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the partae

the partae

The Partae

Photo: Renee Oliver/Nae Oliver Creative We caught up with her to find out what's been happening in her world, her new single 'Disaster' and how she's faring in Melbourne's lockdown.. You are from Auckland New Zealand where are you based these days?  I have been based in Melbourne for several years now.   You lived in Asia for 5 years, tell us more about that and how it is influenced you:  Yes, I moved to Bangkok, Thailand when I was 12 years old as my dad was working for the United Nations and I stayed there till I was 17. It had a profound impact on me in more ways than I could ever vocalise. Thailand is a Buddhist country and the teachings have stayed with me and shaped the person I am. It has helped me over the years to stay centred, calm, focused on the present and be my most authentic self, even if I am standing alone (which is hugely helpful in this industry). It is also behind my choice to be a pescatarian and to be kind to all living things. In Buddhism the lotus flower symbolises spiritual awakening, purity of the body, speech and mind, as if floating above the murky waters of material attachment and physical desire, so my high school best friend Fleur and I got matching lotus flower tattoos on our hips when we were 17 and leaving Thailand. We did this so the memories and philosophy would stick with us.    While in Bangkok I attended an international school and was introduced to people of all nationalities, cultures and walks of life and that has continued into adulthood. I like to be around a mix of people, or I get bored. It was a privileged existence, living in a gated community with a live-in maid. Suffice to say reality hit hard (understatement) when I moved back to NZ into a share house and had to clean, cook, and pay my own bills. Bangkok is also where I learnt meditation, kickboxing, Shaolin kung fu and Tai Chi. My dad used to shave his head and disappear off to a temple to live as a Monk now and then. He still meditates morning and night. I do still miss many aspects of Thai life, including the food/tropical fruit and Songkran festival, in which everyone basically goes onto the streets and has a huge water fight, symbolising the washing away of one's sins and bad luck. I was also very naughty and started clubbing as young teenager, but we will leave those stories for another time… ONE NIGHT IN BANGKOK AND THE WORLD’S YOUR OYSTER… need I say more!   How did you first get into music? In primary school I was chosen to be in a special choir of a select few and my grandparents would fly down to Christchurch to watch me, which was special. Mum was always singing and playing guitar round the house too, there was always music playing in the background and at every family gathering all the Aunties would be up dancing to the likes of Abba or UB40, so I’ve always been listening. I was also a choir soloist at the International school, the other soloist is now one of Thailand's biggest pop stars. After school I studied jazz at university, and I have done it on the side ever since. I have lived a transient life in many respects (living in many different places since I was young, going to 6 different schools, 3 tertiary institutions, working many jobs), which has often lead to feelings of loneliness and being misunderstood (that few know and understand me on a deeper level or know my past), but music has been a constant in my life since I was young. No matter where I go it is always there for me. I feel that I have life experience well beyond my years.    Melbourne has pretty much been in lockdown since mid-March, how have you been faring? You know sometimes I’m good at accepting it for what it is and channel my energy into my music and being productive but I have times where I feel trapped and isolated missing my family back in NZ. I typically head back to NZ 4 times a year to see friends, family and be there for milestones, so clearly that has not been the case this year. My siblings are a lot younger than me (my youngest sister is 15 years younger than me and was 2 years old when I moved out of home), so I try to go back regularly so I feel connected to them and know them as people. I have also used this time to declutter and sell things I no longer want or need.It is a bit difficult watching family and friends’ lives returning to normality back in NZ, whilst we are back in lockdown with no no end in sight.    You worked corporate for a number of years, why the move to music?  Music has always been my #1 love, but I got into sales and broking to make a living but always felt I was in the wrong place, that it was no more than a pay cheque. Writing, creating, and releasing music can be a very personal and emotional yet rewarding experience and a great outlet. I believe I have both creative and business sides, which allows me to push forward when things do not go my way and see things from a business perspective not an emotional one. Most of all I love the process and know that this is what I am born to do.   What do you like to do outside of music? I love the beach... it's a Kiwi thing I think. If a week goes by where I have not seen the ocean I do not feel right. I like to go to the gym or do some form of exercise first thing in the morning (after a coffee of course). Exercise helps to put things in perspective and overcome obstacles and just makes me a happier person. I used to be a fitness fanatic, but these days I'm less particular about diet and exercise. Other than that, I like reading (self-help books and biographies) and baking (although only occasionally as I do not trust myself around sweets). Other than that, I like spending time with my cat and partner, going out for a meal or drinks with friends. Oh, and Netflix (limited to an hour each night – haha). My parents have a property on Great Barrier island off the coast of NZ (mum is the island doctor on weekends), which has the most beautiful beaches, so I try and get out there at least once a year. I always come away feeling more in tune with my spirituality and connected to the earth. Putting photographs in albums is also something I enjoy. I have always got a kick out of looking back through albums. Oh, and travelling… when that was a thing!   What are your plans for the remainder of 2020 and future goals? Happiness is always the goal (In saying that heart break is what produces the best songs so there is a silver lining). Career wise I would of course love to win an Aria or a Grammy (go hard or go home). There are tonnes of amazing artists and producers I would love to work with including Joel Little, Skrillex, and Diplo (to name a few). A collab with Gwen Stefani, Rihanna or Charli XCX would be the ultimate for me though I think. This year I am dropping 3 singles and an EP. I had plans to do shows but for obvious reasons that is not happening, but I will be doing some live performances from home.   You have some new music on the way, what can we expect? You can expect some edgy, sultry pop with powerful vocals on a bed of synths. As well as a tongue in cheek dance single thrust in there.   Who are some of your Influences: I love world music, Ragga Music, Ravi Shankar (I love plucking instruments, they always sound ethereal and are used a lot in Thailand), African music (Johnny Clegg), Kate Bush, Billie Holiday, Sarah Vaughan, Dinah Washington, Rihanna, Bjork, Imogen Heap, Flume, Hermitude and Charli XCX.    What are you listening to now? I listen to such a range. A lot of Jazz (often without a vocal haha). I have been loving Charli XCX’s new Iso album ‘How I’m feeling now’ as she combines a lot of interesting sounds, Kita Alexander, Major Lazer, Hermitude and Ava Max. You can check out my ‘JoannaBop’ Spotify Playlist to hear what I am currently listening too…    What did you find most challenging and rewarding throughout the creative process?  I am very much an innate writer so it usually just comes out without too much thought, however I often sing a melody and then come up with words to it or alter the words in order to create a story that makes sense and or give it meaning/depth. The challenge for most creatives is to silence the inner critic and just be present and not pay too much attention to whether or not the song will be successful or not as that kills the creative process and energy flow.  Your new single ‘Disaster’ is available worldwide today, what influenced the song and how did it come about? Disaster started off as a remix of one of my unreleased tracks, but I liked it so much that I gave it a new melody and wrote new lyrics. Disaster is part 1 of a 2-part narrative. This song is very much ‘fifty Shades of Grey’ sonically, however the narrative conveys the range of emotions that are felt when a person decides to end a relationship with their significant other. The loss of connection and loneliness that is felt when you realise you are no longer happy and you want different things to your other half, that there is no way forward. Then feeling responsible for tearing something that meant so much apart. Disaster is an anthem for the most difficult time for couples.   If your house were on fire, what would you grab on the way out: I would grab my cat, photo albums, laptop, and hard drive (because all my music creations are on it). I (like most) enjoy the finer things in life but do not value or get attached to them. These are my only prized possessions.   Favourite food and place to hang out?  My favourite cuisines are definitely Thai …go figure haha (’Blossom Thai’ in South Yarra is the most authentic Thai I’ve found in Melbourne) and Mexican (‘Hecho en Mexico’ in Fitzroy do the best fish tacos, but I do make a mean home-made Guac). On a (rare) sunny Melbourne day you’ll find me walking bayside and popping in to Elwood Bathers for a coffee. Spotify: https://spoti.fi/316tMsz Music channels: https://ffm.to/disasterjoannajones Facebook: https://www.facebook.com/joannajonesmusic Instagram: https://www.instagram.com/joannajonesmusic/
Music InterviewsMusic News

Joanna Jones

by the partae July 31, 2020
written by the partae

Photo: Renee Oliver/Nae Oliver Creative

 

We caught up with her to find out what’s been happening in her world, her new single ‘Disaster’ and how she’s faring in Melbourne’s lockdown..

 

You are from Auckland New Zealand where are you based these days? 

I have been based in Melbourne for several years now.

You lived in Asia for 5 years, tell us more about that and how it is influenced you: 

Yes, I moved to Bangkok, Thailand when I was 12 years old as my dad was working for the United Nations and I stayed there till I was 17. It had a profound impact on me in more ways than I could ever vocalise. Thailand is a Buddhist country and the teachings have stayed with me and shaped the person I am. It has helped me over the years to stay centred, calm, focused on the present and be my most authentic self, even if I am standing alone (which is hugely helpful in this industry). It is also behind my choice to be a pescatarian and to be kind to all living things. In Buddhism the lotus flower symbolises spiritual awakening, purity of the body, speech and mind, as if floating above the murky waters of material attachment and physical desire, so my high school best friend Fleur and I got matching lotus flower tattoos on our hips when we were 17 and leaving Thailand. We did this so the memories and philosophy would stick with us. 

While in Bangkok I attended an international school and was introduced to people of all nationalities, cultures and walks of life and that has continued into adulthood. I like to be around a mix of people, or I get bored. It was a privileged existence, living in a gated community with a live-in maid. Suffice to say reality hit hard (understatement) when I moved back to NZ into a share house and had to clean, cook, and pay my own bills. Bangkok is also where I learnt meditation, kickboxing, Shaolin kung fu and Tai Chi. My dad used to shave his head and disappear off to a temple to live as a Monk now and then. He still meditates morning and night. I do still miss many aspects of Thai life, including the food/tropical fruit and Songkran festival, in which everyone basically goes onto the streets and has a huge water fight, symbolising the washing away of one’s sins and bad luck. I was also very naughty and started clubbing as young teenager, but we will leave those stories for another time… ONE NIGHT IN BANGKOK AND THE WORLD’S YOUR OYSTER… need I say more!

How did you first get into music?

In primary school I was chosen to be in a special choir of a select few and my grandparents would fly down to Christchurch to watch me, which was special. Mum was always singing and playing guitar round the house too, there was always music playing in the background and at every family gathering all the Aunties would be up dancing to the likes of Abba or UB40, so I’ve always been listening. I was also a choir soloist at the International school, the other soloist is now one of Thailand’s biggest pop stars. After school I studied jazz at university, and I have done it on the side ever since. I have lived a transient life in many respects (living in many different places since I was young, going to 6 different schools, 3 tertiary institutions, working many jobs), which has often lead to feelings of loneliness and being misunderstood (that few know and understand me on a deeper level or know my past), but music has been a constant in my life since I was young. No matter where I go it is always there for me. I feel that I have life experience well beyond my years. 

Melbourne has pretty much been in lockdown since mid-March, how have you been faring?

You know sometimes I’m good at accepting it for what it is and channel my energy into my music and being productive but I have times where I feel trapped and isolated missing my family back in NZ. I typically head back to NZ 4 times a year to see friends, family and be there for milestones, so clearly that has not been the case this year. My siblings are a lot younger than me (my youngest sister is 15 years younger than me and was 2 years old when I moved out of home), so I try to go back regularly so I feel connected to them and know them as people. I have also used this time to declutter and sell things I no longer want or need.It is a bit difficult watching family and friends’ lives returning to normality back in NZ, whilst we are back in lockdown with no no end in sight.

You worked corporate for a number of years, why the move to music? 

Music has always been my #1 love, but I got into sales and broking to make a living but always felt I was in the wrong place, that it was no more than a pay cheque. Writing, creating, and releasing music can be a very personal and emotional yet rewarding experience and a great outlet. I believe I have both creative and business sides, which allows me to push forward when things do not go my way and see things from a business perspective not an emotional one. Most of all I love the process and know that this is what I am born to do.

What do you like to do outside of music?

I love the beach… it’s a Kiwi thing I think. If a week goes by where I have not seen the ocean I do not feel right. I like to go to the gym or do some form of exercise first thing in the morning (after a coffee of course). Exercise helps to put things in perspective and overcome obstacles and just makes me a happier person. I used to be a fitness fanatic, but these days I’m less particular about diet and exercise. Other than that, I like reading (self-help books and biographies) and baking (although only occasionally as I do not trust myself around sweets). Other than that, I like spending time with my cat and partner, going out for a meal or drinks with friends. Oh, and Netflix (limited to an hour each night – haha). My parents have a property on Great Barrier island off the coast of NZ (mum is the island doctor on weekends), which has the most beautiful beaches, so I try and get out there at least once a year. I always come away feeling more in tune with my spirituality and connected to the earth. Putting photographs in albums is also something I enjoy. I have always got a kick out of looking back through albums. Oh, and travelling… when that was a thing!

What are your plans for the remainder of 2020 and future goals?

Happiness is always the goal (In saying that heart break is what produces the best songs so there is a silver lining). Career wise I would of course love to win an Aria or a Grammy (go hard or go home). There are tonnes of amazing artists and producers I would love to work with including Joel Little, Skrillex, and Diplo (to name a few). A collab with Gwen Stefani, Rihanna or Charli XCX would be the ultimate for me though I think. This year I am dropping 3 singles and an EP. I had plans to do shows but for obvious reasons that is not happening, but I will be doing some live performances from home.

You have some new music on the way, what can we expect?

You can expect some edgy, sultry pop with powerful vocals on a bed of synths. As well as a tongue in cheek dance single thrust in there.

Who are some of your Influences:

I love world music, Ragga Music, Ravi Shankar (I love plucking instruments, they always sound ethereal and are used a lot in Thailand), African music (Johnny Clegg), Kate Bush, Billie Holiday, Sarah Vaughan, Dinah Washington, Rihanna, Bjork, Imogen Heap, Flume, Hermitude and Charli XCX. 

What are you listening to now?

I listen to such a range. A lot of Jazz (often without a vocal haha). I have been loving Charli XCX’s new Iso album ‘How I’m feeling now’ as she combines a lot of interesting sounds, Kita Alexander, Major Lazer, Hermitude and Ava Max. You can check out my ‘JoannaBop’ Spotify Playlist to hear what I am currently listening too… 

What did you find most challenging and rewarding throughout the creative process? 

I am very much an innate writer so it usually just comes out without too much thought, however I often sing a melody and then come up with words to it or alter the words in order to create a story that makes sense and or give it meaning/depth. The challenge for most creatives is to silence the inner critic and just be present and not pay too much attention to whether or not the song will be successful or not as that kills the creative process and energy flow.

 Your new single ‘Disaster’ is available worldwide today, what influenced the song and how did it come about?

Disaster started off as a remix of one of my unreleased tracks, but I liked it so much that I gave it a new melody and wrote new lyrics. Disaster is part 1 of a 2-part narrative. This song is very much ‘fifty Shades of Grey’ sonically, however the narrative conveys the range of emotions that are felt when a person decides to end a relationship with their significant other. The loss of connection and loneliness that is felt when you realise you are no longer happy and you want different things to your other half, that there is no way forward. Then feeling responsible for tearing something that meant so much apart. Disaster is an anthem for the most difficult time for couples.

If your house were on fire, what would you grab on the way out:

I would grab my cat, photo albums, laptop, and hard drive (because all my music creations are on it). I (like most) enjoy the finer things in life but do not value or get attached to them. These are my only prized possessions.

Favourite food and place to hang out? 

My favourite cuisines are definitely Thai …go figure haha (’Blossom Thai’ in South Yarra is the most authentic Thai I’ve found in Melbourne) and Mexican (‘Hecho en Mexico’ in Fitzroy do the best fish tacos, but I do make a mean home-made Guac). On a (rare) sunny Melbourne day you’ll find me walking bayside and popping in to Elwood Bathers for a coffee.

 

Spotify: https://spoti.fi/316tMsz
Music channels: https://ffm.to/disasterjoannajones
Facebook: https://www.facebook.com/joannajonesmusic
Instagram: https://www.instagram.com/joannajonesmusic/
July 31, 2020 0 comments
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Gerd Janson delivers spinning remixes of Eelke Kleijn's 'Woodstock'
Music News

Gerd Janson delivers spinning remixes of Eelke Kleijn’s ‘Woodstock’

by the partae July 30, 2020
written by the partae

Just two weeks after releasing the mesmerizing ode to the eponymous beach club ‘Woodstock’, Eelke Kleijn’s tune gets two brand new remixes by Gerd Janson.

Drafted in to remix the third single of Eelke Kleijn’s upcoming album, Gerd Janson offers up two tantalizing spins on the magic of ‘Woodstock’. From the atmospheric ‘Zeeweg 94 Remix’ to the more beat-driven ‘Tent 7 Remix’, this two-tap remix release fully captures the vibe of the Dutch beach club and pulls listeners in to enjoy the wonder of it all.

‘Zeeweg 94’ and ‘Tent 7’ are out now on DAYS like NIGHTS

About Eelke Kleijn

Three albums into a well established, yet still rapidly ascending career, Kleijn is an artist very much in his element. In the grand scheme of things, he’s an underground artist, but one who has effortlessly made the jump into the wider world when the time and opportunity have felt right. With a background playing piano, guitar, and bass and a healthy sideline in composing for film and TV, his productions are imbued with a deep sense of musicality and emotion. Remixing for the likes of John Legend, Pendulum, James Newton Howard & Jennifer Lawrence, and scoring Hollywood blockbusters like Rush, Parker, and This Means War, Eelke Kleijn really excels in everything he sets his mind to. His latest artist album ‘Moments Of Clarity’ is the apex of his work so far, combining deep house and techno in perfect harmony. His multi-faceted platform ‘DAYS like NIGHTS’ emcompasses a label, a radio show, a podcast, and spectacular parties, firmly establishing him as one of the scene’s most creative and pioneering producers.

CONNECT W/ EELKE KLEIJN
Website
Website
Facebook
Facebook
Instagram
Instagram
Twitter
Twitter
SoundCloud
SoundCloud
Spotify
Spotify
CONNECT W/ GERD JANSON
Facebook
Facebook
Instagram
Instagram
Spotify
Spotify
July 30, 2020 0 comments
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TRIPLE ONE ANNOUNCE DEBUT ALBUM PANIC FORCE AVAILABLE NOW FOR PRE-ORDER
Music News

TRIPLE ONE ANNOUNCE DEBUT ALBUM PANIC FORCE AVAILABLE NOW FOR PRE-ORDER

by the partae July 30, 2020
written by the partae

PRAISE FOR TRIPLE ONE

“The next-gen of voices in Aussie hip-hop who aren’t afraid to broaden the definition of the scene they run in”
GQ Australia

“Triple One have been redefining the sound of Australian hip-hop”
Redbull Music

“They have this Brockhampton-style energy in the sense of free will and creativity”
Zane Lowe (Beats Radio 1)

“A versatile and creative force you can’t take your eyes off”
Life Without Andy

“Unexpected – and groundbreaking”
Pilerats

Butter
ARIA Gold

Triple One have announced their highly-anticipated debut album Panic Force, available for pre-order now. It follows the recent release of album single ‘Loverose‘, and signals an exciting new chapter for one of Australia’s most defiant, genre-bending groups.

Panic Force pushes the envelope even further, offering 12 tracks that highlight Triple One‘s signature diversity, as well as refreshing sonic explorations that take the four-piece into uncharted waters. While rooted in hip-hop, the album leans heavily on guitar samples and explores elements of punk, pop, metal, and indie leanings from the group’s roots in Sydney’s Inner-West. Contributors to the album include Matt Mason of DMA’S and ARIA Award-winning producer 18YOMAN, known for his work with Kaiit and Peking Duk. What results is a rollercoaster listen with thrilling peaks and pitch-black lows; traversing themes from relationships and escape, to temptation and the hubris of man. Set against the backdrop of a planet in physical and moral decay, Panic Force is a triumph of raw reflection, acknowledging our flaws and the things that ultimately make us human.

Excited by today’s announcement, the group says: “Fans have been asking for our debut album for years, but we’ve been waiting for the right moment where we felt comfortable with ourselves as musicians to release a full body of work. Panic Force is a deeply personal work for us, and one that culminates everything we’ve learned since day one. Everybody will have something to take away from this record.”

Panic Force will release in October 2020. It follows Triple One‘s long domination of the Australian hip-hop scene, with their 2019 single ‘Butter‘ going Gold accompanied by a sold-out national tour. The group have earned consistent coverage from triple j, Complex, GQ, Highsnobiety, and Beats1 tastemaker Zane Lowe, who praised their “Brockhampton-style energy in the sense of free will and creativity.” They have also earned a fierce reputation for their volatile live shows, playing sweat-drenched sets at landmark festivals like Falls, Listen Out and Hidden, and sharing the stages with internationals including Rich Brian, Smokepurpp and Lil Xan. The group also toured across the UK and Europe in 2019.

TRIPLE ONE
PANIC FORCE
Oct 2020
Pre-order here.

Stay connected with Triple One:
Website | Facebook | Twitter | Instagram | Youtube

July 30, 2020 0 comments
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The Lathums reveal their biggest shows to date, hitting the road in 2021
Festival NewsMusic News

The Lathums reveal their biggest shows to date, hitting the road in 2021

by the partae July 30, 2020
written by the partae

Having sold out previous hometown shows in 60 seconds, all tickets for upcoming dates, including the legendary O2 Ritz, Manchester, are set to go on general sale on Fri 31 July 2020 at 10am

The Lathums, Spring 2021 Tour
Tickets on general sale Fri 31 July 2020, 10am from
www.gigsandtours.com / www.ticketmaster.co.uk
Latest single, All My Life, OUT NOW on Island Records

The unstoppable rise of The Lathums escalates further with the announcement that the four-piece will play their biggest shows to date in April and May 2021, including a dream-come-true date at the historic O2 Ritz, Manchester and a return to the capital to play at London’s Electric Ballroom. The 13-date, nationwide run goes onsale to the band’s fervent, and growing, fanbase on Fri 31 July 2020 at 10am.

The emergence of the melodic indie band from Wigan with heart-quickening live intensity, near-spiritual positive energy and literary influences (Essential listening: Fight On – influenced by tales of the French Resistance) has thrilled those waiting patiently for new heroes of emotive guitar music that means everything. An 18-month journey from playing bars to selling out their first headline tour in just one day, signing to Island Records on the way, made for a breathless first chapter. With the plot warming up to the point of overheating, the next, exciting episode gets underway on even bigger stages.

Rushing into 2021 with a run of rescheduled support dates in the UK and Europe with Blossoms and domestic engagements with Paul Weller, the full list of dates for The Lathums Spring Tour 2021 are as follows:

  • Thu 22 Apr          Hull, Social
  • Fri 23 Apr            Manchester, O2 Ritz
  • Sat 24 Apr           Stoke, Sugarmill
  • Thu 29 Apr          Glasgow, Garage
  • Fri 30 April          Sheffield, University Foundry
  • Sat 1 May            Newcastle, Riverside
  • Tue 4 May           Nottingham, Rescue Rooms
  • Wed 5 May          Birmingham, O2 Institute 2
  • Fri 7 May             Leicester, O2 Academy 2
  • Sat 8 May            Leeds, Beckett Students Union
  • Sun 9 May           Cardiff, Globe
  • Tue 11 May          Oxford, O2 Academy 2
  • Wed 12 May         London, Electric Ballroom

Tickets for all venues go onsale via www.gigsandtours.com and www.ticketmaster.co.uk

https://twitter.com/TheLathums

https://www.facebook.com/thelathums

https://www.instagram.com/thelathums

 

 

July 30, 2020 0 comments
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TRICKY RELEASES 'THINKING OF', THE SECOND SINGLE FROM HIS 14TH STUDIO ALBUM, 'FALL TO PIECES' ANNOUNCES A FULL SEASON OF TOUR DATES IN FEB-APR 2021
Music News

TRICKY RELEASES ‘THINKING OF’, THE SECOND SINGLE FROM HIS 14TH STUDIO ALBUM, ‘FALL TO PIECES’ ANNOUNCES A FULL SEASON OF TOUR DATES IN FEB-APR 2021

by the partae July 30, 2020
written by the partae
FALSE IDOLS
TRICKY – ‘FALL TO PIECES’
RELEASE DATE: 4TH SEPTEMBER 2020

‘Thinking Of’ is the captivating opening song on Fall To Pieces. As with debut single ‘Fall Please’, it demands repeat listens, drawing you in further with the unique signature that could still only ever be attributable to Tricky. The track features Marta Złakowska on vocals – the singer he discovered during a Polish tour when he was left without a vocalist on the opening night: the local promoter suggested a girl who worked in a nearby bar, and when she arrived she had already learned the chorus to Tricky’s song ‘When We Die’.

It sounds fortuitous – much like when Tricky encountered his original female vocalist Martina Topley-Bird by chance when she sang outside his front door. But of course he has an intuition too. “Yeah, I can tell when someone is humble and down to earth. Marta doesn’t care about being famous, she just wants to sing.”

Being based in Krakow – a couple of hours from Berlin – meant that they were able to work together relatively easily. “It was meant to be,” he says of their working relationship. “The shows were so good straight away. What I liked about her was that she would never hide her feelings from the crowd. She ended up touring with me for almost two years, gave up so much time travelling the world while her boyfriend was in Krakow. And then she ended up being an incredible singer in the studio too. I lucked out.”

Tricky also announces a sizeable run of european tour dates for February – April 2021, with tickets now on sale.

Tour dates:

2nd  Feb 2021 – Hotel Cecil, Copenhagen, Denmark – SOLD OUT
3rd Feb 2021 – Parkteatret, Oslo, Norway – TICKETS
6th Feb 2021 – Elbphilharmonie, Hamburg, Germany – TICKETS
8th Feb 2021 – Gebäude 9, Cologne, Germany – TICKETS
9th Feb 2021 – Metropol, Berlin, Germany – TICKETS
16th Feb 2021 – Praga Centrum, Warsaw, Poland – TICKETS
17th Feb 2021 – TAMA, Poznan, Poland – TICKETS
18th Feb 2021 – Kwadrat, Krakow, Poland – TICKETS
19th Feb 2021 – Form Space, Cluj-Napoca, Romania – TICKETS
20th Feb 2021 – Quantic Club Outdoors, Bucharest, Romania – TICKETS
23rd Feb 2021 – Dom Omladine, Belgrade, Serbia – TICKETS
24th Feb 2021 – Močvara, Zagreb, Croatia – TICKETS
26th Feb 2021 – A38, Budapest, Hungary – TICKETS
27th Feb 2021 – Magazzini Generali, Milan, Italy – TICKETS
1st Mar 2021 – Paradiso, Amsterdam, Netherlands – TICKETS
3rd Mar 2021 – Le Rocher De Palmer, Bordeaux, France – TICKETS
9th Mar 2021 – Le Trianon, Paris, France – TICKETS
10th Mar 2021 – La Laiterie (Club), Strasbourg, France – TICKETS
12th Mar 2021 – Ninkasi Kafé, Lyon, France – TICKETS
13th Mar 2021 – Le Grand Mix, Tourcoing, France – TICKETS
14th Mar 2021 – Botanique Orangerie, Brussels, Belgium – TICKETS
16th Mar 2021 – O2 Ritz, Manchester, UK – TICKETS
17th Mar 2021 – Electric Brixton, London, UK – TICKETS
23rd Mar 2021 – Ääniwalli, Helsinki, Finland – TICKETS
24th Mar 2021 – Kosmonavt, St Petersburg, Russia – TICKETS
26th Mar 2021 – Fabrika, Yekaterinburg, Russia – TICKETS
28th Mar 2021 – GlavClub, Moscow, Russia – TICKETS
29th Mar 2021 – Re:Public Club, Minsk, Belarus – TICKETS

30th Mar 2021 – Atlas, Kiev, Ukraine – TICKETS

Tricky ‘Fall To Pieces’ will be available 4th September via False Idols

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LAMALO REVEAL STRIKING ACCOMPANYING VIDEO CLIP FOR SINGLE ‘QUE PASO’ FT. ANGE
Music News

LAMALO REVEAL STRIKING ACCOMPANYING VIDEO CLIP FOR SINGLE ‘QUE PASO’ FT. ANGE

by the partae July 30, 2020
written by the partae

SUPPORT FOR ‘QUÉ PASÓ’

“Absolute slow-motion scenes in a European nightclub as this one plays and you catch the eye of That Person you’ve been flirting with for weeks now.” – 4/5 stars
– Tommy Faith – triple j (AUS)

“Infectious from start to finish, ‘Qué Pasó’ is an energetic, feel-good collaboration between two exciting emerging acts. Combining ANGE‘s vocals that sit in the same vein as BANKS with a funk-laden bass line, a thumping beat and warm keys, ‘Qué Pasó’ is an undeniable bop that reaches euphoric heights.”
– Purple Sneakers (AUS)

“The infectiousness of ‘Qué Pasó’ immediately hits us from the word go, with ANGE‘s soothing Spanish vocals playfully bouncing around the mix and allowing the engaging instrumentation to enter the arena bit by that.”
– Acid Stag (AUS)

Video Premiered with Red Bull (ESP)

Added to Spotify playlist New Music Friday (ESP)

Added to Apple Music playlists Pure Motivation (ESP) and Barcelona Suena (USA)


Following the release of their critically praised single ‘Qué Pasó’ ft. ANGE, Sydney-based producer duo Lamalo have just unveiled the accompanying video clip – directed and edited by Emma Corrigan.

Shot at Woodburn Creatives in Redfern, the clip sees two performers playing out a relationship through interpretive dance. The video uses the same style and location, instead focuses on their separation and the contrast in colours to mirror the song’s themes and lyrics of loss and longing.

Lamalo talk about the inspiration for the clip:

“We shot a lot of the clip in double speed, creating a drawn in effect when slowed down to the original speed. We also had two dancers (Yuli Torres & Orlando Granda Rivera) involved and some movement visuals (Sebastian Garcia) on the backdrop as well as two coloured lights for the set.”

Previous singles have been strongly supported by Spotify and Apple Music, including an entry in the Spotify AU Viral Chart, with their single ‘Outside’ amassing nearly two million streams. They’ve also been widely embraced by Australian radio institutions triple j, triple j Unearthed, FBi Radio and various other community radio stations.

Their tracks have also seen online support from Pilerats, Acid Stag, Purple Sneakers, Discobelle (SWE), Project U, Surviving the Golden Age (USA), The Soundcheck and The Music.

In the live arena the duo has supported contemporaries The Kite String Tangle, Midnight Pool Party and Dekleyn, as well as playing boutique festivals Rabbits Eat Lettuce, Red Deer Arts and Music Festival and The Grass is Greener.

‘Qué Pasó’ Ft. ANGE is available worldwide now

FOLLOW LAMALO

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MARILYN MANSON RETURNS WITH NEW ALBUM WE ARE CHAOS OUT SEPT 11 VIA LOMA VISTA
Music News

Marilyn Manson Returns With New Album ‘WE ARE CHAOS’ Out September 11 Via Loma Vista & Release First Single/Video ‘WE ARE CHAOS’

by the partae July 30, 2020
written by the partae

Marilyn Manson announces the release of his eleventh studio album WE ARE CHAOS out September 11 via Loma Vista Recordings. Produced by GRAMMY® Award winner Shooter Jennings [Brandi Carlile, Tanya Tucker] and Manson, the ten-track opus was written, recorded, and finished before a pandemic blanketed us all. Manson heralds the record’s arrival with the title track and lead single, WE ARE CHAOS, released today. The accompanying video is directed, photographed and edited by Matt Mahurin.

Manson’s painting, Infinite Darkness, which can be seen on the album cover, was specifically created to accompany the music. His fine art paintings continue to be shown all over the world, including gallery and museum exhibitions from Miami to Vienna to Moscow.

Manson says of the album, “When I listen to WE ARE CHAOS now, it seems like just yesterday or as if the world repeated itself, as it always does, making the title track and the stories seem as if we wrote them today.  This was recorded to its completion without anyone hearing it until it was finished. There is most definitely a side A and side B in the traditional sense. But just like an LP, it is a flat circle and it’s up to the listener to put the last piece of the puzzle into the picture of songs.

“This concept album is the mirror Shooter and I built for the listener – it’s the one we won’t stare into. There are so many rooms, closets, safes and drawers. But in the soul or your museum of memories, the worst are always the mirrors. Shards and slivers of ghosts haunted my hands when I wrote most of these lyrics.

“Making this record, I had to think to myself: ‘Tame your crazy, stitch your suit. And try to pretend that you are not an animal’ but I knew that mankind is the worst of them all. Making mercy is like making murder. Tears are the human body’s largest export.”

PRE-ORDER WE ARE CHAOS HERE
WE ARE CHAOS TRACK LISTING:

01. RED BLACK AND BLUE
02. WE ARE CHAOS
03. DON’T CHASE THE DEAD
04. PAINT YOU WITH MY LOVE
05. HALF-WAY & ONE STEP FORWARD
06. INFINITE DARKNESS
07. PERFUME
08. KEEP MY HEAD TOGETHER
09. SOLVE COAGULA
10. BROKEN NEEDLE

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THE LEMON TWIGS Release new single 'No One Holds You (Closer Than The One You Haven't Met)' Songs For The General Public out Friday 21 August
Music News

THE LEMON TWIGS Release new single ‘No One Holds You (Closer Than The One You Haven’t Met)’ Songs For The General Public out Friday 21 August

by the partae July 30, 2020
written by the partae

The Lemon Twigs offer another taste of their upcoming album, Songs For The General Public, with fourth single ‘No One Holds You (Closer Than The One You Haven’t Met)’. Released today, the barnstorming 3-minute song covers failed relationships and romantic fantasies, “No one compares to the one that you invented in your head.”

Songs For The General Public will be released on 21 August 2020 and features previous singles ‘Live In Favor Of Tomorrow’, ‘Moon’ and ‘The One’. The D’Addario brothers wrote, recorded and produced the record entirely on tape at their Long Island home studio, Sonora Studios in Los Angeles. Check out the tracks and official videos below.

Brian and Michael D’Addario first emerged as The Lemon Twigs in 2016 with their debut LP Do Hollywood, whose showstopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Go To School, the ambitious 15-track coming-of-age opus, followed in 2018 and solidified the band’s reputation for building grand walls of sound around an audacious concept.

The 12-track album will be released on digitally and on CD, limited translucent red vinyl (indie stores and 4AD Store only) and standard black vinyl.

Pre-order here: thelemontwigs.ffm.to/songsforthegeneralpublic

thelemontwigs.com
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Death Bells share 'Heavenly Bodies'
Music News

Death Bells share ‘Heavenly Bodies’

by the partae July 30, 2020
written by the partae

New Signs of Life announced via Dais Records, due 25th September

Today Death Bells share ‘Heavenly Bodies‘, a point-blank delivery of a laconic truth: ‘We all vanish, anyway’. The duo’s new album New Signs of Life is due 25th September via Dais Records, pre-order here: https://n-s-o-l.com/

Sombre and cool, ‘Heavenly Bodies‘ eases into hushed staccato hypnosis while still finding the tenets of guitar-driven rock. The LA-via-Australia duo have always found power in contrast and on ‘Heavenly Bodies’ they balance a driving, expansive sound with an introverted meditation on the preciousness and shortness of life.

They explain the track: “‘Heavenly Bodies’ is the first track on New Signs of Life. We wrote it in a dining room shortly before a tour last August and refined it over those following dates. It focuses on the inevitable truth of mortality in a point-blank manner.”

Death Bells is the longtime musical collaboration between Will Canning and Remy Veselis. Formed in 2015 during their late adolescent years in Sydney, Australia, the act has proven to be a mainstay in the alternative underground musical landscape both in their homeland and overseas during their five-year history. Blurring the lines of post-punk and garage rock, Death Bells has morphed and transformed as the two members have grown up throughout their late teenage years living together into early adulthood. With Canning’s distinctive baritone and the kinetic collection of reverb-drenched leads by Veselis being a constant during their musical output, the two made the permanent move 7,000 miles away to Los Angeles, California in 2018 where the current incarnation of Death Bells has blossomed.

Following the releases of their debut E.P, much-loved first album, and seven-inch single on Funeral Party Records and their 2019 single on Metropolitan Indian, Death Bells have joined the Dais Records family for their highly anticipated sophomore album New Signs of Life. Three years in the making, the release sees the act embrace their diverse tastes to deliver unforgettable hooks and more expansive sounds across its nine graceful songs.

Engineered and mixed under the attentive eye of Colin Knight at Paradise Studios throughout mid-to-late 2019, New Signs of Life is the band’s most complete work to date. Along with classic Death Bells brooding romanticism, the themes of the record divulge personal insight into their move across the world and both the strained and new relationships that have materialised throughout their existence. Slated for release on September 25th, New Signs of Life is as advertised – it is the career-defining new chapter to commence the new decade.

Pre-order New Signs of Life: https://n-s-o-l.com/

DEATH BELLS – NEW SIGNS OF LIFE – OUT FRIDAY SEPTEMBER 25

Tracklist
Heavenly Bodies
Two Thousand and Twenty
New Signs of Life
Web of Love
The Sun That Shines Forever
A Different Kind of Happy
Alison
Sacred
Shot Down (Falling)

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TIJUANA CARTEL REVEAL ENTHRALLING ACCOMPANYING VIDEO CLIP FOR SINGLE ‘MINIMAL STUFFING’
Music News

Tijuana Cartel – Reveal Enthralling Accompanying Video Clip For Single ‘Minimal Stuffing’

by the partae July 30, 2020
written by the partae

SUPPORT FOR ‘MINIMAL STUFFING’

“A heaving return firmly rooted in dance music that pushes their sound into new directions, taking their worldly instrumentation and aligning it with a thick dance core that really brings things up a notch.”
– Pilerats (AUS)

Premiered on Double J’s Stir It Up

 


Following on from the release of their critically praised single ‘Minimal Stuffing’, Gold Coast-based electronic-dance quartet Tijuana Cartel has just unveiled the accompanying video clip – directed and animated by Carey O’Sullivan of Hot Damn Productions.

The clip showcases a psychedelic wonderland of shapes and colours, flowing to the track’s instrumentation, all captured through the use of a 3D scanner made out of a record player – the kaleidoscope visuals resulting in a mind-bending Synaesthesia of digitally warped music and nature.

Casey talks about the process and inspiration behind ‘the clip:

“Much of the animated stuff comes out of my backyard garden. I’ve had a long-term fascination with recursive forms and patterns that are emerging in nature. We started with a goal to digitally recreate these natural structures for synced visualisations for the live show. However, it became apparent there weren’t any available tools to do the job. So, in true nerd DIY fashion, I decided the only way was to create some. When we finished this track, we knew it was a perfect match for the fruits of the digital nature machine.”

In the live arena, the band have sold out multiple Australian headline tours and played notable events Splendour in the Grass, Falls Festival, Bluesfest, Wollombi Music Festival and Subsonic Music Festival. To coincide with the release, the band have performed in Maroochydore, before finishing the tour in Brisbane in September. This comes off the back of them winning the ‘Live Act of the Year’ award a few months ago at the Gold Coast Music Awards.

Since release the track has been widely embraced by the likes of Indie Shuffle (ZAF), Pilerats, Acid Stag and Forte Magazine, with radio support from triple j, Double J, triple j Unearthed, 4ZZZ, RTR FM, Bay FM and Radio Adelaide. Previous releases have also been supported by Music Feeds, Beat Mag, The Music, The AU Review, FBi, 3RRR, Edge Radio and NOOSA FM.

Tijuana Cartel will release their forthcoming new album ‘Acid Pony’ on November 13th.

‘Minimal Stuffing’ is available worldwide now


TIJUANA CARTEL
AUSTRALIAN TOUR DATES
Strictly limited tickets

FRI 31 JUL | LIVESTREAM
SAT 29 AUG | THE ZOO, BRISBANE QLD


Click to view ‘Minimal Stuffing’

 

FOLLOW TIJUANA CARTEL

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Music News

TOUCHÉ AMORÉ ANNOUNCE NEW ALBUM LAMENT OUT OCTOBER 9

by the partae July 30, 2020
written by the partae

Los Angeles post hardcore band Touché Amoré will release their fifth studio album,
Lament on October 9.

Since their formation in 2007, Touché Amoré has been burrowing through angst, alienation, cancer, and death throughout four adored studio albums. After over a decade of working through darkness, Lament, finds the light at the end of the tunnel. The album arrives as the follow-up to the band’s critically acclaimed 2016 release, Stage Four, which found vocalist Jeremy Bolm mourning and paying tribute to his late mother. Lament shines a light on what life for the band has been like since then, tackling themes of fragility, empathy, politics, and love while pushing forward a newfound sense of hope.

Late last year, the band offered a glimpse of Lament with the release of “Deflector,” the first song done with producer Ross Robinson (Slipknot, Korn, At the Drive-In) in an attempt to break out of their comfort zone. The recording process being such a wildly different experience than what the band was used to, challenged them to dig deep within their artistic and emotional depths to level up their abilities to create a record unlike their previous works.

Today, the band share the first single from their forthcoming Robinson produced record, “Limelight” which features Andy Hull (Manchester Orchestra, Bad Books). Bolm’s emotionally raw lyrics explore a space in love rarely treaded while guitarist Nick Steinhardt showcases his newly learned pedal steel skills. “When you’re connected to someone long enough, and you’ve both suffered losses and been there for one another, there’s an understanding and a beauty to the quiet moments. There’s a great line in ‘Pulp Fiction’ when Uma Thurman boasts knowing when you’ve found someone really special, when you can just ‘shut the fuck up for a minute, and comfortably share silence’. I imagined that you’d be shamed for casually omitting that a day or two may go by without realizsng you haven’t kissed your partner, but at no point did things feel bad. You’re just in it and it feels like home.” As the crescendo hits, Hull and Bolm are belting out on top of each other, Bolm shouts “So let’s embrace the twilight while burning out the limelight” the message of the song is revealed: The realisation that the limelight may have held promise, but learning the obscurity of twilight is where you belong.

LISTEN TO “LIMELIGHT” NOW

Pre-Order Lament

TOUCHE AMORE – LAMENT – OUT FRIDAY OCTOBER 9

 LAMENT TRACK LISTING
  1. Come Heroine
  2. Lament
  3. Feign
  4. Reminders
  5. Limelight (ft. Andy Hull)
  6. Exit Row
  7. Savoring
  8. A Broadcast
  9. I’ll Be Your Host
  10. Deflector
  11. A Forecast​

ABOUT TOUCHÉ AMORÉ

Formed in Burbank, California, across 2007 and 2008, the band’s urgent sound has grown tighter and more refined through four full-length albums, a series of EPs, and various single releases. Lead singer Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin have created a trajectory for themselves through hard work and dedication.

Over the years the band rose to prominence with 2009’s …To the Beat of a Dead Horse, 2011’s Parting the Sea Between Brightness and Me, and crossed into new territory with the 2013 art-punk masterpiece Is Survived By. In late 2016 Touché Amoré released their fourth studio album, Stage Four. The album graced many critics’ lists including A.V. Club’s “20 Best Albums of 2016” list, Stereogum’s “50 Best Albums Of 2016” list, and one of the 20 best emo/punk albums of 2016 by Brooklyn Vegan. In celebration of playing their 1000th show in their hometown of Los Angeles to celebrate their 10-year anniversary as a band in 2018, the band released their live album 10 Years / 1000 Shows at The Regent Theater.

And now with, Lament, their triumphant fifth record, Touché Amoré looks back at its past and uses hard-won optimism to point its fans toward hope, and love.

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BREATHE. SHARE NEW SINGLE 'GRACE' IN TRIBUTE TO SURVIVAL, STRENGTH, QUEERNESS AND COMMUNITY
Music News

BREATHE. SHARE NEW SINGLE ‘GRACE’ IN TRIBUTE TO SURVIVAL, STRENGTH, QUEERNESS AND COMMUNITY

by the partae July 29, 2020
written by the partae

PRAISE FOR BREATHE.

“Stunning”
Hypebeast

“Late night emotion”
XLR8R

“Chillingly soulful”
Complex

breathe. today share their fourth single, ‘Grace‘, with a powerful message and stunning visual. Dedicated to Tommy Walker, the twin of band member Sean Walker, ‘Grace‘ is another pristine offering of aching, late-night soul, marrying a shuffling backbeat with reverb-laden guitars and pianos. Listen and watch HERE.

Says Sean of the background behind the track: “In December of 2018, my twin Tommy was found unconscious on the side of the road after a horrific motorcycle accident. The night of the incident, an incredible team of paramedics, nurses and doctors worked tirelessly to bring them back. As I sat in the intensive care unit, I was told that they might not wake up, and I had to contemplate the devastating possibility of losing my other half. This film is a celebration of Tommy’s survival and strength, their queerness, and their community who love and care deeply for them.

The music video, a loving tribute to Tommy, combines the duo’s minimal, slow-burning electronic soul with their eye for atmospheric, emotive cinematography. Ultimately, it’s a meditation on what it means to be free and alive in a body.  The visual features Tommy dancing inside Sydney’s Red Rattler Theatre, a space that Sean says “is important to Tommy and to Sydney’s queer community… where Tommy feels safe and comfortable to be wholeheartedly and completely themselves – a place where they found their family, and their identity.” Alone and framed by house lights, Tommy captures the bliss found in these liberatory spaces through the movement of their own body. “After spending months in a wheelchair with a broken back, ribs and pelvis, nerve damage, and brain injury”, Sean concludes, “Tommy can once again move and express themselves freely, and the video celebrates this.”

breathe.’s first three offerings ‘Are You All Good?‘, ‘London‘ and ‘Haze‘, have been featured across XLR8R, Complex, Hypebeast, Line of Best Fit, triple j, and more. Their music has also been synced across TV including spots on Elite (Netflix), Couples Therapy (Showtime), What/If (Netflix), and The Kept Woman, among others.

‘Grace’ is out now, buy/stream it on Spotify, Apple Music, and more.
breathe.’s free digital photo zine here / buy a limited edition vinyl and printed photo zine here

Stay connected with breathe.
Website | Facebook | Instagram | Youtube

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Dance at a Distance with brand new outdoor pop up series Social Avenue
Festival NewsMusic News

Dance at a Distance with brand new outdoor pop up series Social Avenue

by the partae July 29, 2020
written by the partae
Social Avenue is taking over a car park in Manchester’s Trafford Park and turning it into a safe and welcoming music and food pop up for a series of socially distant events for six weeks from 25th July, with the red hot Mason Collective headlining the first party. Brands and DJs like Darius Syrossian, Moxy Muzik, Haus22, OC & Verde and many more will all be taking part in future events, ensuring that summer is rescued and people finally get dancing safely and legally for the first time in four months.
You can expect huge brand partnerships and DJs from all dance music genres to take over this space on Saturday and Sundays at Longbridge Road at Trafford Park, Manchester. Social Avenue will be only powered by the best ‘Void Tri Motion’ sound system and on-site bars will be fully stocked with all of your favourite beers, gins, vodkas, whisky, brandy and much more.
Mouthwatering eats are also available so you can enjoy a variety of delicious street food to carry you throughout your day at Social Avenue. It starts when you and those in your social bubble will be seated on a table that is exclusively for you and your crew so you can enjoy the day at a safe distance from all.
As well as food and music there will be photo booths and cameo areas for you to get that perfect social media selfie shot all whilst maintaining a safe distance. One-way systems will be in place in toilet areas, bars and around the site to keep you safe, and face masks and coverings are advised, with sanitiser stations available throughout the site.
It all kicks off with The Mason Collective, who since their inception in 2014 have been drawing attention in the underground music scene for their explosive DJ sets and highly renowned MVSON events. The Manchester based DJ and production trio have been developing their own signature brand of high energy grooves, showcasing them at a number of high profile clubs all round the world, so this hometown gig will be epic indeed.
Tickets are only available in groups of 2,3,4,5 or 6 and you must stay with your group in your zone for the duration of the day.
August 1st
Social Avenue | Moxy Muzik – Darius Syrossian 4hr set
August 8th
Haus22 At Social Avenue | OC & Verde + Rudosa
August 15th
Social Avenue | Moxy Muzik 02 – Darius Syrossian 4hr set
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Festival NewsMusic News

The Sound | Episode Three: Sun 2 Aug at 5.30pm on ABC | Starring Amy Shark, John Butler, Boy & Bear + more | With special guest host Red Symons

by the partae July 29, 2020
written by the partae
THE SOUND

WATCH EPISODE THREE: SUNDAY 2 AUGUST, 5.30PM ON ABC
STARRING: AMY SHARK, JOHN BUTLER, 
BOY & BEAR, SHEPPARD, ANGIE MCMAHON, GORDI + MORE!
WITH SPECIAL GUEST HOST RED SYMONS

Watch The Sound on iview
  • Introducing your favourite new weekly music show, hour-long episodes featuring a who’s who of Australia’s best homegrown talent
  • Watch on ABC & iview – airs Sundays 5.30pm + repeat Saturday 12.30pm
  • Episode Three stars:  Amy Shark, John Butler, Boy & Bear, Sheppard, Angie McMahon, Gordi, Dallas Woods, Scott Darlow + more
  • This week’s guest co-host is Skyhooks legend, radio and TV host Red Symons

‘I’m excited and proud to play an iconic venue like the Sydney Opera House and bring a special stripped back version of “Everybody Rise” to your lounge room’ – Amy Shark 

‘Stoked to be on The Sound. I’m so proud to be a part of this country’s amazing music community and honoured to be invited to play. Our music scene is so special and punches above its weight.’ – John Butler 

‘It’s great to be a part of a show which highlights the breadth of music and songwriting so many Australians have to offer. Was a pleasure to perform on the show!’ – Boy & Bear

‘The Sound has arrived at exactly the right time. It’s amazing to have Australian artistry and music at home on TV as we all wait for live music to return. So stoked to be a part of it.’ – Ian Kenny (Birds Of Tokyo, Karnivool)

THE SOUND

EPISODE THREE: SUNDAY 2 AUGUST, 5.30PM ON ABC
REPEATS SATURDAY 8 AUGUST, 12.30PM ON ABC
Stream on iview

Featuring

AMY SHARK
JOHN BUTLER
BOY & BEAR
SHEPPARD
ANGIE MCMAHON
GORDI
DALLAS WOODS
+ IAN KENNY introduces SCOTT DARLOW
+ more

Hosted by
JANE GAZZO, ZAN ROWE
and special guest RED SYMONS

#TheSoundAU

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SOAK Releases 'I'm Alive' collaboration with Gemma Doherty
Music News

SOAK Releases ‘I’m Alive’ collaboration with Gemma Doherty

by the partae July 29, 2020
written by the partae

SOAK – aka Ireland’s Bridie Monds-Watson – has released a new collaboration track and film called ‘I’m Alive’. Conceptualised by Ellius Grace during the height of lockdown, ‘I’m Alive’ is based around a poem written and performed by SOAK with instrumental music created by Gemma Doherty of Saint Sister. It brings together a team of collaborators from across Ireland who worked in isolation to create the track and accompanying short film, many of whom had never met before.

SOAK explains the creation of the piece saying “Ellius Grace reached out to me during the lockdown with this idea of creating an ‘antidote to anxiety’, with the concept centering around finding beauty in the mundane. I sat down in the up and down waves of isolation, when I let my brain go I started to write about how it feels to ‘wake up’ from a long depression. The relief when a tide starts to turn and things I’d given up on begin to seem possible again. Ellius asked Gemma Doherty to compose the soundtrack and she provided a gentle and gripping bed to speak over. I hope this piece can act as a reminder that it won’t always be like this.”

Grace says of his role overseeing the collaboration, “‘I’m Alive’ is a short film about being mindful of the small joys and blessings around you. It’s about slowing down and taking stock of the things that often go unnoticed. It’s about the space you can create in your head when you’re feeling anxious or frustrated with life. With this piece, I hope to create a calming experience and send a message of peace and strength in oneself. I hope to remind you of the beautiful experiences that anyone can have no matter their situation.”

SOAK’s latest album Grim Town was released in 2019 via Rough Trade Records, and saw her make her national TV debut on Late Night with Seth Meyers. Grim Town earned glowing reviews and coverage from Pitchfork, The Guardian (4/5 stars), BUST (5/5), NPR Music, Under the Radar (8/10 stars), The Line of Best Fit (8/10), AllMusic (4/5 stars), Exclaim! and more.

Purchase / Stream ‘I’m Alive’ https://soak.ffm.to/soakxgemmadoherty-im-alive

PRAISE FOR GRIM TOWN

triple j Packet Album

“The Northern Irish musician graduates from lonesome singer-songwriter to bold art-pop auteur; her growing confidence translates to emotionally probing songs of startling candor.” – Pitchfork, 7.3

“Soak’s songs are a product of an unsure age of casual relationships and employment, of economic and ecological crises. But rather than rattling towards the depths of existential despair, Grim Town is an upbeat voyage, finding unlikely optimism settles in as reassuring folk-pop.” – The Big Issue

“Signalling an audible shift from indie folk to dreamy pop, SOAK’s much-anticipated upcoming record ‘Grim Town’ is the stunning culmination of a lengthy period of unintentional reinvention.” – Best Before

“The Derry-based singer songwriter exhibits increasing versatility on this accomplished sophomore release.” – The Line Of Best Fit

“It’s SOAK sense of boldness on Grim Town that feels like major step on her creative odyssey. Where she ends up is to be confirmed, but the possibilities are limitless.” – The Irish Times, ★★★★

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