the partae
What is your name and role within Harves?
My name is Matthew Wright and my role in Harves includes singing/songwriting, playing keys and panicking about things I don’t need to.
Where are you currently based?
Based in Melbourne, Australia.
How did Harves form?
Sam and I spent many years sending song files back and forth and loosely collaborating over the internet. Until mid-2020, we didn’t really have a clear vision for what we were attempting to do. Our first single (Do Your Worst) was placed in a film through our publishers, and that was really the catalyst for us getting our shit together.
What’s been happening recently and how has your Covid experience been so far?
We’ve mostly been writing and preparing for our next release. Covid has certainly made things tougher for us. We’ve worked together in person only a handful of times this year, but in that time we’ve managed to launch the band, and finish and release 2 songs. We’re adapting I guess.
Your new single ‘The River’ is out now, what influenced the sound and songwriting?
Harves take influence from wherever we can. Between the two of us, our taste in music is incredibly broad. We don’t really make a conscious effort to sound any particular way. I think our music is a perfect blend of everything we like, and the River is a great representation of that.
How did you go about writing The River?
Sam sent through the instrumental idea about a year ago and the vocal came to me almost instantly. It was one of those songs that takes on a life of their own. Apart from some changes the chorus, nearly everything was written within a couple of hours.
Where and when did you record/produce/master and who did you work with?
We record and produce our own songs. Sam is also Produces/Mixes/Masters by trade. Harves are a pretty self-sufficient unit.
How did you approach the recording process?
Due to Covid, The River was recorded entirely from our respective houses. I did the vocals in my bedroom and Sam took care of mostly everything else in his home studio.
What does The River mean to you?
The River is a metaphor for the place that my mind goes when I create music. It can be a really dark and often lonely place, but coming out the other end is almost always worth it.
Who are you listening to at the moment?
Right this very second I’m listening to John Coltrane. Also been giving the new HEALTH record a lot of love. We’re both massive fans of nearly everything they do.
What do you like to do away from music?
We’re both pretty avid gamers. I’d say we’re nearly as passionate about video games as we are about music. We draw a lot of inspiration from that world. Writing for video game soundtracks is a big goal for us.
What’s planned for the remainder of 2020 going into 2021?
We’ll be spending the rest of the year writing and preparing for our next release. We’re still undecided on what that release will be, but time will tell. Now that Covid restrictions are easing, we’ll no doubt start looking into playing some shows.
Favourite food and place to hangout?
Honestly, my favourite place to hang out is in the comfort of my own home. I’m a bit agoraphobic, so the thought of going out makes me kinda anxious these days. My favourite food is dill pickles – I could (and often do) eat them all day, every day.
CLUBBING TV ANNOUNCES CLUBBING.LIVE, A NEW, INTERACTIVE LIVE STREAMING PLATFORM
THE BONNIE DOONS unveil shining sophomore EP release, THE BETWEENERS
LISTEN To THE BETWEENERS : https://distrokid.com/hyperfollow/thebonniedoons/the-betweeners-2
Heralding a summer where we all will (hopefully) return to some sense of normalcy, Brisbane five-piece The Bonnie Doons release their much anticipated new EP, The Betweeners.
The four track release from the Brisbane indie group comes rich in groove and rhythm, positioning the young band as formidable champions of this sound out on the East Coast. Across the EP, listeners are able to learn more about this young band, who have developed into one of Brisbane’s brightest acts, pushing soulful songwriting and performance forward.
The music of the EP sits in the same lane as your Ocean Alleys or your Lime Cordiales, yet in the wordplay, cadence and flow of the lyrics against the music, The Bonnie Doons also call on the likes of Erykah Badu, Outkast and Sublime in their artistry.
A record that is rooted in optimism and always to better days, The Betweeners traces the intricacies of relationships and growing up. Recorded at Brisbane’s Alchemix Studios, production was handled by the band’s Kane Kennedy before being sent to ARIA winning engineer Govinda Doyle (Angus and Julia Stone) for mixing and mastering.
Warmth surrounds the guitars and percussion throughout the EP, while in Torian Brewer and Kennedy’s vocals, the listener is treated to a strong duo at ease with one another on track. Brewer is a natural on the mic; his cadence flowing naturally as his wordplay construction. Backed by great textured vocals and production, it’s a joy to listen to. EP tracks ‘Supatool’ and ‘JIEM’ provided added reggae notes, leaning heavy on the bass and rhythms, each element easily complementing one another.
“Ultimately it is about being truthful to yourself; to quit deceiving yourself because it’s easier at the time, and having the confidence to stick to your guns. In a day where anxieties are prevalent everywhere, we’re trying to focus on making our actions more deliberate. Don’t just sit back and let life happen to you. We should all be the main character in the movie that is our life.” The Bonnie Doons
PRAISE FOR THE BONNIE DOONS
“Brisbane five piece The Bonnie Doons meld their sun-drenched surf rock and nascent pop influences, making for a groove-laden, incredibly catchy bop for fans of Ocean Alley or Lime Cordiale.”
Music Feeds
“…the Brisbane five-piece deliver an instant summer soundtrack; ‘Fred’ pairs a rich, atmospheric sound with motivational lyrics…”
NME
“With more refined funk and deeper roots grooves, it’s clear that the group are finding themselves comfortably in line with the likes of Ocean Alley and San Cisco.”
Like Velvet
LISTEN To THE BETWEENERS : https://distrokid.com/hyperfollow/thebonniedoons/the-betweeners-2
ANDREW POLOLOS DAZZLES IN NEW SINGLE, ‘CONTROL’ FEATURING JT SOUL ANNOUNCES FORTHCOMING DEBUT ALBUM, UNTIL WE DANCE OUT NOW VIA AQUARIUS RECORDS
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COURTNEY BARNETT Announces Global Livestream From Where I’m Standing: Live from the Royal Exhibition Building, Melbourne Streaming Live to Homes and Cinemas around Australia
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Association of Artist Managers and Warner Music Australia Team Up To Launch First Nations Mentor Program
The AAM and Warner Music Australia are proud to announce their First Nations Mentorship program for 2020/2021. Commencing in 2014, the program has evolved into a multi-faceted professional development program consisting of peer- to- peer mentorship, essential development workshops and networking opportunities.
This years’ refreshed program has evolved once again, to encompass two different pathways; one for two current First Nations managers at any stage of their career, the second is for one First Nations person interested in artist management. As well as a peer-to-peer mentorship, the program includes a panel of First Nations voices, who will have a frank discussion about sovereignty and the work the greater music industry needs to undertake to ensure that diversity, representation and acknowledgement is safe-guarded into the future. Mentees will also have the opportunity to have one on one time with specialist team members within the Warner Music family.
Panelists for the 2020/2021 panel discussion are Kabi Kabi and Wiradjuri artist and producer Alethea Beetson, rapper, drummer and speaker from Brewarrina Ryan Dobby and 2019/2020 mentee and AAM member Cerisa Grant. The panel will be held on Friday 4th Dec from 10am – 11.30am (AEDT).
As inequality for our First Nations people within the music industry continues to be highlighted, the AAM and Warner Music Australia hope that this program can equip and enable first peoples to take an active and vital role in Artist Management.
Apply for the AAM/Warner Music First Nations Mentor Program here
https://www.aam.org.au/
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UP LATE ANNOUNCES ‘STARS’ EP, OUT DECEMBER 18 NEW SINGLE ‘FUCK YOU’ ft. HEARTEYES OUT NOW
“That distortion and chaos, mixed with the pop semblance – that dichotomy – that genre-mashing, that’s the EP. That’s Up Late.”
~ Max Pasalic
Fresh from the announce of his new label home, Up Late is announcing his forthcoming EP ‘STARS’ will be released on Friday December 18, alongside the reveal of new cut ‘Fuck You’ ft. Hearteyes today.
The moniker for Wollongong singer-songwriter, producer and visual artist Max Pasalic, Up Late’s latest single features fellow Wollongong artist and longtime friend Hearteyes. Leaning heavily into his flair for alt-rock, Pasalic explains that ‘Fuck You’ is a response to rules and routine and embodies the DIY ethos both artists hold close to their chest.
“Fuck You is our chance to literally say fuck it to the rules and parameters placed on artists and creators,” he says, adding that this track marks the first “rock song” in the purposefully genre-less Up Late project.
“When I originally wrote this it was just four guitar chords because I honestly suck at guitar. That’s the DIY hardcore attitude – ‘who cares if I can’t play guitar? I can play four chords so fuck it that’s my song’.
“Hearteyes dm’d me after hearing ‘Friends’ and we started re-connecting. I showed him ‘Fuck You’ and he saw the vision immediately and came into the studio the next day with a Chrome Hearts trucker and a tote bag full of beer and tracked his verse in 10 minutes. He’s got true chaotic energy, he’s the human embodiment of relentless creativity.”
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Kids Of Yesterday Release New Single Mad World (Tears For Fears) Debut Album Escape Planet Out This Friday November 27
Today, Sydney punk rock band Kids Of Yesterday release their version of the Tears For Fears hit Mad World. The single is off the bands debut album Escape Planet, out this Friday!
Mad World sees Kids Of Yesterday belt out their own version of the Tears For Fears hit single. A late edition to the album, the cover was added during the last days of recording. Considering what everyone has been going through this year, you can understand why Kids Of Yesterday decided that this song needed a revival. While the track has been covered many times, the band make it their own, starting off acoustic, it develops into an up-tempo punk rock anthem.
Mad World is the third single to be released off the bands debut album Escape Planet, out independently this Friday Nov 27.
Escape Planet was recorded at The Grove studios on the central coast of NSW with producer Jack Nigro (DMA’s, Skegss, Vacations). Kids Of Yesterday have combined elements of Frenzal Rhomb, Rise Against, Frank Turner and NOFX with their own brash form of punk on their debut album. For fans of late 90’s classic punk rock from Fat Wreck Chords and Epitaph Records, this will be one of the best Australian punk rock records released this year.
Kids of Yesterday is the brainchild of singer/ guitarist / chief songwriter Duncan Davidson. The band first formed in 2010 in the jam room of a Tempe share-house. Over the years founding members Duncan Davidson and Joseph Lamond have been joined by many talented musicians in the line up, as the band gigged frequently throughout Sydney, while self-releasing several EPs.
ICYMI Kids Of Yesterday have already released two singles from their debut album, Reefer Madness and Woman Of Stars.
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WADE JACKSON Signs to Broken Stone Releases new single ‘Nightlife’ Announces new album Sensationalized
Broken Stone Records are pleased to announce Wade Jackson has joined their roster and will release his new album Sensationalized on Friday 4 December. Wade today releases new single ‘Nightlife‘
As Wade says of the single “I wrote and recorded Nightlife during the Coronavirus lockdown in Sydney. The view of the empty streets from my apartment window, particularly in the night, made me imagine a dystopian city that had been taken over by witches. The witches slept in nightclubs during the day and musicians must call/summon these witches at dusk by playing music that they enjoy to bring them out of their slumber and leave the clubs in good moods. If the music is to their liking, it would make them levitate and dance in the night sky whilst giving off rich-red, silky light flashes. I wanted the outro guitar solo to represent the witch dancing in the sky.”
Wade Jackson – ‘Nightlife’
Purchase/Stream: https://
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Where are you currently based?
I currently live in Adelaide near the water!
How did you first start playing music?
I started playing music when I was 16ish I actually just decided to dust off my brothers old guitar and look up some YouTube tutorials on how to play songs I liked at the time.
What’s been happening recently and how has your Covid experience been so far?
I’ve just finally released the EP ‘Coping Mechanisms’ via Dew Process which I’m super happy to be able to share. Covid has obviously impacted music and arts this year but personally it hasn’t been too bad for me. I’ve enjoyed a bit of down time. The one thing I miss the most is playing live and touring so I’m looking forward to potentially getting back at it and doing that in the somewhat near future. Fingers crossed!
How did you go about writing Coping Mechanisms and what does this EP mean to you?
I wrote the EP across 2018 and 2019. I think this EP to me is finding hope in darker times and strength in small things even when it feels impossible.
Where and when did you record/produce EP? Who did you work with?
I recorded the EP towards the end of 2019 in Melbourne’s Shed Studios with John Castle. Other collaborators I worked closely with on this EP are my great friends Benjamin Tamblyn and Mario Spate, as well as writing with Joel Quartmaine & Konny Kersting.
What did you find most challenging and rewarding throughout the process?
I think the challenge wasn’t so much the creation and writing of the music but persevering through personal issues while trying to remain creatively energised and enthused. Completing the EP and more so releasing it has been the rewarding part and seeing how it has resonated with others.
Any live shows coming up?
December 11th in Adelaide at JIVE I’ll be playing my first headline show of the year and I’m over the moon about it.
What do you like to do away from music?
Cooking, crafting, walking my doggo, binging tv series and seeing my fam and friends.
AUSSIE MUSICIANS EVES KARYDAS, L-FRESH THE LION & MIKE WATERS MAKE A DIFFERENCE IN LEAD UP TO MUSICIANS MAKING A DIFFERENCE DAY (MMAD DAY) FRIDAY, DECEMBER 4
L-Fresh the Lion, Eves Karydas & Mike Waters have opened up about their struggles with mental health in candid conversations with Danny Clayton in the hope that others will know they’re not alone and find inspiration and healing through their music.
Queensland born songstress Karydas first started working through her battle with anxiety when recording new music when she first moved to London.
“I was trying to take advantage of the opportunity, but I just had this dark cloud hanging over my head. It was a pain in the butt.” – Singer/songwriter Eves Karydas
Karydas talks through ways she’s dealt with anxiety and how she’s used those feelings to motivate her songwriting, resulting in the creation of one of 2020’s strongest pop indie releases, “Complicated”.
As a way to combat his own mental health issues, Mike Waters reflected on his own dealing process, inspiring his song “I’m Doing Fine” which has ticked over one million plays on Spotify alone. Mike breaks down how a moment of not feeling okay, went on to inspire his song and important conversations with the people closest in his life.
“I was really struggling and I felt like it was going to be this way forever, once I started reaching out to people I realised I’m not the only one who feels like this.” – Melbourne singer/songwriter Mike Waters
Sydney’s own L-Fresh the Lion’s journey with music started as one of self discovery and understanding his identity. Through music he’s discovered more about himself as well as how to tell his own story through his acclaimed lyrics.
“Hip Hop values authenticity, If I want to be like Tupac I can’t tell his story, I can only tell my story, so what is my story?” – Sydney hip-hop icon L-Fresh the Lion
These important conversations have been released in the lead up to Musicians Making A Difference Day (MMAD Day) on Friday December 4, a day dedicated to amplifying the power of music in creating positive change in the world and bringing awareness to the work of Australian music youth charity, MMAD.
“If you are going through a hard time you are absolutely not alone. I hope this series or my episode reaches you in some way; sending everyone lots of love.” – Eves Karydas
Listen to the Music Saved Me podcast, proudly supported by Newcastle Permanent Charitable Foundation, Sony Foundation, Universal Music Australia & Verizon Media.
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DJ AND PRODUCER ASPEN KING DELIVERS FIERCE SOUND OF ‘FALLING’ Out now on Heldeep Records
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DIPLO & SONNY FODERA COLLABORATE ON UK HOUSE MUSIC HEATER ‘TURN BACK TIME’
LISTEN TO ‘TURN BACK TIME’ HERE
FFRR / HIGHER GROUND
DIPLO & SONNY FODERA – ‘TURN BACK TIME’
OUT NOW
Legendary House Music label FFRR and Diplo’s Higher Ground continue their flurry of outstanding releases with ‘Turn Back Time’, a sensational collaboration between two of the scene’s most exciting major players, Diplo and Sonny Fodera.
Bringing together their combined production prowess they deliver a new track with unquestionable dancefloor appeal. This new release is full of old skool piano stabs, a sublime vocal, bouncy beats and an infectious electronic bass line that instantly hooks you; all coming together to make a track that has a feel-good vibe running throughout.
“Turn Back Time was born out of a late night session with me & Diplo. I was on tour in LA at the time, playing some amazing shows, meeting some really cool people and feeling super inspired by my surroundings. I played Turn Back Time in some of my last live shows and the response was so crazy, we knew we had to release it! Enjoy… and let’s hope I can drop this one LIVE for you all
Fresh off the back of another standout crossover dance release ‘Wired’ feat Ella Eyre, Sonny Fodera’s once again showcases how his production style just works. Having remixed the biggest names in the genre, Sonny has worked with an impressive string of leading artists including Calvin Harris, Disciples, MK and many more. Mixmag noted him as “one of the biggest draws in house” having sensationally sold out the London Printworks in 24 hours. It’s clear that Sonny is a rapidly rising talent, with more than a dozen top ten releases via Beatport, several studio albums and having performed at the world’s most renowned clubs and festivals.
Diplo is as an artist who needs little introduction as his musical credentials speak for themselves. His recent release ‘Looking For Me’ with Paul Woolford and Kareen Lomax sensationally clocked over 80 million combined streams, gaining a US #1 dance chart in the process. Simultaneously he brought us ‘On My Mind’ with fellow US producers SIDEPIECE, achieving ‘Track Of The Week’ on Radio 1, becoming a Tik Tok viral phenomenon, breaking through the 70 million streams mark and was a BRIT certified Gold. Diplo has also released his genre bending country album and is the driving force behind incredible acts such as Major Lazer, Silk City, LSD and Jack Ü. He has produced for Beyonce, Madonna, The Weeknd and M.I.A. He is one of the most renowned contemporary and in demand producers of our time with three Grammy wins and multiple nominations to his name.
With a brand-new video in the pipeline and the track already teased in the artists DJ sets ‘Turn Back Time’ will no doubt follow on the success of their recent releases, brought to you by FFRR a tried and tested label delivering dance anthems for decades.
Diplo & Sonny Fodera’s ‘Turn Back Time’ is out now FFRR / Higher Ground
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BOILERS deliver massive hit on their remake of the globally adored ‘Kiss Me’ Out now on OH₂ Records
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