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BODY TYPE
Expired Candy LP
June 2 via Poison City Records
PRE-ORDER HERE
TRACKLIST
Holding On
Summer Forever
Weekend
Tread Overhead
Sha La La
Creation Of Man
Miss The World
Anti-Romancer
Beat You Up
Albion Park
Expired Candy
Dream Girls
Shake Yer Memory
TOUR DATES
Thu 29 Jun – Rock Werchter Festival – Werchter BR
Fri 30 Jun – Roskilde Festival – Roskilde DK
Sat 1 Jul – Stadsgårdsterminalen – Stockholm SE
Mon 3 Jul – Paradiso – Amsterdam NL
Tue 4 Jul – La Boule Noir – Paris FR
Wed 5 Jul – Lexington – London UK
Thu 6 Jul – YES Basement – Manchester UK
Fri 11 Aug – Marrickville Bowling Club – Eora /Sydney
Sun 13 Aug – The Servo w/ Cable Ties – Dharawal Land / Port Kembla
Sat 19 Aug – Corner Hotel – Naarm / Melbourne
Sat 26 Aug – The Zoo – Meanjin / Brisbane
Fri 1 Sep – The Rechabite – Boorloo / Perth
Tickets available at www.bodytypeband.com
Stay connected with Body Type:
Website | Facebook | Twitter | Instagram | Youtube
Where are you currently based?
Nashville, TN!
What’s been happening recently?
I’ve been on the road a bunch, got to make my Opry debut, and now just released a new EP!
Your latest EP Greatest Show On Dirt was released on May 5, what influenced the sound and songwriting?
It was really important to me to dig deeper into what “my sound” is. I really just tried to follow my instincts on the sound and production, as well as just letting the band play and do their thing. I didn’t want to micromanage the music, and my producers were great collaborators and leaders in the studio. As far as the songwriting goes just I tried to really peel back some more layers of myself, and be as honest as possible.
What inspired the title track ‘Greatest Show On Dirt’?
My friend Trannie Anderson brought the title to a writers retreat I was on with her, Jake Mitchell and Matt McGinn. We all immediately thought it was an amazing title, but we weren’t sure what it should be about. My first thought was that greatest show on dirt would have something to do with Rodeo… I used to have a horse but I mainly just drank beer and took her on trail rides so writing a song about the rodeo wouldn’t really be authentic to me. Then we thought about it being more of a throwback to an old flame. Summer love with the guy who had it all, Hollywood looks, all the right lines, and a truck to take you riding around the back roads all summer. Even though it didn’t work out, Looking back on the memory has a very dreamy, cinematic nostalgia to it.
What does this EP mean to you?
This EP represents a new chapter for me. I think these are some of the best and most personal songs I’ve written, and I feel like myself, the band, the songwriters and the producers all brought the music to life in a way that feels authentically “me”.
Please tell us about the accompanying singles film clips, the inspiration and filming process.
I worked with Ford Fairchild for all of the music videos for “Greatest Show On Dirt.” His energy and creativity is so infectious! The video for “She’s No Good For Me” shows me throwing out items from my past as I move into this new version of myself. For the “Ours” video, I had my guitar player play my toxic ex. This video will also always hold a special place in my heart because it was the day I got the call from Terri Clark to say I was gonna make my Opry debut. The “Greatest Show On Dirt” video shows a mini me and her first love. It also features my band. For “Red Roses & Red Flags,” I was able to try out my acting skills!
Who are you listening to at the moment?
The Bros. Landreth
What do you like to do away from music?
I love to hunt, fish, cook, play golf, mountain bike and really anything that allows me to spend time outdoors. I have also gotten into boxing lately. It is a great workout.
What’s planned for the remainder of 2023?
A lot more new music and a lot of touring!
Favourite food and place to hangout?
I love all food haha. And I’ll hangout wherever there’s cold beer, good music, and no crowds.
Instagram: @megpatrickmusic
Twitter: @MegPatrickMusic
Facebook: /MegPatrickMusic
Website: https://www.
International acts to include Sean Paul, UB40, Shaggy and much more
May 15, 2023: Australia’s biggest reggae music festival Jammin will hit Australia again this coming summer with the 2024 line-up to be released at 7am this morning. The festival features an expanded international line-up compared to its debut season in 2023 with superstars Sean Paul, UB40 and Shaggy all set to perform. Also hitting the stage will be legendary Fugees member and solo artist Wyclef Jean, as well as Bob Marley’s son Julian Marley.
Jammin Festival 2024 will be staged in Sydney and on the Gold Coast over the weekend of Feb 3-4, with both locations set to ignite in a celebration of good vibes, fun and culture. The two-day event will offer music for every reggae lover. Also on the line-up will be Hawaii’s Polynesian reggae star Fiji, US sensation J Boog and Jamaican reggae fusion band Third World. New Zealand favourites House of Shem and Sons of Zion will perform, as will Hawaiian-cum Samoan reggae band Common Kings.
Event spokesperson Matthew Spratt says next year’s festival will be bigger and better than this year’s inaugural event, which sold out in all venues. “We’re excited to be bringing some of the world’s biggest reggae artists to Australian shores – but this time with a bigger and better line-up. Australians have been craving this type of festival, with over 50,000 tickets selling at the 2023 event.”
Tickets for Jammin 2024 go on sale next Wednesday May 24 at 7pm via Ticket Fairy. Fans can pre-register now until May 24 at jamminfest.com to secure early bird tickets and go in the draw to win a range of exciting prizes.
(Dave Ruby Howe, Triple J Unearthed)
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Australian metalcore outfit Druid are armed with their latest single, ‘HANG IN THERE (IT GETS WORSE)’, out on May 12th. Packaged in Druid’s unflinching style, the volatile track is an exploration of mental health issues and the inner struggles that come with them. Since releasing their debut EP in 2019 and then a stack of singles, Druid has cemented themselves in the Australian heavy scene, sharing the stage with the likes of Void Of Vision, Alpha Wolf, The Beautiful Monument, Suspryia, Earthcaller, Lune, Diamond Construct, and many more. Now, ‘HANG IN THERE (IT GETS WORSE)’ is Jordan Williams’ – Druid’s co-lead vocalist – reflection of his own experiences with depression and other mental health issues. Paired with his hostile vocal delivery, the song’s lyrics are a brutally honest and a representation of the weight and pressure that come with such struggles – adding to the purging, fiery feel of the track. Aligning with the song’s dark themes, ‘HANG IN THERE (IT GETS WORSE)’ is an intense and cathartic composition, tied together with lacerating riffs and breakdowns that are unrelenting. While the chrous is a reference to Bring Me The Horizon’s 2008 album ‘Suicide Season’, it also hints that Williams’ mental health issues have been a part of his life since a young age. Druid’s previous blood-boiling releases have received support from the likes of Triple J (The Racket), Triple M’s Hard and Heavy, Hysteria, and Maniacs, the band also found success featuring on Spotify’s Homegrown and Heavy Playlist. Furthrmore, their single ‘DTHBLW’ was premiered via Knotfest, which later landed them a spot on Knotfest’s Pulse of the Maggots streaming festival, headlined by Hero The Hero. With its powerful and honest lyrics, volatile vocals, and explosive energy, this track is a must-hear for fans of heavy music. Druid release ‘HANG IN THERE (IT GETS WORSE)’ on Friday, May 12. |
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Follow Druid
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“Monster sound from Bad Party who push this one into overdrive real quick”
4/5 (Dave Ruby Howe, Triple J Unearthed) [About ‘I’ll Be Fine’]
“That verse surges in like a freakin’ tidal wave! Energy and power is off the charts”
4/5 (Abby Butler, Triple J) [About ‘I’ll Be Fine’]
“Possessing a catchy-as-hell chorus, ‘Sinking In’ is both well constructed and avoids any of the standard tropes of modern metalcore, carried mostly by the melodies laid down by frontman Henry Epong.” (Hysteria Mag)
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Originating from the Meanjin/Brisbane EDM scene, Bad Party rose from the depth of 2020. A vision to marry metal and EDM, the four-piece have kicked goals and welcome 2023 with their newest single ‘Want It’ and accompanying music video, out May 12. ‘Want It’ teases with a touch of trance-inducing EDM before shattering into hard and fast heavy rock riffs. The single unleashes a barrage of sound that showcases the impressive abilities of the band, with emphatic drums, crushing guitars, and aggressive bass lines all coming together to form a formidable wall of noise. Explosive and upbeat, Henry Epong’s vocals pack a punch and soar through the cathartic chorus. The intricate drumming and driving guitar riffs are anything but understated, combining to create a powerful and intense listening experience of high-octane energy punctuated with flashes of EDM that add an extra layer of excitement to the mix. Raw with emotion, ‘Want It’ reflects desire and lust. Consumed with an obsession for someone or something, the grittiness of emotion seeps through the track. Punchy and to the point, the single captures the difficulty of self-reflection on the feeling. From their first releases ‘Welcome To The Party’ and ‘Run’ in early 2021, Bad Party has gained a passionate following. Dropping their 6-track EP ‘Beyond Repair’ in 2022, the outfit have seen support from Triple J, Triple J Unearthed and Hysteria Mag. Selling out King Lear’s Throne in Brisbane for their first on-stage performance, the band supported Banks Arcade for their sold-out Brisbane show in February, and performed at AM/PM Emo Night alongside Clay J Gladstone. Not slowing down, ‘Want It’ (out May 12) is only the first drop of the year for Bad Party. |
Follow Bad Party
Spotify | Apple Music | Facebook | Insta: @badpartyau
Youtube | Soundcloud | Triple J Unearthed
How did you first start playing music?
What’s been happening recently?
Your latest single DIRT! will be out on May 12, what influenced the sound and songwriting?
How did you go about writing DIRT!?
What does this single mean to you?
The first time I played this beat I automatically thought of Squid. I’ve been a fan of his stuff for ages. I actually wrote the hook back in 2020 to his song ‘Winter Time’ and it fit so nicely on the track. Once I figured out the mood of the song I hit him up on instagram one day with the demo and he ended up vibing with it, the rest is history!
Where and when did you record/produce/master and who did you work with?
Please tell us about the collab experience:
Slowthai. Absolutely in love with his latest album! Definitely in my top 5!
What’s planned for the next 12 months?
Hoping to get a few more singles under my belt, start doing some live gigs and hopefully more collaborations!
Favourite food and place to hangout?
I’m a sucker for Zinger Box. Take out potato and gravy, upsize the chips. In terms of nightlife, either at Gods Kitchen in Mornington or Storyville in the CBD.
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LION is set to send shockwaves worldwide with his powerful debut single ‘Not Your Fetish’ (Out May 12). Making a statement with his unapologetic lyrics, hard-hitting beats and dynamic rap, the track has the impact of a lion’s roar. The electric hooks and sassy delivery will ensure you keep hitting repeat. Accompanying the track is a fierce music video that showcases LION’s artistic world. With commanding choreography and fiery shots, the jaw-dropping video is as bold as LION himself. LION’s creative prowess creates a platform for the voiceless and underrepresented. On the realisation of ‘Not Your Fetish’, LION says: “As minorities and marginalized people, so many of us have narratives written for us by people who see us as two-dimensional. This song is a condemnation of those toxic narratives. We have the power to write our own stories, and we don’t need to censor or simplify them for anyone. Our stories are messy, complex, nuanced, and we refuse to be reduced to a fetish.” LION’s mission is to subvert the norm and create a revolution. Music and dance are two sources of potent catharsis for LION, as he combines his passions to express his multifaceted identity. He brings together all the unique elements of his identity and his talents, creating theatrical, rhythmic, and prolific material. UK-born and steeped in Ethiopian heritage, queer electropop artist LION now hails from Melbourne, Australia. Performing multiple shows and festivals already, including BIGSOUND 2022 and most recently the main stage at World Pride, LION has firmly established his showstopping live presence. Signing to Tomboi Records (representing LGBTQIA+, women and POC) in 2021, LION has developed a signature sound that will be unleashed globally on the 12th of May. |
With tunes that focus on the key things in life – Sexuality. Mental Health. Consciousness – “Lefty” hits on these themes that run through the music of flamboyant Americana-indie-rockin’ band who hails from Victoria, BC. Like a queer-friendly U2 with a dash of the Pogues, their songs document the torture and delights of the artists own grueling process of self-discovery, and gives you a glimpse into the subterranean realms of the Sail Cassady
Title: Out Of My Mind feat. Jalja
Label: Ultra Records
NYC-based GATTÜSO is back on Ultra Records with his new single “Out Of My Mind,” a dark blend of house and melodic techno featuring UK singer-songwriter Jalja. The track combines Jalja‘s sultry, soulful vocals with deep, driving basslines and emotive melodies, making for an emotive and yet dancefloor-friendly release. With the lyrics about tough times in finding a partner and going back to a close friend that understands you, “Out Of My Mind” will appeal to anyone who struggles with a bad relationship or is going through other personal hurdles, but on the other hand, sonically also feels right at home for a late-night groove at an underground club. It marks the Israeli-born producer’s second single release this year as it follows his “Feel Your Love” with Navos from March.
GATTÜSO
Appearing 4 times on the Billboard Dance Radio chart, his songs have been streamed over 500 million times on Spotify, Apple Music, Amazon, and Deezer as well as released on Armada, Enhanced Music, Spinnin’ Records, Future House Music, Ultra Records. GATTÜSO‘s collaboration with Disco Killerz, “Million Things,” topped the Billboard Dance Radio Airplay and Mediabase charts, was the #1 EDM song of the week on Music Choice, and named by Sirius XM “BPM Breaker.” Capitalizing on a great upward momentum, his follow-up “When In Rome” again rose to the top of the charts. In April 2020, his debut release on Ultra Records, “Walk On Water,” feat. Kat Nestel charted Top 40 on both industry charts, Billboard Dance Radio and Mediabase. GATTÜSO‘s first release of 2022, “Afterglow,” with Nicky Romero and Jared Lee, also rapidly climbed to the top of the US dance radio charts. His collaboration with R3HAB, “Creep,” was the first official Mint Single in the exclusive Spotify single series, was featured on 40 New Music Friday playlist around the world, and has been streamed well over 100 million times to date. He has extensively toured throughout North America, including clubs and main stages at festivals such as Lavo Nightclub, Escapade, Chasing Summer, Countdown Orlando, Art Cars of EDC Las Vegas, and Electric Zoo, to name only a few. He also performed at the opening of Miami‘s newest nightclub – M2, during Miami Music Week 2023 and is currently a resident artist at Atlantic City‘s HQ2 club.
Jalja
Jalja is a London-based UK-born singer and songwriter who released her debut solo single ‘Keep Your Love‘ in April 2022 on Epic Records/Sony Music. Her collaboration with electronic producer Hosh – “Midnight” already clocked up over 60 million streams on Spotify alone and over 70 million on all platforms combined. BBC Radio 1’s Annie Mac picked the track as “The Week’s Hottest Record,” and Pete Tong selected it as Essential New Tune on his radioshow. It proved to be a hugely popular record across the globe. Currently, Jalja is midway through recording her debut album which we is planned for release in 2024.
Title: The House of House EP
Label: Repopulate Mars
Berlin-based LOVRA new may be a new name for some, but this talented female artist serves up some serious, old-school house and techno on her just-released “The House of House” EP. “HoH” is an ode to LOVRA‘s favorite time period music – the 90s and 00s electronic rave scene. Each of the three brand new tracks features elements of the era that made it so iconic–from the title track’s energetic, dynamic tech-house that’s just made for the dance floor to “Sonic“‘s groovy and complex vibes, featuring a sample from an iconic rave track from 1997 – “Members Of Mayday – Sonic Empire,” to “Do What You Do“‘s driving bassline with Detroit-inspired vocal riffs. No matter which one you hit play on, LOVRA‘s simultaneously sophisticated and catchy production style will have you on the dancefloor in no time. Read on below for what the artist herself had to say about the nostalgic project:
“Each track is a reflection of my passion for the 90s and 00s electronic rave scene. This EP is a nostalgic tribute to the era with iconic sounds and grooves that come straight from the bottom of my heart. I hope these tracks will touch and connect with people on the dance floor and create new memories together. Additionally, I’m grateful to Repopulate Mars for their support in bringing this EP to life and hope that it will become a staple in the playlists of electronic music fans worldwide.” – LOVRA
LOVRA is a talented and unique girl from Berlin, traveling the globe as an internationally requested DJ as well as a successful producer. By combining her passion for Music from the 80s and 90s with her natural sense for modern melodies, danceable house beats, striking vocals and rolling basslines, LOVRA creates her very own distinctive sound and enchants the crowds of today’s major festivals. In the past years, LOVRA has played at Tomorrowland, Parookaville, Melt!, World Club Dome, Helene Beach, Nature One, Beats for Love, Sea You, Electrisize, Panama, Magnetic, Ikarus, Love Sea, and Artlake, to name only a few. LOVRA had an official residency at David Guetta‘s BIG party in Ibiza for two years in a row, playing every Monday at the world’s famous Ushuaia. Further, as a member of the Ministry of Sound roster for over six years now, LOVRA has already played the MoS clubs all over the world, such as Greece, Singapore, Bangkok, Dubai, or London. She has played support for legendary acts like Claptone, Sonny Fodera, Lee Foss, Dom Dolla, Armand Van Helden, Basement Jaxx, Todd Terry, Felix da Housecat, and many more. In 2019, she even played support for David Guetta on his tour through Europe. She used the “Corona break” to develop musically and has now opened her way into the Techhouse scene. Now, 2023, will be a very excited year with strong releases on labels like Repopulate Mars, Solotoko, Cr2 and Perfect Havoc, so 2023 is going to be a big year with a lot of things happening.
Henri was born in southwestern Ontario, and his indie folk song-writing draws heavily from his Canadian roots. In particular, the tracks from his album “fonder with time” reflect on his childhood spent in rural Ontario and the nostalgia it brings. The title alludes to the idea that it is only with the passing of time that experiences can be properly contextualized and imbued with meaning, and that the present moment can never be fully understood and appreciated until it has passed.
Henri currently resides in Barcelona, Spain, from where he is launching fonder with time, along with a series of music videos. He has already started creating new music and experimenting with film to better communicate his stories. He views the city as the ideal place for inspiration and creativity and is looking forward to discovering new ideas as he continues to explore the culture and the people around him.
“While riffing on a finger-picking pattern on the guitar, I was lulled into this vision of sitting on the banks of a large basin of water. Not a specific memory, but something that felt incredibly familiar. Some Canadian landscape: a mix of the great lakes, Georgian Bay, the Bay of Fundy; places that my parents had taken me when I was young. I was struck by the feeling that, at the time, I had never really appreciated the moment the way I feel that I would now. Funny how that works. We feel that with the extra context of the moment having passed, maybe now knowing that that was the last time we would ever go there, or the last time we would travel with our family, or the last time we would get the chance to be that age, to be at that point in our life, it becomes so much more alluring than experiencing the moment itself. The song evolved from a contemplation on the desire we have to possess the wisdom of the present in the past, to an acceptance of the passage of time and how every moment brings with it new context and beauty. That the thing we call longing is not really a desire to return to the past, but an appreciation for what we now know and the ability that gives us to now impart meaning on our past.” – Henri-Julien
PLAY/LISTEN
Australian-based Kiwi producer Shivnesh Sumer, better known as Cymbol, has released his latest single, “About a Girl.” The track is a romantic masterstroke, combining lush instrumentation with soulful vocals, in a truly stirring measure.
The track begins with muted acoustic strums and delicate electric guitar plucks, creating a sense of intimacy and longing. As the song progresses, the beat builds, adding layers of complexity and texture. The vocals, shared between Cameron Louw and This Pale Fire, are both passionate and vulnerable, conveying a detailed range of emotions that come with infatuation.
“About a Girl” is a reminder of the power of love, and the beauty that can be found in even the simplest moments. It’s also typical of Cymbol’s talent as a producer and songwriter. Less clubby than his previous tunes, this one leans hard on the feels.
“About a Girl” is also a beacon for Cymbol’s upcoming album, Distractions. The album is expected to be released later this year, and it is sure to be a major statement from the young producer. This latest track has shown that Cymbol is capable of creating music that is both sonically stunning and emotionally resonant. If you’re touched by nostalgic expression and smooth production, there’s a good chance “About a Girl” will stay with you long after you’ve heard it.
PLAY/LISTEN
Where are you currently based?
I’m currently based In Coolum on the Sunny Coast. I’ve been here my whole life so there’s no place like home.
Please tell us about how your music career started out:
During the COVID lockdowns of 2020, as tough as they were, a lot was starting to boil in terms of music and creativity with the likes of The Terry’s, local band Shen Panthers and CaelWhip and Nix all created around the same time
It was here that Nixy and I started hanging out in the sand dunes of Ybar, freestyling over a campfire. It was never anything serious; just a bit of fun. Definitely a good foundation to be built off and an attitude that’s carried through my recent career.
What’s been happening recently?
I’ve just spent the last 6 Months living and working in Sydney (shoutout Parra). However while I’ve been away I’ve been scheming and planning for my comeback to music which I’m in the midst of now. I have a solid plan and rollout scheduled and I’m excited to see what that can do for me.
Your latest single ‘2 Bucks A Litre’ is out now, what influenced the sound and songwriting?
When you first start rapping I think everyone feels some sort of pressure to be a particular person or rap in a certain way.
2 Bucks a Litre for me is just taking a step back from how I’d usually create and structure a song and just creating a track 4 bars at a time and doing what would sound best next rather than a standard hook to verse to hook to verse etc.
How did you go about writing 2 Bucks A Litre?
Frustrated one day I just spilt my emotions onto this beat and my upcoming release all in one sitting. I just started yelling “2 Bucks a Litre I’m trying to keep up” and thought that was entertaining and grasping.
Where and when did you record/produce/master and who with?
In my home studio in Valdora probably over a year ago now, it was around the time fuel prices first hit $2 bucks a litre. (who would have thought)
What does this single mean to you?
2 Bucks a Litre for me is my comeback after a working hiatus and the focussed aggression I’m bringing into this chapter of my life. It’s my proof to everyone of my eagerness and passion in Hip Hop.
Who are you listening to at the moment?
To be honest I’m really on a bit of a Jazz Hop roll at the moment. A lot of new artists I haven’t really thought much of before like Cise Star and Kofi Stone, but also some OG’s like Baby Keem and a bit of Fred Again…
What’s planned for the remainder of 2023?
Like I said earlier, I’ve got a strategic release rollout for the remainder of the year, keep cranking out live shows, and create more great music… This is a first announced exclusive but I’m currently in the midst of putting together a collaborative project/EP with my homie Notorious Nix so stay tuned for that in the near future.
Favourite food and place to hangout?
I’ve been really loving Brown Rice in P Springs forever so they deserve all the love and recognition. Best Japanese on the coast!
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Photo Credit: Makena Chatlin
Following a busy SXSW and a sold out West Coast tour all before their new album on the way (produced by surf darling Day Wave), Salt Lake City based indie rock quintet Krooked Kings continue to build the rising fervor around them with the reveal of new LP, ‘All Out of Good Days’.
A vibrant indie-pop cut showcasing energetic vocals atop driving guitars, the project is another testament as to why this group are grabbing attention and continue to find themselves on Spotify viral charts round the world.
“We’re just five guys from Utah writing about what we know – hoping it’ll help us figure things out a little more along the way. This album is about the weird time in life between college and the rest of your life and how utterly confusing, depressing, and enjoyable it can be” Krooked Kings
A grass roots band who were raised in the Mormon faith before taking the decision to walk away from the religion and embrace music, Krooked Kings are a unique band with a unique story. They plan to announce a 42 date North American tour as well as international dates shortly following the release of their album.
Having built a reputation as a highly regarded underground band in the US, Krooked Kings have spent the past months in the studio with critically acclaimed artist Day Wave recording their upcoming new album.
Krooked Kings come from humble beginnings. In 2019, a group of five college friends from the University of Utah came together to write music and play shows in backyards and basements. Over the course of the last few years, the band has proven time and again their ability to write heartfelt indie rock gems. After signing with Los Angeles based indie label Nobody Gets It Records in 2020, the band released their breakout single, “‘96 Subaru”, which has amassed over three million streams. By September 23, 2021, Krooked Kings released their debut project, The Comedown which saw “Bird Scooter” break out to nearly 5 million streams,. After the release, Krooked Kings hit the road on two support tours with Goth Babe and Rare Americans, as well as a sold out headline run through half of North America, including New York City. .
PRAISE
“Krooked Kings’ new single is a feat of artistic excellence. The band’s easy-going surf-rock influences diffuse into the track, making for a slightly sedative listen – which is juxtaposed by its anxiety-inducing subject matter.” Wonderland Magazine
“ “Carbon Monoxide” possesses all of the indie rock qualities we know and love so well. Laid-back and latent percussion reminiscent of surf-rock, punchy and memorable bass lines galore, “Carbon Monoxide” is one of those tracks you can vividly picture yourself listening to on any given day” Sheesh Media
“US outfit channel a wonderfully sweet and sweeping atmosphere for this dreamy indie-rock gem”
Mystic Sons
“Their latest song, “Carbon Monoxide”, is a poignant, airy collaboration with critically acclaimed indie artist Day Wave” Earmilk
All Out Of Good Days is out May 11 via Nobody Gets It

