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XG (JAPAN) ICONIC ARTIST GROUP RETURNS WITH 2026 WORLD TOUR: THE CORE

April 23, 2026

The Jungle Giants – Album Launch Parties

April 23, 2026

STEPHEN SANCHEZ: Brings The Lover Down Under Tour to Australia & NZ...

April 23, 2026

FUTURE ISLANDS Share ‘The Ink Well’ and ‘One Day’ New LP From...

April 23, 2026

BAAUER RETURNS WITH U, HIS FIRST ALBUM IN SIX YEARS, ON LUCKYME...

April 23, 2026

Interview: SF WRENS – “The Finish Line” and the Art of Being...

April 23, 2026

Interview: Makua Rothman – “I Just Wanna Live” From Big Waves to...

April 23, 2026

The Temper Trap announce highly anticipated Australian headline dates for September/October 2026

April 20, 2026

MEDIA PUZZLE UNVEIL NEW RACEHORSE: A SURREAL COMMENTARY ON MODERN EXISTENCE

April 20, 2026

SF WRENS DEBUT FRESH NEW SINGLE ‘THE FINISH LINE’

April 20, 2026
Author

the partae

the partae

The Partae

Where are you currently based?       B: We're both living in our hometown of Newcastle!        M: Benny will never leave this bloody town - He's hooked! We both grew up here and I've recently moved back to be closer to the long haired/ golden voice of Benny for writing and band purposes. Cracking surf!   How did you first start playing music?       B: We both fell into it in similar ways I guess. Got given instruments from cousins that didn’t want to play anymore and found ourselves figuring it out in front of the speakers. Music takes a hold of you if you give it enough.       M: Benny actually had to teach himself how to sing because nobody wanted to sing in his first high school band. You know the 'short straw' trick? He literally unlocked his f*ucking amazing voice because of a bloody straw!  I slaved away in the school concert band on the drums since year 2 - this jerk gets a short straw thrown in his face and is now the voice of an era!   How did Boo Seeka form?       M: The universe has its ways of connecting people when you least expect it. Before this all started we weren’t even really hanging out together. Benny was drunk in Bali when he called me for the first time in 10 years to see if I wanted to be in a band with him. I thought he called the wrong number. Maybe he did and just ran with it. We will never know. but he's stuck with me now! + I think he thought I had slept with his sister at some point so that's awkward.        B: We'll never know....   You’ve just released your new single ‘Take A Look', what influenced the sound and song writing for this track?       B: We always know what we want to create, but getting that out of our brains and into the computer is one of the hardest things for us. But we think we did it for TAL.       M: The track is basically a message to ourselves. A message we took way too long to decipher, but glad we got there. You've been in the studio working on your forthcoming sophomore album with super skilled producer Matt Bartlem (who has previously worked with Matt Corby, Lastlings, Jarryd James). Please tell us how you came to work with Matt and how the experience and process has been as a whole.       M: We've recently just signed to new management - Untitled group, and they've worked closely with Matt previously. To cut the whole story short, the first minute we met Matt we knew he was going to be an integral part of this next album!       B: Originally we were just going to do one track with him, but TAL came out so good we knew we wanted him to do the whole record. He's got the best dog too so it pushed us over the edge.   How did you approach the recording/production process?        M: It's funny how every band would create their own process over time and although ours may be slightly dysfunctional or basic at times, it really allows us to write and create anywhere! Benny writes most of his hooks and melodies directly into garage band on his phone then we build from there!       B: We work with some pretty amazing guys in the industry, so our little demo writing/ producing click is amazing. Will Cruger from the band Abroad is in our corner alongside Matt and special guest instrumentalist, Ian Perez.       M: 'Take a look' is definitely the start of something special for us - we keep calling it phase 2 and we're pretty excited for the world to hear what phase 2 is going to bring!   What programs/equipment did you use?       B: My Brain, imagination, bottles of wine, a guitar and my phone.       M: We're not the biggest gear heads but we've been experimenting with some new synth sounds, some new ways of recording our beats and vocal effects for this next album. 'Take a look', for the gear heads has some pretty funky gear being used. Listen closely! You've recently signed to label 'Daily Nightly' what’s the story behind this? How has the experience been so far?       B: It’s our Managements label. We love that they look after everything. Keep it in-house. Keep the control. It’s our first release together and many more to come.        M: Annabelle, our direct at DN is a wizz. She's got us covered!   What have you found most challenging and rewarding about the creation of the album?       B: There are so many songs in my head and to keep it short, to hear people vining off whats coming out, that's the be all and end all for me! We want to being some excitement back into peoples lives! You have an Australian Tour pencilled in for October 2020 (pending COVID-19 restrictions), can you tell us where you’re heading? Or is that still a secret?       M: Ohhhhh that's tricky! Let's just say we'll be seeing all our favourites plus some new spots we've heard great things about! Your debut album 'Never Too Soon' was a global success. What do you attribute to the massive success of your debut album and what tips would you give to any upcoming artists who are wanting to break onto the scene?       M: Remember I mentioned the short straw? The kids voice is like gold.  My advice to anyone coming up through the ranks is to have the right thought process. Be ahead of the pack and plan! Plan like your music is a brand and you want people to want to be associated with it!   You've played massive shows with performances at Splendour In The Grass, Beyond The Valley & Groovin The Moo. You have also supported the likes of Kim Churchill, DMA’s, Jarryd James, Cherub and SAFIA. What do you enjoy most about playing live and how do you prepare for live shows?       B: We would play 365 days a year if we were allowed. We just want people to come to our shows and forget about all the crap going on in their life for an hour. Doesn’t matter if it’s our headline shows, festivals or we are supporting someone, we still prepare the same. We want to give people the same feeling we get when we stand in the crowd and watch our favourite bands and artists.       M: This is what we live and breathe from the second we wake up to the minute we go to sleep each night! If we're not performing, we're dreaming up idea's on how to improve or add things to our live shows etc etc. All I can say is once we're allowed back into things, the shows we play are going to be wild!   Who are you listening to at the moment?       M: Benny tries not to listen to too much music when we're in the writing process but I force as much music as I can into his head when we're in the car or chilling at home!  Jungle, Slowly Slowly, Glass Animals, Dua Lipa, Bronson, The 1975, Tyler the Creator, Coldplay, Amity Affliction, G flip etc etc. We keep it broad.       B: As I mentioned before, we know exactly what we want to put out to the world and I, personally, like my own time in my head to bring that out. But I'll admit, driving along our beautiful beaches in Newy blasting some Dua Lipa is a favourite pastime currently.   What do you like to do away from music?       B: Cooking, helping others where we can, sampling every red wine that is available, figuring out how to to prank our new management cause they got us good the other day and we need to get them back, surfing, basically anything we are allowed to do in the current times.       M: I'm getting old, man. I saw a chiropractor today. I'd love to say I'll be sinking as much piss as Benny boy but that boy can sink them like no-one else. I'll just spend my time with old John the Chiro!   What's planned for 2020?       B: At the moment.... who knows... no one knows. Hopefully we can get back to the studio, finish the record, release it and get back to what we love doing the most. Hanging out with a room full of legends every night.       M: We're pretty big planners so we've got some big things lined up for the end of the year in regards to shows and production. I'm also not meant to say this but we will have another single and possibly album 2 dropping before 2021 begins too...   Favourite food and place to hangout?       B: Uber eats and the bottle shop are making a killing out of us at the moment. We really try to support all the local businesses as well.  Newy Burger Co see's me every few nights!       M: We actually grabbed a burger on Monday night for the premiere of our new track on Triple J and sat at bar beach car park and listened in. Brought back memories as I think we both used to take a few lovers to the exact spot when we were kids. Ah, take me back!
Music InterviewsMusic News

Boo Seeka Interview

by the partae May 6, 2020
written by the partae

Where are you currently based?

      B: We’re both living in our hometown of Newcastle! 

      M: Benny will never leave this bloody town – He’s hooked! We both grew up here and I’ve recently moved back to be closer to the long haired/ golden voice of Benny for writing and band purposes. Cracking surf!

 How did you first start playing music?

      B: We both fell into it in similar ways I guess. Got given instruments from cousins that didn’t want to play anymore and found ourselves figuring it out in front of the speakers. Music takes a hold of yred oxide ou if you give it enough.

      M: Benny actually had to teach himself how to sing because nobody wanted to sing in his first high school band. You know the ‘short straw’ trick? He literally unlocked his f*ucking amazing voice because of a bloody straw! 

I slaved away in the school concert band on the drums since year 2 – this jerk gets a short straw thrown in his face and is now the voice of an era!

 How did Boo Seeka form?

      M: The universe has its ways of connecting people when you least expect it. Before this all started we weren’t even really hanging out together. Benny was drunk in Bali when he called me for the first time in 10 years to see if I wanted to be in a band with him. I thought he called the wrong number. Maybe he did and just ran with it. We will never know. but he’s stuck with me now! + I think he thought I had slept with his sister at some point so that’s awkward. 

      B: We’ll never know….

 You’ve just released your new single ‘Take A Look’, what influenced the sound and song writing for this track?

      B: We always know what we want to create, but getting that out of our brains and into the computer is one of the hardest things for us. But we think we did it for TAL.

      M: The track is basically a message to ourselves. A message we took way too long to decipher, but glad we got there.

You’ve been in the studio working on your forthcoming sophomore album with super skilled producer Matt Bartlem (who has previously worked with Matt Corby, Lastlings, Jarryd James).

Please tell us how you came to work with Matt and how the experience and process has been as a whole.

      M: We’ve recently just signed to new management – Untitled group, and they’ve worked closely with Matt previously. To cut the whole story short, the first minute we met Matt we knew he was going to be an integral part of this next album!

      B: Originally we were just going to do one track with him, but TAL came out so good we knew we wanted him to do thewhole record. He’s got the best dog too so it pushed us over the edge.

 How did you approach the recording/production process? 

      M: It’s funny how every band would create their own process over time and although ours may be slightly dysfunctional or basic at times, it really allows us to write and create anywhere! Benny writes most of his hooks and melodies directly into garage band on his phone then we build from there!

      B: We work with some pretty amazing guys in the industry, so our little demo writing/ producing click is amazing. Will Cruger from the band Abroad is in our corner alongside Matt and special guest instrumentalist, Ian Perez.

      M: ‘Take a look’ is definitely the start of something special for us – we keep calling it phase 2 and we’re pretty excited for the world to hear what phase 2 is going to bring!

 What programs/equipment did you use?

      B: My Brain, imagination, bottles of wine, a guitar and my phone.

      M: We’re not the biggest gear heads but we’ve been experimenting with some new synth sounds, some new ways of recording our beats and vocal effects for this next album. ‘Take a look’, for the gear heads has some pretty funky gear being used. Listen closely!

You’ve recently signed to label ‘Daily Nightly’ what’s the story behind this? How has the experience been so far?

      B: It’s our Managements label. We love that they look after everything. Keep it in-house. Keep the control. It’s our first release together and many more to come. 

      M: Annabelle, our direct at DN is a wizz. She’s got us covered!

 What have you found most challenging and rewarding about the creation of the album?

      B: There are so many songs in my head and to keep it short, to hear people vining off whats coming out, that’s the be all and end all for me! We want to being some excitement back into peoples lives!

You have an Australian Tour pencilled in for October 2020 (pending COVID-19 restrictions), can you tell us where you’re heading? Or is that still a secret?

      M: Ohhhhh that’s tricky! Let’s just say we’ll be seeing all our favourites plus some new spots we’ve heard great things about!

Your debut album ‘Never Too Soon’ was a global success. What do you attribute to the massive success of your debut album and what tips would you give to any upcoming artists who are wanting to break onto the scene?

      M: Remember I mentioned the short straw? The kids voice is like gold. 

My advice to anyone coming up through the ranks is to have the right thought process. Be ahead of the pack and plan! Plan like your music is a brand and you want people to want to be associated with it!

 You’ve played massive shows with performances at Splendour In The Grass, Beyond The Valley & Groovin The Moo. You have also supported the likes of Kim Churchill, DMA’s, Jarryd James, Cherub and SAFIA. What do you enjoy most about playing live and how do you prepare for live shows?

      B: We would play 365 days a year if we were allowed. We just want people to come to our shows and forget about all the crap going on in their life for an hour. Doesn’t matter if it’s our headline shows, festivals or we are supporting someone, we still prepare the same. We want to give people the same feeling we get when we stand in the crowd and watch our favourite bands and artists.

      M: This is what we live and breathe from the second we wake up to the minute we go to sleep each night! If we’re not performing, we’re dreaming up idea’s on how to improve or add things to our live shows etc etc. All I can say is once we’re allowed back into things, the shows we play are going to be wild!

 Who are you listening to at the moment?

      M: Benny tries not to listen to too much music when we’re in the writing process but I force as much music as I can into his head when we’re in the car or chilling at home! 

Jungle, Slowly Slowly, Glass Animals, Dua Lipa, Bronson, The 1975, Tyler the Creator, Coldplay, Amity Affliction, G flip etc etc. We keep it broad.

      B: As I mentioned before, we know exactly what we want to put out to the world and I, personally, like my own time in my head to bring that out. But I’ll admit, driving along our beautiful beaches in Newy blasting some Dua Lipa is a favourite pastime currently.

 What do you like to do away from music?

      B: Cooking, helping others where we can, sampling every red wine that is available, figuring out how to to prank our new management cause they got us good the other day and we need to get them back, surfing, basically anything we are allowed to do in the current times.

      M: I’m getting old, man. I saw a chiropractor today. I’d love to say I’ll be sinking as much piss as Benny boy but that boy can sink them like no-one else. I’ll just spend my time with old John the Chiro!

 What’s planned for 2020?

      B: At the moment…. who knows… no one knows. Hopefully we can get back to the studio, finish the record, release it and get back to what we love doing the most. Hanging out with a room full of legends every night.

      M: We’re pretty big planners so we’ve got some big things lined up for the end of the year in regards to shows and production. I’m also not meant to say this but we will have another single and possibly album 2 dropping before 2021 begins too…

 Favourite food and place to hangout?

      B: Uber eats and the bottle shop are making a killing out of us at the moment. We really try to support all the local businesses as well. 

Newy Burger Co see’s me every few nights!

      M: We actually grabbed a burger on Monday night for the premiere of our new track on Triple J and sat at bar beach car park and listened in. Brought back memories as I think we both used to take a few lovers to the exact spot when we were kids. Ah, take me back!

https://www.facebook.com/booseeka/

May 6, 2020 0 comments
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Sophie Castriota TØNGUE TIED Single Release
Music News

Sophie Castriota TØNGUE TIED Single Release

by the partae May 6, 2020
written by the partae

Tøngue tied – the first song to be written and produced by Sophie Castriota and Brandon Jonak which was released on the 21st of April 2020 has already been successfully picked up by several of Spotify’s major R&B, Hip Hop and Urban playlists.

Several major record labels have also shown interest in Sophie’s musical talent which has remarkably pushed through this particularly difficult time in the world showing something good coming out of the Covid-19 pandemic.

Sophie has been working against many odds for the past few years and recently revealed on her social media that she lost complete hearing in her right ear this time last year.
Completely defying the odds and pushing through the crisis; Sophie joined forces with producer DJ Brandon Jonak and the two of them formulated their own unique style.
Sophie and Brandon will be releasing other new songs soon. Tongue Tied can be heard on Spotify, Apple Music, YouTube, Google Play, Deezer etc….

Sophie is unique and exquisitely talented having started out as a Classical Violinist before becoming Singer/Songwriter/Producer.
She has, over the past few years also mastered the technical aspects of both audio and video digital production.

Sophie receives hundreds of thousands of views on her social media outlets and although Brisbane based; she has a solid fan base in Europe and particularly the Balkans, where she is known for being the 14th generation great granddaughter of 15th Century European King Warrior, George Kastrioti Skanderbeg. https://en.wikipedia.org/wiki/Skanderbeg. She is very respected and often referred to as their Albanian Princess.

The song “Tøngue Tied” was written to inspire and empower other females who have found themselves in toxic relationships and who are afraid to leave. 

www.instagram.com/sophiecastriota 

www.facebook.com/sophiecastriota 

www.twitter.com/sophiecastriota

 www.sophiecastriota.com

May 6, 2020 0 comments
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Like Angels
Music News

AFTER RELEASING HEARTFELT SINGLE “RAIN.”, FUNDRAISING FOR AUSTRALIAN FIRE & DROUGHT RELIEF, SISTER DUO LIKE ANGELS RETURN WITH “TUNNEL VISION”

by the partae May 6, 2020
written by the partae

After receiving an overwhelming response to their debut single “Rain.” (with 100% of proceeds made by the song being donated to Australian bushfire & drought relief organisations), rising pop sensation Like Angels return with their next hit single “Tunnel Vision” dropping May 15th. 

Naturally gifted in music from a young age & fascinated by the mystique of songwriting (as influenced by the likes of Ryan Tedder, Taylor Swift, Switchfoot & NF); Like Angels sisters Emmalisa and Sarah have developed a remarkable ability to pen meaningful, honest lyrics that connect with each listener on an emotional level. 

Their debut single “Rain.”, released in Dec 2019 received notable media attention from TikTok Star Nat Alise; Australian Community Media (The Advertiser); Good Morning Macarthur and Ava’s World Magazine and was picked up by radio stations nationwide, including The Breeze FM; Macarthur’s Station C91.3FM; Hobart FM; South Australia’s 5GTR FM and several more. 

“Rain.” showcased Like Angels’ ability to discuss real issues through clever lyric and melody; and now “Tunnel Vision” continues to do this – but with a fresh new sound & eye-catching optical illusion cover art. 

“Tunnel Vision” explores the confusion and frustration often felt when people actively choose to avoid or ignore you: a familiar situation we have all found ourselves in at some point in our lives. 

The song’s confrontational lyrics, contrasted with it’s light hearted, playful & mischievous production (including some unconventional sound samples!) encourages listeners to face uncomfortable situations, and speak up for themselves; to work towards solving problems instead of running from them. 

Produced by Philippe-Marc Anquetil (Little Mix, One Direction, Jessie J, Ruel), the song’s mesmerising vocal harmonies, thought provoking lyrics and exciting three-dimensional soundscape will have you hooked from the very first note. 

“Tunnel Vision” will be available on all streaming services on the 15th May 2020 as the first of several upcoming releases by Like Angels.

 

Pre save “Tunnel Vision” here: https://distrokid.com/hyperfollow/likeangels/tunnel-vision

Available on all streaming services on 15th May 2020

 

https://www.instagram.com/wearelikeangels/

https://www.facebook.com/WeAreLikeAngels/

 

 

 

May 6, 2020 0 comments
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Where are you currently based?  I'm currently living in an attic in Redfern, Sydney. I'm originally from Bundaberg QLD, then I lived in Ireland for a few years, returned to Australia and moved to Sydney.  Your new single ILy Alley is out now, what influenced the sound and songwriting for this track?  Alley, the original RACKETT bass player and BFF influenced the narrative and the sound was influenced by Gold Frapp. My friend and producer Dave Hammer has worked with RACKETT from the start of this journey, producing my first single BATS in 2017. Dave came to me with an idea for a song that's meaning was a double entendre, one being a street alley, a metaphor for choosing the path of love and the other one being about my friendship with Alley and everything we've been through as friends and band wives. The piano, melody and lyrics were the foundation for the song, then Dave worked his magic touch on production.  How did you go about writing Ily Alley? Dave started with the chorus 'mumma to a bubba, bubba to the universe, go wonder madly', from there, he created the piano part and we workshopped the verses. It was an emotional process, each time Dave would add something to it and I'd hear it, I would cry. The production on the track is so beautiful.  Where and when did you record/produce? We recorded the song as part of an eight-track collection on RKT2.0 music, recorded and produced in Sydney across several studios. I've shared Machinations, Oxytoxic and now ILY Alley from that collection and have more to share over the coming months.  How did the concept for the film clip come about? The video is a visual representation of what I see in my head when I listen to ILY Alley. All those memories come flooding back and I wanted to see if I could find physical copies of these moments. I searched everywhere, on broken hard drives, camcorder cards, Instagram, Youtube, to collect all these memories captured by me, friends and fans at shows. Once I had collected all the footage, I cut it together to reflect the way I experience it, chronologically, from when we lived together in a decrepit mansion as a band, through to the moment in the studio we found out Alley was pregnant and the arrival of baby Billy. What did you find most challenging and rewarding during the creation of the film clip? The most challenging part was feeling regret. That's hard to admit because I love my new music so much and it's not a reflection of regretting where I am now, but more regret for the friendships I've lost along the way. The most rewarding part is looking at all the insane creative concepts we brought to life from dressing up in space suits to shaving my head live on stage and all the hard work that went into constantly touring and releasing music.  Who are you listening to at the moment? Right now I'm listening to A$AP Rocky, 070 Shake, Charli XCX and Tina Turner. I like to listen to 80s ballads just to see if I can sing along and hit those high notes like Whitney Houston. At night when the city is empty, I like to climb this hill in a park near my house that overloads a driving range and the whole city and blast A$AP rocky.  What do you like to do away from music? To be honest there isn't much of my life that doesn't revolve around music, aside from sleeping and even then most of my dreams are of me talking to Miley Cyrus about music. If I'm not writing or performing myself, I'm working on a new TV show that's about music.  You're producing the new Loud n Queer TV show, please tell us more: Loud N Queer TV is aired every Friday night at 8PM on Heaps Gay Facebook. It's a digital replica of my favourite night out; live music and drag queens, with performances by artists from all around the world and guest appearances in the studio. The show is an opportunity for local Sydney artists to be captured beautifully on film by the DPLR team from Create or Die Studios and gives audiences a high-quality experience and opportunity to discover and connect with new artists. My main role in the show is producing. We've had artists like Jess B (NZ), Jackie Mendoza (USA), Lupa J (AUS), Theia (NZ) and many more on the show. Karaoke, DJ sets by Charlie Villas, Dance-offs, drag queens, skits, interviews and news by Ruby Miles. It's so much fun. You can watch all four episodes here > https://www.facebook.com/watch/heapsgayparties/1663413657143541/ What's planned for 2020? For the immediate future, I'll be continuing to produce Loud n Queer TV and making all my friends and family listen to ILY Alley. Throughout the year I'll be releasing more music I made with Dave Hammer and hopefully be back on stage before Christmas.  Favourite food and place to hangout? My favourite place to hang out is at Create or Die Studios on set filming Loud n Queer TV and my favourite food is champagne (can I say that?) 
Music InterviewsMusic News

Rackett Interview

by the partae May 6, 2020
written by the partae

Where are you currently based?

I’m currently living in an attic in Redfern, Sydney. I’m originally from Bundaberg QLD, then I lived in Ireland for a few years, returned to Australia and moved to Sydney.

Your new single ILy Alley is out now, what influenced the sound and songwriting for this track?

Alley, the original RACKETT bass player and BFF influenced the narrative and the sound was influenced by Gold Frapp. My friend and producer Dave Hammer has worked with RACKETT from the start of this journey, producing my first single BATS in 2017. Dave came to me with an idea for a song that’s meaning was a double entendre, one being a street alley, a metaphor for choosing the path of love and the other one being about my friendship with Alley and everything we’ve been through as friends and band wives. The piano, melody and lyrics were the foundation for the song, then Dave worked his magic touch on production.

How did you go about writing Ily Alley?

Dave started with the chorus ‘mumma to a bubba, bubba to the universe, go wonder madly’, from there, he created the piano part and we workshopped the verses. It was an emotional process, each time Dave would add something to it and I’d hear it, I would cry. The production on the track is so beautiful.

Where and when did you record/produce?

We recorded the song as part of an eight-track collection on RKT2.0 music, recorded and produced in Sydney across several studios. I’ve shared Machinations, Oxytoxic and now ILY Alley from that collection and have more to share over the coming months.

How did the concept for the film clip come about?

The video is a visual representation of what I see in my head when I listen to ILY Alley. All those memories come flooding back and I wanted to see if I could find physical copies of these moments. I searched everywhere, on broken hard drives, camcorder cards, Instagram, Youtube, to collect all these memories captured by me, friends and fans at shows. Once I had collected all the footage, I cut it together to reflect the way I experience it, chronologically, from when we lived together in a decrepit mansion as a band, through to the moment in the studio we found out Alley was pregnant and the arrival of baby Billy.

What did you find most challenging and rewarding during the creation of the film clip?

The most challenging part was feeling regret. That’s hard to admit because I love my new music so much and it’s not a reflection of regretting where I am now, but more regret for the friendships I’ve lost along the way. The most rewarding part is looking at all the insane creative concepts we brought to life from dressing up in space suits to shaving my head live on stage and all the hard work that went into constantly touring and releasing music.

Who are you listening to at the moment?

Right now I’m listening to A$AP Rocky, 070 Shake, Charli XCX and Tina Turner. I like to listen to 80s ballads just to see if I can sing along and hit those high notes like Whitney Houston. At night when the city is empty, I like to climb this hill in a park near my house that overloads a driving range and the whole city and blast A$AP rocky.

What do you like to do away from music?

To be honest there isn’t much of my life that doesn’t revolve around music, aside from sleeping and even then most of my dreams are of me talking to Miley Cyrus about music. If I’m not writing or performing myself, I’m working on a new TV show that’s about music.

You’re producing the new Loud n Queer TV show, please tell us more:

Loud N Queer TV is aired every Friday night at 8PM on Heaps Gay Facebook. It’s a digital replica of my favourite night out; live music and drag queens, with performances by artists from all around the world and guest appearances in the studio. The show is an opportunity for local Sydney artists to be captured beautifully on film by the DPLR team from Create or Die Studios and gives audiences a high-quality experience and opportunity to discover and connect with new artists. My main role in the show is producing. We’ve had artists like Jess B (NZ), Jackie Mendoza (USA), Lupa J (AUS), Theia (NZ) and many more on the show. Karaoke, DJ sets by Charlie Villas, Dance-offs, drag queens, skits, interviews and news by Ruby Miles. It’s so much fun. You can watch all four episodes here > https://www.facebook.com/watch/heapsgayparties/1663413657143541/

What’s planned for 2020?

For the immediate future, I’ll be continuing to produce Loud n Queer TV and making all my friends and family listen to ILY Alley. Throughout the year I’ll be releasing more music I made with Dave Hammer and hopefully be back on stage before Christmas.

Favourite food and place to hangout?

My favourite place to hang out is at Create or Die Studios on set filming Loud n Queer TV and my favourite food is champagne (can I say that?)

https://www.facebook.com/RACKETT.tv/
May 6, 2020 0 comments
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"Blacksheepish" was written and performed by TheWorst and was produced by Will Holland (Pixies, Fall Out Boy, Dead Can Dance). The song was engineered, mixed, and mastered at Chillhouse Studios in Boston, MA.  The video was created and directed by Ryan Ordway.  The song is the first sneak peak of the band's, as of yet untitled-forthcoming album, and the first new material being released since their critically acclaimed debut, Jane Doe Embryo (RascalZRecordZ 2017), as well as a tribute to their fallen friend Brittany Goldych, who commited suicide in 2017.  Responding through the grief, lead singer Brooke Binion would use dealing with loss as a motivation to finally beat a decade long addiction to opiates and heroin. The band is currently finishing their new album during the quarantine. 
Music News

TheWorst – ‘Blacksheepish’

by the partae May 5, 2020
written by the partae

“Blacksheepish” was written and performed by TheWorst and was produced by Will Holland (Pixies, Fall Out Boy, Dead Can Dance). The song was engineered, mixed, and mastered at Chillhouse Studios in Boston, MA.  The video was created and directed by Ryan Ordway.  The song is the first sneak peak of the band’s, as of yet untitled-forthcoming album, and the first new material being released since their critically acclaimed debut, Jane Doe Embryo (RascalZRecordZ 2017), as well as a tribute to their fallen friend Brittany Goldych, who commited suicide in 2017.  Responding through the grief, lead singer Brooke Binion would use dealing with loss as a motivation to finally beat a decade long addiction to opiates and heroin. The band is currently finishing their new album during the quarantine.


For more info please visit:

theworst207.com
facebook.com/theworst207
instagram.com/theworstband
twitter.com/theworst207
May 5, 2020 0 comments
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LEIFUR JAMES CAPTIVATES WITH HYPNOTIC, PERCUSSIVE NEW SINGLE 'RITUAL' LISTEN TO 'RITUAL' HERE THE FOURTH SINGLE TAKEN FROM HIS FORTHCOMING ALBUM 'ANGEL IN DISGUISE' OUT 5TH JUNE VIA NIGHT TIME STORIES PRE-ORDER 'ANGEL IN DISGUISE' HERE Leifur James - 'Ritual'  OUT NOW  'Angel in Disguise' Album Release: 5th June 2020, via Night Time Stories ‘The apex of the LP arrives at Ritual and the Coby Sey-featuring track Alien, both of which see James at his most explorative, driving tension into the album’ - Crack Magazine. Today, London based experimental producer and composer Leifur James unveils his latest offering, ‘Ritual’. His most club ready electronic affair yet, ‘Ritual’ comes exactly one month prior to James’ eagerly awaited album, Angel in Disguise, due for release 5th June 2020 via Night Time Stories (sister label to the coveted ‘LateNightTales’). The follow up to his cinematic, audio-visual piece ‘Angel In Disguise’, ‘Ritual’ is a sonic portrayal of circles and life moving through motions that sees Leifur James dive further into the electronic realm. Machine sounds and ethereal elements to get lost in, James’ unique take on electronica and deep techno adds new depth to the album narrative. Angel In Disguise promises a masterful blend of harmonic vocals from James himself as well as nuanced electronic soundscapes and vibrant modular based percussion. This exciting project which has seen early support from the likes of CRACK, Mixmag, DJ Mag, Boiler Room 4:3 and more is expected to make waves and see James step up, exhibiting his discerning ear and production craft on a seminal label.  ‘Ritual’ follows the video for album title-track ‘Angel in Disguise’, a collaborative piece with Balázs Simon (previously producing the critically acclaimed ‘Wurlitzer’ project which saw widespread support from the likes of Boiler Room, CLASH, Motionographer, the UK and Berlin Music Video Awards, the London Short Film Festival, Dublin International Film Festival and more) ‘‘Angel In Disguise‘ is one of the releases biggest statements yet - an audio-visual exploration of our damaged relationship with planet earth, soundtracked by James’ poignant melodies questioning our failure to respect mother nature. The piece stitches James’ complex emotional chords and Balazs’ desire to highlight the fragility of the world into a beautiful, short visual tale.  Delving into UK and European venues to showcase his ever-evolving live show, James’ tour has been rescheduled and will kick off October 2020 in Amsterdam’s Melkweg, before heading to his biggest London show to date at Village Underground, plus Berlin’s Burg Schnabel, and AB Brussels with further dates yet to be announced.   Leifur James' 'Angel In Disguise' LP will be available 5th June via Night Time Stories and is available to pre-order here.  Connect with Leifur James
Music News

Leifur James Captivates With Hypnotic New Single ‘Rituals’ Taken From Forthcoming Album ‘Angel In Disguise’ | Listen

by the partae May 5, 2020
written by the partae

LEIFUR JAMES CAPTIVATES WITH HYPNOTIC, PERCUSSIVE NEW SINGLE ‘RITUAL’

LISTEN TO ‘RITUAL’ HERE

THE FOURTH SINGLE TAKEN FROM HIS FORTHCOMING ALBUM ‘ANGEL IN DISGUISE’ OUT 5TH JUNE
VIA NIGHT TIME STORIES

PRE-ORDER ‘ANGEL IN DISGUISE’ HERE

Leifur James – ‘Ritual’ 
OUT NOW

‘Angel in Disguise’
Album Release: 5th June 2020, via Night Time Stories

‘The apex of the LP arrives at Ritual and the Coby Sey-featuring track Alien, both of which see James at his most explorative, driving tension into the album’
– Crack Magazine.

Today, London based experimental producer and composer Leifur James unveils his latest offering, ‘Ritual’. His most club ready electronic affair yet, ‘Ritual’ comes exactly one month prior to James’ eagerly awaited album, Angel in Disguise, due for release 5th June 2020 via Night Time Stories (sister label to the coveted ‘LateNightTales’).

The follow up to his cinematic, audio-visual piece ‘Angel In Disguise’, ‘Ritual’ is a sonic portrayal of circles and life moving through motions that sees Leifur James dive further into the electronic realm. Machine sounds and ethereal elements to get lost in, James’ unique take on electronica and deep techno adds new depth to the album narrative.

Angel In Disguise promises a masterful blend of harmonic vocals from James himself as well as nuanced electronic soundscapes and vibrant modular based percussion. This exciting project which has seen early support from the likes of CRACK, Mixmag, DJ Mag, Boiler Room 4:3 and more is expected to make waves and see James step up, exhibiting his discerning ear and production craft on a seminal label.

‘Ritual’ follows the video for album title-track ‘Angel in Disguise’, a collaborative piece with Balázs Simon (previously producing the critically acclaimed ‘Wurlitzer’ project which saw widespread support from the likes of Boiler Room, CLASH, Motionographer, the UK and Berlin Music Video Awards, the London Short Film Festival, Dublin International Film Festival and more) ‘‘Angel In Disguise‘ is one of the releases biggest statements yet – an audio-visual exploration of our damaged relationship with planet earth, soundtracked by James’ poignant melodies questioning our failure to respect mother nature. The piece stitches James’ complex emotional chords and Balazs’ desire to highlight the fragility of the world into a beautiful, short visual tale.

Delving into UK and European venues to showcase his ever-evolving live show, James’ tour has been rescheduled and will kick off October 2020 in Amsterdam’s Melkweg, before heading to his biggest London show to date at Village Underground, plus Berlin’s Burg Schnabel, and AB Brussels with further dates yet to be announced.

Leifur James’ ‘Angel In Disguise’ LP will be available 5th June via Night Time Stories and is available to pre-order here. 

Connect with Leifur James
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SoundCloud
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May 5, 2020 0 comments
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Emulating warmth and soul, Brisbane based singer-songwriter, The Letter Elle makes a bold return with a self-produced track, 'Sunrise', premiered via triple j's Roots 'n All. Showcasing her skill for production, Elle Emery has created a new track ladened with smooth electric guitar riffs, crisp percussion elements, and raspy R&B and Jazz tinged vocals. 'Sunrise' is a retrospective and picturesque song inspired by living in the moment and finding solace. “Sunrise is, at first glance, a love song about enjoying just being in the moment and not putting pressure on what it ‘should be’ or where the future is going,” explains Elle.  “I think that subconsciously I wrote this song to myself about where I am currently at in my life. At the end of last year, I graduated uni and had an injury that prevented me from singing at all for months. It reminded me of my love for just doing things purely for the enjoyment. I hope that in this scary and uncertain time, this song can help people to remember they just need to take a step back and enjoy life for what it is. There’s no need for a big, complicated plan and we have to just take life day by day,” continues Elle. The single arrives accompanied by a video clip shot along the beaches of Coolum in the Sunshine Coast where Elle is originally from. Filmed and edited by her and her partner, the music video gracefully compliments the song's tone, whilst visually capturing the sun rising to match the song's title. "I felt it really important to shoot this clip back in my home town. Coolum is where I became who I am and where I truly feel at home. I thought it only fitting to shoot this style of video somewhere that means so much to me," adds Elle.  Musically inspired by artists such as Sahara Beck and Meg Mac, The Letter Elle has become a staple within Brisbane's local live music scene. Showcasing her talent across a number of events including Brisbane's indie festival Sesh & The City, whilst sharing stages with names such as  Hazel Mei, Sahara Beck, Hemingway and Regurgitator. The Letter Elle is also a finalist in the Brisbane City Council's 2020 QUBE Effect.    ‘Sunrise’ is OUT NOW. CONNECT ONLINE WITH THE LETTER ELLE
Music News

THE LETTER ELLE RELEASES NEW SINGLE + VIDEO ‘SUNRISE’

by the partae May 5, 2020
written by the partae

Emulating warmth and soul, Brisbane based singer-songwriter, The Letter Elle makes a bold return with a self-produced track, ‘Sunrise’, premiered via triple j’s Roots ‘n All.

Showcasing her skill for production, Elle Emery has created a new track ladened with smooth electric guitar riffs, crisp percussion elements, and raspy R&B and Jazz tinged vocals. ‘Sunrise’ is a retrospective and picturesque song inspired by living in the moment and finding solace. “Sunrise is, at first glance, a love song about enjoying just being in the moment and not putting pressure on what it ‘should be’ or where the future is going,” explains Elle.

“I think that subconsciously I wrote this song to myself about where I am currently at in my life. At the end of last year, I graduated uni and had an injury that prevented me from singing at all for months. It reminded me of my love for just doing things purely for the enjoyment. I hope that in this scary and uncertain time, this song can help people to remember they just need to take a step back and enjoy life for what it is. There’s no need for a big, complicated plan and we have to just take life day by day,” continues Elle.

The single arrives accompanied by a video clip shot along the beaches of Coolum in the Sunshine Coast where Elle is originally from. Filmed and edited by her and her partner, the music video gracefully compliments the song’s tone, whilst visually capturing the sun rising to match the song’s title. “I felt it really important to shoot this clip back in my home town. Coolum is where I became who I am and where I truly feel at home. I thought it only fitting to shoot this style of video somewhere that means so much to me,” adds Elle.

Musically inspired by artists such as Sahara Beck and Meg Mac, The Letter Elle has become a staple within Brisbane’s local live music scene. Showcasing her talent across a number of events including Brisbane’s indie festival Sesh & The City, whilst sharing stages with names such as  Hazel Mei, Sahara Beck, Hemingway and Regurgitator. The Letter Elle is also a finalist in the Brisbane City Council’s 2020 QUBE Effect.

‘Sunrise’ is OUT NOW.

CONNECT ONLINE WITH THE LETTER ELLE
Facebook
Instagram
Spotify
SoundCloud
YouTube
Website
May 5, 2020 0 comments
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RACKETT shares new love ballad ILY Alley (I Love You, Alley), a tribute to former RACKETT bass player Alley that celebrates friendship. The song is the third single from the newly transformed RACKETT, following the release of Machinations and Oxytoxic.  ILY Alley was produced by Dave Hammer, echoing the intricate production reminiscent of his work on JEFFE’s ‘Undecided’. Layers of piano and vocals amidst a synthetic soundscape, ILY Alley showcases a softer side of RACKETT that contrasts her repertoire of abrasive electro pop-punk. With lyrics ‘swapping cassettes, sharing regrets, karaoke drunk duets’, ILY Alley tells a story of the former band members at a crossroad. Whilst in the studio tracking guitars for their last EP in 2018 as a band, it was revealed that Alley was going to become a mum, leading the band to make a heartwrenching decision that changed the course of their lives. After my tour for ILY Alley was cancelled due to (you know what), I had an idea to put on a little show from my bedroom, just like my live show > amazing music and drag queens. I bought a green screen and lights off amazon. The production exploded into a 2hr live TV Show called Loud N Queer when I partnered with Heaps Gay. Create or Die and DPLR came onboard giving us access to their broadcasting studio and Listen Up Music as our sponsor. Now I'm a TV producer (WTF) of an amazing show with DJ's, live music, drag queens, comedy and dancing. Every Friday night at 8PM on Heaps Gay Facebook we live broadcast 2hrs of diverse talent performing from around the world to raise money for artists and keep us entertained and connected. We've aired 3 episodes so far with guests like Jess B, Nimmo, Jordan Raskopoulos, Felicia Foxx, Rhys Lightning, Asta, Rachel Maria Cox, Doodad and Fandango +++. This week we have Lupa J, The Huxleys, Tom Aspaul and more. WATCH LOUD N QUEER TV LOUD N QUEER TV EPISODE 3
Music News

NEW SINGLE ‘ILY Ally’ (I Love You Alley) OUT NOW RACKETT PARTNERS WITH HEAPS GAY ON NEW TV SHOW

by the partae May 5, 2020
written by the partae

RACKETT shares new love ballad ILY Alley (I Love You, Alley), a tribute to former RACKETT bass player Alley that celebrates friendship. The song is the third single from the newly transformed RACKETT, following the release of Machinations and Oxytoxic.

ILY Alley was produced by Dave Hammer, echoing the intricate production reminiscent of his work on JEFFE’s ‘Undecided’. Layers of piano and vocals amidst a synthetic soundscape, ILY Alley showcases a softer side of RACKETT that contrasts her repertoire of abrasive electro pop-punk. With lyrics ‘swapping cassettes, sharing regrets, karaoke drunk duets’, ILY Alley tells a story of the former band members at a crossroad. Whilst in the studio tracking guitars for their last EP in 2018 as a band, it was revealed that Alley was going to become a mum, leading the band to make a heartwrenching decision that changed the course of their lives.

After my tour for ILY Alley was cancelled due to (you know what), I had an idea to put on a little show from my bedroom, just like my live show > amazing music and drag queens. I bought a green screen and lights off amazon. The production exploded into a 2hr live TV Show called Loud N Queer when I partnered with Heaps Gay. Create or Die and DPLR came onboard giving us access to their broadcasting studio and Listen Up Music as our sponsor. Now I’m a TV producer (WTF) of an amazing show with DJ’s, live music, drag queens, comedy and dancing. Every Friday night at 8PM on Heaps Gay Facebook we live broadcast 2hrs of diverse talent performing from around the world to raise money for artists and keep us entertained and connected. We’ve aired 3 episodes so far with guests like Jess B, Nimmo, Jordan Raskopoulos, Felicia Foxx, Rhys Lightning, Asta, Rachel Maria Cox, Doodad and Fandango +++. This week we have Lupa J, The Huxleys, Tom Aspaul and more.

WATCH LOUD N QUEER TV
May 5, 2020 0 comments
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German talents Júlio Cruz and Momo Arigato join forces for a superb new deep house release for Istanbul based imprint Petra, with each artist taking care of two originals each. Cologne native's Júlio Cruz makes tracks that are close to the dance floor with a chill vibe that really makes a mark. His opener Chercher La Nuit is a bubbling house cut with a warm and fat bassline. Lush chords bring light and emotion and carry you away. Dancing Love Affair has a big heart with soulful chords and disco tinged beats getting you moving. Leipzig's Momo Arigato's tracks represent the pure side of house music with sampled elements brings them alive and have come on labels like Friend in Need and Bigbait before now Mario's Rhythm is a raw, DIY groove with rough edged kicks and blasts of bass that are smoothed out with lush chords and experimental modulated sounds. Don't Believe is a dreamy track with cloudy pads and lumpy beats that are perfectly atmospheric and authentic. This then is a truly killer EP. https://soundcloud.com/juliocruz1 https://soundcloud.com/mwff24
Music News

Barcelona / Istanbul based-label Petra Digital come correct with stunning new EP // news piece

by the partae May 5, 2020
written by the partae
Artist: Júlio Cruz & Momo Arigato
Title: CGN to LE
Label: Petra Digital/Vinyl Recordings
Tracklisting
A1: Júlio Cruz – Chercher La Nuit (Original Mix)
A2: Júlio Cruz – Dancing Love Affair (Original Mix)
B1: Momo Arigato – Mario’s Rhythm (Original Mix)
B2: Momo Arigato – Don’t Believe (Original Mix)

German talents Júlio Cruz and Momo Arigato join forces for a superb new deep house release for Istanbul based imprint Petra, with each artist taking care of two originals each.

Cologne native’s Júlio Cruz makes tracks that are close to the dance floor with a chill vibe that really makes a mark. His opener Chercher La Nuit is a bubbling house cut with a warm and fat bassline. Lush chords bring light and emotion and carry you away. Dancing Love Affair has a big heart with soulful chords and disco tinged beats getting you moving.

Leipzig’s Momo Arigato’s tracks represent the pure side of house music with sampled elements brings them alive and have come on labels like Friend in Need and Bigbait before now Mario’s Rhythm is a raw, DIY groove with rough edged kicks and blasts of bass that are smoothed out with lush chords and experimental modulated sounds. Don’t Believe is a dreamy track with cloudy pads and lumpy beats that are perfectly atmospheric and authentic. This then is a truly killer EP.

Júlio Cruz Facebook: https://www.facebook.com/juliocruz.tk/

https://soundcloud.com/juliocruz1

https://soundcloud.com/mwff24

May 5, 2020 0 comments
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Premiering last night as Annie Mac’s ‘Hottest Record’, today Arlo Parks has delivered her latest sonic offering; the beguiling 'Black Dog', a song she describes as being about "the feeling of helplessness that comes along with watching a loved one suffer." Out today via Transgressive, you can also watch the emotionally charged accompanying video clip, directed by long time collaborator Molly Burdett - check it out via the link below. WATCH 'BLACK DOG' OFFICIAL VIDEO Further discussing the meaning behind the track, the ever poignant Arlo explains "it's supposed to make people who are struggling feel less isolated and start a conversation surrounding the prevalence of mental health issues in today's world." Particularly fitting, given she has just become an ambassador for CALM (Campaign Against Living Miserably). 'Black Dog' is the follow up to recent single 'Eugene', which was released earlier this year alongside a video directed by Loyle Carner and his brother Ryan (The Coyle-Larner Brothers) and follows her run of sold out European and UK headline shows. The song has been her most successful to date, amassing 5,000,000 streams and featuring on the BBC Radio 1 playlist. Prior to the year’s new music releases, Arlo ended 2019 with a compilation of her singles to date titled Super Sad Generation, and was included in a multitude of tips for 2020 (she was featured in the coveted BBC Sound Poll, as well as receiving the backing of NME, DIY, Dazed, Hunger, Gay Times, Evening Standard, Metro, Dork, VEVO and many more). It rounded off a phenomenal twelve months for the young musician/poet, who released her debut single 'Cola' at the start of 2019 and subsequently headlined her first London show, played to a packed out crowd at Glastonbury (where she was also invited to perform live on BBC television), debuted her live offering across Europe, and embarked on two support tours with Loyle Carner & Jordan Rakei. More recently, whilst in Paris, Arlo covered Patti Smith's 'Redondo Beach' for La Blogotheque - watch that and her being interviewed about punk music here. Whilst also featuring alongside Dave from Glass Animals for a live cover version of Drake single, ‘Hotline Bling’.
Music News

Arlo Parks Releases New Single ‘Black Dog’

by the partae May 5, 2020
written by the partae
Premiering last night as Annie Mac’s ‘Hottest Record’, today Arlo Parks has delivered her latest sonic offering; the beguiling ‘Black Dog‘, a song she describes as being about “the feeling of helplessness that comes along with watching a loved one suffer.” Out today via Transgressive, you can also watch the emotionally charged accompanying video clip, directed by long time collaborator Molly Burdett – check it out via the link below.
WATCH ‘BLACK DOG’ OFFICIAL VIDEO
Further discussing the meaning behind the track, the ever poignant Arlo explains “it’s supposed to make people who are struggling feel less isolated and start a conversation surrounding the prevalence of mental health issues in today’s world.” Particularly fitting, given she has just become an ambassador for CALM (Campaign Against Living Miserably).
‘Black Dog‘ is the follow up to recent single ‘Eugene‘, which was released earlier this year alongside a video directed by Loyle Carner and his brother Ryan (The Coyle-Larner Brothers) and follows her run of sold out European and UK headline shows. The song has been her most successful to date, amassing 5,000,000 streams and featuring on the BBC Radio 1 playlist.
Prior to the year’s new music releases, Arlo ended 2019 with a compilation of her singles to date titled Super Sad Generation, and was included in a multitude of tips for 2020 (she was featured in the coveted BBC Sound Poll, as well as receiving the backing of NME, DIY, Dazed, Hunger, Gay Times, Evening Standard, Metro, Dork, VEVO and many more). It rounded off a phenomenal twelve months for the young musician/poet, who released her debut single ‘Cola‘ at the start of 2019 and subsequently headlined her first London show, played to a packed out crowd at Glastonbury (where she was also invited to perform live on BBC television), debuted her live offering across Europe, and embarked on two support tours with Loyle Carner & Jordan Rakei.
More recently, whilst in Paris, Arlo covered Patti Smith’s ‘Redondo Beach‘ for La Blogotheque – watch that and her being interviewed about punk music here. Whilst also featuring alongside Dave from Glass Animals for a live cover version of Drake single, ‘Hotline Bling’.

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May 5, 2020 0 comments
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Marlon Williams Premiers Live At Auckland Town Hall This Weekend
Festival NewsMusic News

Marlon Williams Premiers Live At Auckland Town Hall This Weekend

by the partae May 5, 2020
written by the partae

“a fond throwback to Roy Orbison and Chris Isaak” – New York Times at SXSW

“no one at Mercy Lounge dared breathe” – Rolling Stone Magazine

“Holy shit what a voice!” – Paste Magazine

“perfect songs but delivered to a devilish intensity” – Publico.pt

Marlon Williams will premiere the full live concert film from his acclaimed 2019 release Live at Auckland Town Hall this weekend, sharing the 109 minute show for free across YouTube and Facebook, followed by a live Q&A with fans.

Marlon has joined many of his musician friends in embracing online shows during Covid-19, including performances for Music On The Home Front, Isol-Aid, and a special Undercover series for Radio New Zealand, talking with Finn Andrews of The Veils and covering each other’s’ songs.

Live at Auckland Town Hall was released in February 2019 alongside footage of Marlon’s cover of Barry Gibb’s Carried Away, but the rest of the concert film has been hiding away, waiting for a moment when music fans would really need to experience the pure joys of a singer and band in full flight on stage, in harmony with each other and the audience. Never has a Marlon Williams performance been needed more than now.

The concert showcases why Williams is famed for having one of the greatest voices of his generation, and why in the past two years he has been invited to perform duets with some of the worlds most celebrated artists including Lorde, Florence + The Machine, Courtney Barnett, Brandi Carlile, and Yo-Yo Ma.

Live at Auckland Town Hall features interpretations of songs by Screaming Jay Hawkins, Barry Gibb, Yoko Ono, and the late Lhasa De Sela, plus select songs from Williams self-titled album and his most recent LP Make Way For Love, which picked up the New Zealand Music Award for Album of the Year and APRA Silver Scroll for Song of the Year in 2018.

This Sunday, get the house together on the couch, and settle in for a very special, one-off viewing of Marlon Williams Live at Auckland Town Hall concert film.

Live at Auckland Town Hall Premiere

Concert – May 10th – 10am AEST
Q&A – May 10th – 11.30am AEST
WATCH LINK: linktr.ee/marlonwilliams

Marlon Williams online:

http://marlonwilliams.ffm.to/aucklandtownhall

https://www.marlonwilliams.co.nz/

https://www.facebook.com/marlonwilliamsmusic/

https://twitter.com/MarlonWMusic/

https://www.instagram.com/marlonwilliamssings/

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Award-winning live music photographer Zo Damage, who has been capturing gigs in Melbourne for over a decade, presents the ‘Support Live Music’ initiative - a new fundraising endeavour aimed at raising much-needed funds for Melbourne’s smaller live music venues. For a limited time, fans have the chance to purchase Zo’s original hand-signed prints at a discounted price, with 20% of the print sale donated to the venue the photo was captured in. For those prints captured outside of Melbourne's smaller venues, fans can nominate a venue to donate the funds to. According to Zo, the ‘Support Live Music’ initiative allows her to give back to the venues that have always supported her ambitious photography endeavours within their space.  “The foundation of my work as a photographer has been in live music culture and the underground and emerging live music scene,” Zo says. “Due to the COVID-19 crisis, the entertainment industry finds itself shut down and in disarray. I believe there is something I can do to support a number of local live music venues, bring some joy to your walls and a little coin to my family.” Music Victoria CEO Patrick Donovan welcomed Zo’s contribution, saying Zo's work has always been an integral piece of Melbourne’s music scene. “Music Victoria has long recognised Zo’s incredible contribution to Melbourne’s live music scene, and in 2017, Music Victoria awarded Zo with an Outstanding Achievement Award at the Age Music Victoria Awards,” Donovan says. “I encourage people to buy Zo’s beautiful works of art, to remind people of what they’re missing and to support Victoria’s iconic venues when they need it the most.” Zo’s work can be found in The Australian Music Vault, which features her work, ‘SLAM Rally (II)’ as a signature piece in the historic collection, and in The Amplifier, Arts Centre Melbourne’s 2020 SLAM Rally installation, where Zo’s photography is a primary feature of the 360° degree experience. Her previous projects have included ‘Eve’, a photography series celebrating women in live music, and the widely commended ‘365 Days’ project, which saw Zo attend a live gig in Melbourne every night for a year and photographing the live act for the series. The project culminated in the photography book, 365 Days Project. For more information on the ‘Support Live Music’ initiative and to purchase a piece, visit Zo's Support Live Music website.  
Music News

Prolific gig photographer Zo Damage announces new initiative to support Melbourne’s live music scene

by the partae May 5, 2020
written by the partae

Award-winning live music photographer Zo Damage, who has been capturing gigs in Melbourne for over a decade, presents the ‘Support Live Music’ initiative – a new fundraising endeavour aimed at raising much-needed funds for Melbourne’s smaller live music venues.

For a limited time, fans have the chance to purchase Zo’s original hand-signed prints at a discounted price, with 20% of the print sale donated to the venue the photo was captured in. For those prints captured outside of Melbourne’s smaller venues, fans can nominate a venue to donate the funds to.

According to Zo, the ‘Support Live Music’ initiative allows her to give back to the venues that have always supported her ambitious photography endeavours within their space.

“The foundation of my work as a photographer has been in live music culture and the underground and emerging live music scene,” Zo says.

“Due to the COVID-19 crisis, the entertainment industry finds itself shut down and in disarray. I believe there is something I can do to support a number of local live music venues, bring some joy to your walls and a little coin to my family.”

Music Victoria CEO Patrick Donovan welcomed Zo’s contribution, saying Zo’s work has always been an integral piece of Melbourne’s music scene.

“Music Victoria has long recognised Zo’s incredible contribution to Melbourne’s live music scene, and in 2017, Music Victoria awarded Zo with an Outstanding Achievement Award at the Age Music Victoria Awards,” Donovan says.

“I encourage people to buy Zo’s beautiful works of art, to remind people of what they’re missing and to support Victoria’s iconic venues when they need it the most.”

Zo’s work can be found in The Australian Music Vault, which features her work, ‘SLAM Rally (II)’ as a signature piece in the historic collection, and in The Amplifier, Arts Centre Melbourne’s 2020 SLAM Rally installation, where Zo’s photography is a primary feature of the 360° degree experience.

Her previous projects have included ‘Eve’, a photography series celebrating women in live music, and the widely commended ‘365 Days’ project, which saw Zo attend a live gig in Melbourne every night for a year and photographing the live act for the series. The project culminated in the photography book, 365 Days Project.

For more information on the ‘Support Live Music’ initiative and to purchase a piece, visit Zo’s Support Live Music website.

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Delivered Live Announces Lineup for Episode 6
Festival NewsMusic News

Delivered Live Announces Lineup for Episode 6

by the partae May 5, 2020
written by the partae
As Delivered Live passes the halfway mark of its 10 episode run, the reputation for the show as giving artists a chance to perform a real, amplified gig, whilst injecting cash back into the live music economy, is growing.
Guests on the show have spoken at length about how much they have missed performing live on a stage, how much they’ve missed their band mates and how much they’ve missed the thrill of performing.
Tickets start from as little as $10 and can be purchased HERE (perfect gift for Mothers Day!)

This week’s episode brings Deborah Conway (performing with Willy Zygier) to the stage, along with folk-pop singer-songwriter Alex The Astronaut, and Bendigo singer-songwriter and producer Yergurl.

Bringing the laughs as always will be Sami Shah at the desk, plus comedian Denise Scott, and as always the show will feature an expert panel discussion hosted by Myf Warhurst – all brought to you by host with the most, Henry Wagons!

Delivered Live episodes are free to watch, but tickets are available for purchase and funds will be going back into the pockets of the artists and comedians performing on the show, as well as to their nominated venue and crew member of choice, helping to replace some of the live income they have lost. To date, Delivered Live has injected over $320,000 back into the live music economy, with over 141 musicians, plus comedians, crew members, agents, managers, backline companies and venues all receiving a share of funds.

For this week’s event the recipients of those funds are as follows:
Yergurl nominates – The Gasometer hotel and her band
Alex The Astronaut nominates – The Corner Hotel and Mark Smithers
Deborah Conway nominates – The Jazz Lab and Jeremy Jankie

Delivered, Live Episode 6, Saturday 9th May at 7.30pm
Yergurl
Alex The Astronaut
Deborah Conway
Denise Scott
Sami Shah
– Hosted by Henry Wagons

Producers The Handshake Agency thanks its sponsors for getting on board this first event – Victorian Government, The Music, Oztix, Small Time Group, Young Henry’s ,Harry The Hirer.

Tix can be purchased here:
Delivered Live can be viewed here
More info here

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Smasher Interview
Music InterviewsMusic News

Smasher Interview

by the partae May 4, 2020
written by the partae

Where did the name Smasher come from?

I got the name from DJ’ing under 18 club events, that was where the name was born and was the first time i had a chance to play in front of a decent size crowd people would always say you smashed it !!

How long have you been performing under that alias?

Over 20 years now.

Where are you currently based?

Im based in Essex.

How has your lockdown experience been so far?

Ive had a lot to focus on with the album being released so that has kept me busy but generally id say ok, i think I’ve used the time to keep creative as possible the biggest hurdle for me and my family has been keeping our daughter busy as the boredom has kicked in i feel sorry for the children i think they are finding it hard.

How did you first start playing music?

When i discovered turntables id say around 1997, i started visiting record shops on a weekly basis collecting as much records as i could afford this was where the journey started for me.

Your debut album ‘Locked In Locked On’ via On Top Records is out now, what influenced the sound and songwriting for this album?

The album is scattered with the 2 step/garage sound i fell in love with coming up on the london pirate radio scene in the late 90s/00s, the songwriting has been very much an organic process depending of the feel of the music.

How did you go about writing the album?

It was really a case of the records wrote themselves my whole approach is based on vibe, if the vibes hits then the words/melody starts to flow a lot of the lyrics started from freestyle i like to write without paper i find things flow much more natural.

Where and when did you record/produce and who with?

I recorded everything at my studio in east london over the space of a year, i produced every record on the album apart from track 12 which is produced by “prescribe da vibe”, i worked very closely with my long time friend a collaborator Aaron greenwood on the project.

How did you approach the recording sessions?

Every session was different some tracks may have been an 8 bar loop and then developed more or in other cases some records was wrote and recorded within the space of a few hours usually when the creative spark is there it all comes together quickly.

What programs/instruments did you use to write/record/produce?

Every song was recorded and mixed using Logic Pro x, using various different synth plug ins all vocals was recorded on My SE Z5600a II

What did you find most challenging and rewarding during the creation of the album?

The most challenging part of the process id say is the mixing / mastering stage, the most rewarding part is receiving great feedback from the listeners I’ve been overwhelmed with the response so far.

Who are you listening to at the moment?

To keep my spirits high I’ve been listening to a-lot of reggae over the lockdown period.

What do you like to do away from music?

Spending time with my family is important to me, when the sun is out i quite enjoy gardening.

What’s planned for 2020?

I will let the album run its course but generally i will keep the releases coming via the label “On Top Records” there will be no shortage of music, id love to do a live show when we are out of the lockdown so fingers crossed that can happen.

Favourite food and place to hangout?

Im a sucker for good food and I’m quite easily pleased Caribbean food is up there for me, a glass of red in my garden and I’m happy 🙂

May 4, 2020 0 comments
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EAUXMAR – 'GIVEN AWAY / GIVEN BACK' OUT NOW Dutch musician/producer EAUXMAR has shown a high level of inquisitiveness for creating experimental, new-age music over the last couple of years. Hailing from the Netherlands and having roots in Morocco, the 19-year-old honors his heritage by incorporating organic instrumentation over electronic production elements, all built into his new release ‘Given Away / Given Back’.   Exploring and developing his signature sound, EAUXMAR draws inspiration from the early work of James Blake and Kanye West. An emotive track, he moulds 90s R&B samples with the creative use of drums, piano, chimes, bird chirps and dreamy filtered vocals. All coming together to create a unique sounding release with energy but still evoking feelings of floating on a cloud.    EAUXMAR introduced his energetic yet still downtempo sound on his debut EP, ‘Tell Me’, showcasing his experimentation with pitch that can be heard across his work. He distinguishes himself using ethereal sound design and blurring the lines between Electronic, R&B and Indie.    Already having had multiple DJ gigs, notably including Lollapalooza Berlin, EAUXMAR debuted his first-ever live show at Eurosonic Noorderslag, renowned for being a key exchange and networking platform for European music with a proven track record for helping new acts break into the international music scene – a sure one to watch for 2020.   EAUXMAR’s “Given Away/Given Back” is out now Connect With EAUXMAR
Music News

INTRODUCING EAUXMAR… AN EXCITING EMERGING TALENT THAT BRINGS US DREAMY ELECTRONIC TEXTURES IN HIS NEW RELEASE ‘GIVEN AWAY/ GIVEN BACK’

by the partae May 4, 2020
written by the partae

EAUXMAR – ‘GIVEN AWAY / GIVEN BACK’
OUT NOW

Dutch musician/producer EAUXMAR has shown a high level of inquisitiveness for creating experimental, new-age music over the last couple of years. Hailing from the Netherlands and having roots in Morocco, the 19-year-old honors his heritage by incorporating organic instrumentation over electronic production elements, all built into his new release ‘Given Away / Given Back’.

Exploring and developing his signature sound, EAUXMAR draws inspiration from the early work of James Blake and Kanye West. An emotive track, he moulds 90s R&B samples with the creative use of drums, piano, chimes, bird chirps and dreamy filtered vocals. All coming together to create a unique sounding release with energy but still evoking feelings of floating on a cloud.

EAUXMAR introduced his energetic yet still downtempo sound on his debut EP, ‘Tell Me’, showcasing his experimentation with pitch that can be heard across his work. He distinguishes himself using ethereal sound design and blurring the lines between Electronic, R&B and Indie.

Already having had multiple DJ gigs, notably including Lollapalooza Berlin, EAUXMAR debuted his first-ever live show at Eurosonic Noorderslag, renowned for being a key exchange and networking platform for European music with a proven track record for helping new acts break into the international music scene – a sure one to watch for 2020.

EAUXMAR’s “Given Away/Given Back” is out now

Connect With EAUXMAR
Facebook
Twitter
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Spotify
SoundCloud
May 4, 2020 0 comments
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