byGanz Extraordinaire & Astral Element have teamed up to create Saraab, a new festival concept in the heart of the Red Sea Mountains of Il Monte Galala by Tatweer Misr, taking place December 1-2nd, 2022.
Have you ever woken up and not been able to make out the end of your dream and the beginning of your memories? Had a night that felt more illusion than reality? Met someone that seemed to be from another dimension?
“Like a mirage in the distance, we believe that the way things are is not the way they have to be. That when we come together, at the right time for the right reason, anything is achievable. Sound becomes language. Strangers become friends. Time a mere illusion. Some say it’s all an illusion, we prefer to call it Saraab.”
Saraab is a one of a kind 2-day electronic festival held by the majestic mountains of the Red Sea with a killer sea view. With a venue capacity of 3000 attendees and some of the biggest names in the electronic industry playing back to back, Saraab will be held over the span of two days across two main stages and a marketplace.
With a lineup announced that includes Polo & Pan (DJ set), Maceo Plex, Âme (live), Éclair Fifi, Mano Le Tough, Bas Ibellini, Terr, Lamache, Maher Daniel, Gerd Janson, D’Julz, Salomé Le Chat, William Djoko as well as local heroes, Misty, Chiati (live), Aroussi, DNGR GNGR and Maie; the SARAAB lineup will be unforgettable.
Along with two performing stages, the marketplace will include vendors of all kinds as well as a smaller stage with up and coming artists as Saraab looks to spotlight local and rising talent.
Saraab is bringing together DJs and visual artists and establishing a market where people can share their interests and products from vintage pieces to art pieces and fashion in a one-of-a-kind market alongside mouthwatering food pop-ups.
Located in Il Monte Galala, the top-notch destination is the ideal location for the event due to its raw natural beauty and space. The venue is spacious and versatile with a killer view of the mountains and the sea and located only an hour away from Cairo.
Tour Dates Thursday 27th September:smalltown @ B3 (Etihad Stadium), Melbourne Saturday 29th September: Moments Like This @ Greenwood, Sydney
The unstoppable force that is Gerd Janson has been house and techno’s best kept secret for years, but now that has all changed. Mostly known as a ‘DJs DJ’, of recent years Janson has broken through the confines of the commercially unknown into the limelight as one of the most celebrated DJs on Earth (even without his direct use of social media). Although his sets have been the driving force behind his success, Janson has also excelled in other musical avenues. His label Running Back has been responsible for signing the likes of KiNK, Fort Romeau, Henrik Schwarz and more, and his productions are incredibly unique, a credit to the sound he has built over the years. Famed for his ability to find music long before his peers, the Australian return of Gerd Janson is once again as exciting as ever.
Gerd Janson is one of the most highly respected DJs in the world of house and techno. Quite often, “highly respected” goes hand-in-hand with “underrated” but over the past few years, audiences around the world have also found out what insider types already knew: Janson is a DJ that reconfigures the classics you already knew in an unexpected way – and introduce you to new classics, a few months (or years) before you’ll hear them played everywhere else.
Raised just outside of Frankfurt, Janson came to dance music at a young age. He was introduced to techno via a scout leader, who lent him a tape in the early ‘90s made by German techno legend Sven Väth. The region – at that time – was Germany’s most vibrant outpost for the stuff, and he soon fell in love.
A few years later – once he got old enough to credibly sneak into clubs – he found himself traveling around the country to see heroes both local and international Masters at Work. Moodymann. Robert Hood. Techno. House. The style didn’t matter. He was hooked.
This genre-free philosophy been a theme throughout Janson’s career. House and techno have been an underlying theme, but listening to his DJ sets, you’ll often hear different types of things filtering through: UK funky, synth pop, industrial. It’s a cliché, to be sure, but he’s the type of DJ that digs so that you don’t have to.
Janson is one of the most modest DJs you’ll find, and he’ll very often point toward his frequent DJ partner Thomas Hammann as a reason for this versatility. Together with Hammann, Janson has held down a residency at Frankfurt’s Robert-Johnson club since 2000. They’ve brought artists like Theo Parrish, Kenny Dixon Jr. and Maurice Fulton to the club, and through their curatorial choices have helped to ensure that the club remains one of the world’s finest (in 2012, the venue was voted #3 in Groove Magazine’s Best Clubs list). In 2010, Janson and Hammann produced a CD for the club’s mix CD series, and earned accolades from media around the world, eventually garnering a spot in Resident Advisor’s Top compilations of the year.
The success accorded to the mix CD has led to more and more DJ gigs. In 2013 alone, Janson played in Australia, Brazil, Israel, Japan and Singapore, as well as an invitation to become a resident at Berlin’s Panorama Bar – a former power plant that is universally regarded as one of the world’s best clubs. In 2013, he was named de:bug’s #2 DJ of the year, as well as being high on the Resident Advisor Top 100 DJ List and #8 in Groove Magazine.
This is also due in no small part to his work as the brain behind the Running Back label, an imprint that has been a home to numerous artists over the years. It’s testament to Janson’s curatorial instinct that music both popular – Tensnake, Todd Terje – and cult – Maurice Fulton, Theo Parrish – feel right at home. There are few labels that have put out an EP that contains two tracks that made it on Resident Advisor’s end-of-year list and a 12-inch that boasts “Professional Sound Effects.”
In addition to his work helming Running Back, Janson has also teamed up with Philip Lauer under the Tuff City Kids alias. Originally taken on as a remix project, the partnership has quickly evolved to include original productions that have seen release on Unterton and Delsin. Their work together is classic-leaning – unpretentious and hugely effective on the dance floor.
It is similar in many ways to Janson’s work as both a DJ and a label boss – it’s the type of stuff that sneaks up on you. Quality, without being flashy. Wonderful, without announcing itself as such. In short, Gerd Janson is one of the increasingly worst kept secrets in the world of dance music. A DJ versatile enough to rock just about any dance floor. A DJ who cares about the profession of DJ. A DJ worth hearing.