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Monthly Archives

January 2024

Music News

Vacations – No Place Like Home – Out Now

by the partae January 18, 2024
written by the partae

“The band’s signature shimmering synth chords combined with Burns’ mediative vocals manage to capture a sense of nostalgia throughout No Place Like Home‘s 10 earworm tracks, surely certifying Vacations as a playlist staple for fans of dreamy, sun-drenched indie rock.” – UPROXX

“the demand for their music at its highest since forming” – Flood Magazine

“a brisk return that expertly fuses light and shade. Unafraid to be honest, Vacations pepper this with a thirst for melodic that makes their music easy on the ear, and accessible in a warm, humane way.” – Clash

Two-time platinum-selling Newcastle band Vacations have today released their long-awaited new album, No Place Like Home. The record follows an intense period of transformation for the lead singer Campbell Burns, who was diagnosed with Pure OCD (or “Pure O”), a subtype of Obsessive Compulsive Disorder marked by intrusive, unwanted, and uncontrollable thoughts. His experiences learning to live with this while touring the world informed the record, which also engages in nuanced discussions around personal growth and sexuality.

The band tapped Georgia Maq, formerly of the band Camp Cope, for their last official music video for the album release single, “Over You.” The band explains, “I thought it would be really fun to lean into this idea of ‘Over You’ as an exploration of self-obsession. The high peaks and low valleys of ego just make for a funnier visual story, I think. We’d saved a silly goofy video until last. I’d originally planned for Campbell to be in the role of protagonist and therapist, but circumstances meant none of us would be in the same city at the same time to work with the director, Jax Anderson, and their wonderful team.  To our rescue came Australian darling Georgia Maq, of Camp Cope fame. We were so lucky to have them involved, and their charisma really brought a sensuality and hilarity that was needed.”

 

Following 2020’s Forever In Bloom LP, No Place Like Home finds the Newcastle DIY outfit comprised of Burns and bandmates Jake Johnson, Nate Delizzotti, and Joseph Van Lier, expanding their trademark melodic indie rock to new sonic horizons. The first Vacations record to be produced by Campbell Burns and an outside producer, John Velasquez (Zella Day, Broods), it comprises 10 shimmering tracks brimming with indie-pop hooks and just a touch of bittersweet sensitivity.  “I had this loose concept of No Place Like Home being an Americana-influenced album,” Campbell says of the album’s sonic inspirations. “I wanted to incorporate more pianos, acoustic guitars, Nashville tuning, and country-inspired lap steel, but then also bringing in drum machines and synths and finding a mix between the two.”

The album features singles, “Terms & Conditions,” “Midwest,” “Close Quarters,” and the buzzy radio single, “Next Exit,” which has over 15 million streams, was the #11 most played track by Sirius XMU in 2023, #22 on their 2023 countdown,  is in the top 10 on Alt Nation, and debuts this week on the Mediabase Alternative chart at 39. 

Vacations have lots to celebrate with the new release. They were picked by Pandora as one of their ten artists to watch for 2024, their single, “Telephones,” was certified platinum in the United States in December, marking their second platinum track stateside (the other is “Young”), and they will make their debut TV performance on CBS Saturday Morning tomorrow, January 13th. To cap it off, they will host a private release party with a performance and Q&A at Brain Dead Studios in Los Angeles on January 16th. 

A DIY affair from the get-go, the band Vacations formed in 2016 primarily as a songwriting vehicle for Campbell Burns, Burns later adding band members Jake Johnson, Nate Delizzotti, and Joseph Van Lier.  Their song “Young” is certified Gold in Canada, Australia, and Poland, and is certified Platinum in the U.S., and their single “Telephones” is also certified Platinum in the US as of December 2023. The band has racked up over 1.5 billion streams worldwide, an average of 55 million streams/month, including over 675 million streams within the last year and over 2.2m Shazam’s. Not just a streaming band, the group has become known for their raucous live shows, doubling venues from 500 capacity to 2,000+ in under two years. They sold out both of their headline US tours since 2022 and their first ever UK one, mostly sold-out their massive North American fall co-headline tour with Last Dinosaurs that included sold-out dates at Webster Hall and The Novo, and have performed at Austin City Limits, All Things Go Festival, The Great Escape, All Points East, and The Sounds Project in Indonesia. They are confirmed for Laneway Festival in Australia later this month.

https://www.instagram.com/vacationsband_/

https://www.facebook.com/vacationsbandofficial

https://twitter.com/vacationsband_

https://www.tiktok.com/@vacationsband

https://www.vacationsband.com/

January 18, 2024 0 comments
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Festival NewsMusic News

Catch Tash Sultana, Peach PRC, Yaeji & more at Finals Festival next weekend

by the partae January 17, 2024
written by the partae

Get loud and proud at the Australian Open Finals Festival Pride Day
Feat. Tash Sultana, Peach PRC, Yaeji & more!

Join us at John Cain Arena for the party of the summer, alongside some of the biggest and best international and homegrown talent for Pride Day at the Australian Open.

Taking place at our new home of John Cain Arena, expect an even bigger and better experience, with some of the very best live music on offer from Aussie icons to global superstars, there’s something for everyone to enjoy.

Tickets starting from $69 and are selling fast, secure your pass now to all the Finals Fest action below.

Summer never sounded so good!

AO PRIDE DAY

Kicking off the Finals Festival in sensational style, the AO Pride Day returns, with a triple headliner extravaganza featuring pop-princess Peach PRC, the O.G. ‘raingurl’ Yaeji, and a performance from very special guest, AO Pride Ambassador Tash Sultana.

When you aren’t busy SERVING on the dance floor, head on over to the Pride Hub for even more colourful fun.

WOMEN’S FINAL

The Finals Festival continues its three-day extravaganza of tennis, music and on Saturday. Catch pumping headline sets from DMA’s, Ruel and The Jungle Giants – plus Tia Gostelow and Mell Hall will all be hitting the stage at John Cain Arena.

Keep the party going with food, drinks and incredible women’s finals action on the big screen.

MEN’S FINAL

Things get electric on the final day of the Finals Festival, with performances from Groove Armada and Rudimental, as well as Melbourne favourites Sunshine and Disco Faith Choir, Latifa Tee, and local legend Cooper Smith. When you’re all danced out, bounce over to Grand Slam Oval to catch the epic men’s finals action on the big screen.

January 17, 2024 0 comments
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Music InterviewsMusic News

Lottie Interview

by the partae January 16, 2024
written by the partae

Photo by Tjasa Nardin


Interviewer: Domenico Frascino

Lottie is an up-and-coming DJ based in Ljubljana, Slovenia who is quickly making a name for herself in the electronic music scene. With her unique blend of experimental, downtempo, ambient, and trip-hop, Lottie’s sets are sure to transport you to another world. On the stage, she has a unique ability to connect with the crowd on a deep level to deliver energetic sets of dark-ish and breaky techno. With a passion for vinyl and a dedication to quality, Lottie is one to watch in the years to come.

The Partae: Lottie! It’s a pleasure to have you here with us after your Butik set, it was absolutely mind-blowing! Please, introduce yourself to our readers.

Lottie: Thank you for having me! My name is Loti, I am living in Ljubljana, Slovenia and my love for music has been with me for my whole life.

The Partae: Let’s start with your DJ name, how did you decide on it?

Lottie: As I already said my real name is Loti and a lot of people have always told me “Oh, what an interesting name!” It already sounded great as an artist name, but I decided to make it international: Lottie. It’s nice, not too complicated. I’ve never brainstormed too much about my artist name because my artist career really started suddenly. So I had to decide quickly and I was like, okay, let’s go with this.

The Partae: Tell us a bit about your musical journey. How did you start? And what did inspire you early on?

Lottie: I was inspired by my sister Simona. She’s 15 years older and she started partying when she was 14 years old. So she experienced the golden era of the Slovenian scene, with clubs like Ambasada Gavioli, Africa and others that have been closed for years now. When I was growing up, she told me her rave stories, showed me some sets on dancetrippin.tv, and gave me a love for this music. She was dating Blaž, as a DJ he goes by El Fabiiani, for seven years and he was showing me a lot of things, gave me my first knowledge about deejaying and he was always telling me “Hey, little Lottie, you will be a DJ one day!” I didn’t believe him back then but look at me now. So since I was little, I have had a passion for music. I was singing in a chorus when I was young. Later I realized that I can do a lot with deejaying and expressing myself through selecting different music genres. You can connect with it on a much deeper level, so that’s why I really started to love it. Now that I know how fun it is to mix and share this with the people, I realized I needed to do it more!

The Partae: You mentioned a few genres before, if you could put three labels on your music or three types of genres or three adjectives, What would you like to be described?

Lottie: Usually, I play two different types of sets. One is more experimental, downtempo, ambient, and trip-hop, while the other one is more club type like techno, electro-break, progressive house. It’s really hard to describe which type of music you play or produce now. You have so many different elements that are taken from the past and added something new. So sometimes I can label music with many different genres.

The Partae: Who were the artists that inspired you?

Lottie: Dojaja is the main DJ who pushed the electronic scene in Slovenia. He mostly played techno, but now he plays many different genres and he has a label called Chili Space, which is more of ambient dub type of music. He’s the main guy who inspired me the most and also gave me a lot of support. Another inspiration is Eliaz, he’s a special gem in the Slovenian scene. He makes music that you can’t describe. Eliaz is his own type of music.

The Partae: Are you listening also to international artists?

Lottie: There are many artists that I like to listen to, one of them is Super Venus. She is from France but at the moment she’s based in Berlin. Her type of music is what I really like and also play. Her main style is breaky, trip-hop or downtempo, but the way she builds up really amazes me! She starts with slower music and then she makes a transition into club type and all that kind of stuff. Right now she’s a big inspiration to me, also for putting it out: “I don’t want to be booked just because I’m a female DJ. I want people to book me because of my music”. Lately it became popular to have female artists in line up but it loses its meaning and becomes disturbing to book someone just for the gender.

The Partae: So we talked about your origin. How do you keep yourself busy with DJing? Are you a resident at some club?

Lottie: Now I’m not a resident in any club but I am booked on different events. In August, I’m playing at Drops Festival, a psytrance festival in Slovenia. I’m going to play a morning set from 9 till 11 a.m. and I will play techno music which for them is like a chill set [laughs]. At the moment, what keeps me busy most is the organization of some events called Sončna Muzičarna (Sunshine Music), which is a music event and is fully powered by solar panels connected to the DJ booth and sound system. It takes place in the forest near Ljubljana’s castle or parks. We have a mailing list and old-school flyers for promotion. Next year’s plan is to create our own label and make more events like this. This is the next step since I am not part of any label yet.

The Partae: A big part of DJing is to search and scout for new music. Since you work with both vinyl and digital tracks, how do you prepare your musical selection?

Lottie: If it was for me, I would only play vinyl, but sometimes it’s just impossible and then I go with the digital tracks. To search for digital tracks, I mostly go on Bandcamp and obviously, look for specific labels that I’m following and artists who I like. Regarding my vinyl selection, it really depends on what I can get my hands on! Lately, the prices have gone up too much, especially since shipping costs have become really expensive. Sometimes you pay €3 for the vinyl and €20 for shipping! Also, records that became rarer went incredibly up in price. A lot of records I bought for €3 and now are like €60+. I would really love to go on some trips around Europe just to go vinyl digging: leaving with an empty suitcase, visiting local record stores and coming back with a full bag of new records!

The Partae: As an emerging DJ is always difficult to go to the next level. Do you use social media to create a community of fans or do you keep it mostly just personal connection? And if you do, what is your approach to social media and your public image?

Lottie: My favorite is obviously through personal connections. But I need to level up my social media presence sometime soon, especially on SoundCloud. On my to-do list is to record some podcasts for a bunch of different organizations that have already asked me. I already have like 2 or 3 planned, just missing the finishing touches. So in the upcoming future, I will definitely post more. Stay updated!

The Partae: Have you identified any blockers to your DJ career so far?

Lottie: My biggest problem is that I am quite a perfectionist about my music and I’m never 100% satisfied with the music I am putting out. I have an almost maniacal approach to quality and I will always find something that is not good enough or that I no longer feel. However, I understand that this works only as a break in my mind and slows down my development process. It’s just so much better to produce as many podcasts as you can and then show the improvements from one another. In the end, even if I make mistakes, it’s still my work that I like and I need to put it out also to learn from mistakes.

The Partae: How do you see your DJ career evolving? Do you want to become a full time or is it just like your passion and whatever it comes?

Lottie: I do have aspirations to take my DJ career to new heights by playing in different countries. I’m intrigued by the idea of experiencing diverse crowds and how they connect with the music. For instance, the Slovenian crowd is very energetic, wooing and hyping up, while in other places like Romania, people seem to immerse themselves in the music on a deeper level: dancing with eyes closed and just feeling the music. I’ve heard stories from fellow DJ who played in England, where the audience appreciated the music in a more laid-back way but was much more interested in personally interacting with the DJ after the set. These unique interactions with different crowds are what I’m mostly interested in exploring further. Travelling would be also a way to meet and collaborate with artists from various backgrounds, sharing music and art.

The Partae: Which set would you use as your musical ID to introduce you to someone who doesn’t know you?

Lottie: The set that resembles me most is called “Lottie on SW:IDR”. I recorded this podcast for Eliaz’s SW:IDR label during the Covid lockdown, a very tough time when nothing was happening. We were closed inside, the police were patrolling the streets and we couldn’t go out, so I wanted to express this feeling.

It resulted in an ambient, downtempo, hip-hop, more chill kind of podcast building its power from beginning to end. This is surely the podcast where I show what kind of music I feel most.

Follow Lottie on social media:

Soundcloud

Resident Advisor

Instagram
January 16, 2024 0 comments
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Music News

Nicky Romero Kicks Off 2024 in Collaboration with Deniz Koyu and Jaimes on “Tomorrow Comes” – New Single Premiered at Nicky’s Solo Show “Nightvision” in December

by the partae January 13, 2024
written by the partae

Artist: Nicky Romero, Deniz Koyu, Jaimes
Title: Tomorrow Comes
Label: Protocol Recordings

Download / Stream

In true form, Nicky Romero wasted no time releasing some brand new music in 2024, joining forces with fellow dance music veteran Deniz Koyu and singer Jaimes for their vocal progressive house gem “Tomorrow Comes.” The track is emotional and inspiring in its soulful lyrics – an appropriate song for new beginnings at the dawn of the year–and also catchy and festival-worthy with its organic melodies and upbeat buildup and drop. “Tomorrow Comes” has been, ironically, a long time coming – Nicky premiered the track at Parookaville in 2023 and has since played it all over the world, amping up anticipation for its release. Romero set the bar high late last year with his first-ever solo show, Nightvision, and the very first live performance of “Tomorrow Comes” with Jaimes joining The Dutchman on stage. Deniz Koyu has equally been a major player in the industry for over a decade, stacking collaborations with Alesso, Galantis, Dimitri Vegas & Like Mike, and more; he has also performed at the world’s best festivals such as Ultra Music Festival, Tomorrowland and many more. Singer and songwriter Jaimes has worked with Tiësto, Afrojack, Benjamin Ingrosso, and many more, amassing millions of streams along the way.

Nicky Romero

After taking the world by storm with early hits such as “Legacy” with Krewella, “Like Home” with NERVO and the #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Dimitri Vegas & Like Mike, W&W, Timmy Trumpet, Steve Aoki, Jonas Blue and Hardwell to remixes for the likes of Bebe Rexha, Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne, Calvin Harris, RAYE, and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve, and with his annual “Nicky Romero & Friends” ADE showcase and the launch of Monocule alter-ego, he keeps proving his ability to turn into gold everything he touches and continues to push boundaries with each show concept and new release, forever instilling himself as a dance music icon.

Deniz Koyu

Deniz Koyu is a dance music veteran who has helped to shape the landscape of progressive and electro house music as it is today with iconic club hits such as “Tung!“, “Bong” and many more. His work has included high-profile remixes of Alesso and Anitta‘s “Is That For Me” and The Chainsmokers‘ “Young.” He has evolved with the constantly changing landscape of electronic music, evidenced by his foray into indie-pop and house fusion with “Paradise” and the uplifting vocal house of “Lost Soul.” It follows Koyu‘s prior releases “GO” on Spinnin’ Records, “Feel It” with Magnificence, and “Destiny” with Nicky Romero on Protocol. It’s always a treat when Deniz returns to the label, so keep an eye out for his next single.

More info on Nicky Romero / Deniz Koyu / Protocol Recordings:

Nicky Romero: Facebook | Instagram | Twitter | Spotify
Deniz Koyu: Facebook
 | Instagram | Spotify
Protocol Recordings: Facebook
 | Instagram | Twitter | YouTube
January 13, 2024 0 comments
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Festival NewsMusic News

Sydney Melodic Metal Quartet FIFTH DAWN Announce ‘Closer’ February 2024 East Coast Tour

by the partae January 12, 2024
written by the partae

Sydney quartet Fifth Dawn are set to bring their explosive brand of melodic metal across Brisbane, Sydney, and Melbourne for their ‘Closer’ February 2024 East Coast tour. Featuring exhilarating fretwork, vibrant synths, cinematic orchestral arrangements, and a groove-oriented rhythm section bolstering Sam Faul’s powerhouse vocals, the group delivers infectious melodies akin to Evanescence and Flyleaf.

Renowned for their introspective and emotionally charged compositions, Fifth Dawn have continued to captivate audiences globally since the release of their debut album ‘Duality’ (2018). The band’s resurgent popularity is undeniable, as evidenced by their recent single launch at the Oxford Art Factory, Sydney and their appearance at Thrashville Festival alongside Australian veterans COG and Mammal. Additionally, Fifth Dawn‘s music has found its place in editorial playlists on major streaming platforms such as Spotify with over 11 million+ streams, Apple Music, Amazon, and AWA.

Their latest offering ‘The Day Brings’ has been featured on Spotify’s All New Metal, Apple Music’s, The Riff, Breaking Hard Rock, New Music Daily, and Deezer’s Metal Radar, Heavy League, Metalcore editorial playlists and more. Gearing up to unleash their high energy performances with drop tuned riffs rooted in heavy metal, evocative vocals and chant along choruses, Fifth Dawn’s upcoming shows are not to be missed.

“We’re all so excited for this tour” says Faul, “With an inspiring lineup, and our new songs to showcase to our home and interstate fans, I’ve no doubt these shows will be magical.”

Qona Creative on the upcoming tour: “Australia is bursting with diverse talent on the local level. We’re passionate about fostering not only diversity but great music in a safe environment that is personally and professionally important for these bands’ performances.”

Accompanying Fifth Dawn are Sydney nu-punk outfit Aurateque. Delivering a captivating crossroads for chaos and composure, the group offers a unique, punk-infused blend of alternative metal that is strikingly unorthodox, yet infectiously palatable. The release of their debut EP ‘The Dragonfly Pursuit’ was received well by fans and media alike with over 150,000+ Spotify streams and features on triple j, Music Feeds, Kill Your Stereo, Spaceuntravel and more. Their electrifying live performances has seen them tour nationally and support Ghostseeker (ex-Storm The Sky), Eat Your Heart Out, Patient Sixty-Seven, RedHook; and secure a coveted showcase appearance at BIGSOUND 2023.

With supports from Noctica (heavy alt-pop) and Bridge Left To Burn (metalcore) in Sydney, Torizon (alt-metal) and The Atomic Beau Project (electronic rock) in Brisbane, and New Million (alt-metal), 50Fifty (alt-rock) in Melbourne, this tour is exactly what fans of alternative metal and modern rock have been waiting for. Grab your tickets now for this one-of-a-kind sonic adventure.

Qona Creative Presents

Fifth Dawn ‘Closer’ February 2024 East Coast Tour

Friday 2 Feb 2024 –  Waywards, Eroa/Sydney

Saturday 3 Feb 2024 – Stranded Bar, Meanjin/Brisbane

Saturday 10 Feb 2024 – Bergy Bandroom, Naarm/Melbourne

Tickets via https://qona.tourlink.to/closer

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January 12, 2024 0 comments
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Festival NewsMusic InterviewsMusic News

Maša Interview

by the partae January 12, 2024
written by the partae

Maša at Butik Festival. Photo by Jaka Rogelij

Interviewer: Domenico Frascino

In our quest to discover talented emerging artists around the world, we sat for a talk with Maša, the vibrant 26-year-old resident of the legendary Klub K4 in Ljubljana, Slovenia. Maša’s style defies genre boundaries, blending old-school beats infused with electro, garage, funk, and RnB elements. Let’s dive together into her DJ journey in this interview and listen to her mind-blowing afternoon set at Butik Festival!

The Partae: Maša, thanks for taking the time for this interview. Briefly describe yourself to an audience that is not familiar with you.

Maša: I’m Maša (pronounced Masha), from Slovenia and I just turned 26. Originally, I’m from a small town called Sevnica, but since moving to the capital Ljubljana 7 years ago, my influences and interests shaped me into a graphic designer, music event organiser and DJ.

The Partae: Can tell us a bit about your DJ journey, how did it start? How did you get inspired?

Maša: In the beginning, I didn’t listen to electronic music at all. I didn’t even like it, or better, I didn’t give it a proper chance. Then I started working in a bar where the owners were producers and DJs (Pritličje in Ljubljana). The owners had this random event where all the bartenders would be DJing and they said, “You’re really good. You should maybe try doing it”. And I was like: “No, I haven’t listened to enough music yet”. And then they kind of pushed me into this “You should do it, you should do it”. I really started enjoying it. So then I started learning more about the culture, found my own sound, and went on a different journey from there. This was the beginning.

The Partae: What type of style? What were your influences before you switched to electronic music?

Maša: Before, I would listen to just about anything, but indie rock had a special place in my playlist. When I started to listen to electronic music, I started to like funky, tropical and electro-like sounds. Then I went more and more towards the house.

The Partae: Do you have any other artists who played a relevant influence in your journey?

Maša: It’s hard to pinpoint a name right now. In the beginning, I was mostly inspired by the local crews, such as Kvalitat, Just Us, LuckIsOn. I always felt it was not just about the music, but also their parties and the whole experience. How somebody prepares a club for the night and stuff like that.

The Partae: These days, I find that electronic music is evolving into a genreless type of music and it becomes very difficult to explain. However, I still think it’s important to describe it somehow. What are three labels you would categorize your music with?

Maša: We’re now in the era where people are taking so many influences from the past and mixing them together. And that’s why you can’t belong to a genre. I especially enjoy some of the old-school sounds, when putting that into a housey perspective. When I say “housey” I usually describe the beat. Then I would use other adjectives which describe my sound. I get influences from electro, garage, funk and RnB sounds.

The Partae: Switching to a more personal question. Besides deejaying, you mentioned that you’re a designer. How do you bring these two passions together? And how do you feel those two worlds influence each other?

Maša: I currently work as a graphic designer and I consider myself a designer, so I see my career developing into that path. Of course, I translate these skills into the music world. For example, when we organize parties, I like to think about how every aspect of the event will be perceived. From designing the visuals, decorating the venue, and overall making sure the vibe is alright and everything works as a whole.
On the other side, I feel that doing music matches well with design: at their core, it’s all about the layers! Both are about how you build and layer different elements visually or in sound.

For now, I would not want DJing to be like my full-time occupation. I just enjoy the privilege of having it as my main hobby and I get the opportunities to play in front of more people, to travel to new places I’ve never been, and to meet a lot of like-minded individuals. I feel that if this would become my full-time gig, it would bring a lot of stress and other negative aspects to it. At the moment, I want to keep it at this level, keep the quality high and build bit after bit, and we’ll see what happens. I want to give some more time to production in the future.

The Partae: Do you take care of your DJ image outside of the club, are you present on any social media?

Maša: My Instagram was private until six months ago. Before I have a gig, I always make a post to promote the venue or when I have a good experience after the party. I always enjoy showing places to other people and giving shout-outs to people who deserve it. Lately, it’s been public, I don’t do so much with it, I feel like with social media these days, it’s also your mental health and you cannot always handle it at 100%. There are times when you just don’t feel like doing it. However, I realized that social media presence is sadly important in 2023.

The Partae:  Do you like when people add you after you do a set and when they compliment you for your selection?

Maša: It does make me happy. My goal is always to help people have a good time, so it’s rewarding when someone reaches out and it makes you feel good. It’s quite an ego boost. Gotta admit, every now and then anyone needs some validation

The Partae: Let’s explore your future. Do you have like any specific dream location, venue or festivals or places where you would like to play?

Maša: There’s no specific festival or club that I want to go to, but I just enjoy going to new places and meeting new people. So everywhere I haven’t been yet. Also love to cross the borders of Europe one day.

The Partae: Where do you usually play as a resident and what were your favourite gigs last summer?

Maša: I’m a resident at Klub K4 in Ljubljana, so you can usually find me playing there, while in summer we’re very active with outdoor parties. Past summer was a very hectic time for my DJ career, as I played in many gigs. Obviously, it started with our home festival Butik in the Slovenian Alps. I also played in Munich for the crew Cyclic Existence. It was my first time in Munich and my first time playing for them. It’s a cute independent club, where you can feel the passion of the team behind it, both execution and vibe-wise. I had a blast! At the end of September, I played at the festival L’Ode Mere, located at a stunning chateau on the Western coast of France. It’s a new festival at its first edition and I like the ideas behind it. They’re very aware of the minorities and they’re very transparent. Before the festival, they posted on Instagram a breakdown of the costs to show how much money goes into fees for the artists, how much into the venues, etc. I like their incorporation of social awareness into the party culture. It doesn’t need to be political, but it’s nice that we’re aware of some stuff.

The Partae: Since you mentioned social awareness, let’s talk about equal opportunities. Do you feel that female DJs get the same recognition and opportunities as their male counterparts?

Maša: Just in the past few years. When I started deejaying, there were fewer girls. People told me that before, it was even more challenging for women. I don’t feel like it’s because people would not be accepting of it. It was just a boy’s world, and girls just didn’t enter that. Nowadays, every girl that I know from our scene, gets opportunities. Sometimes it seems like positive discrimination. More and more organisers are actually being inclusive, but some just want to fill the quotas. It has happened to me that I got a gig just because “they needed a girl”. I feel like we sometimes get even more opportunities just because there’s less female DJs in the industry. It’s kinda problematic if inclusivity is prioritised before quality, but if you show up and prove your worth, when given the chance, it’s okay. So fellow girlies, go for it!

The Partae:  Would you like to inspire other girls to start a career in DJing?

Maša: I would love to inspire more girls, but even better, I would like to inspire more people! I don’t feel like it’s a gender battle. Just go for it, whoever you are!

Maša’s set at Butik Festival

Follow Maša on Social media:

SoundCloud

Instagram

January 12, 2024 0 comments
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Music InterviewsMusic News

Brainheart Interview

by the partae January 11, 2024
written by the partae

How did you first start playing music?
My first exposure to music was at the age of four, it was classical music because my mom used to listen to classical and orchestral music. I fell in love with all the instruments, especially the piano, violin, and cello. What is fascinating about music is that it’s a universal language and connects people from all over the world. I taught myself how to play piano at the age of 15, and honestly, it was one of the best decisions I have ever made. Over the years, I fell in love with more genres, especially EDM.

What’s been happening recently?
I have to be honest, the last few months were extremely difficult mentally. I am working on new music but also working on myself. The music industry is very tough and most people don’t know that. A lot of people reference that 10,000-hour rule to be good at something. Nobody mentions how those hours can be boring, repetitive, and exhausting waiting to see signs of progress, so I am proud of myself that I didn’t give up on my dreams and kept going even though this year was challenging mentally and emotionally.  I always remind myself that every day I get out of bed excited to do those things I’m passionate about, and I have all the time in the world for them.

Your first single ‘Explore The World’ that you created with your sister, has hit over 525,000 reels, what influenced the sound and songwriting?
How did you go about writing Explore The World? Yes, crazy results! 3 years ago my sister traveled to the Philippines, I told her that I want to create a travel song and release it when she gets back home. She wrote the verse and sent it to me, I fell in love with it and wrote the chorus. When she came back home we finished the vocals literally in 30 minutes. I produced, mixed, and mastered the track and we released it at the end of 2019. It was a pleasure working with her; the process was fun and happened naturally. I can’t wait to work with my sister on more songs in the future.

What does this single mean to you?
This song holds such a special place in my heart. It means the world to me, especially because I wrote it with my amazing and talented sister. This is the first song I have ever released, and I never expected it to be huge.
The song started to take off only a year after I released it. People started using it on their Instagram videos, and it went viral. I never thought that my debut song would go viral! This song touches so many people, and I am extremely grateful for that. It’s been a cool thing to see the message in the song have such a profound impact on people. I was in such a strange place in life when this song came out. The success of this song gave me confidence. It made me believe I am good enough and that I must continue no matter what.

Being an independent artist, where did you record/produce/master and who did you work with?
I record, produce, mix and master everything in my parent’s house. I can’t wait to move to my own place but it’s better for me to stay with my parents and save money for the future. Eventually, the goal is to move to the United States, it’s an expensive process but it’s a must for me. I worked with singers from the United States and am going to work with more singers from all over the world…

How did you approach the recording/production process?
I remember the first time I watched the Tomorrowland festival on Youtube, and I was hooked. There is something contagious about electronic music. A couple of years later, I started creating music and knew I had found my purpose.
I learned and still learning everything from Youtube. I still have a lot to learn, and I am getting better every day. Consistency is the key!

Please tell us about your EP and any new music on the way:
I created this EP with Dorel, an amazing singer/songwriter and one of my best friends! He is the best singer I know.
First, we decided to create just one song together. The process was so fun, and we were so happy with the result, so we decided to create a full EP together. This EP means a lot to us; we created these songs from the depth of our souls.
So much love, fear, excitement, frustration, confusion, and happiness shaped this EP. The whole process sort of guided me in a healthier direction mentally when I really needed it. I’ve learned a lot about myself and about growth while making these songs. I can’t really explain how much this project means to me. I allowed myself to be very vulnerable in the process and show different sides of my soul. I am working on new music and can’t wait to share these songs with the world. I am working on Electronic, Acoustic, Pop, and Pop rock projects with extremely talented singers.

Who are you listening to at the moment?
ILLENIUM, Avicii, Martin Garrix, Coldplay, Bring Me The Horizon, Bad Omens, Hans Zimmer, Demi Lovato, Onerepublic, and Adele. I listen to so many genres and get inspiration literally from everything. Versatility is so important.

What’s planned for 2023?
Keep making music and touching people’s hearts and souls. I want to keep growing my socials and fanbase and of course, evolve and become a better version of myself – as a musician and as a person. My main goal is to get an artist visa and move to the U.S. I believe that I will be able to develop my music career in the U.S. much faster and I will have plenty of opportunities.

Favorite food and place to hang out?
BBQ, a good steak can fill my heart with happiness. Nature, because it gives me peace of mind and a huge boost of inspiration.

* Music + Socials:

 https://linktr.ee/brainheart

*Website:
https://www.brainheartofficial.com/

January 11, 2024 0 comments
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Festival News

JURASSIC WORLD THE EXHIBITION MUST LEAVE SYDNEY TO HEAD TO MELBOURNE

by the partae January 10, 2024
written by the partae

Be the first to know when tickets go on sale by joining the waitlist at jurassicworldexhibition.com.au

Sydney, Australia (January 10, 2024) – The award-winning Jurassic World: The Exhibition is closing its doors in Sydney on Sunday, 18 February 2024. This will be the last opportunity to experience the family-friendly exhibit that has celebrated an incredible Sydney launch with record numbers and rave reviews. Now, it returns to Melbourne, the city that started it all.

‘Come and Enjoy an unforgettable experience!’ 

‘It’s so impressive, They’re so lifelike, so realistic’ 

‘It’s a whole lot of fun!’

‘In what was any dinosaur lover’s dream!’

The Melbourne waitlist is now open.  Be the first to know when tickets go on sale by registering at www.jurassicworldexhibition.com.au and experience the new additions of a life-sized Ankylosaurus and the ferocious Carnotarus.

Based on one of the biggest blockbuster franchises in cinema history, Guests will be able to imagine what it would have been like to roam amongst these breathtaking creatures, explore richly themed environments, meet the fan-favourite Velociraptor Blue, and the most fearsome dinosaur of all, the mighty Tyrannosaurus rex. Fans will also be able to interact with baby dinosaurs, including “Bumpy” from the popular animated series Jurassic World: Camp Cretaceous from Universal Pictures, Amblin Entertainment and DreamWorks Animation, currently streaming on Netflix.

Following its recent record-breaking engagements in cities around the world, and its current and ongoing success in Sydney, Jurassic World: The Exhibition has now become one of the fastest-selling exhibitions in history since its launch with nearly eight million tickets sold.  After opening its gates to excited fans in cities around the world including London, San Diego, Denver, Dallas, Chicago, Philadelphia, Paris, Madrid, Seoul, Chengdu, Guangzhou and Shanghai, and recently in Toronto, Atlanta, Cologne and Berlin, Melbourne will once again get its chance to experience this global sensation.

Jurassic World: The Exhibition will be presented in Melbourne for a limited time. Stay up to date with information on ticket sales, venue details and opening date. The Melbourne waitlist is now open at jurassicworldexhibition.com.au

For further information about Jurassic World: The Exhibition, please visit Jurassicworldexhibition.com.  Follow along on social media Facebook, Twitter and Instagram and use hashtag #JWEXHIBITION to join the conversation.

The exhibition engages audiences of all ages in settings inspired by Universal Pictures and Amblin Entertainment’s Jurassic World franchise and is produced in conjunction with Universal Live Entertainment, NEON, SuperLuna, Masterworks, Sony Music Entertainment Australia, and Animax Designs – the creators of the lifelike animatronic dinosaurs.

January 10, 2024 0 comments
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Festival NewsMusic News

CRSSD Festival Announces Lineup for Spring 2024 Edition

by the partae January 10, 2024
written by the partae
Featuring Armand Van Helden, Astra Club, Black Coffee, Dixon, Héctor Oaks b2b Tiga, Jan Blomqvist, Jeff Mills, Joris Voorn, Loco Dice b2b Nic Fanciulli, Mochakk, Red Axes (live), Richie Hawtin, Sammy Virji, Sofia Kourtesis, Tale Of Us, TRYM, WhoMadeWho

March 2-3, 2024, at Waterfront Park in San Diego
Alumni Pre-Sale on 1/11 at 12PM PST
SMS Pre-Sale on 1/11 at 2PM PST
General On Sale on 1/12 at 12PM PST

Since its inception in 2015, CRSSD Festival has created a unique enclave for the global electronic music community in San Diego. Fostered to connect the best and brightest of clubland in a setting that personifies the sun-soaked aesthetic of Southern California, the event is a pillar of the international festival calendar. Today, CRSSD announces another genre-spanning lineup for its Spring 2024 edition, returning to its home of Waterfront Park in downtown San Diego on March 2-3.
CRSSD takes over the lush, centrally-located, bayside Waterfront Park by day. Its after party series CRSSD After Dark encompass clubs, venues, and converted spaces throughout the city. Its thoughtful curation makes it the ultimate destination festival for anyone passionate about dance music. CRSSD’s Spring 2024 lineup is characteristically diverse, blending different genres and eras of electronic music.

The Ocean View stage features the Italian melodic duo Tale Of Us, who have proven to be not only musically compelling but also hold a deft mastery of visual artistry. They are joined by South Africa’s pride and joy Black Coffee and the genre-fluid live act WhoMadeWho. Also taking the stage at Ocean View are eclectic live duo Red Axes, Austrian trip-hop pioneers Kruder & Dorfmeister, hip-hop and soul influenced producer Sango, and globally renowned Swedish electronic band Little Dragon.

The Palms stage, CRSSD’s haven for house music and non-stop party atmosphere, is led by revered house legend Armand Van Helden and Brazilian house music virtuoso Mochakk, whose viral social media fame is only matched by his unparalleled stage presence. Also on the bill are Astra Club, the sought-after duo who consistently deliver an unexpected range from the avant-garde to energetic underground heat and Innervisions founder Dixon. British UK garage hero Sammy Virji takes to the stage, as well as minimal tech mastermind East End Dubs, Beatport’s best-selling Minimal/Deep Tech artist of all time Toman, and Sofia Kourtesis, fresh off of her highly praised debut album Madres.

On the City Steps stage, techno reigns supreme, showcasing storied figures and rising wildcards anchored by French stalwart TRYM, the leader of a new generation of harder-edged artists playfully riding the line between warehouse-rattling techno and sweat-soaked hard dance. Elsewhere on the lineup is one of the architects of dance music culture, Richie Hawtin, alongside fellow storied electronic producer Jeff Mills. The lineup’s depth continues with the universally beloved Joris Voorn and a blistering B2B session from Héctor Oaks and Tiga.

The curated CRSSD experience extends beyond the music, treating attendees to handpicked food vendors, immersive decor and stage designs, and interactive programming through its CRSSD Lab music-tech lounge and vinyl market. It’s the quintessential electronic music journey in one of the West Coast’s most beautiful urban centers.

The general on-sale begins 1/12 at 12PM PST via CRSSD’s official website. Fans can text “SPRING24” to (855) 912-1457 for presale access. CRSSD is a 21+ festival.

CRSSD Spring 2024 Lineup

Armand Van Helden
Archie Hamilton
Astra Club
Beltran
Black Coffee
Dixon
DJ Heartstring
East End Dubs
Enzo Siragusa
GusGus (live)
Héctor Oaks b2b Tiga
Jan Blomqvist
Jeff Mills
Joe Kay b2b Jared Jackson
Joris Voorn
KASIA
KI/KI
Kruder & Dorfmeister
Ky William
Little Dragon
Loco Dice b2b Nic Fanciulli
Luuk Van Dijk
Maz
Mochakk
Nils Hoffmann
Red Axes (live)
Richie Hawtin
Roosevelt
Sally C
Sammy Virji
SANGO
SBTRKT
Simon Doty
Sofia Kourtesis
Tale Of Us
Toman
TRYM
WhoMadeWho
X CLUB.

https://www.crssdfest.com/

January 10, 2024 0 comments
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Festival NewsMusic News

TERMINAL V FESTIVAL 2024 REVEALS DAY SPLITS

by the partae January 10, 2024
written by the partae
Scotland’s game changing underground celebration Terminal V is back at Edinburgh’s Royal Highland Centre with an irresistible mix of international artists and homegrown talents on Saturday 13 and Sunday 14 April 2024. Day breakdowns have now been revealed so get your tickets to this most impressive two days at terminalv.co.uk/festival.
As soon as New Year is out of the way, 40,000 house and techno heads from across the UK and beyond all officially start the countdown to Terminal V’s annual and supersized festival. Held across two action-packed days and five fantastically designed stages both indoors and outdoors, it will welcome more than 80 acts again in 2024.
The festival is #9 in the UK as a whole in DJ Mag’s Best Festival poll and just won ‘Best Festival’ in their Best of British Awards. It is a real industry leader known internationally on several fronts – the cutting edge and comprehensive line-up, the bold and forward facing production and the crystal clear and powerful sound systems, all of which add up to the most electrifying underground experiences.
Saturday will see a non-stop first day of action from 12pm – 11pm with guests 999999999, Azyr, BlackTraffic, Blawan, Charlie Sparks, DJ Heartstring, Dyen, Ellen Allien, Elli Acula, Fjaak, Fka.m4a, Indira Paganotto, La La, Lee Ann Roberts, Mha Iri, Nico Moreno, Oguz, Pawlowski, Sikoti, Snts, Stephen Brown, Testpress, Thelma, Volvox, X, Club., X-Coast and more.
Sunday then welcomes Aisha, Basswell, Blk. X Shlømo, Carv, Clara Cuvé, Daria Kolosova, Dax J, Faster Horses, Franck, Frazi.er X Slam, Funk Tribu, Hannah Laing, Interplanetary Criminal, Kobosil, Riot Code, Malugi, DJ Daddy Trance, Mark Blair, Miss, Bashfull, X, Dbbd, (Live), Narciss, Partiboi69, Riot Code, Sara Landry, Tommy Holohan, Yasmin Gardezi and more.
Terminal V is a real standout in the global electronic festival calendar with its tasteful mix of everything from acid and peak time techno to sleek minimalism so get your tickets now at
terminalv.co.uk/festival

Connect with Terminal V:
Website | Facebook | Instagram | Twitter
January 10, 2024 0 comments
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Music InterviewsMusic News

CUT_ Interview

by the partae January 3, 2024
written by the partae

The title of your new single, ‘The w*r,’ involves self-censorship. Can you share more about the decision behind this and its significance in today’s world?

On the social media platforms, which are our most important outlet, we find we need to use caution in our choice of words. The w*r is censored to avoid being shadow banned. To make it the official title outside of the socials is a sign of the times. We wanted to express the despair that comes with the times in which we now live.

How did the Russian invasion in Ukraine inspire the creation of ‘The w*r’? Could you elaborate on the emotions and experiences that influenced the song?

We had a part of the song laying around for years on end but found it hard to finish it. In February 2022 we isolated ourselves to write music, we normally work this way so we don’t get distracted by the city. We were in a house in the woods and writing on the new work when Russia invaded Ukraine. We couldn’t believe it, it felt so close by. I think we felt the fear of war for the first time. The song is a direct outcome of this happening. We have great respect for the Ukrainian people standing up to this giant and we feel the people are so strong. We wrote the song almost to give them a light to follow. The chorus starts with “I am mine” and ends with “I’ve lost a battle but I’ve won the war”. We wanted to visualize the end of the war, to give hope.

The lyrics of ‘The w*r’ convey both pain and resilience. How do you hope listeners will connect with the message of strength and overcoming difficult times?

I think music has a unique and magical way of helping people go through the motions. If we can give just some people who need it a moment of solace, hope or even strength we have accomplished our goal. The chorus “I am mine, I lost some of my mind but what is left is so much stronger than before” is a description of overcoming trauma and coming out stronger and wiser. We hope our song will reach people who need to hear this. People all over the world who are facing hardships every day and can find strength through the music.

The song was originally conceived in the hope that the war in Ukraine would become history. How does it feel to see the relevance persist, especially in light of recent events in Gaza?

It is heartbreaking that now, two years later, we could’ve written the exact same words inspired by current events. We are appalled by what has been happening in Gaza and the hopeless situation there. We hoped so much things would’ve been better by now but instead it all got worse.

The accompanying video for ‘The w*r’ is the fourth installment of a planned eight. Could you explain the concept behind the series and its connection to the themes in your music?

We wanted to write music especially for a live situation. We went for a more danceable sound (The w*r obviously being the ballad of the 8) to make for a wild live show. Every video, like the music, is inspired by club culture. There are elements that we find in clubs that we use in each video. Club culture is very important to us because we find it’s where people can be themselves, express themselves freely and in safety. The most exciting things that come to surface in society started in clubs and we want to honor that and underline the importance of it.

The video features shots captured by you two and glitch artistry by Cyborg Jungle. How does the visual aspect enhance the overall message of resilience and power in the face of adversity?

The songs are more gritty and raw. It is not about sleekness and the typical way society portrays beauty. The sound is more gritty so the visuals and music go together perfectly. We find beauty in imperfection. Like in the art of Kintsugi, in which one treats breakage and repair as part of the history of an object. A crack his highlighted with gold, it has become part of the beauty of the object. We use the colors and glitches that arise in the images to highlight the beauty and create an exciting video.

Each video in the series showcases a strong young woman adorned in armor-like attire. What does this symbolism represent, and how does it tie into the broader themes of your music?

The look in the video for ‘The w*r’ is based on queer club wear and also represents a young woman who is ready and strong to endure everything that will come at her. We have always stood for the power of women obviously. We want to implement this message in our work as much as we can.

CUT_ draws inspiration from the liberating spirit of club culture. How does this influence your approach to creating music, and how do you express these themes in your videos and performances?

We have written the new work especially for the dance floor. We want to play more during club nights and we found we needed more material to make this happen. We have a great love for the club culture and freedom of expression we find there. In each video we make use of elements that we know from this culture.

In ‘The w*r,’ you mention being ready to fight and overcoming trauma. How do you see music as a tool for channeling emotions, healing wounds, and inspiring hope, particularly in times of adversity?

Belle: I have struggled with depression and addiction in the past. Music has given me an outlet to work through these things. When life gets dark, I feel music has the power to channel emotions and work through dark times. I know it has for me. Also, music deters loneliness, I believe. These are hard times with social media so dominant in young people’s lives. I do find a silver lining in there that people can connect with each other online and find communities where one can find likeminded people.  Often music is a strong connector in these subcultures. I truly believe music can save lives.

The song speaks to the power of emerging stronger on the other side. How does CUT_ stand as a beacon for listeners, offering a sonic journey through pain and triumph?

As a band, you’ve been experimenting with pop and electronic music since 2014. How has your sound evolved over the years, and what drives your exploration of these genres?

We have always been obsessed with sound. We don’t find much satisfaction in sounding like other artists. We truly get excited when we hear something new and unheard of. A lot of artists try to sound like the “it sound” of the moment. We find it extremely boring and it feels like a search for commercial success more than making art. In the past we have worked with teams that wanted us to do the same. Needless to say, we are proudly independent and stubbornly keep making what we love at this moment. These 8 songs are a testament to that.

After the success of your debut album in 2019, what can fans expect from CUT_ in terms of future releases and the continuation of your unique musical and visual journey?

The next releases upcoming in 2024 will be in the gritty and raw style we released in 2023, we are ready to do club nights and see how they work in this live setting. After that we truly don’t know yet. Maybe we’ll make an ambient album, maybe we’ll make a techno album, maybe we do an acapella album, who knows what’s next! But rest assure it will be electronic it will be what we want to make and it will be us written all over it.

Links:

https://www.cutunderscore.com

https://www.instagram.com/cutunderscore/?hl=nl

January 3, 2024 0 comments
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Music News

‘IN THE PINES’ latest single by WASTING MAY

by the partae January 1, 2024
written by the partae

Alternative singer-songwriter duo Wasting May, comprising Ethan DeBoard and Evelyn May Nielsen, is thrilled to announce the release of their latest single, “In The Pines.” The captivating track, released on December 29, 2023, is the band’s follow-up to their successful debut EP “Machine,” which was unveiled on September 1, 2023.

Wasting May’s journey began when Ethan and Evelyn crossed paths as freshmen in high school in 2018. Their musical collaboration took shape in February 2023, leading to the creation of evocative and emotionally charged music that resonates with listeners. Ethan, a self-taught guitarist since the age of 15, is the creative force behind the composition, recording, and production of Wasting May’s distinctive sound. On the other hand, Evelyn, with her early background in creative writing and lyricism, crafts the heartfelt lyrics and melodies that define the band’s unique identity.

“In The Pines” showcases Wasting May’s commitment to delivering emotionally relatable music with intimate sounds and profound lyrics. The single demonstrates the duo’s ability to weave a sonic tapestry that captures the essence of their artistic vision.

Following the success of “In The Pines,” Wasting May has exciting plans for 2024, with two more completed singles set to be released early in the year. Additionally, the band members will embark on a creative journey to Paris, France, in spring 2024, where they will immerse themselves in the city’s vibrant atmosphere, write and record new songs, and perform at open mics.

Fans and music enthusiasts are encouraged to stay connected with Wasting May by following them on Instagram and Spotify for the latest updates and announcements.

Wasting May is not just a band; it’s a musical odyssey that invites listeners to embark on a journey of emotions, melodies, and introspection. The release of “In The Pines” marks another milestone in their musical exploration, leaving fans eagerly anticipating what this dynamic duo has in store for the future.

About Wasting May

Wasting May is an alternative singer-songwriter duo hailing from Orlando, Florida. Comprising Ethan DeBoard and Evelyn May Nielsen, the duo’s music is characterized by emotionally charged lyrics, unique sounds, and an intimate connection with the audience. After the release of their debut EP “Machine” in September 2023, Wasting May continues to captivate listeners with their latest single, “In The Pines,” and looks forward to a promising 2024 with more releases on the horizon. Follow Wasting May on Instagram and Spotify for updates and announcements.

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January 1, 2024 0 comments
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