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Interview: Hydraulix on Deadbeats, Australian Bass Music and Building His Own World

August 29, 2026

Cali Rd Release New Single ‘Hold On’

August 28, 2026

Erykah Badu and The Alchemist Share New Album ‘Before the World Blows’

August 28, 2026

Bullion Shares New Single ‘Applegene’ Ahead of Upcoming Album ‘Nearly’

August 28, 2026

Interview: Djawarray Culture, Community and Sounds Like Community Radio

August 28, 2026

Ninajirachi and Madeon Rework ‘iPod Touch’ in First Official Remix From Madeon...

August 28, 2026

Flare Street Unveils New Natural Fibre Collection

August 27, 2026

Strummingbird Announces Tyler Childers, Sam Barber and James Johnston for 2026

August 27, 2026

Large Mirage Unleash ‘Wildfire’ and Announce 2026/27 Single Tour

August 27, 2026

Like Roses Announce Debut Album After It Ends

August 27, 2026
Category:

Festival News

Festival NewsMusic News

Northlane Announce New Album ‘Anemoia’ + Australian Headline Tour

by the partae August 5, 2026
written by the partae

Australian heavy music trailblazers Northlane have revealed their visceral new single “CUT_it”, lifted from their forthcoming album, Anemoia, out October 30 (Independent / Immortal Music Group). To celebrate the release of their seventh record, Northlane will embark on their biggest Australian headline tour of their career this November.

Anemoia’s second suffocating track “CUT_it” encapsulates the bone-weariness of total burnout. Driven by a low-end groove that bends and bows under the unrelenting weight of exhaustion, Marcus Bridge flexes a new menacing side of his huge vocal range before the song erupts into merciless heaviness.

“CUT_it is about burnout – the feeling of grinding through things when you’re completely spent, mentally and physically. The imagery is deliberately visceral, painting a picture of that exhaustion rather than analysing it,” says Bridge.

Across a career defined by seismic shifts, Northlane have stared down technological anxiety, alienation and collapse, channelling it into a highly influential body of work that is as expansive as it is confrontational. With the world in dire straits, it would have been easy for them to descend into the void on album number seven. Instead, they emerged from the studio with their most hopeful and human record yet.

Executive produced by Jordan Fish, the idea for Anemoia was sparked by a mind-altering set from UK producer and DJ Evian Christ, which inspired songwriter/guitarist Jon Deiley to explore how trance – in all its emotional intensity and physical scale – could work naturally with guitars and the catharsis of heavy music. Throughout the album, Northlane’s hallmark electronic metal takes on many forms, shapeshifting through euphoric trance, seismic breakdowns, brain-bending grooves, drum-and-bass, jungle and pop, coalescing into Northlane’s own sonic singularity.

Following on from their #1 album Obsidian (2022), Anemoia toys with the concept of feeling nostalgia for a time or place one has never known. This yearning opens up a dichotomy of darkness and light, where the sense of freedom of eras past buoys a carefree energy running through tracks like first single “Evian”, while feelings of anger and despair come roaring back when the present day shatters the reverie, leading to some of Northlane’s heaviest moments since their first EP.

“There’s darkness here, but it’s not nihilism – and there’s hope, but it’s not naivety,” adds Bridge.

More than 15 years into their career, Northlane continue to stand at the forefront of heavy music globally with a singular sound that shifts the genre’s landscape with every release. With multiple chart-topping albums, awards and over 500 million streams, the band has built a legacy defined by the restless pursuit of innovation. On Anemoia, they have not chosen between the worlds that shaped them – they have finally found where they meet.

Northlane will bring Anemoia to stages across Australia this November for their biggest headline tour to date, joined by After The Burial (USA), Cenobia and Above, Below.

Tickets are on sale August 13 via destroyalllines.com

NORTHLANE

ANEMOIA AUSTRALIAN TOUR

With Guests After The Burial (USA), Cenobia and Above, BelowPresale begins Wednesday 12 August @ 11am AEST. Sign up for access here

Tickets are on sale Thursday 13 August @ 11am Local via destroyalllines.com

Thursday November 5
Metro City, Perth – 18+

Saturday  November 7
Festival Hall, Melbourne – LIC AA

Sunday  November 8
Thebarton Theatre, Adelaide – LIC AA

Wednesday November 11
Enmore Theatre, Sydney – LIC AA

Friday November 13
Bar On The Hill, Newcastle – 18+

Saturday November 14
Fortitude Music Hall, Brisbane – LIC AA

NORTHLANE – ANEMOIA

Out October 30 via Independent / Immortal Music Group
STREAM | SAVE

FOLLOW NORTHLANE
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August 5, 2026 0 comments
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Festival NewsMusic News

OCEAN SLEEPER Announce Exclusive VIP Pre-Release Parties For Album ‘Peace When I’m Dead’ Out 28 August

by the partae August 5, 2026
written by the partae

Regional kings of Gippsland, Australia, Ocean Sleeper, announce a series of exclusive VIP pre-release parties set for the week leading into the release of their sophomore album Peace When I’m Dead – out August 28 (via BMA Australia/Rise Records).

The parties will give VIP ticket holders an exclusive first listen to the album, followed by a Q&A with the band There’s exclusive attendee-only merch on offer too – including limited-edition t-shirts embedded with an NFC tag that unlocks the album.

PEACE WHEN I’M DEAD PRE-RELEASE PARTY DATES:
Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

VIP tickets to these exclusive events are strictly limited, with no further releases once sold out. Tickets can be purchased now from HERE.

Ocean Sleeper ripped into 2026 as a band transformed – sharper, heavier, and more emotionally resonant than ever before. This year is proving to be their most ambitious and exciting yet, with fans treated to three explosive, defiant, and powerful singles: ‘Break The Cycle’, ‘Peace When I’m Dead’ and ‘My Forever Drug’.

Across those three singles, the band have gained serious traction both at home and abroad. Locally, support has poured in from triple j, Blunt Magazine, Roguenjosh, and Heavy Mag, while at US radio ‘Break The Cycle’ landed as the 17th most played song on SiriusXM Liquid Metal. Globally, the band have racked up hundreds of thousands of streams across DSPs, backed by playlist additions from All New Rock (FR), The Core (US), All New Metal (US), Hard Rock (US), and Rock Out (AU) – plus a cover feature on Homegrown (Spotify), a spot on Apple’s global New Music Daily, and multiple placements on Spotify’s global New Music Fridays.

Capturing the weight of grief, guilt, and regret, Peace When I’m Dead showcases Ocean Sleeper’s ability to vulnerably explore the darker corners of the human experience, confronting inner turmoil, depression, and profound emotional lows head-on. In acknowledging, expressing, and releasing these deeply felt emotions, the album channels a rare sense of catharsis and connection.

“This band has never been afraid to dive into the darker parts of our lives, and this album is no exception,” says Karl Spiessl, lead vocalist. “At its core, the record explores the ongoing battle we have with ourselves – that constant inner struggle that can feel endless. It’s about coming to terms with the idea that this conflict may always be part of the human experience, and learning to accept that reality.”

September will see Ocean Sleeper embark on their most ambitious tour yet: the Peace When I’m Dead Tour, presented by New World Artists and Fireball AU. Marked as their biggest national headline run to date, the tour kicks off at Liberty Hall in Sydney on Friday 4th September, hits The Princess Theatre in Brisbane on Saturday 5th (SOLD OUT), Magnet House in Perth on Thursday 10th, Hindley St Music Hall in Adelaide on Friday 11th, and closes with a massive home-state show at the Forum in Melbourne on Saturday 12th September. With Brisbane already sold out, remaining tickets for the other dates are moving fast. Grab yours HERE.

The Peace When I’m Dead Tour is just one chapter in a mammoth global run that will see Ocean Sleeper play 82 shows between now and February 2027. June and July bring support dates with Nevertel and the band’s first-ever headline shows across the UK and Europe, followed by the Australian Peace When I’m Dead Tour in September. From there, Ocean Sleeper return to the US with Nevertel, join Parkway Drive’s Hellbound Cruise in October, and kick off 2027 supporting Catch Your Breath throughout Europe and the UK.

Don’t miss Ocean Sleeper’s unique blend of crushing metalcore intensity married with deeply personal lyricism and huge melodies at the Peace When I’m Dead Pre-Release Parties. And don’t forget to grab your tour ticket before they’re all gone!

Peace When I’m Dead (album)
Out 28 August
PRE-ORDER, PRE-SAVE

‘Break The Cycle’
LISTEN | WATCH

‘Peace When I’m Dead’ (single) 
LISTEN | WATCH

‘My Forever Drug’ 
LISTEN | WATCH

PEACE WHEN I’M DEAD PRE-RELEASE PARTIES 
TICKETS HERE

Thursday 20 August – Adelaide – The Ed Castle 6pm-12am
Friday 20 August – Sydney – Burdekin Hotel – 6pm- 12am
Saturday 22 August – Brisbane – Crow Bar – 12pm-4pm
Sunday 23 August – Melbourne – The Lead Beater Hotel – 12pm-4pm

OCEAN SLEEPER TOUR DATES 
All Shows – TICKETS HERE

Peace When I’m Dead National Tour – 2026 
presented by New World Artists and Fireball AU

Friday 4 September Liberty Hall – Sydney, NSW – TICKETS – (FINAL TICKETS)
Saturday 5 September – The Princess Theatre – Brisbane, QLD – (SOLD OUT)
Thursday 10 September – Magnet House – Perth, WA – TICKETS
Friday 11 September – Hindley St Music Hall – Adelaide, SA – TICKETS – (FINAL TICKETS)
Saturday 12 September -Forum – Melbourne, VIC – TICKETS

NORTH AMERICA 2026 – Supporting Nevertel
Fri Sep 18 — Louisville, KY — Louder Than Life (festival)
Sat Sep 19 — Grand Rapids, MI — Elevation
Sun Sep 20 — Detroit, MI — The Sanctuary
Tue Sep 22 — Omaha, NE — Waiting Room
Wed Sep 23 — Denver, CO — Marquis Theatre
Fri Sep 25 — Houston, TX — Studio at Warehouse Live
Sat Sep 26 — Austin, TX — Come and Take It Live
Sun Sep 27 — Dallas, TX — House of Blues
Tue Sep 29 — Memphis, TN — 1884
Thu Oct 1 — Columbus, OH — A&R Bar
Fri Oct 2 — Pittsburgh, PA — Preserving
Sat Oct 3 — Cleveland, OH — Grog Shop
Sun Oct 4 — Buffalo, NY — Electric City
Tue Oct 6 — Syracuse, NY — The Song & Dance
Thu Oct 8 — Worcester, MA — Upstairs at Palladium
Fri Oct 9 — New York, NY — Gramercy Theatre
Sat Oct 10 — Allentown, PA — Arrow
Sun Oct 11 — Hampton Beach, NH — Wally’s
Tue Oct 13 — Johnson City, TN — Capones
Wed Oct 14 — Charleston, SC — Music Farm
Fri Oct 16 — Birmingham, AL — Workplay
Sat Oct 17 — Nashville, TN — Ceremony Fest (festival)
Sun Oct 18 — Atlanta, GA — Masquerade

INTERNATIONAL WATERS with Parkway Drive
Thurs Oct 22 — HELLBOUND CRUISE FESTIVAL
Fri Oct 23 — HELLBOUND CRUISE FESTIVAL
Sat Oct 24 — HELLBOUND CRUISE FESTIVAL

Europe/ UK 2027 – Supporting Catch Your Breath
Wed Jan 13 — Dublin, Ireland — The Academy
Fri Jan 15 — London, UK — Electric Ballroom
Sat Jan 16 — Manchester, UK — Manchester Academy 2
Sun Jan 17 — Glasgow, UK — Garage
Tue Jan 19 — Birmingham, UK — XOYO
Wed Jan 20 — Bristol, UK — Bristol Electric
Fri Jan 22 — Frankfurt am Main, Germany — Batschkapp
Sat Jan 23 — Berlin, Germany — Columbia Theater
Sun Jan 24 — Prague, Czechia — Roxy
Mon Jan 25  — Vienna, Austria — Arena
Wed Jan 27 — Milan, Italy — Santeria Toscana 31
Fri Jan 29 — Cologne, Germany — Carlswerk Victoria
Sat Jan 30 — Munich, Germany — Backstage
Sun Jan 31 — Zurich, Switzerland — Dynamo
Tue Feb 2 — Paris, France — Trabendo
Wed Feb 3 — Sint-Niklaas, Belgium — De Casino
Fri Feb 5 — Stuttgart, Germany — Im Wizemann
Sat Feb 6 — Hamburg, Germany — Grosse Freiheit 36
Sun Feb 7 — Utrecht, Netherlands — Ronda\
Tue Feb 9 — Copenhagen, Denmark — Pumpehuset
Wed Feb 10 — Oslo, Norway — John Dee
Thu Feb 11 — Stockholm, Sweden —Debaser Strand
Sat Feb 13 — Helsinki, Finland — Tavastia
Sun Feb 14 — Tallinn, Estonia — Helitehas
Mon Feb 15 — Riga, Latvia —Riga, Melna Piektdiena
Wed Feb 17 — Warsaw, Poland — Progresja

Praise for Ocean Sleeper: 

“Production is so so good… I feel like this is one of those bands that could be the future of Aussie metalcore.” Roguenjosh

““The quality of this new material speaks for itself….this is only the tip of the iceberg – lots more to come!” – Jack Bergin triple j CORE 

“…the Victoria-based outfit has taken this newfound popularity in their stride, delivering an energetic and visually epic showcase to a loyal onslaught of fans.” – Wall of Sound

“From Karl Spiessl using every inch of the stage to his advantage to Stan Liagourdis twirling his guitar mid-set, they’re never anything less than captivating to watch.” – Heavy Mag

OCEAN SLEEPER 
Website | TikTok | Instagram | Spotify | YouTube | Apple Music | Facebook | X

August 5, 2026 0 comments
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Festival NewsMusic News

Amyl and The Sniffers Announce Country Concert Film “Truth Or Consequence” – Limited Theatrical Screenings and Live Album

by the partae August 4, 2026
written by the partae

Amyl and The Sniffers announce the impending release of a live album and film, but in classic Sniffers style, this is anything but a conventional live record.

In April last year the band set up with a group of friends at the iconic El Coyote Mexican Restaurant in LA to film and record a one of a kind performance – reimagining their songs as stripped back, country versions.
As well as some fan favourites, the set features two unreleased songs and a cover of Slim Dusty’s ‘Lights On The Hill’.
Intimate, loose and full of fun, the performance captures the band in a way audiences have never seen before. Interspersed with candid behind the scenes moments, Truth Or Consequence is essential viewing for fans and anyone who likes a good time.

“The hope for this record is that it is listened to as it was made, in a ruckus exclamation between a cherished group of friends.” – Amyl and The Sniffers

FIND A THEATRICAL SCREENING NEAR YOU HERE
PRE ORDER THE ALBUM HERE 

Amyl and The Sniffers have become one of Australia’s most successful bands since forming in Melbourne a decade ago. Renowned for their explosive live performances, uncompromising songwriting and fiercely independent spirit, the four-piece have built a global following through relentless touring and an unforgettable stage presence.
Since the release of their third album, Cartoon Darkness, in 2024, the band have barely stopped touring. They’ve performed at some of the world’s biggest festivals, including Glastonbury, Primavera Sound, Roskilde, Pukkelpop and Lollapalooza, shared stages with AC/DC, Foo Fighters and Green Day, and completed multiple headline tours across the US, UK, Europe and Australia, continuing to reach new heights with each show.
Cartoon Darkness also marked a new peak in the band’s critical acclaim, earning four ARIA Awards, including Album of the Year, Best Group and Best Rock Album, as well as Grammy and BRIT Award nominations.

Truth Or Consequence is out on vinyl and streaming services on Sept 4

And will have Australian national cinematic release from August 28

amylandthesniffers.com // Facebook // youtube // Instagram

August 4, 2026 0 comments
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Festival NewsMusic News

Alex Lahey Revisits Her Breakthrough Debut EP ‘B-Grade University’ a Decade On – With Tegan and Sara Along for the Ride + Australian Tour Announced

by the partae August 4, 2026
written by the partae

Ten years is a long time in indie rock. Long enough for a scrappy Melbourne songwriter’s debut EP to become a coming-of-age touchstone, and long enough to justify bringing it back with a few surprises tucked inside.

Alex Lahey has announced B-Grade University (Reunion Edition), a 10-year anniversary reissue of her breakout debut EP, landing July 17 via Dead Oceans. The reissue arrives with a freshly re-recorded version of the EP’s standout single, “You Don’t Think You Like People Like Me” — this time featuring Canadian duo Tegan and Sara — plus a run of solo U.S. tour dates set for July.

Back when B-Grade University first dropped, it made real noise: Entertainment Weekly tagged Lahey as an artist “Breaking Big,” Stereogum named her one to watch, and Pitchfork handed “You Don’t Think You Like People Like Me” a Best New Track nod, praising the way her words tumble out with breathless, vulnerable ease. NYLON zeroed in on the EP’s tight 18-minute runtime, calling out its knack for capturing the messiness of modern romance and the strange comedy of heartbreak, drawing comparisons to Car Seat Headrest and Bully along the way.

For Tegan and Sara, the reunion has a full-circle quality. The duo remembers watching Lahey perform the track from the side of the stage on a joint tour a decade ago, and now they’re the ones singing on it. They’ve been open about admiring how Lahey’s talent as a songwriter is matched by her offbeat sense of humor — and about staking an early claim as fans, well before the rest of the world caught on.

Lahey herself has described the writing of the original EP in vivid, personal terms — sitting in her childhood bedroom at her mum’s house, watching Melbourne’s skyline creep further into view, and selling her car to scrape together studio time. She’s said the songs changed the course of her life entirely, carrying her to places she never imagined and connecting her with people who found their own stories inside them.

What’s on the reissue

Alongside the four original B-Grade University tracks, the Reunion Edition folds in re-recordings of “You Don’t Think You Like People Like Me” and “Let’s Go Out,” alternate versions of “Wes Anderson” and “Let’s Go Out” pulled from Lahey’s 2020 Between the Kitchen and the Living Room EP, and a 2017 live-in-studio recording of “You Don’t Think You Like People Like Me” from triple j’s Like A Version. A limited vinyl run is available for pre-order now.

Full tracklist:

Ivy League

Let’s Go Out

Wes Anderson

You Don’t Think You Like People Like Me

L-L-L-Leave Me Alone

You Don’t Think You Like People Like Me (feat. Tegan and Sara)

Let’s Go Out (feat. Slowly Slowly)

Wes Anderson – Bathroom Version

Let’s Go Out – Bedroom Version

You Don’t Think You Like People Like Me (triple j Like A Version)

TOUR

Lahey will mark the anniversary with shows on both sides of the Pacific. Back home, the B-Grade University Reunion Tour touches down in Brisbane, Melbourne, Sydney, Perth, and Adelaide in late August:

Thu Aug 20 — The Triffid, Brisbane

Fri Aug 21 — Corner Hotel, Melbourne

Sat Aug 22 — Manning Bar, Sydney

Fri Aug 28 — The Rosemount Hotel, Perth

Sat Aug 29 — Jive, Adelaide

All tickets at www.alexlahey.com.au  Threekingstouring.com.au

VINYL ORDER – Alex Lahey – B-Grade University – EXCLUSIVE SPLATTER Reunion Edition Vinyl LP

Alex Lahey Online:
Website | Instagram | Facebook | X | TikTok | Substack | AL, Kate & All Their Mates

August 4, 2026 0 comments
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Festival News

Interview: Rob Adelberg on New Tricks, X Games Glory & Freestyle Kings’ Return to Melbourne – Saturday 8th August 2026

by the partae August 3, 2026
written by the partae
Freestyle Kings returns to Rod Laver Arena in Melbourne on Saturday 8 August 2026. As the hometown hero leading this incredible line-up, how excited are you to be bringing the show back to Melbourne?

I’m always excited for this one as it’s the local so plenty of friends and family. This year it’s lined up directly after a string of big competitions and a so I’m at the top of my game and as a team we have rode 12 shows already this year so our team are all on point as well.
 
Freestyle Kings has become one of the biggest action sports shows in the world. What makes this event unique, and why do you think it continues to attract fans of all ages?

For me I believe it starts at the top of the team which is Josh Hannah. His an ex Freestyle moto rider and I’ve been friends with him for many years before he started these shows. So he knows what we are like he cares about our safety his also a great business man who wants to produce the best show in the world so for me it starts with him.

This year’s line-up features some of the world’s best freestyle motocross and BMX riders. Is there a particular moment or performance you’re especially excited for fans to experience at Rod Laver Arena?

There is so many parts of our show that are new for this years event in Rod Laver. For me though I’m working on a trick I’ve never done before in a show and it’s a trick that has won me a gold medal at X Games. So I’m nervous but excited to showcase it.

You’ve had an incredible career in freestyle motocross. Looking back, what’s the one moment you’re most proud of, and how has it shaped the rider you are today? 

This is a tough one I’ve had so many moments that stand out but it always seems to come back to the last big trick I’ve learnt or thing I’ve achieved. This year we had 3 x games events I showed off 3 tricks that had never been done in competition earning myself a gold, silver and a bronze over the three events where I was the only rider to medal at all 3.

If we are talking about shows the big one for me is when we showed the world that our Freestyle Kings team is the best in the world by riding in the pouring rain for a crowd that had been sitting there waiting. It’s not what normally would happen but we are a close knit team and we all trust each other and our abilities the video from that show was one of the most viral talked about moments in fmx.

Fans see the massive tricks, but not the work behind them. What does your preparation look like leading into a show as big as Freestyle Kings?

This is a tough one to prepare for because of the variety of riding we do in the show. So of course I’m at home working on my big tricks but also perfecting the small forgotten about tricks as we showcase these in a specific segment of our show. At home I’ll be working on big new bangers but also working to push the older tricks that started our sport.

Freestyle motocross continues to evolve with bigger tricks and higher expectations. Where do you see the sport heading over the next few years, and how does Freestyle Kings continue to raise the bar? 

We have been hearing that the sport can’t keep improving but as we have shown there is so much more to offer with new tricks and like I mentioned perfect and taking old tricks to new heights. Freestyle kings showcase this perfectly by the segments we have in our show and the riders we have aging from 11 to 44 that are all at the top of the sport.

Performing in front of a Melbourne crowd must be something special. What makes your hometown fans different, and what kind of atmosphere are you expecting on Saturday 8 August? 

I feel like any capital city show is like a hometown show as we ride all around the world and the Aussie fans are built different. There loud and you can tell there just as pumped as we are and the appreciation we receive after the show when signing autographs or taking photos makes it feel extra special.

For someone who has never been to Freestyle Kings before, what can they expect when the lights go down and the action begins? Be ready to have your mind blown from start to finish. From every act in our team from our production, fire team, Bmx and Moto it’s a fast paced in your face action packed show that you’ll be back at next year.

You’ve inspired a new generation of Australian riders. What advice would you give to young athletes who dream of one day competing on the Freestyle Kings stage?

This is for anyone out there for anything in life. If you want it you have to go and get it. Nothing is owed to you and you need to work hard to get what you want. If it’s worth it, it ain’t easy and if it’s easy it ain’t worth it. Strive to be great and challenge yourself.

Finally, what message would you like to share with everyone thinking about coming to Freestyle Kings at Rod Laver Arena on Saturday 8 August 2026? Be sure to get those tickets because you won’t want to miss this one. I know what I’m bringing for the fans and every other athlete on our team works hard to be the show you the best. What you see on a tv or phone screen is nothing in comparison to the real deal so come on down.

TICKETS

Rob Adelberg Instagram

Freestyle Kings Instagram
August 3, 2026 0 comments
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Festival NewsMusic News

Fool Nelson – Announce AUS Tour Dates + Share Music Video

by the partae August 2, 2026
written by the partae

n a breakout ’25 landing in triple j‘s Hottest 200, a slew of sold out shows across the nation, West Coast favs Fool Nelson have powered through the year with a sold out London debut headline, notched tastemaker festivals The Great Escape, London Calling, Dot To Dot, Liverpool Sound City and performed live on Dutch powerhouse radio station 3FM.

Today the trio announce a special run of intimate Australian dates, tied around their performance at the iconic Yours & Owls Festival this October. Coinciding with the drop of shows, they share a nostalgic clip for their latest BBC Radio 1 and BBC 6 Music supported single, ‘Keepsake’. With the band noting:

“This song is for our loved ones, but the clip is for every single person that’s come to a show, said g’day, shed a tear in the mosh, or crowdsurfed and lost their shoes. The vid was shot by our mate Andrew Briggs on our last run of shows across the country. It’s pretty special to have something to look back on, something that captures that tour and almost feels like a nostalgic recap of a family holiday. We’re so grateful to be able to play shows all around the place and can’t wait to get back on the road and do what we love.”

The past 12 months has seen the band crack triple j’s Hottest 200 at #154, supported luminaries Spacey Jane, Skegss, Old Mervs, and ticked-off Rolling Sets Festival, The Great Escape, Wave Rock Weekender and Rum Jungle‘s festival ‘New For Now’. The trio were noted as ‘Ones To Watch’ and selected as the Unearthed Competition Winner for triple j’s One Night Stand in their hometown of Busselton (the only ever act to win an Unearthed Competition, twice).

 

‘Keepsake’ Music Video. Shot by Andrew Briggs.

Show-stopping and chart-topping, ‘Bad Dreams’ hit #1 Most Played on triple j for multiple weeks, with previous singles all in the Top 10 at the station. Releases have climbed National Shazam Charts, and locally in Perth, Adelaide and Melbourne, and have been widely embraced by Australian radio. The WA group were cover stars of ‘Rock Out.‘ on Spotify and have had continued support, added to countless Apple Music and Spotify playlists across the globe.

‘Keepsake’ + ‘Bad Dreams [Deluxe]’ EP is available worldwide now via AWAL
Tickets on Sale Now

FOOL NELSON

‘KEEPSAKE’ TOUR DATES
Tickets available at foolnelson.com.au

FRI 2 OCT | THE BRIGHTSIDE, MAGANDJIN/BRISBANE QLD
SAT 3 OCT | METRO SOCIAL, EORA/SYDNEY [AA] NSW
SUN 4 OCT | YOURS & OWLS FESTIVAL, DHARAWAL/WOLLONGONG NSW
FRI 9 OCT | JIVE, TARNDANYA/ADELAIDE SA
SAT 10 OCT | NORTHCOTE SOCIAL CLUB, NAARM/MELBOURNE VIC
SAT 17 OCT | INDIAN OCEAN HOTEL, BOORLOO/PERTH WA
SAT 24 OCT | THE Y HQ [U18], BOORLOO/PERTH WA

FOLLOW FOOL NELSON
INSTAGRAM | TIKTOK | TRIPLE J UNEARTHED | WEBSITE
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE

August 2, 2026 0 comments
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Festival NewsMusic News

ANUV JAIN AUSTRALIAN DASTAKHAT WORLD TOUR + LOCAL SUPPORTS ANNOUNCED + SHOWS SELLING FAST!

by the partae August 2, 2026
written by the partae

UNIFIED Music Group & blaide.live Present:

One of India’s most celebrated singer-songwriters, Anuv Jain, has returned to Australia in with his Dastakhat World Tour, his first-ever world tour and most ambitious live production to date.

Following the overwhelming success of his previous Australian tour in 2024, Anuv returned to Australia last night with a sold-out performance in Perth (Boorloo), supported by Reuben De Melo, kicking off a highly anticipated run of shows across the country. The tour now heads to Sydney (Eora), Melbourne (Naarm), Adelaide (Tarntanya) and Brisbane (Meeanjin), giving audiences another chance to experience the intimate storytelling and heartfelt performances that have established Anuv as one of the defining voices of a new generation of independent artists.

Joining him across the tour are a carefully curated lineup of local support acts, including Into The Unknown, ZAV-E, Jessie Hill, Sarhad Project and Hazel Mei. Jessie Hill will open both the Sydney and Melbourne dates, with Sarhad Project also joining in Melbourne. Adelaide’s sold-out show will feature Into The Unknown and ZAV-E, while Hazel Mei will support in Brisbane. With Sydney, Melbourne and Brisbane all selling fast and Adelaide already sold out, the tour continues to build on the incredible momentum of Anuv’s return to Australia.

From the reflective beauty of Baarishein, which first introduced his music to millions, to global favourites including Husn, Afsos and Jo Tum Mere Ho, Anuv has built a catalogue that transcends language and borders, with his music having amassed more than 4 billion global streams, cementing his place as one of India’s most influential independent artists. Singing primarily in Hindi and Punjabi, he explores themes of love, heartbreak, nostalgia, and hope in his deeply personal songwriting, connecting with listeners around the world through emotional honesty.

The Dastakhat World Tour represents the final chapter in Anuv’s acclaimed trilogy of live tours, following Dastakein (2021) and Guldasta (2023). Each title reflects a stage of his artistic journey from his first “knock” on listeners’ hearts to a bouquet of songs that blossomed into his signature sound, culminating now in Dastakhat, his personal signature. More than a concert series, the tour marks both the culmination of Anuv’s journey so far and the beginning of an exciting new era, with new music expected later this year or in early 2027.

Known for transforming intimate acoustic songs into unforgettable live experiences, Anuv’s concerts are celebrated for their warmth, authenticity and emotional connection. With atmospheric lighting, immersive production and an effortless stage presence, every performance feels less like a traditional concert and more like a shared conversation between artist and audience.

Having sold out shows across India, the United Kingdom, the Middle East, New Zealand, and Canada, and performed at renowned venues including Mumbai’s NSCI Dome and Dubai’s Coca-Cola Arena, Anuv is excited to be returning to Australia.

Beyond his music, Anuv has been recognised among Forbes Asia’s 30 Under 30 and GQ India’s 35 Most Influential Young Indians. His collaborations with Coke Studio Bharat, UN LIVE’s Sounds Right, AP Dhillon and Lost Stories have further established him as an artist helping redefine India’s contemporary independent music movement on the global stage.

With a growing international audience and a catalogue of songs that continue to resonate across cultures, the Dastakhat World Tour 2026 promises an unforgettable evening of music, emotion and connection.

UNIFIED Music Group & blaide.live Present: 
ANUV JAIN DASTAKHAT WORLD TOUR 2026 

Friday, 31 July 2026
Magnet House – Perth, Boorloo WA – SOLD-OUT
Support:  Reuben De Melo

Sunday, 2 August 2026
Enmore Theatre, Sydney, Eora NSW – SELLING FAST
Support: Jessie Hill and Sarhad Project

Thursday, 6 August 2026
The Forum, Melbourne, Naarm VIC – SELLING FAST
Support: Jessie Hill, Sagar Tiwari, Into The Unknown

Saturday, 8 August 2026 
Lion Arts Factory, Adelaide, Tarntanya SA – SOLD OUT
Support: Into The Unknown and ZAV-E

Sunday, 9 August 2026
The Triffid, Brisbane, Meeanjin QLD – SELLING FAST
Support: Hazel Mei

TICKETS ON SALE NOW

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August 2, 2026 0 comments
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Festival NewsMusic News

ONES TO WATCH BACKED BY AMERICAN APPAREL® MUSIC DISCOVERY SERIES HITS MELBOURNE’S NEWLY LAUNCHED SMITH ST. HOTEL IN AUGUST FEATURING MILES NAUTU, GAZAL AND LARA BUCHANAN

by the partae August 2, 2026
written by the partae

Live Nation’s ONES TO WATCH returns to champion the next wave of Australian music, where emerging talent, culture and craft collide. Rooted in the creative community, the program celebrates the connection between artists and audiences while continuing to support developing talent both on and off the stage.

Returning to Melbourne on Wednesday 5 August, the globally renowned music discovery event is set to hit the inner north’s latest music hotspot, the newly launched Smith St. Hotel. Positioned in the heart of a Melbourne corner synonymous with live music and nightlife, the venue will welcome punters back through its doors at the end of July, just days before hosting the showcase.

Showcasing their talents at this edition of ONES TO WATCH are three incredible artists whose foundations of influence are diverse as they are captivating.

Fusing a love for hip hop, jazz, soul and alternative together with an innately personal brand of storytelling, the now Melbourne-based artist MILES NAUTU has been enjoying a prolific rise within the Australian space across the last year. HIs debut EP the front introduced audiences to a vital young songwriter and performer. Inspired by the likes of Kendrick Lamar, Yasiin Bey and Joey Bada$$, Nautu’s output has seen the Indigenous Australian/Fijian artist perform at the Sydney Opera House for VIVID Live this year, as well as the upcoming Move My Way Festival in October, alongside genre trailblazers including Ezra Collective and Freddie Gibbs.

Sydney alt-pop artist GAZAL has emerged as one of the East Coast’s most commanding new voices, with a presence on record and stage reminiscent of fka Twigs, Doechii and Lykke Li. The Lebanese/Australian performer has become known for her music, emotionally charged and fearless, as well as her songwriting pen. Collaborations with the likes of Dan Gleyzer (SZA, Sabrina Carpenter), Aidan Hogg (G Flip), George Alice, Vera Blue and more have only sharpened GAZAL’s songwriting perspective and artistry. With over 15 million TikTok views and global support for her latest EP Gods Into Frauds, GAZAL is stretching her wings further into 2026.

Melbourne’s LARA BUCHANAN has drawn sonic comparisons to artists including Ethel Cain, Wolf Alice and Lorde, yet as her sound has continued to evolve in recent years, it’s evident that this young artist is pushing herself into new territory with each release. Her lyrics are deeply personal, observations on the world and life experiences as a young adult navigating the world and change. Projects like the Sugar Coated Fantasy EP introduced audiences to Buchanan’s commanding sound and as 2026 continues, the excitement surrounding this artists continues to build.

“American Apparel® has long been the unofficial uniform of the local music scene, making it a natural fit for ONES TO WATCH and its mission to spotlight artists who are redefining the status quo”
David Hillen – Director, Gildan Brands APAC.

Paul Lynch & Emily Taylor, Promoters, ONES TO WATCH, Live Nation APAC said: “ONES TO WATCH exists to champion developing artists at pivotal moments in their careers. It’s been great to see our partnership with American Apparel® come to life, and we’re excited to build on that momentum in Melbourne—giving more emerging talent a platform to be seen, heard and discovered.”

ONES TO WATCH BACKED BY AMERICAN APPAREL®

Wednesday 5 August Smith St. Hotel MELBOURNE

MILES NAUTU
GAZAL
LARA BUCHANAN

ABOUT ONES TO WATCH:

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best new talent perform in intimate environments across Melbourne, Sydney, Darwin, Brisbane and Byron Bay, highlighting the current wave of artists primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Erica Padilla, DEVAURA, DRIZZ, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind, Saint Lane, Say Sue Me, Cifika, Sion, Wah Wah Wah, Ullah, Ghost Care, Mariae Cassandra, Loren Ryan, Dem Mob, Rox Lavi, Dobby, and Lewis Love at events around the country.

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August 2, 2026 0 comments
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King Gizzard & The Lizard Wizard share album title track ‘Alien Metal’ + Australian dates announced for October.

by the partae July 31, 2026
written by the partae

King Gizzard & The Lizard Wizard unveil the title track from their forthcoming 28th album, Alien Metal, which will be released later this year via p(doom) Records. This week they announced a short run of Australian dates in October, which includes a takeover of the Croxton Block Party, as well as three NSW shows.

Joining them across the weekend at the Croxton Block Party in Melbourne/Naarm are Japanese pop-punk band Shonen Knife, Northern Beaches rock & roll band C.O.F.F.I.N, Heavy Moss, the psych-pop quartet led by King Gizzard’s bassist Lucas Harwood, Byron Bay psych-rock band Babe Rainbow, alongside local favourites Public Figures, Gut Health and ORB, plus sets from Moktar and Stu Mackenzie on the Eurorack. Each night will be capped with mammoth 2.5-hour King Gizzard sets.

NSW fans will be treated to shows at Anita’s in Thirroul and Hordern Pavilion with support from Xiao Xiao, in addition to a late RAVE show at Liberty Hall.

Arguably one of the most exciting live bands on the planet right now, August will see them return to the US for their SOLD OUT Field Of Vision Festival, a run of three headline shows at New York’s Forest Hills Stadium and a ‘rave show’ in Brooklyn at Under the K Bridge Park.

Written and recorded on the modular synthesiser set-up which they took out on the road last year for their ‘rave shows’, and named ‘Nathan’ by the band, Alien Metal sees the ever shape-shifting Melbourne six-piece set the controls for the dark heart of electronic dance music. The track listing of the album is as follows:

Sapience
Alien Metal
Superheavy, Supercritical
Kill For The Steel
Level 5
Rapid Alpha Decay
Uqt
Atomic Collapse

The title track, ‘Alien Metal‘, follows the first introduction to the album, with single ‘Level 5‘, and its incredible accompanying video, which was directed by Hayden Somerville and features a cameo by Vince Colosimo.

Never ones to musically stand still and following explorations of everything from prog-fringed thrash metal, primitive synth-rock, down-home jam-rock hoedowns and feelgood symphonic rock on recent albums, Alien Metal grew out of last year’s ‘rave shows’ where traditional instruments were abandoned as the band gathered around an expansive modular synthesiser setup each making their own manipulations to create a mind-altering whole. And what began as an experiment soon became an obsession, inspiring one of the band’s most ambitious records to date.

“It completely rewired my brain,” said Stu Mackenzie, having discovered the possibilities of the Eurorack synthesiser format on the recommendation of fellow band member and self-confessed ’techno head of the group’ Joey Walker. “I was like, ‘I’m going to forget everything I know about music and relearn it all from scratch’.”

The album was far from straightforward to make. Over the course of several years, the band scrapped countless recordings and abandoned entire creative directions while searching for the project’s identity. “We’ve never scrapped so much material as we have for this album,” Mackenzie says. “Entire albums, entire universes that were formulated, created, recorded, deleted and started again.”

The breakthrough finally arrived during a late-night improvisation session that stretched for more than an hour. That spontaneous jam became the foundation for the entire record, with every track on Alien Metal evolving from the same source performance.

The result is a seamless, ever-shifting journey through techno, hardcore, house and jungle influences, filtered through King Gizzard’s unmistakable psychedelic lens. Pulsing rhythms, distorted textures and unexpected twists collide across a record that feels both futuristic and uniquely their own.

“It sounds so crunchy, but also beautiful,” says Mackenzie. “Alien Metal goes really hard, but it also goes to really interesting places,” adds Joey Walker. “And it feels unique – it feels like us, still.”

KING GIZZARD & THE LIZARD WIZARD AUSTRALIAN TOUR DATES 
Oct 13 Thirroul / Dharawal @ Anita’s Theatre w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Hordern Pavilion w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Liberty Hall  (Late RAVE Show)
Oct 17th Melbourne / Naarm @ The Croxton Block Party *
Oct 18th Melbourne / Naarm @ The Croxton Block Party#* B3lly, Babe Rainbow, Heavy Moss, Moktar, Shonen Knife, Stu Mackenzie, Techno666
# C.O.F.F.I.N, Glyconic, Gut Health, Moktar, ORB, Public Figures

TICKETS HERE
Presale: now until Thursday, July 30,12pm
GP on sale: Friday, July 31, 12 pm

WATCH THE VISUALISER FOR ‘ALIEN METAL’
Cat. Number: PDOOM-022
Formats: LP, CD, Cassette & DL.
King Gizzard & The Lizard Wizard are:
Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Harwood (bass) and Michael Cavanagh (drums).Album discography:
12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019), Infest The Rats’ Nest (2019), Chunky Shrapnel (live album) (2020), K.G. (2020), L.W. (2021), Made in Timeland (2022), Omnium Gatherum (2022), Ice, Death, Planets, Lungs Mushrooms And Lava (2022), Laminated Denim (2022), Changes (2022), PetroDragonic Apocalypse (2023), The Silver Cord (2023), Flight b741 (2024), Phantom Island (2025), Alien Metal (2026).

CONNECT WITH KING GIZZARD & THE LIZARD WIZARD 
WEB | INSTAGRAM | BANDCAMP | YOUTUBE
July 31, 2026 0 comments
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LOST PARADISE ANNOUNCES 2026 LINEUP JOHN SUMMIT, SKEPTA, KI/KI, OVERMONO ARMAND VAN HELDEN, NIA ARCHIVES EWAN MCVICAR, SAM ALFRED, ROSSI., PARTIBOI69

by the partae July 31, 2026
written by the partae

A-Z:
BENWAL, CALEB JACKSON, CHAOS IN THE CBD, DAMEEEELA, DART, DEAN TURNLEY, DJ SEINFELD (LIVE), DRIFTING CLOUDS, FLAVA D, HAMDI, HARRY HAYES, HELENA LAUWAERT, HOT DUB TIME MACHINE, JAMBACK, JAMES PEPPER B2B BARON VON TRAX, JAYDA G, JOB JOBSE, THE JUNGLE GIANTS, KIROLLUS, KYLE STARKEY, LOODS, LUUK VAN DIJK, 
MELLA DEE, MEMPHIS LK, NED BENNETT, NOT WITHOUT FRIENDS (EXT. SET), OSMOSIS JONES, PRETTY GIRL (LIVE), RIORDAN, SAINT LUDO, SALUTE, SOUL MASS TRANSIT SYSTEM, STACIE FIELDS, SUPERGLOSS, TOMMY HOLOHAN, TWOFACED, WILLO
+ MORE

28 DECEMBER 2026 – 1 JANUARY 2027
GLENWORTH VALLEY (DARKINJUNG COUNTRY), NSW

TICKET RESERVATIONS NOW OPEN
PRESALE AVAILABLE FROM: 10AM TUES 4 AUG
GA TICKETS AVAILABLE FROM: 10AM WED 5 AUG
TICKET INFO HERE | FESTIVAL INFO HERE

Twelve years, four straight sell-outs, one slice of paradise. New Year’s Eve institution Lost Paradise today unveils its 2026 lineup, taking over Glenworth Valley (Darkinjung Country) from 28 December until 1 January. Led by John Summit, Skepta, KI/KI, Overmono, Armand Van Helden, Nia Archives, Ewan McVicar, Sam Alfred, Rossi. and Partiboi69. this year’s pilgrimage spans five days of world-class music, art and culture, with a roster that continues championing the festival’s electronic DNA while never losing its underground edge.

Just an hour’s drive from Eora/Sydney, Lost Paradise exists on a simple set of principles: eco-conscious, music-centred, community-built and wellness-first. It’s a NYE ritual grown from the ground up and one of New South Wales last-remaining camping festivals – and the crowd shapes the weekend as much as the lineup does!

Chicago’s accountant-turned-tech-house titan John Summit arrives on top of the bill riding the wave of his sophomore album CTRL ESCAPE, stacked with features from The Chainsmokers, Feid, Julia Wolf and CLOVES. Lead single “LIGHTS GO OUT” swings from house groove to full drum & bass – the latest from the man behind the melodic house anthems like “Where You Are”, “Shiver” and “Go Back” that made him a main stage certainty. After a huge US stadium tour later in the year, he’ll venture into the valley for an unforgettable close to 2026.

There’s UK rap before Skepta and UK rap after him. The Boy Better Know figurehead turned 140 BPM grime into a global export with cuts like “Shutdown”, “Man” and “It Ain’t Safe”. He then kept moving through Afrobeats, drill and now house, linking with A$AP Rocky on “Praise The Lord (Da Shine)”, Wizkid on “Energy (Stay Far Away)” and Fred again.. on “Victory Lap” along the way, before launching house label Más Tiempo with Jammer. His forthcoming sixth album FORK & KNIFE arrives next; set to fuse global club rhythms with the raw reality of the immigrant journey.

KI/KI doesn’t do restraint. The Dutch producer and slash founder built her name on 303 acid lines, hard trance and a tempo that never drops on tracks like “5 Mins of Acid”, “Leave It to the Vibe” and Armin van Buuren team-up “Put Your Bassline”. Fresh off a five-hour headline show at Amsterdam’s Ziggo Dome, she brings the Valley something built for the hours that matter.

Welsh brothers Tom and Ed Russell make club music that hurts in a good way. Overmono built “stayinit”, “Good Lies” and “So U Kno” out of 90s rave nostalgia, chopped vocals and basslines that are to be felt, not heard. August sees their second album Pure Devotion arrive – eleven tracks made from tape, damaged speakers and re-amped drums.

A legend of house music culture for over three decades, Armand Van Helden remains one of the finest party starters of all times. Responsible for iconic chart-toppers like “You Don’t Know Me”, “My My My”, and Duck Sauce’s “Barbra Streisand”, the speed-garage pioneer enters the valley this NYE armed with a deep catalogue of dancefloor defining tracks.

Redefining modern jungle and drum & bass, Mercury Prize nominee Nia Archives blends classic 90s breakbeats with heavy sub-bass and candid indie-pop hooks. Renowned for explosive live sets and hits like “Forbidden Feelingz” and “Baianá”, the powerhouse producer and vocalist lands in the valley with breaks built to shake the treeline.

Scotland’s Ewan McVicar is all vibes and goes straight for rave intensity, from his 90 million+ streamed debut “Tell Me Something Good” right through to his latest steamer “Share The House”, while modern Australian icon Sam Alfred returns home from the world’s top stages to sling his euphoric set in the valley. Rossi. delivers minimal house and deep tech fresh off a Boiler Room debut, and Partiboi69 will serve up his ghetto house, Miami bass and trademark green-screen absurdity.

Auckland brothers Chaos In The CBD deal in jazz-infused deep house; Yuggera and Kulkalgal woman dameeeela refuses to sit in one lane, running hip-hop into club into UK garage. Malmö’s DJ Seinfeld takes the live route, all lo-fi warmth and euphoric build; Arnhem Land band Drifting Clouds fuse ancestral Songlines through modern synth and funk. Flava D channels decades of bass culture into a high-octane blend of garage soul and rolling drum & bass; Hot Dub Time Machine runs the party chronologically, taking us from the 50s smash hits to now.

Grammy-nominated Canadian Jayda G delivers soulful house with the warmth to match, while Amsterdam favourite Job Jobse drives the dancefloor with soaring house, trance and rave classics. Australian electro-pop heavyweights, The Jungle Giants serve up house-infused grooves, pulsing synths and indie-dance anthems “Heavy Hearted” and “Feel The Way I Do”. Newcastle-born, London-based Loods unleashes his signature piano house and disco. Melbourne’s Memphis LK follows with self-produced, pop-edged garage and drum & bass; Pretty Girl performs live, weaving ethereal vocals and hardware synths over warm, introspective house grooves. Lockdown bedroom producer turned Beatport chart-topper Riordan plants garage-leaning tech house back to Australia after his debut run in 2025. Leeds duo Soul Mass Transit System slam speed garage, 2-step and bassline; Tommy Holohan brings breakbeat rave heat and European techno from Dublin.

And it doesn’t stop there… with more selectors, producers and local heroes to be uncovered across the festival weekend. Find the full music lineup here.

Flagship stages Arcadia, Lost Disco and Paradise Club anchor the music, but the valley rewards anyone who wanders. Shambhala Fields returns as the festival’s hub for side-quests, facilitating a series of talks, workshops and programs that nurture movement, innovation, creativity and curiosity – stay tuned for the full program to come.

If the last four years are anything to go by, the festival’s community of like-minded dancers, diggers, dreamers, seekers, artists and creators are urged to once again snap up their tickets quickly. Reservations for all tickets are open now and moving fast, so reserving is the only way to secure your spot at Lost Paradise 2026. Add your payment details today and your ticket is secured automatically at the lowest available price before tickets for presale and the general public go on sale – see all the details, including the reservation window times here.

GA camping access is automatically included with all tickets purchased, while optional glamping accommodation upgrades will be announced soon for those seeking a little added luxury for their NYE.

Reserve your ticket or sign up for presale access here – the countdown starts now! Paradise is waiting.

LOST PARADISE
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK
July 31, 2026 0 comments
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Chiodos ‘All’s Well That Ends Well’ 20th Anniversary Australian Tour With Special Guests Rain City Drive + The Beautiful Monument

by the partae July 31, 2026
written by the partae
Photo Credit: Alicia Hauff

All Nereids (and Australians) Beware, this November Michigan post-hardcore icons CHIODOS are set to return to Australian stages for the first time in over a decade, bringing their All’s Well That Ends Well 20th Anniversary Tour down under, joined by special guests RAIN CITY DRIVE (USA) and THE BEAUTIFUL MONUMENT.

Commencing on Saturday 21 November in Brisbane, CHIODOS will celebrate their seminal debut album All’s Well That Ends Well, playing the album in full with audiences in Sydney, Melbourne and Adelaide, before closing out on Saturday 28 November in Perth.

Forming in 2001, CHIODOS has remained more than a single moment or scene for decades. Co-founded by frontman Craig Owens, with his raw vocals and confessional fire turning chaos into catharsis, CHIODOS would ultimately become a movement buoyed by an adventurous and rule-breaking spirit; a spirit that instantly put them on the map via their 2005 debut album All’s Well That Ends Well.

Layered with moments of intensity and vulnerability, 2005’s All’s Well That Ends Well established both the disparate and formidable vocal range of Owens while showcasing a mix of frenetic breakdowns, madcap synths, soaring melodies, caustic shrieks and haunting pianos. Introducing enduring fan favourite CHIODOS tracks like Baby You Wouldn’t Last a Minute on the Creek and The Words “Best Friend” Become Redefined, with the latter receiving RIAA Gold certification, All’s Well That Ends Well was genre-defiance at its finest, while also emerging as a landmark record in the scene in the mid 2000s. In 2025, Owens also re-recorded the album in full for its 20th anniversary.

Now with four studio albums under their belts, including 2007’s Bone Palace Ballet, which debuted at #1 on the Billboard Rock Chart and #5 on the Billboard 200, 2010’s Illuminaudio, and 2014’s Devil, CHIODOS emerged from a hiatus in 2024 when they were invited to play When We Were Young. From there, the band amassed sold out tours, including a packed Hollywood Palladium crowd, continuing to grow intergenerational fans singing every word to this very day. Most recently commencing a brand new chapter with the release of their explosive new single TAPDAT, CHIODOS continue their legacy bigger and better than ever before in 2026, and Australians will be able to witness this first hand this November when the band return down under for the first time since 2015.

A band who could readily soundtrack anything and everything from long drives through to workouts, small club shows and sprawling festival crowds, Florida’s own RAIN CITY DRIVE have been crafting their immersive trademark sound since releasing their 2020 debut full-length To Better Days, which accounts for 40 million streams alone against their eye-watering streaming stats. In a short space of time, the group have toured with Dance Gavin Dance, Our Last Night, Set It Off, From Ashes To New and Memphis May Fire, bridging between heavy riffs and soaring, intimate pop with each new release and captivating live performance. With over one million monthly listeners on Spotify, a collab under their belt with Rory Rodriguez of Dayseeker, Billboard chart rankings and climbing SiriusXM Octane’s rotation charts along the way, RAIN CITY DRIVE blur boundaries between post hardcore and aggressive melody, primed to enamour Australian once again this year after their debut down under headline tour earlier this year.

Melbourne’s THE BEAUTIFUL MONUMENT have remained fluent in fusing emotion alongside high-energy and hard-hitting riffs, spanning their 2017 debut album I’m The Sin through to the hotly-anticipated upcoming release of their third studio album Euphoric Thriller due out August 7. Boasting a live presence that is equal parts magnetic, raw, vulnerable and powerful, THE BEAUTIFUL MONUMENT have shared stages with the likes of Evanescence, Escape The Fate, Short Stack and many more, and continuously share their central message that “it’s okay not to be okay”, threaded through each album and live performance. In a world that feels heavier than ever, THE BEAUTIFUL MONUMENT offer a port in the storm, unifying with catharsis and unforgettable music.

After over a decade, don’t miss your chance to catch CHIODOS celebrating the album that started it all with Aussie crowds this November, it’s gonna be a champagne jam!

Early bird pre-sale tickets on sale: Monday 3 August @ 12:00pm local time
To Gain Early Ticket Access Register Here -> https://daltours.cc/Chiodos

General tickets on sale: Tuesday 4 August @ 12:00pm local time
Tickets from destroyalllines.com

Destroy All Lines Presents

CHIODOS
ALL’S WELL THAT ENDS WELL 20TH ANNIVERSARY
AUSTRALIAN TOUR 2026
WITH SPECIAL GUESTS
RAIN CITY DRIVE (USA)
THE BEAUTIFUL MONUMENT

TOUR DATES:
Saturday 21 November – THE TIVOLI, BRISBANE 18+
SUNDAY 22 NOVEMBER – METRO THEATRE, SYDNEY LIC AA
WEDNESDAY 25 NOVEMBER – 170 RUSSELL, MELBOURNE 18+
THURSDAY 26 NOVEMBER – THE GOV, ADELAIDE LIC AA
Saturday 28 November – MAGNET HOUSE, PERTH 18+ 

General tickets on sale: Tuesday 4 August @ 12:00pm local time
Tickets from destroyalllines.com

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July 31, 2026 0 comments
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WILDLANDS FESTIVAL ANNOUNCES LINEUP FEATURING JOHN SUMMIT, SKEPTA, WORSHIP, KI/KI, DISCO LINES & MORE

by the partae July 31, 2026
written by the partae

Brisbane – Thursday 31 December (New Year’s Eve), 2026 – Brisbane Showgrounds

Perth – Saturday 2 January, 2027 – Arena Joondalup

Wildlands Festival, presented by Untitled Group, Beyond The Valley and triple j, has revealed the full lineup for its 2026/27 edition.

The iconic single-day festival is bringing a truly special lineup of world-class acts to Brisbane on New Year’s Eve (31 December) and Perth on Saturday 2 January. This year’s edition delivers some of the most exciting names in electronic music from across the globe.

Leading the lineup is global dance music powerhouse John Summit, British grime pioneer Skepta, drum and bass heavyweights WORSHIP making their exclusive Australian debut, Dutch rave force KI/KI, and genre-blending DJ and producer Disco Lines.

Also joining the lineup are Overmono, Nia Archives, Hannah Laing, Funk Tribu, Ewan McVicar, Benwal B2B Kyle Starkey, Dean Turnley, Frost Children, Anetha B2B SPFDJ, Lens, Saint Ludo and more.

Both Wildlands events will feature reimagined stage designs and updated site layouts. The Sahara Stage returns as an open-air experience with production and a DJ setup built for the summer sky, while the Summit Stage returns as a tented experience with live elements woven throughout. New for this year, The Wilds Stage gives fans on-stage access alongside the DJs for an intimate, up-close experience.

One of the most in-demand names in global dance music, John Summit has had another landmark year. Fresh off the release of his latest album CTRL ESCAPE and a headline set at Tomorrowland 2026, the DJ, producer and label owner has amassed over a billion global streams, scored two No. 1 US dance radio hits and landed eight Top 10 tracks on Billboard’s Hot Dance/Electronic Songs chart. With three sold-out headline shows at LA’s Kia Forum, a headline debut at London’s O2 Arena, the return of his Experts Only Festival and his debut Ibiza residency at [UNVRS], Summit continues to cement his place among the world’s leading electronic artists.

WORSHIP will make their exclusive Australian debut, marking one of the biggest electronic music announcements the country has seen. Bringing together Sub Focus, Dimension, Culture Shock, and 1991, four artists who boast catalogues spanning multiple gold and platinum records, alongside sold-out shows at Red Rocks and Alexandra Palace, plus performances at Ultra Miami and Coachella’s Main Stage. Their arrival gives Australian fans a rare chance to witness one of electronic music’s most celebrated acts.

A pioneer of UK grime, Skepta remains one of British music’s most influential figures. The Tottenham-born MC, rapper, producer and fashion designer helped define a generation of UK rap and remains among its most celebrated figures. In 2025 he delivered a standout Glastonbury set after stepping in at short notice, and joined forces with Fred again.. on singles “Victory Lap” and “Back 2 Back”. Known for era-defining tracks including “Shutdown” and “That’s Not Me”, Skepta brings his signature catalogue to Wildlands for performances in Brisbane and Perth.

Dutch DJ and producer KI/KI has become one of the most compelling names in electronic music, reshaping the global rave scene on her own terms. In 2025 she became the first woman to win the Dance category at the Netherlands’ Edison Pop Awards, while her extended, 5-hour sets have become legendary. Her collaboration with electronic pioneers Underworld, “Arp12”, marked another standout moment in a run of acclaimed releases. Her forthcoming track “Getting Ready For The Party” soundtracked Wildlands’ official campaign launch video, setting the tone for her hugely anticipated return to Australia.

American DJ and producer Disco Lines returns to Australia off the back of his Billboard Dance No. 1 remix of Tinashe’s “No Broke Boys”. Since his breakout 2022 single “Baby Girl”, the Colorado-raised artist has built serious global momentum, most recently making his Tomorrowland Mainstage debut. Known for an infectious blend of house, tech house and pop, Disco Lines brings one of dance music’s most high-energy live shows to Wildlands.

Welsh brothers Overmono arrive following a landmark run of headline UK performances including Glastonbury, All Points East and Alexandra Palace. British jungle trailblazer Nia Archives has redefined the genre, bringing her new live show to Australia for the first time following the release of her critically acclaimed new album Emotional Junglist. Scotland’s Hannah Laing brings the euphoric hard house and trance sound behind her meteoric rise.

Colombian-born, Berlin-based producer Funk Tribu stands at the forefront of the new wave of trance-inspired electronic music, alongside Scottish house favourite Ewan McVicar. Melbourne’s Dean Turnley builds on the breakout success of his Beatport No. 1 track “Actin’ Tough”, while St. Louis siblings Frost Children bring their boundary-pushing fusion of hyperpop and dance music. Bass innovator Hamdi, UK garage talents Oppidan and MPH, and hard techno heavyweights Anetha B2B SPFDJ further strengthen the electronic offering.

Also joining the lineup are hard house pairing Benwal B2B Kyle Starkey and New York techno heavyweight Layton Giordani. Brighton drum and bass favourite Lens, rising artist and producer Robert Baxter, London’s Saint Ludo and Boorloo-based Wongi artist Yikes.The lineup is rounded out by city-exclusive artists, nikitasilly and MYASWRLD in Brisbane and KT and Groove Junction in Perth.

Attendees can elevate their day with the Casamigos Tequila ‘House of Friends’ VIP Pass, offering complimentary drinks on arrival, dedicated express entry, exclusive viewing areas, private amenities, phone charging, a photo booth and FastPass lanes. Flexible payment plans via Afterpay are also available, allowing fans to lock in their tickets now and pay later.

Once again, Wildlands delivers a stacked lineup of global icons and rising talent that will define the sonic year ahead.  Previous editions have featured the likes of Tyler, The Creator, RÜFÜS DU SOL, Peggy Gou, Central Cee, Kid Cudi, Dom Dolla, FISHER, Addison Rae, Diplo, BICEP, A$AP Ferg, G Flip, Becky Hill, Chase & Status, Lola Young and more.

Wildlands is supported by an Australian Government initiative, Revive Live.

Register for presale HERE

The Daily Aus presale begins Monday 3 August 12PM LOCAL TIME

Official presale goes on sale Wednesday 5 August 6PM LOCAL TIME

General on sale begins Thursday 6 August 6PM LOCAL TIME

FULL LINEUP A- Z

Anetha B2B SPFDJ

 Benwal B2B Kyle Starkey

 Dean Turnley

 Disco Lines

Ewan McVicar

 Frost Children

 Funk Tribu

Groove Junction (Perth)

 Hamdi

 Hannah Laing

 John Summit

 KI/KI

KT (Perth)

 Layton Giordani

 Lens

 MPH

MYASWRLD (Brisbane)

 Nia Archives

nikitasilly (Brisbane)

 Oppidan

 Overmono

 Robert Baxter

 Saint Ludo

 Skepta

 WORSHIP (Australian Exclusive)

Yikes

WILDLANDS

BRISBANE/MEANJIN – NEW YEAR’S EVE, 31 DECEMBER 2026 – BRISBANE SHOWGROUNDS

PERTH/BOORLOO – SATURDAY 2 JANUARY 2027 – ARENA JOONDALUP

Get Connected:

Facebook  /  Instagram  /  TikTok  /  Website

July 31, 2026 0 comments
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Festival NewsMusic News

2026 AIR AWARDS WINNERS!

by the partae July 31, 2026
written by the partae

The 20th AIR Awards were held tonight in Adelaide, Australia’s first and only UNESCO designated City of Music, thanks to continued support from the South Australian Government through the Music Development Office.

 The Awards celebrated the success of Australia’s Independent music sector at the Adelaide Town Hall, with hosts Dylan Lewis and Jessica Braithwaite, and performances from The Tullamarines, Cooking on 3 Burners, Georgia Knight, and Elsy Wameyo.

Ninajirachi received a whopping 5 awards for Independent Album of the Year, Independent Producer of the Year and Best Independent Electronic Album or EP for I Love My Computer; and Best Independent Electronic Single and Independent Song of the Year for iPod Touch. Thanks to Amazon Music, Ninajirachi will receive marketing and global pitching support valued at $ 30,000 AUD to assist with her next release.

I Love My Computer continued to dominate with the Independent Mix, Studio or Mastering Engineer of the Year that went to Thomas Purcell PKA Wave Racer, Independent Publicity Team of the Year that went to Twnty Three, and the award for Independent Marketing Team of the Year.

Folk Bitch Trio took out 3 awards for Best Independent Blues and Roots Album or EP,  Breakthrough Artist of the Year – Presented by PPCA and Independent Music Video of the Year. Thanks to YouTube, Folk Bitch Trio received a cash prize of $5000 to help fund their next Music Video release.

The 2026 Outstanding Achievement Award sponsored by Merlin went to Sebastian Chase, nominated by AIR members in recognition of his significant contribution to the industry over the last 30+ years. Thanks to global independent rights agency Merlin, Sebastian will receive a $5,000 cash prize to be used for professional development.

The highly coveted award for Best Independent Label recognised the efforts of NLV Records, who will receive a digital marketing campaign valued at $3,000, thanks to supporting partner Moshtix.

Twenty-four awards were handed out on the night, shining the spotlight on the talented array of artists and labels in the Australian Independent recorded music sector.

South Australian Deputy Premier and Minister for Arts, Kyam Maher, said, “The South Australian Government is proud to support the AIR Awards through the Music Development Office and to welcome artists, industry leaders and music professionals to Adelaide for this celebration of Australia’s independent music sector. For 20 years, the AIR Awards have recognised the outstanding achievements of independent artists, labels and industry professionals, highlighting the strength, creativity and success of the sector. Congratulations to all nominees and award recipients announced tonight, and to AIR for delivering another successful event that showcases the depth of talent across Australia’s independent music community.

The South Australian Government is also pleased to confirm its continued support for AIR, and has committed to fund Indie-Con Australia and the AIR Awards for a further two years. This ongoing investment will ensure even more opportunities for South Australian musicians, strengthen industry pathways, and reinforce Adelaide’s status as Australia’s UNESCO City of Music.’

AIR CEO, Maria Amato commented – “Congratulations to all the nominees and award recipients announced tonight at our 20th AIR Awards! We thank all our sponsors and are especially grateful to the South Australian Government, through the Music Development Office, for their continued support. This partnership enables us to keep holding our national events in Adelaide—Australia’s only UNESCO-designated City of Music.” 

THE 2026 AWARDS RECIPIENTS ARE…

 INDEPENDENT LABEL OF THE YEAR

NLV RECORDS

Thanks to Moshtix – Australia’s favourite indie music ticketing provider and supporting partner of the 2026 AIR Awards, the recipient will receive a digital marketing campaign valued at $3,000, providing access to Moshtix’s vast audience reach.

INDEPENDENT MUSIC VIDEO OF THE YEAR 

BRIDGETTE WINTEN, FOLK BITCH TRIO – FOLK BITCH TRIO, CATHODE RAY

Thanks to YouTube, Folk Bitch Trio will receive $5000 AUD cash to assist with their next music video release.

INDEPENDENT ALBUM OF THE YEAR

NINAJIRACHI – I LOVE MY COMPUTER

BEST INDEPENDENT SOUL/RNB ALBUM OR EP

WILSN – BLOOM

BEST INDEPENDENT COUNTRY ALBUM OR EP

RUBY GILL – SOME KIND OF CONTROL

BEST INDEPENDENT BLUES AND ROOTS ALBUM OR EP

FOLK BITCH TRIO – NOW WOULD BE A GOOD TIME

BEST INDEPENDENT POP ALBUM OR EP

WAY DYNAMIC – MASSIVE SHOE

BEST INDEPENDENT ROCK ALBUM OR EP

PLAYLUNCH – SEX ED

BEST INDEPENDENT CLASSICAL ALBUM OR EP

WILLIAM BARTON, OMEGA ENSEMBLE  –  GIFT – OUR BREATH OF LIFE

BEST INDEPENDENT CHILDREN’S ALBUM OR EP

TEENY TINY STEVIES  – BRAIN FART

INDEPENDENT MIX, STUDIO AND MASTERING ENGINEER OF THE YEAR 

THOMAS PURCELL PKA WAVE RACER – NINAJIRACHI, I LOVE MY COMPUTER

INDEPENDENT PRODUCER OF THE YEAR

NINA WILSON – NINAJIRACHI, I LOVE MY COMPUTER

­

2026 OUTSTANDING ACHIEVEMENT AWARD – SPONSORED BY MERLIN

SEBASTIAN CHASE

Thanks to global independent rights agency Merlin, this year’s winner will receive a $5,000 cash prize to be used for business/professional development.

INDEPENDENT SONG OF THE YEAR

NINAJIRACHI – IPOD TOUCH

Thanks to Amazon, Ninajirachi will receive marketing and global pitching support valued at $ 30,000 AUD to assist with her next release.

BREAKTHROUGH INDEPENDENT ARTIST OF THE YEAR – PRESENTED BY PPCA

FOLK BITCH TRIO

BEST INDEPENDENT HIP HOP ALBUM OR EP

DEVAURA – VOL. 1 LEARNING IN PUBLIC

BEST INDEPENDENT ELECTRONIC ALBUM OR EP

NINAJIRACHI – I LOVE MY COMPUTER

BEST INDEPENDENT DANCE/CLUB SINGLE

VV PETE – WASSA FEAT. UTILITY AND FORMATION BOYZ

BEST INDEPENDENT ELECTRONIC SINGLE

NINAJIRACHI – IPOD TOUCH

BEST INDEPENDENT JAZZ ALBUM OR EP

TEMPORARY BLESSINGS – SUMBISORI

BEST INDEPENDENT PUNK ALBUM OR EP

THESE NEW SOUTH WHALES – GODSPEED

BEST INDEPENDENT HEAVY ALBUM OR EP

THORNHILL – BODIES

INDEPENDENT PUBLICITY TEAM OF THE YEAR

TWNTY THREE – NINAJIRACHI, I LOVE MY COMPUTER

INDEPENDENT MARKETING TEAM OF THE YEAR

NLV RECORDS, THE ORCHARD – NINAJIRACHI, I LOVE MY COMPUTER

­

Watch the 20 YEAR HISTORY of the AIR AWARDS video!

Follow AIR and join the conversation: 

air.org.au | twitter.com/ausindies | facebook.com/australianindies | instagram.com/ausindies

­

­

July 31, 2026 0 comments
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Festival NewsMusic News

COURTNEY BARNETT: Announces Drifting Clouds will open on Creature of Habit Tour this November

by the partae July 31, 2026
written by the partae

Following an epic set at Newport Folk Festival on the weekend – which saw Hayley Williams jump onstage for ‘Pedestrian At Best’ – Courtney Barnett will bring her Creature of Habit Tour home to Australia’s East Coast this November.

Breakthrough Arnhem Land artist Drifting Clouds will join Courtney for her Brisbane and Melbourne dates. With a distinctive sound blending synth-driven pop with Yolngu Songlines, Drifting Clouds is the unique musical project of singer, songwriter and keyboardist Terry Guyula.

Recently joining Emma Donovan for a stunning rendition of Billie Eilish’s ‘Birds Of A Feather’ for triple j’s NAIDOC Week Like A Version, Drifting Clouds is an exciting new voice in modern Australian pop.

Since the release of their captivating debut single ‘Bawuypawuy’ and its memorable music video, the band has steadily built their live reputation, with sold-out shows around the country in support of latest single ‘Rarrandharr’. Their performances are uplifting and unforgettable.

More than four years since her last Australian tour, Courtney Barnett returns home following an extensive run of international shows, bringing one of the world’s most compelling live shows back to Australian audiences. Renowned for her razor-sharp songwriting, commanding stage presence and electrifying guitar skills, Barnett’s live show moves seamlessly between intimate reflection and full-throttle rock.

Barnett will perform songs from her fifth studio album, Creature of Habit, on Australian stages for the first time, alongside fan favourites spanning her acclaimed catalogue. Following the overwhelming response to her surprise hometown performance at Melbourne’s Punters Club in October 2025, which saw hundreds of fans queue for the chance to see her live, Courtney Barnett’s homecoming promises an unforgettable experience – equal parts cathartic, captivating and fiercely authentic.

Courtney Barnett’s Creature of Habit is out now (Fiction Records) – Get it HERE!


COURTNEY BARNETT
​AUSTRALIAN TOUR
​NOVEMBER 2026
​WITH DRIFTING CLOUDS*
​
Presented by Frontier Touring, Penny Drop and Triple R**

TICKETS ON SALE NOW!
​
Via frontiertouring.com/courtneybarnett

​
​WEDNESDAY 4 NOVEMBER
​The Tivoli | Brisbane QLD (18+)
​
Part of Melt Festival
​
ticketmaster.com.au
​​
​FRIDAY 6 NOVEMBER
​Sydney Opera House Concert Hall | Sydney NSW (Lic. All Ages)
​
sydneyoperahouse.com ​
​​
​SATURDAY 7 NOVEMBER
​Palais Theatre | Melbourne VIC (Lic. All Ages) ​
​
ticketmaster.com.au
​

*Brisbane & Melbourne shows only ​
​**Triple R presenting Melbourne show only

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW COURTNEY BARNETT:

Website | Facebook | Instagram | YouTube | Spotify

frontiertouring.com/courtneybarnett

July 31, 2026 0 comments
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Fashion & CultureFestival News

FREESTYLE KINGS RETURNS TO MELBOURNE ON SATURDAY 8 AUGUST 2026 WITH HOMETOWN HERO ROB ADELBERG LEADING AN ALL-STAR LINE-UP AT ROD LAVER ARENA

by the partae July 29, 2026
written by the partae

Tickets are on sale now at www.ticketek.com.au

MELBOURNE, VIC – Freestyle Kings Capture The Crown Live World Tour returns to Melbourne on Saturday, 8 August, bringing the world’s biggest names in freestyle motocross, BMX and snowmobile freestyle to Rod Laver Arena for a jam-packed afternoon of jaw-dropping tricks, high-octane production and unforgettable entertainment.

Melbourne’s own Rob Adelberg returns home as Australia’s most decorated X Games Moto X rider after recently claiming another gold medal in China, extending his record as the most successful Moto X athlete in X Games history.

“It’s always special riding in Melbourne,” says Adelberg. “To be coming home after another X Games gold and performing in front of family, friends and a home crowd is something I never take for granted. Freestyle Kings has put together an incredible line-up and I can’t wait to put on a show for the Melbourne fans. The atmosphere is always unbelievable and it’s going to be an afternoon people won’t forget.“

Headlined by international action sports icon Robbie Maddison, Freestyle Kings features one of its strongest line-ups yet, with multiple World Champions Pat Bowden and Clinton Moore, five-time X Games Gold Medallist and snowmobile superstar Daniel Bodin, along with Robbie’s sons, 15-year-old Kruz Maddison and 13-year-old Jagger Maddison, who continue to impress as two of the sport’s most exciting young talents.

Also joining the line-up is 21-year-old Central Coast rider Tarj Daly, who continues his rise as one of freestyle motocross’s brightest young stars.

The Freestyle Kings combine elite athleticism with stadium-scale entertainment, delivering gravity-defying freestyle motocross, BMX and snowmobile stunts, record-breaking tricks and non-stop adrenaline in one unforgettable live experience.

From gravity-defying freestyle motocross and BMX to snowmobile stunts, world-class athletes and stadium-scale production, Freestyle Kings: Capture The Crown promises an adrenaline-fuelled spectacle for fans of all ages. Bringing together some of the biggest names in action sports from around the world, the Melbourne event is set to deliver an unforgettable afternoon of world-class entertainment.

Event Details

Freestyle Kings – Capture The Crown Live World Tour

Saturday, 8 August 2026

Rod Laver Arena, Melbourne, VIC

Ticket details at www.freestylekings.com

July 29, 2026 0 comments
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