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Interview: Eyes of Bel on Melt, Love and Learning to Let Go

August 7, 2026

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s...

August 6, 2026

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More...

August 6, 2026

This Is Lorelei Turns the Chaos of the Road Into a Strange,...

August 6, 2026

Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So...

August 6, 2026

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This...

August 5, 2026

@ Find Beauty in the Breakdown on Haunting New Single ‘Punish My...

August 5, 2026

Public Works Bottles the Chaos of a Summer Breakup on Explosive New...

August 5, 2026

#1 Dads Announces First Australian Tour in Six Years Alongside New Album...

August 5, 2026

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour...

August 5, 2026
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Music News

Music News

Harlow Reign Embraces Vulnerability on Powerful Self Titled Debut EP Out Now

by the partae July 3, 2026
written by the partae

There is something refreshing about an artist who is willing to tell the truth. No filters. No masks. No pretending. On her self titled debut EP, Melbourne based singer songwriter Harlow Reign delivers exactly that, opening the door to a world shaped by heartbreak, resilience, self discovery and hope.

Released through Hitmint Music, Harlow Reign is an emotionally rich collection of five songs that blends dark pop with alternative rock, creating a sound that is both cinematic and deeply personal. Rather than relying on polished perfection, Harlow embraces authenticity, allowing every lyric and melody to reflect real experiences that have shaped both the artist and the person behind the music.

From the opening moments of Wasted Time, listeners are immersed in an honest exploration of love, loss and the emotional weight that comes with growing through difficult moments. The reflective One More Night and heartfelt All You Need continue that journey before Take Me Away offers a glimpse of hope, leading into the powerful closing track Save Me Now. Together, the songs form a cohesive narrative of healing and resilience that feels relatable without ever losing its individuality.

“This EP represents who I am as an artist right now,” Harlow says. “These songs come from real experiences, real emotions, and moments that shaped me. I wanted to create something honest that people could connect with and hopefully find pieces of their own story within.”

That honesty is what makes Harlow Reign such a compelling introduction. Every track carries emotional weight, yet the production remains expansive and dynamic, balancing powerful rock influences with contemporary pop melodies. The result is a sound that feels both intimate and radio ready, giving Harlow a distinctive voice in Australia’s growing alternative music scene.

Fans of Evanescence, Paramore and Killing Heidi will immediately recognise the emotional intensity woven throughout the EP, but Harlow Reign is far from following in anyone else’s footsteps. She is carving out her own identity through fearless songwriting and an unmistakable willingness to be vulnerable.

Since emerging as an independent artist, Harlow has continued to build momentum with music that speaks directly to listeners navigating their own personal struggles. Every release has showcased her evolution as both a songwriter and performer, and this debut EP feels like the natural arrival of an artist who knows exactly who she is and what she wants to say.

Written, composed and produced by Harlow Reign alongside Sam Panetta, the EP showcases a creative partnership built on emotion, honesty and craftsmanship. Each song contributes to a body of work that feels complete from beginning to end, inviting listeners to experience every high and low without compromise.

With Harlow Reign, one of Melbourne’s most promising emerging artists delivers a debut that is both fearless and memorable. It is a release that reminds us music is at its most powerful when it comes from a place of truth. If this EP is any indication of what lies ahead, Harlow Reign is only just getting started.

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July 3, 2026 0 comments
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Music News

Darwin metalcore groovers KOH unveil debut EP, ‘Golden Death’ + share video for title track

by the partae July 2, 2026
written by the partae

Darwin metalcore groovers KOH have today unveiled their debut EP, Golden Death, available everywhere now. Accompanying the release is the sunkissed new video for the title track, which received its first play on triple j CORE last night.

KOH’s new EP, Golden Death, explores the idea of stripping yourself back and rebuilding into something new, representing growth upwards despite hardship and the discomfort that comes with change. “The term Golden Death, to me, means a different type of ‘end’,” says vocalist Andy Kala. “One that is more sacred and not as grounded in the physical end of something living and breathing. It is change, one so painful and great, ‘…It feels like needles deep in (my) skin…'”.

“Whether it’s from a past of trauma and heartbreak, or a toxic pattern inhibiting your way of living; Golden Death is the painful transformation into something greater.”

Forming on the backstreets of suburban Darwin, KOH are a modern metal outfit drawing influence from metalcore, groove metal and djent. Emerging in 2024, the band quickly gained momentum with early releases “Follow Your Ghost” – winner of the Northern Territory Music Award for Metal/Hardcore song of 2025 – and “Immolate“ pulling in thousands of streams. “River Mirror“ followed shortly after and scored national airplay across triple j and Double J and is now a finalist in the Northern Territory Music Awards for Metal/Hardcore song of 2026.

KOH dive into the centre of themes of growth, loss and the human condition, delivered through groove-driven guitar riffs, ripping vocals, scintillating electronics and furious songwriting. Since forming as a bedroom project in 2021, the Darwin five-piece have evolved into a tightly collaborative unit, sharing stages with Justice For The Damned, Diamond Construct, Reliqa, Kin, Zuko, Body Prison and Broken Earth, and making their festival debuts at both Blacken Open Air 2025 and most recently TerrorLoud 2026.

KOH is Andy Kala (lead vocals), Kieran Pearce (guitar/backing vocals), Lucas Sharp (guitar/programming), Lachlan Linkson (bass/backing vocals) and Luke Kohler (drums/percussion).

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July 2, 2026 0 comments
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Music News

JVLY Unveils New Single ‘END OF THE SKY’

by the partae July 2, 2026
written by the partae

Australian artist and producer JVLY continues to expand the world of his acclaimed SUNDER project this week, with the release of new single ‘END OF THE SKY’, the final preview of his forthcoming SUNDERLUXE EP.

SUNDERLUXE serves as the definitive deluxe edition of 2025’s SUNDER EP, reimagining the project through a carefully curated collection of remixes, alternate versions, and one previously unheard track. That track is ‘END OF THE SKY’ – a song that has quietly existed alongside the SUNDER sessions until now.

Blending JVLY’s signature warmth, introspection and atmospheric production, ‘END OF THE SKY’ arrives as a fitting final chapter to the story that began with SUNDER. While the original EP explored cycles of uncertainty, reflection and personal growth, this new offering feels like a moment of resolution.

“I started writing END OF THE SKY during the making of SUNDER, but I could never quite finish it or figure out where it belonged. Now I think that’s because it was never really part of the story itself. It feels more like an epilogue to it. The whole record looks at being caught in these cyclical patterns, searching for clarity, and this one feels like the peace of not needing to. It’s the closing credits to SUNDER.” ~ JVLY

The release follows a series of standout remixes that have steadily built anticipation for SUNDERLUXE, featuring contributions from an international roster of producers including Contrecoeur  (France), Lemonade Baby  (Brisbane), Mel Blue (Sydney), and dj poolboi (USA/UK).

With ‘END OF THE SKY’, JVLY offers listeners one final glimpse into the emotional landscape of SUNDER before drawing the curtain on the project. Equal parts reflective and cathartic, the track stands as both a farewell and a new beginning.

Credits:

Written & Produced by Kayle Butler

Mixing by Doug Wright

Mastering by Ryan Schwarbe

Stream:

https://bfan.link/end-of-the-sky

JVLY:

https://linktr.ee/jvly

July 2, 2026 0 comments
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Music News

Arky Waters – Holdin’ On (LP) ~ out now ~

by the partae July 2, 2026
written by the partae

Rising Australian producer/DJ Arky Waters is thrilled to announce the release of his highly anticipated debut album, Holdin’ On. A masterful culmination of sonic exploration, the album serves as both a personal journal and a collective celebration of the Sydney club scene, marking Arky’s definitive venture into the world of bass music. The full-length record follows a string of widely acclaimed lead-singles that set the stage for the album’s expansive soundscape, including the title track Holdin’ On (feat. MAMI), Ay Papi, and early 2026 club favourites UGETME?, OMG, Molly, Run It Up, and Just.

Holdin’ On represents a big evolutionary leap for the artist, who traded solitary bedroom production for the chaotic, beautiful energy of the dancefloor. Rooted deeply in joy, intensity, and late-night raves, the record bridges the gap between raw emotion and intricate sound design.

“Holdin’ On is a reflection of my education in electronic music over the past couple of years. In a lot of ways, it feels like a journal entry, a snapshot of what was around me at the time. This album feels like the clearest expression of my vocabulary in electronic music so far. It’s been a beautiful way to create, all of it is rooted in joy, euphoria, and intensity. This is also my first real venture into bass music, which was what got me into electronic music in the first place. It completely changed the way I think about music technology. I’ve always approached music as something more tangible, but bass music feels different, you start shaping frequencies and soundwaves themselves. I hope people hear this album as a snapshot of my POV. Life in Sydney city through my lens.” ~ Arky Waters

Leading the charge alongside the album’s release is the focus track Take a Trip, a dynamic collaboration with seasoned club-scene newcomer LX. What started as a casual studio session quickly spun into a boundary-pushing, experimental dancefloor anthem, blending nostalgic electronic textures with forward-thinking bass arrangements.

“LX and I got into the studio together a while back. He laid out these beautiful chords that were reminiscent of Deadmau5. I absolutely loved it. The bones for the song literally came together within the hour of that session. We had been listening to a lot of DNB at the time so we wanted to make something for the dancefloor, but it ended up being a bit more experimental. Since we’ve known each other for a while, I think we were comfortable to push the boundaries a bit more and see what could happen.” ~ Arky Waters

Initially approaching music through a traditional, tangible lens, Arky Waters’ recent evolution has seen him dive headfirst into the mechanics of bass music, making him one of the most exciting, forward-thinking producers to watch in the Australian electronic circuit. By shifting from solitary creation to a deeply collaborative, community-driven philosophy, this album stands as a testament to the power of Sydney’s underground nightlife.

Holdin’ On is available now on all major streaming platforms via Mammal Sounds Records.

.

Album Launch Party:
July 18th – Unholy Playhouse, Sydney (tickets)

Credits:

Written & Produced by Arky Waters

Mixed by Doug Wright

Mastered by Suture Mastering

Artwork, Photos & Visuals by Arky Waters

Stream:
https://bfan.link/arky-waters-holdin-on-lp

Socials:

https://linktr.ee/arkywaters

July 2, 2026 0 comments
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Music InterviewsMusic News

Sasha Summers: Inside the Dark Beauty of Belladonna (This Is How You Die)

by the partae July 1, 2026
written by the partae

When you were writing Belladonna (This Is How You Die), was there a moment where you realised the song had become something much bigger or darker than you originally intended?

Yes… Initially I was a bit scared of the song. I felt like it was too big for me. It felt like we’d created this beast. I was still working myself out as an artist at the time—not that I’m not still figuring that out—but I was very new to making music and I genuinely thought, shit, this is too big. The drums kicking in with that guitar riff were terrifying! It’s not remotely subtle in the least, and that’s scary!

Low-key now, fast forward to the present day, it’s the song I absolutely can’t wait to unleash live. I love that we went there with the sound and that I did it so early on in my career as well. I feel like Lady Gaga would totally approve though, I think, and that is enough for me!

The title feels both beautiful and unsettling. What made you decide to lean into that contrast rather than play it safe?

This is something I say a lot, but honestly it’s just intuition and wherever the muse chooses to take me at the time I’m writing. I’m a vessel and whatever comes through, that’s what I do. I sometimes have an idea, or sonically something can come to mind, and I can write four other songs on top of the same production and I’ll hate all of them. Then, at the end of the day, something will come over me and it’ll all go down the way it’s meant to, and that’s what I’ll record.

With this song, it actually did occur to me that it was unsettling, and I found that exciting.

Was there a particular scene, memory, or person that stayed in your mind throughout the writing process, even if it never made it directly into the lyrics?

Oh okay, straight to the tea! I mean… yes.

This first chapter of my story as an artist really follows an old relationship. Every song, in one way or another, is about that same story. It’s a very star-crossed, huge-heartbreak, to-the-death story that I’ll probably never truly quite get over.

I think the Whiteheart line is probably a good one to point out as something specific. There’s a bar in the city that I’d always venture to with the same person. We’d start our nights there and then end up at 100 different other places. I’ve not been back there since, to be honest. I’ve been in the vicinity of it, but I’ve never gone back. Same with the other bars from that time.

Usually though, I will say that if I am dying to say something in the lyrics that is true to the story, I will move heaven and earth to get it in there. So you’ll generally know from the lyrics—I don’t shy away from it.

What part of this song do you think listeners are most likely to misunderstand on a first listen?

You know, I generally leave it up to the listener to take what they want to take from each of my songs and have it mean something to them in their own way. I try not to correct or influence them on the lyrics.

I suppose something that can be misunderstood from my personal perspective is the intention behind the lyric, “this is how you die.” I’m not, in the literal sense, saying someone is going to “die.” It is a metaphor. Death is something I talk about a lot in my songs, and sometimes it is a double entendre or a metaphor for something else.

Every release teaches an artist something. What did Belladonna (This Is How You Die) teach you about yourself as a songwriter?

To be bold, to be brave, to be myself and to speak up. Belladonna taught me I should say it with my whole chest and stand on it, consequences be damned.

I tend to internalise my emotions a lot. For someone who talks as much as I do, I don’t really get into my emotions. That’s what all my songs give me—they give me the cathartic space to be honest and the solace that comes with that.

If you could sit in a room and watch people react to one line from the song for the first time, which line would you choose and why?

Depends on the people in the room at the time…

Some people might hear the lines in the second verse about Whiteheart and think, oh, she didn’t… And that would honestly be a lot of fun for me. I’m not even going to lie.

The most memorable songs often come from taking creative risks. What was the biggest risk you took with this release?

This whole release and concept was a risk. I was very truthful and specific with the subject matter, for one.

But also, Belladonna needed to be its own thing. It’s not a conventional pop song. I lean into some pretty dark themes and dramatic imagery. My influences come from everywhere—grunge, rock, pop, film, fashion and pop culture—and Belladonna embraces all of that in one song rather than just choosing one lane.

I guess it would’ve been easier to release something “safer,” but this is who I am as an artist and I’m inviting people into my world. I didn’t dilute it to fit expectations, and I truly believe the right audience will connect with it.

How do you know when a song is emotionally honest enough to share with the world rather than just keep for yourself?

You know, that is a good question.

I always forget that I’m releasing these things into the world, so I always get this wave of anxiety before releasing, like I’m letting people into my diary or something.

But then I think, well, if I’m feeling like this, then maybe that’s something other people can see in themselves too. My experience might be personal, but the emotion is universal. I think once you have a song that can stand on its own and also invite other people into the feeling, it should be shared.

If someone discovers your music through Belladonna (This Is How You Die), what do you hope they understand about Sasha Summers before the song ends?

That I’m not really interested in following a formula and that my music is about creating a world, not just releasing songs.

That I am an artist who loves to embrace contrasts. Belladonna lives in this space of darkness and glamour, vulnerability and strength, and also grit and beauty.

So if someone finishes Belladonna and they want to step further into my world, then I’ve done my job.

What excites you most about where your music is heading right now that fans haven’t seen yet?

Sorry, firstly… “fans”? Me?! My 15-year-old self would sob hearing that, let me tell you.

I will say that I am very excited for fans to realise that these songs aren’t just isolated moments in time. With every release, people will begin to put together little connections between the songs, stories and themes.

Right now, they’re just getting to know me and seeing the beginning of the picture. I’m just so excited to invite them deeper into my world.

 

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July 1, 2026 0 comments
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Music News

OH! Daisy Leaves Nothing Unsaid on New Single + Video ‘Just Say’

by the partae July 1, 2026
written by the partae

Leaving no secret untold, OH! Daisy return with their explosive new single and video, ‘Just Say’, out now!

Bursting with the band’s signature punk-infused feminine energy, Just Say is packed with sass, tension, and just the right amount of chaos. It follows a huge 2025 for OH! Daisy, which saw the release of their debut EP, It’s Okay I’m Ugly Too, featuring fan favourites Guillotine, Adrenaline, and Gasleak, while also sharing stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, and Cry Club.

Originally written as an intimate, diary-style confession, Just Say has evolved into an anthem for anyone on the verge of a complete emotional crash-out. The track captures the unhinged, unsettling feeling of having to beg for the love, respect, and reassurance you deserve.

Co-written by vocalist Bambi O’Kelly and drummer Nick Dordevic, every piece of the song fell seamlessly into place, with production from Jonathon Tooke, mixing by Jarred Nettle, and mastering by David Walker.

“I hope for anyone who relates, that you’re not there anymore. That you’re listening to it past that feeling. If you’re there, I hope this makes you feel seen. You shouldn’t need to beg someone for more for the rest of your life.” – Bambi O’Kelly

 

Directed by the band’s own Emma Friday (Yelo and OH! Daisy bassist), the accompanying video walks the line between quiet restraint and emotional collapse, juxtaposing delicate, intimate moments with raw, unsettling imagery. The result is an Australian gothic-inspired visual spectacle infused with the band’s unmistakable punk attitude.

“In OH! Daisy we’ve always had a quasi-psychic connection where we see the vision of our projects very clearly, so I had a crystal-clear picture in my head of what we were making. We are so proud of it!” — Emma Friday (Yelo), OH! Daisy bassist and Director at Staircase Creative.

Fronted by the magnetic Bambi O’Kelly, OH! Daisy have built a reputation for delivering bass-heavy anthems charged with emotional extremes and cinematic flair. From heartbreak soundtracks to coming-of-age meltdowns, their music transforms life’s messiest moments into cathartic, unforgettable punk songs.

The band have shared stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, Cry Club, Aleksiah, and Chasing Ghosts, leaving behind sweaty, smiling crowds wherever they perform. Their music has also found a home across Australian airwaves, earning support from triple j, triple j Unearthed, and community radio stations nationwide.

With smudged-eyeliner swagger, infectious hooks, and a healthy dose of beautifully controlled chaos, OH! Daisy continue carving out a theatrical lane that’s entirely their own.

Get ready to turn this one all the way up as OH! Daisy launch into their next creative chapter.

Follow OH! Daisy
Tiktok: @ohdaisymusic
Instagram: @ohdaisymusic
Facebook: ohdaisymusic
Spotify
Apple Music

July 1, 2026 0 comments
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Festival NewsMusic News

Santan Dave Returns to Australia with a Standout Sydney Performance

by the partae July 1, 2026
written by the partae

Santan Dave has officially shut down Sydney. Bringing his highly anticipated tour in support of his third studio album, The Boy Who Played Harp, to Qudos Bank Arena, the South London rapper delivered an unforgettable night that brought a taste of the UK rap scene to Australian shores. Greeted by a thunderous reception from a sea of devoted fans, both longtime supporters and newcomers alike, Dave matched the crowd’s energy bar for bar from the moment he stepped on stage.

It had been nearly eight years since Dave last performed in Sydney, when he played the far more intimate Oxford Art Factory. The anticipation surrounding his return was immense, and he exceeded every expectation. Already regarded as one of UK rap’s defining voices, Dave proved he is far more than just an exceptional lyricist. Throughout the night, he showcased his musical versatility, seamlessly moving between instruments as he performed. One standout moment saw him deliver one of his more introspective tracks while effortlessly playing the piano, before later switching to guitar for a soaring solo that sent shivers throughout the entire arena. It was a side of Dave that many fans had never witnessed live and one that elevated the performance beyond a traditional rap concert.

The production throughout the evening was equally impressive, with clever visuals adding another layer to the experience. While his collaborators weren’t physically present, on-screen appearances from Stormzy and Central Cee made performances of “Clash” and “UK Rap”, respectively, feel even more immersive, their larger-than-life projections towering over the stage. “Location” served as another crowd favourite, accompanied by visuals of Burna Boy, whose own recent Sydney performances back in October made the moment feel especially relevant. The emotional peak of the evening, however, came during “Raindance.” Featuring striking visuals of Tems, the performance brought a sense of intimacy and emotional weight to one of the most viral tracks from recent years, creating one of the night’s most memorable moments.

Despite the arena-sized production, an outstanding live band that blended gospel-inspired ambience with the raw power of rock and rap, and Dave’s commanding stage presence, it was his connection with the audience that defined the night. Every interaction felt genuine. The crowd hung on every word, and Dave returned that enthusiasm with heartfelt gratitude, making it clear he wasn’t simply performing another stop on a world tour – he genuinely wanted to give Sydney everything he had after travelling halfway across the globe.

If this performance proved anything, it’s that the eight-year wait was well worth it. Hopefully, the next one won’t take nearly as long. Judging by the reception inside Qudos Bank Arena, Sydney is more than ready to welcome Santan Dave back with open arms.

Words: Ken Magno

Sydney Photography: Yuvraj Sood

Melbourne Photo Credit: Cameron Marwick

Brisbane Photo Credit: Keely Baker

July 1, 2026 0 comments
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Music News

The Hospital Shares Heartbreaking New Single ‘Shampoo’ Ahead of Upcoming EP Without You Is Hard

by the partae July 1, 2026
written by the partae

Australian-born, London-based artist The Hospital returns with his poignant new single, ‘Shampoo’, the third release from his forthcoming EP, Without You Is Hard, due for release in August 2026.

‘Shampoo’ explores a feeling many people experience but rarely put into words—the quiet realization that a relationship has already ended emotionally, long before it officially does. It’s not about one defining moment or dramatic event, but the subtle understanding that something essential has faded. You look at the person you love and somehow know that one day they’ll be with someone else. And so will you.

The song follows that emotional journey beyond the breakup, into the unexpected moments of moving on. It captures the strange familiarity of new love, when something as small and ordinary as the scent of the same shampoo suddenly transports you back to someone you thought you’d left behind.

The Hospital is more than just a musical project—it’s a creative space built around the idea of making people feel understood. A place to go when you need to feel better.

Growing up surrounded by poetry, film, photography and music, The Hospital spent his formative years between Australia, New York City and Los Angeles before eventually finding his creative home in London’s Soho. Now based in the heart of the city’s cultural district, he writes, records and edits every aspect of his music and visuals, drawing inspiration from the area’s rich artistic history and creative community.

Using Soho as both backdrop and muse, The Hospital shines a light on local artists, businesses and characters through his music videos, photography and events, creating a distinctive visual world that extends beyond the songs themselves.

‘Shampoo’ continues the momentum built by previous singles ‘Decomposing’ and ‘Remember Us In Summer’, both of which received warm critical acclaim earlier this year.

Together, the songs form part of Without You Is Hard, an EP centred on the people who shape our lives. At its core, the record reminds us that life would be unbearably difficult without the connections we make. Some people stay forever, while others are only meant for a chapter—but every one of them leaves their mark.

With a steady stream of releases planned throughout 2026, The Hospital is establishing himself as one of the most emotionally honest new voices to watch.

‘Shampoo’ is available now on all major streaming platforms

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July 1, 2026 0 comments
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Music News

SASHA SUMMERS RELEASES SOPHOMORE SINGLE ‘BELLADONNA (THIS IS HOW YOU DIE)’

by the partae June 24, 2026
written by the partae
Photo by: Molly Burmeister

Melbourne-based artist SASHA SUMMERS announces her sophomore single Belladonna (This Is How You Die), Out Now. Dark, propulsive and visceral, the track is a collision of distorted guitars and confessional storytelling; an alt-rock battle cry for anyone who has ever felt underestimated, hollowed out by a relationship, and then found their footing again.

Co-written with Benjamin Stewart of Slowly Slowly and produced at his studio in Fitzroy, Belladonna arrived in a single 25-minute writing session in the winter of 2024. SUMMERS describes it as a song she almost felt possessed writing – a lyrical outpouring rooted in a years-long heartbreak, the grief of losing someone central to your world, and the specific restlessness of two people who could never quite stop finding each other. Bleary late nights moving through Melbourne’s dive bars, clubs and secluded alleyways underpin the song’s imagery; the feeling of being simultaneously at home with someone and slowly losing yourself to them.

Belladonna builds toward a bridge that Summers counts among her favourite lyrics she’s written: “I’ll save myself this time. Final girl, Walter White.” It’s the moment the song turns, with grief giving way to agency, collapse giving way to the door slamming shut. “It’s giving underdog rising up and I love that” Summers says of the lyric.

“This one in particular will always be one of my favourite songs I’ll ever write. I don’t think that’s something that will ever change over time. This song and that studio hold a very special place in my heart,” Summer says of the track.

“Chaos has ensued, the apocalypse has arrived in distorted guitars wearing lace. The forecast says there’s stormy weather ahead and lots of rain as exes are about to start weeping all over town.”

For fans of Lana Del Rey, Nessa Barrett, Mazzy Star and Portishead, Summers positions herself as an artist who trusts instinct above strategy. She is a storyteller who writes her own rules and doesn’t apologise for doing it dramatically.

Follow SASHA SUMMERS

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June 24, 2026 0 comments
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Music News

The Snuts announce fourth album Joy In Short Moments and release new single ‘Defibrillator’ out now

by the partae June 24, 2026
written by the partae

Photo Credit: Sam McGill

The Snuts today announce their fourth studio album Joy In Short Moments, out 23rd October via Happy Artist Records in partnership with Virgin Music Group. The Scottish band have also shared their new single ‘Defibrillator’, out now. Listen HERE. Pre-order and pre-save the album HERE. 

‘Defibrillator’, an upbeat drum-filled future summer anthem, was inspired by the concept of a living wake –  the idea of inviting your loved ones to a celebration of your life while you’re still there to be part of it. It is a song about choosing to show up for the people around you, letting go of ego, and finding joy in the collective. Produced by Cochrane and Scotty Anderson, it arrives as the lead track from an album that took two years and a great deal of real life to make.

Speaking on the new single, frontman Jack Cochrane says:

“I wanted to write a track that detailed a conscious decision to live and love more. To take life less seriously and dilute ego as often as possible. ‘Defibrillator’ is a song that celebrates the collective and trivialises the sludgy worries of being alive.”

Joy In Short Moments is the sound of a band stepping back from the noise. Where previous records were made in a state of perpetual movement, this one was written from the other side of it – after Jack Cochrane moved back home, became a father, and began asking the questions that constant touring had kept at bay. The result is The Snuts’ most grounded record, and their most direct.

Speaking on the album, Cochrane says:

“After three records of constant motion, I felt pulled back towards real life. Success, failure, parenthood and loss all found their way into these songs. Joy in Short Moments is the sound of reconnecting with what matters and learning to find meaning in the small things whilst navigating the questions; Who am I? Where should I be? Where am I going? What makes it all worthwhile?”

The Snuts have established themselves as one of the most successful breakthrough bands of recent years. Their debut album W.L. entered the UK charts at Number 1 in 2021, followed by Top 3 second album Burn The Empire in 2022. Their independently released, self-produced third record Millennials reached Number 2 on the UK Albums Chart, making them the first act since One Direction to achieve three Top 3 albums in three consecutive years. The band have also sold out headline tours across Japan, Australia, Europe and North America, and recently headlined their first Scottish arena show at Glasgow’s OVO Hydro.

‘Defibrillator’

out now

Joy In Short Moments

out 23rd October

Joy In Short Moments – Tracklist

1.   In Motion

2.   Youth Ain’t Easy

3.   Defibrillator

4.   Joy In Short Moments

5.   PTS

6.   Get Up, Get Out

7.   Country Music

8.   Summer Rain

9.   Motherlands

10.  Warsaw

11.  Little Marathon Man

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June 24, 2026 0 comments
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Festival NewsMusic News

James Blake announces 2026 Australian tour dates

by the partae June 23, 2026
written by the partae

HITTING BRISBANE, SYDNEY & MELBOURNE THIS DECEMBER

PRESENTED BY SECRET SOUNDS & DOUBLE J
GENERAL TICKET ON SALE BEGINS 26 JUNE AT 10AM LOCAL

 Today, British GRAMMY and Mercury Prize-winning producer, songwriter and musician James Blake announces his return to Australia for the first time since 2019, performing headline shows in Brisbane, Sydney and Melbourne this December.

Presented by Secret Sounds and Double J, the tour will venture to Brisbane’s Fortitude Music Hall on Tuesday 1 December, Sydney Opera House Forecourt on Wednesday 2 December and Melbourne’s Margaret Court Arena on Saturday 5 December.

The tour arrives off the back of Blake’s 2026 self-released album Trying Times – his highest charting album to date – a masterful display of his rich artistry and ability to articulate emotion with disarming transparency, tracing the uneasy space between intimacy and isolation in an age of instability.

TICKETS:
Mastercard cardholders have special access to presale tickets in Australia. Mastercard Presale starts Wednesday 24 June at 10am local and ends Friday 26 June at 9am local. Plus, Preferred ticket access to some of the best tickets are available from Friday 26 June at 10am local. Check out priceless.com/music for details.

Vodafone mobile customers can be among the first to secure tickets during a 48-hour presale commencing Wednesday 24 June from 10am local. Visit vodafone.com.au/ticket to find out more.

An artist presale will run from Wednesday 24 June at 10am local and concluding on Friday 26 June at 9am local.

Secret Sounds presale begins Thursday 25 June at 10am local, running until Friday 26 June, 9am local. Register at secretsounds.com/register.

General onsale tickets are available from Friday 26 June at 10am local. Tickets can be purchased at secretsounds.com.

Few artists have left as lasting an impression on contemporary music as James Blake. Since emerging from the UK post-dubstep scene in the early 2010s, the British producer and songwriter has spent 15 years operating at the intersection of soul, electronic and confessional writing. He’s influenced a generation of artists while answering to no singular genre, scene or label as one of the industry’s most formidable and diverse collaborators, working with Beyoncé, Frank Ocean, SZA, ROSALÍA, Kendrick Lamar, Travis Scott and more, contributing to era-defining modern classics like Blonde, DAMN., ASTROWORLD, Lemonade and Motomami. More recently, Blake collaborated with revered UK Rapper Dave on his critically acclaimed album The Boy Who Played The Harp and crafted “Séance” alongside Ludwig Göransson, a standout from the Sinners movie soundtrack. His live performances have graced the iconic stages of Glastonbury, Coachella, Primavera Sound, Splendour in the Grass and Austin City Limits, just to name a few.

JAMES BLAKE AUSTRALIAN TOUR

Tuesday 1 December – Fortitude Music Hall, Brisbane QLD
Wednesday 2 December – On The Steps at Sydney Opera House Forecourt, Sydney NSW
Saturday 5 December – Margaret Court Arena, Melbourne VIC

Tickets on sale Friday 26 June, 10am
Mastercard Presale: Wed 24 June, 10am
Vodafone Presale: Wed 24 June, 10am
Artist Presale: Wed 24 June, 10am
Secret Sounds Presale: Thu 25 June, 10am

For further information head to secretsounds.com

WEBSITE | INSTAGRAM

June 23, 2026 0 comments
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Festival NewsMusic News

THE NATIONAL INDIGENOUS MUSIC AWARDS (NIMAs) ANNOUNCE STELLAR 2026 LIVE PERFORMANCE LINEUP

by the partae June 23, 2026
written by the partae

BAKER BOY, BIG NOTER, BUMPY, CASII WILLIAMS, ELECTRIC FIELDS, STIFF GINS, ZIPPORAH, TRIPLE J UNEARTHED WINNER & MORE TO COME

TICKETS ON SALE NOW
SATURDAY 8 AUGUST 2026 – DARWIN AMPHITHEATRE, GARRAMILLA/DARWIN, NT

MORE INFO HERE

The National Indigenous Music Awards (NIMAs) today unveils its electrifying 2026 live performance lineup, as the iconic celebration returns to the Darwin Amphitheatre on Saturday 8 August. Returning to the NIMAs stage will be none other than Yolŋu rapper, dancer and artist Baker Boy, aka Danzal Baker OAM, this year’s ceremony promises an unmissable powerhouse bill of legends and rising stars, showcasing First Nations excellence at its most powerful.

Fresh off his second studio album, DJANDJAY, released in October last year and named after both his grandmother and a Yolŋu spiritual figure, Baker Boy enlisted a string of heavyweight collaborators including Briggs, Haiku Hands, Thelma Plum and Emma Donovan. Six years on from his debut album, the six-time ARIA Award winner has firmly cemented himself as one of the country’s most exciting multidisciplinary artists. To close out 2025, Baker Boy was crowned Musician of the Year at the 2025 GQ Men of the Year Awards and took his hit track “Thick Skin” to one of the country’s biggest stages alongside headliner Snoop Dogg at last year’s 2025 AFL Grand Final.

Also billed to perform are multi-award-winning electronic duo Electric Fields, a force of nature powered by Zaachariaha Fielding’s soaring vocals – who often sings in his traditional languages of the Anangu people – paired with Michael Ross’ masterful production. Their performances blur the lines between soulful pop, vast electronic soundscapes and powerful storytelling drawn from the traditions of the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Further adding power to the lineup is Western Aranda woman Casii Williams, a third-generation musician from Ntaria/Hermannsburg in Central Australia. First performing at 10 to a crowd of 20,000 at the Yipirinya Festival, she’s since found her voice in electronic music, with singles “Fallin Down” and “How Can I” earning her airplay on triple j and a #1 spot on the AMRAP national radio charts.

Proud Yorta-Yorta/Wurundjeri/Wemba-Wemba man and Aboriginal Australian music icon BRIGGS is trading hip-hop beats for guitar riffs with his new project BIG NOTER, a full-throttle return to the hardcore, punk and metal sounds that raised him. Also joining the lineup are Stiff Gins, Wiradjuri/Yorta Yorta woman Kaleena Briggs and Yuwaalaraay woman Nardi Simpson, Australia’s longest performing Indigenous female group and matriarchal pioneers of the Blak music scene. Since 1997 they have captivated audiences across the globe with their powerful blend of folk, roots and Indigenous language, delivered through breathtaking harmonies and warm, witty storytelling. Their newest album Crossroads, a finalist in the NSW Music Prize for Best First Nations Album, stands as their most accomplished work yet.

Alongside them, Torres Strait Islander artist Zipporah arrives fresh off her debut mixtape NAUNGU URUI – an explosive introduction to one of Australia’s most exciting new voices. The proud Samu and Suy woman from Saibai Island weaves R&B, soul and jazz into deeply personal stories of culture, identity and lived experience, continuing a proud musical lineage. To round out this year’s lineup is decorated Noongar woman and Naarm/Melbourne-based artist Bumpy, whose voice is equal parts tender and towering. Weaving contemporary soul, funk, jazz and folk into an almost hypnotic live experience, she has graced stages at London Jazz Festival, WOMADelaide and Sydney Opera House, and shared bills with Hiatus Kaiyote, Herbie Hancock and Meshell Ndegeocello. Her debut album Kanana was named a Top 10 Album of 2025 by both Rolling Stone and Double J.

Baker Boy says on his involvement in this year’s ceremony: “Pumped to be heading back up North for the NIMAs, it’s always deadly seeing all the mob come together and celebrating our talent. Not gonna lie, I’m pretty keen to get my hands on some mud crab, true god.”

In 2026, the National Indigenous Music Awards will once again bring together deadly live performances, prestigious awards and powerful cultural celebration against the stunning backdrop of Garramilla/Darwin. Recent NIMAs alumni include Hall of Fame inductee Jessica Mauboy with standout performances from trailblazing rapper BARKAA and acclaimed group 3%, reflecting the rich legacy of First Nations artists that the awards continue to champion.

The NIMAs take place during a week-long celebration of First Nations excellence, alongside the Darwin Aboriginal Art Fair (DAAF), the National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) and the National Indigenous Fashion Awards (NIFA). Running from 5–11 August, the week offers visitors a unique opportunity to experience some of the country’s most significant Indigenous arts, culture and music events in the heart of the Top End.

Grab your tickets to this year’s ceremony here.
NIMAs
WEBSITE | INSTAGRAM | FACEBOOK
June 23, 2026 0 comments
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Music News

Mandy McMillan’s “LTMFG” Music Video Pain Into Power in Bold Self-Love Statement

by the partae June 23, 2026
written by the partae

Canadian country-pop artist Mandy McMillan has released the official music video for her latest single “LTMFG”, now streaming on YouTube.

A cheeky acronym for “Let the Motherf**er Go”*, the track is a fearless self-love anthem about releasing toxic relationships, breaking emotional cycles, and reclaiming personal power.

Written and produced by McMillan, “LTMFG” fuses country storytelling with rock-edged energy and pop-driven hooks, creating an upbeat anthem built for liberation, confidence, and emotional reset.

“This song came after realizing I was blocking my own peace by holding onto pain, expectations, and people too tightly,” McMillan says. “It started as a funny post-breakup concept, but it carries a deeper message about surrender, self-worth, and liberation. It’s a reminder to love yourself and embrace the power, humour, and confidence in reclaiming yourself.”

Directed by Karly Watson, the music video brings that message to life as McMillan and a group of friends confront and destroy symbolic objects tied to past relationships and personal pain. Each act of destruction becomes a shared ritual of release, healing, and empowerment.

“LTMFG” marks a new chapter in McMillan’s evolving career, which has taken her from Edmonton to Nashville and back again.

Born in Edmonton and developing her artistry in nearby Stony Plain, McMillan first gained national attention after winning a CMT Canada contest and opening for Trisha Yearwood at the Big Valley Jamboree in 2008. She later moved to Nashville, where she opened for Blake Shelton, released her self-titled 2014 EP, reached the Top 10 of ole’s “Play for Publisher,” and appeared in Kelly Clarkson’s “Tie It Up” music video.

Since returning to Alberta, McMillan has taken full creative control of her career, releasing her 2022 album Dream Catcher and 2025 single Crazy Crazy, performing across major festivals including Pigeon Lake Music Festival, Play On! Edmonton, and Wild Roses Festival, and refining her production skills through Berklee College of Music. She is also currently writing her first book, Every Single Girl’s Guide to Self-Love, inspired by the themes of “LTMFG.”

As she enters this next chapter, McMillan says the message behind the song is about permission and release:

“It’s so easy to hold onto things because we’re scared of the unknown, but sometimes the most spiritual thing you can do is simply let go of what’s no longer aligned. The lasting message of ‘LTMFG’ is about choosing yourself without guilt and letting heartbreak turn into empowerment and growth.”

“LTMFG” is out now on all streaming platforms, and the official music video is available on YouTube.

For more about Mandy, please visit MandyMcMillan.com or follow her online.

Spotify: tinyurl.com/MandyMcMillanSpotify    YouTube: @MandyMcMillan

Instagram: @MandyMcMillanMusic                  Facebook: @MandyMcMillanMusic

TikTok: @mandymcmillanmusic                            X: @MandyMcMillan

June 23, 2026 0 comments
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Festival NewsMusic News

AMØK Mallorca announces 2026 summer programme

by the partae June 22, 2026
written by the partae

AMØK MALLORCA ANNOUNCES SUMMER 2026 PROGRAMME FEATURING JAMIE JONES, PAUL VAN DYK, SHIMZA, DENIS SULTA, WHOMADEWHO AND MORE

AMØK Mallorca has announced its most ambitious summer programme with major festival takeovers alongside a wide-ranging roster of standalone shows that underline the venue’s position as the best and most authentic place to party on the island.

Since opening, the game-changing venue has combined high-spec production with a unique indoor-outdoor setting that appeals to both daytime and nighttime audiences. From sun-soaked gatherings and its celebrated sunset gatherings to immersive after-dark experiences, AMØK has become a destination for discerning music lovers and world-class artists alike.

Amongst the standouts, Paul van Dyk brings his MADE FOR MORE concept to the venue on 25th June, followed by Frequency Festival across 27th and 28th June with new school stars Max and Luke Dean and Prospa, while South African producer Shimza begins a three-date Thursday residency on 30th July that explores his fresh Afro and 3-step sound.

Standalone dates across the summer include the very best in house, tech and melodic with Denis Sulta, Priku and Saraga on 20th June, a first ever b2b between Oliver Koletzki and Super Flu on 3rd July, Arodes on 9th July, Jan Blomqvist on 16th July, WhoMadeWho on 2nd August, Bastian Bux’s “Petit Comité of House” on August 8th, Miss Monique on August 29th and Jonas Blue on 5th September.

The full season roster includes plenty more unmissable appearances from Jamie Jones (who will headline the Grand Summer Closing on Sept 26th), Mason Collective, Claptone, Kaz James, Zakes Bantwini, Major League DJz and many others. A major highlight is also scheduled for July 23rd, with a headline act still to be announced.

The programme will also make room for urban music, featuring reggaeton stars such as Cosculluela, Luar La L, Hades 66, Lyanno and Sinaka.

AMØK will soon unveil collaborations with two iconic nightclubs – one British and one German – to co-produce a series of special events throughout the summer, further strengthening the venue’s international outlook and commitment to delivering world-class experiences in Mallorca.

AMØK aspires to be a cultural meeting point where people from different countries and backgrounds come together through a shared love of music and celebration.The venue’s mission is to bridge cultures, raise the standard of entertainment on the island and create experiences that resonate far beyond a single night out. By bringing together international talent, local energy and diverse audiences under one roof, AMØK is setting a new benchmark for nightlife in Mallorca.

Instagram | Tickets

Full A-Z names: 

Alex Wann

Alle Farben

Andhim

Anthony Godfather

Arodes

Art No Logia

Avangart Tabldot

Bastian Bux

Claptone

Cuartero

Denis Sulta

Jamie Jones

Jan Blomqvist

Joella Jackson

Jonas Blue

Juno

Kaz James

Kitty Amor

Layla Benitez

Les Castizos

Luke Dean B2B Max Dean

Lunnas

Major League DJz

Marten Lou

Mason Collective

Maxi Meraki

Michael BM

Miss Monique

Noel Holler

Notre Dame

Oliver Koletzki B2B Super Flu

Paul van Dyk

Pauza

Priku

Prospa

Samm & Ajna

Saraga

Shimza

Skream

Themba

Tom & Collins

Wally Lopez

Whomadewho

Zakes Bantwini

Instagram | Tickets

June 22, 2026 0 comments
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Festival NewsMusic News

Pegassi Announces Debut Headline Australian Tour

by the partae June 22, 2026
written by the partae

Pegassi will make his long-awaited Australian headline debut this December, bringing his forward-thinking club sound to Melbourne and Sydney for two exclusive all night long headline performances.

Sign up now for exclusive presale access and your best chance at securing tickets.

SIGN UP FOR PRESALE

Presale tickets are available to purchase from a presale link from 12:00 AEST on 25 June, 2026. Subject to further availability, the remaining ticket allocation shall be available for sale to the general public from 12:00 AEST on 26 June, 2026.

TOUR DATES:

Friday 4 December, 2026 | The Wool Store, Melbourne / Naarm

Saturday 5 December, 2026 | Carriageworks, Sydney / Eora

TOUR INFORMATION

From dominating stages at Tomorrowland and Boiler Room to selling out his ADE headline show in just 30 minutes, Pegassi’s rise through the European underground has been nothing short of explosive. Known for unpredictable, high-impact sets and driven by his new talent-spotting label Sweet Nothing, he is officially taking his vision global.

This December, the momentum hits local shores for Pegassi’s first-ever Australian headline tour, delivering two massive shows you won’t want to miss.

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June 22, 2026 0 comments
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