- Musical comedy improviser Marc Rebillet announces tour of Brisbane, Sydney, Melbourne and Auckland in March 2020
- The New Yorker’s eccentric, comedic and unpredictable musical performances are built from scratch live, earning him millions of views worldwide with over 779,000 followers on Facebook and 450,000 on YouTube
- Before releasing his album Europe on Spotify, Rebillet improvised, recorded and streamed its entire 26 tracks whilst on a 29-day European trip live to fans
- General Public tickets on sale Friday 31 January
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Soothing and introspective, Yeppoon based trio Ava Kaydo showcase their unique blend of psychedelic dream pop and indie rock with debut single ‘Lucid’.
Formed in 2017 and inspired by ‘fruit puns and too many beers’, Maddy, Ben and Jeremy are ready to take Ava Kaydo out of coastal Central Queensland and spread their track across the indie music scene.
Slow-reverb guitar chords paired with drum progression and hypnotising vocals creating a hazy and aurally blissful soundscape. “We try and achieve a dreamy vibe in all our songs with a groovy beat’, and the band have done just that. The track explores the idea of lucid dreaming as a form of escapism from difficult emotions.
“Our single ‘Lucid’ explores the concept of lucid dreaming and how its an escape from shitty emotions”, explains Maddy Chalk.
Taking notes from Ocean Alley, Tame Impala, Methyl Ethel and DMA’s, Ava Kaydo are a breezy mix of ambient indie rock on the cusp of psychedelia. Amongst creating music, the band are also passionate about keeping the rural Australian music scene alive and have been seen playing alongside names like Kingswood, The Hoodoo Gurus and Tia Gostelow.
For the meantime, sit back, relax and experience the ‘Lucid’ reverie for yourself.
‘Lucid’ is OUT NOW!
Brown Alley
Easter Thursday 9 April
Novel is happy to welcome the highly anticipated return of Dusky. Alfie Granger-Howell and Nick Harriman aka Dusky is the London born duo who have steadily maintained a growing fanbase since their emergence in the early 10’s. Their 2011 breakthrough track ‘Flo Jam’ asserted itself as a club-ready anthem, worthy of it’s Beatport #1 title. This was followed by a string of other club favourites ‘Careless’, ‘Love Taking Over’ and ‘Yoohoo’.
Equally loved for their considered and well-sourced DJ sets, a Dusky set harbours all things hard-hitting, infectious and pristinely arranged. As label owners, they imbue their 17 Steps imprint with forward-thinking house and techno from the likes of Bwana, Perel, Mella Dee, Perc and Ryan Elliott. As the label continues to develop, Dusky remain working across multiple disciplines, firmly rooted in the dance music culture that has inspired them ever since their formative days raving as teenagers at venues across London.
After hosting Dusky at Let Them Eat Cake, smalltown and Pitch Music & Arts, Novel is eager to welcome their return as they kick off the Easter long weekend.
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Agoria, Âme b2b Marcel Dettmann b2b Rødhåd, Âme Live, Daniel Avery b2b HAAi, Denis Horvat, Dixon, DJ Koze, Donna Leake, Dr. Rubinstein, Gerd Janson, Kia, Or:la b2b Roi Perez, Perel Live, Pional, Trikk
Detroit Love:
Carl Craig, Inner City (Live), Mirko Loco, Moodymann, Octave One live, Flo Real
Exhale:
Amelie Lens, Dax J, Farrago, Kobosil, Rachel Lyn
18TH – 21ST JUNE 2020 | POBLE ESPANYOL, BARCELONA
https://offsonar.co/
Barcelona’s OFFSónar has revealed the first artist lineups for their 2020 series, with a huge selection of cutting-edge acts confirmed for showcases from Detroit Love, Exhale and Innervisions. Taking place from 18 – 21 of June, the four days of OFFSónar parties are located within the unique open-air Poble Espanyol complex and run concurrently to Sónar festival.
Once again taking over all three venues within Poble Espanyol is Innervisions, who have confirmed no less than 20 artists for their showcase which will bring OFFSónar’s four days of parties to a monumental close on Sunday 21st of June. The forward thinking bill includes an impressive series of b2b sets, including an unmissable b2b2b with Âme, Marcel Dettmann and Rødhåd, while innovative craftsman Daniel Avery will join forces with frequent DJing partner and eclectic selector HAAi, with Or:la and Roi Perez also teaming up. Agoria, DJ Koze, Gerd Janson, Donna Leake and Denis Horvat are also amongst those confirmed, with the finale party curated and capped off by label co-founders Dixon and Âme.
Carl Craig is poised to welcome fellow Detroit techno pioneers Inner City (live), Moodymann and Octave One (live) for his Detroit Love party on Thursday 18th June. His friend and peer Mirko Loko will also join proceedings plus Viennese DJ Flo Real, with the party set to take over the stunning Monasterio venue that’s situated at the highest point of Poble Espanyol and boasts panoramic views across Barcelona.
Continuing to push forward the new generation of techno, Amelie Lens will return to Carpa & Picnic with her lauded Exhale imprint. Joining her is Dax J, bringing his individual style of raw and uncompromising techno to the pine-filled outdoor space. Also confirmed is rising Belgian artist Farrago – having released their debut EP on Amelie’s LENSKE label in 2018 – as well as Kobosil and Modular Gang founder Rachel Lyn.
Running as the companion event to Sónar festival to create summer’s most anticipated party week in Europe, OFFSónar offers four days of parties for the most discerning lovers of house and techno within the backdrop of the vibrant city of Barcelona. Blessed with 4 kilometers of sandy beaches, the cosmopolitan city is a hub of culture, art and nightlife, and with OFFSónar’s setting of Poble Espanyol cradling three iconic venues, is not to be missed. The series has also confirmed events from Circoloco, Drumcode, and an OffSónar special with Paul Kalkbrenner & Boris Brejcha, with more details, line ups, and two more events still to be revealed.
Tickets for OFFSónar 2020 start at 20€, and are now available from Resident Advisor.
Lineup
Thursday 18 June 2020
Circoloco
Plaza Mayor
Lineup TBA
Detroit Love
By Carl Craig
Monasterio
Lineup: Carl Craig, Inner City (Live), Mirko Loco, Moodymann, Octave One live, Flo Real
Exhale
By Amelie Lens
Carpa & Picnic
Lineup: Amelie Lens, Dax J, Farrago, Kobosil, Rachel Lyn
Friday 19 June 2020
OFFSónar Special
With Paul Kalkbrenner and Boris Brejcha
Plaza Mayor
TBA
Monasterio
TBA
Carpa & Picnic
Saturday 20 June 2020
Drumcode
By Adam Beyer
Plaza Mayor
TBA
El Monasterio
TBA
Carpa & Picnic
Sunday 21 June 2020
Innervisions
By Ame and Dixon
Poble Espanyol Takeover
Lineup: Agoria, Âme b2b Marcel Dettmann b2b Rødhåd, Âme Live, Daniel Avery b2b HAAi, Denis Horvat, Dixon, DJ Koze, Donna Leake, Dr. Rubinstein, Gerd Janson, Kia, Or:la b2b Roi Perez, Perel Live, Pional, Trikk
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To say 2019 was a stellar year for the quietly spoken music icon Archie Roach would be a massive understatement – and it’s set to continue in 2020 as Archie Roach presents his next single and the title track from Tell Me Why.
Archie released his critically acclaimed memoir Tell Me Why and the companion album of the same name in November, and after more than four decades of song writing and recording, Tell Me Why gave Archie his first ever ARIA top – 10 album debut, when it rocketed into the charts at #7.
This weekend finds Archie in Canberra for the announcement of the 2020 Australian Of The Year, and as Victoria’s nominee he adds to an extraordinarily long list of accolades including a Member of The Order of Australia (AM), a Human Rights Achievement Awards, five ARIA Awards, and an APRA Lifetime Achievement Award.
Talking about his Australian Of The Year nomination on ABC TV’s News Breakfast this morning (and in a broader profile interview on The Project to air this evening) Archie speaks of the critical importance of keeping safe and protecting Australia’s rich heritage.
Tonight sees Archie present Tell Me Why with album producer Paul Grabowsky and a first class ensemble of musicians at the prestigious City Recital Hall, as part of Sydney Festival. A national capital city tour for May-August is soon to be announced.
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With an extensive history, including multi platinum sales globally, ARIA, Grammy & other award nods too numerous to mention, Wolfmother released album number 4, ‘Victorious’ in 2016 to rave reviews & enthusiastic international response resulting extensive world tours including forthcoming major European dates.
Led by vocalist/guitarist Andrew Stockdale, Wolfmother have amassed an international fanbase, played to sold out crowds around the world, delivered show-stealing sets at star-studded festivals including Coachella, Lollapalooza, Reading, Rock In Rio, Download & more, and have been invited to share stages with rock icons Aerosmith,AC/DC, Guns N Roses & many more – including performing by personal invitation for Led Zeppelin’s induction into the UK Music Hall of Fame! Recently Wolfmother also graced the stages of major Australian Festivals, Splendour In The Grass, Scene & Heard and Falls.
Wolfmother recently announced the release of a new album ‘Rock N Roll Baby’ now available via all digital platforms – which includes the lead track ‘Rock N Roll Survivor’. Wolfmother also recently released the single ‘Chase The Feeling’ featuring Jet’s Chris Cester which has scored rotation on major radio stations nationwide. Alongside of current event and festival dates in Australia & New Zealand, Wolfmother have just announced 3 new shows for fans at The Gov Adelaide, The Corner Melbourne and Triffid Brisbane with all shows selling fast! Full details below:
TOUR DATES
Fri Jan 24 – Rock The Swamp, Palmerston North, NZ
Sat Jan 25 – Bay Of Island Festival, Waitangi NZ
Thu Jan 30 – The Gov, Adelaide SA
Fri Jan 31 – Corner Hotel, Melbourne VIC
Sat Feb 01 – Twilight At Taronga Zoo Concert Series, Sydney NSW
Sun Feb 02 – The Triffid, Brisbane QLD
Thu Feb 06 – Freo Social, Perth WA
Fri Feb 07 – Hillary’s Nth Perth WA
Sat Feb 08 – Sugarloaf Rock Festival, Metricup (Margaret River) WA
Tickets available from http://www.wolfmother.com/
Visit Wolfmother:
FACEBOOK – https://www.facebook.com/
INSTAGRAM – https://www.instagram.com/
TWITTER – https://twitter.com/wolfmother
It has been a whirlwind January for HAWA. First, she closed Telfar’s Pitti Uomo fashion show in Florence performing atop an ornate table above Solange, Kelela and Juliana Huxtable, followed by a performance that grabbed Vogue’s attention at Gap x Telfar’s event in Paris and now she announces her debut EP. the ONE will be released on March 5 via b4 / Remote Control.
The EP includes previously released single ‘MY LOVE’ and is produced by Tony Seltzer with beats from Cadenza, Kashaka & Oscar Key Sung. HAWA also shares new single ‘IPHONE’ today, a melancholic Hip Hop call for romantic ceasefire where clarity in a relationship is sought, circling back to the EP’s title.
HAWA says of the new track,““IPHONE” is about a person trying to do everything right by the one they’re in love with, but still feeling like that person is never fully satisfied. It seems like they’re losing their love. Is the only reason why they’re staying is because they’re used to it?”
Pitchfork says HAWA’s strong, direct “sing-rap delivery stand[s] out in a crowded New York scene” and her tracks have received praise everywhere from FADER to Dazed to Pigeons & Planes. Although HAWA’s first-ever song was released just over a year ago and she graduated from high school this past spring, the 19-year-old has already lived many lives. Born in Berlin to West African parents and raised in New York City, as a pre-teen HAWA was one of the youngest-ever composers for the New York Philharmonic Orchestra, with whom she toured the world. But soon HAWA’s insatiable creativity became stifled by the classical world’s stuffy limitations so she broke out.
the ONE is released on b4, a future-facing label launched in 2018 that serves as a home for tomorrow’s most relevant artists. The music on b4 is a reflection of the genre-smashing landscape, where prior categories no longer apply. This is b4’s first-ever EP release.
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Tour Dates
Friday 6th March: Pitch Music & Arts, Moyston
Saturday 7th March: FourFour, Adelaide
Sunday 8th March: Baker’s Lane, Launceston
Friday 13th March: The Bottom End, Melbourne
Sunday 15th March: Warehouse TBC, Perth
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Canadian singer/songwriter Tanya Ryan is thrilled to announce this week’s release of her new single and music video, “My Heart Song”.
“My Heart Song” – Ryan’s inspirational self-love ballad, which is produced by Mark Troyer – is the lead single from her new album, Open, coming February 20th.
The first new single release since her Top 3 finish in 2017’s Project WILD Artist Development Project, “My Heart Song” follows a period of deep transformation for the Okotoks, Alberta native.
“I went through a period of depression in which I felt really lost and isolated. This song came from the smallest voice that reminded me there is a force greater than ourselves that can support and guide us if we choose to reach for it. It was the final song written for Open, and I chose to release it as the first single because it is the most vulnerable and real. My intention moving forward in life and in music is to be entirely transparent. This was the most honest first step,” says Ryan.
Ryan’s new music marks an artistic shift as well. Known for her country sound on her 2014 EP Simple As That and at many live shows like the Calgary Stampede and the Big Valley Jamboree, the CCMA Discovery alumnus and ACMA-nominated artist has adopted a “country crossover” style for Open that also integrates roots and pop elements.
Joining “My Heart Song” on the album are five other tracks written by Ryan: the empowering life fulfilment anthem “Almost Famous”, the assertive love ballad “I Want You” (co-written with Steve Mitchell in Nashville), the unapologetic tongue-in-cheek pop-funk track “So. Damn. Good”, the contemplative ballad of relationship exploration “Love Like That”, and “Dimes” – a heartfelt ballad about a late mother’s wishes on her son’s wedding day.
Ultimately for Ryan, Open is an authentic expression and exploration of love in its many forms.
The soon-to-be mom says, “In my own life, I wanted to understand the expressions, facets, and nuances of love – love observed by a romantic partner, sexual love, mother’s love, self-love, and a love of one’s ambitious pursuits. This album represents my own understanding of love.”
Tanya Ryan will support these releases with several Canadian shows in Alberta.
Facebook: @TanyaRyanxo
Instagram: @TanyaRyanxo
Twitter: @TanyaRyanxo
YouTube: @TanyaRyanMusic
Spotify: HyperURL.co/phtkwl
What’s been happening recently?
In between shows and our usual day to day lives, we’ve been hard at work behind the scenes preparing for a multitude of things, this single being one of them. We’re all keen to rip into 2020 and releasing this single is just the beginning for us.
Your new single ‘Wherever You Go’ is out on the 24th of Jan 2020, what influenced the sound and songwriting for this track?
I think Will was listening to a fair bit of ‘Royal Blood’ at the time he wrote ‘Wherever You Go’, and that’s where the big bass and lack of guitar in the verses came from.
In terms of drums, I think the idea was really just, “keep it simple, keep it tight”, and that definitely worked for me. The bass and drum combo in the verses is what hooked me when I heard the first mix, and it still does whenever I hear it today.
How did you go about writing Wherever You Go?
This track kinda fell together pretty quick, I seem to recall. Once we had established the basic structure of the verse, everything else just flowed on and clicked together. We definitely spent a bit of time fine tuning the details, but for us ‘Wherever You Go’ was really easy to connect with, and we had no problems laying it down.
Where and when did you record/produce?
‘Wherever You Go’ was recorded with a bunch of other tracks, including our last single ‘Too Much’, in May 2019. We all spent a few days at the local ‘Housefox Studios’, and took our time getting everything sounding just right for these tracks, and we’re quite proud of how they all turned out.
Who did you work with during the recording/production process?
As usual, the three of us bounced ideas off one another until we found the perfect mix to suit the song, but a big influence for us was Lachlan West. He helped us out majorly for our first two EP’s, and we didn’t want anyone else to be behind the desk when we walked into the studio this time around. He has an insane amount of knowledge and skills with all the equipment, and also its just a bonus that he’s an awesome as fuck drummer and mad legend.
How did you approach the recording for this single?
As I mentioned before, we recorded a few other tracks in the same session at the studio, but we made sure we weren’t biting off more than we could chew. We took our time setting up, and made sure every little detail sounded perfect before moving onto the next thing. Being a relatively straight forward song drumming-wise, it was a pretty simple process to lay down the track and then spend a bit more time focussing on the guitars, vocals and all the other little things.
What programs/instruments did you use?
The drums on the track are played on a custom kit, based off a Pearl Reference Pure, and a variety of tasty sounding cymbals from Zildjian, Bosphorus and Meinl. We messed around with a few different sizes of snares and toms, but we ultimately landed on the usual 14 inch snare and I couldn’t be happier with how it turned out.
In terms of production, Lachy is the production wizard, so the ball is very much in his court. All that stuff doesn’t really make sense to me, I think he uses Protools.
Who are you listening to at the moment?
For the last few weeks I’ve had ‘The Vanns’ on repeat non-stop, especially their ‘Through The Wall’ album. I really cant seem to get enough of it, which is the best feeling to me. If I haven’t been listing to that, then I’ve been blasting some ‘Middle Kids’ as well which is always a safe bet.
What is the average day like for you?
For me, most days consist of work until about 4pm. I manage to listen to quite a bit of music while I’m there so I’ve always got my ear out for what’s on the radio/what’s up next on the playlist. After work is usually a quick swim at the beach and/or a bit of time playing drums. I try and get behind the kit every few days, and recently I’ve been investing a bit more time in my technique, instead of just thrashing away like a maniac. If its not one of those things, I usually hang out with Will and Dan for a few hours and we just chill out, have a few drinks and have a laugh.
Do you collaborate with other musicians?
As a band we haven’t collaborated with anyone yet, or that I know of. However if any opportunity of the sort came about, I would be keen to pursue it and see where it takes us.
Have you ever dealt with performance anxiety?
Yeah for sure. I cant speak for everyone when I say this, but I’m sure most performers have had some wobbly knees before a show or two, I think its just natural. Obviously as time goes on and you become more comfortable doing what you’re doing, the nerves will go away. But I have definitely been anxious before a big gig, but they’re the nights that tend to be the best shows we play, so its always worth it.
Any advice for aspiring musicians?
Persevere! It sounds simple but it really is important. We’d all love to play our music and “make it” overnight. But the reality is that rarely happens in this day and age. However, if you’re good at what you do and you continue to put the effort into your practice/gigs/recording then you will 100% start seeing some results, you’ve just got to persist.
What’s planned for 2020?
A whole bunch of stuff, to put it simply.
Without revealing too much, I can safely say you will hear more new tunes, and you will see us playing more shows around the country and locally.
Stay tuned, we’ve got some cool stuff coming.
“Festivalgoers can dance from dusk until dawn, journey through immersive environments, take a dip in the serene lake, indulge in delicious eats from craft vendors, or hit reset with a meditative sound bath or expert-led yoga class.” said Brett Herman Co-Founder and Managing Director at BangOn!NYC. “Over the past four years we’ve delivered big surprises and created unforgettable, transformative memories for our festival family, and 2020 won’t disappoint.”
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Music for tastemakers. Featuring all of tomorrow’s relevant electronic and crossover music today.
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Immersive stages. Featuring engrossing environments composed of 4 main (Earth, Air, Fire, Water) stags along with dozens of community produced stages .
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Larger than life art. Featuring dozens of large-scale art installations spanning from live performances to multi-sensory interactive experiences.
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The ideal destination. Accessible destination for all major metro areas in the Northeast.
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Diverse scenery. From expansive beachfront to an enchanted forest to rolling hills, every summer activity is within reach inside our 100 acres of diverse landscape.
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Special programming. A packed schedule of risque programs and playful workshops.
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A reconfigured campground. Sprawling villages that consist of a variety of tents and makeshift homes that bring to life a small world.
MEAGAN HAMILTON
YOKOO
The multi-day camping festival takes place at a picturesque venue in Northeast Pennsylvania (US), 2.5 hours from NYC. We have an exclusive long-term lease on a prime property that features a private lake, rolling hills, and a magical forest. The event features three days and nights of dance and crossover music, large-scale art installations, interactive performances, a pirate ship, 3D video projection
You’ve had a gnarly 12 months, what’s happened and what’s been happening?
Its been crazy! 2019 was hectic – I think I played about 200 shows 😮
I released an EP and a single with Zoe Badwi, and I did a tour around Bali, Fiji and Oz the last two months of 2019! It was hectic.
Where are you at the moment?
Currently I’m in Tasmania! Playing a show in Burnie Oz Day Eve! My new single just got released! YEEHAW!
We’re frothin on your new single ‘Take It In’ what influenced the sound and songwriting?
Thanks man! Im super proud of it! About a year ago I stumbled across this dude Max Glyde. Absolute freak. The moment I heard is shit I wanted to make something with him. 12 months later we have a single and about 7 beats stacked up! I think his classy feel and my funk work super well together!
Where and how did you go about writing/producing Take It In?
We made the beat in a studio at his uni in Box Hill, and to be honest the crux of it came together in about an hour. Was pre crazy. We both work with Velvet Bloom so we got her in a week later and she smashed the top line. From there, we finessed it for 4-5 months after that.
What programs/instruments did you use to record/produce?
Me and Max both use Ableton. And me and max both heavily use Massive and Sylenth for sounds! As well as Max on live guitar!
How did you approach the recording/production process?
Unless a vocal is sent to me, I pretty much always start with making a beat which is what Max and I did, then you approach a vocalist and re structure and do stuff from there!
Who did you work with if anybody?
Max Glyde (collab), Velvet Bloom (vocals), Lachie Milne (Mixing), Panorama Mastering (Mastering).
What did you find most challenging and rewarding during the creation of Take It In?
Rewarding for me was the dynamic me and max have in the studio. We just click and its so good. It was challenging finishing the last 10% of it. Really challenging. Most of it was there but we took several sessions to be completely happy with it!
How has your live show progressed over the last few years?
My DJ set I feel has just become more versatile and I think as a performer I’ve become more confident in what I’m doing. Im also playing more and more originals which is great. I am definitely working towards my live show though with a full band. Watch this space 😛
What have the fans been like live?
They love it – and its great cause they vary so much depending on where you play. Blessed to be here.
Who are you listening to at the moment?
Max Glyde, Tentendo, Dombresky, Blush’ko, heaps of slower stuff and Yoga music when I’m trying to sleep haha.
What’s planned for the next few months and 2020 as a whole?
Definitely playing shows, but more importantly releasing music and making heaps of it. I have about 4 singles ready and raring and I want them all out this year ideally. 2020 for me is really honing in on the production side of things.
I hear that you’ve got a fun lil show coming up with The Partae, what can we expect?
You must’ve heard correctly 😉 Intimacy, funk, fun and a heap of taking it in 😉
Insta – http://bit.ly/2iXnYeZ
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