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No Cure Releases Mammoth Debut Album ‘It Is Going To Get Dark’...

July 13, 2026

LEGENDARY MUSICIAN, PRODUCER AND COMPOSER HARUOMI HOSONO CELEBRATES HIS 79TH BIRTHDAY WITH...

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Interview: Macey on Turning Everyday Moments into Songs

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KOREAN UNDERGROUND ELECTRONIC PUNK INNOVATORS, HYPNOSIS THERAPY RETURN TO AUSTRALIA

July 13, 2026

INTERVIEW: The Hospital on Love, Loss and the Quiet Truths Behind ‘Shampoo’

July 10, 2026

Interview: Ritviz on Building Community Through Kurta Saree Dance Party

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Boyz II Men announce Australian & New Zealand tour with very special...

July 9, 2026

King Gizzard & the Lizard Wizard detail new album Alien Metal &...

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FORMA Open Air – 26 NOVEMBER – 6 DECEMBER 2026 TUMBALONG PARK,...

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DAYSEEKER AUSTRALIAN TOUR 2027 WITH SPECIAL GUESTS JUTES (USA) SILENT PLANET (USA)...

July 9, 2026
Monthly Archives

June 2026

Music News

Oliver Dela Cruz Launches Solo Project Le Cruize With Debut Single ‘SWEET DAY’

by the partae June 3, 2026
written by the partae

After years of making people move as one-half of Sydney disco-house outfit Midnight Pool Party, Oliver Dela Cruz is stepping out on his own with the launch of a new solo project, Le Cruize.

The project officially begins with the release of debut single ‘SWEET DAY’, a track that has been years in the making and represents a different side of Oliver’s songwriting and production.

For fans of Midnight Pool Party, Le Cruize offers a glimpse behind the curtain. While the duo’s music has always been built around infectious grooves and dancefloor energy, Oliver has spent years collecting ideas that didn’t quite fit that world. Rather than leaving those songs unfinished, he decided it was time to give them a place of their own.

“This project has been a long time coming,” Oliver says. “As one half of Midnight Pool Party, I’m constantly writing, experimenting and building ideas. Some end up becoming MPP songs, while others get left behind. Over time, I built up a collection of unfinished tracks and ‘Sweet Day’ came from the decision to finally revisit that space and create something that’s entirely my own.”

The result is a song that feels personal and optimistic in equal measure. Built around the idea of taking chances and being honest about how you feel, ‘SWEET DAY’ explores the kind of vulnerability that often comes with putting your heart on the line.

“This song is about seizing the moment because life moves too fast not to take chances, especially when it comes to love,” Oliver explains. “There’s something powerful in being open and wearing your heart on your sleeve. That kind of vulnerability takes courage. And sometimes, when you lean into that courage, you get a sweet day.”

As the first taste of what Le Cruize has to offer, ‘SWEET DAY’ marks the beginning of an exciting new chapter for Oliver Dela Cruz—one that gives him the freedom to explore ideas beyond the boundaries of Midnight Pool Party while staying true to the songwriting that has always been at the heart of his music.

Stream:
https://bfan.link/sweetday

INSTAGRAM

Credits:

Written, Produced & Mixed by Oliver Dela Cruz

Mastered by Jack Prest

Artwork, Photos & Visuals by

June 3, 2026 0 comments
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Festival NewsMusic News

The Velvet Club announce national album tour for August. The debut album Are You Falling In Love? out July 10

by the partae June 3, 2026
written by the partae

With the release of their long-awaited debut album Are You Falling In Love? (out July 10) on the horizon, rising Naarm indie rockers The Velvet Club are today proud to announce a national tour in support of the record, taking place in August. The four-date run will see the band bring their magnetic, nostalgia-rich live performances to stages in Sydney, Brisbane, Perth, and Melbourne. Tickets are on sale now and available HERE.

“We can’t wait to tour our debut album,” says frontman AJ Tilyard. “It feels like this is what we have been building up to for the 8 years we have been a band. We have always been a live band first and have always put all of our energy and focus into our live shows.”

Over the past year or so while writing and recording the album, and around single releases, The Velvet Club opted to play a handful of secret shows, small rooms, and parties both in Melbourne and interstate. The upcoming album tour marks the band’s first official headline tour since their Space Between EP run in 2024, and will see emerging Adelaide favourites Pureé support the east coast dates, and WA indie darlings Ghost Care join in for Perth.

“This headline tour around Australia is so exciting for us, we have so much planned for these shows to bring all of these new songs to life for you. I have no doubt these will be the best shows we’ve ever put on, especially having two of our favourite Australian bands Pureé and Ghost Care on support duties at the shows!” 

The tour announcement follows the recent release of fan-favourite track ‘We Don’t Talk’, which debuted on triple j Drive with Abby and Tyrone. Stream HERE, and watch the music video HERE. It’s the latest of three singles released so far from the band’s upcoming debut album, Are You Falling In Love?, due for release on July 10. Pre-save the album HERE and pre-order merch and vinyl HERE.

The Velvet Club

Are You Falling In Love? Album Tour 

With special guests Pureé & Ghost Care *

7th August – Marrickville Bowlo, Sydney

8th August – Black Bear Lodge, Brisbane

14th August – Rosemount Hotel, Perth *

21st August – Howler, Melbourne

Tickets HERE

Are You Falling In Love? is a triumphant return to creative joy for The Velvet Club, as the product of a burnout-induced hiatus in the wake of their 2024 EP Space Between. The band’s decision to take a break from writing, recording, and touring instead found AJ in his most prolific songwriting period yet. The unravelling of a long term relationship, and the rise of anxiety and other mental health struggles during that time saw AJ turn to songwriting and nostalgia as a salve, revisiting live videos of the bands he had decorated his bedroom walls with in high school – the likes of The Strokes, The Vaccines, The Drums and The Smiths.

“The theme of the album basically encapsulates this year and a half period of my life between 2024-2026 where everything seemed to come to a head,” AJ reflects. “While writing, I started therapy, and after we began tracking for the album I started medication to help manage depression, anxiety and OCD. Finally addressing these as issues I had been ignoring definitely changed the trajectory of this album, and helped shape the overall tone and feeling of the record.”

Throughout the record’s 10 tracks, The Velvet Club navigate mental health struggles, relationship breakdowns, friendship, and solitude, fuelled by jangly guitars and hooks that move from bright to melancholic and back again. The Velvet Club’s return to the hazy immediacy and raw, unpolished charm of 2000s indie is what made the title track ‘Are You Falling In Love?’ the perfect album opener. At just over two minutes, the track captures the punchy energy of a TVC live show with its catchy, repetitive melodies – an intentional choice that AJ says “really sets the scene for the rest of the album.”  Songs like ‘Blue’ and ‘We Don’t Talk’ dive into AJ’s experience with heartbreak and healing, while ‘Wasted Space’ and ‘I Need Something Too’ touch on mental health, particularly his experience with OCD and his journey in accepting its impact on his life.

From their intimate DIY release parties and secret shows, to tearing up the stage alongside the likes of Hockey Dad, DICE, The Rions, and Rum Jungle, The Velvet Club’s passion for honouring and reimagining a beloved genre has led the band to a tight-knit community of music lovers, musicians, and fans alike. As well as their influences abroad, The Velvet Club also look to their peers – the likes of sleepazoid, The Belair Lip Bombs, and Highschool – for motivation. “Aside from the personal cathartic experience of writing and creating it, my favourite thing about making music is the community you build around it,” says AJ. “All the friends we’ve made through it and the bands we’ve grown close to along the way have been by far the most rewarding part about making music.”  

That sense of community is what led them to working with friend, producer, and fellow musician Luke Thomas (Fan Girl, Harris, World’s Best Neighbours) on Are You Falling In Love?. “We literally could not have made the record without Luke. He co-produced and engineered the entire thing from his own studio, Taste Police, in Brunswick. It’s also why I believe this album sounds so true to us and what we are about as a band. We made this record completely on our own with our friends.” The album was mixed by Scott Hoorscroft (DMA’s, Middle Kids, DZ Deathrays) and mastered by George Georgiadis (The Rions, The Buoys, Teenage Dads).

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June 3, 2026 0 comments
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Festival NewsMusic News

Crooked Colours announce fourth studio album ‘Dirt Road Gold’ for release August 21st 2026, with latest single ‘Oxford’ out today + Australian tour

by the partae June 2, 2026
written by the partae

Prolific multi-platinum Australian artist Crooked Colours today announces his fourth studio album Dirt Road Gold, set for release Friday August 21st 2026. Alongside the announcement an upcoming multi-date Australian tour and drop of his latest single from the LP, ‘Oxford’. Once a trio now solely led by lead singer Philip Slabber, this is a deeply personal and career defining moment for Crooked Colours, his vulnerability on display as he steps through to the dawn of a new era. Pushing the boundaries of his own musical scope and in turn flawlessly delivering. Slabber effortlessly genre-hops through Dirt Road Gold, from alternative euphoric builds to upbeat melodies to electronic stabs alongside his instantly recognisable heartbreaking vocals; stacked to perfection. Available to pre-save here.

Speaking of the overall process, creativity and what to expect from Dirt Road Gold Slabber shares, “The inspiration for the album wasn’t one single thing, it was movement. Change. The push and pull between holding onto what’s familiar and letting it go. There were moments of isolation, but also a lot of clarity in that space. Sonically, I wanted it to feel expansive but intimate at the same time, something that could live in a club but still hit you when you’re alone driving at night. I want you to be able to hear the moments.”

An industry heavyweight both locally and abroad with nods from Billboard, NME and Dancing Astronaut, Crooked Colours continually craft a distinctive soundscape with over a decade of multifaceted experience. Known for bridging the gap between indie and electronic music, ‘Oxford’ succeeds the Rolling Stone AUNZ featured-single ‘Pink Limo’ followed by ‘Come Thru’, all calling Dirt Road Gold home. Showcasing the calibre and hinting at the dynamic of the overall album. Effortlessly navigating sonic moments of light and shade, a true stand-out in the current global dance scene, and highlighting Slabber’s unparalleled storytelling ability.

With a dedicated following as a cornerstone of the Australian music scene, the upcoming Dirt Road Gold tour kicking off in October will see Crooked Colours perform at Freo. Social in Fremantle, Metro Theatre in Sydney, Northcote Theatre in Melbourne, Lion Arts Factory in Adelaide, Brisbane’s The Triffid and Byron Bay’s The Northern.

Of-late, 2025 saw Crooked Colours take on a national tour before making his way across Europe hitting London, Paris, Berlin and more. Having notably performed at Laneway Festival, Falls Festival, Beyond The Valley, Red Rocks, Bonnaroo, Grooving The Moo, Spilt Milk and Splendour In The Grass, Slabber has continually earnt a dedicated following as an institution in the dance realm.

As one of the globe’s most reliable and energetic Australian exports, previous albums Vera (2017), Langata (2019) and triple j Feature Album Tomorrows (2022), all encompassing the brooding, sun-kissed euphoria of Crooked Colours. Collectively delivering standout tracks including ARIA Platinum accredited records ‘Flow’ and ‘Do It Like You’, alongside Gold singles ‘I Hope You Get It’, ‘I’ll Be There’, ‘Hold On’ and ‘Love Language’; quickly surpassing one billion streams worldwide across all platforms and counting.

Highlighted collaborations with Don Toliver, Masked Wolf and Ladyhawke alongside official remixes from Claptone, HOSH, Kyle Watson, SNBRN, Alison Wonderland, Hermitude and Bag Raiders all adding to the culture and escape that is Crooked Colours. Dirt Road Gold and all that it embodies, will no doubt add to the act’s long and growing list of accolades.

Crooked Colours’ Dirt Road Gold LP is set for release on Friday August 21st 2026.
Pre-save/pre-order here

BUY/STREAM: CROOKED COLOURS – OXFORD

Dirt Road Gold Tour Dates:

SIGN UP FOR PRE SALE HERE

FRI 16 OCT – FREO. SOCIAL, FREMANTLE
FRI 23 OCT – METRO THEATRE, SYDNEY
SAT 24 OCT – NORTHCOTE THEATRE, MELBOURNE
FRI 30 OCT – LION ARTS FACTORY, ADELAIDE
SAT 31 OCT – THE TRIFFID, BRISBANE
SUN 1 NOV – THE NORTHERN, BYRON BAY

Stay connected with Crooked Colours:

INSTAGRAM | TIKTOK | YOUTUBE | SOUNDCLOUD | FACEBOOK

June 2, 2026 0 comments
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Music News

Audio Lounge Turns Romance on Its Head with Stadium-Sized New Single “Virginia’s Not for Lovers”

by the partae June 2, 2026
written by the partae

For most songwriters, being asked to write a love song might inspire heartfelt lyrics and grand romantic gestures. For Audio Lounge bassist and songwriter Eric Merryman, it sparked something entirely different.

The Annapolis rock outfit’s latest single, Virginia’s Not for Lovers, began as a tongue-in-cheek response to repeated requests from Merryman’s then-girlfriend to write a romantic track. Rather than delivering a conventional declaration of love, he leaned into irony, crafting a deliberately generic love song that slowly evolved into a sharp commentary on emotional detachment and hollow relationships.

Released on May 29, 2026, the single marks a significant step forward for a band that has been growing together since childhood. Founding members Trent and Connor first started making music together in fifth grade, laying the foundation for what would eventually become Audio Lounge. Years later, that friendship remains at the heart of the group’s creative chemistry.

While the band’s collaborative spirit is evident throughout the recording, much of the track’s foundation came from Merryman himself. He handled virtually every instrument during the initial sessions, building the song piece by piece before drummer Connor Fuerst stepped in to contribute his own rhythmic ideas. The result is a recording that balances individual vision with collective refinement.

Adding another layer to the song’s texture are background vocals from Michaela Palazzo, bringing subtle depth to a production that already feels larger than life.

That expansive quality is no accident. Audio Lounge openly embraces the influence of Foo Fighters, a longtime favorite of Merryman’s. The band’s impact can be heard throughout the track, particularly in the explosive post-chorus sections where the song shifts from restrained storytelling into full-scale stadium-rock territory. Yet rather than simply imitate their heroes, Audio Lounge uses those influences as a launchpad for a sound that feels increasingly their own.

Recorded at the University of Maryland, Baltimore County’s recording studio, the project also carries personal significance for the band. It was there that Trent and Connor studied music production during college, giving the sessions a sense of familiarity and creative freedom that shines through in the finished product.

What makes Virginia’s Not for Lovers stand out is the contrast at its core. On the surface, it presents itself as a love song. Dig a little deeper, however, and the irony becomes impossible to miss. The lyrics and delivery create the impression of a relationship running on autopilot, where affection feels more performative than genuine. It’s a clever inversion of a familiar theme, transforming romantic expectations into something far more nuanced.

For Audio Lounge, the single represents more than just another release. It signals a new level of confidence in both songwriting and production. The band describes it as their strongest recording to date, and it’s easy to hear why. Between its soaring hooks, emotional weight, and polished execution, the track captures a sense of ambition that pushes beyond their previous work.

With Virginia’s Not for Lovers, Audio Lounge has managed to turn a simple challenge into a compelling rock anthem—one that combines humor, honesty, and arena-ready energy in equal measure. If this release is any indication of where the band is headed next, their future looks every bit as expansive as the sound they’ve created here.

 

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June 2, 2026 0 comments
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Festival NewsMusic News

DOM DOLLA SELLS OUT MARVEL STADIUM, SET TO BE ONE OF THE BIGGEST ELECTRONIC MUSIC MOMENTS IN AUSTRALIAN HISTORY

by the partae June 2, 2026
written by the partae

Dom Dolla | Thursday 24th September | Marvel Stadium, Melbourne (SOLD OUT)

Melbourne’s own Dom Dolla has sold out his Marvel Stadium show and is set to deliver one of the most significant moments in Australian electronic music history this September.

Presale allocations were exhausted within hours, with all remaining tickets selling out instantly from general on sale.

Presented by Untitled Group and Frontier Touring, the show is an Australian-exclusive and the world premiere of his brand new stadium production in front of his home crowd.

The sellout cements a remarkable trajectory for the GRAMMY Award-nominated DJ and producer. Following his record-breaking, sold-out debut at Allianz Stadium in Sydney in December 2025, he now brings the experience to Melbourne on a scale that puts Australian electronic music on a new footing globally.

Nicholas Greco, Co-Founder and Managing Partner of Untitled Group said, “Untitled Group has been part of Dom’s journey from the very start of his career, and to watch him sell out Marvel Stadium in his hometown is a moment we’ll never forget. This puts electronic music in Australia firmly on the global map and is a historic moment for Dom, for Melbourne, and for electronic music fans across the country.”

Dom’s catalogue has surpassed 1.5 billion streams, earning him four ARIA Awards for Best Dance/Electronic Release and the inaugural ARIA Global Impact Award presented by Spotify.

In 2025, he headlined two sold-out nights at New York’s Madison Square Garden to over 30,000 fans, completed a 10-week residency at the world’s #1 club Hi Ibiza, and made his film soundtrack debut with “No Room For A Saint” ft. Nathan Nicholson for the movie “F1” and has collaborated with Kid Cudi, Tove Lo & Nelly Furtado.

SIGN UP FOR WAITLIST HERE

This is an 18+ event.

Get connected:

domdolla.com.au

domdolla.lnk.to/follow

June 2, 2026 0 comments
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CBAA launches Community Radio: Our National Sound podcast with DOBBY, Sarah Blasko, Mo’Ju and more!

by the partae June 2, 2026
written by the partae

The Community Broadcasting Association of Australia (CBAA) has launched Community Radio: Our National Sound, a new podcast featuring some of Australia’s most respected artists speaking candidly about the vital role community radio has played in their careers and in sustaining Australian music culture.

Featuring Sarah Blasko, L-FRESH The LION, Mo’Ju, DOBBY, Bad//Dreems, Body Type and Annie Hamilton, the podcast accompanies the landmark national research project Community Music Radio: Building the Music-Media Ecosystem, which maps the enormous cultural, social and economic contribution of community music radio across Australia.

Led by Led by Associate Professor Shane Homan (Monash University), Professor Susan Forde (Griffith University) and Professor Heather M Anderson (Monash University) and conducted in partnership with the CBAA, the Community Broadcasting Foundation, Creative Australia and APRA AMCOS, together, the podcast and research paint a compelling picture of community radio as a critical discovery platform, career launchpad and cultural institution, one that remains essential to the future of Australian music.

The research reveals that community music radio is an extraordinary national resource hiding in plain sight:

Community music radio generated approximately $153.1 million in value-added to the Australian music economy

Every $1 invested in community music radio returns between $1.33 and $5.55 in socio-economic value

Approximately 1.3 million Australians buy tickets, merchandise or music after hearing artists on community radio

 62% of listeners say they listen to community radio to hear Australian music

More than 842,000 tracks from 10,000+ Australian artists were broadcast between October 2024 and January 2026

More than 390,960 hours of Australian music aired in 12 months

The findings also demonstrate the direct impact community radio has on Australian artists and audiences. In 2023, 27% of listeners discovered a new or emerging artist through community radio, 11% went on to buy a ticket to see that artist live and 16% financially supported artists through merchandise or music purchases.

Many stations significantly exceed the mandated 25% Australian music quota, with some implementing policies requiring at least 50% Australian music programming while prioritising diversity in artists, genres and voices.

Artists featured in the podcast describe community radio as an irreplaceable part of Australia’s music ecosystem.  Award-winning artist Sarah Blasko said community radio formed the foundation of her career, “I’ve had almost no commercial airplay. So my whole career has been built on community radio and ABC stations.”

The research also highlights the unique role of Indigenous community music stations, which make up one-third of the country’s most music-intensive stations and are deeply embedded in their communities through dedicated First Nations programming and artist support.

ARIA-winning rapper and drummer DOBBY highlighted the cultural significance of community radio for First Nations artists and audiences, “From a First Nations perspective, that is another link in the chain of black resistance and black representation.”

Community radio is where Australian artists don’t just debut; it’s where they develop. L-FRESH The LION described community radio as “the lifeblood of the music industry”, pointing to its role in artist development and audience building. “Community radio teaches you as an artist about those little nuances.”

The findings point to the need to revalue community radio within Australia’s music landscape and to strengthen support for the sector to ensure that younger artists and audiences continue to engage with local music culture.

Community Radio: Our National Sound is available now!

Stream on your preferred platform: linktr.ee/amrap.org.au

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June 2, 2026 0 comments
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NATHAN CAVALERI ANNOUNCES ‘GROWING PAINS’ – THE NATHAN CAVALERI STORY 14 DATE THEATRE TOUR WITH MORE DATES TO BE ANNOUNCED

by the partae June 1, 2026
written by the partae
BUY TICKETS: THE NATHAN CAVALERI STORY
From child prodigy to cancer survivor, from global stages to mental health collapse, Nathan Cavaleri’s journey is anything but ordinary, and now he’s taking his life story to theatres across Australia this year for Growing Pains – The Nathan Cavaleri Story.

Kicking off with the first announce of what will be an epic national tour (stay tuned) on Saturday 20 June at Kingston City Hall in Moorabbin, Cavaleri’s Growing Pains Theatre tour will journey across regional Australia, moving through to Mildura, Swan Hill, Pakenham, St Kilda, East Gippsland, Wonthaggi, Nunawading, Portland, Hamilton, Ararat, Warrnambool, and Taree, before completing the extensive run at Avoca Beach Theatre on Saturday 28 November.

Tickets are on sale now from www.nathancavaleri.com

In this deeply personal and emotionally charged solo show, told by Cavaleri through story and song, Cavaleri skilfully weaves music and storytelling into a powerful narrative that traces his life from busking in Campbelltown to the heights of stardom, the depths of anxiety and burnout, and the eventual rediscovery of purpose and passion.

Flipping the script on a regular live music show, Cavaleri explains, “Reliving these experiences on stage is like nothing else. It’s a scary thing putting your heart out there and revisiting some of life’s most sensitive moments in front of a crowd, but when we’re all crying, laughing and blissing out together, it reminds me that beneath it all, we have so much in common. That’s what makes this show feel so profound and cathartic for all.”

By age 12, Cavaleri was at the centre of a bidding war between the labels of Michael Jackson, Prince, and Madonna. By 16, he’d toured the world with B.B. King, played the Kennedy Centre in front of the Clintons during their time in office, and shared stages with icons like Etta James and Bonnie Raitt, all while becoming a familiar face to millions across Australia and the US.

But while the spotlight beamed bright, a much quieter struggle was playing out behind the scenes. At its core, Growing Pains is not about fame – it’s about being human. The ache of identity. The grind of expectation. The fight to come home to yourself.

Raw, funny, and ultimately uplifting, Growing Pains transcends nostalgia. It’s a soulful, real-time reckoning with the highs, lows, and healing that define a life lived out loud.

Tickets to GROWING PAINS – The Nathan Cavaleri Story are on sale now from www.nathancavaleri.com

GROWING PAINS – THE NATHAN CAVALERI STORY
Tickets available from www.nathancavaleri.com

SAT 20 JUNE | KINGSTON CITY HALL, MOORABBIN VIC | ALL AGES
Tickets available from:  https://www.kingstonarts.com.au/whats-on/nathan-cavaleri
FRI 14 AUGUST | MILDURA ARTS CENTRE, MILDURA VIC | ALL AGES
Tickets available from:  https://www.milduraartscentre.com.au/whats-on/growing-pains
SAT 15 AUGUST | SWAN HILL TOWN HALL, SWAN HILL VIC | ALL AGES
Tickets available from:  https://www.swanhill.vic.gov.au/Explore-our-region/Events/Nathan-Cavaleri
SUN 16 AUGUST | CARDINIA CULTURAL CENTRE, PAKENHAM VIC | ALL AGES
Tickets available from:  https://cardinia.sales.ticketsearch.com/sales/salesevent/161794
THURS 10 SEPTEMBER | MEMO MUSIC HALL, ST KILDA VIC | ALL AGES
Tickets available from:  https://www.trybooking.com/events/landing/1582870?embed
FRI 11 SEPTEMBER | FORGE THEATRE, EAST GIPPSLAND VIC | ALL AGES
Tickets available from:  https://events.humanitix.com/nathan-cavaleri-growing-pains
SAT 12 SEPTEMBER | WONTHAGGI UNION THEATRE, WONTHAGGI VIC | ALL AGES
Tickets available from:  https://www.trybooking.com/events/landing/1538522
SUN 13 SEPTEMBER | THE ROUND, NUNAWADING VIC | ALL AGES
Tickets available from:  https://www.theround.com.au/NathanCavaleri
WED 30 SEPTEMBER | PORTLAND ARTS CENTRE, PORTLAND VIC | ALL AGES
Tickets available from:  https://www.portlandartscentre.com.au/Whats-On/Nathan-Cavaleri-Growing-Pains
THURS 1 OCTOBER | HAMILTON PERFORMING ARTS CENTRE, HAMILTON VIC | ALL AGES
Tickets available from:  https://tickets.hamiltonpac.com.au/event/1004:787/1004:991/
FRI 2 OCTOBER | ARARAT TOWN HALL, ARARAT VIC | ALL AGES
Tickets available from:  https://ararattownhall.com.au/event/nathan-cavaleri-growing-pains/
SAT 3 OCTOBER | LIGHTHOUSE THEATRE, WARRNAMBOOL VIC | ALL AGES
Tickets available from:  https://www.lighthousetheatre.com.au/growing-pains-story-nathan-cavaleri
FRI 27 NOVEMBER | MANNING ENTERTAINMENT CENTRE, TAREE NSW | ALL AGES
Tickets available from:  https://manning.sales.ticketsearch.com/sales/salesevent/159553
SAT 28 NOVEMBER | AVOCA BEACH THEATRE, AVOCA BEACH NSW | ALL AGES
Tickets available from:  https://www.avocabeachtheatre.com.au/

 

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June 1, 2026 0 comments
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Festival NewsMusic News

MASSIVE ATTACK announce first live dates in Australia since 2010 | August 2026

by the partae June 1, 2026
written by the partae

Frontier Touring are thrilled to announce Massive Attack will perform three exclusive headline shows in Brisbane, Sydney and Melbourne this August. This will be the band’s first live dates in Australia in 16 years.

Tickets go on Friday 5 June (3pm local time) via frontiertouring.com/massiveattack. Frontier Members can get early access via the presale, which starts Thursday 4 June (2pm local time) – see website for further details.

Watch: Massive Attack / Tom Waits – ‘Boots on the Ground’


MASSIVE ATTACK LIVE 2026
​AUSTRALIAN TOUR
​AUGUST 2026
​
Presented by Frontier Touring

FRONTIER MEMBER PRESALE
​
via frontiertouring.com/massiveattack
​Runs 24 hours from: Thursday 4 June (2pm local time)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Friday 5 June (3pm local time) ​


Thursday 6 August
​Brisbane Entertainment Centre | Brisbane, QLD
​
Lic. All Ages
​ticketek.com.au

Sunday 9 August
​Qudos Bank Arena | Sydney, NSW
​
Lic. All Ages
​ticketek.com.au

Tuesday 11 August
​Rod Laver Arena | Melbourne, VIC
​
Lic. All Ages
​ticketek.com.au

FOLLOW MASSIVE ATTACK:

 Instagram | Substack | Wikipedia

frontiertouring.com/massiveattack

June 1, 2026 0 comments
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GODSKITCHEN THE RESURRECTION AUS TOUR 2026

by the partae June 1, 2026
written by the partae

Godskitchen returns to Australia, reigniting the country’s love affair with uplifting trance and thunderous main room energy.  A name synonymous with epic production, iconic visuals and spine-tingling, hands-in-the-air moments. This is more than a comeback — it’s a revival of the spirit that defined a generation of dance culture. Australia prepare for ‘The Resurrection.’

GODSKITCHEN ARTIST LINE-UP

ALY & FILA . GABRIEL & DRESDEN . SOLARSTONE 

Plus

(Melbourne Only)

ANTHONY PAPPA . BINARY FINARY

A-Z 

Ahmet Atasever 

Ben Evans 

David Chouman x Clara Yates

Dark Sin

Mark James 

Mike Nichol 

Scott Alert

Steve Bleas

Steve Strangis

Perth – Friday July 3 – Info
Melbourne – Saturday 4th July  – Info
Sydney – Saturday July 11 – Info
Brisbane – Friday July 10 – Info 
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