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Category:

Festival News

Festival NewsMusic News

The Temper Trap announce highly anticipated Australian headline dates for September/October 2026

by the partae April 20, 2026
written by the partae

MG Live and Frontier Touring are thrilled to announce Australian indie-rock stalwarts The Temper Trap will embark on their highly anticipated national tour across September-October 2026.

Having just announced their new album Sungazer – dropping 10 July – the tour celebrates the band’s first full-length project in ten years, as they return with an explosive, anthemic sound and more confident than ever before.

The Temper Trap will kick off the tour at Forum Melbourne on Friday 11 September before heading to Brisbane for a set at Night At The Parkland on Saturday 12 September. The band head to Hindley Street Music Hall, Adelaide on Wednesday 16 September before a performance at Night At The Barracks, Sydney on Friday 18 September and rounding out with a final show at ICF:Warehouse, Perth on Friday 9 October.

Frontier Members can access their presale on Thursday 16 April from 10am local time, before tickets go on sale from 11am local time on Friday 17 April. Tickets and tour information via frontiertouring.com/thetempertrap.

Watch: The Temper Trap – Sungazer

A special release in the band’s career, Sungazer reflects nearly two decades of evolution, blending The Temper Trap’s signature sound with fresh experimentation. Tracks like ‘Lucky Dimes’ and ‘Giving Up Air’ showcase a shift toward electronic textures and dancefloor energy, while title track ‘Into the Wild’ balances introspection with powerful crescendos. The album veers from yearning intimacy to full-throttle catharsis, from guitar-riffing indie tunes to heavy electronica, all anchored in Dougy’s expansive, instantly recognisable voice.

The Temper Trap will hit the road in 2026 in a monumental way, having last toured their home country in 2025 with a series of intimate East Coast headline shows. Recently announced to support UK rockers Muse on their North American tour, as well as a definitive return to US shores alongside festival sets at Outside Lands (San Francisco) and Summerfest (Milwaukee) sharing the stage with the likes of The Strokes, ​ Rüfüs Du Sol and Charli XCX, the band will share Sungazer with fans across the globe and close to home for the very first time. ​

Watch: The Temper Trap – Sweet Disposition

Rising to global attention with their 2008 UK Top Ten debut single ‘Sweet Disposition’, the Melbourne locals quickly built an international following through their soaring vocals, reverb-heavy guitars, and anthemic choruses. Drawing from their debut album Conditions (2009) , the album achieved multi-platinum success in Australia and gold status in the UK, followed by The Temper Trap (2012) and Thick As Thieves (2016). One of the most sought-after bands to come out of Australia, they’ve accumulated billions of streams, won multiple ARIA Awards, and gained recognition from major global stages and tastemakers, with ‘Sweet Disposition’ cementing itself firmly in Australian music history.

Now, nearly twenty years after their breakthrough, The Temper Trap continue to evolve while staying true to their emotional core. With new music, collaborations, and now a national headline tour all in 2026, these unmissable live shows represent both a reinvention and a reaffirmation of what has made their music resonate: a powerful blend of personal vulnerability and communal, uplifting sound. ​


THE TEMPER TRAP ​
​AUSTRALIAN TOUR ​
​SEPTEMBER-OCTOBER 2026 ​
​Presented by MG Live and Frontier Touring


FRONTIER MEMBER PRESALE ​
​via frontiertouring.com/thetempertrap ​
​Runs 24 hours from: Thursday 16 April (10am local) ​ ​
​or until presale allocation exhausted

TICKETS ON SALE ​
​Begins: Friday 17 April (11am local time)


Friday 11 September ​
​Forum Melbourne | Melbourne, VIC ​
​18+ ​ ​
​ticketek.com.au ​

*Saturday 12 September ​
​Night At The Parkland | Brisbane, QLD ​
​Lic. All Ages ​ ​
​nightattheparkland.com.au

Wednesday 16 September ​
​Hindley Street Music Hall | Adelaide, SA ​
​18+ ​
​moshtix.com.au

*Friday 18 September ​
​Night At The Barracks | Sydney, NSW ​
​Lic. All Ages
​nightatthebarracks.com.au

*Friday 9 October ​
​ICF:Warehouse | Perth, WA ​
​18+ ​
​icfpresents.com.au

*Not a MG Live/Frontier Touring show


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW THE TEMPER TRAP: ​
​Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music 

April 20, 2026 0 comments
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Festival NewsMusic News

MEDIA PUZZLE UNVEIL NEW RACEHORSE: A SURREAL COMMENTARY ON MODERN EXISTENCE

by the partae April 20, 2026
written by the partae

Lismore-based media puzzle share their latest album New Racehorse, a 12-track collection that  is a surreal commentary on modern existence: technology, love, death, responsibility, and ego, out today via Impressed Records. LISTEN ON SPOTIFY + APPLE + MORE.

Marking their fourth album, New Racehorse signifies a rebirth for the band. Since first emerging in 2023, they quickly made name for themselves for their drum machine-riddled, scuzzy post-punk sound, with Pitchfork firmly praising their last project Intermission as “uncanny creativity that egg-punk weirdos love to tout, residing somewhere between Suicide’s dark melodies and Uranium Club’s remote eccentricities”. Now with New Racehorse, they have ushered in a new phase, with a focus on experimentation and building outwards from their trademark sonically distorted sound, bringing eccentric samples and dynamic pace.

In a succession of releases, the record brings together singles ‘Knowledge’ and ‘More Horse, Less Code’, and welcomes ten new tracks, all written and recorded independently over the past year in a place of creative growth with emphasis on collaboration – “Instinct over Algorithm. Feeling over System. Body over Machine. Equine Finality.”

Drawing the album’s title from the track ‘Equine End of Life’ with the lyric “Drug me up, and put me down. There’s a New Racehorse in town” representing the death of the old media puzzle, lead vocalist and guitarist Tom Peters paints the picture of the record’s production process – one that steps back, takes the opportunity to experiment and makes an intentional shift.

Across the album, we hear moments like ‘New Pet’, ‘Out Of the Rain’, ‘I Don’t Care’, ‘Tea Time’ capture a sense of disorientation and hypnosis where larger forces dominate, before moving motions in the second half of the record, with tracks including ‘See You There’, ‘My Age, In Minutes And Seconds’, ‘Don’t Know You’, ‘Equine End Of Life’, ‘Robotic Love’ and ‘Outro’ offering up a reflective palette cleanser.

New Racehorse is an album grounded in reinvention and driven by curiosity. Taking their name from a 2002 Melbourne Cup-winning Irish racehorse, media puzzle is a Lismore-based band fronted by Tom Peter (lead vocals/guitar) with support from Kellie Eden (synth/trumpet), Eden Yeigh (guitar), Oliver Clarke (drums) and Solomon Jones (bass), who after a year of recording and touring with showcases at SXSW Sydney to stages with Ty Segall, Regurgitator and more, have stepped fully into their sound.

Focused and refined, New Racehorse is a bold departure from media puzzle‘s previous catalogue, once a model of fuzzy scuzz-pop, to now an otherworldly post-punk entity.

New Racehorse is out now via Impressed Records, buy/stream here.

TRACKLIST
Knowledge
New Pet
Out Of The Rain
I Don’t Care!
More Horse, Less Code
Tea Time
My Age, In Minutes And Seconds
Don’t Know You
See You There
Equine End of Life
Dead Dog!
Outro

TOUR DATES
Fri 24 Apr – The Tivoli – Meanjin/Brisbane*
Sat 24 Apr – Princess Theatre – Meanjin/Brisbane*
Fri May 1 – Liberty Hall – Gadigal/Sydney*
Sat May 2 – Keystone 1889 – Wiradjuri/Bathurst*

*supporting Regurgitator

Stay connected with media puzzle:
23 Profile | Instagram | YouTube | Bandcamp

April 20, 2026 0 comments
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Festival NewsMusic News

ACCLAIMED NZ PRODUCER & MUSICIAN SOLA ROSA RELEASES TENTH STUDIO ALBUM, IN THE MIDS – TOURING AOTEAROA THROUGH MAY & JUNE

by the partae April 20, 2026
written by the partae

Embracing a vibrant new chapter of music, legendary NZ producer and artist SOLA ROSA presents his highly anticipated new project, IN THE MIDS. Created meticulously between Melbourne and Auckland, the album features some of SOLA ROSA’s most striking material yet, redefining his artistry and demonstrating new sonic potential still to be explored.

Featuring singles ‘Jupiter (ft. Iva Lamkum)’, ‘Losing Time (ft. Muroki)’ and the dynamic ‘Like A Light In The Dark (ft. BRŪDE)’, the record is a love letter to the mix of genres that has become the blueprint for his signature style of production and arrangement. 

Upon a foundation of electronic patterns exists delicate shades of R&B, insatiable funk, compelling rhythms and attitude that is bolstered by the presence of a masterfully-curated cast of guest vocalists. 

In addition to Iva Lamkum, Muroki and BRŪDE, the listener is able to lose themselves in different moments of  IN THE MIDS where artists including Akosia (‘No Time For Love’), Blush’ko (‘We Try and We Lose’), Wallace (‘How Do You’) and Wilson Blackley (‘Dangerous’) take centrestage.

“This album began like all my others — I’d make a bunch of beats and see what stuck — but at first, I had no clear vision. I was still thinking in terms of a live band setup, and everything felt a bit rigid, too many rules. Then, during one of the final lockdowns in NZ, I watched a short video of renowned producer Decap saying, “just try and make a beat a day without judgement.” I gave it a go, and it was liberating — it brought real joy back into making music. Suddenly, it was okay to explore ideas that in the past might have felt outside my wheelhouse. After a few days, the music started pouring out in unexpected and fascinating directions. That’s how most of this album came together.

Once that approach became my norm, I had a much clearer sense of the sound I wanted — more dancefloor-friendly, heavy grooves, layered synths and arpeggiated textures, programmed beats, and strong vocal contributions. There’s still a signature Sola Rosa touch in there, with a mix of tempos, subtle and punchy, but ultimately this became an album focused on my production style rather than a live-band framework. Influences from the dance music I’d been DJing and listening to heavily at the time naturally crept in, shaping the direction of the beats and the overall energy. While some key players still feature, this is very much me as a producer exploring new terrain.”  SOLA ROSA

Across SOLA ROSA’s lauded career, the producer has cultivated a global fanbase courtesy of impressive releases and appearances on stages throughout North America, the UK and Europe. 

He has performed at festivals including Secret Garden Party (UK), WOMAD (NZ), Kendall Calling (UK), Green Man (UK) and Shambala (UK); while previous collaborations with artists including TALL BLACK GUY, DJ VADIM and HERMITUDE have further established SOLA ROSA as one of the best to come out of Aotearoa, with over 65 million streams to his name.

PRAISE

“Andrew Spraggon reaches for the big time”

MOJO (‘Chasing The Sun’, 2020) ★★★★

“..blooms with sensuality and sass”

ROLLING STONE MAGAZINE (‘Low & behold, High & Beyond’, 2012)

“Low And Behold is fresh and funky”

NZ HERALD (‘Low & behold, High & Beyond’, 2012) ★★★★

“Melodic Soul Poetry”

SYDNEY MORNING HERALD (‘Get It Together’, 2010) ★★★★

With IN THE MIDS out now, SOLA ROSA will be touring the record throughout Aotearoa this coming May & June.

 

SOLA ROSA ‘IN THE MIDS’ AOTEAROA TOUR DATES

Tickets via solarosa.com

Friday 22 May Double Whammy TĀMAKI MAKAURAU / AUCKLAND

Saturday 23 May Puketapu Community Hall HERETAUNGA / HAWKES BAY

Friday 29 May DeVille WHAKATŪ / NELSON

Saturday 30 May Hide ŌTAUTAHI / CHRISTCHURCH

Friday 5 June The Mayfair NGĀMOTU / NEW PLYMOUTH

Saturday 6 June San Fran PŌNEKE / WELLINGTON

SOLA ROSA: Website | Facebook | Instagram | YouTube 

April 20, 2026 0 comments
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Festival NewsMusic News

SPIDERBAIT: Ivy & the big apples 30th Anniversary National July Tour Announced + VERY SPECIAL GUESTS CUSTARD, MAGIC DIRT, THE MEANIES, TUMBLEWEED & THE GNOMES

by the partae April 16, 2026
written by the partae

Legendary Aussie rockers Spiderbait today announce they will return to stages around the country this July, to celebrate the 30th Anniversary of their iconic 1996 album Ivy & the big apples.

Kicking off on Saturday 4 July at Brisbane’s The Tivoli, the band will head through Perth, Melbourne, Adelaide and Sydney delivering their epic live show to fans nationwide. Iconic special guests Custard, Magic Dirt, The Meanies and Tumbleweed will join the party on select dates, as emerging Melbourne rockers The Gnomes warm audiences at all shows. ​

Frontier members can access presale tickets from 12 noon (local time) on Thursday 16 April, before tickets go on sale at 1pm (local time) on Friday 17 April.

For tickets and further information, head to frontiertouring.com/spiderbait

Widely regarded as a defining moment in Australian alternative rock, Spiderbait’s third studio album, Ivy & the big apples, marked a major breakthrough for the band, showcasing a bold shift toward a more polished yet still energetic sound. The record debuted in the ARIA Top 3, went Double Platinum, and stayed in the Top 50 for nearly a year — a testament to its enduring impact and the strength of singles like ‘Calypso’ and ‘Hot Water & Milk’.

Featuring standout track ‘Buy Me A Pony’, which became the first Australian song to take the crown in triple j’s prestigious Hottest 100, the record captured the raw, youthful spirit of the time while pushing the boundaries of the local music scene. A fearless mix of punk, pop and alternative rock, the album cemented Spiderbait as one of Australia’s most important bands of the 90’s.

Out on July 3, Ivy & the big apples 30th Anniversary Edition LP celebrates this cultural touchstone. Reissued on vinyl to mark the moment, this is an essential piece of Australian music history, ready to be rediscovered. Pre-order it now.

The story of Spiderbait is an unlikely but heart-warming one – three friends from a small Australian country town taking on the music scene, and emerging triumphantly thirty years later, friendship intact, and now one of the biggest and best rock bands on the national landscape

 The trio’s popularity spans three decades and shows no signs of abating. They’ve released seven acclaimed albums, all of which have racked up Gold, Platinum or Double Platinum status, and have combined Australian sales of over a million units, with over 100 million annual global streams and 285 thousand daily global streams and growing every year. Spiderbait have also chalked up almost every Australian accolade possible, taking home multiple ARIA Awards and topping charts along the way. ​

Australian rock ‘n roll royalty, and with a catalogue of music that’s distinctive and uncompromising, Spiderbait’s anticipated Ivy & the big apples 30th Anniversary Tour will see the band playing songs from their seminal album plus favourites from their extensive catalogue – Don’t miss out!
​

With special guests…

CUSTARD (Brisbane)
​
Local indie rockers Custard are known for their witty lyrics and distinctive, understated sound, led by singer-songwriter David McCormack. Emerging in the 1990s, they became a cult favourite for their clever, often humorous take on everyday life.

MAGIC DIRT (Melbourne)
​
Multi-ARIA Award nominated Magic Dirt are renowned for their gritty guitar sound and the distinctive vocals of frontwoman Adalita. They gained a strong following for their raw, emotive style and remain an influential presence in Australia’s rock scene.
​
​THE MEANIES (Perth + Adelaide)
​
Seminal Melbourne punk rockers, The Meanies are renowned for their high-energy performances and irreverent style. Since the late 1980s, they have influenced the Australian punk scene with their frantic power-pop riffs, short sharp songs, raw sound and confrontational stage presence.

TUMBLEWEED (Sydney)
​
Australia’s homegrown stoner rock heavyweights. Tumbleweed have built a reputation on hypnotic riffs, loose-limbed swagger, and a live show that feels like it might levitate at any moment. Riding the 90s on a wave of fuzz, feedback and sun-bleached psychedelia, they weren’t just part of the scene, they helped define it.

THE GNOMES (All shows)
​
Hailing from Melbourne, The Gnomes deliver a feral, hook-heavy take on ‘60s beat, garage and power pop. With a cult following, they’ve built a reputation for chaotic live shows and a distinctly DIY approach to music.

Spiderbait’s Ivy & the big apples 30th Anniversary Edition LP is out July 3 – Pre-order it HERE


SPIDERBAIT
​IVY & THE BIG APPLES 30
TH ANNIVERSARY AUSTRALIAN TOUR
​JULY 2026
​WITH SPECIAL GUESTS CUSTARD, MAGIC DIRT, THE MEANIES, TUMBLEWEED (SELECT SHOWS ONLY) + THE GNOMES (PLAYING ALL SHOWS)
​
Presented by Frontier Touring ​
​
​FRONTIER MEMBER PRESALE
​
via frontiertouring.com/spiderbait
​Runs 24 hours from: Thursday 16 April (12 noon local)
​or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 17 April (1pm local)

Saturday 4 July
​With special guests Custard + The Gnomes
​
The Tivoli | Brisbane QLD (18+)
​
ticketmaster.com.au

 SATURDAY 11 JULY
​
With special guests The Meanies + The Gnomes
​
The Ice Cream Factory | Perth WA (18+)
​
eventbrite.com.au

FRIDAY 24 JULY
​
With special guests Magic Dirt + The Gnomes
​
Forum | Melbourne VIC (18+)
​
ticketek.com.au

SATURDAY 25 JULY
​
With special guests The Meanies + The Gnomes
​
Hindley Street Music Hall | Adelaide SA (Lic. All Ages)
​
moshtix.com.au

FRIDAY 31 JULY
​
With special guests Tumbleweed + The Gnomes
​
Enmore Theatre | Sydney NSW (Lic. All Ages)
​
ticketek.com.au

INSTAGRAM

April 16, 2026 0 comments
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Festival NewsMusic News

REAL FARMER new single I.D.K.T.S out now

by the partae April 16, 2026
written by the partae
new album Two Wrongs Don’t Make A Right
digital album 1st May
vinyl 29th May
UK and European tour May/June

“Expect lightning-fast tempos, razor-sharp riffs, pulsating drums, and captivating melodies.” Under The Radar

“Real Farmer have paved the way for what modern punk can be.” Indie Is Not A Genre

“A sonic punch to the solar plexus.” God Is In The TV

Groningen-based punk four-piece Real Farmer are closing in on the release of their second album with new single I.D.K.T.S (I Don’t Know This Song) out now through Strap Originals (following BBC 6 Music Huw Stephens premiere). You can watch the video here and pre-order the album here.

For the experimental DIY video, the band teamed up with director Héctor Garcia Martin, who set out to reflect the deeply psychological nature of the song with his dynamic camera work. “What was most enjoyable for me about this shoot was that I felt among friends. It was just me and the three people in the video so I was able to be more immersive and empathetic in portraying the human story,” says Héctor.

I.D.K.T.S (I Don’t Know This Song) is the fifth track to be released as a single from their second album Two Wrongs Don’t Make A Right, which is out digitally 1st May and on vinyl 29th May. It follows Missing Link (the thrashy call to arms), Run By Animals (a moving dream pop hymn), Heart Out (60s beat meets proto punk) and Sob Story (a pithy rabble rouser).

Real Farmer recorded the new album with audio engineer Niek van den Driesschen (Iguana Death Cult, Rats on Rafts) at Far Out Sound Studios in Rotterdam’s Coolhaven district. It was mastered by Mikey Young (Amyl and the Sniffers, King Gizzard & the Lizard Wizard).

Radio spins for the singles have come in from BBC 6 Music’s Huw Stephens, Craig Charles, Steve Lamacq and Apple Music 1’s Matt Wilkinson. And So Young, God Is In The TV, Indie Is Not A Genre and Pan m 360 have all lent their support in the press.

With Peter Doherty, Protomartyr, Babyshambles, Pitchfork Paris and Primavera supports or festivals in the bag over the past 12 months, Real Farmer are set for a 23-date tour of Europe and then the UK. The dates are as follows:

May
07 – Köln, Bumann & SOHN
08 – Horst, Nikspack Festival
09 – Amsterdam, OCCII
11 – Berlin, Schokoladen
12 – Hamburg, MS Stubnitz
14 – Basel, Hirscheneck
15 – Bern, ISC
20 – Marseille, L’intermédiaire
22 – Biel/Bienne, Chrüsimüsi
29 – Utrecht, ACU
30 – Eindhoven, Skinfest

June
01 – Paris, Verte est la nuit
02 – Brighton, Prince Albert
03 – London, New River Studios
04 – Cardiff, Clwb Ifor Bach
05 – Manchester, YES (basement)
06 – Newcastle, Marrapalooza
07 – Glasgow, The Hug & Pint
09 – Sheffield, Delicious Clam
10 – Oxford, Little Bully
11 – Nottingham, JT Soar
12 – Norwich, Norwich Arts Centre
13 – Southampton, Heartbreakers Bar

Real Farmer hail from the northern Dutch provinces of Friesland and Groningen, the birthplaces over the last sixty years or so of a lot of smart, independent and rough-edged rock music. Real Farmer have always channelled this singular, often rebellious history. Just listen to their explosive early releases like their dark and personal debut album (Compare What’s There [2024]), or hear tell of the turbocharged shows in any dive that would take them. Their name, on the cover of Two Wrongs Don’t Make a Right, uses the Anarchist symbol.

“I grew up in a place where I had to bite back a lot, so I’ve become really good saying ‘fuck you!’ says frontman Jeroen Klootsema. “But I think when it comes to the bigger collective picture, it takes more than just one person kicking at things. It also requires knowing what you’re doing it for. I’m constantly reframing that on this album: what do I believe? What is anarchy to me? What is a community to me? In these songs, we’re collectively trying to re-examine all those things as a band.”

INSTAGRAM  FACEBOOK  SPOTIFY  YOUTUBE

 

April 16, 2026 0 comments
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Festival NewsMusic News

ODD MOB ANNOUNCES HIGHLY ANTICIPATED AUSTRALIA VOL 2.0 HEADLINE TOUR

by the partae April 16, 2026
written by the partae

Australian DJ and production powerhouse Odd Mob has just announced his highly anticipated Australian headline tour for 2026. Presented by Untitled Group, the five-date run will hit Melbourne, Perth, Brisbane, Adelaide, and Sydney this September/October.

2025 was a massive year for the DJ/producer, with a run of shows as main support on John Summit’s sold-out national tour and a standout performance at Coachella as well as his own sold out headline shows across the country. 2026 is set to be even bigger, with new releases on the way and an extensive touring schedule across Australia, alongside international dates in the U.S., Asia, the UK and Europe, including a main stage appearance at Tomorrowland in Belgium.

Since breaking through with 2014’s Is It A Banger which charted in the triple j’s Hottest 100, Odd Mob has released a string of hits like LEFT TO RIGHT, Get Busy which surpassed 120 million streams and topped the ARIA and UK Upfront Club charts whilst landing the Aussie producer an ARIA Gold Record for his collaboration with Sean Paul. He continued this momentum with Won’t Be Possible, while collaborating with LA producer OMNOM on tracks such as Losing Control, System, All Day, All Night, as well as their newest collaboration Coming Up (It’s Dare), a fully cleared remake of Gorillaz’s ‘Dare’, pushing him past 450+ million streams across platforms.

In 2025, Odd Mob reached yet another career milestone, selling out The Shrine in Los Angeles following a major collaboration with Tiësto. The single quickly became the #1 most-played dance record on US radio and amassed over 40 million streams within months. His touring profile has continued to rise, with standout performances at Beyond The Valley’s Dance Dome in 2024, as well as Tomorrowland, EDC Las Vegas, Shambhala Music Festival, Beyond Wonderland, and multiple Elrow events worldwide. He has also supported Swedish House Mafia in Ibiza and secured a Las Vegas residency at Wynn for the second consecutive year in 2026.

With a unique blend of house, techno and club chaos, Odd Mob’s live sets have made him a standout on festival and club stages worldwide.

TOUR DATES:
Saturday 19th September 2026 – The Timber Yard, Melbourne
Sunday 27th September 2026 – Metro City, Perth
Saturday 3rd October 2026 – Fortitude Music Hall, Brisbane

Sunday 4th October 2026 – Hindley Street, Adelaide
Saturday 10th October 2026 – Roundhouse, Sydney

Presale Registration HERE

Presale tickets on sale – Tuesday 21 April 10am local time

General tickets on sale – Wednesday 22 April 10am local time

INSTAGRAM

April 16, 2026 0 comments
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Festival NewsMusic InterviewsMusic News

Interview: Bud Rokesky on Dusk — Fear, Grief and the Power of Letting Go (Touring Australia This May)

by the partae April 11, 2026
written by the partae

Photo credit: Marcus Coblyn

Dusk is described as a record about endings, but endings can also be the start of something new. When you were writing the album, what kind of emotional space were you living in at that time?

I’ve recently come to understand that I live mostly from a place of fear, grief and resignation, as opposed to faith, love and optimism—but in a positive, healthy way. The fear keeps me searching and fighting and aware of how safe the present moment is, while the grief is what proves just how much I love someone or something. The resignation helps me roll with the flow and let go of trying to maintain control over things that no one really has much, if any, control over. Dusk is mostly grief and resignation—suggesting fear, viewed through a positive and grateful lens.

Your debut album Outsider introduced listeners to a really vivid storytelling style. With Dusk, did you approach the songwriting any differently, or did the world of the record reveal itself gradually as you worked?

It was a gradual revelation. I knew I wanted to be as honest and uncensored as I could be without spoiling whatever mystery is in the songwriting. I really have to be conscious that I’m not just directly telling my thoughts to someone—there has to be some magic and ambiguity and poetry. Obviously the great songwriters do it perfectly. Trying to achieve close to the same is one of my favourite parts of songwriting.

You’ve mentioned that the album contains both fictional characters and very real moments from life. How do you balance storytelling with personal experience when writing songs?

Giving an experience to a character is a great way to view the experience a little more objectively. It helps me zoom out and see it from different perspectives, that way I’m not just including one side of the story. It also helps me to feel a little more comfortable sharing personal thoughts without feeling like I want to hold back.

The new single ‘45’ asks a pretty confronting question: whose life are you living? What first sparked that idea and how did the song take shape from there?

There have been times in my life I’ve wanted to chase something or attempt something and people have told me I shouldn’t, and I’ve listened. Mostly I come back later to thank them for saving me from myself, but at the time I might feel misunderstood or untrustworthy. This song is a bit of a vent during one of those “at the time” moments.

Musically, ‘45’ has that communal stomp-and-whistle feel that almost sounds celebratory, while the lyrics lean in a more reflective direction. Was that contrast something you were intentionally playing with?

Yes, it’s all deliberately intertwined, having to do with my feelings that new ideas usually feel unique, different and stand out—while “the majority” telling you not to can feel like advice steeped in hype from the masses, and why would you want to trust hype from the masses? There might be sparks from my own cynicism shining through here…

Alt-country often draws on a sense of place and atmosphere. Were there particular landscapes, towns or memories that helped shape the world of Dusk?

Yeah, I was focusing on capturing my headspace and inner world more than anything in the outer world. I mean, there are hints at another world or realm but that could all be regarded as internal anyway. Dark Night would be the exception—it views Earth from far away, but it includes all physical and mental aspects of “the world”.

You’ve spent the past couple of years performing alongside a wide range of artists and playing festivals across Australia. How have those experiences influenced the way you think about your own music?

I’ve yearned for that transfer of high energy from live shows, where the performance elevates and empowers everyone in the room. My songs don’t really do that—at least not from a physical standpoint—and I’ve come to terms with that. My songs are conversation starters, for thinkers who might want to question their perspective on different aspects of living, and dying. But I still would really like to give that to an audience one day. Maybe the next album will be full of songs with energy more like Dark Night, Harriet or Runaway. I’d like that.

Your songs often feel like snapshots of everyday life, but with something slightly ghostly or surreal beneath the surface. What draws you to that blend of the ordinary and the mysterious?

That’s really what my days are like—the ordinary always has some undercurrent of deeper meaning. Not in a mysticism way, more “wearing your unique perspective of the world and what happens in it day to day” on your sleeve. I know not everyone sees Earth and life as this incredible, unbelievable gift—you don’t have to broadcast it to everyone. But your uniqueness is just as special a gift and it gets stronger and really makes sense of things when you accept it.

With Dusk out now and a national tour following in May, how does bringing these songs to a live audience change the way you experience them yourself?

Live shows are the tangible version of introducing your songs to the world—it’s undeniable that real people are listening to them, which is very special in what seems like a mostly online world. I like to consider how the audiences in the room with me for this tour will be the only people in the whole world experiencing that moment, and if we have nothing else in common, we will always have that. It certifies those people to be very important in my life.

When listeners sit down with the album from beginning to end, what do you hope they take away from the journey that Dusk creates?

That we are everything and nothing at the same time. That coincidence, consciousness, love, and human experiences are just as impactful and worth saving as the miracle of all life on Earth, and yet while we need Earth, it doesn’t need us. We should use that perspective for gratitude and use gratitude as fuel to be the ultimate caretaker of ourselves, the people around us, and the planet. Also that grief is very special because it means you are filled with love—be grateful for it and embrace it because what’s the alternative?

CONNECT WITH BUD ROKESKY:

INSTAGRAM | FACEBOOK | WEBSITE | YOUTUBE

 

 

April 11, 2026 0 comments
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Interview: Figurehead talk new single “Heart Like A Sunset”

by the partae April 9, 2026
written by the partae
“Heart Like a Sunset” feels emotional but still really upbeat musically — did the sound come first or were the lyrics and story already there before the track started taking shape?
‘The need for expression was there, and sometimes those really raw emotional feelings can lead to a song almost writing itself. That was the case here, lyrics and chords came together for this tune and it’s pop sensibility was in my head before bringing it to the band. I’m so lucky to have the right team to help me bring it into the world!’ – Joe
The song talks about acceptance and empathy after a breakup, which is a pretty mature way to look at heartbreak — was that message something that came from personal experience?
‘In my experience breakups are difficult, no matter which side of the coin you happen to be on. It’s important to try and be honest, as well as kind and sensitive. I hope this song can provide catharsis or comfort for anyone experiencing similar.’ – Joe
There’s a real mix of sounds in this track, from indie rock to more pop and synth elements — do you consciously try to blend styles, or does that just happen naturally when you’re writing together?
‘I love Talking Heads as much as I love Pantera, Justin Bieber, Paramore, Nine Inch Nails, Tori Amos or Aphex Twin. I think a lot of artists feel that way these days with so much recorded music in history available to us. And what a blessing, to be able to express oneself with all of these palettes and frequencies to draw inspiration from. Death to genre!’ – Joe
You’ve worked again with Dave Parkin on this release — what does he bring to your sound that keeps you coming back to work with him?
‘Dave has always understood our sound and knows what’s best for our tracks. His knowledge of the industry plays a part in this. We leave his studio with a fresh perspective of the tracks, always wanting to book that next session.’ – Ross
How would you say your songwriting has changed over the last couple of years compared to your earlier releases?
‘The process has become more collaborative, and I think everyone is now aiming closer to the direction of what we want to become. When writing songs, I’m always conscious of trying to make it quirky or interesting (at least to myself) and when the other guys enjoy something about it and bring more for us to work with, the song gets time to go through lots of trials and iterations. That’s when you get a final product that you can be proud of.’ – Joe
You’ve built a strong following both online and through live shows — do you feel like Figurehead is more of a live band or a studio band at heart?
‘I think every member would have their own take on this. I see figurehead as a live band at heart as that’s where it all started like most bands. Once you’ve locked in a set and earned money from those shows that’s when the studio sessions get booked. There’s definitely magic on both sides.’ – Ross
When you were writing “Heart Like a Sunset”, was there a particular moment where you realised the song was something special?
‘As soon as I found that chorus groove I was sure that the rest of the song had its place, almost like the final piece required to see the whole puzzle.’ – Joe
Fremantle has such a strong music scene — how much has being based there influenced the band and your sound?
‘Half of us are from Fremantle and some are from further north of the river, so we span a fairly large scope of venues and local bands which is a great position to have! But Freo venues like Mojo’s and Clancy’s and more recently Gage Roads with their “Live and Local” events have been imperative in growing our audience and establishing ourselves as a live act. We are supporting The Vanns at Gage Roads 12 June .’ – Joe
With new music coming out and more on the way, are you working towards a bigger project or just releasing songs as they come?
‘The current audience climate is calling for more singles at this stage, but an EP is definitely on the agenda in the near future!
We have another single scheduled for release in June and are currently in the studio recording new material ‘ – Joe
Looking ahead, what do you want people to feel when they listen to Figurehead for the first time?
‘I want any new listeners to hear themselves in our music. A lyric or styling that rings true to who they are, that compels them in a really personal way.’ – Joe
‘If first listeners felt excitement and a curiosity for the band that would make me happy. When I hear a new band and I get those feelings that’s when I know I’m hooked. ‘ – Ross
PLAY/LISTEN

FIGUREHEAD: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed

April 9, 2026 0 comments
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FESTIVAL OF THE STONE 2026 LINEUP ANNOUNCEMENT Saturday 20 June, Byron Bay – Music | Community | Tradition

by the partae April 9, 2026
written by the partae
Early Bird Tickets ON SALE NOW

The crew at Stone & Wood are thrilled to share the lineup for Festival of the Stone 2026, returning to the brewery on Saturday 20 June for Byron Bay’s favourite winter gathering of live music, fresh brews and good company.

As the cooler months roll into Northern NSW, Stone & Wood will once again set the stage for an evening of great Aussie music, community spirit and the annual tapping of the much-loved Stone Beer — a limited winter release brewed the old-school way with stones heated over a wood fire.

Now in its twelfth year, Festival of the Stone has become a beloved fixture on the music festival calendar. Each year, fans from near and far come together to celebrate music, enjoy amazing beer and share good times, all while supporting Byron’s Fletcher Street Cottage. This year’s lineup is a beauty, welcoming Pacific Avenue, Ruby Fields, Dear Seattle, Eliza & The Delusionals and Liquid Zoo.

South Coast rockers Pacific Avenue cemented their place in the Australian music landscape with their breakout 2023 debut album Flowers, which debuted at #1 on the ARIA Australian Albums Chart and earned multiple ARIA and AIR Award nominations. Their blend of classic rock and heartfelt ballads, paired with Harry O’Brien’s distinctive vocals, has seen them build a strong following through touring, radio support and global streams. With their sophomore album Lovesick Sentimental just released, they’ll take the stage with new tracks alongside fan favourites.

Sydney singer-songwriter Ruby Fields has built a devoted following through sharp, relatable storytelling and a distinct indie-rock sound. She first gained attention in 2017 when triple j played her debut single “I Want” the same day it was uploaded to Unearthed. Since then, she has sold out national tours, performed to crowds of more than 20,000 at Splendour In The Grass, toured internationally and delivered a Like A Version. Her debut album Been Doin’ It For A Bit debuted at #1 on the ARIA Albums Chart, cementing her position as one of Australia’s most compelling young songwriters.

Fresh from topping the ARIA Albums Chart with their third studio album TOY, Sydney indie-rockers Dear Seattle are heading to Byron Bay in peak form. The record blends soaring riffs, melodic hooks and reflections on growth and relationships, featuring tracks such as “Evergreen”, “Say What You Want”, “Counting Hours” and “Nothing’s Stopping Me Now”. With strong streaming numbers and a solid run of shows leading into the festival, the band continues to build momentum.

Northern NSW and Brisbane trio Eliza & The Delusionals continue to evolve with their blend of indie pop and guitar-driven rock. Their debut album Now & Then received critical acclaim including a 4.5-star review from Rolling Stone Australia and a triple j J Award nomination. Their follow-up Make It Feel Like The Garden expanded their sound with more layered production and introspective songwriting influenced by time spent touring internationally. Tracks like “Falling For You” continue to resonate with audiences, reinforcing their place as one of Australia’s standout indie acts.

Sydney five-piece Liquid Zoo bring a raw, high-energy indie rock sound shaped by influences such as The Strokes, early Kings of Leon and The Hives. Built for late nights and packed venues, their music combines sharp guitars, driving rhythms and hook-heavy vocals. Their live shows have gained a reputation for their intensity and atmosphere, turning venues into full-scale parties while maintaining tight, dynamic performances.

As always, Festival of the Stone marks the unveiling of Stone & Wood’s 2026 Stone Beer, a rich and limited winter release crafted using heated stones in homage to traditional brewing methods. Alongside the music and fresh pours, the festival will once again raise funds for Fletcher Street Cottage, supporting people experiencing homelessness and hardship in the Byron Shire.

Message your crew and get ready for another night of music, beer and community at Festival of the Stone 2026.

FESTIVAL OF THE STONE

Saturday 20 June, 2026
Stone & Wood Brewery
Centennial Circuit, Byron Bay (Cavanbah)TICKETS

EARLY BIRD ON SALE NOW $65 + BF (18+) | $30 + BF (12-17)
AFTER 1 JUNE $70 + BF (18+)
Under 12s – Free Entry
Website
Facebook
Instagram
X

 

April 9, 2026 0 comments
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MATT CORBY ANNOUNCES THE TRAGIC MAGIC TOUR – ADELAIDE, PERTH, MELBOURNE, NEWCASTLE, BRISBANE – JUNE 2026 + SPECIAL GUEST GRETTA RAY | TICKETS ON SALE MONDAY

by the partae April 8, 2026
written by the partae

Frontier Touring is pleased to announce that critically acclaimed singer, songwriter and producer Matt Corby will return to stages across the country this June 2026, bringing his celebrated live show to audiences nationwide with The Tragic Magic Tour.

With multiple ARIA Awards, platinum-selling releases and a body of work that continues to evolve with each release, Matt Corby stands as one of Australia’s most enduring and influential artists. The upcoming tour celebrates the release of the singer’s fourth studio album, Tragic Magic, set for release on Friday 17 April via Island Records (pre-order here) – a deeply personal and soul-soaked collection that captures a new chapter in Corby’s life and artistry.

Praised as one of the country’s most compelling live performers (as witnessed on his national trek supporting US star Teddy Swims in 2025), Corby’s shows are renowned for their intimacy and musicianship – a space where intricate arrangements and his unmistakable voice take centre stage. The Tragic Magic Tour will see Corby perform at some of the country’s most-loved venues, kicking off at Adelaide’s Thebarton Theatre on Wednesday 3 June, followed by Perth’s Riverside Theatre on Thursday 4 June, before heading to Melbourne’s The Forum on Tuesday 9 June. The tour will continue to Newcastle’s Civic Theatre on Friday 12 June, before concluding at Brisbane’s Fortitude Music Hall on Sunday 14 June.

Joining the tour as special guest is Gretta Ray. From a triple j Unearthed High win to touring alongside Maisie Peters, Mumford & Sons and Gang of Youths, Gretta Ray has continued to evolve as one of Australia’s most compelling pop voices. Following her acclaimed debut Begin To Look Around (2021), Ray’s 2023 sophomore album Positive Spin cemented her reputation for sharp, emotionally resonant songwriting.

Tickets to The Tragic Magic Tour go on sale Monday 13 April (11am local time) via frontiertouring.com/mattcorby. Frontier Members presale starts Friday 10 April (11am local time) – see website for details.

Matt Corby is a musical perennial. Three immaculate albums into an original music journey, with no end in sight, Matt first broke through back in 2011 with the bruising ballad and 10x Platinum hit ‘Brother’, a song whose enduring appeal was proven again with its #51 appearance on triple j’s ‘Hottest 100 Of Australian Songs’ in 2025. While it remains a defining song of its era, it is the work since – from the quiet intensity of singles such as ‘Resolution’, ‘Miracle Love’, or ‘Reelin’ – to the expansive albums Telluric (2016), Rainbow Valley (2018), Everything’s Fine (2023) – that underscores a career shaped by evolution over expectation.

The first taste of Corby’s forthcoming album came in the form of singles groove-laden single ‘Burn It Down’, the reflective ‘Long and Short’ and ‘War To Love’. Tragic Magic sees Corby further refine his timeless sound, Corby co-producing every track and performing the majority of instruments across the record.

One of Australia’s most soulful and stirring voices, don’t miss these special shows.


MATT CORBY
​+ special guest Gretta Ray
​
THE TRAGIC MAGIC TOUR
​JUNE 2026
​
Presented by Frontier Touring and triple j ​

FRONTIER MEMBER PRESALE
​
via frontiertouring.com/mattcorby
​
Runs 24 hours from: Friday 10 April (11am local time)
​or until presale allocation exhausted


TICKETS ON SALE
​
Begins: Monday 13 April (11am local time)

Wednesday 3 June
​Thebarton Theatre | Adelaide, SA
​
Lic. All Ages
​ticketmaster.com.au

Thursday 4 June
​Riverside Theatre | Perth, WA
​
Lic. All Ages
​ticketek.com.au ​

Tuesday 9 June
​The Forum | Melbourne, VIC
​
18+
​ticketek.com.au

Friday 12 June
​Civic Theatre | Newcastle, NSW
​
Lic. All Ages
​civictheatrenewcastle.com.au

Sunday 14 June
​The Fortitude Music Hall | Brisbane, QLD
​
18+
​ticketmaster.com.au

** Also playing (not a Frontier show, see artist website for details):

Saturday 6 June
​Winter Wine Festival | Gerringong, NSW

Saturday 13 June
​VIVID, Tumbalong Park | Sydney, NSW

 

FOLLOW MATT CORBY:

Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music ​

April 8, 2026 0 comments
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Karnivool Announce Biggest Headline Shows of Their Career

by the partae April 8, 2026
written by the partae

Perth icons Karnivool are thrilled to announce they are taking their number one album, In Verses, on the road for the first time, delivering the biggest headline shows of their career. To celebrate, Karnivool will be joined by special guests TesseracT (UK) and Car Bomb (USA) for an unmissable night of heavy excellence.

Kicking off with a hometown show at the Ice Cream Factory in Perth on July 18, Karnivool will deliver a career spanning set across five capital cities, winding up at Riverstage in Brisbane on July 25.

Landing 13 years after its predecessor, In Verses is a heavy prog masterpiece that stunned critics and fans who were both quick to forgive the band for the agonisingly long wait. A meticulously crafted, richly layered yet welcoming journey, the album is a rare chart-topper that wasn’t built for algorithms or respectable release cycles, yet it soared straight to #1 on the ARIA Chart, becoming the first local album to do so in 2026.

Behind the album’s success is a deeper story about resilience and perseverance. When the bagpipes swell on the album closer Salva, it’s a real triumphant celebration (and quite the tear jerker online) for the band and fans who have waited 13 years for this moment. Karnivool’s next challenge: learning how to deliver live the songs they’ve spent the better part of a decade wrangling into existence.

Joining Karnivool are fellow masters of their craft TesseracT. The UK metal titans are widely regarded as pioneers, expanding metal’s vocabulary beyond all measure with off-kilter riffs, soaring melodies, bending grooves and disorientating atmospherics. Over the course of their career, the band have built a formidable reputation for powerful, mind-altering live shows and Australian legions came out in force to experience their landmark record, War of Being, in 2024.

Rounding out this outstanding line-up is New York innovators Car Bomb, bringing their elite chops and maniacal arrangements to Australia for the very first time! 25 years in with a discography almost as lean as Karnivool’s, Car Bomb mines the depths of extreme metal to create a signature sound that is as confounding as it is cathartic with evolving polyrhythms, shifting tempos and deconstructive guitars designed to pulverise all senses live.

It’s been over a decade since Karnivool have toured a new album and they’ve assembled an elite suite of boundary shattering virtuosos to mark the occasion. Don’t miss this very rare and extraordinary event.

Presale begins Tuesday 14 April 9am local time
Tickets on sale: Thursday 16 April 9am local time

More info from destroyalllines.com

KARNIVOOL
IN VERSES AUSTRALIAN TOUR

With Special Guests TesseracT (UK) and Car Bomb (USA)

Presale begins Tuesday 14 April at 9am local time. Sign up for access here

Tickets are on sale Wednesday 15 April at 9am local time via destroyalllines.com

Saturday July 18
Ice Cream Factory, Perth

Tuesday July 21
AEC Theatre, Adelaide

Thursday July 23
Hordern Pavilion, Sydney

Friday July 24
Margaret Court Arena, Melbourne

Saturday July 25
Riverstage, Brisbane

Praise for Karnivool

“In Verses is spectacular.” – The Australian

“Another thoroughly rewarding album experience that cements Karnivool’s status as one of Australia’s most important and revered heavy acts.” – Double J

“A Karnivool tour is never less than a full-bodied experience — equal parts cerebral, visceral and spiritual.” – The Note Magazine

“Karnivool will march to the beat of their own drum and indulge their musical whims without any care for the demands of the mainstream. In return, they will deliver a masterful show like this.” – Sydney Morning Herald

“A monumental work of art.” – Wall of Sound

“The bar for progressive metal in 2026 has been set, and it’s hard to think of
another band who can raise it.”
 – Metal Hammer

 “In Verses returns Karnivool to the top of the prog-metal mountain.” – Kerrang!

 “Karnivool have not forgotten how to leave a bruise or two.” – Classic Rock

INSTAGRAM

April 8, 2026 0 comments
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DEAN TURNLEY EXCLUSIVE MELBOURNE SHOW

by the partae April 8, 2026
written by the partae

Melbourne’s own Dean Turnley has announced an exclusive headline show this June, taking over the iconic Northcote Theatre on Saturday 6th June.

Presented by Untitled Group and Full Circle, the one-night-only performance marks a major moment for one of Australia’s most exciting electronic exports.

Fresh off a standout set at Pitch Music & Arts 2026, which sent ripples across social media and the global electronic scene, and riding the success of his latest release Actin’ Tough, Turnley returns to Melbourne with serious momentum.

Known for his signature blend of house and techno, his sets are as dynamic as they are deeply rooted in dance floor tradition.

Sign up now for access to the presale.

All tickets will be made available to purchase during the presale, and we expect a very high demand for tickets. Sign up and be ready to purchase at 12pm sharp on Thursday 9 April for your best chance to secure tickets.

SIGN UP FOR PRESALE

PRESALE: Thursday 9th April, 2026 at 12:00pm AEST

GENERAL ON SALE: Friday 10th April, 2026 at 12pm AEST

TOUR INFORMATION
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April 8, 2026 0 comments
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COURTNEY BARNETT ANNOUNCES CREATURE OF HABIT TOUR ​FOR NOVEMBER 2026

by the partae April 7, 2026
written by the partae

Local legend Courtney Barnett today announces Creature of Habit East Coast tour dates for November. The Grammy-nominated singer-songwriter will take her live show to Brisbane’s The Tivoli on 4 November and Melbourne’s Palais Theatre on 7 November, plus a stop at the iconic Sydney Opera House Concert Hall.

Frontier Members can access presale tickets from 9am AEST on Wednesday 8 April, ahead of tickets going on sale at 9am AEST on Friday 10 April. More information at frontiertouring.com/courtneybarnett

More than four years since her last Australian tour, Courtney makes her homecoming in the wake of extensive UK and North American dates. Known for a performance that’s part intimate storytelling, part indie rock, with bursts of raw grunge-like energy, Courtney Barnett live is genuine and authentic. A signature blend of moody guitar, witty, anecdotal lyrics and her laconic talk-singing have cemented her as “one of the most distinctive voices in indie music” (The Mancunion).

 Released in March, Creature of Habit is the highly anticipated new album from the indie trailblazer. It’s a bold, emotionally resonant record that explores the central question: how to get out of your own way so you can truly feel your life.

Written in the wake of a relocation from Australia to Los Angeles and the closure of her long-running label Milk! Records, Barnett was grappling with changes that put the future of both her life and career in question. Rather than internalising those feelings, she decided to bring all this swirling confusion directly into the recording process. With singles ‘Stay in Your Lane’, and ‘Site Unseen (feat. Waxahatchee)’ setting the tone, the album marks a decisive new chapter in Courtney Barnett’s musical evolution.

​Courtney took to the stage at Manchester’s Radio 6 Music Festival last month, launching Creature of Habit to widespread acclaim. She also delivered a powerful live rendition of ‘Mantis’ for US television’s CBS Mornings’ Saturday Sessions.
​With Creature of Habit, Courtney Barnett reaffirms her place as one of the most compelling voices in modern rock; unafraid to confront uncertainty, embrace vulnerability, and transform it into something deeply human and electrifying.

Courtney will bring her new record and extensive catalogue to life with performances in some of Australia’s premiere venues this November, transforming each track into a dynamic, shared experience that resonates long after the final note.

Courtney Barnett’s Creature of Habit is out now (Fiction Records) – Get it HERE!

COURTNEY BARNETT
​AUSTRALIAN TOUR
​NOVEMBER 2026
​
Presented by Frontier Touring, Penny Drop and Triple R*

FRONTIER MEMBER PRESALE
​
Via frontiertouring.com/courtneybarnett
​Runs 47 hours from: Wednesday 8 April (9am AEST)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 10 April (9am AEST)

 ​WEDNESDAY 4 NOVEMBER
​The Tivoli | Brisbane QLD (18+)
​
ticketmaster.com.au
​FRIDAY 6 NOVEMBER
​Sydney Opera House Concert Hall | Sydney NSW (Lic. All Ages)
​
sydneyoperahouse.com
​
SATURDAY 7 NOVEMBER
​Palais Theatre | Melbourne VIC (Lic. All Ages)
​
ticketmaster.com.au

*Triple R presenting Melbourne show only

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW COURTNEY BARNETT:

Website | Facebook | Instagram | YouTube | Spotify

frontiertouring.com/courtneybarnett

April 7, 2026 0 comments
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EARL SWEATSHIRT, MIKE, AND SURF GANG RELEASE DOUBLE LP – POMPEII // UTILITY LP EARL SWEATSHIRT & MIKE TOURING ANZ THIS MAY

by the partae April 7, 2026
written by the partae

Earl Sweatshirt, MIKE, and SURF GANG release their double album POMPEII // UTILITY via 10k/Tan Cressida/SURF GANG Records. A long-rumored, coveted collaboration between two friends who happen to be two of the most critically celebrated rappers in the game and renowned producer collective SURF GANG, the double album is a capstone on the musical community they’ve cultivated over the last decade. From top to bottom, there was a clear concerted effort to keep every angle of the project within the family. All of the art for this project, from single covers to the album cover, is pulled from work by sculptor and Earl Sweatshirt’s childhood friend, Sharif Farrag. LISTEN HERE.

Over the past week, Earl, MIKE, and SURF GANG have shut down intimate venues in LA, New York City and London for three secret shows they unveiled via a scavenger hunt on their website last month. Later next month, MIKE and Earl will also be playing a series of Australian and New Zealand tour dates in May, including a show at Sydney Opera House as part of Vivid LIVE Festival. Tickets are on sale below, with support on select dates from C.FRIM and Chef Chung. Following that, the official Home on the Range tour kicks off in June, which includes 26 US stops beginning June 9th in Riverside, before taking it overseas to Europe.

Structured as a double-sided album with MIKE on one side (POMPEII) and Earl on the other (UTILITY), SURF GANG’s Harrison, evilgiane, Elipropperr, and Flea Diamonds lace an animated and frenetic framework through the project with their production, resulting in a full-circle collision of worlds that was inevitable. POMPEII // UTILITY translates those nuanced differences between MIKE, Earl & SURF GANG into a singular language of their own, evoking a shared ethos of collaboration and community-building rather than a transactional exercise. The producer collective’s distinctly online, manic song structures give MIKE & Earl a new opportunity to fold their shared propensity for coded, meditative verses into the larger community they’ve built through their friendship since MIKE first caught the world’s, and Earl’s, attention in 2016, ahead of his cult classic 2017 album MAY GOD BLESS YOUR HUSTLE. In the years since, the pair have tallied notable collaborations like ‘allstar’ on MIKE’s 2020 album weight of the world, and ‘Sentry’ on Earl Sweatshirt and The Alchemist’s collab album VOIR DIRE.

POMPEII // UTILITY LP
MIKE, Earl Sweatshirt, SURF GANG
April 3, 2026 via 10k/Tan Cressida Records
BUY/STREAM HERE

EARL SWEATSHIRT & MIKE TOUR DATES
Fri 22 May – Studio The Venue – Auckland ¢
Sat 23 May – The Timber Yard – Melbourne ¢ &
Sun 24 May – Sydney Opera House – Sydney*
Wed 27 May – The Tivoli – Brisbane ¢ &

¢ – with C.FRIM
& – with Chef Chung
*as part of Vivid LIVE

All ticketing details HERE

Stay connected with
Earl Sweatshirt: Website | Facebook | Instagram | X | YouTube
MIKE: Instagram | X | YouTube | Soundcloud
SURF GANG: Website | Instagram | X | YouTube | Soundcloud

April 7, 2026 0 comments
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Festival NewsMusic InterviewsMusic News

Interview: Will Sparks on Classics, Crowds and the Next Chapter

by the partae April 2, 2026
written by the partae

What made now feel like the right time to look back and build a tour around the music that started everything for you?

Honestly it just felt like the moment. I’ve been doing this for over 15 years now and I realised there’s this whole body of work tracks that shaped everything I became as an artist that I’ve barely touched in my sets. Fans who’ve been with me from the start deserve to hear that music properly, and newer fans deserve to know where it all came from. The timing felt right to honour that.

When you listen to your early tracks today, do you hear nostalgia, or do you hear a completely different version of yourself?

Both honestly. There’s definitely nostalgia I can hear the bedroom, the late nights, the excitement of just making noise and not really knowing what you’re doing. But I also hear someone figuring out their identity.

Melbourne bounce became a global sound — did you realise at the time you were part of something that big, or did it happen without you noticing?

I wouldn’t say it happened without me noticing. It was really a unique moment and period for me growing up. One day I was in my bedroom on shitty speakers then you feel like the next day you’re playing it overseas and people know every drop and you think ok something big has happened here. 

You’ve been in the industry for over a decade now — what’s something about the music world that people don’t see from the outside?

How relentless it actually is. People see the shows, the travel, the highlights but they don’t see how much goes into sustaining a career year after year. The music, the business decisions, the relationships, the mental load of staying relevant while staying true to yourself. It’s not glamorous the whole way through, and the artists who last are the ones who genuinely love it enough to keep going through the hard parts.

How different is the way you make music today compared to when you were producing in your bedroom in the early days?

Night and day in terms of tools and knowledge but the core is the same. I still start with a feeling of how do i want people to people when they hear this. Back then I didn’t have the technical skills to fully execute the vision. Now I do. But if anything, I try to protect that raw instinct. 

Do you think electronic music moves too fast now, or do you like the pace the industry is evolving at?

It moves fast but I think that’s part of what makes it exciting. The challenge is not chasing every trend and losing your identity in the process. The artists I respect most are the ones who evolve on their own terms. If you’re just reacting to whatever’s hot this week, the music shows it. I’d rather be authentic and just on my own course. 

If you could go back and give your younger self one piece of advice when you first started, what would it be?

Trust the process and don’t worry about peoples opinions. I wasted a lot of energy early on caring what people think. The only version of this that works long-term is the one that’s genuinely yours. Everything else is noise.

What keeps you motivated after so many years of touring, releasing music, and being constantly on the move?

The people, honestly. You can have the longest travel day of your life, run on no sleep, and then you walk out and the crowd is going off that resets everything. And I still genuinely love making music. The day that stops feeling exciting is the day I’ll know something’s wrong.

Your new single Teardrop feels like another step forward — where do you see your sound heading over the next few years?

I’m not sure really all the music coming out now I made is from 6-12 months ago. I love making more emotional records but also love records that you know when they’re played live at a festival the crowd is going to go crazy. 

After celebrating the past with this tour, what do you think the next chapter of Will Sparks looks like?

It’s actually one of the most exciting periods I’ve had in a while. More music than I’ve ever released, a collab with Orkestrated that I’m really proud of, Tomorrowland again, and potentially a surprise EP that I think will genuinely catch people off guard. The Classics tour is about honouring where it started  but everything else I’ve got lined up is firmly about where it’s going.

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