in Sydney in late 2019 and have been following his music ever since. I think he’s one of the most talented artists I’ve discovered and as the first feature I’ve ever released, it’s a big moment for me” – RACKETT

For the music video RACKETT teamed up with up and coming Sydney director, Murli. Shot at Archie’s Brother Arcade and Tokyo Sing Song in Sydney, the music video was inspired by ASAP Rocky’s L$D. Styled and with creative direction by RACKETT,  the Sydney artist once again flexes her DIY approach and produces an acid-washed, neon popping feast for the eyes.

RACKETT’s single launch presented by BLOOM SOLD OUT with a second show just announced.

RACKETT Live at The Lord Gladstone w/ Lavrence

Friday 18th September

Early show – SOLD OUT

Late show – TICKETS

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September 4, 2020 0 comments
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TOM SNOWDON COVERS KYLE MINOGUE'S 'CAN'T GET YOU OUT OF MY HEAD' ANNOUNCES CHANNEL EP
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TOM SNOWDON COVERS KYLE MINOGUE’S ‘CAN’T GET YOU OUT OF MY HEAD’ ANNOUNCES CHANNEL EP

by the partae September 2, 2020
written by the partae

Mparntwe/Alice Springs artist Tom Snowdon is releasing his first solo material in the form of EP Channel.

As a child, one of Snowdon’s favourite records was the covers album Messenger by Yorta Yorta artist Jimmy Little. He thought the songs were all Little’s, and it’s been a collection he’s returned to over the years. At the urging of a friend earlier this year, Snowdon has created a collection of his own cover versions – both as a nod to the influence of Little and as a way to transition into creating music solo, after a career-to-date of working collaboratively with bandmates and co-writers. As evidenced by these haunting versions of ‘Two Weeks’ and ‘Unchained Melody’ it’s clear Snowdon can take a song and make it his own.

Whether paying homage to the singers who most influenced him or stepping out of his lane, Snowdon followed his voice and recorded tracks that just felt good to sing, and carried a curious atmosphere he could explore. Some of his favourite singers include Björk, Nina Simone, Elizabeth Fraser (Cocteau Twins) and Mark Hollis (Talk Talk). “They’re mesmerising for me because they take listeners on a journey with their voices. They’re deeply instrumental and rich with emotion, so the words they sing take on weight and power.”

The first track we’ll hear is an Australian classic ‘Can’t Get You Out Of My Head‘, released by Kylie Minogue in 2001. It has a bass line like something out of a Timbaland track, paired with earthy percussion and watery piano. Snowdon’s vocals wrestle the pressure and desperation of the story, layering his voice to thicken the headiness of obsession. Listen HERE.

Says Snowdon “I wanted to push myself to explore spaces I’d not normally work in and also to have fun with the arrangements. That Kylie track is such an Australian classic but is probably a bit outside the space in which I usually work … But everyone knows that song. The challenge putting it together, as with any cover, was keeping the soul of what’s special about the original but also freely interpreting it.”

‘Can’t Get You Out Of My Head‘ by Tom Snowdon is out now, buy/stream it here.
For our friends at community radio, you can also download the track via AMRAP here.

The single is out 2nd September
The EP will be released 7th October
Out on Pieater

Stay connected with:
Tom Snowdon: Facebook | Twitter | Instagram
Pieater: Pieater.net | Instagram | Twitter | Facebook | YouTube | Tumblr

September 2, 2020 0 comments
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BRUNSWICK MUSIC FESTIVAL RETURNS IN 2021 . EXPRESSIONS OF INTEREST OPEN NOW!
Festival NewsMusic News

BRUNSWICK MUSIC FESTIVAL RETURNS IN 2021 – EXPRESSIONS OF INTEREST OPEN NOW!

by the partae August 28, 2020
written by the partae

After an abrupt stop and a long pause, Moreland City Council is gearing up to hit play on Brunswick Music Festival again in March 2021. Things are going to look, feel and potentially sound, different. This is the new normal after all, but it’s the re-imagining that makes it so exciting. So, where to from here?

To accomodate for COVID-19 restrictions, the BMF team will be keeping things as flexible as possible while still finding ways to deliver special collaborations and events and fantastic opportunities for local artists, venues and audiences – dedicated and excited to bring the relief of live music to you in whichever way they can.

Since the needle skipped on this year’s event, the world as we know it has been turned upside down. Now more than ever, music feels essential and the tenets that Brunswick Music Festival is built on – neighbourhood and community, inclusivity, diversity and sustainability along with creating a sense of place and safe spaces – seem less like ideals and more like non-negotiables.

With the confinement cultivating a hotbed of creativity, the BMF team are keen to pick up what you want to put down by providing a platform for your audacious ideas, born under the cover of isolation, to be liberated through presentation in their next festival.

They want to work with you to realise your multifaceted, music-based vision in a special one-of-a-kind festival show, in all its boldness and daring, as it speaks to the new world we find ourselves living in.

They also want to hear from musicians, music groups, bands, ensembles or venues in the Brunswick area, who wants to be involved in the 2021 festival.

Local legend and champion of the music community Emily Ulman will once again take charge of expertly crafting the 2021 program, which is set to comprise a collective exhale, a healthy dose of togetherness, a huge cup of joy and some really, really, really great live music experiences.

BMF X ONE-OF-A-KIND FESTIVAL SHOW EOI

What’s your big idea? Your out-of-the-ordinary live music show concept that is oh, so excellent. The kind of “hell yeah” moment that people will lose their minds over.

The BMF team are looking to co-produce your one-of-a-kind festival show that:
  • Is presented in postcode 3056, 3055 or 3057
  • Speaks to current issues and trends both in the world at large and the contemporary music landscape
  • Champions the festival tenets:
    • Neighbourhood and community
    • Inclusivity, diversity and sustainability
    • A sense of place
    • Safe spaces
  • Engages with their priority communities (women and gender diverse, ATSI, people with a disability, migrant and refugee, and LGBTQI+)
  • Fosters local audiences, their existing audience or brings new audiences to the festival
  • Can be flexible and respond to COVID-19 restrictions as required

Your one-of-a-kind festival show can comprise live music and performance, be a happening, an exhibition, activation, workshop, talk, industry development idea or any other form of expression that brings together your original ideas to make something entirely new that would find a perfect outlet in a festival context.

It can be many things – conceptual, fantastical, multi-sensory, wonderful, colourful, collaborative, unconventional, extraordinary, thought provoking, awe-inspiring, moving or straight up entertaining.

Examples from previous years include:

  • Dolly: A Tribute – a night of re-interpreted classics and rarities from the Queen of Country courtesy of five incredible Melbourne musicians that had the whole room dancing in the aisles
  • Seen and Believed – an exhibition of photo-documentation of Melbourne’s diverse and intricate underground music scene curated by Naomi Lee Beveridge
  • Undone at 31 – Martin Frawley’s solo album launch that happened 21 times over 21 nights in a Sydney Road shopfront converted into the artist’s bedroom with surprise special guests nightly
  • Brunswick Music FEASTival – a tasty sold out show that featured a degustation of six epic food themed bands
  • Music in Exile/Bedroom Sucks presents Music at Home – a laid back afternoon of music, poetry and food, centred around ideas of place, identity and international displacement

The festival team are open to different models of partnership, so be specific about what you need to make your dream materialise. This might be cold hard cash, production and technical support, or assistance with audience development. All events presented will benefit from the festival marketing campaign.

Before applying, please contact Amber Stuart – Brunswick Music Festival Executive Producer at festivals@moreland.vic.gov.au or on 9240 2376 to discuss your idea.

APPLY ONLINE HERE
Please note: This EOI is not a call out for performers, bands, artists or community groups. The BMF team are specifically seeking ideas for curated one-of-a-kind festival shows that feature a specific theme and concept, multiple artists, speakers or activities. Moreland-based performers, bands, artists, community group and venues interested in getting involved in the 2021 festival, please check out the BMF X MORELAND COMMUNITY EOI BELOW.

BMF X MORELAND COMMUNITY EOI

Calling all musicians, bands, community groups and venues

Do you or any of your bandmates live, work or study in Moreland? Are you a member of a Moreland-based community music group or a school with an awesome music program? Are you a local venue that presents live music? The festival team want to know who’s out there and who’s keen to be involved with BMF 2021!

For 2021, things will be done a little differently, focusing the call out on uncovering and discovering the incredible talents that lie closest to home. They’re looking for solo artists, bands, choirs, orchestras and more plus any local venues who want to be a part of the 2021 BMF program.

Your expression of interest does not guarantee a spot in the festival but could lead to being programmed for indoor shows, outdoor line-ups, surprise locations and more, or your venue featuring in the 2021 program. If you have a particular idea about where you would like to perform or what you would like to do, they’d love to hear about that too!

For more information visit brunswickmusicfestival.com.au
Applications close 5pm, Sunday 20 September. 

 

BMF Website BMF Website
Brunswick Music Festival Brunswick Music Festival
@brunswickmusicfest @brunswickmusicfest
August 28, 2020 0 comments
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LUCA BRASI DROP NEW TRACK DYING TO FEEL ALIVE, SELL OUT ACOUSTIC TOUR
Festival NewsMusic News

LUCA BRASI DROP NEW TRACK DYING TO FEEL ALIVE, SELL OUT ACOUSTIC TOUR

by the partae August 27, 2020
written by the partae

Luca Brasi have released their new single Dying to Feel Alive, out today via Cooking Vinyl Australia.

With this new track, Tasmania’s favourite sons have now delivered the third taste of new music taken from a forthcoming Luca Brasi album. Frontman Tyler Richardson describes Dying to Feel Alive as, “a reflection on resting on your laurels, but also trying to feel positive about good things, and taking stock. Pressing pause feels impossible most of the time, running myself ragged is the only time I even think about giving myself a break. Gotta have a second to feel the sun on your face when you can grab it.”

As a precursor to the new music, Luca Brasi recently announced they’ll be grabbing their acoustic guitars (aka “coward sticks”) for a special run of intimate live shows in their home state of Tasmania. Taking in Hobart, Launceston, and the boys’ hometown of St. Helens, the band announced the gigs on their socials earlier this month, and before the day was out, had sold out a whopping eight shows across the three cities. Fellow Taswegian songwriter Kat Edwards will be joining on all shows.

LISTEN TO DYING TO FEEL ALIVE HERE ? ORCD.CO/DYINGTOFEELALIVE

Macro Music & New World Artists present
LUCA BRASI — LIVE + INTIMATE ON COWARD STICKS

Thursday, September 3 — Altar, Hobart  **SOLD OUT
Friday, September 4 — Altar, Hobart  **SOLD OUT
Saturday, September 5 — Altar, Hobart  **SOLD OUT
Friday, September 11 — Portland Memorial Hall, St. Helens  **SOLD OUT
Saturday, September 12 — Portland Memorial Hall, St. Helens  **SOLD OUT
Thursday, September 17 — Royal Oak Hotel, Launceston  **SOLD OUT
Friday, September 18 — Royal Oak Hotel, Launceston  **SOLD OUT
Saturday, September 19 — Royal Oak Hotel, Launceston  **SOLD OUT

With special guest Kat Edwards 

For more information on Luca Brasi, visit:
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM

August 27, 2020 0 comments
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PSYCHEDELIC PORN CRUMPETS share twisted fairytale claymation video for Mr. Prism Second Perth show announced to meet demand!
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Psychedelic Porn Crumpets share twisted fairytale claymation video for Mr. Prism, Second Perth show announced to meet demand!

by the partae August 27, 2020
written by the partae

Following the release of ‘Mr. Prism’ earlier this month, their first single of 2020, Psychedelic Porn Crumpets today share an adventure-filled clay animation video for the song. Created by Oliver Jones, who the band have collaborated with previously on their similarly kaleidoscopic videos, the video for ‘Mr. Prism’ takes us on a colourful journey through ‘sweetsville’, with some surprisingly dark encounters along the way.

Bounding along with maximum energy from the onset, ‘Mr. Prism’ is relentless in its approach – a fiery reminder of the type of band Psychedelic Porn Crumpets have grown into over the last few years on the road. For McEwan, the song was born out of the feverish haze only illness and a crazy tour schedule can bring: “After our last tour of Europe I had a plethora of reasons to see a doctor. First, he thought I had tonsillitis, so prescribed me penicillin, which didn’t help at all. I did Falls Festival over New Year’s and barely got through – turns out I had pneumonia. I was pushing through on all sorts of meds until someone offered me the HMS Hunter alternative and I realised no matter how I’d ever be, I could never turn one down. Mr. Prism (my sickly fun-fuelled fiend of an alter-ego) was born.”

On the creation of the video, McEwan says: “A prismatic man needs a colourful adventure, so when we were throwing ideas back & forth with Oliver it was hard to pass on an edible Claymation. All of us were in awe when he sent us through the final animation – proper cherry-on-top work!”

PRAISE FOR MR. PRISM

“Jumbo sized excellence from PPC! This is exactly the kind of daily boost we all need in our lives. Big frenetic energy and thrill that’ll have you wide awake and ready to take on the world. “
Triple J Claire Mooney

“A majestic piece of four-minute rock that captures the group doing exactly what they do best – melting faces on and off the stage”. Tonedeaf

“A warped, propulsive new single titled ‘Mr. Prism’. Anchoring around its winding rhythms and feverish textural build-ups” Music Feeds

“A supercharged firework spreading wild af but good natured vibes wherever it’s played”.
 Life Without Andy

“Psychedelic Porn Crumpets have shared their whirlwind new single Mr. Prism to fuel your soul and give you the energy you need to get through the week.” Happy Mag

“Hmmmm ok then, just pop your head in to hit us with what might be one of your best tracks to date why don’t you. Galloping full tilt and in resplendent glory.” Triple J Unearthed Tommy Faith

PSYCHEDELIC PORN CRUMPETS TOUR DATES

2020

Tickets available at  http://www.psychedelicporncrumpets.com/tickets
Friday, September 11th Prince Of Wales Bunbury
w/ Pot Plant House Party + Grace Sanders
Saturday, 12th September Settlers Tavern Margaret River
w/ Pot Plant House Party + Grace Sanders
Thursday 17th September Badlands Perth  NEW SHOW
w/ Dulcie
Friday, 18th September Badlands Perth SOLD OUT
w/ Pot Plant House Party
25th – 28th September Wave Rock Weekender Wave Rock

2021

2021 will see Psychedelic Porn Crumpets heading around the country supporting Sydney’s Ocean Alley. Originally scheduled to tour nationally in May and June this year, COVID-19 restrictions forced the tour to be rescheduled for February and March next year.

Supporting Ocean Alley
Saturday, February 6th Hordern Pavilion Sydney SOLD OUT
Sunday, February 7th Hordern Pavilion Sydney Tickets
Friday, February 12th Fortitude Music Hall Brisbane SOLD OUT
Saturday, February 13th Fortitude Music Hall Brisbane
Licensed All Ages 6.30pm Show Tickets
Friday, March 5th Fremantle Arts Centre Fremantle Tickets
Friday, March 12th Thebarton Theatre Adelaide Tickets
Wednesday, March 24th Melbourne Arena Melbourne  Tickets

‘Mr. Prism’ is released out now!
Website | Facebook | Twitter | Instagram | YouTube

August 27, 2020 0 comments
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HANDS LIKE HOUSES ANNOUNCE SELF-TITLED EP OUT OCTOBER 23 + REVEAL NEW SINGLE 'THE WATER' "LIVE IN YA LOUNGE II" LIVESTREAM GOES DOWN THIS WEEKEND
Festival NewsMusic News

HANDS LIKE HOUSES ANNOUNCE SELF-TITLED EP OUT OCTOBER 23 + REVEAL NEW SINGLE ‘THE WATER’ “LIVE IN YA LOUNGE II” LIVESTREAM GOES DOWN THIS WEEKEND

by the partae August 25, 2020
written by the partae
Image: Micala Austin

The first body of work since their acclaimed 2018 album -Anon., Hands Like Houses have announced their self-titled EP will be released on Friday October 23 through UNFD globally. After the release of their latest single ‘Space’ in June, the announce comes alongside the reveal of another cut from the EP.

New single ‘The Water’ premiered via triple j‘s Good Nights last night and it out everywhere now. 

Vocalist Trenton Woodley explains that the single has had a special place in his heart from the moment it was written, adding that though it may not be explicit, there’s an underlying fantasy element to the track.

“I picture the protagonist as some beautiful, fantastical, strange and surreal sea creature that has come to live among us, but wants to go home,” he says. “I feel like the voice of this song is one that has done its best to make a place to belong, but knows it doesn’t, can’t or won’t, and is trying to say a heartfelt, honest goodbye.

“Of course, that’s not to say there’s not a piece of me buried in that voice. I don’t think you get to come this far in life without wondering if you really belong to this particular path you’ve found yourself on, if there’s not somewhere else or someone else you’re meant to be. The harder the times, the bigger the question becomes in your mind. When it comes down to it, it’s a song about closing doors and opening new ones.”

Hands Like Houses will feature new and fan-favourite material at their livestream event this Saturday August 29, streamed directly from their beloved hometown, Canberra. More details below.

ABOUT HANDS LIKE HOUSES EP:

Hands Likes Houses have spent over a decade defying expectations and challenging boundaries, staking their claim as one of Australia’s most acclaimed modern rock exports. With ARIA success, a triple j feature album, multiple sold out tours and legions of global fans under their belt, the band are poised to break even more ground as they step into this new decade.

Collisions, resolutions, communication and expression heavily inform the themes found on the EP, taking listeners on a deep-dive into its whirlwind writing and recording process – scars and all.

Unlike their lauded 2018 album -Anon. – created over weeks of cruisy LA writing sessions – Trenton explains that the EP’s creation took place over a tightly condensed 10 day period. Recent single ‘Space’ finds the five-piece literally grappling with emotional and spatial tension in the less-than-ideal recording environment, meanwhile EP closer ‘Wired’ finds Trenton reconciling with his own communication barriers. With its chorus catch cry of ‘Maybe I’m burned out, maybe I’m just tired… weighed down by the way I’m wired”, ‘Wired’ finds the vocalist dealing with the exhaustion of feeling constantly misunderstood.

But though colliding creativity in an intense recording environment is the story of how this EP came to life, Hands Like Houses assert that the experience has birthed their most personally raw and uninhibited work yet. Musically, it takes everything the group have become known for over their 10+ years of recording, pulses it together and births their next step forward – a gritty, bold and rock-fuelled effort that is undoubtedly their most refined to date.

The release’s collective artworks continue on the theme of expression, capturing an alternative form of communication familiar to many – AUSLAN. Though the band clarify that they don’t have personal experience using the language, they are committed to encouraging appreciation and learning of the language among their fans. In addition, the band wanted to pay a special homage to AUSLAN interpreters who have been thrust into the media spotlight through extensive bushfire and COVID-19 coverage of late.

Hands Like Houses will release their self-titled EP on Friday October 23.

CLICK BELOW TO PRE-SAVE THE EP
+ STREAM ‘THE WATER’ NOW

 

HANDS LIKE HOUSES
“LIVE IN YA LOCAL” LIVESTREAM

w/ special guests Sputnik Sweetheart + Aya Yves
Saturday August 29
@ 8pm AEST
streaming via handslikehouses.com.au
August 25, 2020 0 comments
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Delivered Live this week brings you another incredible line up of talent with full sets from 3 amazing artists, performing live in our custom built, socially-distanced studio in Sydney. This week sees us joined by Grinspoon frontman Phil Jamieson, triple j faves Middle Kids, and up and coming duo, Clews.   Delivered, Live was originally created to showcase Australia’s premier talent, amplified and with full lighting as you would see it if you were at a venue, and supported by funding from the Victorian Government to ensure Victorian artists and crew were paid for their craft. While we’re currently unable to have Victorian artists attend the studio, rather than replicating home streaming events, we have moved performances to our studio in Sydney with NSW acts so we continue to deliver performances like you’re there in the band room.   The show will still be hosted by Henry Wagons, along with Myf Warhurst, and we’ll still have some of Victoria’s best comedians coming to us from their kitchens and lounge rooms. The show is still produced out of Victoria (albeit from our crew’s homes!). To ensure that the show continues to support Victorian artists and crew each week Victorian artists who were scheduled to play this season will be paid as if they were doing the show.   Bringing the laughs will be award winning comedian Nath Valvo, and our regular recap on ‘the week that was’ with Sami Shah.   Delivered, Live made its debut in April this year as a response to COVID 19 forcing the world into lockdown. The show is made available to watch free on YouTube so as to be accessible to any who choose to watch it. However, for those that can afford it, tickets are available for purchase for a range of price points, starting from as little as $20 – less than you’d pay to see most of these acts in non-pandemic times. The revenue from these tickets then goes back to the artists and the crew creating the show, plus a live music venue and crew member of each acts’ choice.       Delivered, Live Season 2, Episode 6 Saturday 29th August 7.30pm Clews Middle Kids Phil Jamieson Nath Valvo Sami Shah       Tix can be purchased here   Delivered Live can be viewed here More info here    follow on Twitter | friend on Facebook | forward to a friend 
Festival NewsMusic News

Delivered, Live – Season 2, Episode 6

by the partae August 25, 2020
written by the partae
Delivered Live this week brings you another incredible line up of talent with full sets from 3 amazing artists, performing live in our custom built, socially-distanced studio in Sydney. This week sees us joined by Grinspoon frontman Phil Jamieson, triple j faves Middle Kids, and up and coming duo, Clews.

Delivered, Live was originally created to showcase Australia’s premier talent, amplified and with full lighting as you would see it if you were at a venue, and supported by funding from the Victorian Government to ensure Victorian artists and crew were paid for their craft. While we’re currently unable to have Victorian artists attend the studio, rather than replicating home streaming events, we have moved performances to our studio in Sydney with NSW acts so we continue to deliver performances like you’re there in the band room.

The show will still be hosted by Henry Wagons, along with Myf Warhurst, and we’ll still have some of Victoria’s best comedians coming to us from their kitchens and lounge rooms. The show is still produced out of Victoria (albeit from our crew’s homes!).

To ensure that the show continues to support Victorian artists and crew each week Victorian artists who were scheduled to play this season will be paid as if they were doing the show.

Bringing the laughs will be award winning comedian Nath Valvo, and our regular recap on ‘the week that was’ with Sami Shah.

Delivered, Live made its debut in April this year as a response to COVID 19 forcing the world into lockdown. The show is made available to watch free on YouTube so as to be accessible to any who choose to watch it. However, for those that can afford it, tickets are available for purchase for a range of price points, starting from as little as $20 – less than you’d pay to see most of these acts in non-pandemic times.
The revenue from these tickets then goes back to the artists and the crew creating the show, plus a live music venue and crew member of each acts’ choice.

Delivered, Live Season 2, Episode 6
Saturday 29th August 7.30pm

Clews
Middle Kids
Phil Jamieson
Nath Valvo
Sami Shah

Tix can be purchased here

Delivered Live can be viewed here
More info here

 follow on Twitter | friend on Facebook | forward to a friend
August 25, 2020 0 comments
0 FacebookTwitterPinterestEmail
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