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Music News

Music News

Xinobi drops Far Away Place (Rampa Remix)

by the partae December 6, 2018
written by the partae

“The remix is a bubbling, perpetually evolving piece of electronics, something that refuses to settle in one place” – Clash Magazine

For years now Xinobi has been the staple of the Portuguese electronic music scene, dominating that deep house and techno sound has seen him make a mark not only in his own country but right across Europe and further afar.

As another incredibly busy and rewarding year for draws to a close, he is pleased announce that he will be closing out the year with the release of the long-awaited Rampa Remix of his runaway hit, ‘Far Away Place’. Taken from last year’s sophomore album ‘On The Quiet’, ‘Far Away Place’ has since taken Xinobi a thrilling journey, pleasing crowds the world over and amassing close to five million streams.

Xinobi says: ““This song already has a reputation and I am really happy with this collaboration. I have recieived countless messages and requests for this one ever since Rampa has been including it in his DJ sets and on keinemusik radio shows. We deliberately left it shrouded in mystery but I am thrilled people have been able to discover it organically, so it made sense to finally release it”

The song’s reputation is set to be cemented with this collaboration. Rampa, needs no introduction, similarly neither does this remix, with it already having become an exclusive staple of Rampa’s live set’s, often shrouded in mystery, it has gained a cult following with Xinobi receiving countless messages and requests as to its identity.

Since 2009, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of premier productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja, Ry X, Honey Dijon and Pastaboys. With a huge array of collaborations and releases already under his belt, put out on imprints like Cocoon, Innervisions, Freerange, Crosstown Rebels. When it comes to DJing, he often adopts a less is more approach believing that consciousness is more essential to his artistic persona than ever before. A fact that evidently communicates through his music.

Despite Xinobi’s appetite for devouring various sounds and genres, there is a unique watermark and consistency to his output, due not least to his musical and arrangement-based skills. After releasing a few solid ep’s and two full lengths album’s Xinobi has gained real recognition among established and well-known artists and opinion-makers, and his underground cult has amplified.

Together they are excited to finally reveal and release this remix, as Rampa joins Jody Wisternoff & James Grant, Tensnake, Pete Herbert and many others in a long line of artists who have remixed the song only adding to its story and acclaim.

Xinobi’s ‘Far Away Place’ (Rampa Remix) will be released on November 30th, through Xinobi’s ever-growing influential label Discotexas.

December 6, 2018 0 comments
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Music News

SIIMBA LIIVES LONG Releases New Single “ONE STONE,” Out Everywhere Now

by the partae December 6, 2018
written by the partae
https://www.youtube.com/watch?v=yn3xf-sL99Q

With the final weeks of 2018 coming to a close, Ethopian-American rapper SIIMBA LIIVES LONG is ending the year with a series of singles including last month’s critically acclaimed release “BAD FOR THE SOUL” featuring KAMAU. Reflecting on a year that included new track releases, two music videos- “HOOKED” and the cypher style video for “BAD FOR THE SOUL-,” and a series of live performances including a jaw-dropping hook suspension stunt at Treble FM’s one-year anniversary show, SIIMBA is now ready to wrap up one of the most pivotal years in his career to date.

Today, SIIMBA is unveiling his fifth single this year titled “ONE STONE.””ONE STONE” picks up where his November 2018 single “DON’T MIIND,” an ode to the pitfalls of dating in modern times, left off. While more somber than “DON’T MIIND,” “ONE STONE” takes a raw and sobering look at an emotionally disconnected relationship where communication has broken down completely. “The song “ONE STONE” was inspired by a conversation I was having with a girl,” explains SIIMBA. “We were texting while I had beats playing in the background. I began responding to her texts with voice notes that were songs applying to our conversation. At one moment, I said ‘Chill with me while I’m working on music. We can kill two birds with one stone,’ she responded with something snarky and I came back with the current chorus of ‘ONE STONE.'”

Up next for SIIMBA, an artist NPR describes as “sportive yet serious, playing equal parts esoteric and quizzical,” he will be gearing up for the release of new sonic series VIICES. The project follows a whirlwind trajectory for the African-American rapper who was born in New York, and raised in a myriad of places from Ethiopia to Washington DC to New Jersey, and currently resides in Brooklyn. His debut music video, “Cocaine Biimbie,” made quite the splash among critics and featured the emcee return to his Ethiopian roots. A cut from SIIMBA’s 2017 project,  “Zemenay’s Gemiinii,” stand out tracks “Cocaine Biimbie,” “Info-Red,” and “W.I.A.” awarded SIIMBA critical praise from tastemakers including NPR, Noisey, FADER, Complex, DJ Booth, Hot New Hip Hop, and more.

December 6, 2018 0 comments
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Festival NewsMusic News

Sound Tulum announces its full programme: 10 events with the world best electronic brands and artists

by the partae December 6, 2018
written by the partae

The festival will count on Afterlife, Solomun + 1, Paradise, Black Coffee, Saga, Flying Circus, All Day I Dream, Frequencies, Dystopia and Epic for its new edition.

Sound Tulum, the festival that has turned into one of the most outstanding recent phenomenons of the international underground scene, has finished with the full programme announcement of its second edition, which will take place from 29th of December to 13th of January in Tulumthat is one of the most exotic and magical indigenous places in the world.


SAGA

Opening Party, 29th of December. Bedouin will present their renowned international series, SAGA. SIS, Guy Laliberté, Santiago García and The Soul Brothers will be accompanying the duo.

FLYING CIRCUS

New Year’s Eve, 31st of December. This lifestyle, mentality and dream, this experience, this concept which is much more than just an event, will celebrate the last night of the year with its favourite artists: Audiofly, Brina Knauss, HVOB (live), Neo Human, Oliver Koletzki and Öona Dahl.

ALL DAY I DREAM

2nd of January. To start the 2019 with style – Lee Burridge will bring his mystical paradise “All Day I Dream” under “A Magical Soirée” to Sound Tulum and will be accompanied by Sébastien Léger and Newman.

PARADISE

3rd of January. Following the culmination of another landmark season in Ibiza, Jamie Jones will touch down in the incredible beauty of the enchanted Tulum jungle accompanied by Joseph Capriati, Art Department, Serge Devant, David Berrie and few more artists to be announced.

FREQUENCIES

4th of January. The international brand Frequencies will join with an incomparable event that will include performances by some of the most important and influential Techno figures in the world: Richie Hawtin, Ben Klock, Ellen Allien, Rødhåd and Fabio Florido.

SOLOMUN+1

5th of January. Sound Tulum, Sonorus XX Winter Beach and Project Sound present Solomun + 1 with Dixon, two great tastemakers taking over one of the most anticipated dates of the festival.

DYSTOPIA

7th of January. This experience that immerses its audience in a universe that contrasts the modern world, born in Ushuaïa, Ibiza presents its Mexican debut with a Hallucination theme. Luciano will be the headliner and he will be accompanied by Jennifer Cardini, Nicola Cruz, Oceanvs Orientalis, Concret and more artists to be announced.

AFTERLIFE

9th of January. Afterlife’s team, one of the main electronic music brands in the world, has made an absolutely stellar selection for its event: Adriatique, Âme, Mathame, Mind Against, Recondite (live), Return, Stephan Bodzin and of course, Tale Of Us.

BLACK COFFEE

12th of January. In addition to the festival´s already planned programme of events, Sound Tulum is shaking things up by adding an intimate and exclusive, reduced capacity gathering headline by South Africa’s Black Coffee.

EPIC

Closing Party, 13th of January. This recently created brand’s purpose is to become an incomparable meeting point for artists, electronic music industry professionals and audience and therefore Sound Tulum has chosen it as its Closing Party. The Martinez Brothers and The Black Madonna are the first confirmed artists of a long list that will be revealed soon.


Sound Tulum has achieved it, the Mexican festival has managed to surpass all the expectations that its excellent first edition had created and now we have just to enjoy what will be, without any doubt, one of the most memorable line-ups of the season.

Tickets a la venta vía: http://bit.ly/SoundTulumTickets

December 6, 2018 0 comments
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Music News

Disco Shrine / Immigration Anthem

by the partae December 6, 2018
written by the partae

Jessica Delijani is the LA based, pop spark plug behind Disco Shrine. True to her tongue-in-cheek moniker, Disco Shrine makes music that plays around with the contrast between high energy electronic beats and sensual melodies. By embodying the mission of empowerment, Disco Shrinethrives off of being an outlet for listeners to be carefree, accepted, and liberated through dance music. Born in the San Fernando Valley, Delijani is a first generation Persian-American who grew up to her family hosting traditional Persian jam sessions. Spurred by her desire to join in on the party, Jessica taught herself guitar and banjo at the age of 16 and started writing/performing folk music.

After a few years of experimenting with “bedroom pop” at home, Delijani finally made her LA debut as Disco Shrine in 2015 and released her first pop EP, ‘Soft Fur’. Her multi-dynamic project encompasses everything from songwriting and dance performances to DJing! After a few months of playing at all of the quintessential LA landmarks, Delijani became an official Lights and Music Collective DJ, touring all throughout the U.S. and performing at iconic parties like Dance Yourself Clean, Candi Pop, and Beyonce Vs Rihanna.

‘Everyday’ is the follow up to highly acclaimed single ‘Up In The Air’ – a song which narrated Delijani’s parents tale of immigrating to America in order to give me a better life. ‘Everyday’ is all about seizing that opportunity and not taking it for granted. Delijani explains, “The sentiment of the chorus is “Everyday I’m on my own”. It’s not meant to be a melancholy sentiment, but one that represents the hard work that goes into achieving your dreams. Because at the end of the day, the only person that’s going to really believe in you and get you to where you want to go is yourself”. The highly anticipated single features punchy synths, soulful vocals and vibrant hiphop rhymes, evoking a powerful message, both sonically and thematically. Collaborating with rapper Omenihu, who has been through similar changes in his life, the Austin born, Los Angeles based rapper adds a vibrant sonic palette through his use of verbal inventiveness.

If she’s not starting the party on stage, she’s helping to throw it off stage. Delijani hasn’t always been in the spotlight, but started by working as a behind the scenes event producer, helping to throw various dance parties and festivals in LA and San Francisco. This love for bringing the community together through music is reflected in her high energy synth pop sound that is bound to get you grooving whether you’re in the car or on the dance floor.

Delijani’s previous single ‘Up In The Air’ was released via French Label Kitsune which was a collaboration with the NBA. The single received hit charts in Spain, Sweden and Greece and garnered acclaim by the likes of Earmilk, The 405, and Refinery 29. The songstress has played at some of the most prestigious venues across the States, as well as performing to sold out audiences. Disco Shrine continues her musical endeavour with ‘Everyday’ currently available worldwide.

Instagram: https://instagram.com/discoshrine/
Website: https://discoshrine.com
Twitter: https://twitter.com/DiscoShrine
Facebook: https://www.facebook.com/discoshrine
SoundCloud: https://soundcloud.com/discoshrine
Spotify: https://open.spotify.com/artist/1IkijWWvTvWKuZ90kHwdHA

December 6, 2018 0 comments
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Music News

SASAMI releases video for ‘Not The Time’

by the partae December 6, 2018
written by the partae

Photo credit: Alice Baxley

Los Angeles-based artist SASAMI has released a video for ‘Not The Time’.
Gorilla vs Bear premiered the video overnight, calling it a “vibrant and charming video for her sweetly buzzing new single”. Co-directed by Kate Hollowell and Sasami Ashworth, the video features the LA Municipal Dance Squad and The Linda Lindas as SASAMI’s backing band.

Last month, The FADER called ‘Not The Time’ a “fully-formed, heart-striking gem”, hailing SASAMI as “rock’s next big thing”.

‘Not The Time’ and SASAMI’s previous single ‘Callous’, which Pitchfork named Best New Track earlier this year, are available digitally everywhere and a limited physical version on 7″ vinyl is available via Domino.

EMI Press Release

‘Not The Time’ video still

SASAMI (Sasami Ashworth) has been making music in the Los Angeles area, in almost every way you can, for the last decade. From playing French horn in orchestras and studios and playing keys, bass, and guitar in local rock bands (Cherry Glazerr, Dirt Dress), to contributing vocals/string/horn arrangements to studio albums (Curtis Harding, Wild Nothing, Hand Habits) and producing on tracks for other respected artists (Soko), she has gained a reputation as an all-around musical badass.

After graduating from the Eastman School of Music in 2012, SASAMI spent her time scoring and making orchestral arrangements for films, commercials and studio albums, as well as being a deeply committed music teacher in Los Angeles. She spent the previous two and a half years touring the world non-stop playing synths in the band Cherry Glazerr and is now taking a turn to focus on her own music. SASAMI has already shared bills with the likes of Mitski, Japanese Breakfast, Liz Phair, The Breeders and Blondie.

Praise for SASAMI:
“SASAMI is rock’s next big thing.” The FADER
“Ashworth’s chronicle of self-sacrifice for an undeserving lover is heartbreaking, but its her refined and exuberant sound that makes ‘Callous’ thrilling and personal.” Pitchfork, Best New Track
“With a sound that mixes ’90s distorted jangle-rock and guitar pop as practiced by My Bloody Valentine, the Breeders and Teenage Fanclub, the L.A.-based singer and songwriter Sasami Ashworth’s initial songs possess an enviable effortlessness, as though her muse has its own lane on the aesthetic superhighway.” LA Times
“Ashworth demonstrates her chops as a composer and musician… Has the polish and assuredness of someone that’s been honing their craft for a long while now.” Stereogum
“Has both an airy dream pop side and a heavier grungy side, and Sasami blends those sounds with expertise. It’s really good, effortlessly enjoyable stuff.” Brooklyn Vegan
“Searing solos” The Observer
“The Los Angeles artist melds raw emotion and blurry guitar chords” Music Week

SASAMI Online:
Website | Facebook | Twitter | Instagram

 

December 6, 2018 0 comments
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Music News

Cautious Clay teams up with Hudson Mohawke and Tobias Jesso Jr. on new single ‘REASONS’

by the partae December 6, 2018
written by the partae

“A 24 year old with a very, very bright future ahead of him.” 
Zane Lowe, Beats 1

“A self-indictment delivered like an R&B love song.”
The New York Times

“…a stunning, hushed lament that plays out like a lovers’ quarrel about commitment (or lack thereof) that’s still reeling long after the last words have been thrown…”
NPR

“This is about as close to an angel as you’ll hear in the modern context.”
Indie Shuffle

“…a meditation on human interaction in the age of dating apps and social media.” 
Pitchfork 

“There’s something special about him, and he keeps revealing new layers to his creativity that continue to pull us in.” 
Complex 

“Cautious Clay continues to shine with new single “Crowned.”
Hypebeast  

“Cautious Clay is a name you’ll want to keep on your radar.” 
Pigeons and Planes

“‘Crowned’ is ear candy for any listener but also serves as vitamins to the consciousness.” 
VIBE

The 24 year old Brooklyn artist CAUTIOUS CLAY today shares his new single ‘Reasons‘ taken off his forthcoming EP set for release in early 2019. The track was co-written with Hudson Mohawk and Tobias Jesso Jr., and produced by Hudson Mohawk and Cautious Clay.

‘Reasons‘ examines the interwoven nature of pleasure and purpose and how these notions can relate to happiness and sees a significant sonic shift for Cautious. The track departs from the darker experimental R&B sounds of previous singles into a brighter, hard-hitting soundscape that still manages to compliment his soulful vocals and accent his lyrics.

Hillydilly says, “Cautious Clay’s rapid rise to prominence has been incredible and justified. After his debut EP almost a year ago, he’s been consistently dropping great music, and he continues on this trajectory with his latest single, ‘REASONS’. The singer-songwriter has one of his catchiest songs to date in this one…”

‘Reasons‘ rounds out a busy year for Cautious Clay who has in the last 12 months alone, released a slew of brilliant singles including ‘Cold War‘, ‘Joshua Tree‘, ‘Stolen Moments‘, ‘Juliet + Caesar‘ and more, completed a sold-out a run of headline shows across the US, collaborated with notable artists such as John Mayer, AlunaGeorge and Lil Silva, was featured on HBO’s Insecure Season 3 Soundtrack, highlighted as a breaking artist by Zane Lowe on Beats 1, named a Soundcloud Artist to Watch in 2018, performed on NPR’s beloved Tiny Desk video series, and garnered the attention of VIBE, The New York Times, Pitchfork and more.

With a North American headline tour this January, 2019 is set to be the biggest year yet for Cautious Clay.

‘Reasons‘ is independently out now, buy/stream it now on
Apple Music, iTunes, Spotify, Soundcloud, YouTube and more.

Stay connected with Cautious Clay:
Official Website | Facebook | Twitter | Instagram

December 6, 2018 0 comments
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Festival NewsMusic News

JUST ANNOUNCED : OH SEES | TROPICAL FUCK STORM | Y&O KICK ONS | IN HEARTS WAKE COMPETITION + MORE

by the partae December 6, 2018
written by the partae
Oh Sees | Tropical Fuck Storm | Y&O Sundays Kick Ons | In Hearts Wake | Dom Dolla | Dead Letter Circus | Parkside Christmas

JUST ANNOUNCED

OH SEES
UOW Unibar | February 18, 2019

Tickets

You heard right. The incredibly influential and prolific Californian garage rock band the OH SEES will return to Australia for their first tour since 2016. In that time the band have released FIVE critically and universally acclaimed albums: A Weird Exits (2016), An Odd Entrances (2016), Orc (2017), Memory of a Cut Off Head (2017) and Smote Reverser (2018). Their new lineup is the the heavy-est, proggy-est & groovy-est incarnation of the live band yet.

Tickets | RSVP

TROPICAL FUCK STORM
UOW Unibar | March 30, 2019
Tickets

2018 has been a mammoth first year for Tropical F*ck Storm! They released a run of limited edition 7inch vinyl’s and their anarchic, apocalyptic debut LP ‘A Laughing Death In Meatspace’ to worldwide critical acclaim. A sold-out national tour, a number of radio feature albums, and a trip to the United States of A Massacre, that saw them opening for indie rock legends Modest Mouse and King Gizzard and the Lizard Wizard.
Read More | RSVP

Y&O SUNDAYS OFFICIAL KICK ONS
Dicey Rileys | Every Sunday | Launch Date : Dec 16
RSVP

Kick-ons for Yours & Owls Sundays @ North Wollongong Hotel finally has an offical home…

We welcome you to Wollongong’s most beloved and last remaining dive – Dicey Riley’s Hotel, for the following:

Vinyl DJ Sets | Free Pool | Free Darts | $5 Resch’s Schooner (9 – 10pm) | $5 New York Pizza Pizza Slices | $5 Chip & Gravy Rolls | Free entry (of course)

9.10pm train runs directly from North Wollongong station to Wollongong station right at the back door of Diceys, for anyone with sore feet.

Join us for ya weekly Sunday kick-on or wind down, pending Monday’s plans.

RSVP

IN OTHER NEWS

IN HEARTS WAKE COMPETITION
UOW Unibar | January 17, 2019
Tickets | Enter Comp Here

In Hearts Wake will be running a competition for their upcoming
‘The Summer Setlist Tour’!
We’ll be picking a winner at random from the comments on our status (link below) to win an In Hearts Wake jacket, vinyl & 2 tickets to their Wollongong show.
Let us know if you’re interested by commenting on our status. (Only one entry per person).

Enter Here

THIS MONTH

DOM DOLLA
UOW Unibar | December 14, 2018
Tickets

Read More | RSVP

DEAD LETTER CIRCUS
UOW Unibar | December 15, 2018
Tickets

Read More | RSVP

PARKSIDE CHRISTMAS
UOW Unibar | December 22, 2018
Tickets

Read More | RSVP
FULL GIG GUIDE
December 6, 2018 0 comments
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Jay Cooper
Music News

Jay Cooper shares new track ‘Irrelevant’

by the partae December 6, 2018
written by the partae

Sydney-raised, LA-based producer Jay Cooper (FKA JaysWays) today reveals his second track ‘Irrelevant’ from his upcoming Interim EP set for independent release in 2019.

Jay Cooper shares, “Irrelevant is about the freeing feeling of moving in connection with someone, finding a mutual potential in each other that drives you forward. Not trying to over analyse how or why you found yourselves so closely interconnected, just letting the raw feelings take their course. The satisfaction of meeting someone who’s willing to match you, challenge you, see through your eyes and understand how you feel.”

‘Irrelevant’ follows his most recent single ‘Shallow Anthem ft Apollo’ which saw a premiere on Thursday Arvos with Tommy Codling on FBi Radio, playlist additions across triple j Unearthed and praise from the likes of Pilerats and more. In 2017, Cooper departed from his earlier moniker and released his debut single ‘Say Something’, which independently made its way on Spotify’s Best New Music of 2017 playlist.

The upcoming Interim EP documents the growth of an artist. It covers the theme of change, from the place in-between where you’ve been and where you know you can be, the bridge/tunnels to your self-realisation and purpose.

Jay Cooper resides between Vancouver and Los Angeles and continues to create alongside the More Than Enough collective featuring artists Jahi Sundance and Annahstasia Enuke. Most recently, Cooper worked together with Grammy award-winning artist Robert Glasper, Jahi Sundance & Common on the comic soundtrack CASTER, which also stands as the first time in history that anyone has scored a comic book.

‘Irrelevant‘ is out now.
Buy/stream it on Spotify, Apple Music, iTunes, Soundcloud and more now.

Website | Facebook | Twitter | Soundcloud | Bandcamp

December 6, 2018 0 comments
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Music News

MAGNUS ENLISTS AWARD WINNING TEAM FOR THE FIRST TASTE OF NEW ALBUM WITH RECENTLY RELEASED SINGLE “SAINTS, SEDATED”

by the partae December 6, 2018
written by the partae

CATCH THEM AT THEIR SINGLE LAUNCH ON SUNDAY DECEMBER 16TH AT FRANKIES PIZZA BY THE SLICE IN SYDNEY

“Numbing hooks tied with groovy basslines, jam-worthy riffs and a voice so goddamn powerful the US are using it to overthrow Russia.”

– Blunt Magazine

 

Sydney’s Oddly Timed Stoner Jazz Rock with a Dash of Goth three-piece Magnus (fronted by leading man Arne Heeres) formed in 2012 to bring their urgency, fearlessness in experimentation and healthy disregard for genres to Australian music. After a busy year recording in 2018, Magnus return now with new single “Saints, Sedated”.

 

Live Magnus, derived from “Magn-hus” and translating as “powerhouse” in Old Norse, are defined by their name. Set up as a power trio which gives maximum impact and at times space for each instrument to shine separately. As a testament to their intense live performances, a casual open mic at Melbourne’s famous Cherry Bar landed them a residency and nomination for Cherry Bar’s best live band of the year award by invite of none other than owner James Young himself.

 

Since their debut album’s release in 2016, it’s received critical acclaim by both online and print media with The Sydney Morning Herald stating that “The band clearly likes to tease and with terrific self-confidence in their undoubted abilities the approach does create a lively anxiousness within their music.”.

 

In 2018 recording of the follow up album took place under supervision of Five time Aria award winning producer / engineer Paul McKercher with COG’s Lucius Borich on drums it promises an even more raw and visceral approach yet still including the unexpected twists and turns Magnus have become known for. Both Paul McKercher and the legendary Bob Clearmountain (Grammy winner, USA – Rolling Stones, Springsteen, The Preatures) have been mixing songs and Brian Gardner, Grammy winner and known for Queens of the Stone Age’s Songs for the Deaf album, mastering the album.

 

“I had met Lucius Borich (COG’s drummer) a few years ago while looking for an engineer/producer for the very first EP. An incredible drummer and great guy. Anyone with a clue will tell you that the rhythm section is the most important part of the band. And watching Lucius and Blake Cateris (bass guitar) fly through the songs like all those key & time signature changes and generally odd song structures don’t exist was amazing. Both of them contributed so much to the record, with Loosh even adding backing vocals, keys, percussion and what not later in his own studio in Byron Bay.” – Arne Heeres (Vocals/Guitar)

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Music News

Gramatik Releases New Beat Tape: Street Bangerz Vol.5 – Out Now

by the partae December 6, 2018
written by the partae

For Slovenian born producer and DJ Gramatik, 2018 marks one of the most pivotal years in his career to date. Riding off the successful launch of his GRMTK Ethereum token, the subsequent release of two singles in support of this fascination with Blockchain technology- “Vitalik Buterin” and “Future Crypto,” his fifth consecutive sold-out show at Red Rocks, and an incredible tribute to the late Aretha Franklin on “Let Me Know The Way,” Gramatik is now taking it back to where it all began on his Street Bangerz beat tape in 2008. In celebration of the ten-year anniversary of Street Bangerz, Gramatik is returning with the now fifth installment in the series – Street Bangerz Vol.5. 

Compiled of 12-brand new Gramatik productions, the project is easily recognizable as a future fan-favorite thanks to Gramatik’s familiar and steadfast production style on the tape. Again pulling from influences of hip-hop, glitch, trip-hop, electro, and dubstep, SB5 also features collaborators Chris McClenney, Adam Stehr, The Geek x VRV, Adam Deitch, and Anomalie. 

““When I discovered you can make music on a computer, collage sampling old soul and funk records to make hip hop beats was the very first music I made back in high school in the early 2000’s. Some of those beats ended up on my first beat tape SB1 which came out Dec 3rd 2008, and gave me my start in the world of music making. I felt it would be appropriate to commemorate the 10 year anniversary of SB1 with the 5th volume, made in very much the same way as back in the day, but with an updated sound due to the benefits of modern music making tools and production techniques. It was a fun trip down memory lane and I hope that fans of the series will enjoy it as much as I’ve enjoyed making it. Also, I have plenty of beats left over for SB6. Oh yeah and I’m also working on Re:Coil Pt. II and a full length LP for 2019 ”
-GRAMATIK

Up next for Gramatik, he’ll be gearing up for the release of ‘Re:Coil Pt. II,’ the follow up installment of ‘Re:Coil Pt.1,’ a release exploring science/technology related themes that featured Branx, Anomalie, Balkan Bump & Talib Kweli, Galactic Marvl, and Eric Krasno. Gramatik isn’t quite finished there- 2019 will also see the release of a highly anticipated full-length album- his first since 2016’s pivotal LP Epigram. As far as Gramatik’s upcoming live dates, 2019 will see him performing a limited run of festival stops including Electric Forest and a headlining performance at Sonic Bloom.

Gramatik
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Festival NewsMusic News

UK scene leader Richy Ahmed returns for most comprehensive Oz tour yet

by the partae December 6, 2018
written by the partae
Tour Dates
Saturday 29th December: Faction, Sydney
Sunday 30th December: Beyond the Valley, VIC
Sunday 30th December: Revolver, Melbourne
Monday 31st December: MCA, Sydney
Tuesday 1st January: Habitat Garden Party, Perth
Richy Ahmed is at the forefront of UK house music; having played a major part in the British house music’s recent renaissance, he takes cues from disco, techno,funk, electro and hiphop. Hailing from South Shields in the north of the UK, Richy continues to make regular appearances at events across Britain whilst touring internationally. His hardworking approach has seen him play everywhere from BPM Mexico and Blue Marlin Dubai to Berlin’s infamous Panorama Bar. His Ibiza presence is undeniable; this season, he held down his well-known residency at Paradise, DC-10 whilst also becoming one of seven all-night guests to take over the Space Terrace for elrow. With so many high profile gigs, he earned himself a spot in the now defunct Resident Advisor’s Top 100 DJ poll three years in a row.

Whilst Richy is certainly a mainstay within the Hot Creations family, one of his key releases of 2015 was the ‘Can’t You See’ EP on revered dance label Strictly Rhythm. He remains a prolific remixer, with these appearing on the likes of Circus, Suara, Truesoul, Crosstown Rebels, FFRR and Hotflush Recordings to name a few.

Now, Richy is branching out with his brand new label, Four Thirty Two. It launched with his well-received ‘Put Me In A Trance’ EP in 2016. The label offers Richy a chance to A&R the music he loves, as well as to put out unique material of his own. It will be kept to a few releases a year, often from undiscovered and smaller artists who are putting out the high-quality material that Richy believes in. A strong focus on artwork and vinyl are at the centre of the label’s ethos, with certain releases being tuned exactly to 432 Hz – a method commonly used by John Lennon and Bob Marley, and the label’s namesake.

The release of ‘Put Me In A Trance’ followed two of Richy’s own branded Four Thirty Two UK tours, where he played sold-out nights across the UK from Glasgow’s Sub Club to Mint Club in Leeds. The Four Thirty Two parties swiftly gained a reputation for both their intimate venues and quality atmosphere. Richy’s reputation as one of the best DJs and producers around is now firmly established.

Connect with Richy Ahmed:
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Music News

NTRODUCING 15-YR-OLD SOUL FORCE ISABELLE BROWN

by the partae December 6, 2018
written by the partae

“It’s hard to believe that the full, raspy, deep voice – almost of the same calibre as Etta James, Aretha Franklin and the soul greats – belongs to a Brighton-based, 15-year-old girl whose next big chapter of life involves completing her GCSE’s next summer.” – Vogue

“nostalgic and fresh at the same time…this British teenager’s soulful voice will blow you away” – The FADER

“a sound that’s bursting with the soul of a seasoned woman” – Nylon 

“It’s not just the maturity in the vocals that stands out…but also just the confidence of the arrangement, the lyrics, and the entire package” – Uproxx

Isabelle Brown is an old soul trapped in the body of a fearless fifteen year-old. Inspired by the rich emotions of Nina Simone and the force-of-nature energy of Tina Turner, her mature perspective and deep found artistry in soulful songwriting is reminiscent of the old-school R&B, jazz and hip-hop influences found in A Tribe Called Quest.

Already making fans out of taste-makers at Vogue, The FADER, Nylon, The Line Of Best Fit, Hypebeast and more, the Brighton, UK native has shared the music video for her new single “Places”, released via True Panther / EQT / Caroline Australia. The video is an intimate look into the artist’s world – shot mainly via iPhone at Isabelle’s Dad’s 50th birthday party the video moves between clips of her friends, family and the London streets – to the beat of her song.

Hoop earrings swinging, the scenes skirt from Isabelle’s home to cruising the streets of London joking with strangers and friends alike, as she innocently relishes on love and laughter. “’Places’ is about a place you can go where you don’t have to pretend to be something you’re not,” Isabelle shared. “You can be yourself and be loved and accepted. When people hear it I’d love it if they got an overwhelming feeling of warmth and happiness, but that’s a bit of a reach so as long as they think the tune is decent then that’s alright with me.”

Isabelle Brown’s story thus far is not that of your typical precocious teen star-in-waiting: hard graft, grit and vulnerability, those core values of true Soul music, underpin her powerhouse vocals.

She wrote her first love song at the age of seven (“which when you think back,” she says now, “is an absolute laugh, as I’d never even kissed a boy but thought I was the number one romance guru”). Brought up between two creative, unconventional households – her parents separated around the same time – Brown’s irrepressible voice slowly began to draw on experiences of her own. She has spent the last few years singing, writing, performing and recording every weekend or school-holiday, with a close-knit circle of friends, collaborators and family protecting her (largely from her own furious ambition to “get on with it”) every step of the way.

Her curious, contemporary twist on these classic sounds is explored across her first mixtape ‘Only Having A Laugh,’ released in February 2018. Largely written and recorded when she was just twelve years old. With the release of “Places”, Brown embodies the soul and voice of a seasoned songwriter and vocalist beyond her years and confirms her status as an artist with boundless promise.

Isabelle Brown – ‘Places’
New single out now via True Panther / EQT / Caroline Australia
STREAM / BUY / DOWNLOAD ‘PLACES’
CONNECT WITH ISABELLE BROWN
CONTACTS
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Music News

KYMIE RELEASES VIDEO FOR ‘NEEDS’

by the partae December 6, 2018
written by the partae
“Kymie has been on our radar for a hot minute now… The track oozes the je ne sais quoi of a self-assured woman”
– ACCLAIM

“…she effortlessly flexes an incredible voice, and infuses her talents with RnB and pop sensibilities to create a modern take on a classic style and in doing so, she’s elevated herself to an entirely new level.”
– Purple Sneakers

 “Kymie has already proven that she can sing confidently over a range of styles and BPMs, from the slow-burning ‘Suffering From You’ to summer bop ‘With You’ alongside Phil Fresh.”
– LIFE WITHOUT ANDY

Western Sydney’s Kymie releases an impressive debut video for ‘NEEDS’ today after turning heads and breaking hearts across the country following the single’s release in October. Premiering on tastemaker site Cool Accidents, the video sees Kymie telling the world how it is alongside a bad-ass Jeep and a landscape of Cronulla’s sandy planes underneath a setting sun.

Following its premiere on triple j’s Good Nights last month ‘NEEDS’ scored multiple spot plays and an add on triple j Unearthed and FBi Radio. Taking off online, the track landed on Spotify AU/NZ’s New Music Friday, All Aussie Hip Hip and Indie Arrivals. Apple Music backed the release on Best of weekand The A List: R&B and most recently added it to The New Australia with a debut on Beats 1. All of this combined with a myriad of blog love from across the digital sphere.

Kymie channels the sensual attitude of ‘NEEDS’ onto a visual that oozes an unparalleled confident sass. Directed by Risers Media, the dreamy beach locations are romanticised with pretty filters and glitch effects that completely fit with the song’s cool demeanour. “The NEEDS MV is strong, powerful and super playful, giving the audience an extra piece of how i was feeling when I wrote the track” says KYMIE.

With more music set for debut early 2019, prepare for the launch of Kymie’s explosive debut live show soon.

THE VIDEO FOR ‘NEEDS’ IS OUT NOW.

 

KYMIE
‘NEEDS’ | SINGLE
OUT THURSDAY OCTOBER 25
(INDEPENDENT)

CONNECT ONLINE WITH KYMIE
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Music News

ELIOTT Melbourne – Sydney – Brisbane Shows!

by the partae December 6, 2018
written by the partae

Don’t miss the vocal powerhouse that is Eliott.

Tonight Dec 6 – Workers Club – Melbourne

Fri Dec 7 – The Milk Factory – Brisbane

Sat Dec 8 – OAF Gallery – Sydney

Tickets: https://www.facebook.com/eliottmusic/app/123966167614127/

 

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Music News

New remix by Friendzone for Night Lights infectious critically acclaimed ‘Talk To Me’

by the partae December 6, 2018
written by the partae
With members from Mexico, Japan, and Norway, Night Lights brings together an eclectic assortment of indie, rock, and soul influenced sounds in an effort to make people dance and feel feelings.
The now Los Angeles-based band met while attending school in Boston, and have since discovered a balance between profound lyrics, hooky melodies, intriguing harmonic progressions, and danceability. They are inspired by the likes of Mutemath, Two Door Cinema Club, Friendly Fires, and Radiohead, yet they found their unique sound in the midst. The band’s songs touch on the subject of existentialism and the confrontation of the self, hoping to discover a truth grounded in music, community, and conversation.
Their diverse backgrounds (coming from 3 different continents) and story of “moving to the US to ‘make it’ as musicians” has been an interesting topic that has garnered attention from the likes of NPR, BBC World News, LA Weekly, Sonicbids, and more.
Night Lights released their catchy indie pop single “Childish” in 2016, which earned features from EarMilk, Indie Shuffle, Music Times, and many more. Shortly after being released, the song made it’s way into both the Viral 50 Global and Viral 50 US Spotify charts, and has been played over 600K times on the platform.

Now, Night Lights has moved across the country from Boston to LA, they have all secured the coveted O1 artist visas, and are ready to take the music industry by storm starting with the release of their hooky pop/rock single “Talk to Me”. “Talk to Me” was produced by Brian Philipps, who is credited on tracks such as Walk the Moon’s “Shut Up & Dance,” COIN’s “Talk too Much,” and many many more records within the pop/rock genre.

FACEBOOK – https://www.facebook.com/nightlightsofficial
TWITTER – https://twitter.com/nghtlghts
INSTAGRAM – https://www.instagram.com/nightlightsofficial/
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