Music News

Jordan Rakei is heading home.

Following the announcement of his seventh studio album, A Safe Place To Be Wild, the New Zealand-born, Australian-raised artist has locked in a run of Australian and New Zealand headline dates this December, bringing his genre-blurring live show to Auckland, Brisbane, Sydney and Melbourne.

Few artists move between soul, jazz, alternative R&B and orchestral pop as effortlessly as Rakei. Across more than a decade, he’s built a catalogue that refuses to stand still, pairing intricate musicianship with deeply personal songwriting that continues to evolve with every release.

His latest album, arriving October 30 via Fontana, looks set to be his most revealing yet. A Safe Place To Be Wild explores vulnerability, self-acceptance and creative freedom, capturing an artist letting go of expectation in favour of instinct. It’s a record shaped by a transformative year spent as the first resident artist at London’s iconic Abbey Road Studios, alongside countless hours creating in his own home studio.

The upcoming tour will see fans experience new material alongside favourites spanning six acclaimed albums, with Rakei’s celebrated live band once again delivering the rich arrangements, improvisation and emotional depth that have made him one of contemporary music’s most captivating performers.

Having collaborated with artists including Loyle Carner, Tom Misch, Bonobo, Nubya Garcia, Femi Koleoso and JUNGLE’s Tom McFarland, Rakei has quietly become one of the defining voices in modern soul. His live résumé is just as impressive, with appearances at Glastonbury, sold-out performances at London’s Royal Albert Hall and a reputation for creating shows that feel as intimate as they do expansive.

Tour Dates

3 December — Town Hall, Auckland

5 December — The Princess Theatre, Brisbane

6 December — Tumbalong Park (FORMA), Sydney

10 December — Forum, Melbourne

Tickets

Presale: Wednesday 5 August, 4:30pm AEST

General On Sale: Thursday 6 August, 4:30pm AEST

MORE INFO HERE
SIGN UP FOR PRESALE HERE

With A Safe Place To Be Wild arriving just weeks before the tour, these shows promise to capture Jordan Rakei at a fascinating point in his career—still pushing forward, still impossible to pin down, and still making music that rewards anyone willing to really listen.

JORDAN RAKEI
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After six years away from Australian stages, #1 Dads is heading home.

The solo project of Tom Iansek returns this October and November for an extensive regional Australian tour celebrating the release of his fourth album, Every Little Fire, arriving October 16 via Pieater. Spanning 17 intimate shows across Queensland, New South Wales, Victoria, Tasmania, South Australia, Western Australia and the ACT, the tour marks Iansek’s first local run since relocating to the UK.

Rather than a full-band production, these performances will see Iansek take the stage alone, revisiting favourites from across the #1 Dads catalogue while introducing new material from what is shaping up to be his most personal record yet.

Speaking about the tour, Iansek said:

“As you may already know I moved to the UK a few years ago but I have thoroughly missed Australia and I have really missed being on the road. I’ve missed the pre-show nerves, chatting to people after shows, the Hume, coffee and car tunes, finding the best place to eat. This tour is special as I’ll be performing by myself, which is fairly new to me and certainly new to #1 Dads, the beauty of this means that I can take the show well off the beaten path, which you can see from all the amazing regional dates. I’m so stoked to be performing all of these shows, playing some new tunes from the album (along with some classics) and I hope you can make it along to one. There’ll be an array of merch too which has all been designed by me.”

Best known as one half of Big Scary and No Mono, Iansek has spent more than two decades shaping Australian independent music, while also producing and collaborating with artists including Maple Glider, Kate Miller-Heidke, The Paper Kites, Ruby Gill and Lisa Mitchell.

His return as #1 Dads follows a period of major personal change, including relocating from Melbourne to London and starting a family. Those experiences form the foundation of Every Little Fire, an album written, produced and mixed by Iansek in small home studios, embracing imperfections, longer takes and a stripped-back recording process that mirrors its deeply reflective themes.

Lead single Already Something offers the first glimpse into the new record, with the album continuing the thoughtful songwriting and understated arrangements that have defined the #1 Dads project since its 2011 debut.

Tour

22 October – Mapleton Pub, Mapleton QLD

23 October – Junk Bar, Brisbane QLD

24 October – The Citadel, Murwillumbah NSW

25 October – Elm House, Mt Glorious QLD

29 October – The Eltham, Eltham VIC

30 October – Bellingen Golf Club, Bellingen NSW

5 November – Lansdowne Hotel, Sydney NSW

6 November – Grand Junction Hotel, Maitland NSW

7 November – The Servo, Port Kembla NSW

12 November – Altar, Hobart TAS

13 November – The Church, Geelong VIC

14 November – Old Stone Hall, Beechworth VIC

21 November – Brunswick Ballroom, Melbourne VIC

26 November – Gang Gang, Canberra ACT

27 November – Grace Emily, Adelaide SA

28 November – Mojo’s, Fremantle WA

Tickets available via musicyourdadmakes.com

#1 DADS
Every Little Fire LP
October 16 via Pieater
PRE-SAVE HERE

‘Already Something’ is out now, buy/stream it here.

Tickets go on sale Thursday 6 August at 9am AEST via musicyourdadmakes.com, with Every Little Fire arriving on October 16 through Pieater.

Stay connected with #1 Dads:
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Fresh off the release of their acclaimed second album WHO ASKED?, Grammy-nominated duo DOMi & JD BECK are heading back to Australia this November for three intimate East Coast headline shows.

Known for effortlessly blurring the lines between jazz, hip-hop, funk, electronic music and improvisation, the French keyboard virtuoso and Texas-born drumming phenomenon have built a global following through fearless musicianship and performances that are impossible to predict. Returning for the first time since 2024, the duo will perform in Melbourne, Sydney and Brisbane as part of their WHO ASKED? Australian Tour.

Released via Anderson .Paak’s APESHIT label and Blue Note, WHO ASKED? expands on the foundations of their Grammy-nominated debut NOT TiGHT. Across 15 tracks, the album explores orchestral arrangements, intricate compositions and vocal performances from both artists while continuing to challenge genre conventions.

“the virtuoso jazz-and-beyond duo re-emerges with ever more intricate songs” – The New York Times

“meticulously pieced-together, simplistic, and bold sophomore effort” – Glide Magazine

Since forming in 2018, DOMi & JD BECK have become one of modern music’s most distinctive instrumental acts. Their viral reinterpretations of jazz classics, collaborations with Anderson .Paak, Thundercat, Ariana Grande and Mac DeMarco, acclaimed NPR Tiny Desk Concert, and television performances on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! have cemented their reputation as artists who continually push musical boundaries.

Whether you’re a longtime jazz fan or simply love artists who refuse to stay in one lane, DOMi & JD BECK’s Australian return promises an evening of technical brilliance, fearless improvisation and music that constantly keeps audiences guessing.

Australian heavy music trailblazers Northlane have revealed their visceral new single “CUT_it”, lifted from their forthcoming album, Anemoia, out October 30 (Independent / Immortal Music Group). To celebrate the release of their seventh record, Northlane will embark on their biggest Australian headline tour of their career this November.

Anemoia’s second suffocating track “CUT_it” encapsulates the bone-weariness of total burnout. Driven by a low-end groove that bends and bows under the unrelenting weight of exhaustion, Marcus Bridge flexes a new menacing side of his huge vocal range before the song erupts into merciless heaviness.

“CUT_it is about burnout – the feeling of grinding through things when you’re completely spent, mentally and physically. The imagery is deliberately visceral, painting a picture of that exhaustion rather than analysing it,” says Bridge.

Across a career defined by seismic shifts, Northlane have stared down technological anxiety, alienation and collapse, channelling it into a highly influential body of work that is as expansive as it is confrontational. With the world in dire straits, it would have been easy for them to descend into the void on album number seven. Instead, they emerged from the studio with their most hopeful and human record yet.

Executive produced by Jordan Fish, the idea for Anemoia was sparked by a mind-altering set from UK producer and DJ Evian Christ, which inspired songwriter/guitarist Jon Deiley to explore how trance – in all its emotional intensity and physical scale – could work naturally with guitars and the catharsis of heavy music. Throughout the album, Northlane’s hallmark electronic metal takes on many forms, shapeshifting through euphoric trance, seismic breakdowns, brain-bending grooves, drum-and-bass, jungle and pop, coalescing into Northlane’s own sonic singularity.

Following on from their #1 album Obsidian (2022), Anemoia toys with the concept of feeling nostalgia for a time or place one has never known. This yearning opens up a dichotomy of darkness and light, where the sense of freedom of eras past buoys a carefree energy running through tracks like first single “Evian”, while feelings of anger and despair come roaring back when the present day shatters the reverie, leading to some of Northlane’s heaviest moments since their first EP.

“There’s darkness here, but it’s not nihilism – and there’s hope, but it’s not naivety,” adds Bridge.

More than 15 years into their career, Northlane continue to stand at the forefront of heavy music globally with a singular sound that shifts the genre’s landscape with every release. With multiple chart-topping albums, awards and over 500 million streams, the band has built a legacy defined by the restless pursuit of innovation. On Anemoia, they have not chosen between the worlds that shaped them – they have finally found where they meet.

Northlane will bring Anemoia to stages across Australia this November for their biggest headline tour to date, joined by After The Burial (USA), Cenobia and Above, Below.

Tickets are on sale August 13 via destroyalllines.com

NORTHLANE ANEMOIA AUSTRALIAN TOUR With Guests After The Burial (USA), Cenobia and Above, BelowPresale begins Wednesday 12 August @ 11am AEST. Sign up for access here Tickets are on sale Thursday 13 August @ 11am Local via destroyalllines.com Thursday November 5 Metro City, Perth – 18+ Saturday  November 7 Festival Hall, Melbourne – LIC AA Sunday  November 8 Thebarton Theatre, Adelaide – LIC AA Wednesday November 11 Enmore Theatre, Sydney – LIC AA Friday November 13 Bar On The Hill, Newcastle – 18+ Saturday November 14 Fortitude Music Hall, Brisbane – LIC AA

NORTHLANE – ANEMOIA Out October 30 via Independent / Immortal Music Group STREAM | SAVE

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Amyl and The Sniffers announce the impending release of a live album and film, but in classic Sniffers style, this is anything but a conventional live record.

In April last year the band set up with a group of friends at the iconic El Coyote Mexican Restaurant in LA to film and record a one of a kind performance – reimagining their songs as stripped back, country versions.
As well as some fan favourites, the set features two unreleased songs and a cover of Slim Dusty’s ‘Lights On The Hill’.
Intimate, loose and full of fun, the performance captures the band in a way audiences have never seen before. Interspersed with candid behind the scenes moments, Truth Or Consequence is essential viewing for fans and anyone who likes a good time.

“The hope for this record is that it is listened to as it was made, in a ruckus exclamation between a cherished group of friends.” – Amyl and The Sniffers

FIND A THEATRICAL SCREENING NEAR YOU HERE
PRE ORDER THE ALBUM HERE 

Amyl and The Sniffers have become one of Australia’s most successful bands since forming in Melbourne a decade ago. Renowned for their explosive live performances, uncompromising songwriting and fiercely independent spirit, the four-piece have built a global following through relentless touring and an unforgettable stage presence.
Since the release of their third album, Cartoon Darkness, in 2024, the band have barely stopped touring. They’ve performed at some of the world’s biggest festivals, including Glastonbury, Primavera Sound, Roskilde, Pukkelpop and Lollapalooza, shared stages with AC/DC, Foo Fighters and Green Day, and completed multiple headline tours across the US, UK, Europe and Australia, continuing to reach new heights with each show.
Cartoon Darkness also marked a new peak in the band’s critical acclaim, earning four ARIA Awards, including Album of the Year, Best Group and Best Rock Album, as well as Grammy and BRIT Award nominations.

Truth Or Consequence is out on vinyl and streaming services on Sept 4

And will have Australian national cinematic release from August 28

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Ten years is a long time in indie rock. Long enough for a scrappy Melbourne songwriter’s debut EP to become a coming-of-age touchstone, and long enough to justify bringing it back with a few surprises tucked inside.

Alex Lahey has announced B-Grade University (Reunion Edition), a 10-year anniversary reissue of her breakout debut EP, landing July 17 via Dead Oceans. The reissue arrives with a freshly re-recorded version of the EP’s standout single, “You Don’t Think You Like People Like Me” — this time featuring Canadian duo Tegan and Sara — plus a run of solo U.S. tour dates set for July.

Back when B-Grade University first dropped, it made real noise: Entertainment Weekly tagged Lahey as an artist “Breaking Big,” Stereogum named her one to watch, and Pitchfork handed “You Don’t Think You Like People Like Me” a Best New Track nod, praising the way her words tumble out with breathless, vulnerable ease. NYLON zeroed in on the EP’s tight 18-minute runtime, calling out its knack for capturing the messiness of modern romance and the strange comedy of heartbreak, drawing comparisons to Car Seat Headrest and Bully along the way.

For Tegan and Sara, the reunion has a full-circle quality. The duo remembers watching Lahey perform the track from the side of the stage on a joint tour a decade ago, and now they’re the ones singing on it. They’ve been open about admiring how Lahey’s talent as a songwriter is matched by her offbeat sense of humor — and about staking an early claim as fans, well before the rest of the world caught on.

Lahey herself has described the writing of the original EP in vivid, personal terms — sitting in her childhood bedroom at her mum’s house, watching Melbourne’s skyline creep further into view, and selling her car to scrape together studio time. She’s said the songs changed the course of her life entirely, carrying her to places she never imagined and connecting her with people who found their own stories inside them.

What’s on the reissue

Alongside the four original B-Grade University tracks, the Reunion Edition folds in re-recordings of “You Don’t Think You Like People Like Me” and “Let’s Go Out,” alternate versions of “Wes Anderson” and “Let’s Go Out” pulled from Lahey’s 2020 Between the Kitchen and the Living Room EP, and a 2017 live-in-studio recording of “You Don’t Think You Like People Like Me” from triple j’s Like A Version. A limited vinyl run is available for pre-order now.

Full tracklist:

Ivy League

Let’s Go Out

Wes Anderson

You Don’t Think You Like People Like Me

L-L-L-Leave Me Alone

You Don’t Think You Like People Like Me (feat. Tegan and Sara)

Let’s Go Out (feat. Slowly Slowly)

Wes Anderson – Bathroom Version

Let’s Go Out – Bedroom Version

You Don’t Think You Like People Like Me (triple j Like A Version)

TOUR

Lahey will mark the anniversary with shows on both sides of the Pacific. Back home, the B-Grade University Reunion Tour touches down in Brisbane, Melbourne, Sydney, Perth, and Adelaide in late August:

Thu Aug 20 — The Triffid, Brisbane

Fri Aug 21 — Corner Hotel, Melbourne

Sat Aug 22 — Manning Bar, Sydney

Fri Aug 28 — The Rosemount Hotel, Perth

Sat Aug 29 — Jive, Adelaide

All tickets at www.alexlahey.com.au  Threekingstouring.com.au

VINYL ORDER – Alex Lahey – B-Grade University – EXCLUSIVE SPLATTER Reunion Edition Vinyl LP

Alex Lahey Online:
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n a breakout ’25 landing in triple j‘s Hottest 200, a slew of sold out shows across the nation, West Coast favs Fool Nelson have powered through the year with a sold out London debut headline, notched tastemaker festivals The Great Escape, London Calling, Dot To Dot, Liverpool Sound City and performed live on Dutch powerhouse radio station 3FM.

Today the trio announce a special run of intimate Australian dates, tied around their performance at the iconic Yours & Owls Festival this October. Coinciding with the drop of shows, they share a nostalgic clip for their latest BBC Radio 1 and BBC 6 Music supported single, ‘Keepsake’. With the band noting:

“This song is for our loved ones, but the clip is for every single person that’s come to a show, said g’day, shed a tear in the mosh, or crowdsurfed and lost their shoes. The vid was shot by our mate Andrew Briggs on our last run of shows across the country. It’s pretty special to have something to look back on, something that captures that tour and almost feels like a nostalgic recap of a family holiday. We’re so grateful to be able to play shows all around the place and can’t wait to get back on the road and do what we love.”

The past 12 months has seen the band crack triple j’s Hottest 200 at #154, supported luminaries Spacey Jane, Skegss, Old Mervs, and ticked-off Rolling Sets Festival, The Great Escape, Wave Rock Weekender and Rum Jungle‘s festival ‘New For Now’. The trio were noted as ‘Ones To Watch’ and selected as the Unearthed Competition Winner for triple j’s One Night Stand in their hometown of Busselton (the only ever act to win an Unearthed Competition, twice).

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UNIFIED Music Group & blaide.live Present:

One of India’s most celebrated singer-songwriters, Anuv Jain, has returned to Australia in with his Dastakhat World Tour, his first-ever world tour and most ambitious live production to date.

Following the overwhelming success of his previous Australian tour in 2024, Anuv returned to Australia last night with a sold-out performance in Perth (Boorloo), supported by Reuben De Melo, kicking off a highly anticipated run of shows across the country. The tour now heads to Sydney (Eora), Melbourne (Naarm), Adelaide (Tarntanya) and Brisbane (Meeanjin), giving audiences another chance to experience the intimate storytelling and heartfelt performances that have established Anuv as one of the defining voices of a new generation of independent artists.

Joining him across the tour are a carefully curated lineup of local support acts, including Into The Unknown, ZAV-E, Jessie Hill, Sarhad Project and Hazel Mei. Jessie Hill will open both the Sydney and Melbourne dates, with Sarhad Project also joining in Melbourne. Adelaide’s sold-out show will feature Into The Unknown and ZAV-E, while Hazel Mei will support in Brisbane. With Sydney, Melbourne and Brisbane all selling fast and Adelaide already sold out, the tour continues to build on the incredible momentum of Anuv’s return to Australia.

From the reflective beauty of Baarishein, which first introduced his music to millions, to global favourites including Husn, Afsos and Jo Tum Mere Ho, Anuv has built a catalogue that transcends language and borders, with his music having amassed more than 4 billion global streams, cementing his place as one of India’s most influential independent artists. Singing primarily in Hindi and Punjabi, he explores themes of love, heartbreak, nostalgia, and hope in his deeply personal songwriting, connecting with listeners around the world through emotional honesty.

The Dastakhat World Tour represents the final chapter in Anuv’s acclaimed trilogy of live tours, following Dastakein (2021) and Guldasta (2023). Each title reflects a stage of his artistic journey from his first “knock” on listeners’ hearts to a bouquet of songs that blossomed into his signature sound, culminating now in Dastakhat, his personal signature. More than a concert series, the tour marks both the culmination of Anuv’s journey so far and the beginning of an exciting new era, with new music expected later this year or in early 2027.

Known for transforming intimate acoustic songs into unforgettable live experiences, Anuv’s concerts are celebrated for their warmth, authenticity and emotional connection. With atmospheric lighting, immersive production and an effortless stage presence, every performance feels less like a traditional concert and more like a shared conversation between artist and audience.

Having sold out shows across India, the United Kingdom, the Middle East, New Zealand, and Canada, and performed at renowned venues including Mumbai’s NSCI Dome and Dubai’s Coca-Cola Arena, Anuv is excited to be returning to Australia.

Beyond his music, Anuv has been recognised among Forbes Asia’s 30 Under 30 and GQ India’s 35 Most Influential Young Indians. His collaborations with Coke Studio Bharat, UN LIVE’s Sounds Right, AP Dhillon and Lost Stories have further established him as an artist helping redefine India’s contemporary independent music movement on the global stage.

With a growing international audience and a catalogue of songs that continue to resonate across cultures, the Dastakhat World Tour 2026 promises an unforgettable evening of music, emotion and connection.

UNIFIED Music Group & blaide.live Present:  ANUV JAIN DASTAKHAT WORLD TOUR 2026  Friday, 31 July 2026 Magnet House – Perth, Boorloo WA – SOLD-OUT Support:  Reuben De Melo Sunday, 2 August 2026 Enmore Theatre, Sydney, Eora NSW – SELLING FAST Support: Jessie Hill and Sarhad Project Thursday, 6 August 2026 The Forum, Melbourne, Naarm VIC – SELLING FAST Support: Jessie Hill, Sagar Tiwari, Into The Unknown Saturday, 8 August 2026  Lion Arts Factory, Adelaide, Tarntanya SA – SOLD OUT Support: Into The Unknown and ZAV-E Sunday, 9 August 2026 The Triffid, Brisbane, Meeanjin QLD – SELLING FAST Support: Hazel Mei TICKETS ON SALE NOW ­ ­

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Live Nation’s ONES TO WATCH returns to champion the next wave of Australian music, where emerging talent, culture and craft collide. Rooted in the creative community, the program celebrates the connection between artists and audiences while continuing to support developing talent both on and off the stage.

Returning to Melbourne on Wednesday 5 August, the globally renowned music discovery event is set to hit the inner north’s latest music hotspot, the newly launched Smith St. Hotel. Positioned in the heart of a Melbourne corner synonymous with live music and nightlife, the venue will welcome punters back through its doors at the end of July, just days before hosting the showcase.

Showcasing their talents at this edition of ONES TO WATCH are three incredible artists whose foundations of influence are diverse as they are captivating.

Fusing a love for hip hop, jazz, soul and alternative together with an innately personal brand of storytelling, the now Melbourne-based artist MILES NAUTU has been enjoying a prolific rise within the Australian space across the last year. HIs debut EP the front introduced audiences to a vital young songwriter and performer. Inspired by the likes of Kendrick Lamar, Yasiin Bey and Joey Bada$$, Nautu’s output has seen the Indigenous Australian/Fijian artist perform at the Sydney Opera House for VIVID Live this year, as well as the upcoming Move My Way Festival in October, alongside genre trailblazers including Ezra Collective and Freddie Gibbs.

Sydney alt-pop artist GAZAL has emerged as one of the East Coast’s most commanding new voices, with a presence on record and stage reminiscent of fka Twigs, Doechii and Lykke Li. The Lebanese/Australian performer has become known for her music, emotionally charged and fearless, as well as her songwriting pen. Collaborations with the likes of Dan Gleyzer (SZA, Sabrina Carpenter), Aidan Hogg (G Flip), George Alice, Vera Blue and more have only sharpened GAZAL’s songwriting perspective and artistry. With over 15 million TikTok views and global support for her latest EP Gods Into Frauds, GAZAL is stretching her wings further into 2026.

Melbourne’s LARA BUCHANAN has drawn sonic comparisons to artists including Ethel Cain, Wolf Alice and Lorde, yet as her sound has continued to evolve in recent years, it’s evident that this young artist is pushing herself into new territory with each release. Her lyrics are deeply personal, observations on the world and life experiences as a young adult navigating the world and change. Projects like the Sugar Coated Fantasy EP introduced audiences to Buchanan’s commanding sound and as 2026 continues, the excitement surrounding this artists continues to build.

“American Apparel® has long been the unofficial uniform of the local music scene, making it a natural fit for ONES TO WATCH and its mission to spotlight artists who are redefining the status quo”
David Hillen – Director, Gildan Brands APAC.

Paul Lynch & Emily Taylor, Promoters, ONES TO WATCH, Live Nation APAC said: “ONES TO WATCH exists to champion developing artists at pivotal moments in their careers. It’s been great to see our partnership with American Apparel® come to life, and we’re excited to build on that momentum in Melbourne—giving more emerging talent a platform to be seen, heard and discovered.”

ONES TO WATCH BACKED BY AMERICAN APPAREL®

Wednesday 5 August Smith St. Hotel MELBOURNE

MILES NAUTU
GAZAL
LARA BUCHANAN

ABOUT ONES TO WATCH:

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best new talent perform in intimate environments across Melbourne, Sydney, Darwin, Brisbane and Byron Bay, highlighting the current wave of artists primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Erica Padilla, DEVAURA, DRIZZ, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind, Saint Lane, Say Sue Me, Cifika, Sion, Wah Wah Wah, Ullah, Ghost Care, Mariae Cassandra, Loren Ryan, Dem Mob, Rox Lavi, Dobby, and Lewis Love at events around the country.

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