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Nines – Crop Circle is out now via XL Recordings / Remote Control.
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Nines – Crop Circle is out now via XL Recordings / Remote Control.
Body Type are extremely proud to announce their signing to Inertia Music and Partisan Records.
Partisan founder Tim Putnam and managing director Zena White say of the signing, “We’re so excited to be working with Body Type and we can’t wait to bring their music to fans worldwide. We’re equally thrilled to be partnering with our Australian cousins Inertia Label Group for the first time globally.”
Gab Ryan and Meg Williams, co-directors of Inertia Label Group add, “From Body Type’s first ever gig we’ve seen the band go from strength to strength and are extremely thrilled to be working with them, this is a band that dreams are made of. We are just as excited to be working in tandem world wide with our partners Partisan Records, who are in our humble opinion, one of the great indie record labels of our time.”
Lead vocalist and guitarist Sophie McComish shares, ”The people Body Type work with are like our family, and we are so happy for Inertia and Partisan to become a part of that. Gab (Inertia Music co-director) came to our last rehearsal before our very first gig for moral support, and Meg (Inertia Music co-director) still has a setlist from our second ever show so they have been with us from the start really. Partisan is an incredibly progressive label that has built some world-class artists from the ground up and Inertia looks after a stack of our favourite bands ever, so we are very excited to all join forces.”
To celebrate, Body Type today also share their new single and accompanying video for ‘Arrow‘ which premiered on Noisey overnight and announce a special one-off show at Waywards in Sydney tonight. Returning with their take on scuzz rock, ‘Arrow’ (recorded and mixed by Antonia Gauci and mastered by Jess Cooper) immerses the listener with dreamy distorted guitars, infectious basslines and angsty vocal lines to deliver their self-described “pop-rock tantrum.”
Vocalist and bassist, Georgia Wilkinson-Derums says of the track, “Arrow is about the prick of love. It’s about being stung and the pleasure and pain that accompany being struck by cupids arrow. For me the song has always carried the power of female physicality in performance, it’s where I see Body Type get a little more aggressive, a little more dramatic. Wherever it begins and ends we hope it gets the heart pumping and blood running. Keep it loud. BODY TYPE.”
Filmed in Sydney and directed by Madeleine Purdy, the video begins with two ballerinas with bows and arrows in tension between them, paying homage to the performance work, Rest Energy (1980) by Marina Abramović & Ulay. Reminiscent of cinematic dreamscapes, the four girls playfully appear, fading in and out of a sunset-coloured clouds floating above a sea of confused onlookers. Taking the role of cupid, Georgia, Annabel, Cecil and Sophie aim arrows at their spectators and play authors to their own fate, in a clever subversion of power dynamics in representations of love and romance.
Fans of Body Type can also catch them on the road in support of Alex Cameron with Roy on Horn across their national headline tour this month. The tour will be stopping off in Brisbane, Sydney, Melbourne and Perth at The Foundry, Manning Bar, Croxton Bandroom and Amplifier. Tickets are on sale now, see all details below.
BODY TYPE TOUR DATES
Tue 24 April – Cobra Club @ Waywards, Sydney – w/ Bored Shorts
Thurs 26 April – The Foundry, Brisbane – Supporting Alex Cameron (SOLD OUT)
Sun 29 April – Manning Bar, Sydney – Supporting Alex Cameron
Wed 2 May – Amplifier, Perth – Supporting Alex Cameron
Thurs 3 May – Croxton Bandroom, Melbourne – Supporting Alex Cameron
‘Arrow’ is out now, buy/stream it here.
Stay connected with Body Type:
Facebook | Twitter | Instagram | SoundCloud
Signalling the beginning of something big, today SKEGSS have unleashed their brand new track Up In The Clouds, ahead of their Groovin’ The Moo dates which kick off this Friday in Wayville, SA.
Up In The Clouds is the first proper taste of new material since SKEGSS’ April 2017 EP Holiday Food and is supported by a new video for the song which you can view here.
The band says:
“The song’s about being unsure but realising it’s OK to have uncertainty and it’s regular. Some things will always be left uncertain. As soon as we figured that out we made a song about it.”
Taking the song out nationally, Up In The Clouds will further the bands live reputation, of which they have made a name for themselves; with energetic live performances garnering praise from The Music for their “infectious” on-stage chemistry and Moshcam who asserted they “seem to have some sort of hypnotic effect over their fans.”
“It’s been about a year since we have gotten to do a major city tour with new music so we are looking forward to getting on the road for The Up In The Clouds Tour”,says Benny Reed.
SKEGSS are Ben Reed (vocals, guitar), Toby Cregan (bass, vocals) and Jonny Lani (drums), three prolific performers who have charmed listeners with their warm Garage-Punk sound, selling out shows all across the country. The band has just wrapped a sold out No Future regional tour which saw them sell-out across the country. During the summer of 2018, the band reissued their Holiday Food EP on ultra-limited blue vinyl, for a handful of indie stores only and featured a brand new, vinyl-only track. Just like their previous tour dates, this EP sold out immediately. Capping off summer 2018 was of course the inclusion of Got On My Skateboard at #39 on triple j’s Hottest 100.
With an album set to be released this year through Ratbag Records, a UK tour which includes appearances at The Great Escape and Dot to Dot festivals, a single tour in June and an upcoming Splendour in the Grass set – this is just the beginning of a very crazy year for SKEGSS.
UP IN THE CLOUDS TOUR DATES – SINGLE TOUR
SAT 09 JUN – THE CORNER HOTEL, MELBOURNE U18
SAT 09 JUN – THE CORNER HOTEL, MELBOURNE 18+
SUN 10 JUN – THE FACTORY, SYDNEY AA
FRI 15 JUN – THE TRIFFID, BRISBANE AA
FRI 22 JUN – THE ROSEMOUNT, PERTH U18
FRI 22 JUN – THE ROSEMOUNT, PERTH 18+
SAT 23 JUN – FOWLERS, ADELAIDE AA
Tickets on sale NOW from https://www.skegss.com/
SKEGSS ALSO APPEARING:
GROOVIN’ THE MOO – WAYVILLE, SA – 27TH APRIL
GROOVIN’ THE MOO – MAITLAND, NSW – 28TH APRIL
GROOVIN’ THE MOO – CANBERRA, ACT – 29TH APRIL
GROOVIN’ THE MOO – BENDIGO, VIC – 5TH MAY
GROOVIN’ THE MOO – TOWNSVILLE, QLD – 6TH MAY
GROOVIN’ THE MOO – BUNBURY, WA – 12TH MAY
THE GREAT ESCAPE – BRIGHTON, UK – 19TH MAY
GOLD SOUNDS – LEEDS, UK – 20TH MAY
BROADCAST – GLASGOW, UK – 21ST MAY
MAY MOTH CLUB – LONDON, UK – 24TH MAY – SOLD OUT
DOT TO DOT FESTIVAL – MANCHESTER, UK – 25TH MAY
DOT TO DOT FESTIVAL – BRISTOL, UK – 26TH MAY
DOT TO DOT FESTIVAL – NOTTINGHAM, UK – 27TH MAY
SPLENDOUR IN THE GRASS FESTIVAL – BYRON BAY, NSW – 22ND JULY
FOLLOW SKEGSS
OFFICIAL WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE
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The first Lovebirds release appeared on Trax of Interest in 2000. Back then it was only a side project for releasing deeper stuff than what he was doing under his main project. In 2006, having built up a repertoire of unsigned material, he sent a CD to John Buckby, label owner of Winding Road Records and a mutual friend of Vincenzo.
The Lovebirds sound is like a blast from the past with house steroids packing serious production muscle. Listening to Lovebirds is like taking trip back to the 70s and 80s – but riding in a gleaming futuristic spaceship.
The first Lovebirds single on Winding Road was the “Modern Stalking” EP, which came out in 2007. The EP contained tracks of mid-tempo house, each coming from a different musical angle and giving the world a taste of what he was capable of. It was received by the deep house and neo-disco community with open arms. Top-flight DJ’s such as Prins Thomas, Ashley Beedle and Jimpster went wild for it. Bill Brewster made the EP the “Single Of The Month” in iDJ magazine.
Since then he was responsible for a huge number of club hits including deep house masterpieces like “M.U.S.I.C.” (on Vincenzos and his very own imprint TEARDROP), the modern deep house classic “In The Shadows” (on Winding Road) or dancefloor bomb “The Rat” (on Freerange) peaking in the modern deep house masterpiece “Want You In My Soul”. More than 4.000.000 views on You Tube, best selling single on traxsource.com in 2011. …this track was and actually still is everywhere.
A few years on, Sebastian had achieved all he wanted to with Kneedeep, and was ready to move into more deeper, melancholy musical avenues. And so Lovebirds was born, which is now his main project. His production experience means that he is able to finish well-rounded tracks off in a matter of days, constantly building a repertoire of classy dance floor and mellow sounds all destined to wow the world.
The process is well on its way already. Having releases on labels like Freerange, Defected and Lazy Days and most of all his own Teardrop Recordings, working with artists like Ben Westbeech, Lisa Shaw and most recently 90s UK acid jazz icon Galliano and playing worldwide gigs every weekend – Lovebirds combination of grown-up house music with a touch of funk, soul and disco is welcome change in these times of sterile formula artists.
Currently he is working on a follow up EP with his partner Stee Downes and a whole underground pop/electronica/indie album under the name of Minako & The Lovebirds. Both due to be released in 2016. These two collaborations will also be available as a combined Lovebirds Collective live show from Summer 2016 on!

Incl. Ada, Frivolous, Kalipo Remixes and Piotr Bejnar Rework
A1 Piotr Bejnar – Bagieta ( Ada Remix)
A2 Piotr Bejnar – Jellyfish Rework
B1 Piotr Bejnar – Pachniesz Owocami (Frivolous Remix)
B2 Piotr Bejnar – Jellyfish (Kalipo Remix)
12 months after the debut album of Piotr Bejnar was released, we achieved gathering 4 remixes from this album. Piotr turned to the artists he most admired and who stated for him as great authorities. The record starts with a beautiful remix of the song “Bagieta” made by Ada from Pampa records. Second song on is a dance version of the “Jellyfish” made by Piotr Bejnar himself. The third artist on the record is Piotr’s idol from many years – Frivolous. To this one Piotr stood up to since childhood as a long- term fan of Frivolous, buying his albums and tracking his path. And now as for the crowning of the record – stands an artist closely related to Otake records – Kalipo with a total hit remix of “Jellyfish”
Release date: May 7th 2018
Format: vinyl & digital
Label: Otake Records
Award-winning Croatian Techno festival returns 9+10+11 August, 2018
(Trogir/Croatia April 2018) Moondance is the festival of techno-lovers dreams. Host to revered artists from Detroit, Berlin, UK and beyond, it runs the musical gamut from deep, dark hypnotic grooves to raw power. At Moondance the best of classic and contemporary techno finds its home in the striking medieval Kamerlengo Fortress in Trogir, which was recently voted one of the world’s most beautiful island cities by National Geographic.
This perfect union of entrancing techno and extraordinary setting has seen Moondance grow from one night with 400 people to three nights with 9000 guests, in just five years. This year’s event will be the largest-ever, yet still maintain its intimate vibe.
Moondance is an immersive sensory adventure. The walls of Kamerlengo reverberate with the dark, deep, hypnotic sounds, creating a unique emotional vibration. Every detail of the event is carefully crafted, from the superb sound system to the visuals and video installations from international artists. Moreover, it has a relaxed, democratic atmosphere unique among electronic festivals. Ticket prices are kept low to ensure Moondance is accessible to all music-lovers. There is strictly no VIP and the staff is renowned for its helpfulness and hospitality.
Here, fans can revel in the pure energy and creativity of techno music. Many artists combine DJing with electronic instruments, synthesizers, and more, providing an unforgettable experience that blurs the lines between live concert and dance event.
This year’s line-up is the crème de la crème of underground techno. Confirmed so far:
KiNK (live)
Francesco Tristano (live)
Eduardo de la Calle
Representing legendary Berlin club Tresor
Representing leading electronic label and agency Dystopian
More artists to be announced
Nearest airport is Split / Croatia, which is 5km away
Tickets: https://www.ticketshop.hr/en/e/moondance-festival-festival-ticket/1531/
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Anthony Parasole should need no introduction to newer or longer-standing dancers of the New York Deep House and Techno scenes. A longtime employee of halcyon, friend of Levon Vincent and his partner in Deconstruct Music, and a prominent figure with the underground House and Techno resurgence of NYC, Anthony’s acute selections won our ears right away, and he hasn’t let go since. Known for the deepest sounds of Techno and House and for gracing dance floors home and abroad from Shelter to Berghain. Anthony had a breakout year in 2012 with his track “TYSON” featured on the highly acclaimed Fabric 63 mixed by Levon Vincent, and that year he also launched his new label, The Corner. The first release “Tri-State” by DJ Qu & Nor’easter sold out worldwide. “Atlantic Ave” by Anthony Parasole & Phil Moffa followed, receiving critically acclaimed reviews from multiple online magazines in 2012. Then 2013 marked the fast rise of The Corner in techno dominance as the releases came out with much anticipation and highly recommended reviews. This resulted with The Corner landing on many year-end lists including Resident Advisor’s Top Labels of the Year, ranked at #8.
Born and raised in Brooklyn, NY, Anthony Parasole has had a lifelong love affair with electronic music. Listening to radio shows playing the early dance tracks from New York, Chicago, Detroit, and beyond, really perked up his ears. His earliest experiences at the New York clubs and Storm Raves blew his mind wide open. Not content to just be another club kid, Anthony began scouring record stores for all of his favorite tracks from the early 90′s to the present day. Parasole is also huge into hip-hop. His engulfment in this gritty New York street music and culture is an influence on his style to this day, not only in his music but in the entire artistic aesthetic of his labels.
From 2003-2007, Anthony was a House and Techno buyer at the Halcyon record store. Through Halcyon, a real pillar of the scene in NYC, Parasole made many contacts, and naturally started an event series called “New Jack City” at the great APT with his co-workers at Halcyon, bringing in many cutting-edge talents from the Tri-state area. This party really increased Anthony’s exposure in New York, and led to many gigs at bigger clubs including Pacha NYC & Shelter amongst many other venues. He then launched “Deconstruct Music” record label with his partner Levon Vincent. DEC-01 “Invisible Bitchslap” by Levon Vincent sold out in 1 week, and immediately put the label on the map and had Hardwax and other influential stores clamoring for more! Parasole also founded the once famed House-N-Home loft-party series with partner Bryan Kasenic of The Bunker. House-N-Home left a everlasting mark and a blueprint in the NYC warehouse/loft scene.
Now Anthony has had productions out on his own labels, The Corner & Deconstruct, as well as for Marcel Dettmann’s mighty techno imprint MDR. Parasole’s EP “Off The Grid” sold out in a few weeks. Following this, Anthony joined Ostgut Ton bookings in December 2013, and their label tapped him to do a remix Marcel Dettmann’s “Seduction”. They then released “My Block” which is Parasole’s first EP for Ostgut Ton. Parasole then made the progression to resident at Berghain and thru this platform he began shaping his sound and technique, pushing his deep, raw, driving, rhythmic, percussive, and mesmerizing sound that club-goers have come to know and love. Then soon after Anthony became resident at Output in his home town Brooklyn, NY and he continues to consistently challenge dancefloors worldwide.
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UK singer/songwriter Lewis Bootle is set to release a new single on the 20th of April 2018.
‘Flowers’, the follow up to the recent ‘Routes’ EP, was recorded in London with Conor Bellis at Major Toms and then mixed by Darren Woodford at Strongroom Studios. Available digitally at all the major outlets, the track comes backed with a truly stunning remix by South London producer Deptford Goth.
The new single will coincide with a special London date at The Courtyard Theatre in Shoreditch on Thursday the 19th of April 2018. The night, the singers biggest headline show to date, will also feature a great line up of special guests including didi, Sansha, Geecko, Polly Mon£y and Maria Ferguson. Tickets can be pre – ordered exclusively through Music Glue and each purchase will come with a free download of an unreleased Lewis Bootle track.
Tickets:https://tinyurl.com/y8zwvr2y
Raised on a diet of The Clash, Jamie – T and Frank Ocean, the young singer combines thought-provoking, no – nonsense lyrics with infectious pop melodies to great effect. A former Best Of British Unsigned Male Of The Year, over the last two years Lewis Bootle has performed at Glastonbury, Bestival and Standon Calling and most recently played a ‘sold out’ headline show at The Camden Assembly in December.
A truly engaging and increasingly popular performer, Lewis will also play Liverpool Sound City on Sunday the 6th of May. More UK and European live dates will be announced in the very near future.
LIVE DATES:
APR 19TH THE COURTYARD THEATRE, 40 PITFIELD STREET, LONDON N1
MAY 06TH LIVERPOOL SOUND CITY
Nicolas Jaar’s Other People is proud to present the new solo album of guitar and live custom electronics artist Patrick Higgins, the American avant-garde composer and producer from New York City. It’s due out on June 1st.
Higgins is known for his work in experimental and contemporary classical music, playing guitar and composing in the ensemble Zs, which is said to be one of the strongest innovative bands in New York. His work as a composer traverses the styles of European avant-garde with the post-minimalist sounds of New York’s history.
His upcoming LP “Dossier” is a four-movement piece performed live without overdubs or edits. All of the samples and synthetic patches were custom built and specifically engaged to become elements of live guitar manipulation.
House music legend Todd “The God” Terry (Artist, USA) will appear at IMS Ibiza for the first time for a Keynote Interview about his life and career in dance music, including his early years in New York.
The ground breaking anti-sexual assault and women’s empowerment movements #MeToo and Time’s Up has elevated global consciousness surrounding the obstacles women encounter in their daily lives, both personal and professional. Honey Dijon (Artist, USA) joins the discussion Sexual Harassment in DJ Culture, an open and frank conversation about the realities of this issue in our industry and what we can all do to tackle it.
The modern workplace is no longer restricted to a singular localised office position and this is especially true in the entertainment industry. Facebook & elrow: How Workplace by Facebook Transforms Communication will provide a unique case study into contemporary workflow management from the viewpoints of Vicenc Marti (elrow, President and Board Member, Spain) and Julien Lesaicherre(Workplace by Facebook, Director EMEA, UK).
Despite zero-tolerance policies, illegal substances inevitably make their way into electronic music events. In Is Drug Testing The Solution? non-profit organisation The Loop will examine the benefits of harm reduction services at music events and present recent findings of confidential drug testing at UK festivals and the impact of this service on attendee welfare. Joining the discussion will be leading event professionals Freddie Fellowes (Secret Garden Party, Promoter, UK) and Jon Drape (Broadwick Live, Group Production Director, UK) and artist B.Traits (Artist, Canada), who will confront the subject head on and provide new insight into a much debated initiative.
Help Musicians UK commissioned research revealed that music professionals are three times more likely to have mental health challenges, this research led to the development of Music Minds Matter, a 24/7 dedicated music industry support line. Representing the charity will be Christine Brown (Help Musicians UK, Director of External Affairs & Business Development, UK) who brings her experience to DJS COMPLAINING OR REAL PROBLEMS? a frank and open mental health discussion hosted by the Association for Electronic Music, which will give vital advice on how to stay sane in the game and remain successful.
In the Digital Debate, Alexander Holland (Deezer, Chief Content and Product Officer, France) Katy Ellis (Anglo Management, Manager, UK), Kurosh Nasseri (AFEM/Nasseric Inc, Founder/Attorney, USA) and Matthew Adell (Native Instruments, Chief Digital Officer, USA) will join the discussion and examine the ever-shifting landscape of digital music consumption.
Rui Da Silva (Artist, Portugal) joins the Blockchain 101, providing an artist perspective on this exciting and complex technology.
Emerging Party Destinations now has additional input from BLOND:ISH (Vivie-Ann Bakos, Artist, Canada) who will share some of the new and surprising destinations that feature on their touring schedule.
Jay Jay Revlon (DJ, Host and Cultural Events Curator, UK), Marina Blake (Brainchild Festival, Creative Director, UK) and Martha Pazienti Caidan (Resident Advisor, DJ/Producer/Radio Presenter, UK) join the emerging trailblazers and innovators in our industry on Mixmag’s 5 Under 25. In addition, Nick DeCosemo (Mixmag, Global Editorial Director, USA) will join the summit and lead insightful interviews with Team Black Coffee and Bradley Gunn Raver.
IMS Ibiza delegates are invited to submit demos to the Toolroom A&R team and receive live feedback from Mark Knight (Artist, UK) and Matt Smallwood (Toolroom Records, A&R Manager, UK), giving invaluable advice on how to get your record signed.
Point Blank Presents: Andrea Oliva – DJ Skills Masterclass brings an artist at the peak of his career to the summit in an informal workshop setting. In conversation with Declan McGlynn (Point Blank, Music Tech Journalist, UK) the Ants resident will give insight into his approach to performing to a live crowd.
Berklee College of Music return to IMS Ibiza for the second year, with a workshop entitled Realtime Video Synthesis, a must for all audio-visual enthusiasts and innovators. Led by Pierce Warnecke (Berklee College of Music, Valencia Campus, Assistant Professor of Music, Production, Technology and Innovation, USA) the session will explain a simple but effective approach to designing abstract geometric visuals for live performance.
IMS co-founder Pete Tong states “Tackling the issues and topics that matter the most to our industry is of vital importance to IMS and with our newly announced speakers we bring further expertise and experience to the summit. Of equal importance to us is education and we are delighted to offer our delegates the opportunity to learn and broaden their knowledge with workshops led by our partners Berklee College of Music, Point Blank Music School and Toolroom Academy”

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Montreal musician Tess Roby is sharing a new single, “Given Signs,” from her upcoming album ‘Beacon‘, which is out May 4th (UK) via Italians Do It Better.
Album opener “Given Signs” is laced with crystalline electronic sounds and echoes the sentiment of the record beautifully – ‘Beacon‘ was written shortly after Tess’ father passed away and is both a homage to him and also to their time spent in Lancashire as a family.
Listen to “Given Signs” here: http://open.
The Beacon crowns Ashurst Hill in Dalton, Lancashire, looming over the verdant English countryside nearly six hundred feet above sea level. This spartan brick monolith was erected in 1798 as a watch tower to warn of French invasion during the Napoleonic War — and there it silently remains, keeping infinite vigil. It stands in Tess Roby’s mind. The Beacon calls to her. “Throughout my life I have felt the pull to return to it,” she says. “I’m beckoned by father’s roots and by the sullen landscape of fields leading to the coast.”
Tess Roby is an artist with a vision. The Montreal-based photographer and musician, an eight-year veteran of the Canadian Children’s Opera Company, seems utterly original, moving with a restless energy toward the sublime. Her sound betrays an intrepid longing to discover and explore, to reject convention and transcend cliché: Roby is a born traveller, absorbing everything she hears and making it new. Ethereal and crystalline, bathed sumptuously in synths, her music is heady, dreamy, singular — a transmission from parts unknown. The classical training and aesthetic omnivorousness combine like worlds colliding.
Roby’s debut album Beacon was written in 2015, following the death of her father. She collaborated with her brother Eliot to create what they describe as a kind of spiritual homage — both to her father and to the Beacon, where the family travelled often. Roby recorded these songs with the drum machines and synthesizers she found in her father’s recording studio, and galvanized by his spirit she imbued the music with love, movement, whispers, memories, and pain. “All the while the Beacon remained effervescent in my mind,” Roby remembers. “Visions of it ablaze on the hilltop, standing motionless while I searched for understanding.”
Beacon artwork:
Tess Roby On Tour
19.04.18 Sala Rossa, Montreal, QC (Album launch show)
21.04.18 918 Bathurst, Toronto, ON (Album launch show)
18.05.18 Moog Fest, Durham, NC
19.05.18 Moog Fest, Durham, NC
21.05.18 Union Stage, Washington, DC w/Carla Dal Forno
24.05.18 Catalyst, Santa Cruz, CA w/Carla Dal Forno
25.05.18 Whistle Shop, San Diego, CA w/ Carla Dal Forno
26.05.18 Resident, Los Angeles, CA w/Carla Dal Forno
27.05.18 The Chapel, San Francisco, CA w/Carla Dal Forno
28.05.18 The Minplex, Arcata, CA w/Carla Dal Forno
29.05.18 Holocene, Portland, OR w/ Carla Dal Forno
30.05.18 Timbre Room, Seattle, WA w/ Carla Dal Forno
01.06.18 Double Double Land, Toronto, ON w/Carla Dal Forno
07.06.18 Elsewhere Brooklyn NY w/ Carla Dal Forno
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London art-punk quartet CHILDCARE offer second taste of upcoming ‘Luckyucker’ EP with new singleBig Man + announce UK tour in October
“Big Man” sees CHILDCARE load up on snarling cynicism, articulating their thoughts through menacing interweaving melodies whilst ultimately encouraging more active and inclusive conversation when it comes to the current political climate.” The Line of Best Fit
Pushing beyond the echo-chamber, CHILDCARE follow the slinky art-rock of Put Down Your Penwith the bold and brooding Big Man, an alternative take on dealing with bubble-breaking disagreement and family friction.
The second single from their upcoming ‘Luckyucker’ EP, Big Man seeks to address the difficulties of contrasting world views, immigration and accusations of liberal elitism, all in a tidy 3 minutes and 53 seconds. Frontman Ed Cares explains:
“There’s a place for fighting and affirming the values you stand up for, but too often we ridicule and dismiss those we disagree with. I’m bored of broad-brush Tory bashing and of hearing that everyone who voted for Brexit is stupid. This song is a reminder that we need to listen and try and understand those who believe differently from us.”
The band will head out on a two week UK headline tour in October to support the release of the ‘Luckyucker’ EP.
The group’s now oft recanted formation story remains a point of interest. It all started when EdCares, one of West London’s most in-demand male nannies, was overheard humming a song he had written, by Katie, aged six, who persuaded him to form a band. Josh, eight, boldly proclaimed:“You’re probably my second favourite artist after Katy Perry.”
Their debut EP, ‘Made Simple’, released last year, earned them all sorts of tastemaker acclaim and national radio play with prestigious UK titles DIY, The Line of Best Fit, Wonderland and The 405 all tipping the group as one’s to watch.
With a sling of festivals including the legendary Reading and Leeds and a recent Radio 1 Maida Vale session tucked safely under their belts, the band’s vivid and visceral live show shouldn’t be missed.
By adding yet another stellar single to their oeuvre in Big Man, CHILDCARE look set to cement themselves as one of London’s most exciting emerging acts.
The quartet is completed by Emma Topolski (Bass, Vocals), Rich Le Gate (Guitar, Backing Vocals) and Glyn Daniels (Drums, Backing Vocals).
Luckyucker Tour Dates
9th October – Sunflower Lounge, Birmingham
11th October – Hyde Park Book Club, Leeds
13th October – Twisterella, Middlesbrough
15th October – Red Room, Nottingham
16th October – Omeara, London
18th October – The Louisana, Bristol
19th October – The Talking Heads, Southampton
20th October – Sticky Mikes Frog Bar, Brighton
CHILDCARE Online
Facebook // Twitter // Instagram // Spotify // Soundcloud