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Music News

The Victorian Government in partnership with Music Victoria announces a new women-only leadership program ‘Cultivate’ for industry professionals

by the partae December 10, 2018
written by the partae

Victoria’s peak music body, Music Victoria in partnership with the Victorian Government has announced the commencement of a new leadership program, ‘Cultivate’, aimed at mid-career and established women in the Victorian music industry who wish to further their leadership and management skills. Supported by the Victorian Government, the ‘Cultivate’ program aims to foster the development of some of the state’s key decision makers, business owners, and industry leaders within the music sector, by partnering them up with CEOs, senior role holders and experienced mentors to support and guide the advancement of their careers. Participants will also be engaged in personalised leadership training programs and group, group masterclasses and networking opportunities.

The ‘Cultivate’ Program is excited to be taking its first ever applicants for their 2019 pilot program intake. Chelsea Wilson Music Victoria’s Board Deputy Chair: explains, “I am thrilled Music Victoria is announcing our new Women’s Leadership initiative ‘Cultivate’. This program further demonstrates our commitment to inclusion in the music community through providing relevant training, support and mentoring to empower the future leaders in our sector. As shown through the University of Sydney’s ‘Skipping The Beat’ study, women are severely underrepresented in leadership roles in the music industry in Australia – this project is one positive action out of many that Music Victoria is undertaking to begin bridging that gap. Thank you to members of Music Victoria Women’s Advisory Panel and former board members Michelle Nichol and Tracee Hutchison for helping bring this project to fruition.’’

Eligible for Victorian residents who identify as a woman and currently hold leadership or management positions at their place of employment within the contemporary music sector, ‘Cultivate’ is a great opportunity for women who are already on the path to influential decision-making roles in music, to be mentored by recognised industry leaders and professionals in a similar field. Successful applicants will attend prepared induction and launch sessions, master classes and one-on-one mentorship meetings to identify, plan and implement upskilling opportunities and key developmental areas of their careers.

Music Victoria CEO, Patrick Donovan is thrilled with their involvement in the new program, “Music Victoria’s 2015 report Women in the Contemporary Music Industry, which surveyed women in the music industry about barriers to career development, found that 90% of recipients sought more networking opportunities, 51% wanted to attend more seminars and conferences and 45% said they would benefit from mentoring opportunities.Music Victoria is thrilled to partner with the Office for Women on the Cultivate Pilot Program to address these issues and to nurture and develop female music industry professionals.’’

So if you’re an artist manager, run your own music-based business, or work in a management or leadership position at a venue, festival, label, booking agency, PR company, music organisation, production company, etc and wish to build or strengthen professional networks, expand your knowledge, become an influential industry leader, implement change, and have a positive impact on the contemporary Victorian music sector then apply today!

Music Victoria’s Cultivate Pilot Program 2019
Applications open now and close Monday 14 January 2019
Apply now at: www.musicvictoria.com.au/cultivate

Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview.  The Cultivate reference group will decide on the successful applicants.

Program enquiries can be directed to Music Victoria on (03) 9686 3411 or by emailing theProject Manager Sarah DeBorre: sarah@musicvictoria.com.au

 


December 10, 2018 0 comments
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Peking Duck
Festival NewsMusic News

PEKING DUK | WOLLONGONG | EXCLUSIVE PRE SALE TICKETS – ON SALE NOW!

by the partae December 10, 2018
written by the partae

PRE SALE ON SALE NOW

GENERAL ADMISSION ON WEDNESDAY, 9AM

APRIL 5, 2019 | UOW UNIBAR

GET EXCLUSIVE PRE SALE TICKETS HERE

Australia’s favourite duo Peking Duk return in 2019 with their Biggest Tour Ever. After selling out The Wasted Tour across Australian capital cities, Peking Duk will share the epic live show and reveal brand new music to 50,000 fans across capital cities and regional areas. Over 3 months starting in March, The Biggest Tour Ever will hit Canberra, Byron Bay, Brisbane, Wollongong, Sydney, Coffs Harbour, Cairns, Townsville, Airlie Beach, Launceston, Hobart, Adelaide, Perth and Melbourne.

“We are so damn stoked to announce this tour. 2019 is going to be the best year for Peking Duk yet. We’ll be releasing a lot of the best music we’ve ever written and we plan to put on the biggest, sweatiest and wildest shows of all time. First taste of the new music is out in January and more to follow in early 2019. We can’t wait to share it with everyone and see your faces at the shows.” – Peking Duk 

GET EXCLUSIVE PRE SALE TICKETS HERE
December 10, 2018 0 comments
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Joris Voorn
Music News

Joris Voorn unveils latest production: GENOVA

by the partae December 8, 2018
written by the partae

Ever in search of an even-better environment to make music in, Joris Voorn has been hard at work this year constructing a new studio space near his home in Amsterdam. Having only very recently been completed, Joris immediately went to add the finishing touches on his next single in his new natural habitat. Genova is the result, and it’s been well worth the wait.

A nagging techy beat with a funky undertone drives this infectious track, with monotone synth rhythms subtly rising from the depths to create a tense pressure. Moments of teasing intensity increase the drama, before a beautiful arpeggiated melody unfolds and with it brings a sorrowful chord progression. The bass follows in tandem as we head towards a sparse breakdown which strips things down to the bare minimum. A lengthy snare build recalls classic trance as the synths pulse and swell, with a hooky vocal snippet announcing the drop. After some more of that juicy groove, an extended ambient outro provides an atmospheric, heavenly ending.

Joris Voorn: “This release was created on a flight to the city of Genova. The name was just a working title, but it stuck with me over time, and made me remember playing the track for the first time on my gig that night in this beautiful city, for a few thousand people.

I’ve been working on it a lot since the first mix, and even though the energy level in the final production has gone up a bit, the soul has been left intact and now shines through even better. Inspiration for the track came from the early days of house music, where a solid groove and a strong synth stab can sometimes be all you need in electronic dance music.”

Buy Now
Genova has been heavily road-tested by Joris, featuring in all his sets over the summer and it has received huge reactions whenever played. It seems like his new studio has added a touch of magic to it, and we can all look forward to much more material coming out of it very soon indeed.
Joris Voorn ‘Genova’ will be released on December 7 via Green.

 

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December 8, 2018 0 comments
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Sam Feldt
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Sam Feldt’s ‘Heaven’ (Don’t Have A Name) (feat. Jeremy Renner) gets two brand-new remixes done by Dastic and SLVR

by the partae December 8, 2018
written by the partae
AMSTERDAM – December 7th, 2018 | Sam Feldt’s latest spectacular singleHeaven (Don’t Have A Name) has been inescapable of late. Featuring Oscar-nominated actor and singer Jeremy Renner on vocals, it’s a beautiful track that now gets two excellent new remixes from Dastic and SLVR.
Listen Here
Young Dutch producer Dastic has been a mainstay for Spinnin’ Recordssince being selected for their Spinnin’ NEXT ‘incubator’ platform, with his singles You & I and Let Me Love You among his huge successes for the powerhouse label. His bright and breezy house interpretation combines powerful beats with warm bass, bold chords and sweet melody that really compliments the glorious vocal. With subtle electro house undertones giving it some extra energy, it’s a glorious rework.

Milan’s SLVR pioneered his own ‘Booshi’ sound which mixes underground styles like bass house and UK garage with a crisp production aesthetic that works brilliantly in big rooms. His mix starts with tense, brooding, dark tones before dropping us into a twisted groove full of pitched down vocal cuts, low-slung bass and gnarly textures. It makes for a perfect contrast to Dastic’s version, providing dark to his light.

Official videos for both mixes are on the way, with live footage of Sam Feldt combined with footage of the remixer in question.
In addition to the remixes of Heaven (Don’t Have A Name), Sam Feldt adds even more fun to this holiday season by releasing his very own advent calendar. During the whole month of December fans get the chance to win incredible prizes and gifts such as goodie bags, production tips, free tracks, previews, other exclusive content and even a ticket to one of Sam’s shows including flight tickets and hotel. To take part in all these festivities, head over to Sam’s official fan portal at www.heartfeldt.me, sign up (if you haven’t already) and make sure you unlock your new gift every day.

Sam Feldt ‘Heaven (Don’t Have A Name) (feat. Jeremy Renner) (The Remixes)’ is released on Spinnin’ Records on December 7.
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December 8, 2018 0 comments
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Music News

SET MO UNLEASH TITLE TRACK FROM DEBUT ALBUM “SURRENDER” OUT EARLY 2019

by the partae December 8, 2018
written by the partae

Set Mo continue to prove why they’re one of Australia’s hardest working acts with their new single “Surrender”. Accompanying the release, the duo are proud to announce their debut album of the same name, due to arrive early 2019.

“Surrender” is the first track to be taken from the mammoth upcoming LP, offering a spine-tingling marriage of ethereal soundscapes. Featuring a spoken word sample from pioneering English musician Brian Eno (given the nod of approval from Brian himself). The track invokes powerful ideas behind surrendering to one’s art. A climactic pulse of their signature house sound sends a shock to the heart, making “Surrender” yet another testament to Set Mo’s hypnotic sonic design.

“Funnily enough this is one of the few tracks that we actually wrote in our Sydney studio. The spoken word on the track comes from the one and only Brian Eno. We’ve been huge fans of Brian Eno and the countless records he’s produced. He also has a very nice way of looking at the world and how music works. We felt this snippet of him talking about surrendering to art fit perfectly with the track and encapsulates our approach to making music and what we’ve done this year in particular with putting out a new track every month. We always knew this would be the perfect way to open our debut album as it sets the tone wonderfully.” Set Mo

The release ties the bow on the biggest year yet for the house music maestros. With an abundance of new music, the pair have worked tirelessly in studios across London, Amsterdam, Berlin and Australia, teaming up with the likes of Touch Sensitive, AJ Wright (Cloud Control), Asta and Julian Hamilton (The Presets); All the while maintain an endless touring schedule. Set Mo’s track-a-month series across 2018 has presented a collection of certifiable hits. With support from Triple J, Magnetic Mag and additions to Apple Music’s A List, releases accrued 11 features worldwide in Spotify New Music Friday Playlists.

The duo are now excited to announce the release of their mammoth 16-track album due for release in early 2019. Featuring 11 favourites drip fed to dance floors throughout the year, whilst also treating fans to five brand new tunes, promising further body-moving bliss.

Set Mo’s debut album ‘Surrender’ drops early 2019 via Set Mo Records.

 

December 8, 2018 0 comments
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Music News

Vanity Fairy releases debut EP Lust For Dust Released 7th December

by the partae December 8, 2018
written by the partae

“Dreamy, whimsical vocals…lush, dainty synth tones and sparse percussion” – The Line Of Best Fit

“Glowing yet murky…ethereal disco influenced sound” – The 405

 “A remarkable post-disco jewel” – Clash

Alt-pop newcomer Vanity Fairy releases debut EP Lust For Dust, detailing her fresh approach to the genre with a series of glittering vocal performances and infectious synth overtones.

Spawning lead singles He Can Be Your Lady, Loverman and Milky Woe, the rising talent has already attracted widespread approval throughout the online community with NME,The Line Of Best Fit, Clash and The 405 showing their support as well as BBC Radio 1 airplay (Huw Stephens) and a flurry of seriously impressive live show appearances.

Co-produced alongside collaborators Sammy Yamaha and Simon Byrt (Pixx, Babeheaven), Vanity Fairy’s post-disco joy is the new project from Daisy Capri – a wonky, weird and wonderful reimagining of late 70s disco dance-floor fillers with influences ranging from The Bee Gees and Prince to Ariel Pink and Michael Jackson.

Discussing her debut EP release, the songwriter explained: “Lust For Dust is a collection of love songs about people who have never been loved, set in places that have never been peopled, from a time before my time”.

Vanity Fairy’s Lust For Dust EP is out now and available via all digital platforms.

Live Dates (message for press passes)

14 Dec – Jurnet’s Bar, Norwich

Vanity Fairy

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December 8, 2018 0 comments
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Music News

Jeff Rosenstock Australia Tour

by the partae December 8, 2018
written by the partae

Jeff Rosenstock is back! This December, for the first time ever down under, he is bringing his full five-piece band for a national tour. ​

TOUR DATES

Saturday 8 December (Doors 7:30pm)
-SOLD OUT- The Reverence Hotel –  Melbourne – 18+
With Lincoln Le Fevre and the Insiders & Hanny J, Foxtrot & Marina Mitchell

Sunday 9 December (Doors 2pm)
SELLING FAST Wrangler Studios – Melbourne – All Ages
(Drug & Alcohol Free Event)
With Lincoln Le Fevre and the Insiders & Hanny J, Bench Press & Premium Cable
TICKETS / RSVP

Monday 10 December (Doors 7pm)
SELLING FAST Crown & Anchor – Adelaide – 18+
With Lincoln Le Fevre and the Insiders & Hanny J, Bec Stevens & Pemberton
TICKETS / RSVP

Wednesday 12 December (Doors 7pm)
The Foundry – Brisbane – 18+
With Lincoln Le Fevre and the Insiders & Hanny J, Brief Habits & Emmy Hour
TICKETS / RSVP

Thursday 13 December (Doors 7pm)
Vinnie’s Dive Bar – Gold Coast – 18+
With Lincoln Le Fevre and the Insiders, Laura Mardon & Syrup, Go On
TICKETS / RSVP

Friday 14 December (Doors 630pm)
The H Live – Sydney – 18+
Chopdog Entertainment, Pee Records & Def Wolf Xmas Ball 2018
With Lincoln Le Fevre and the Insiders & Hanny J, Nerdlinger, The Great Awake & more
TICKETS / RSVP

Saturday 15 December  [Gingerfest 2018] (Doors 4pm)
Molo Live @ Australian National University – Canberra – 18+
With Bodyjar, Hightime, Epic Flagon, Dan P, Lincoln Le Fevre and the Insiders, Hanny J, & Loads More
TICKETS / RSVP

Sunday 16 December (Doors 6pm)
SELLING FAST The Lansdowne – Sydney – 18+
With Lincoln Le Fevre and the Insiders & Hanny J, SHAKY HANDZ & Billy Demos
TICKETS / RSVP​

Monday 17 December (Doors 7pm)
Hamilton Station Hotel – Newcastle – 18+
With Lincoln Le Fevre and the Insiders & Hanny J, Run Squirrel & Andrew Richmond
TICKETS / RSVP

It’s quite easy to get caught up with Rosenstock’s history and body of work, he spent ten years fronting a far more ska-centric outfit called Bomb the Music Industry! A band that earned its reputation as a hardcore DIY operation, releasing all its records for free and breaking up only when the day-job hustle got too bleak. But truth be told, Rosenstock has never been more powerful than with his current line-up & latest full-length album “POST”, which was surprisingly dropped just hours after a drunken New Year’s Eve show in Philadelphia, on January 1st this year.​

“Dumbfounded, downtrodden and dejected, crestfallen, grief-stricken and exhausted, trapped in my room while the house was burnin’ to the motherfuckin’ ground”​

From the opening line from the track “USA” – which evolves from guitar chugger to synth interlude to gang-vocal coda in the space of seven and a half minutes. Looking at the “clerk at the midwestern service station” or the “man in a crossover with his family”, Rosenstock demands to find out who exactly betrayed America.“I won’t hate you, I just need to know, please be honest Tell me was it you?” he begs, frustrated and confused with not only strangers & the people in charge of the good old US of A, but people he might of considered friends.​

While providing one of the more upbeat tempos for the album, “MELBA” looks at how the abuse of power is a careless exercise for those who hold it, and the effects it has on those sitting at the bottom of a hierarchy. Rosenstock yells throughout the song “Let’s go back to Melbourne, we can start over, because mistakes get forgotten, dreams can be remembered”, using our city of Melbourne as the escape route, a place he has spent a lot of time and come to love.

In true Jeff Rosenstock fashion, the rest of the lyrics on “POST” revolve around anxiety, insecurity, anger, ennui and other bummers of day to day life and the album just seamlessly flows from start to finish, ending with the track “Let Them Win’, which snaps back into where “USA” left off, with an “us versus them” mentality, culminating in an ambient synth arrangement.​

Joining Rosenstock as national supports will be two of Melbourne’s favourite acts. “Lincoln Le Fevre”, who will be bringing his backing band “The Insiders” along for the ride, and “Hanny J” – who when not touring the world playing bass with her band “Clowns”, is playing shows under her own alias.

 

CLICK HERE FOR ALL CHOPDOG ENT SHOWS
December 8, 2018 0 comments
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Music InterviewsMusic News

Sugar Jacket

by the partae December 7, 2018
written by the partae

Where are you currently based and what is the music scene like there? I live in South Yarra Melbourne surrounded by yummy mummy’s in range drovers. Inspiring stuff. The music scene in strong in though. I’ve been so lucky to be introduced to some incredibly talented producers and musicians that have helped take my music to a place I would never have dreamed of when I was younger. People have been so supportive with my music down here. I’m currently working on a new track with a friend Alex O’Gorman whose a dream to work with. I’m super excited to show put it out. Alex produces and plays bass with Angie McMahon. He’s also just a true gentleman, the kind of people I’ve met in Melbourne. Truly kind people. Also, I live with two musicians, my girlfriend and brother.

How did you first start playing music? My Dad bought Mum an upright piano for her 40th birthday. She never played it. So I always used to pull up the lid and try knock out some early Coldplay tracks. I just taught myself by ear how to play that now cringe song ‘Clocks’. I started playing music by copying the bands I listened to when I was about 8 or 9. Whatever my family was listening to. My brother was heavily into bands like Interpol, Kings of Leon, The Strokes. So that’s what I was trying to play. That was my first time on a piano. My brother played drums. He was 16, I was 9, and I used to sit against his bedroom door tapping out the drums he was playing. Then when ever he’d let me, or if he was out, I’d go into his room and play the drums. So I was playing drums and trying to learn piano really early.

Who or what influences your sound and songwriting? My Brother and girlfriend definitely have a huge influence on my sound. My girlfriend is also a beautiful musician and has really great taste in music so a lot of stuff passes through her, which I love because she’s such a great songwriter. Also my brother, because, well he’s my big brother. You look up to your older bother and he’s always had such great taste in music which led me to some stuff I wouldn’t have heard at a young age if it wasn’t for him. As for what influences my music, I think that ageing has helped. Having new perspectives on life helps with the lyrical parts and the sound just slowly progresses I think. I hope. I write about the relationships around me. One’s involving me and always ones I see.

How do you usually go about writing music? I almost every time start with a drum beat. I might hear a melody in my head first but I always start with the beat then layer everything over the top. I use Linn Drum samples to program the beats into my pedal then layer synthesisers, then take it into the studio and put live instruments over the top. It usually happens really fast. I’m a master of starting songs and not finishing them, but when the right song comes out I’ll finish it because I know it’s ‘the one’ to finish.

Tell us about how your brother has played a part in your sound and musical taste: Your debut single ‘How Many Times’ is out now, where and when did you record? He’s just that classic older brother who influences the little bother. He tried to push me out of music a little bit because he knew how hard it was/is going to be. He’s been in it for nearly 15 years now so it takes it’s toll I guess. But he’s always taught me to be true to myself and reflect that in my music. He always coaches the best stuff out of me. It comes into the studio and plays drums on my tracks and usually ends up co-producing on the work. He’s got incredible ears and knowledge I completely trust his word. Musically.

How did this track come about? A close friend hurt me, I wrote a song about it. I don’t want to delve into it to much. I’ve made plenty of horrible mistakes myself and we’re good friends now. It’s a revenge track. It definitely helped.

You’ve just released a music video for ‘How Many Times’ please tell us how this video came to be: I really wanted to focus on the colours and camera movement in the video. Editing was always going to play a huge role. We just wanted to create something that enhanced the music. Not focus

on story to much, just try and match the image and audio for an easy watch. I hope that’s what we did. It’s no Childish Gambino, ‘This Is America’, it’s more ‘This a halfway house in Kew’. The director Jack Ralph and I just wanted to have fun with it. Not take it to seriously. The shoot ran from 2 pm till 1 am. We shot it it in my friends house which is quite literally the dankest house through winter, and not in a good dank way. A bad dank way.

What do you like to do away from music? Walk dogs, hang out in drive ways. Lawn bowls in the summer. Kick the footy. Shoot hoops. Golf a lot. Snowboard in the winter.

Who are you listening to at the moment? I’m listening to heaps of Randy Newman, Nick Drake and Brian Jones Town Massacre at the moment. Oh and Twin Peaks. I saw them at the Northcote Social Club a few weeks ago and the general feeling between friends was that it was the best show we think we’d ever seen. I know, big call! But it really was. They were just absolutely shredding and having so much fun. I think everyone in the room could feel it.

What do you have planned for the remainder of 2018 going into 2019? I’m currently finishing off my next single which I’m so so excited to release. It’s very different from ‘How Many Times’ energy wise, slower tempo, more instrumental but it’s still super poppy. This one’s got some real creamy bass, heaps of percussion and hopefully will make you want to dim the lights and swing your partner round on the porch. I actually wrote it the day after I saw Michael Kiwanuka at The Corner Hotel. That was also one of the best shows i’ve ever seen, close second behind Twin Peaks. I’m planning on releasing that with a run of shows early Feb next year.

Favourite food and place to hangout? Chicken Pot Pie, (Mum’s specialty). There are some really great parks and trails around the Yarra River just out of the city. I love going there with my girlfriend and all our friends and a couple of dogs they have. That’s quite simply my perfect afternoon. You forget you’re in the city for a moment which is always nice.

 

https://www.facebook.com/Sugarjacket/

December 7, 2018 0 comments
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Music News

Caprices Festival announces first names for 2019 inc Ricardo Villalobos, Black Coffee, Peggy Gou, Margaret Dygas, Raresh, DVS1 and more

by the partae December 7, 2018
written by the partae
Phase 1 Line-up: Edward, Raresh, Ricardo Villalobos, Margaret Dygas, Peggy Gou, Seth Troxler, Black Coffee, Jamie Jones, Bedouin, Behrouz, Audiofly, Blond:Ish, Pan-Pot, DVS1, Marcel Dettmann, Len Faki, Fabe, Apollonia, Sven Väth plus residents Giorgio Maulini and James Mc Hale

After a memorable 15th edition in 2018, the spellbinding Caprices Festival is back and better than ever from April 11th – 14th, 2019. Winner of the DJ Awards ‘Best International Festival 2018’, the world’s most beautiful and carefully curated underground house and techno festival takes place in Switzerland’s stunning Crans-Montana resort, with one-off stages boasting panoramic views and next level audio-visual technology, restaurants, a wellness centre and a wealth of globally acclaimed performers including Apollonia, Jamie Jones, Len Faki, DVS1, Marcel Dettmann, Peggy Gou, Pan Pot, Raresh, Black Coffee, Bedouin, Ricardo Villalobos, Seth Troxler and Sven Väth, with further names and stages to be announced.

Caprices Festival is known for its world class MDRNTY stage setting up at the tip of the alps in the picturesque resort of Crans-Montana in Switzerland. It boasts a broad selection of high-end eateries ranging from mountain huts to award-winning restaurants, numerous exciting boutiques and shops, a wellness centre and a variety of other entertainments including more than 140km of ski pistes, a vast snowpark, an illuminated ice rink and eco-museum. It’s a classy resort that offers a wealth of things to do by day and by night.

You only need to party at MDRNTY, one of the most talked about music venues in the world, to understand why Caprices is so special. The unique space is a one-off, greenhouse-like structure that sits 2,200m above sea level offering panoramic views of the crystalline skies and snow-capped mountain vista. Next to that is The MOON, located at the bottom of the Cry D’er Ski Lifts, and boasting out of this world technology and visual displays that add another sensory stimulating dimension to the soundtrack.

Tickets are sold for the entire festival as well as on a day by day basis, and things kick off on Thursday 11th April with a surprise soft opening at Cry D’er. Details of that will follow, while it can now be revealed that Friday at MDRNTY will feature minimal masters like Edward, Raresh, Ricardo Villalobos, Margaret Dygas, and MOON welcomes house and techno tastemakers and some of Ibiza 2018’s biggest stars in Peggy Gou, Seth Troxler, Black Coffee and Jamie Jones.
Saturday at MDRNTY will be one for those who like their house deep and spiritual, with desert shaman Bedouin, Behrouz, Audiofly and Blond:Ish all lining up. Meanwhile, The MOON welcomes global techno heavyweights Pan-Pot, DVS1, Marcel Dettmann and Len Faki for a night of uncompromising brilliance.

Sunday, as ever, will see an iconic closing set from celebrated Cocoon ringmaster Sven Väth once more at MDRNTY, with Fabe and French house trio Apollonia also playing the final party.
Caprices is the ultimate winter paradise. A snowy idly that offers a truly memorable cultural as well as musical experience, plenty of mouthwatering gastronomies and apres-ski entertainment like no other in the world.
Caprices Festival
April 11-14, 2019
Crans-Montana, Switzerland
Tickets & Info http://www.caprices.ch/
Facebook https://www.facebook.com/capricesfest/
Twitter https://twitter.com/caprices_fest
Instagram https://www.instagram.com/capricesfestival

 

http://www.caprices.ch/

 

Phase One / Day-by-Day Line-up (A-Z)
Friday 12th April – MDRNTY
Edward
Margaret Dygas
Raresh
Ricardo Villalobos
Friday 12th April – MOON
Black Coffee
Giorgio Maulini
Jamie Jones
Peggy Gou
Seth Troxler
Saturday 13th April – MDRNTY
Audiofly
Bedouin
Behrouz
Blond:Ish
Saturday 13th April – MOON
DVS1
James Mc Hale
Len Faki
Marcel Dettmann
Pan-Pot
Sunday 14th April – MDRNTY
Apollonia
Fabe
Sven Väth

Phase One Line-up (A-Z)
APOLLONIA
AUDIOFLY
BEDOUIN
BEHROUZ
BLACK COFFEE
BLOND:ISH
DVS1
EDWARD
FABE
GIORGIO MAULINI
JAMES MC HALE
JAMIE JONES
LEN FAKI
MARCEL DETTMANN
MARGARET DYGAS
PAN-POT
PEGGY GOU
RARESH
RICARDO VILLALOBOS
SETH TROXLER
SVEN VÄTH
+ MORE TO BE ANNOUNCED
December 7, 2018 0 comments
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SXM Festival
Festival NewsMusic News

SXM Festival Returns to the Caribbean Island of Saint Martin/Sint Maarten Announces Phase One Lineup for March 13-17 Event

by the partae December 7, 2018
written by the partae
Lineup Features Alex Niggemann, Apollonia, Archie Hamilton, Atish, Audiofly, Axel Boman, Be Svendsen, Chaim, Cristi Cons, Dewalta, Dj W!ld, Dubfire, Eduardo Castillo, Enzo Siraguza, Francesca Lombardo, Fumiya Tanaka, Goldcap, Guy Gerber, Jennifer Cardini, Kora, Maher Daniel, Marco Carola, Matthew Dekay, Molly, Oceanvs Orientalis, Sabo, Seb Zito, Traumer, Unders, Viken Arman, Zip
Today SXM Festival, underground electronic music’s premiere destination getaway, has announced the phase  lineup for its March 13-17 return to the Caribbean island of Saint Martin/Sint Maarten. Set within the iconic beaches, nightclubs and spectacular villas of the island, SXM Festival will once again offer the global party elite a week of world-class house and techno programming in an unmatched setting.
It is with a firm dedication to booking both the scene’s foremost superstars and emerging talent alike that SXM Festival has crafted its legacy. Acting as a true culmination of forward-thinking electronic music innovators from around the world, the event will continue to rival some of the most celebrated party’s on earth with its March homecoming.
The 2019 event will welcome some of the world’s most in-demand headliners like flagbearer of Neapolitan techno Marco Carola, Parisian trio Apollonia, Rumors boss Guy Gerber, electronic visionary Dubfire, and groove-driven house icon Axel Boman.
The leading curation continues with Fuse London head Enzo Siragusa, modern king of UK house Archie Hamilton, Israeli techno maestro Chaim, the darker shades of Audiofly and Francesca Lombardo, plus many more scene defining acts.
The event’s return comes at a pivotal moment for the island of Saint Martin/Sint Maarten which was left in need following a series of 2017 hurricanes. SXM Festival organizers were forced to make a difficult decision in postponing the Third Edition in 2018, while concentrating their efforts to create the Two Bunch Palms Foundation with the immediate mission to raise funds to help those affected by Hurricane IRMA and as a future vessel to give back to causes important to the development and health of the community. As a result of the unmatched spirit and aid of the global electronic music community and the resilience emitted of local people in an effort to rebuild the entire Island, Saint Martin/Sint Maarten will return stronger than ever – primed to once again step to the world stage to host this magical festival.
As SXM Festival Founder Julian Prince says, ‘It is very hard to put in words how excited we are to be back to work on producing SXM Festival 2019. This has been an incredibly emotional time for the local community and the partners that make this event happen. But through these adversities I believe the island and our team have emerged stronger than ever with an unbreakable bond that is destined to produce something incredibly special. We have the intention and ability to design the ultimate party – SXM Style. Locals are ecstatic to host everyone and in 2019 the energy on the island will be as magnetic as it has ever been! It is with such local spirit and the support of our amazing global community that we return with more momentum and vigor than ever before. Ironically, we always say that we couldn’t imagine what would come out if we had an extra 4 months to organize the festival. Like every precious moment in life, SXM Festival is not to be taken for granted as it was almost taken away from us right before our eyes.  It is with this thought that we have taken more steps to ensure that our event is giving direct aid and support to the people of Saint Martin/Sint Maarten without whom the event would not be possible.
Now Saint Martin/Sint Maarten makes its return better than ever with a fully renovated island and brand new hotels, villas, clubs, restaurants, and Casinos. SXM Festival attendees may rejoice as all corners of the global scene chart their course to converge once again in the other-wordly, natural setting and inimitable vibe of one of the moment’s most talked about parties.
For Tickets and More Info on SXM Festival Visit:
www.sxmfestival.com
SXM Festival 2018 Teaser Video:
https://youtu.be/0E7FlPF_NAo
Download Official Photos from SXM Festival 2017:
https://bit.ly/2JmBjsW

SXM Festival in the Press:

PAPER : “….the most beautiful festival in the world”

BBC Travel Special : “As other festivals around the globe begin to tire and all become too commercial, with the Carribean as its backdrop, SXM has the advantage”

Mixmag : “does it get any better than this?

Marie Claire : “….the perfect mix of international DJs, blissful ocean views, and intimate jungle soirées”

Highsnobiety : “…..a more intimate and curated experience”

Consequence of Sound: “…why not sign up for a music festival that promises not only to be a great party, but also to provide a trip of a lifetime. At that, SXM Festival is leading the charge.”

FULL LINEUP BELOW (Alphabetical)
Alex Niggemann
Apollonia
Archie Hamilton
Atish
Audiofly
Axel Boman
Be Svendsen
Chaim
Cristi Cons
Dewalta
Dj W!ld
Dubfire
Eduardo Castillo (Live)
Enzo Siraguza
Francesca Lombardo
Fumiya Tanaka
Goldcap
Guy Gerber
Jennifer Cardini
Kora
Maher Daniel
Marco Carola
Matthew Dekay
Molly
Oceanvs Orientalis
Sabo
Sammy Dee
Seb Zito
Traumer
Unders
Viken Arman
Zip
December 7, 2018 0 comments
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Music News

DEERHUNTER Release new single ‘Element’ Why Hasn’t Everything Already Disappeared? out Friday 18th January 2019

by the partae December 7, 2018
written by the partae

Today, Deerhunter release ‘Element’, the second single to be taken from their forthcoming studio album, Why Hasn’t Everything Already Disappeared? out Friday 18th January via 4AD / Remote Control Records. 

Described by Atlanta-based frontman Bradford Cox as “an elegy for ecology (a landscape done in toxic watercolors)”, ‘Element’ follows in the footsteps of album opener ‘Death in Midsummer’.

Deerhunter’s eighth LP Why Hasn’t Everything Already Disappeared? forgets the questions and makes up unrelated answers. It gets up, walks around, it records itself in several strategic geographic points across North America. It comes home, restructures itself and goes back to bed to avoid the bad news.

What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15-year career.

Deerhunter have made a science fiction album about the present. Is it needed right now? Is it relevant? Perhaps only to a small audience. DADA was a reaction to the horrors of war. Punk was a reaction to the slow and vacant 70’s. Hip Hop was a liberated musical culture that challenged the notions presented wholesale about the African-American experience. What is popular music today a reaction to?

Purchase / Stream ‘Element’: https://deerhunter.lnk.to/element
Pre-order Why Hasn’t Everything Already Disappeared?: https://deerhunter.lnk.to/whyhasnteverything

Deerhunter – Why Hasn’t Everything Already Disappeared?

1. Death in Midsummer
2. No One’s Sleeping
3. Greenpoint Gothic
4. Element
5. What Happens To People?
6. Détournement
7. Futurism
8. Tarnung
9. Plains
10. Nocturne

Deerhunter – Why Hasn’t Everything Already Disappeared? is out Friday 18th January
via 4AD / Remote Control Records.
December 7, 2018 0 comments
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Music News

STEVE GUNN Shares new single + acoustic video ‘Stonehurst Cowboy’ New album out January 18

by the partae December 7, 2018
written by the partae
Credit: Clay Benskin

Praise for Steve Gunn

“Majestic American singer-songwriter” – MOJO

“His guitar playing and songwriting have that eddying quality that imbues stillness witha sense of forward motion” – The Wire

“As a self-taught guitarist, composer and, latterly, a singer, his luscious deconstruction of Americana tinged blues, country and psychedelia switches between the accessible and the experimental” – Crack

“A homespun mystic vision somewhere between the Van Morrison of Astral Weeks, the Nick Drake of Bryter Layter and the Donavan of ‘Season of the Witch” – Rolling Stone

“Shimmering, fingerpicked electric guitar, deadpan-­cool vocals” – Washington Post

“Lush and thoughtful… expansive guitar wizardry” – Stereogum

Following the release of acclaimed single ‘New Moon’, Steve Gunn has shared a second song off of The Unseen In Between (out January 18 on Matador Records), titled ‘Stonehurst Cowboy’. The song is the emotional centerpiece of the album, a duet between Gunn’s raw acoustic guitar and spare basslines by Bob Dylan’s musical director Tony Garnier, who is featured throughout the album.  The lyrics distill the lessons Gunn learned from his father and is a solemn but tender remembrance, a tribute to his father’s reputation as a tough, wise, and witty guy from far west Philadelphia.

Listen and watch the accompanying acoustic video below, shot in London and directed by Craig McNeil.

“Stonehurst Cowboy is a tribute to my late father, who passed away in 2016.  Stonehurst is an area in Southwest Philadelphia where both my parents grew up,” says Gunn, adding, “Heavily affected by the Vietnam War, he became an adult at hyperspeed after high school when he was drafted — though he didn’t end up actually fighting in Vietnam.  He was too young to know what the hell was going on when the war broke, and it wasn’t until he, his brothers, and friends came back to make any sense of it.”

For over a decade, Steve Gunn has been one of American music’s most pivotal figures — conjuring immersive and psychedelic sonic landscapes both live and on record, releasing revered solo albums ranking high on in-the-know end of year lists, alongside exploratory collaborations with artists as diverse as Mike Cooper, Kurt Vile, and Michael Chapman (whose most recent studio album he produced). Gunn is known for telling other people’s stories, but on his breakthrough fourth album, The Unseen In Between, he explores his own emotional landscapes with his most complex, fully realized songs to date. The lyrics evoke voyages, tempests (actual and emotional), and a rich cast of characters met along the way — the work of an artist finding a place of calm in the midst of a storm. Produced by frequent collaborator James Elkington and engineered by Daniel Schlett, the immaculately recorded Unseenforces a reassessment of Gunn’s standing in the pantheon of the era’s great songwriters.

Pre-order Steve Gunn – The Unseen In Between: https://stevegunn.lnk.to/theunseeninbetween
Steve Gunn – ‘Stonehurst Cowboy’
Stream / Download via https://stevegunn.lnk.to/stonehurstcowboy

Steve Gunn – The Unseen In Between

1. New Moon
2. Vagabond
3. Chance
4. Stonehurst Cowboy
5. Luciano
6. New Familiar
7. Lightning Field
8. Morning Is Mended
9. Paranoid

Steve Gunn – The Unseen In Between is out January 18 via Matador Records / Remote Control Records.
Steve Gunn
Website / Facebook / Instagram / Twittermatadorrecords.com
remotecontrolrecords.com.au

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Music News

Indie-folk singer songwriter Kay Proudlove reveals unintentional Christmas song ‘Gift Card’ and announces summer performances

by the partae December 7, 2018
written by the partae

Wollongong born artist Kay Proudlove didn’t intend to write a Christmas song this year, but it’s happened and it’s not what you’d expect. Forget Bublé, bubbles and Christmas baubles, Kay is diving deep into the not-so-shiny parts of this tinsel laden season in her new track ‘Gift Card’ out today. Riddled, as always with clever wit, honesty and heart-on-her-sleeve raw emotion, the single actually doesn’t stray to far from what we’ve come to expect from the rising talent, and is likely to become another crowd favourite when she takes on a string of upcoming live shows this silly season.

With a remarkably agile, soul-bearing voice and a wry sense of humour, Kay Proudlovehas always written songs driven by narrative and powered by her love for the art of observation. On ‘Gift Card’, Kay covers everything from the financial and social stresses of Santa’s impeding visit, to the joy of witnessing pure human connection and of course, those thoughtful and not-so-thoughtful gifts – “surprise, it’s a gift card”. Mixed and mastered by Ben Davies at Silver Sound Recording Studio in Wollongong, ‘Gift Card’ is a classic folk sing-a-long, stripped back to its most pure to let Kay’s vocals and message shine through.

STREAM / EMBED ‘GIFT CARD’ VIA SPOTIFY 

“The inspiration for ‘Gift Card’ came on a day when three separate people told me they couldn’t believe it was nearly Christmas. This was in October. It struck me that it’s something people say every year, which got me thinking about what people go through around Christmas – good and bad. I feel like there’s always this sense of time slipping away and that no one is ever prepared. But it can still be kind of exciting, which is where the lyrics ‘magical and desperate’ come from. There are so many mixed feelings about the festive season and I tried to capture some of those in this song. It’s very much a biographical track and I have definitely attended church straight after Christmas Eve drinks before.” – Kay Proudlove

Kay Proudlove’s live performance style is much like being invited into her lounge room; her songs are truly stories set to melody, by turns relatable, humorous and heartbreaking. The co-ordination that never showed up for Kay on any sort of sporting field has made itself known in a marriage of acoustic guitar and voice, with lyrics that can be equally poignant and hilarious in a single instance. Creating an intimacy between audience and performer through vulnerability, Kay’s live show is likely to leave you wondering whether all of the songs were about you.

After touring her live album I Should Have Done This Ages Ago and playing a bucket list of Festivals such as the Woodford Folk Festival, By The Banks Music Festival,Jamberoo Music Festival, as well as supporting artists such as Shaun Kirk, Tom Lee-Richards, Caiti Baker, Stevie Jean, The Northern Folk and more, Kay is excited to be bringing in the festive season with a bunch of live performances this summer.

Upcoming Shows:
Friday 7 December

She’ll Be Right (female variety show)
Servo Food Truck Bar, Port Kembla, NSW
Doors 7pm
Tickets

Wednesday 19 December
Puckey’s Christmas Market
University of Wollongong, Innovation campus
Wollongong, NSW
Doors 5pm
Free Entry

Monday 31 December
19-twenty NYE Party
Shoalhaven Heads Bowling and Recreation Club
Shoalhaven Heads, NSW
Tickets

Sunday 6 January
Summer Meadow Music
Marakoopa Cafe, Mole Creek, Tasmania
with Bruce Watson (Australian Folk Icon), Kenta Hayashi (Japanese Loop Pedal), Midnight Messengers (Tasmanian Reggae band)
Tickets

Friday 11 January – Sunday 13 January
Cygnet Folk Festival
Cygnet, Tasmania
Tickets

Saturday 19 January
Illawarra Folk Festival
Bulli, NSW
Tickets

Wednesday 23 January
Rad Bar, Wollongong
supporting Wolf and Willow + Rob Edwards
Tickets

‘Gift Card’ is out now via Ditto
Bandcamp // iTunes // Apple Music // Spotify // Google Play

 

December 7, 2018 0 comments
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Music News

WIKI shares new song ‘Elixir’ feat. Obongjayar & JJ (Jesse James Solomon)

by the partae December 7, 2018
written by the partae

Today, New York City’s Wiki has shared a new track ‘Elixir’ out now via XL Recordings / Remote Control Records. ‘Elixir’ sees Wiki taking a new direction, encompassing sounds from across the globe with a track that features two of London’s most exciting voices, Obongjayar and JJ (Jesse James Solomon), giving fans a glimpse of what to expect from new music in 2019.

Wiki says “I’ve known Jesse for the longest. He’s one of my oldest friends out in London. We had this song together for a minute and reached out to Obongjayar to bring it to the next level.”

‘Elixir’ is produced by Felix Joseph, aka ProducedbyFelix, and follows Wiki’s recent one-off song ‘In The Park’ featuring Gloss Gang, which marks a new chapter for Wiki after touring the world in support of his critically-acclaimed New York opus No Mountains in Manhattan.

Wiki‘s long-standing connection to London dates back to his relationship with King Krule, with whom he has been collaborating with since 2012. His admiration for the city has been evident since then — featuring on the US remix of Skepta‘s hit ‘That’s Not Me,’ bridging the gap for the grime star to establish a foothold in America, in addition to his collaborations with UK artists from veterans like Suspect, to up-and-coming talents like JJ, both of whom have been featured on recent releases from Wiki.

Stream / Download ‘Elixir’ ft. Obongjayar and JJ: https://wiki.lnk.to/elixir

Wiki ‘Elixir’ feat. Obongjayar & JJ is out now via
XL Recordings / Remote Control.
xlrecordings.com
remotecontrolrecords.com.au
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Music News

GRACE TURNER finishes 2018 with ‘Easy I Fall’

by the partae December 7, 2018
written by the partae

Grace Turner plays a final hand for 2018 with gutsy end-of-year single ‘Easy I Fall’, a fierce progression from her previous heart-stopper ‘Dead or Alive’ 

Streaming over 500,000 times since release, ‘Dead or Alive’ landed the Newcastle based singer-songwriter in Spotify US’ Viral 50, peaking at #24. Receiving triple j airplay, rotation on triple j unearthed, Double J, FBi Radio and love from community radio across the country, ‘Dead or Alive’ was also included in Apple Music’s ‘Best of the Week.’

Now, Grace offers a fresh perspective in ‘Easy I Fall’. Written at the same time as ‘Dead or Alive’, ‘Easy I Fall’ was recorded slowly over a year between a back shed and a spare bedroom. This final iteration hits hard up front with its intentionally abrupt opening line ‘If you wanna fuck me then just tell me that you love me…”

Turner explains “This song is about being tirelessly perused. I used to play it first in my set to shock people into listening to me. I often joke in my live show that it’s about trying to break up with someone but sleeping with them instead. In a deeper sense it’s about power imbalances in relationships, not being listened to and putting someone’s wants and needs above your own.”

A captivating troubadour, Grace often has her audiences at a standstill, with those present hooked on her every note. Turner has so far supported Alex the Astronaut, Gabriella Cohen, Jess Locke, Kingswoodand Phil Jamieson (Grinspoon) in 2018 and recently played tastemaker festivals FKA Festivaland Against the Grain. Soon she and her band head to Festival of the Sun and Mountain Sounds Festival with more shows to be announced in 2019.

With ‘Easy I Fall’ marking just the third official release from Grace Turner, everyone is already falling hard for this rising talent.

GRACE TURNER
LIVE DATES
THU 13 DEC | Magic Castle (Headspace Fundraiser) | PORT MACQUARIE
FRI 14 DEC | Festival of the Sun | PORT MACQUARIE
FRI 15 FEB | Mountain Sounds Festival | CENTRAL COAST
CONNECT ONLINE WITH GRACE TURNER
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