Music News
Hey KRCL! How’s life in Germany?
A new life, a new culture…Exclting times i would say! Germany’s place in dance music culture is obvious. Although I wasn’t able to experience this culture much because I moved here during the pandemic period, it now feels like there’s much more to explore. I try to go different places every weekend to get inspired for myself and for my music.
Tell us about how you first got into music and how the journey has been so far?
I was working on my book (surreal fantasy blended with philosophy) which was published in Turkish later as -The Healer- in English) when i felt suddenly that it needs a soundtrack to bring the words to sound. I enrolled in an electronic music production course and there the whole journey started. Since then, Since that day, music has been a medium where I can convey the personal story of mine other than books. It is an honour for me to be appreciated by people for the pieces I have recently released. In addition, the fact that artists such as Oostil and Agents of Time include my pieces on their sets gives me confidence and hope for the future. I think I brought the continuation of the story in the new track.
Tell me about this new single on Ethereal Future, what was your approach for this track?
Tor Ether Neue means The Gate of New Etheral Air. The inspiration i had was one the scenes in my book which was continously playing in mind. That scene was about a gate which The Healer had to pass after a long journey of enlightment. Tor Ether Neue reflects this journey between past, present and future; from chaos to an euphoria.
What is your production setup like? Any favourite pieces of hardware you use at the moment?
I work with Ableton and a key controller. Overall, i can say i work alot with softwares but as well use some hardwares for some parts in some tracks. But sure, as a next step i will be shifting to live, so i am planning to get some to my studio.
How do you feel your sound has evolved since you first started releasing music?
As I mentioned, I started making music to have an another creative layer for my book. Today, I can say that i am so passionate about music production, it has become my passion for life: to express myself with music and search always for the better. If you look through my catalog of releases, you’ll see that tracks are not limited to any genre. I try to create something meaningful for myself first. Therefore, it allows me to have larger creative space to work with.
Are there any artists you admire that you’d like to collaborate with one day?
There are many which i like and would love to collaborate! It’s really hard to name all! But i should say i admire Hannes Bieger’s work and i hope one day we make the dream come true. Another was Minstrel which i sought alot after; that dream came true!
What moment of your career are you most proud of so far?
To be a part of the Future Forward Media; the team is far away one of the best. I would also say release of Boomerang, being featured at Mixmag and having been played with many top artists is something that i am proud of: learned a lot, learning a lot.
How do you spend your downtime outside of music?
Actually, i have a day job as an executive at a global company so no downtimes allowed :)))
What else can we expect from you in the near future?
Lots! Been working on many new tracks which are on their as well as European gigs; starting with Cinema Hall Budapest on May 6th, with Stephan Jolk.
Buy Link: https://www.beatport.com/
https://soundcloud.com/krcl_music
ZABO Brings The Heat With Hard-Hitting, Vocal Bass Track “Flow,” Featuring Singer/Songwriter C.D
Title: Flow ft. C.D
Label: Self-release
Canadian bass/mid-tempo artist ZABO is back with another hard-hitting release titled “Flow,” featuring his fellow Canadian, singer/songwriter C.D. True to the viral sensation’s signature style, this new track takes no prisoners with a foundation of basslines that seem to stab right for the heart, complemented with grating mechanical synths and haunting vocals that add the perfect feminine twist. “Flow” is far from the easy-going melodic gem that its name might imply – it’s made for headbanging and booty-shaking on the dance floor, and you better believe ZABO will be playing it out this spring and summer. It’s yet another example of how his infectious music continues to transcend international boundaries and break genre molds.
Dan Szabo knew his love for electronic music was everlasting at a young age. He became fascinated with music composition, which led him to study audio and recording technology at the well-known OIART in London, Ontario. This led to the development of his music persona “ZABO,” which was heavily influenced by the Toronto bass community. ZABO became an international sensation when his music went viral on TikTok and Douyin, making him well known in the US and China. His single “Breathe” was the top electronic music song on TikTok in 2021, having amassed 13.5M plays on Spotify, while “Drown” has been streamed internationally over 1B times across all platforms. At this early stage in his career, ZABO has a lot of exciting news and music up his sleeve, so keep an eye out for more music coming soon.
Where are you currently based?
We’re scattered around Sydney, but we work out of our studio in Marrickville.
How did you first start playing music?
We were all drawn to music at a young age. Somehow that accidentally brought us together when we all took lessons at the same music school. We’ve been inseparable ever since.
What’s been happening recently?
We’re just all very stoked about this release. We’ve been super busy working with a lot of different artists as producers but are going to be getting in the studio this week to finish the next batch of singles.
How does it feel to have debuted as a band?
Like we’ve been keeping a secret for years and finally everyone knows. We were just kind of waiting for the right moment and the right song that would define us at the beginning. Now that we’ve made our debut it feels like we can go anywhere from here.
Your single ‘Remember’ is out now, how did this track come about?
This one is about my family, and particularly my granddad. When he started losing his memory, I got very introspective and themes of time, love, family and friendship just kind of blurted on the pages. The song doesn’t sound much like the meaning, but I kind of like it that way.
Where and when did you record/produce/master?
There are a lot of elements that we kept from the original demo that I recorded in my room mid last year. We recorded Max’s guitars and did some extra production at Nico’s house and mixed it at the studio in Marrickville.
How did you approach the recording process?
It was one of those tracks that didn’t take very long to finish. The bones of the track were already there, we just had to bring it to where we were hearing it in our heads. That part took a lot longer, we spent a lot of time in the studio tweaking the tiniest things.
Who or what influences your sound?
Thematically, we pull our influence from everyday problems, mental health, love, and relationships. We try to embody a mood brought upon by the lyrics in our production choices. But our influences range from Bon Iver, The 1975, BROCKHAMPTON, Tame Impala… there’s so much out there.
How has your previous music pursuits/bands etc led to the formation of JNR.?
We’ve technically been in the same band since high school. We’ve changed genres a few times as we’ve grown – but we’re in such a great place musically at the moment. I feel like we’ve found our place, though that might grow as we do.
What’s your plans for future releases?
We’ve got singles upon singles coming this year. We want to release as often as we can without burning out. There’s so many songs we’ve been sitting on that we can’t wait to show you.
Please tell us about the dynamic in the band between each member:
We’re all best friends. It’s hard to define that because we’ve been best friends for close to 10 years. We’re always there for one another and always will be – I guess that’s the dynamic.
Being a band of producers, how has this lent itself to the music production/creation process?
It’s really interesting. We all have our own ear and our own way of doing things, so it’s really helpful when we’re all in the room to see how other people listen to your work. Sometimes we’ll start a song from scratch in the room together, other times one of us has a fully completed song that just needs the others to get their hands on it. It depends on the song and what we want to work on.
Who are you listening to at the moment?
Lizzy McAlpine’s new record is great. We’ve also been loving COIN’s new album. There’s so much good music being released now, this answer could go on forever.
What’s planned for 2022?
More music. More growth. More jnr.
The Goon Sax release “Mirror II (Deluxe Edition)” including new cover of Len’s ‘Steal My Sunshine’
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Mirror II (Deluxe Edition) by The Goon Sax
is out now on Chapter Music
Listen: https://thegoonsax.
Who is CryJaxx?
CryJaxx: “Well, CryJaxx is a DJ and record production duo consisting of Mario Malja and Serafin Frroku. We are both 23 years old and recently have graduated. Serafin graduated in Business Administration while Mario graduated in Business Informatics. Yet, now we are both studying a Master’s Degree, currently based in Tirana, Albania.”
How did you first start making music?
CryJaxx: “We started to make music together in 2012 under a different alias. That year the EDM scene was going crazy. We were listening to a lot of music and got intrigued on how we can make electronic music ourselves. Watched a lot of videos and tutorials online and finally felt ready to download the software and start taking this to the next level.
In the first few years we were mostly focused on practicing and learning about music production and discovering what we can do best. In late 2015 we re-branded under CryJaxx and started releasing a lot of music, different genres and lots of exploring. 2019 was a good year for us because after our release of “Who Would’ve Thought” on Tribal Trap, we started DJ-ing in festivals and had a big tour. We both started young and making music was a very intriguing way for us to express our thoughts and feelings.”
What’s been happening recently?
CryJaxx: “Recently a lot has been happening! Our track “Candy Shop” went viral. The track was everywhere: Instagram, TikTok, Facebook and a lot of radio stations. That track was, and still is, a big success we achieved. Also, we played at Pop Art Festival in Tirana and it was insane! We produced the soundtrack to a fashion TV show here in Albania and also been spending a lot of time in the studio working on a lot of new music and some big collaborations. Recently we’ve been working very closely with the label Tribal Trap on releasing our music and have a lot of plans for the future with them. In June we are playing again in Tirana at Colourday Festival and looking forward to that. We are so humbled by all the support we’ve received.”
You’ve recently covered legendary Hip-Hop classic, “In Da Club” by 50 Cent, how did you come to choose this track and who did you work with?
CryJaxx: “Ah yes, “In Da Club” is, with no doubt, a legendary track that we always loved to listen and party with. The track was blowing up everywhere when we were little kids and basically it was stuck in our heads for years. Last year we released a cover of “Candy Shop” and right away were thinking to do the same for “In Da Club”, we knew this one had to be the next single to get a reboot from us.
But at first, we wanted to see how people enjoyed this new version of another legendary song and everyone loved it! So, we immediately started working on it with our good friends, Noise Affairs. For the vocals, we had to get Junior Charles (who did the vocals for “Candy Shop” too), and shaped it into what it is today. It’s been a long process finishing this track because we wanted to be the best it could, but at the end it was a fun process and we are all very happy with what we have today: a legendary classic with a modern twist.”
What new music do you have on the way?
CryJaxx: “We do have a ton of new music on the way. A track every 3 weeks to be exact, and all these tracks will be released by Tribal Trap. After “In Da Club”, the next single to be released is “Lollipop” – a cover of Lil Wayne. This cover has that CryJaxx modern twist, but not so similar to our last covers. This one is a bit different, a bit softer and gives you the feeling of intimacy. You all can listen to “Lollipop” on May 13th.”
Who are you listening to at the moment?
CryJaxx: “At the moment we are listening to many different sounds. Would say we both listening to David Guetta a lot, to Tiesto, Diplo, The Kid Laroi, Jack Harlow, Ava Max and a ton of old school music. We also like classical music.”
What do you like to do away from music?
CryJaxx: “Away from music we like to do a lot of things to keep our body and mind healthy. We both go the gym and train, sometimes we play soccer with our friends and other times we just like to hangout to catch up with friends and family. We like to spend quality time with our families with that little free time we have. Also, our studies play a role in what we do away from music but still, we love to have music everywhere.”
What’s planned for the remainder of 2022?
CryJaxx: “For the upcoming months of 2022 we’ve planned a lot of music to be released. Currently working on few festivals and shows for the summer and yeah, we are filming some music videos too. 2022 has a lot of work for us to do, but we are definitely ready to get into that.”
Favourite food and place to hang-out?
CryJaxx: “Food..hmm…we love all kinds of food but lately been eating a lot of Asian food. Favourite place to hangout is the studio haha. Besides that, we love nature and there is a lake near Tirana where we go to chill out when we have some free time.”
https://www.instagram.com/
https://www.sptfy.com/CryJaxx
JUST A GENT DELIVERS HIS STRONGEST MATERIAL YET WITH LONG AWAITED NEW STUDIO ALBUM PLANET OASIS ON TOUR IN JUNE
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Planet Oasis is out now.
Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
TELENOVA return with new single & video ‘Why Do I Keep You?’ + announce UK headline dates + RSD performances
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AUSTRALIAN SHOWS
Saturday 23 April – Record Store Day
12PM – Rocksteady Records, Melbourne
Saturday 23 April – Record Store Day
3PM – Sound Merch, Melbourne
UK & THE GREAT ESCAPE SHOWS
Wednesday 11 May – Communion Club, London UK
Thursday 12 May – Klomedia, Brighton UK
Saturday 14 May – The Beach, Brighton UK
Sunday 15 May – Colours, London UK
Tickets available via www.telenovamusic.com.au
DUE MAY 6 VIA EPITAPH RECORDS
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Where are you currently based?
We’re in sunny North London.
How did Superbloom form?
Sam (our drummer) and I have been friends for years. We used to play at one of our local venues, The Green Room in Welwyn Garden City, in separate bands when we were kids. This was back in the day when people went out to gigs on a Tuesday night, just for fun! We had a lot of mutual friends and ended up playing in a band together. Many years and musical projects later, we started Superbloom.
What’s been happening recently?
Well the bleakness of the pandemic finally seems to be coming to an end, so the last few months have been pretty good by comparison!
Since the start of the year we’ve been focused on releasing Smile. This involved adding the finishing touches to the mix, creating the artwork and music video, contacting blogs and radio stations etc. It’s been a lot of work, but thankfully it’s been totally worth it. Now we’re looking forward to putting together a new live set and getting out on the road.
Your latest single ‘Smile’ is out now, what influenced the sound and songwriting?
It was one of the first songs we wrote together as a band, and is ironically one of the most technical. Having just started a fresh new project, we were building from a blank canvas and experimenting with different sounds and writing styles. I think this experimentation led to the track being quite progressive. Having said that, as a vocalist I like to write catchy, hooky melodies, so hopefully it still has that sing-along feel.
How did you go about writing Smile?
It was quite a while ago now, so this is testing my memory… I just remember me and Sam bouncing ideas off each other in my old home studio (bedroom at the time!). It was the product of a laptop, an interface, a guitar, some programmed drums and a cheap vocal mic. Most of our songs start off this way. Once the bones are there we head into the rehearsal studio and really get to work.
I do remember the bass riff at the start being a very last-minute addition though. Now I can’t imagine it any other way!
Where and when did you record/produce/master and who did you work with?
We recorded Smile at Broadfields Studio in Watford, London with Tom (Mitch) Mitchener. I think it was around 2018. Mitch produced, engineered, mixed and mastered the track. He basically became part of the band for the week we were there recording our first batch of songs. It was invaluable having his creative input, given we only have two core members.
How did you approach the recording process?
We’d worked at several music studios with several producers in the past, so we knew exactly what we wanted (and didn’t want). Not only from the sound we produced, but the studio experience as a whole. We always try to have solid demos recorded and be well rehearsed before heading into the studio, as this saves time, money and keeps stress to a minimum. It just means you can really enjoy yourself and have fun with it. We even knew what kinds of effects we wanted on different sections of the guitars and vocals, it was just down to Mitch to dig out the right pedals. He always seemed to get it right first time!
You have an album on the way, what can we expect?
We’re a pretty new band, so we’re still searching for the sound that makes us, ‘us’. I guess this could be misinterpreted as a negative thing, but we don’t see it that way. At the moment we’re just enjoying the journey and relishing the challenge. So, album-wise, I’d expect something diverse. It’ll still fall under the Alternative Rock umbrella, for sure, but there’ll be a lot of variety from track to track.
Who are you listening to at the moment?
I’ve always listened to a wide range of music. Looking at my Spotify recent searches, the latest are Kenny Wayne Shepherd, All Them Witches, Steven Wilson, The Mysterines and Alanis Morissette. Kind of eclectic, but that’s good, right?
What do you like to do away from music?
My day job and music seem to take up more or less my entire life. But aside from that I like to keep fit. I spend a fair bit of time in the gym and play a lot of sport (mainly football). I’m also a pretty avid cook and love cooking up a feast for friends. We’ll come on to my love of food later…
What’s planned for 2022?
We’re gagging to get out and play more shows. As I said before, the pandemic has really limited us in that respect, so that’s a big ambition for the rest of the year. We’ve got a few things in the pipeline, so keep an eye out for dates!
We’re also working towards the launch of our first full-length album, so that’ll keep us busy.
Favourite food and place to hangout?
I like this question. I love food. My favourite is probably pizza, and curry. And nachos. And everything.
I’m getting more and more anti-social as I get older, so hangouts aren’t what they used to be. I like going out for some food and a few drinks somewhere local, so I don’t have to worry too much about the calamity that is public transport. I also like playing sport, so maybe on the football pitch? It’s always nice having a few beers in the bar after too.
Instagram – https://www.instagram.com/
Facebook – https://www.facebook.com/
Spotify – https://open.spotify.com/
YouTube – https://www.youtube.com/
Soundcloud – https://soundcloud.com/
The release of this album feels like a milestone for you and for fans alike; how does it feel to have this collection be so definitive as your sound?
It feels incredible, a huge part of why I wrote this record was to have a full piece that screams this is Just A Gent and this is who I am. Part of me wishes I had done it sooner but I’m stoked it’s finally here
Talk us through some of your favourite moments of the album, and the importance of each of the collaborators you worked with on it: how did you go about linking up with the guests we hear on the album?
I’ve been putting together the album for a couple years now and some of the ideas have been sitting around for years and years. I think a few of my favourite moments are the more recent tracks I created to fit the record like lightspeed and planet oasis. I really enjoyed creating those, just drifting off into my imagination and letting them be whatever they wanted and I love how it brings me back to that when I listen.
In terms of collaborations these are all friends who I’ve worked with in the past or been working with in some capacity for a while. For this record I just wanted to work with people I cherished and creatives I trust. Everyone on this record has their own unique taste and they all stay true to themselves.
When you listen back through this record; what stands out the most to you about how your skills as a songwriter/producer have evolved over the last few years?
When I listen back, I think I’ve stopped thinking as much about what everyone else is going to think and I’m just making music that I want to hear myself. I think as a producer I’ve tried to take a step back and focus a lot more on the songwriting / sonics of these tunes. I usually have a tendency to overdo it, add to many elements, push the mix way to loud etc. So with this record I went for a less is more approach and really tried to nail the sounds and sonics of the guts of the ideas rather than overcomplicate them.
Do you think, in making this album, your approach to music making in general has changed in any particular way?
Absolutely, I’ve never committed to finishing so many songs for 1 project and its certainly stressful. In the past I’ve just worked at my own pace and really refined things before they were released but the more I worked on this record like I had previous projects it was just neverending. I think I had to find a point in all these songs where I said enough is enough and really pick and choose the best elements/ best tracks and recycle the rest. Originally tnjs would of been a 24 track double LP but had to make some sacrifices for the sake of my sanity
If this is the jump off point for a new Just A Gent fan, what kind of energy do you hope is instilled in them through listening to it?
I hope they can find some creative energy. My goal with this entire record is to inspire people to create and innovate. Even if that’s not the outcome, whatever they take from the record is why I do this. Sharing these songs/sounds in the hopes people can feel what I have felt during writing them and finishing them. Music still blows my mind everyday, how powerful of an effect it can have on your mood or a certain situation. If my sounds are enough to fluctuate someone’s choices into a more positive place than I’ve done my job
Australian dance and beats-driven music is properly having a *moment* right now – what is it about this sort of music being made out of this country that is really nailing it?
I think it’s been this way since I have been in the scene. Aussies have always been one step ahead and it’s not because we want to be ahead of the curve, it’s because we are just making it for fun. We are fortunate to be surrounded by such talented artists here that preach about just being creative, having fun with it and trying to stretch our imaginations to the limit. It’s so good to see so many friends/comrades killing it in the worldwide scene and I never doubted any of them. If you create to your own taste and make music for you then I don’t see how you can ever fail.
Are you listening to any artists or producers right now who feel in any way influential on the way you’re looking at music, creatively?
Always! At the moment I’ve really been loving Magdalena Bay. They are out of LA, I’ve only recently discovered them and I can’t get enough. Their new track dreamcatching has one of the coolest video clips I’ve ever seen and their sound is just so pretty and perfect. They just get it.
The album already feels set up for the live scene – what are you looking forward to the most about getting the new music ready for tour?
Now that I’ve finally got a full record I’m just keen to play it out. I have never tested any of these songs to audiences because this record has come together during the last couple years. I can’t wait to see how people react to the songs live and on a huge system where I’m hoping it sounds it’s best. This will be the first tour where I’m gonna be really showing what just a gent is rather than DJing and playing a bunch of times I like. Very excited ?
https://www.facebook.com/JustaGent
SNAKEHIPS TO TAKE STAGE IN MELBOURNE FOR THEIR ‘NEVER WORRY’ TOUR, PRESENTED BY THE OPERATIVES AND DELIGHT
Among the stellar supports is Sydney artist/producer Cabu, who brings a whole new meaning to the saying ‘smooth as butter’ with his luscious R&B and house infused grooves. Having amassed 50Mil streams and over 750k monthly listeners on Spotify alone, Cabu’s most recent releases have been featured on Triple J, Dj Complexion’s Future Beats radio, Soundistyle, Majestic Casual, Soulection Radio, BBC 1Xtra, Maison Kitsune and many more. Both DJing and live, Cabu has also supported local and international heavyweights such as FKJ, Emotional Oranges, Cosmo’s Midnight, BOO Seeka, Slumberjack & Kilter. With an array of releases locked and loaded, the future is set to be a big one for Cabu.
JNR.’S EXPLOSIVE debut single ‘REMEMBER’ A hopeful song for a confused generation
Photo by: Megan Donnelly
jnr. have well and truly snatched the spotlight with fiery debut single ‘Remember’. Crackling with energy, this trio of Sydney based musicians and producers have brought a fresh sound to the Australian music scene by channeling electrifying indie-pop.
Distorted and playful vocals adorn refined and rhythmic pop production, creating a supremely catchy tune that is reminiscent of iconic front runners 1975, LANY, and No Rome.
jnr. is made up of Ben Siva, Nico Scali and Max Jacobs who have been writing music together for close to 10 years. Between writing, producing and performing themselves, they have been involved in a wide variety of talent such as Loretta, Khaled, Chris Lanzon, SADBOii and Rageflower just to name a few.
It was only in 2020 that they pivoted their attention toward a singular focussed project. The result: a collection of pop production tracks adorned with earnest and self-reflective lyrics. The first of which is sampled in ‘Remember’. By taking the time to hone their skill and synchronicity as a band, their future as unique players in the Aussie pop landscape is incredibly exciting.
This single features a complex underpinning in the lyricism – offering a tension in the push-pull dynamic between bright pop sounds that reveal a darker experience. This space of uncertainty is where lead singer Ben says his artistry flourishes, “‘remember’ deals with grief, nostalgia, and the moment you are forced to put yourself in your parent’s shoes. I think anyone can relate to wanting to remember someone or something from their childhood, but the song has a deeper meaning for me. I’m always drawn to darker lyrical themes and uplifting instrumentals – that push and pull always attracted me to some of my favourite artists.” Ben Siva, jnr.
By embracing the ebb and flow of the complexities of inner emotions and personal experience, it paves the way for a genuine connection between artist and their music, “The feeling of knowing oneself is essential to being human. So the writing process was really me thinking about who I would be without my memories.” Ben Siva, jnr.
The accompanying visualiser explores this space of darker uncertainty. Feeling more like a fever dream than a music video, a retro TV flickers on static whilst pulsating lights and pacing strangers in the background add a layer of surrealism. This, coupled with the unique effects and experimental visual production is a really special addition to already a fantastic song.
Without a doubt, jnr. know what they’re doing and will leave you wanting more.
Official Website | Triple J Unearthed | Facebook | Instagram | Youtube
MOGA Caparica returns to Portugal, reveals the first wave of the lineup including FOLAMOUR, DAN SHAKE, DAM SWINDLE, PARALLELLS and more
MDOU MOCTAR Releases Afrique Refait Remix EP With remixes of acclaimed album Afrique Victime by Pan-African electronic artists curated by Mdou Moctar
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