The Partae
  • Music
    • NEWS
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About
  • Contact Us / Advertise
  • Submit Event

Interview: Sotto James on “Are We Running Out Of Time?”, Family and...

October 25, 2026

Hilary Duff – The Lucky Me Tour | Brisbane Photo Review |...

October 24, 2026

Shawn Pallister Embraces a Moodier Sound on New Single ‘Vertigo’

October 24, 2026

Eloise At The Factory Theatre – 21/10/26

October 22, 2026

Tame Impala – Deadbeat Tour 2026 | Photo Feature & Review

October 22, 2026

NOVA RED GA TICKET TO SPILT MILK FESTIVAL

October 22, 2026

Kerrington Gillespie on “Three Missed Calls”, Finding Her Sound and What’s Next...

October 22, 2026

Jalmar & MC Flavinho – Más ~ out now

October 22, 2026

Interview: I Ya Toyah on the Meaning Behind “Closer”

October 22, 2026

Sotto James Reflects on Love and the Passage of Time in “Are...

October 21, 2026
Monthly Archives

September 2026

Eats & DrinksFashion & Culture

YÀO Rooftop Bar: Bangkok’s Sky-High Ode to the World’s Chinatowns

by the partae September 18, 2026
written by the partae

Thirty three floors above Bangkok, above the clatter of Surawong Road and the glow of the city below, YÀO Rooftop Bar & Lounge is where the skyline stops being a view and starts being the whole point of the night. Guests ride the hotel’s main lift up, then a second, smaller lift the rest of the way, arriving to a nearly complete 360 degree sweep of the city. The Chao Phraya River and the Old Town unfold on one side, Bangkok’s glittering high rises on the other. It’s the kind of arrival that makes conversation stop, if only for a second.

The design matches the drama of the view. Built around the Thai concept of “chang sip moo,” or traditional craftsmanship, and layered with a sleek, modern Shanghainese edge, the space is carved screens, sculptural detail, and Chinese ceramics spread across an open air, multi level terrace that feels equal parts lounge and gallery. A live DJ keeps the evening moving without ever tipping into club chaos, and if there’s one rule to follow here, it’s this: arrive around 5 PM, half an hour before sunset, and watch the whole city catch fire as day turns to night.

Then there’s the menu, and this is where YÀO really sets itself apart. The signature cocktail list is a passport stamped with Chinatowns from around the world, each drink built to capture the character of its namesake city in a single glass.

The Hikari Blossom opens things quietly and beautifully, a rocks glass poured over ice and finished with a single delicate flower.

The Kolkata Negroni, one of the bar’s signatures, is deep, amber red, and unmistakably bold, finished with a sprig of thyme that lifts the whole glass.

The So Ho Martini is pure, confident classicism, a coupe pour finished with nothing more than a single cherry, and needing nothing more.

The El Barrio Chino is the showstopper of the lineup, a name borrowed from the Chinatowns of Havana and Barcelona, served in a carved tiki mug shaped like a face and crowned with pineapple and a hollowed fruit shell.

The Binondo Margarita, a nod to Manila’s Chinatown, arrives topped with a frozen, sugar crusted float that turns the classic on its head.

The Silverlake Mule brings the chill, a copper mug packed with crushed ice, blueberries, and a generous crown of mint.

The San Francisco Sour is a study in color, a deep red orange fading into gold, finished with a blood orange wheel that ties it all together.

And the Yaowarat Milk Punch, named for Bangkok’s very own Chinatown, closes the journey exactly where it should, clear, pale, and served over ice beneath a single folded leaf. Wine and craft beer round out the list, with complimentary plantain chips adding a final, satisfying touch alongside every round. Whether it’s a sunset toast or a full blown celebration, YÀO Rooftop Bar & Lounge is one of Bangkok’s most striking nights out, and it’s absolutely worth booking ahead for.

WEBSITE

September 18, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Hayley Williams Announces Intimate Australian Shows for February 2027

by the partae September 18, 2026
written by the partae

Hayley Williams will bring “The Hayley Williams Show” to Australia for two intimate headline performances in February 2027, with shows confirmed for Sydney and Melbourne.

Presented by Frontier Touring, the Australian dates will take place at Enmore Theatre in Sydney on Wednesday 10 February and Forum in Melbourne on Wednesday 17 February.

“The Hayley Williams Show” features material spanning all three of Williams’ solo albums, alongside what the announcement describes as “exciting surprises”. The show launched in Florida this month, following extensive sold out dates across North and Central America in 2026 and 2027.

The tour has already sold out venues including Forest Hills Stadium in New York and the Hollywood Bowl in Los Angeles.

The Australian shows will mark Williams’ first solo tour of Australia. She was last in Australia in 2023 with Paramore for the band’s East Coast dates, including a performance at Sydney’s The Domain that attracted more than 25,000 fans.

Williams is a three time GRAMMY winning singer, songwriter and musician best known as the frontperson of Paramore. Her solo catalogue includes Petals for Armor, Flowers for Vases / descansos and Ego Death At A Bachelorette Party.

Her work with Paramore includes the albums All We Know Is Falling, Riot!, Brand New Eyes, Paramore, After Laughter and This Is Why. Paramore’s 2023 album This Is Why won GRAMMY Awards for Best Alternative Music Performance and Best Rock Album.

Williams’ latest solo album, Ego Death At A Bachelorette Party, was nominated for four GRAMMY Awards, including Best Alternative Music Album, Best Alternative Music Performance for ‘Parachute’, Best Rock Performance for ‘Mirtazapine’ and Best Rock Song for ‘Glum’.

To ensure tickets reach genuine fans, a verified registration process for “The Hayley Williams Show” Australian dates has been established. Registrations will open at 8am AEST on Friday 18 September and close at 8am AEST on Sunday 20 September. Every registration completed during this period will be treated the same no matter what time it is received.

Successful registrants who are randomly selected will be emailed with a unique ticket unlock code by 5pm AEST on Monday 21 September.
​Unsuccessful registrants will also be notified via email by 5pm AEST on Monday 21 September.
​The Chance to Purchase window for successful registrants will open at 10am AEST on Tuesday 22 September.

Registration URL: hayleywilliams.hq.fan/thws-australia

Detailed FAQs regarding the registration process can be found at: hayleywilliams.hq.fan/thws-australia


“THE HAYLEY WILLIAMS SHOW”
​AUSTRALIA | FEBRUARY 2027
​
Presented by Frontier Touring

REGISTER FOR TICKETS VIA HAYLEYWILLIAMS.HQ.FAN/THWS-AUSTRALIA
​Registration Period Opens
: 8am AEST, Friday 18 September
​Registration Period Closes: 8am AEST, Sunday 20 September

 ​Wednesday 10 FEBRUARY
​Enmore Theatre | Sydney NSW (Lic. All Ages)

Wednesday 17 FEBRUARY
​Forum | Melbourne VIC (18+)

 

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW HAYLEY WILLIAMS:
​
hayleywilliams.net
​Facebook | Instagram | YouTube | Spotify | Apple Music

September 18, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

C.O.F.F.I.N Release New Album Out In Oslo via p(doom), Share ‘Gettin’ Down’ Video

by the partae September 18, 2026
written by the partae

Sydney rock band C.O.F.F.I.N have released their sixth studio album, Out In Oslo, via p(doom) records, alongside a new video for the album’s focus track, ‘Gettin’ Down’.

The release also arrives with the band’s feature-length documentary, 10,000 Miles From Oslo, which premiered on Rolling Stone and is now available to watch online.

Produced by Declan Mehrtens, known for his work with Amyl and The Sniffers, with vocals co-produced by Jason Whalley of Frenzal Rhomb, Out In Oslo sees C.O.F.F.I.N expand on the sound established across their previous releases. The album retains the grit and energy associated with the band while incorporating broader dynamics, richer textures and a more expansive approach to songwriting.

The album follows the release of singles including ‘13 Days’, C.O.F.F.I.N’s first acoustic track, ‘Sleep In It’ and ‘Think Bad’. Across those releases, the band explored a more varied pace and approach, moving beyond their traditionally wall-of-sound presentation into grooves and arrangements drawing on rock’n’roll influences.

‘Gettin’ Down’ is accompanied by a video directed by C.O.F.F.I.N vocalist Ben Portnoy. The clip presents the band and their friends during a night out, deliberately contrasting the celebratory atmosphere of the visuals with the song’s more troubled subject matter.

Portnoy has previously directed videos for Cutters, Grace Cummings and Stiff Richards, and was recently featured on Rage.

C.O.F.F.I.N formed on Sydney’s Northern Beaches and have built their reputation through an extensive touring history, sharing stages with acts including Amyl and The Sniffers, Viagra Boys and King Gizzard & The Lizard Wizard.

Their previous full-length album, Australia Stops, was released in 2023 and received an ARIA nomination for Best Hard Rock / Heavy Metal Album, as well as a National Live Music Award nomination for Best Hard Rock / Heavy Album.

The accompanying documentary, 10,000 Miles From Oslo, follows more than two decades of C.O.F.F.I.N, from founding members Ben Portnoy and Abijah Rado beginning to perform together at the age of 12 through to the band’s development into an internationally touring live act. The film also features Aaron Moss and Steven “Kosty” Kostogiannis and focuses on the friendships and history behind the band.

With Out In Oslo now released, C.O.F.F.I.N will return to Australia for their biggest headline shows to date in February and March 2027, with dates scheduled for Melbourne, Sydney, Brisbane, Perth, Adelaide and Hobart. Before that run, the band are scheduled to play the King Gizzard & The Lizard Wizard-curated Block Party in Melbourne/Naarm on 18 October 2026.

STREAM

Out In Oslo Tracklist

Out In Oslo

Sleep In It

Think Bad

A Place to Stay

13 Days

Won’t Let You Down

Loose Ties

Fair Enough

Gettin’ Down

See Ya Later

Miles Away

C.O.F.F.I.N Australian Tour 2027

TICKETS

Friday 26 February — Max Watts, Melbourne VIC
Friday 5 March — Factory Theatre, Sydney NSW
Saturday 6 March — Crowbar, Brisbane QLD
Friday 12 March — The Rosemount, Perth WA
Saturday 13 March — Lion Arts Factory, Adelaide SA
Saturday 20 March — Altar Bar, Hobart TAS

Out In Oslo is out now via p(doom) records.

C.O.F.F.I.N IS 
Ben Portnoy – Lead Vocals / Drums
Abijah Rado – Lead Guitar / Vocals
Aaron Moss – Guitar / Vocals
Steven ‘Kosty’ Kostogiannis – Bass / Vocals
CONNECT WITH C.O.F.F.I.N
WEB | INSTAGRAM | YOUTUBE | SPOTIFY | APPLE MUSIC | BANDCAMP
September 18, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

DEM MOB Return to Country with ‘Frequency

by the partae September 18, 2026
written by the partae

South Australian hip hop group DEM MOB have released their new single and music video, ‘Frequency’, created in collaboration with the National Institute of Dramatic Art (NIDA).

The track marks a return home for the group after years travelling between Adelaide and the APY Lands. For the recording, DEM MOB loaded a recording van and travelled to Wali Kutju, Basso’s family homeland, roughly an hour south of Uluru. With no mains power available at the site, the recording sessions ran from a generator, with Basso’s father and uncle also joining the sessions.

The group says the location was central to the creation of the track, with Country, family and culture shaping the recording process.

‘Frequency’ explores ideas around inheritance, cultural knowledge and what is passed between generations. Its refrain calls on listeners to open their body, mind and Kurunpa, the Pitjantjatjara word for soul.

DEM MOB describe the song as a “generational song”, centred on learning from elders, keeping knowledge alive and passing it forward. The group connects the song’s themes to the continuation of Anangu culture, including language, Country, song, dance and ways of living.

The track also became the starting point for a new visual project after DEM MOB were selected through a joint competition run by triple j, rage and NIDA. The opportunity gave the group a week in Sydney working alongside NIDA students to create the official music video.

The resulting production brought together the song’s remote origins and a Sydney soundstage, with the video directed by Elyse Armstrong and produced by Tianna Perini. Dillon Mak served as director of photography, with Adithi Iyer as production designer and Cameron Manion as editor.

‘Frequency’ is now available to buy and stream.

Formed in the remote APY Lands of South Australia, DEM MOB are described as the first hip hop group to rap in Pitjantjatjara. The quartet has developed a body of work combining English and Pitjantjatjara verses, with hip hop used as a vehicle for education and equity in remote Australia.

The group has performed at WOMADelaide, Primavera Sound in Barcelona, SXSW Sydney, New York’s Lincoln Center and the Toronto International First Nations Summit. Their accolades include multiple South Australian Music Awards, the APRA Emily Burrows Award and the Helpmann Academy’s Elise Ross Prize.

DEM MOB have also worked extensively in education, including helping open the new Fregon Anangu School in the far north of South Australia’s Anangu Lands, where they ran songwriting, performance and stagecraft workshops with ARIA Award-winning rapper BARKAA.

LISTEN HERE + WATCH HERE

Produced by the National Institute of Dramatic Art (NIDA) and Triple J

Stay connected with DEM MOB:
23 Profile | Instagram | Facebook | TikTok | YouTube

September 18, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

Hargun Kaur & Kirti Varsani Connect Sacred Tradition With Contemporary Sound

by the partae September 18, 2026
written by the partae

Some music asks to be heard. Some asks you to slow down.

For Hargun Kaur and Kirti Varsani, devotional music has been a shared creative practice since 2014, bringing together two distinct musical traditions and finding contemporary ways to present them without losing their connection to the sacred material at their centre.

Their latest releases, Chandaliyo and Surrender, take that idea in two very different directions. One draws on the movement and celebration of Gujarati folk traditions, while the other settles into a quieter, more reflective space shaped by Punjabi folk roots, traditional shabads and sacred texts.

Released on July 15, 2026, Chandaliyo is a 5:15 single inspired by Gujarati raas, garba and folk music. The track is built around Kirti Varsani’s composition and music direction, Hargun Kaur’s vocals and lyrics by Parth Tarpara. At its centre is a 200 year old traditional chhand by Sadguru Shree Brahmanand Swami, reimagined through a modern rap rhythm.

That contrast is fundamental to the track. The traditional devotional text remains at its core, while the contemporary rhythm gives it a different musical setting. Varsani’s production keeps the arrangement rooted in Gujarati folk tradition, while Kaur’s vocal performance carries both the reverence of the original chhand and the playfulness associated with the raas and garba traditions that inspire the song.

The track credits Roto Shah as arranger and Jay Rathod as music assistant, with recording, dubbing and mixing completed at WoW & Flutter Studio. Tanay Gajjar and Kardamsharma Joshi are credited as mix engineers. Dipesh Mavani handled direction of photography, editing and colour, with Divyesh Chikani and Monik Nakrani credited on the video team. Distribution is credited to Artvik Studios, Vikram N. Chauhan.

If Chandaliyo finds its energy through movement, Surrender takes the opposite route.

Released July 27, 2026, Surrender is a six track devotional album filed under New Age, Ambient and Chant. The record brings Punjabi folk roots and traditional shabads into a contemporary setting, with Kaur’s vocals moving between chant and melody and Varsani’s arrangements giving the songs room to breathe.

The album’s six tracks are Surrender (Ja Tu Mere Wal) at 5:47, Reverence (So Satguru Pyara) at 5:46, Eternal (Saaiyan) at 6:24, Divine Grace (Kar Rehmatan) at 4:26, Refuge (Guru Ramdas Rakho Sarnayi) at 3:46 and Oneness (Ik Onkar) at 2:17. The sequence moves from invocation through devotion and closes with Oneness (Ik Onkar).

Kaur is credited with lead vocals, while Varsani is the album’s music director and one of its composers alongside Kaur. The lyrics draw from traditional sacred texts and shabads adapted for musical performance, alongside original lyrics by Kaur.

The partnership behind the music brings together two different backgrounds. Kaur is from Amritsar, Punjab, and is described as an award winning singer, lyricist and harmonium player. She was a Top 5 finalist on India’s Got Talent and works across more than five languages, bridging classical and contemporary styles.

Varsani is from Bhuj Kutch, Gujarat, and has spent decades composing devotional music, with his work including music for Maninagar Shree Swaminarayan Gadi Sansthan. Their collaboration brings these different traditions together while maintaining a contemporary focus.

Across Surrender, the pair adapt traditional shabads and sacred texts alongside original lyrics, with the album moving from invocation through devotion to the quiet release of its closing track.

Taken together, Chandaliyo and Surrender show the breadth of Kaur and Varsani’s ongoing collaboration. Chandaliyo places a centuries old devotional text inside a modern rhythmic framework, drawing from the communal energy of Gujarati folk traditions. Surrender turns inward, using chant, melody and spacious arrangements to create a devotional record centred on reflection.

The connection between the two releases is not a particular genre or production style, but the way Kaur and Varsani approach traditional material: with the source traditions remaining central while the music creates a contemporary setting around them. After working together since 2014, these releases continue a partnership built around faith, heritage and contemporary musical expression.

Instagram: https://www.instagram.com/kirtivarsaniofficial/

YouTube: https://www.youtube.com/@kirtivarsani

LinkedIn: https://www.linkedin.com/in/kirtivarsani

Instagram: @iamhargunkaur

Facebook: Hargun Kaur on Facebook

Official website: hargunkaur.com

September 18, 2026 0 comments
1 FacebookTwitterPinterestEmail
Eats & DrinksFashion & Culture

Sea Sea Hotel Is Bringing a New Creative Energy to Crescent Head

by the partae September 17, 2026
written by the partae

Crescent Head, NSW, has a new hotel that brings together surf, culture, music, art, food and design under one roof.

Sea Sea Hotel is a 24 room property created by Gorrow Studio, founded by George Gorrow and Cisco Tschurtschenthaler. The hotel has been named in TIME World’s Greatest Places 2026, and is the only Australian hotel included on this year’s list.

Built around Crescent Head’s iconic point break, Sea Sea reimagines the surf motel as a cultural environment, bringing architecture, music, art and food together as a single experience grounded in its location.

The project took two and a half years to complete, working with an original 1980s structure and retaining its bones while refining the spaces around it.

Inside, stained timber, aged brick and coffee toned stone sit alongside original furniture, vintage pieces and commissioned works. More than 3,000 native plants have been added across the property, alongside communal areas and a pool.

The front boundary has also been removed, opening the hotel to the street and positioning it as part of the town rather than separate from it.

Music has a central role at Sea Sea. An audio lounge sits at the heart of the property, built for listening and anchored by a fireplace and original Klipsch La Scala speakers.

Sea Sea Radio runs continuously across the hotel, curated by Wesley Herron of Reverberation Radio. The project is conceived as a form of deep listening, operating as a single, continuous transmission across the property.

The hotel’s gallery features works from George Gorrow’s personal collection, built through long standing relationships. Artists represented include Xu Zhen, MADSAKI, Bäst and Kate Bellm.

An online gallery platform will extend the program beyond the hotel, beginning with Alby Falzon and presenting recognised and previously unseen works.

Gorrow grew up alongside photographer Peter Crawford on Sydney’s northern beaches and now works with his son to extend the archive. His long standing collaboration with Wesley Herron also informs the project’s approach to sound.

Surf culture is another direct connection to Crescent Head.

Guests have access to a curated rental fleet of boards through Wild Things Gallery, featuring Gato Heroi, Dead Kooks, BMT by Alex Knost, Neal Purchase Jr, Crème and others.

The project is also connected to Crescent Head’s wider surf history, with the town having been home to influential creatives including Alby Falzon and the late Jack McCoy.

Food at Sea Sea is built around what the hotel describes as a sane kitchen: simple, produce driven food grounded in how people actually want to eat.

Milan born chef Sarah Bregaglio leads the kitchen. Her background includes Alain Ducasse’s London kitchen as well as Australian venues including Glass Brasserie and Restaurant Hubert.

The menu focuses on seafood and seasonal ingredients, while the bar is led by internationally recognised, award winning beverage director Antonello Arzedi. The drinks program uses local produce and seasonality as its foundation.

Accommodation is offered across Studios, Suites and a Private Villa.

The rooms open fully towards the landscape, with stone floors extending from interior to exterior and large format sliding doors dissolving the boundary between the two.

Each space includes Sea Sea TV & Radio, custom audio, integrated artwork, custom lighting and furniture, while in house amenities have been developed with Fields of Yarrow.

Sea Sea follows Gorrow Studio’s earlier hotel, The Slow in Bali, which operated from 2016 to 2020 and was recognised for its approach to boutique hospitality.

George Gorrow has more than 25 years of experience across fashion, culture and hospitality. He is best known as the co founder and longtime Creative Director of Ksubi, and his work has extended across fashion, hotels, restaurants and immersive environments.

Cisco Tschurtschenthaler is Studio Director at Gorrow Studio and works across fashion, hospitality and brand development. She began her career in fashion, working internationally across Paris, New York and Milan, and is the founder of Cisco and the Sun, a brand she built and exited.

Together, Gorrow and Tschurtschenthaler have created a hotel that brings their experience across fashion, design, culture and hospitality into a project specifically connected to Crescent Head.

 For Gorrow, the starting point was the location itself.

“Sea Sea was built around Crescent Head’s iconic wave, the culture that surrounds it, and that feeling of exploring the coast barefoot – a community shaped as much by place as by the people within it,” he says.

“Crescent has long played a role in surf culture, home to influential creatives including Alby Falzon and the late Jack McCoy. The idea was simple: create something real, something rooted in place, and let everything grow from there.”

Sea Sea Hotel brings that idea together through its architecture, music, art, food, rooms and connection to surf culture, with Crescent Head remaining at the centre of the project.

 

SEA SEA SURF CLUB HOTEL

30-34 PACIFIC ST, CRESCENT HEAD NSW AUSTRALIA
+61 447 441 009

WEBSITE

September 17, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

1tbsp Turns Factory Line Repetition Into Dancefloor Euphoria on ‘Wish You Luck’

by the partae September 17, 2026
written by the partae

Australian producer and songwriter Maxwell Byrne, the artist behind 1tbsp, has released ‘Wish You Luck’, a collaboration with Vienna based artist kid on air, also known as Juanita Sohé Pereira Lillo.

The track explores consumerism and the rituals of modern life through clipped cycles, electronic textures and repetition. Byrne and Pereira Lillo wrote the song at Villa Lala Studios in Vienna last summer, with Byrne drawn to the mechanical quality of the lyrics and their repeated, functional character.

That idea became central to the track. Byrne has described the lyrics as feeling mechanical and repetitive, similar to components moving along a production line, connecting with themes he is exploring in his forthcoming work.

The contrast comes through in the chorus, which Byrne wanted to break away from the more repetitive structure of the verses. He cites Blur’s ‘Song 2’ as a reference point, recalling first hearing the song as a child through the trailer for the 2004 Thunderbirds film.

The accompanying video was filmed in Vienna a year after the song was written. Byrne co directed the video with Elif Gündüz, with styling by Alara Koçman and Pereira Lillo involved throughout the production.

The video’s concept developed from conversations between Byrne and Gündüz about the heightened awareness of germs following COVID 19 and the everyday habits associated with it. The video explores ideas around touch, contamination and ordinary objects, with the production including a papier mâché bar of soap made by Byrne and Pereira Lillo the night before filming.

‘Wish You Luck’ continues the open ended approach Byrne has developed through 1tbsp since launching the project in 2021. His work as 1tbsp draws from house, reggaeton, synth pop, techno and other elements of global club culture, with previous collaborations including Ninajirachi, Soltera and mietze conte.

Before 1tbsp, Byrne established himself as a songwriter and producer under the name Golden Vessel. 1tbsp began as an outlet for ideas that did not fit within that project and has since developed into a separate body of work.

As 1tbsp, Byrne has performed at festivals including Laneway Festival, Groovin the Moo, Electric Forest, Portola, Shambala and Strawberry Fields, alongside headline shows in Australia, Europe and North America.

His creative work also extends into film and visual projects through his independent production company and music label dottidot. His debut short film, Sandtrap, was presented at Bolton Film Festival in 2025.

‘Wish You Luck ft. kid on air’ is out now.

1tbsp 2026 Tour Dates

Sunday 4 October
Yours & Owls, Wollongong, NSW

Friday 16 October
III Points Festival, Miami, FL

Saturday 17 October
Pisces, Atlanta, GA

Sunday 18 October
III Points Satellite Party @ The Ground, Miami, FL

Thursday 22 October
Nowadays, Brooklyn, NY

Friday 23 October
Runnymede, Toronto, ON

Saturday 24 October
Transmission, Washington, DC

Friday 30 October
Studio TD, Montreal, QC

Saturday 31 October
La Escuelita, Chihuahua, MX

Sunday 1 November
Antro Juan, Mexico City, MX

Saturday 14 November
Seismic Dance Event, Austin, TX

Friday 20 November
Strawberry Fields Festival, Tocumwal, NSW

Saturday 26 December
WAT Boxing Day Event, Barwon Heads Hotel, VIC

The release identifies ‘Wish You Luck’ as out now and lists the above dates as part of 1tbsp’s 2026 schedule.

Get tickets here

Stay connected with 1tbsp:
23 Profile | Instagram | YouTube | TikTok

September 17, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

@ Share New Single ‘Bird’ Ahead of Debut 4AD Album Autosmile

by the partae September 17, 2026
written by the partae

Philadelphia based art folk duo @, pronounced “at”, have released a new single titled ‘Bird’, taken from their forthcoming debut album for 4AD, Autosmile.

Autosmile is due for release on Friday 16 October via 4AD / Remote Control Records. The album will be the duo’s first release with 4AD.

‘Bird’ opens with acoustic guitar and clarinet passages before moving into choral harmonies. The band describes the song as being inspired by dead baby birds that repeatedly appeared on a deck, with the track written during a bike ride through Druid Hill Park in Baltimore.

The accompanying music video was directed by Caity Arthur. Arthur’s visual approach was influenced by the song’s combination of humour and macabre subject matter, as well as the death of a bird on her own balcony while she was developing the video.

‘Bird’ follows two previously released tracks from Autosmile: ‘Punish My Mind’ and the album’s title track, ‘Autosmile’. The latter runs for nearly seven minutes and was selected by Pitchfork as a Best New Track.

Autosmile features 11 tracks, including ‘Bird’, ‘Love In The Dark’, ‘I Know You Are (But What Am I Thinking)’, ‘Earthly Love’, ‘Your Dog’, ‘Untitled’, ‘I’m Not In Pain’, ‘Punish My Mind’, ‘Judgement Farmer’, ‘Autosmile’ and ‘Amity’.

The album brings together multi instrumentalist songwriters Victoria Rose and Stone Filipczak. Away from @, Rose works as a beekeeper while Filipczak is a self taught computer programmer. Their collaboration draws on psychedelic folk, with the album also incorporating baroque arrangements, indie rock songwriting and progressive flourishes.

The duo have described their songwriting process as deliberately private, with Rose and Filipczak not telling each other what their individual songs are about. Across Autosmile, the lyrics explore themes of adversity and possibility while maintaining the project’s focus on curiosity and wonder.

Alongside the album release, @ have announced a North American headline tour and a new London headline show scheduled for June 2027.

Autosmile will be available on Soil Brown vinyl, CD and digital formats. A special bundle featuring the Soil Brown LP, a 12×12 insert and signed photo print is also available to pre order through Bandcamp and the 4AD webstore.

‘Bird’ is available to stream and download now, with Autosmile arriving 16 October via 4AD / Remote Control Records.

@
Website | Instagram | Twitter | Bandcamp

September 17, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Leon Bridges Announces The Happiness Anytime Australian Tour

by the partae September 17, 2026
written by the partae

Grammy Award winning singer songwriter Leon Bridges will return to Australia in February and March 2027 with The Happiness Anytime Tour, marking his seventh Australian visit.

The tour will begin at the Sydney Opera House Forecourt on Friday 26 February before travelling to Brisbane, Fremantle, Adelaide and Melbourne. Bridges will perform at On the Banks at Brisbane’s Cultural Forecourt QPAC, Walyalup Fremantle Arts Centre, WOMADelaide Festival and Melbourne’s Royal Botanic Gardens.

Bridges’ Australian return coincides with the release of his fifth studio album, Happiness Anytime, with the final instalment, Part 3, scheduled for release on 25 September via Columbia Records.

Parts 1 and 2 of the album have already been released. According to the announcement, the project combines elements of Bridges’ 2015 debut album Coming Home with influences from his collaborations with Khruangbin.

The 12 song album was produced by J Lloyd Watson and Lydia Kitto of British trio Jungle. Movement, groove and joy are central themes throughout the record, with Bridges describing happiness as something he wants the album to leave with listeners rather than something to be chased.

The album rollout has included pop up performances in Paris, Cannes, Los Angeles, at Montreux Jazz Festival, London, Chicago and Outside Lands. Bridges has also introduced a new live production titled Leon Bridges Presents Happiness Anytime, featuring a DJ, horn section, three backing vocalists and Bridges performing at the front of the stage.

Special guest 54 Ultra will join Bridges for the Sydney, Brisbane, Fremantle and Melbourne dates. The New Jersey based project is the solo work of singer, songwriter and producer JohnAnthony Rodriguez. His latest release, Tell Me, is described in the announcement as a bilingual indie soul track incorporating Latin influences and indie rock.

In Melbourne, Australian funk group Surprise Chef will also join the bill at the Royal Botanic Gardens. The Coburg quartet will bring material from their forthcoming fifth studio album, Frogs In A Pond, which is set for release via Concord Jazz.

The Australian dates are presented by Frontier Touring and Penny Drop.

Frontier Members can access the presale from Wednesday 23 September at 9am local time, running for 23 hours or until the presale allocation is exhausted. General ticket sales begin Thursday 24 September at 9am local time.

LEON BRIDGES
​
THE HAPPINESS ANYTIME AUSTRALIAN TOUR
​FEBRUARY & MARCH 2027
​WITH SPECIAL GUESTS 54 ULTRA & SURPRISE CHEF^
​
Presented by Frontier Touring and Penny Drop
​

FRONTIER MEMBER PRESALE*
​
via frontiertouring.com/leonbridges
​Runs 23 hours from: Wednesday 23 September, 9am (local time)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Thursday 24 September, 9am (local time)
​

FRIDAY 26 FEBRUARY
​Sydney Opera House Forecourt | Sydney NSW (Lic. All Ages)
​
sydneyoperahouse.com

SUNDAY 28 FEBRUARY
​On the Banks, Cultural Forecourt QPAC | Brisbane QLD (Lic. 18+)**
​
onthebanks.com.au

WEDNESDAY 3 MARCH
​Walyalup Fremantle Arts Centre | Fremantle WA (Lic. 18+)***
​
oztix.com.au

FRIDAY 5 MARCH
​WOMADelaide Festival | Adelaide SA (Lic. All Ages)
​
womadelaide.com.au

SATURDAY 6 MARCH
​Royal Botanic Gardens | Melbourne VIC (Lic. All Ages)
​
ticketmaster.com.au
​

^Surprise Chef playing in Melbourne only
​*Frontier Members can access presale tickets for all shows except WOMADelaide Festival
​**Minors 15 – 17 years of age are permitted to attend, if accompanied by a responsible adult. ​
​***Minors are permitted to attend if accompanied by a parent or legal guardian, who is at least 25 years old. Maximum of two minors per parent or legal guardian.

 

Patrons are advised to purchase tickets only through authorised ticket sellers.

 We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW LEON BRIDGES:
​
Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music ​

frontiertouring.com/leonbridges | facebook.com/frontiertouring instagram.com/frontiertouring | tiktok.com/@frontiertouring

September 17, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

Gotts Street Park Announce Somewhere Between and Share New Single ‘Flowers’ Featuring Pip Millett

by the partae September 17, 2026
written by the partae

 NEW SINGLE ‘FLOWERS (FEATURING PIP MILLETT)

UPCOMING SECOND STUDIO ALBUM SOMEWHERE BETWEEN

OUT OCTOBER 16 VIA PLAY IT AGAIN SAM

Leeds-based trio Gotts Street Park have announced their second studio album, Somewhere Between, set for release on October 16 via Play It Again Sam. Alongside the announcement, the instrumentalists and producers have shared new single ‘Flowers’, featuring longtime collaborator Pip Millett.

‘Flowers’ draws on the sound of soul music’s golden age, built around a gently rolling chord progression and an understated groove. The track explores resilience, patience and the possibility of brighter days, with Millett’s intimate vocal delivery sitting alongside the trio’s restrained instrumentation and arrangements.

Millett has previously collaborated with Gotts Street Park on tracks including ‘Got To Be Good’, ‘Change My Ways’ and ‘Fool For Love’. Speaking about ‘Flowers’, she describes the song as being about moving through difficult periods in order to grow into something positive, with the reminder that difficult days do not last forever.

The track originated during a session at Chairworks, a studio outside Leeds, where Gotts Street Park were working with Millett on material for her album. The group said the session produced around four songs, with ‘Flowers’ initially existing as a more stripped-back groove. The trio recalled repeatedly playing the same section for an extended period because of how much they enjoyed it, eventually developing the track further.

Somewhere Between continues the soul, jazz and hip-hop influences present throughout Gotts Street Park’s previous work while introducing elements of psychedelic music, folk and Americana. The album draws inspiration from artists including Dick Gaughan, Jessica Pratt, Big Thief and Blaze Foley, alongside the working methods of the house bands associated with Stax Records and Sun Records.

The trio have described the record as an expansion of their established sound rather than a complete departure, with new musical elements woven into their existing approach. The album also places an emphasis on collaborative and human approaches to music-making, with Gotts Street Park highlighting intuition, openness and the chemistry created when musicians work together.

The album features a substantial cast of guest vocalists, including Celeste, Olive Jones, Pip Millett, Matt Maltese, Sofia and the Antoinettes, anaiis and Rosie Lowe. The 11-track record includes previously released singles ‘Some Birds Don’t Fly’, featuring Matt Maltese, and ‘Easy’, featuring Celeste.

‘Some Birds Don’t Fly’ arrived as the album’s first single in May, followed by ‘Easy’ in July. ‘Easy’ features Celeste and combines retro soul and hip-hop influences, while ‘Some Birds Don’t Fly’ brings together soft rock and neo-soul with blues influences.

Somewhere Between follows Gotts Street Park’s 2023 album On The Inside. According to the band’s latest release information, On The Inside has surpassed 300 million streams across digital streaming platforms. The album included tracks such as ‘Got To Be Good’ featuring Pip Millett, ‘Fuego’, ‘Mountains’ featuring ENNY and ‘Tell Me Why’ featuring Olive Jones.

‘Got To Be Good’ has also appeared beyond the album, with placements in Season 3 of BBC series Boarders and the Universal Pictures film Finding Emily, starring Spike Fearn and Minnie Driver.

With ‘Flowers’ now available and Somewhere Between scheduled for release on October 16, Gotts Street Park are continuing to expand the musical territory established across their previous work while maintaining the collaborative approach that has shaped their catalogue.

Somewhere Between tracklist:

Wake Me Up (feat. Olive Jones)
Flowers (feat. Pip Millett)
Nico’s Theme
Some Birds Don’t Fly (feat. Matt Maltese)
Shape Of America (feat. Sofia and the Antoinettes)
Easy (feat. Celeste)
Lay Low
Below The Water (feat. Rosie Lowe)
Don’t Give Up (feat. anaiis)
Slippy
Going Home

Somewhere Between by Gotts Street Park
is out October 16 on Play It Again Sam
Pre-save: https://gottsstreetpark.lnk.to/somewhere-betweenPR

For more information on Gotts Street Park, follow them below.
Facebook
Instagram
Twitter
September 17, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

OVERMONO TICKETS – ON SALE NOW

by the partae September 16, 2026
written by the partae

Welsh electronic duo Overmono bring their Pure Devotion live show to PICA, Melbourne on Saturday 9th January 2027.

 Their only headline Victorian date this summer, with Beyond The Valley already sold out.

Presale was hot, grab them before they’re gone.

TICKETS BELOW

MELB TICKETS

Saturday 9 January 2026 | PICA, Melbourne / Naarm‍

 

 

TOUR INFORMATION
Facebook Instagram TikTok YouTube
September 16, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Calvin Harris Announces First Ever Australian Headline Tour for 2027

by the partae September 16, 2026
written by the partae

Calvin Harris will return to Australia in February 2027 for his first dedicated Australian headline tour, with four outdoor shows announced across Perth, Brisbane, Sydney and Melbourne.

The tour will begin at Langley Park in Perth on Thursday 18 February, followed by a show at Brisbane’s RNA Showgrounds on Friday 19 February. Harris will then perform at The Domain in Sydney on Saturday 20 February before the tour concludes at Flemington Racecourse in Melbourne on Friday 26 February.

The Scottish DJ and producer has released music across a career spanning more than two decades. His catalogue includes collaborations and solo releases such as ‘One Kiss’ with Dua Lipa, ‘This Is What You Came For’ featuring Rihanna, ‘Summer’, ‘Feel So Close’, ‘Sweet Nothing’ featuring Florence Welch and ‘Blame’ featuring John Newman.

Harris has previously performed in Australia at events including Festival X, Stereosonic and Big Day Out. The 2027 dates represent his first dedicated Australian headline tour.

His studio albums include I Created Disco, Ready for the Weekend, 18 Months, Motion, Funk Wav Bounces Vol. 1 and Funk Wav Bounces Vol. 2. His work has also included collaborations with artists including Sam Smith, Ellie Goulding, Rihanna, Dua Lipa, Florence Welch, John Newman and Pharrell Williams.

Harris has performed at international festivals including Coachella, Creamfields and Glastonbury and has held residency performances in Ibiza and Las Vegas. According to the tour announcement, his recorded music has accumulated more than 35 billion streams worldwide.

CALVIN HARRIS – AUSTRALIA TOUR 2027

Ticket and event details

Pre-Sale & On-Sale Details:
Telstra Pre-Sale: Monday, 21 September 11am (local time) – Wednesday, 23 September 11am (local time)
Calvin Harris Pre-Sale: Wednesday, 23 September 12pm (local time) – Thursday, 24 September 12pm (local time)
General On-Sale: Thursday, 24 September at 1pm (local time).

Tour Dates:
Thursday 18 February 2027 – Langley Park, Perth
Friday 19 February 2027 – RNA Showgrounds, Brisbane
Saturday 20 February 2027 – The Domain, Sydney
Friday 26 February 2027 – Flemington Racecourse, Melbourne

September 16, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

INTERVIEW: Ghislain Robichaud on Canada, Australia and the Power of Music Diplomacy

by the partae September 15, 2026
written by the partae

As Consul General of Canada in Sydney, you join BIGSOUND 2026 as Canada takes on the role of Featured Guest Country. What does this opportunity mean for you, and why is BIGSOUND an important platform for strengthening the connection between Canada and Australia’s music industries?

BIGSOUND is an incredible event that has a sense of history, after 25 years of connecting the industry, and of fresh new opportunity. It was a great experience to be there with our Canadian delegation, recruited by CIMA and MMF Canada. The experience confirmed how valuable these industry gatherings are as a platform to meet, network, discuss global industry issues, and establish pathways to partnership.

How was your experience at BIGSOUND, and what has stood out to you?

It was fantastic – so many conversations and experiences throughout the week in Brisbane and during the Gold Coast familiarisation program. I’m particularly encouraged by the response of our Canadian delegates, who had business meetings and are generating long-term trade opportunities for their companies and for their Australian partners.

Canada and Australia share strong music cultures and geographically diverse creative communities. What similarities do you see between the two countries?

As Commonwealth cousins, Canada and Australia share many similarities despite our geographic distance. From respect for Indigenous heritage and Reconciliation, to the protection of national content and copyright in the age of AI and tech expansion.

At a basic level, Canadians and Australians enjoy strong friendships, and that forms an excellent basis for collaboration, particularly in the arts.

What has impressed you most about Australia’s music industry since arriving in Queensland?

The dynamism, energy, and passion for music were evident everywhere, from the artists and industry discussions to the venues. It all started with the First Nations opening ceremony in the mall. That was so powerful and connected everyone present to the significance of music and culture.

Canada has produced an extraordinary number of artists who have gone on to become global names. What do you think Australia does particularly well when it comes to developing artists, and where could the two countries learn from each other?

I’m impressed with the national presence of music and championing of artists in both countries. Australia has a well-established network of industry associations at various levels, from Music Australia and the #AUSIFY campaign to powerful initiatives in the well-being space, such as SUPPORT ACT, and local council involvement, such as the City of Brisbane and Gold Coast support at BIGSOUND.

As we continue to enter new terrains of globalisation with the impacts of AI – both positive and negative – this is an area where Canada and Australia can share expertise and pragmatic solutions as allies with common goals for the sector.

Have you discovered any Australian artists at BIGSOUND 2026 that you think could find an audience in Canada?

Too many to name! I’ll leave this with my Canadian industry delegates to help define and develop projects. One of our delegates has a business focus on touring an Australian blues artist in Canada. We had so many genre interests covered in our delegation – from experts in Hip Hop, Indigenous, Reggae, Neo-Classical, Indie-Rock, Heavy Metal, and Country – there’s something for every taste, representing the diversity of our music market.

What opportunities do you see for Canadian artists and music businesses looking to build stronger connections with Australia?

The camaraderie and collaboration raise potential for outcomes in many areas – from AI impacts and policy collaboration to sharing touring opportunities and garnering the expertise within each market. It will be important for follow-up to build on the momentum of Canada’s participation at BIGSOUND. This may include return delegations in both directions, individual projects, and sector-specific discussions.

There are some areas that may require a closer look to address irritants. Stay tuned, as we’re already in discussion regarding mission follow-up!

On the other side, what opportunities does Canada offer Australian artists and music businesses looking to expand internationally?

Like Australia, Canadians love their music! Opportunities abound as a similar-sized nation, with an array of festivals, events, venues, and industry gatherings across the country. I’d encourage Australians interested in Canada to find their like-minded allies in the industry and explore what’s possible. A good place to start may be via the delegation that’s just attended BIGSOUND and has Australia top of mind. See list here.

Music can be a powerful form of cultural diplomacy. What can music achieve between Canada and Australia that traditional diplomatic conversations sometimes cannot?

Music provides us with a safe space to meet and understand each other in a way that few other industries can. It provides a platform to share stories, knowledge, and experiences.

The Welcome to Country ceremony is a constant reminder of the entwined value of music and culture. At BIGSOUND, this was diplomacy that reflected ancient traditions expressed in music, dance, and story.

Today, this firsthand experience, of being on Country in Canada or Australia, and sharing music together, opens doors to discussion that can only be positive for diplomacy. In my experience, cultural diplomacy provides access and influence that traditional diplomacy alone cannot achieve.

When BIGSOUND 2026 is over, what would make you look back and say Canada’s involvement was a success?

I can already say it was a success, given the positive feedback from our crew on the ground in Brisbane for BIGSOUND. I look forward to seeing increased music flow between both our countries through tours, distribution deals, and other partnerships that help our societies grow, both economically and culturally.

BIGSOUND WEBSITE

BIGSOUND INSTAGRAM

September 15, 2026 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Good Things Festival 2026 Unveils Huge Line-Up Led by Limp Bizkit, Simple Plan and Spiritbox

by the partae September 15, 2026
written by the partae

Good Things Festival has announced its 2026 line-up, bringing a major selection of rock, punk, metal, hardcore, alternative and pop punk artists to Melbourne, Sydney and Brisbane this December.

Leading the bill is Limp Bizkit, who will headline the 2026 festival following their appearance at Good Things in 2023. They are joined at the top of the line-up by Canadian pop punk favourites Simple Plan and progressive metal outfit Spiritbox.

The festival will take place across three consecutive days, beginning at Flemington Racecourse in Melbourne on Friday 4 December before moving to Sydney Showground on Saturday 5 December and Brisbane Showgrounds on Sunday 6 December. All three events are 16+.

Limp Bizkit return to Good Things after their 2023 appearance, with the band continuing a career that has spanned more than three decades. The group emerged from the late 1990s nu metal movement and went on to become one of the most commercially successful acts associated with the genre.

Their catalogue includes 1997’s Three Dollar Bill, Y’all, 1999’s Significant Other and 2000’s Chocolate Starfish and the Hot Dog Flavored Water, while their most recent studio album is 2021’s Still Sucks.

Simple Plan will also return to Good Things, having previously appeared at the festival in 2019. The Canadian band celebrated their 25th anniversary in 2025 and have continued touring and performing to audiences around the world.

Spiritbox will make their return to Australia after their Australian debut at Knotfest Australia in 2023. The Canadian band broke through internationally with their 2021 debut album Eternal Blue and followed it with their second studio album, Tsunami Sea, in 2025.

The festival’s 2026 line-up extends well beyond its three headline acts, with Polaris, The All-American Rejects, Bad Religion, Alexisonfire, Grinspoon, Millencolin, Bilmuri, Ministry, Chad Gray, MxPx, Neck Deep, Speed, Slowly Slowly, P.O.D., The Devil Wears Prada and Choirboys also joining the bill.

There are several special performances built into the line-up.

Alexisonfire will perform their album Crisis in full, while Swedish punk band Millencolin will perform Pennybridge Pioneers in full.

Ministry are billed for their farewell Australian performances, while Chad Gray will present “30 Years of Madness”, featuring songs from Mudvayne and Hellyeah.

Bad Religion will celebrate their “45 Year + 1 Anniversary” as part of the festival, adding another significant milestone to a bill already packed with artists whose careers have helped shape alternative and heavy music.

The Australian line-up also features Grinspoon, Speed, Slowly Slowly and Choirboys.

Grinspoon return with a catalogue that stretches back to the band’s formation in the 1990s, while Sydney hardcore group Speed continue to build their international profile.

Melbourne’s Slowly Slowly are also part of the 2026 line-up, alongside Australian rock veterans Choirboys.

Further international acts include All Them Witches, The Black Queen, Future Palace, Headwreck, House Of Protection, The Home Team, ivri, Kami Kehoe, Locked Shut, LØLØ, vianova and Voice Of Baceprot.

The line-up covers a broad range of sounds within the alternative spectrum, moving between established punk and rock acts, contemporary metal and hardcore, pop punk, alternative rock and emerging artists.

Good Things has also confirmed that Limp Bizkit, Simple Plan and Spiritbox are exclusive to the festival in Australia and New Zealand for this run, with no Australian or New Zealand sideshows for the three top-billed acts.

For fans looking to catch those three acts in Australia or New Zealand this December, the three Good Things Festival dates therefore represent the only opportunity to see them on this visit.

With the festival moving through Melbourne, Sydney and Brisbane over one weekend, Good Things Festival 2026 brings together artists from different generations of alternative music, from acts responsible for defining entire scenes through to newer names continuing to push those sounds forward.

The 2026 edition is set to deliver a particularly broad program, with full-album performances, farewell appearances, anniversary celebrations and a mix of international and Australian artists spread across the three-city festival.

Good Things Festival 2026

Friday 4 December
Flemington Racecourse, Melbourne VIC

Saturday 5 December
Sydney Showground, Sydney NSW

Sunday 6 December
Brisbane Showgrounds, Brisbane QLD

All events are 16+.

Tickets are on sale now.

Full Line-Up:

Limp Bizkit
Simple Plan
Spiritbox
Polaris
The All-American Rejects
Bad Religion
Alexisonfire
Grinspoon
Millencolin
Bilmuri
Ministry
Chad Gray
MxPx
Neck Deep
Speed
Slowly Slowly
P.O.D.
The Devil Wears Prada
Choirboys
All Them Witches
The Black Queen
Future Palace
Headwreck
House Of Protection
The Home Team
ivri
Kami Kehoe
Locked Shut
LØLØ
vianova
Voice Of Baceprot

Good Things Festival 2026 will take place across Melbourne, Sydney and Brisbane from 4 to 6 December.

Pre-sale tickets on sale Tuesday 18 August @ 10am AEST Time
Sign up now for pre-sale tickets at www.goodthingsfestival.com.au

General Public tickets on sale Thursday 20 August @ 10am AEST Time
https://www.oztix.com.au/

For more information head to www.goodthingsfestival.com.au

GOOD THINGS FESTIVAL | FACEBOOK | X | INSTAGRAM | TIKTOK

September 15, 2026 0 comments
0 FacebookTwitterPinterestEmail
Music News

First Sounds Volume 15 Opens Submissions for First Nations Artists Across Australia

by the partae September 15, 2026
written by the partae

First Nations musicians, bands and producers across Australia are being invited to submit their music for First Sounds Volume 15, with submissions officially opening today, Tuesday 15 September.

A collaboration between the Community Broadcasting Association of Australia (CBAA) and Gadigal Information Service / Koori Radio (GIS), First Sounds provides a national platform connecting First Nations artists with Australia’s community radio network.

Since launching in 2020, First Sounds has released more than 14 volumes, with the initiative continuing to document and promote the breadth of contemporary First Nations music across the country. The project has delivered hundreds of tracks to radio presenters, with Volumes 10–14 generating more than 10,000 community radio spins over the past 12 months.

The latest volume will continue that work, bringing together music from artists working across genres including alt-pop, soul, rock, hip-hop, country and Blaktronica, while reflecting the stories, languages, cultures and connections to Country that sit at the heart of much First Nations music.

For artists, being selected offers exposure beyond the compilation itself. Successful applicants will appear on both digital releases and physical compilation CDs distributed directly to community radio stations around Australia through AMRAP, putting their music in front of broadcasters, tastemakers and audiences nationwide.

The impact of First Sounds can already be seen through artists who have featured on previous volumes. Filipino-Muruwari hip-hop artist DOBBY, who appeared on First Sounds Volume 1, went on to win an ARIA Award and reach No. 6 on the ARIA charts with his debut album Warrangu: River Story.

Community radio also plays an important role in supporting Australian music more broadly. Recent research led by Monash University and Griffith University found that Indigenous-led stations account for a third of the sector’s most Australian-music-intensive stations, highlighting the role community broadcasting continues to play in developing and connecting local First Nations talent with audiences.

For Volume 15, submissions will be reviewed by a panel bringing together First Nations artists, broadcasters, radio programmers and music industry professionals. The panel includes Thalia Skopellos, First Nations Project Coordinator at MusicNSW and producer and composer; Charlie Woods, artist and frontperson of Charlie Needs Braces; Gunai/Kurnai and Yorta Yorta artist, DJ and producer DJ PGZ, who is also a radio presenter at 3RRR; and Eora Sydney-based broadcaster Aaron Langford, presenter and producer at Koori Radio.

Charlie Woods, who has previously been featured twice on First Sounds, will join the selection panel for the first time for Volume 15.

“First Sounds means being connected to a community that recognises the power of our stories, culture and creativity,” Woods said. “It creates a space for mob to be heard, celebrated, and supported on our own terms.”

The panel will be looking for radio-ready tracks released within the past 18 months, with submissions open to First Nations musicians, bands and producers based in Australia.

First Sounds Volume 15 submissions are open from Tuesday 15 September until Tuesday 13 October 2026.

With its combination of national radio distribution, industry exposure and a focus on self-representation, First Sounds continues to provide an important pathway for First Nations artists to place their music directly in front of community broadcasters and listeners across Australia.

How to Apply

First Nations musicians from across Australia are invited to submit radio-ready tracks released within the last 18 months. Submissions will be reviewed and selected by an esteemed panel of First Nations artists, broadcasters, radio programmers and music industry professionals, bringing together decades of experience across music, radio, production and creative practice.

The panel includes Thalia Skopellos, First Nations Project Coordinator at MusicNSW and producer and composer; Charlie Woods, artist and frontperson of Charlie Needs Braces; Gunai/Kurnai & Yorta Yorta artist, DJ and producer DJ PGZ and radio presenter at 3RRR; and Eora Sydney-based broadcaster Aaron Langford, presenter and producer at Koori Radio. Together, the judges bring a deep understanding of First Nations music and culture, contemporary Australian music, radio and the evolving pathways for First Nations artists to connect with audiences.

Having been featured twice on First Sounds, Charlie Woods is thrilled to join the selection panel for Volume 15: “First Sounds means being connected to a community that recognises the power of our stories, culture and creativity. It creates a space for mob to be heard, celebrated, and supported on our own terms, and I am very excited to get the opportunity to listen to new music from mob, and support the next wave of great First Nations artists.”

Successful applicants will feature on both digital releases and physical compilation CDs distributed directly to stations nationwide via AMRAP.org.au, putting their sound in front of key taste-makers and community audiences across the country.


Submission Details:

Who can apply: First Nations musicians, bands, and producers based in Australia.

Eligibility: Radio-ready tracks released in the past 18 months.

Format & Distribution: Digital and physical CD distribution directly to community broadcasters nationwide via amrap.org.au.

Don’t miss the opportunity to take your music to national airwaves.

Submit your song and artist profile today to shape the next chapter of contemporary First Nations music.

Applications open from Tuesday 15 September to Tuesday 13 October 2026 via firstsounds.amrap.org.au

­
­
September 15, 2026 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • Interview: Sotto James on “Are We Running Out Of Time?”, Family and Learning to Be Present
  • Hilary Duff – The Lucky Me Tour | Brisbane Photo Review | 22.10.26
  • Shawn Pallister Embraces a Moodier Sound on New Single ‘Vertigo’
  • Eloise At The Factory Theatre – 21/10/26
  • Tame Impala – Deadbeat Tour 2026 | Photo Feature & Review

Recent Comments

  • La La Falls (2026) Review: Simple and Compelling! - Just for Movie Freaks on Film Interview: Alan King on La La Falls – Memory, Instinct, and the Space Between Control and Collapse
  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”

Archives

  • October 2026
  • September 2026
  • August 2026
  • July 2026
  • June 2026
  • May 2026
  • April 2026
  • March 2026
  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2026


Back To Top
  • Music
    • NEWS
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About
  • Contact Us / Advertise
  • Submit Event