Music News

SUPPORT FOR SINGLES OFF ‘GRANADA’

“With ‘Pomegranate’, Silky Roads have delivered a psych-rocker draped in jazz-funk accoutrement that is sure to ‘capture the darkness and mystery that hits that certain spot for music lovers’.”
Atwood Magazine (USA)

“There is something thrilling about ‘Pomegranate’; I love the swagger and the vibe that Silky Roads brings.” – 4/5 stars
Nkechi Anele – triple j (AUS)

“Certifying this vibe. The band spools out this swampy surf rock broth and the vocals bellow richly through it.” – 4/5 stars
Dave Ruby Howe – triple j Unearthed (AUS)

“Infectious downbeat psychedelia that’s bursting with groove.”
Deafen County (AUS)

Sydney-based indie-rock quartet Silky Roads have just revealed their idyllic debut EP ‘Granada’ – produced by Yossif Kay.

‘Granada’ is five tracks of groove-laden surf-rock, filled to the brim with a sun-soaked aura, the sultry vocals of lead singer Guy Richards and the bands effortless instrumentational pulse.

Silky Roads talks about the message behind ‘Granada’:

“‘Granada’ is a culmination of our excitement in starting to write music, a blooming friendship between four lads, and a bunch of wild world events that have changed the way we interact as human beings. We want to introduce the world to ‘Granada’, and ask everyone out there to take a listen so that we can continue to document our perspectives through the thing we love most, and that’s music.”

Opener ‘Pomegranate’ immediately captivates the listener with its muted guitar picks, fluidly intertwining with silky bass and steadfast drums to give the track an all-encompassing lift. This introduces track two ‘Caramel Slice’, a slow-burning jam of carefree indie-rock, showcasing rich melodies and gliding choruses.

The third track ‘Traffic Jam’ slowly unfolds with reverb-soaked guitars, before launching into fascinating rhythms and an unexpected tempo change, keeping the listener consistently surprised. Expansive bass lines and funk guitar chords introduce fourth track ‘Rashida’, as it frequently changes pace and flow keeping the listener off-guard and entranced.

‘Granada’ closes with reflective number ‘Keep Up’, comprising beautifully arranged guitars and Guy Richards’ croons, concisely wrapping up the EP with the band’s now trademark style of surf-rock.

Singles off ‘Granada’ have been widely embraced by Australian radio stations triple j, triple j Unearthed, 2SER, SYN FM, 4ZZZ and Radio Adelaide. They’ve also seen support from online blogs Atwood Magazine (USA), Deafen County, The Soundcheck, Forte Magazine, AAA Backstage and Something You Said.

While they’ve only been a band for a short period, Silky Roads have shown themselves to be prolific up and comers. The four songwriters take inspiration from the likes of Ocean Alley, Lime Cordiale and Mako Road, creating a unique blend of indie and psych-rock.

‘Granada’ is available worldwide now

EP Track Listing

1. Pomegranate
2. Caramel Slice
3. Traffic Jam
4. Rashida
5. Keep Up

FOLLOW SILKY ROADS

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

SAYCET – FATHER
STREAM / PURCHASE HERE
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Parisian musician, composer and producer Saycet today releases the next EP ahead of his anticipated new album, Layers. Featuring new remixes from Irène Drésel and S8JFOU, FATHER EP is out now via Météores Music. The EP is now available to stream/purchase and will be released on vinyl on Record Store Day – 12^th June.

Over recent months, Pierre Lefeuvre’s Saycet project has continued to reach impressive and new artistic maturity. As Saycet prepares for the release of his fourth album, September of 2020 saw the Parisian multi-instrumentalist entice fans with opening single MOTHER. Driven by experimentation, today’s new single FATHER, was born from a desire to remix, reimagine, and unravel the creative mechanisms behind his own work. FATHER is a rework of MOTHER but formed as an original piece of music in its own right. As a counterpart to the original, the track proposes a more minimal, gentler and luminous take on the synthetic, melodic and powerful compositions, built around elegiac vocals. This new, unmistakably Saycet single features remixes from Irène Drésel and S8JFOU and is completed by an instrumental and ambient-infused track titled Neige, which is available exclusively on the vinyl version.

At first glance, Saycet’s journey may seem peculiar but in reality, it is extremely fluid. A backward evolution away from our current era, which churns out artists non-stop – a path that has made Pierre Lefeuvre, the brain behind his Saycet project for the last 15 years, a key figurehead in the French electronic music landscape.

After release his first album, 2005’s One Day At Home, Saycet built upon a genre that had fallen into relative disinterest. Deliberately melancholy, errant electronic music made somewhat more accessible by pop melodies and experimental sounds. An outsider by nature, he was nonetheless spotted by influential media outlets, finding an international fanbase that would remain faithful to him through the years.

With time, Saycet’s creative work became more refined, and his influences merged into a highly personal approach that succeeded in linking cerebral music with an opening to a wider audience. 2010’s Through The Window and 2015’s Mirage continued the project’s evolution towards a more timeless sound that shone through its arrangement work and an asserted versatility. Tours of Asia and collaborations (with Juliette Armanet and Yan Wagner among others) helped Saycet grow further (yet still outside of the mainstream’s radar) nonetheless finding his niche on the international music map. His approach to live performances cemented his place as an innovator, always in search of new aesthetic grounds, with stage shows that implemented video projection as a source of lighting rather than as mere visual illustration, creating a truly immersive experience in the process.

Somewhat accidentally, Lefeuvre opened the doors to composing via images – a logical, uncalculated continuation for this production artisan, whose composition work is nourished by visual art and cinematic culture. He created his first score for the 2019 feature Un Vrai Bonhomme and started making headways into the circle of pop music composers who collaborate with filmmakers.

Most recently, Saycet composed the music for the Canal + documentary Bastard Lion along with La Révolution. Aired last year, La Révolution is Netflix France’s latest historical drama series set to the backdrop of a fictionally revised French Revolution – 1787. Composed by Saycet and also featuring four new reworks including of Haendel’s Sarabande, the official soundtrack is available to stream and purchase here.

Soon to be revealed, Saycet is also slated to be in residence in 2021 for a one-of-a-kind creative project built around the Château de Versailles’ architectural heritage and instruments.

Tracklist – Digital:

1. Mother
2. Father (Mother Saycet Rework)
3. Mother (Irène Drésel Remix)
4. Mother (S8JFOU Remix)

Tracklist – Vinyl:

A1. Mother
A2. Mother (Irène Drésel Remix)
A3. Neige
B1. Father (Mother Saycet Rework)
B2. Mother (S8JFOU Remix)

Connect with Saycet

Stream / Purchase here

The self-titled Destiino album will be released via Chloé’s Lumiére Records in April

DESTIINO – VENEZIA (CLOSING) 
LUMIÈRE NOIRE RECORDS
OUT NOW
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Destiino, the tormented alter-ego of French electronic artist Yuksek, announces debut album on Chloé’s Lumière Noire Records. Sharing the melodically enchanting first single, Venezia (Opening) which is released today, the self-titled Destiino album will be available to stream/purchase via all DSP’s and vinyl on April 16^th of this year.

Commencing in the dawn of the early 2000’s, Yuksek is an artist who has released a remarkable catalogue of productions ever since emerging onto the scene. A sound which encompasses everything from disco to pop, dark electronic tones and more, Yuksek has also composed remixes for and collaborated with the likes of Gorillaz, Phoenix, UGOD, Lana Del Rey, JD Samson, Boston Bun, Moby, Brodinski, The Magician and Alex Metric. Stepping outside of the realms of conventional electronic music production, Yuksek has spent a proportion of his career writing for film, television and stage including Marguerite et Julien by Valérie Donzelli and Netflix documentary Gregory. One of Yuksek’s most successful recent scores to date, saw him compose the soundtrack for the popular French television series, En thérapie – An adaption of the Israeli series BeTipul which was later released by HBO in the U.S as In Treatment.

Never intent with the comfort of his own creative spectrum or success, the origins of Destiino revert back to 2017, when the Rheims-born electronic producer was invited to take part in a unique experiment – a residence at visual artist Xavier Veilhan’s Studio Venezia. The installation, as part of The 57th Venice Biennale, invited musicians to make use of its instruments in order to compose live in front of an audience.

Inspired by the spontaneity and improvising nature of the experience, Yuksek returned home with a new sonic focus to push the limits of his artistic boundaries, break conventional creative processes and surrender to spontaneity by recording improvised tracks in one sequence on his armada of analogue machines.

“Destiino is Yuksek’s alter ego, it came out straight from the synthesizers PCB, without over thinking. It’s the result of lonely recording sessions when I pushed the ‘stop recording button’ when exhausted. It also came out of public recording sessions at Xavier Veilhan exhibition in Venice Biennale. I could hardly describe the style, but I can only say that it’s most of the time one shot recording, nearly no editing, like sur-realist’s automatic writing, like joy in the machine.” – Destiino

Along with label boss Chloé, who shares an equal love and inclination towards shifting away from club formatted sounds and holding a deep appreciation for narrating stories with music, Yuksek created edited versions of his recordings which withhold the desired raw musical feel. As time-progressed and ideas between the two artists were exchanged and flourishing, the Destiino project was born.

Destiino first arrived in February of this year with opening single and 4-track EP, Afsila, demonstrating the darker atmospheric tones and frantic melodies of Yuksek’s creative psyche. Opening EP tracks Sine, Afsila, La Jungle and Terreur Nocturne introduced Destiino into the world and in turn sparked great intrigue between industry peers and fans alike.

The self-titled Destiino album will be released on April 16^th 2021 via Chloé’s Lumière Noire Records both digitally and on vinyl.

Connect with Yuksek / Destiino

Listen / share HERE:
https://www.youtube.com/watch?v=0-da92heiqg

New album ‘Like a Stone’ out April 23rd

Pre-order now from Father/Daughter Records (US) & Big Scary Monsters (UK/EU)

‘Like a Stone’, the new album from Philadelphia’s Remember Sports, is all about breaking away from old versions of yourself. Vocalist Carmen Perry (she/her) rummages through feelings of doubt and spins them into an imperative to treat herself more kindly; her experiences growing up with Catholicism and later studying religion, as well as living with an eating disorder, provide a visceral lens for the literal blood-and-guts self-scrutiny she writes through.

A gorgeously anxious ballad about avoidance, their latest single, ‘Materialistic’, finds Perry working her way through forgiveness. It provides a plaintive centrepiece for the record, as well as an astonishing outlet for guitarist Jack Washburn’s time-bending, scale-redefining solos.

“It’s about the feedback loop of me caring about my possessions because they hold special memories, and alternately thinking I’m a bad person for caring about a mostly meaningless pile of junk,” Carmen explains.

“This song is special to us because we left a lot of room for Jack to do what he does best, and Nadia Hulett of Nadine made us all cry when she laid down her unimaginably angelic vocals in one take.”

The songs on ‘Like a Stone’ are about insecurity, but they’re also about optimism—emerging from an intrusive thought with a new way to perceive and care for yourself, represented in spectacular denouements made possible by the closeness between the band members. “We’ve grown up together and grown to trust each other,” says Carmen. In recording, Jack felt drawn to music that’s “communal and loud and cathartic, but also kinda confidential and private. I hope we achieved something similar, where you can hear the influence of each of us in the album.” Carmen seconds that; “It feels seamless. To me, Jack and Catherine’s writing feels like an extension of my own.”

Introducing LA-based artist Jonny Kosmo and his new single/video ‘Firefly’. The funked-out track tells a story about the archeology of hope, and is accompanied by a vibrant video created by Salvador Cresta. The new track comes with the announcement of Jonny Kosmo’s sophomore album Pastry, due June 4, 2020 via Dinosaur City Records and Feeding Tube Records digitally and on limited edition 12″ vinyl.

Listen/watch ‘Firefly’ here.

Featuring a twisted synth solo from Tomas Dolas (Oh Sees/Mr. Elevator) and an outro composition from Logan Hone, ‘Firefly’ leads with the assumption we all have an inner glow; an inherent resourcefulness.

Kosmo says of the new track. “At times we have to dust off the artefacts to reconnect. The fossilisation of our lived experience is an invitation to be unpacked in learning to get out of our own way. I’ve always felt there is so much to learn from nature and bugs. Taking time to slow down and bring mindful curiosity to their presence always yields something new for me.”

Honeyed in funk and R&B, and steeped in pop-strange composition, Pastry touches upon themes of community, spiritual metamorphous, and inherent resiliency of spirit. These are spring-boarded by the records construction itself; songs often created from samples of others, continually folding in on itself. The pastiche speaks to the intention: the meta-narrative of personal and communal change. Pastry was recorded and mixed at Kosmo’s home studio Slimehouse as well as Record Studio 22 with Tomas Dolas (The Oh Sees/Mr. Elevator) and mastered by Alex Cooley. All of the album’s artwork was created by local Northeast Los Angeles muralist Rodolfo Kardona in celebration of community essence.

ABOUT JONNY KOSMO Los Angeles artist Jonny Kosmo can best be described as zaney pop, funk-strange-soul. Feel-good and bouncy on the surface, a grounded ear yields psychologically thematic landscapes drawn from a history of working in mental health, bearing witness to metamorphic change and story. Live performances are characterised by community stage presence, brass sections, melting harmony and occasional trampolines. Kosmo’s debut self-titled release Jonny Kosmo (2019) saw international releases on ChiChing Records (Taipei) and Slimer Records (Italy). Following, Kosmo toured supporting Jerry Paper, sharing the stage locally with such acts as Gary Wilson, Guerilla Toss, and Reggie Watts.

Keep up to date with Dinosaur City Records releases and events:

March 15, 2021 0 comments

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“Joelistics is operating here with the kind of alternative hip-hop sonics yet to reach the Australian scene – in large part because the country’s mainstream rap identity is still finding popular form. It’d be wise to watch his renewed second phase, particularly with the launch of his own label Odd Head Music.” – MTV Australia

“He’s someone always at the cusp of what’s next, pushing forward new and unexplored ideas in a way that makes it feel like his specialty.” – Hayden Davies, Pilerats

Over the past few months Australian hip hop royalty Joelistics has been trickling out the first tastes of his ambitious new production record Joelistics Presents Film School. After rounding out a trio of genre-melding releases – ‘Yokai’, ‘Memory Palace’ and ‘5 Rivers’ – Joelistics is thrilled to finally reveal the remainder of his highly anticipated, moody and angular concept album, of over five years in the making.

OUT NOW via Odd Head Music, Film School is a departure for Joelistics as vocalist and MC, and sees the multi-instrumentalist leaning into his recently lauded ‘Best Producer’ role to concentrate his efforts on an expansive catalog of beats and synths. ‘70s Asian pop samples, psych-rock journey music and studio improvisations weave deep explorations of sonic experimentation, with string compositions, guzheng (Chinese harp), synths, samplers, drum machines and more.

“Who knew in the midst of writing a collaborative album of weird beats and psych jams I would find treasured collaborations with filmmakers and dancers? Joelistics presents Film School is a lot of things, it started off as an album and evolved into a series of collaborative filmed dance pieces that work as a unified whole drawing imagery from Asian ghost stories recontextualised in suburban Melbourne.” – Joelistics

Recalling his love of instrumental hip hop and trip hop from the ’90s and his penchant for post rock stylings, Film School is a record of collaborations. Predominantly instrumental, the few vocalists that feature on the album are all women of Asian descent. Parvyn Singh of The Bombay Royale features on the psych rock groove of ‘Samsara’ and dreamy single ‘5 Rivers’ and Hailey Cramer aka HAYTCH lends her vocals to the future soul of ‘Fool’. Joelistics’ underground string and synth side project, Garden Tiger made up of Francesca Mountfort on cello, Mindy Wang on guzheng and Joel on synths/beats, also feature on the record adding even more dimension to an already sensual piece alluding to fear and its connection to the senses in ‘Memory Palace’.

“With this music and the film, I wanted to weave an eerie feeling, reminiscent of empty streets, a distant sense of dread and the hypnotic patterns of lockdown life. I wanted the dancers to personify our collective fear of sickness and loneliness and how those fears dance at the edge of every moment we hold dear. Musically it is a blend of Pan Asian psychedelia, post rock stylings and lo fi synthscapes, made from the scraps of your ancestor’s vocals, dusty loops and traditional Chinese and Western instruments. The underlying feeling of this project is a meditation on the anxiety of our times and the transcendence that comes from facing fear.” – Joelistics

An ode to surreal dreamscapes and cinematic atmospheres, Film School draws on themes of Asian ghost stories, time displacement and sonic surrealism and traverses left-field beats, kraut rock and traditional Chinese and Indian music.

Joelistics Presents Film School is out now via Odd Head Music

Vinyl available via Joelistics’ Bandcamp

Joelistics Website Joelistics Facebook Joelistics Instagram Joelistics Bandcamp

On the 15th of March 2020, we lost our dear friend and Ivy League Records founding father, Pete Lusty to cancer. It’s a loss that resonates throughout every single member of our Ivy League family – artists, staff past and present, friends, family, and fellow travellers. We loved him. Without Pete there is a hole in all of our lives that we will never, ever be able to fill.

Exactly one year on from Pete’s heartbreaking departure, Ivy League Records are proud to release the debut single from Snakeheads, a posthumously named garage band partnership between Pete and his lifelong friend and collaborator, James Roden (John Reed Club, The City Lights). The song, ‘Shit I Don’t Have Time For’ is a musical white-knuckle celebration of Pete and James’ older siblings record collections (Buzzcocks, The Jam, The Clash). Featuring one of Pete’s favourite Ivy League artists, Andrew Swayze from A. Swayze and the Ghosts on lead vocals, the song perfectly encapsulates the vitality and endless energy that Pete brought to everything he did, and that swept up everyone in his orbit.

LISTEN: ‘Shit I Don’t Have Time For (feat. A. Swayze) – Snakeheads

The origins of Snakeheads date back Year 7 aged 12 years old when they met and bonded over music. Fast forward to 2014 with Pete and James both back in Sydney together after Pete’s many years traversing the globe managing the likes of The Vines, Jet and Empire of the Sun, the two high school friends were eager to return to their roots. They started jamming together every Monday night (“turning the worst night of the week, into the best”), playing only ‘70s English punk and US hardcore. “We only wanted to play what we loved at 15 years old, with no pressure and no point,” says James. Backed by Kit Warhurst (Rocket Science, The City Lights) on drums and James’ brother Harry (Hoolahan, The City Lights) on bass, the band entered the studio with long-time friend and legendary Australian producer Wayne Connolly in February 2019 to record the fruits of those Monday night sessions. Like everything in life, when something is right there in front of you, tangible and touchable, you can’t imagine it going away. Like every band, Snakeheads thought they had more time: time to tinker; time to talk; time to record more songs. Tragically, as Pete’s diagnosis arrived and his health declined, that time went from infinite to finite. The seven songs they recorded together were close, close enough to give comfort and a sense of purpose after Pete died. Something to focus on, something to finish, for Pete. The unending absence began. Music has always been cathartic and now it was traumatic. With Wayne, Kit and Harry, behind him, James began the journey of going through the recordings. Ivy League wanted to help and celebrate the life of its co-founder. The first single to be released from the recordings is ‘Shit I Don’t Have Time For’. Ivy League’s Andy Cassell suggested Andrew Swayze from A. Swayze and the Ghosts sing the lead vocal. AS&TG were one of the last bands Pete signed to Ivy League Records and epitomised the music, style, and attitude that shaped his life since his early days in the suburbs with James. Remember that feeling when you’re 15 and drop the needle on your new favourite record? It’s that same energy and passion that is encapsulated in Snakeheads’ debut single. Even the name Snakeheads is a nod to what they might have called their band as teenagers and a reference to Pete’s piercing ‘snake-eyes’. It’s also an audible testament to two best friends (and each other’s best men at their weddings) who both drew inspiration from and championed each other for life. A tangible celebration of their essence. They had each other. In cahoots till the end.

March 15, 2021 0 comments

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In an epic collision of forces, R3HAB partners with Timmy Trumpet and W&W for the new single “Distant Memory,” a big-room progressive house track that’s destined for future festival anthem status. Opening with haunting, singsong vocals and lullaby-esque melodies, it lulls the listener into a relaxed state before upping the ante with cinematic synths and a driving bassline, working into a goosebump-worthy drop. The contrast between the dreamy vocal verses and the intensified drop makes “Distant Memory” a standout of 2021 thus far, and we hope this isn’t the last collab we’ll see from R3HAB, Trumpet and W&W duo. R3HAB and Timmy Trumpet previously collaborated on 2020’s successful release “911.” Check out below what the artists had to say about the new release:

“Making music for a living is a special feeling, and to do it with friends is a next-level high. I’m excited to work with Timmy Trumpet on our second collab and have been looking for the right song to create with W&W for a long time. ‘Distant Memory‘ is going to be a festival hype builder, but what makes it special is the contrast between the dreamy dazed verses and the drop. Timmy, Willem, and Ward have great energy, which keeps the artistic process fresh and inspired. Hope you love it.” – R3HAB

“There’s nothing I love more than making music with my friends, and these guys are the best in the business. I’ve collabed with both W&W and R3HAB before but never on the same record and you can hear all 4 of us inside its elements. I can’t wait to drop this on stage with all 4 of us and blow up the dance-floor!” – Timmy Trumpet

“It was a real pleasure working with R3HAB and Timmy Trumpet on ‘Distant Memory.’ Both R3HAB and Timmy are really good friends of us which made it very easy going! We also feel it really combines the best of all of us as artists, and we hope you like listening to it as much as we liked working on it!” – W&W

Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo‘s “Give Me Everything” to his dance anthems, such as “All Around The World (La La La)” and “Lullaby,” which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official “mint” single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music’s elite.

https://www.youtube.com/watch?v=c53C5Rfewqs

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After releasing her debut single “Too Late” just last month, the multitalented LA-based DJ/producer Sam Blacky returns with her follow-up release “Body,” a smoldering vocal house track that was inspired by Sam‘s world travels. Opening with beats that call to mind a frenzied tribal drum circle, Blacky incorporates ethereal vocals for a touch of complexity and contrast. When the deep, driving bassline kicks in, you’ll be taken to a beachside set in Mexico as the sun is going down and the dancefloor is heating up. “Body” perfectly reflects Sam‘s “A New World” video series, which includes her most recent upload from Sian Ka’an, a picturesque secluded peninsula in Mexico.

“‘Body‘ was 100% inspired by my love of travel & tropical, foreign destinations. Obviously, before COVID, what seems like so long ago, I would be in a different country almost every weekend and get exposed to all sorts of new styles of music. I took it all in like a sponge, I was obsessed with every new song I heard & I couldn’t believe how different all the sounds were. I collected bits and pieces from all over the world to culminate my own sound & take different aspects from every place I had been and combine them all together. The song went through tons of rounds of changes and edits because every time I would come home from another trip, I would have something more to add. I hope it comes across in the work, because it truly was inspired by the world.” – Sam Blacky

Samantha Black is a multitalented DJ/producer, model, and influencer professionally known as Sam Blacky. Originally from San Diego, Sam spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to Los Angeles, music and performing have taken a front seat in her life. In addition to her hectic modeling schedule, Sam has performed live across the world from 2017 to 2021, from Mexico to Ibiza to Bali, racking up over 120 gigs a year at some of the premier electronic festivals and clubs on the planet. With the global pandemic in 2020, Sam released a series of videos on Youtube called “A New World,” where she streamed live sets from some of her favorite places in Mexico, giving viewers a taste of vacation vibes even while staying safe at home. Before all the music, her modeling portfolio included brands such as Nike, L’Oréal, Galore, Marie Claire, Superdry, Guess, Sports Illustrated, Malibu, and Playboy, giving her a unique creative perspective to all types of cultures and styles to bring to her music. With the launch of Sam Blacky‘s label, Stabby Records, and her first releases, 2021 is set to be a breakout year for Sam as she expands her artistic brand.

Sydney producer/rapper is back with a new single! ‘Things Are Getting Better’ is available on all music platforms NOW! 

The single has a future bass theme with the usual Hussykat old school hip hop flow and the one liners the rapper is known for. In addition, there was some heavy 808 bass all over and some catchy melodies. The Sydney rapper expressed how he feels about the year 2020 in general and how from now on, everything will keep getting better and better.

The single is produced, Recorded and mixed by Hussykat himself and mastered by veteran sound engineer Nicholas Di Lorenzo, it’s safe to say HussyKat is making a statement with this single, you can keep up to date with his future releases via his social media links below.

facebook.com/HussyKat  ||  instagram.com/hussykat