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Music News

Artists: MYRNE Title: Wandering EP Label: Ultra Records Release date: October 30, 2020 Download / Stream MYRNE at last debuts his full length "Wandering" EP, which includes four new tracks, as well as his previously released singles "Forbidden Lovers," "Sleeping On My Own Again," and "Splinter." The EP showcases the depth of MYRNE's sonic maturity and follows an organic and deeply emotive flow, which was inspired by his own experience wandering and traveling without a purpose. The EP's opening "Superstructure" is a dreamy, breezy listen that establishes the thoughtful and natural flow of MYRNE's consciousness. The next new track, "False Memory," is a wistful instrumental journey that carries nostalgia for times and loves gone by. MYRNE rounds things out with two vocal songs: the romantic ballad "Loving You is Scary" with Cody Lovaas, followed by a powerful closure with the ethereal and groovy "Creature Comforts," featuring Vania. MYRNE masterfully carries the listener through a spectrum of soundscapes and emotions in "Wandering," making it the perfect listen for your own introspective journey. "A collection of songs that I wrote while in a period of self-discovery and aimless wandering. Nature and day-to-day existence definitely inspired this record, and it feels very liberating writing music spontaneously without conscious planning. It was a little odd sitting down to write without a goal in mind, but once I overcame that barrier, the process was extremely fun and relaxing." - MYRNE in his own words about the release. Singapore-based MYRNE first made his appearance on the scene with his 2015 debut EP "Softsins" on behemoth label Mad Decent, inaugurating himself as the first Asian artist on the label. His indie-electronic style comes from his training as a classical musician and his own isolation in his home country; MYRNE's style is both sophisticated and easy to listen to, incorporating elements from multiple genres. In 2017, he released the seminal electronic-indie LP "B4NGER PROJECT" with longtime collaborator Gentle Bones on Universal Music, followed by co-production work on RL Grime's "I Wanna Know" in 2018. After establishing himself as a talented force through these three projects, MYRNE has earned an impressive roster of live performances on his resume, including Ultra Music Festival and Tomorrowland, to name a few. He has also played to thousands in his home circuit in Southeast Asia, China, and the United States, such as Hard Summer, My Life Everyday, and more. Keep an eye out for more music from MYRNE coming very soon! More info on MYRNE / Ultra Records: MYRNE: Facebook | Instagram | Twitter | Spotify Ultra Records: Facebook | Instagram | Twitter | Spotify
Music News

MYRNE Releases Inspiring and Deeply Personal “Wandering” EP, Featuring Four Brand New Tracks. Out on Ultra Records

by the partae October 31, 2020
written by the partae

Artists: MYRNE
Title: Wandering EP
Label: Ultra Records

Download / Stream

MYRNE at last debuts his full length “Wandering” EP, which includes four new tracks, as well as his previously released singles “Forbidden Lovers,” “Sleeping On My Own Again,” and “Splinter.” The EP showcases the depth of MYRNE‘s sonic maturity and follows an organic and deeply emotive flow, which was inspired by his own experience wandering and traveling without a purpose. The EP‘s opening “Superstructure” is a dreamy, breezy listen that establishes the thoughtful and natural flow of MYRNE‘s consciousness. The next new track, “False Memory,” is a wistful instrumental journey that carries nostalgia for times and loves gone by. MYRNE rounds things out with two vocal songs: the romantic ballad “Loving You is Scary” with Cody Lovaas, followed by a powerful closure with the ethereal and groovy “Creature Comforts,” featuring Vania. MYRNE masterfully carries the listener through a spectrum of soundscapes and emotions in “Wandering,” making it the perfect listen for your own introspective journey.

“A collection of songs that I wrote while in a period of self-discovery and aimless wandering. Nature and day-to-day existence definitely inspired this record, and it feels very liberating writing music spontaneously without conscious planning. It was a little odd sitting down to write without a goal in mind, but once I overcame that barrier, the process was extremely fun and relaxing.” – MYRNE in his own words about the release.

Singapore-based MYRNE first made his appearance on the scene with his 2015 debut EP “Softsins” on behemoth label Mad Decent, inaugurating himself as the first Asian artist on the label. His indie-electronic style comes from his training as a classical musician and his own isolation in his home country; MYRNE‘s style is both sophisticated and easy to listen to, incorporating elements from multiple genres. In 2017, he released the seminal electronic-indie LP “B4NGER PROJECT” with longtime collaborator Gentle Bones on Universal Music, followed by co-production work on RL Grime‘s “I Wanna Know” in 2018. After establishing himself as a talented force through these three projects, MYRNE has earned an impressive roster of live performances on his resume, including Ultra Music Festival and Tomorrowland, to name a few. He has also played to thousands in his home circuit in Southeast Asia, China, and the United States, such as Hard Summer, My Life Everyday, and more. Keep an eye out for more music from MYRNE coming very soon!

More info on MYRNE / Ultra Records:

MYRNE: Facebook | Instagram | Twitter | Spotify
Ultra Records: Facebook
 | Instagram | Twitter | Spotify

 

October 31, 2020 0 comments
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The Partae Playlist
Music News

The Partae Playlist

by the partae October 31, 2020
written by the partae

Saige keeps getting better in ‘Mama’

Making waves with her debut releases, Saige is ready to step into the spotlight. The Irish artist introduced her unique brand of alt-pop earlier this year and has seen national airplay, additions to leading Spotify playlists, and major online praise in the likes of Notion Magazine. Saige describes her sound as baroque-pop, a style that blends the alt-pop she loved as a teen with her musical inspirations today such as Lykke Li and The XX.

Black Sands drops halloween treat

Known for his genre-blending sound, Black Sands returns with his new darker halloween inspired single ‘Fearless’. With powerful, distorted vocals, echoey soundscapes and reverberating beats, the anthemic track creates a sense of light and shade both in its expressive lyricism and melodies. Black Sands seamlessly blends elements of Rock, R&B and Electro-Pop, all concocted to produce a flurry of magnetic energy. The spine tingling track takes many dynamic twists and turns, constructing a sound that can be defined as Nine Inch Nails meets Imagine Dragons. Its soul baring lyrics and emphatic instrumentals dramatically build to create a scintillating sonic explosion.

Punt Guns drop mind-blowing self titled album

Punt Guns’ debut album is a collection of anthem-like, electronic rock and pop power tracks, with cutting edge instrumental intervals and commanding vocals that make a striking statement. The eight track compilation is carefully mastered and constructs a fusion of dynamite sounds, with a take on warped reality and intensified feeling. Their magnetic energy never ceases, and their apocalyptic, sci-fi vision is brought to life through their musical storytelling. Building their unique brand over the past 2 years, the release of their album is a curation of innovative sounds, built to create an experience like no other for their growing base of disciples. 

Benedict drops Scratch Massive Remixes

Australian alt-pop prodigy Benedict is set to release remixes of her well-acclaimed July single ‘Warzone’. The release includes two Scratch Massive remixes, all of which further fuel the electric essence of the original track. Featuring pounding beats, pulsating melodies and Benedict’s haunting, breathy falsetto, each of these remixes channel nostalgic 80s dance-pop. They explode into an electronic kaleidoscope of sound, whilst maintaining a smooth and digestible feeling. Benedict’s lyrics allude to troubled human relationships, showcasing her sanguine ability to create original and upbeat pop tracks with emotive and authentic storytelling.

Condescending releases big hitter ‘Kansas, the Band’

Condescending is set to drop his first release of the year, a mesmerising dual track project. It features a song who’s namesake is its creator, filled with resonating guitar patterns and haunting vocals. The focus track is ‘Kansas, the Band’, offering viscid strumming and breathy crooning, portraying a heavy sense of melancholy. The experimental melodies and eerie digital sounds on both tracks give this release a textured, atmospheric feeling without being overstated. 

Random Weekend drop ‘Fire By The Lakehouse’

A fusion of contradicting yet complimentary sounds, ‘Fire by the Lakehouse’ is a production powerhouse formulation by Random Weekend. Harbouring ethereal synth, pounding beats and topped with a mixture of Breon S.Y.N.D.E.L and Pook Hustle’s distinct rap bars, the four tracks ebb and flow with energy, incorporating a plethora of alternative, intoxicating sounds that take a fresh spin on trap. Random Weekend’s genre-blending, vivid vision is projected through their exclusive sound, and their playful, adventurous nature makes for something surely unheard. 

Richard releases new single ‘Steady’

Bursting back on the scene with a fiery, magnetic blend of rap and urban pop, Richard’s new single ‘Steady’ is a whirlwind of atmospheric soundscapes. Underpinned with electro-style instrumentals, the explosive track ebbs and flows, with its climactic melodies creating an intense and sonic experience. Richard’s powerful and soul coated vocals take centre stage, as his introspective lyrics reflect on poignant topics throughout. Richard’s style has been well honed and artistically molded to perfection, with his memorable brand setting him firmly apart.

Naama Guggenheim goes long with ‘Shot In The Air’

‘Shot In The Air’ is a warm composition of soft R&B and soulful whispers, kindling a masterpiece that brims with the perfect mellifluous ambience. Laced with a jazzy undertone, the track’s dreamy melodies are enveloped with Naama’s delicate vocals, with her magical croon expressing the honesty of her lyrics in a beautifully eloquent manner. Unafraid to open up, Naama’s artistry glows with rawness and vulnerability, courageously revealing the inner truths of the heart, and building a profound connection with her listeners.

Peter Dallas drops the perfect dance record

‘Your Lover’, taken from Peter Dallas’ upcoming EP ‘The ballads of Peter Dallas’, bursts with an amalgamation of electro and synth sounds, topped with entrancing whispering vocals. The single’s echoey tone is remarkably distinctive, with its atmospheric soundscapes being sonically vivid. Formulating a sound that is hauntingly intriguing, Peter Dallas’ slick talents shine through the track’s epic flourish of vibrant and eclectic sounds.

Johnnie Darko is the UKs best kept secret

Johnnie Darko showcases his adventurous and bold talent through each of his 9 distinctive tracks, collectively ‘The Dark Night Album’. Making his mark on the UK rap, underground music scene, his style and brand is compellingly playful and slick, with every track bringing a fresh edge to his skillfully crafted compilation. Johnnie’s dynamic rap flow, striking beats and honest, relatable lyrics, forms a flood of energy, with his artistry being particularly unique. 

 

 

October 31, 2020 0 comments
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TINY Returns With Heavy Hitting Single, On My Mind (feat. Amela)
Music News

TINY Returns With Heavy Hitting Single, On My Mind (feat. Amela)

by the partae October 30, 2020
written by the partae

It’s been 10 years since her last official release & TINY has teamed up with her long term alt-pop star friend AMELA to create a killer single, ‘On My Mind’ that you will literally have on your mind for days to come. This song was a trip down memory lane for both TINY & AMELA, taking these two back to their roots when it comes to collaboration & songwriting.

On My Mind is a heavy hitting electronic future bass pop song produced by TINY with a killer vocal performance by AMELA. Don’t be fooled by the soft, intimate heart felt lyrics in the verses because this song packs a punch of production in the chorus. Original sampling taken from AMELA’s voice, self made synths by TINY, combined with catchy top line hooks. hard hitting bass & drums; Every bit of this song shows mastery of singing, top line writing & production by this dream team.

“I produced this track about a year ago. Originally I had written a top line & was going to sing it myself but I felt like the track didn’t suit me as an artist. So I was thinking of who would be the best person to bring on board for it. Amela was actually one of the first people I ever collaborated with. So fast forward 12 years later and I’m like, who has the right vibe for this track? Before you know it I reached out to her, scrapped my top line and sent her the track. She loved it & we did a few zoom calls to completely re-write the top line whilst I worked out of my home studio. I felt like we were 15 again jumping around both hyping each other up getting excited. 

 I absolutely love working with Amela, her attitude when it comes to writing & getting the work done in the studio just makes the whole process so awesome. In total we probably re-worked the song 4 times, we didn’t really use any referencing from other artists or producers. I felt like for us we didn’t care about how many times we had to re-write it, it was just about getting it to a place where we both loved it and we’re like yep, this sounds sick.” – TINY

“Roughly a few months before TINY reached out to me with this track, I had made a decision that I wanted to really strive toward growing my fanbase and reaching more people with my music. I was really keen on collaborating because I know my strongpoint is writing melodies and lyrics. I’d messaged TINY expressing interest in collaborating and was so happy when I received it in my inbox! As soon as I heard the song, I instantly heard a melody in my mind. I was anxious to send it back to TINY as soon as possible because I wanted to workshop some more ideas but I kept coming back to the hook “I’m keeping it together on the inside”.

 It felt so amazing to re-connect and work with TINY again after so many years. The process was really fun and natural and we were often on the same page about melodies and lyrics. It was actually so refreshing working with someone who had such a “yes-and” mindset. I felt like the possibilities were endless and we were working toward the same goal – making On My Mind as strong as it could be! I am also so inspired by TINY’s hard work and dedication toward making music and establishing herself as an artist in Australia, particularly a female singer-songwriter, DJ and producer! What an honour.” – AMELA

LISTEN TO ‘ON MY MIND’ HERE

TINY started playing guitar at the age of 10 and writing songs from the age of 14. By the age of 17 she had written, sung and released her first album. TINY has won two competitions in Australia for songwriting (Universal Bali APRA Songsummit 2012) & Australia’s biggest DJ competition ‘Your Shot’ (Wild Card Winner 2018).
Aside from various writing sessions in LA & participation in 50 songs in 5 days (2013), some of TINY’s collaborations include the likes of Gary Go (Grammy award winner for Cinema), Louis Schrool, Audius Mtawarira, Robert Conley, Megan Washington & many more. Her previous credits include receiving an administration deal with Bill Silva Management & her first song cut in Japan by Rina Sumioka for ‘Hello Yellow’ (2013).

During 2013 TINY relocated from the Gold Coast to Sydney to study Audio Engineering & Sound production at JMC to further develop her skills as a producer and artist. In late 2014 she taught herself how to DJ & had made it a full time profession by 2015, acquiring multiple residencies between Sydney, Gold Coast & London. By 2019 TINY had made her way onto the festival circuit performing at various national and international festivals such as Snowbombing (Austria), Earth Frequency (QLD) & Splendour In The grass (NSW).

After years of developing her craft and relocating to Byron Bay TINY, has finally gained mastery in the realms of DJing, sound design, top line writing, singing, vocal production & mixing.

Recently testing the waters with her music TINY has quickly received positive attention from Radio Metro, having two of her unofficially released singles “Tell Me Lies” & “Feel You” simultaneously playing on high rotation and in heavy demand from listeners.

Amela is an alt-pop singer-songwriter from the Gold Coast, Australia. Amela comes to the forefront with impressive releases including “Blame” and “I’m Alright”, receiving national airplay on Triple J which lead to festival performances (Woodford Folk Festival) and Gold Coast Music Award Finalist nominee alongside Amy Shark.
Further successful collaborations include renowned hip-hop artist Allday sampling Amela in “Codeine 17” and “If Not Now, When?” as well as collaborations with producers including Astre and Clovr receiving over 150,000 streams on Spotify. The remainder of 2020 will see her best to come.

‘ON MY MIND IS OUT NOW’ STREAM HERE

https://www.facebook.com/tinyofficialpage/

https://www.instagram.com/tinyis1/

October 30, 2020 0 comments
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THE TESKEY BROTHERS RELEASE 'SO CAUGHT UP' (RJD2 REMIX) + NOMINATED FOR 3 X ARIA AWARDS
Music News

THE TESKEY BROTHERS RELEASE ‘SO CAUGHT UP’ (RJD2 REMIX) + NOMINATED FOR 3 X ARIA AWARDS

by the partae October 30, 2020
written by the partae
Credit: Stephanie Lou

THE TESKEY BROTHERS
RELEASE ‘SO CAUGHT UP’ (RJD2 REMIX)
+ NOMINATED FOR 3 X ARIA AWARDS

The Teskey Brothers have teamed up with hip hop royalty RJD2 to bring you a remix of their tune ‘So Caught Up’. This is the first time the band’s music has had the remix treatment; the collaboration between the Melbourne band and the revered US DJ/producer results in a fusion of hip hop, psych rock & electronica that sees the fan-favourite take on a new life whilst honouring the classic Teskey Brothers’ feel.

LISTEN: ‘So Caught Up (RJD2 Remix)’ by The Teskey Brothers
“This is easily one of the coolest things our blues band has ever been associated with. We’re not sure what this music is but we really like it.”
– Brendon Love (Bassist, The Teskey Brothers)“I immediately heard a path I could take with the song to put my own spin on it. I had a blast doing this remix, drawing on influences from early 90’s LA hip-hop to late 60’s psych rock and some pit stops in between..” – RJD2

‘So Caught Up (RJD2 remix)’ is the band’s first release since their #1 ARIA charting album, Live At The Forum (May, 2020) –  which featured songs from the band’s two critically acclaimed albums, Run Home Slow (2019) and Half Mile Harvest (2017), as well as a special cover of John Lennon’s ‘Jealous Guy’. The release was embraced by loyal and new fans alike, and recently earned the band 3 x ARIA Award nominations for Best Group, Best Blues & Roots Album and Best Australian Live Act.As well as being a radio hit on home soil, ‘So Caught Up’ – now at a combined 24 million+ streams – was a Top 10 AAA hit in the US and took out first place in the International Song-writing Competition in the AAA (Adult Album Alternative) category. The track is lifted from The Teskey Brothers’ 2019 album, Run Home Slow – which earned the band a #2 ARIA Album charting, three ARIA Awards (alongside a breathtaking performance of ‘Rain’ at the event), four Music Victoria Awards and a Grammy Nomination for Best Engineered Album, Non-Classical, recognising Paul Butler & Sam Teskey as the album engineers along with Melbourne’s Joe Carra as mastering engineer.

Stay tuned for more exciting Teskey Brothers news soon!

The Teskey Brothers are: 
Josh Teskey – vocals & rhythm guitar
Sam Teskey – lead guitar
Brendan Love – bass guitar
Liam Gough – drums

THE TESKEY BROTHERS

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October 30, 2020 0 comments
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Today, Sydney rapper Kwame releases his new EP “Please, Get Home Safe.” - a journey of self-discovery, acceptance and catharsis. The EP follows the young artist, from once starry-eyed, to now venturing out into the uncertain world facing trials and tribulations in the hope that true self-identity can be recognised. In celebration of releasing what is his third project, Kwame has been performing live shows at the Lansdowne Hotel in Sydney. Tonight’s two sets, supported by Phil Fresh, will be the final shows of the short run. “Please, Get Home Safe.” EP title takes inspiration from a saying often used by parents to their children when leaving home “Be careful, stay safe and let me know when you’re home” It was through this saying that Kwame gained the inspiration to speak on how he himself as an Artist can often see the world intimidating when wanting to break away from the unwritten social norms of acceptable behaviour as well as how Artists ‘should’ create. Through this carefully written and produced project, Kwame begins his journey of self-discovery on the first half of the project. The first track being ‘Nobody’, an artistic number planting Kwame’s stance as a force to be reckoned with bringing all that he had feared to the centre of the attention with E^ST’’s angelic touch declaring that in fact all our big dreams make all our fears smaller. The sample driven ‘Stop Knockin’ @ My Door!’ a constant shield steering clear of all the naysayers & negativity one can feel preceded by the fierce collaboration between Kwame & Arno Faraji on ‘Ain't So’ demanding the respect and credit that they are ever so due of. Kwame then swerved into the face of external forces that shook his core existence. Debilitating and at times oppressive, we are met with the song ‘Tommy's In Trouble’ (featuring CLYPSO & Phil Fresh) in which he confronts adversity. Kwame acknowledges his deep vulnerability as a human being through which is discovered in the song ‘Glory’. Kwame touches on the losses and downfalls he faced promoting growth within his mind which had made him more mature not only as a person, but also as an artist. Seeking to bring peaceful and positive energy to not only his own life, but to others around him. The finale in ‘We Can Be’ highlights the confidence in overcoming adversity. Kwame has now returned home safely, and acknowledges pivotal moments faced along the way. His experiences have made him more mature and he is now certain of his purpose, his calling. Kwame acknowledges self-identity is a journey that carries beyond deeper into a philosophical context both past present and future. He now stands in front of his audience with confidence, maturity and positive energy in the hope that he can provide a voice to others through this multi-dimensional, lateral art piece. Whilst he understands his purpose, he recognises the best years are yet to come - ‘we’ can be anything. You can be anything. Since releasing his debut single, ‘I Get It’ in 2016, the 22-year-old Ghanaian-Australian producer, writer, rapper and engineer has gone on to amass over 19 million times globally. "One of the leaders of the New School" - Zane Lowe - Beats 1 "He’s the movement’s youngest by age, but arguably its most visible by virtue..." - triple j "Kwame has long been on our radar of international MC’s to watch." – Highsnobiety “there is no one doing it like Kwame right now” – Purple Sneakers “Tommy’s In Trouble is a rap extravaganza” – Sniffers “Big Bars, a boom-bap beat, an undeniable swagger, yep it’s another Kwame banger.” - Acclaim ‘PLEASE, GET HOME SAFE’ EP IS OUT NOW via DEF JAM ANZ FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD
Festival NewsMusic News

KWAME Releases ‘Please, Get Home Safe’ EP Today | Listen Here – Playing Tonight At Landsdowne Hotel, Sydney

by the partae October 30, 2020
written by the partae

Today, Sydney rapper Kwame releases his new EP “Please, Get Home Safe.” – a journey of self-discovery, acceptance and catharsis. The EP follows the young artist, from once starry-eyed, to now venturing out into the uncertain world facing trials and tribulations in the hope that true self-identity can be recognised.

In celebration of releasing what is his third project, Kwame has been performing live shows at the Lansdowne Hotel in Sydney. Tonight’s two sets, supported by Phil Fresh, will be the final shows of the short run.

“Please, Get Home Safe.” EP title takes inspiration from a saying often used by parents to their children when leaving home “Be careful, stay safe and let me know when you’re home”

It was through this saying that Kwame gained the inspiration to speak on how he himself as an Artist can often see the world intimidating when wanting to break away from the unwritten social norms of acceptable behaviour as well as how Artists ‘should’ create.

Through this carefully written and produced project, Kwame begins his journey of self-discovery on the first half of the project. The first track being ‘Nobody’, an artistic number planting Kwame’s stance as a force to be reckoned with bringing all that he had feared to the centre of the attention with E^ST’’s angelic touch declaring that in fact all our big dreams make all our fears smaller.

The sample driven ‘Stop Knockin’ @ My Door!’ a constant shield steering clear of all the naysayers & negativity one can feel preceded by the fierce collaboration between Kwame & Arno Faraji on ‘Ain’t So’ demanding the respect and credit that they are ever so due of.

Kwame then swerved into the face of external forces that shook his core existence. Debilitating and at times oppressive, we are met with the song ‘Tommy’s In Trouble’ (featuring CLYPSO & Phil Fresh) in which he confronts adversity.

Kwame acknowledges his deep vulnerability as a human being through which is discovered in the song ‘Glory’. Kwame touches on the losses and downfalls he faced promoting growth within his mind which had made him more mature not only as a person, but also as an artist. Seeking to bring peaceful and positive energy to not only his own life, but to others around him.

The finale in ‘We Can Be’ highlights the confidence in overcoming adversity. Kwame has now returned home safely, and acknowledges pivotal moments faced along the way. His experiences have made him more mature and he is now certain of his purpose, his calling.

Kwame acknowledges self-identity is a journey that carries beyond deeper into a philosophical context both past present and future. He now stands in front of his audience with confidence, maturity and positive energy in the hope that he can provide a voice to others through this multi-dimensional, lateral art piece. Whilst he understands his purpose, he recognises the best years are yet to come – ‘we’ can be anything. You can be anything.

Since releasing his debut single, ‘I Get It’ in 2016, the 22-year-old Ghanaian-Australian producer, writer, rapper and engineer has gone on to amass over 19 million times globally.

“One of the leaders of the New School” – Zane Lowe – Beats 1
“He’s the movement’s youngest by age, but arguably its most visible by virtue…” – triple j
“Kwame has long been on our radar of international MC’s to watch.” – Highsnobiety

“there is no one doing it like Kwame right now” – Purple Sneakers

“Tommy’s In Trouble is a rap extravaganza” – Sniffers
“Big Bars, a boom-bap beat, an undeniable swagger, yep it’s another Kwame banger.” – Acclaim

‘PLEASE, GET HOME SAFE’ EP IS OUT NOW via DEF JAM ANZ

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD

October 30, 2020 0 comments
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Where are you currently based? Hello! I’m in Melbourne, I’ve lived here for 7 years and am originally from the Northern Rivers of NSW. How did you first get into music? I first got into music pretty young. An early memory was going with mum to choir when I was 5. I still recall most of the songs, some were African, in different languages and were really rhythmic. It was pretty magical to hear all the different melodies and rhythms of the voices coming together as one. What influenced the sound and songwriting for your new single ‘Sweet Mellow D’? With this song, I'm not exactly sure as it was pretty intuitive. I resonate with alternative folk artists like the storytelling of Adrienne Lenker and Angel Olsen, the abstract and quirky characteristics of Aldous Harding, the melody and lyrical style of Hand Habits, the finger picking of Jose Gonzalez, and endless inspiration from local queens Maple Glider, Nai Palm, Angie McMahon and Harmony Byrne. When and where did you record it? I recorded SMD in June during Lockdown, with legend friend Nick Herrera in his studio known as The Grove, in Coburg.  How do you usually go about writing music? There's no rules and honestly my ‘process’ is pretty random. I usually pop my phone on record, and then forget about it and just go stream of consciousness for ages. Then I listen back and deconstruct little gems that I can collage together and workshop. The improvising helps me say what I actually feel. What instruments do you use? I play guitar and I’m hoping to get a piano soon, which has been on the dream list for a while. I play my lovely old nylon, which I picked up second hand in Tasmania, or I play my ‘85 Japanese Strat which I found in a flea market, that was a good day! I’m left handed and originally learned left, but 4 years ago started playing right handed. Not only can I now jam at parties, but also all the chord shapes I play are upside down and I like the different fingerpicking patterns, and new chord shapes I find. All the songs on my record are written this way. How do you approach recording/production? I first found freedom in demo’s. I see them as a carefree and messy thang where there is no room for perfectionism, which can hinder me. As I don't have a laptop at the moment (sad story) I keep things simple with an ipad and Garage band. It is the perfect way to get a vibing demo as a reference for proper studio time. I quite like the inbuilt mic, and I feel rebellious by not having a monster set up. Then in the studio is where the music is expanded upon and that is so satisfying. Nick really dug the lo-fi sound of the iPad demo’s and it ended up becoming a stylistic feature in the music -  hi-fi lo-fi if you know what I mean. Please tell us about your new video, how was it filmed and where? The video was a rapid fire creation, that timed itself well with the lockdowns. I teamed up with my friend Joli.vision, and we managed to get it filmed the day before stage 4 came in. He suggested the time-lapse idea with ‘masking’ elements, I don’t have much language or experience in video, so Joli is the man behind all the tech. The vision was to set up my lounge room pretty much exactly how it exists in my room somewhere in coastal nature. We found an incredible spot looking over the water to the mountains of Wilsons Prom in the background, which is a prehistoric nature reserve to the south east of Melbourne.  Who are you listening to at the moment? Today I was listening to Godtet from Sydney, and their live performance at the Opera House. I found Duval Timothy whose mostly instrumental sample-based piano music had me in the feels. Also Maple Gliders debut track ‘As Tradition’ has had many plays this week.   What do you like to do away from music? I make stained glass earrings and during Covid I started Studying Glass and glazing which is cool. I build stuff from wood, I work as a carpenter’s labourer and want to upskill so I can build a shack in the bush one day. I take my dog on adventures and I’m getting into spearfishing after Covid. I’ve been reading a fair bit- I’m super interested in how trauma affects the body, and also the ability for the brain to unlearn and relearn. Also learning about this country in terms of colonisation, the untold history, current issues and my place in it all.  Favourite food and place to hangout? Most common shnack at the moment is A1 Lebanese Bakery for the stretched zaatar  - Favorite spot is Eddie Gardens beers in the sun, or Warrandyte River for summer swimming.  What’s next for you that you’re really excited about? In terms of music, I have this unreleased album that I'm so excited to share. It’s quite a thing of beauty and experimentation, so I’m looking forward to setting it free. I hope to tour to the UK/Europe but that’s all pretty unknown at the moment, so patience is key. I’m really excited to go free diving and GTF out of the city. Danika Smith Facebook Danika Smith Instagram Danika Smith Spotify Danika Smith Bandcamp
Music InterviewsMusic News

Danika Smith

by the partae October 30, 2020
written by the partae

Where are you currently based?

Hello! I’m in Melbourne, I’ve lived here for 7 years and am originally from the Northern Rivers of NSW.

How did you first get into music?

I first got into music pretty young. An early memory was going with mum to choir when I was 5. I still recall most of the songs, some were African, in different languages and were really rhythmic. It was pretty magical to hear all the different melodies and rhythms of the voices coming together as one.

What influenced the sound and songwriting for your new single ‘Sweet Mellow D’?

With this song, I’m not exactly sure as it was pretty intuitive. I resonate with alternative folk artists like the storytelling of Adrienne Lenker and Angel Olsen, the abstract and quirky characteristics of Aldous Harding, the melody and lyrical style of Hand Habits, the finger picking of Jose Gonzalez, and endless inspiration from local queens Maple Glider, Nai Palm, Angie McMahon and Harmony Byrne.

When and where did you record it?

I recorded SMD in June during Lockdown, with legend friend Nick Herrera in his studio known as The Grove, in Coburg. 

How do you usually go about writing music?

There’s no rules and honestly my ‘process’ is pretty random. I usually pop my phone on record, and then forget about it and just go stream of consciousness for ages. Then I listen back and deconstruct little gems that I can collage together and workshop. The improvising helps me say what I actually feel.

What instruments do you use?

I play guitar and I’m hoping to get a piano soon, which has been on the dream list for a while. I play my lovely old nylon, which I picked up second hand in Tasmania, or I play my ‘85 Japanese Strat which I found in a flea market, that was a good day!

I’m left handed and originally learned left, but 4 years ago started playing right handed. Not only can I now jam at parties, but also all the chord shapes I play are upside down and I like the different fingerpicking patterns, and new chord shapes I find. All the songs on my record are written this way.

How do you approach recording/production?

I first found freedom in demo’s. I see them as a carefree and messy thang where there is no room for perfectionism, which can hinder me. As I don’t have a laptop at the moment (sad story) I keep things simple with an ipad and Garage band. It is the perfect way to get a vibing demo as a reference for proper studio time. I quite like the inbuilt mic, and I feel rebellious by not having a monster set up.

Then in the studio is where the music is expanded upon and that is so satisfying. Nick really dug the lo-fi sound of the iPad demo’s and it ended up becoming a stylistic feature in the music –  hi-fi lo-fi if you know what I mean.

Please tell us about your new video, how was it filmed and where?

The video was a rapid fire creation, that timed itself well with the lockdowns. I teamed up with my friend Joli.vision, and we managed to get it filmed the day before stage 4 came in. He suggested the time-lapse idea with ‘masking’ elements, I don’t have much language or experience in video, so Joli is the man behind all the tech.

The vision was to set up my lounge room pretty much exactly how it exists in my room somewhere in coastal nature. We found an incredible spot looking over the water to the mountains of Wilsons Prom in the background, which is a prehistoric nature reserve to the south east of Melbourne. 

Who are you listening to at the moment?

Today I was listening to Godtet from Sydney, and their live performance at the Opera House. I found Duval Timothy whose mostly instrumental sample-based piano music had me in the feels. Also Maple Gliders debut track ‘As Tradition’ has had many plays this week.  

What do you like to do away from music?

I make stained glass earrings and during Covid I started Studying Glass and glazing which is cool. I build stuff from wood, I work as a carpenter’s labourer and want to upskill so I can build a shack in the bush one day. I take my dog on adventures and I’m getting into spearfishing after Covid. I’ve been reading a fair bit- I’m super interested in how trauma affects the body, and also the ability for the brain to unlearn and relearn. Also learning about this country in terms of colonisation, the untold history, current issues and my place in it all. 

Favourite food and place to hangout?

Most common shnack at the moment is A1 Lebanese Bakery for the stretched zaatar  –
Favorite spot is Eddie Gardens beers in the sun, or Warrandyte River for summer swimming. 

What’s next for you that you’re really excited about?

In terms of music, I have this unreleased album that I’m so excited to share. It’s quite a thing of beauty and experimentation, so I’m looking forward to setting it free. I hope to tour to the UK/Europe but that’s all pretty unknown at the moment, so patience is key.

I’m really excited to go free diving and GTF out of the city.

Danika Smith Facebook
Danika Smith Facebook
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Danika Smith Instagram
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October 30, 2020 0 comments
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OVERMONO Release 'Clipper (Another 5 Years)' Everything U Need EP out November 6
Music News

OVERMONO Release ‘Clipper (Another 5 Years)’ Everything U Need EP out November 6

by the partae October 30, 2020
written by the partae

Today Overmono release new single ‘Clipper (Another 5 Years)’, the second single to be taken from their forthcoming Everything U Need EP, due for release on Friday 6 November 2020.

“Clipper was written just after Andrew Weatherall sadly died,” say the duo. “In the days after his death we went on a massive Weatherall bender, listening to all his various projects. We don’t usually listen to much music when we’re writing, but in this case there’s no doubt the influence of his back catalogue shaped this track.”

With the release of the EP title track ‘Everything U Need’ last month, the new Overmono action came off the back of a massive year for the duo. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project.”

This EP represents the marriage of everything Overmono have done previously and it showcases the duo’s ability to make music that is as enjoyable on headphones as it is in the club. Topped off with incredible artwork from the acclaimed artist Rollo Jackson, Overmono are clearly stepping into a new era of their artistry. In their own words, “It’s our most complete record to date”.

Overmono – ‘Clipper (Another 5 Years)’
Buy / Stream: https://overmono.ffm.to/clipper

October 30, 2020 0 comments
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ANTOINE UNVEILS COMMANDING NEW SINGLE ‘LIVING IN COLOUR’
Music News

ANTOINE UNVEILS COMMANDING NEW SINGLE ‘LIVING IN COLOUR’

by the partae October 30, 2020
written by the partae

SUPPORT FOR DEBUT SINGLE ‘ONE TIME’

“The Melbourne-based musician’s debut single is a wind-swept R&B moment that feels like the future of Australian music.”
– Pilerats (AUS)

“The video is just constant euphoria – Martha’s huge smile and ace dance moves are impossible to not get lost in, especially paired with Antoine’s bars and the song’s addictive beat.”
– 
Cool Accidents (AUS)

“Took me to the islands with this sexy track, also here for the Shy Guy break down. Come On, Antoine!” – 4.5/5 stars 
– Ilai Swindells – triple j (AUS)

Added to Apple Music playlists ‘New Music Daily’ (AU/NZ) and ‘The New Australia’

Added to Spotify playlist ‘the hybrid’


Following on from his critically praised debut single ‘One Time’, Melbourne-based artist Antoine has just returned with his captivating follow up ‘Living In Colour’ – produced and mixed by ServidSounds.

Incorporating samples from the culturally significant and hugely viral monologue of Australian Aboriginal artist Meyne Wyatt, ‘Living In Colour’ is Antoine’s uncompromising take on his experiences with racism. The track is a masterclass in storytelling nous, taking cues from luminaries like Kendrick Lamar, creating something wholly breathtaking yet heart-rending.

Antoine talks about the process behind ‘Living In Colour’:

“It just fell out of me, I felt it would make people understand the simplistic side of racism that’s constantly dealt with, rather than the back and forth arguments and debates online.”

Antoine’s debut track ‘One Time’ was widely embraced by Spotify, Apple Music, triple j, triple j Unearthed and Australian community radio. It also saw support from online blogs Pilerats, AUD’$, Cool Accidents, Mixdown Magazine, The Local Frequency, The Soundcheck and AAA Backstage.

Antoine comes from a family of musicians, who all originate from Mauritius, East Africa and Italy. His Dad is a multi-instrumentalist who still plays shows to this day, and his mother was also a back-up R&B vocalist in the ’80s. Both parents have been huge influences, making it difficult for him to have passion elsewhere.

In the coming weeks, Antoine will reveal an accompanying music video for ‘Living In Colour’.

‘Living In Colour’ is available worldwide now

FOLLOW ANTOINE

FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

October 30, 2020 0 comments
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DAINE ANNOUNCES DOUBLE A-SIDE 'ASCENSION/ANGEL NUMBERS' LISTEN TO DESTRUCTIVE NEW SINGLE 'ASCENSION'
Music News

DAINE ANNOUNCES DOUBLE A-SIDE ‘ASCENSION/ANGEL NUMBERS’ LISTEN TO DESTRUCTIVE NEW SINGLE ‘ASCENSION’

by the partae October 29, 2020
written by the partae

LOVE FOR DAINE

“Teen angst’s freshest voice”
V Magazine

“A nihilistically detached voice”
The FADER

“Daine’s tracks echo Midwestern emo greats, while simultaneously providing a dark-pop twist”
PAPER

“The Filipino-Australian is a voice for the digital generation”
NME Magazine

Following on from the mysterious fervour created by her debut singles ‘Picking Flowers’ and ‘My Way Out’ earlier this year, teenage emo-pop icon in waiting daine has unveiled plans for a new, double a-side release, ‘Ascension/Angel Numbers’. Today, daine releases the first of those singles, the unflinchingly raw ‘ascension’. Listen HERE, watch HERE.

Featuring production from Melbourne left-field producer and vocalist Lonelyspeck and avant-garde PC Music affiliate Danny L Harle, ‘Ascension‘ finds daine exploring the more alternative side of her influences to destructive yet meditative effect.

An artist who harbours an almost obsessive passion for midwestern emo in the likes of Tigers Jaw, William Bonney, American Football and more, daine uses those references to their fullest effect on ‘Ascension’, transposing them to something more future facing. Harnessing all the emotion that comes from those early 00s icons, daine blends those wrought atmospheres with contemporary production and a saccharine vocal that provides a bittersweet edge. The track twists and turns; switching from contemplative calm to devastating power, with Lonelyspeck distorting daine’s usual dark-pop sound and allowing it to soar – capturing the emotion in her vocal and distilling the dissociation that comes with letting go of hope.

The visual also pairs natural beauty with the destruction all around us – allowing the viewer to see the light and dark in life and shining a spotlight on nature’s blessings, while pairing them with the danger and unpredictable evil that can be just around the corner.

A release with a number of different perspectives, ‘Ascension’’s Danny L Harle produced counterpart ‘Angel Numbers’ will be released on November 12, completing daine’s widescreen vision for this chapter of her story. An artist that wears her emotions on her sleeve as visibly as her influences, each track is like an entry in daine’s own modern diary, chronicling the life of an artist in a disillusioned generation navigating life in an unforgiving world. Open that diary, and watch her subvert expectations even further in the future.

Instagram | Twitter | Youtube | Tiktok | Soundcloud

October 29, 2020 0 comments
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Bringing some dreamy chillwave-flecked R&B into our lives this month, US duo Sports announce their new single, ‘Baby Baby’. Releasing their first single for 2020 back in May with ‘Tell You Something’, the band began to gear up in introducing fans to their new chapter. ‘Baby Baby’ sees the band continue to experiment with influences and direction, delivering a single that brings psych influences together with R&B and dream-pop threads, making for an insatiable listen. Recorded this year at Oklahoma’s Blackwatch Studios with Chad Copelin (LANY, Sufjan Stevens), ‘Baby Baby’ came together following songwriting sessions where Sports’ Cale Chronister took the idea of codependency and the emotions surrounding it, and brought them into Sports’ unique musical world.  “‘Baby Baby’ is about codependency. My emotions being dependent on someone else’s emotions. It’s about a vicious cycle of not being able to comfort someone who is crying, and their crying ending up making me more upset than they are.” Cale Chronister, Sports As he explains, ‘Baby Baby’ focuses on ego and inner struggle - it stands out as a personal monologue, set to a beautifully produced soundtrack. “In the verses of the song I’m expressing my frustration with being unable to be comforting, and in the chorus I end up asking for comfort. It’s a messed up cycle that I find myself. The ego placing itself where it doesn’t belong. As the song goes on, that last chorus gets more emotional, and the same lyrics can be heard as actual empathy. As if something clicked and I felt your pain and cried with you; instead of just trying to make myself feel better.” Cale Chronister, Sports With a sound that evokes the likes of Client Liaison, MGMT and Empire of The Sun, Sports have been meticulously creating their sonic space since their 2015 debut album Naked All The Time.  Complimenting the psych influences and dreamy RnB tones of the single is the newly released music video for ‘Baby Baby’. Rich in unusual visuals and a haunting aesthetic, the clip goes between a moody underground scene that evokes melancholia before rising worldside to indulge in reminiscence of  troubled past love. Having a powerful connection with the single, working with Mortis Studios to bring Sports’ vision to life was a rewarding experience for the duo.  “In the video for Baby Baby, we’re trapped in this underworld communicating to a lush world above filled with troubling memories and relationships. Yet, I think we’re longing for it. It seems appealing compared to the world below -- a small, decaying room with nothing to do but watch TV and mope around. To me, it mirrors the world we’re in today. But it also mirrors the lyrics in the song, which is about codependency in relationships. The underworld could represent my subconscious, I suppose.” Cale Chronister.  Currently made up of Chronister and Christian Theriot, Sports have been unafraid of playing with tones and delving further into textural experiments as their music has evolved over subsequent releases. Consistently releasing music and developing for themselves a strong live presence in the years that followed, the band has become an eclectic musical force in the US, now setting their sights on further growing their Australian fan base. PRAISE FOR SPORTS “An effortless crossover between the smooth synths of Tame Impala and the timeless pop hooks of David Bowie, ‘Tell You Something’ is a perfectly mellow introduction to a new era for alternative pop outfit Sports.” Earmilk “You’ll be hard pressed to find a more enjoyable kind of sonic sci-fi than Oklahoma duo Sports’ blend of inky, psychedelic R&B with indie rock from the South West.” Pigeons & Planes “...a dizzying display of chillwave and funkish proficiency.” Atwood Magazine ‘Baby Baby’ is released Friday, October 16th. Website | Facebook | Twitter | Instagram | Soundcloud |  YouTube | Bandcamp
Music News

US indie duo SPORTS impress with chilled out new single ‘BABY BABY’

by the partae October 29, 2020
written by the partae

Bringing some dreamy chillwave-flecked R&B into our lives this month, US duo Sports announce their new single, ‘Baby Baby’.

Releasing their first single for 2020 back in May with ‘Tell You Something’, the band began to gear up in introducing fans to their new chapter. ‘Baby Baby’ sees the band continue to experiment with influences and direction, delivering a single that brings psych influences together with R&B and dream-pop threads, making for an insatiable listen.

Recorded this year at Oklahoma’s Blackwatch Studios with Chad Copelin (LANY, Sufjan Stevens), ‘Baby Baby’ came together following songwriting sessions where Sports’ Cale Chronister took the idea of codependency and the emotions surrounding it, and brought them into Sports’ unique musical world. 

“‘Baby Baby’ is about codependency. My emotions being dependent on someone else’s emotions. It’s about a vicious cycle of not being able to comfort someone who is crying, and their crying ending up making me more upset than they are.” Cale Chronister, Sports

As he explains, ‘Baby Baby’ focuses on ego and inner struggle – it stands out as a personal monologue, set to a beautifully produced soundtrack.

“In the verses of the song I’m expressing my frustration with being unable to be comforting, and in the chorus I end up asking for comfort. It’s a messed up cycle that I find myself. The ego placing itself where it doesn’t belong. As the song goes on, that last chorus gets more emotional, and the same lyrics can be heard as actual empathy. As if something clicked and I felt your pain and cried with you; instead of just trying to make myself feel better.” Cale Chronister, Sports

 

With a sound that evokes the likes of Client Liaison, MGMT and Empire of The Sun, Sports have been meticulously creating their sonic space since their 2015 debut album Naked All The Time. 

Complimenting the psych influences and dreamy RnB tones of the single is the newly released music video for ‘Baby Baby’. Rich in unusual visuals and a haunting aesthetic, the clip goes between a moody underground scene that evokes melancholia before rising worldside to indulge in reminiscence of  troubled past love.

Having a powerful connection with the single, working with Mortis Studios to bring Sports’ vision to life was a rewarding experience for the duo. 

“In the video for Baby Baby, we’re trapped in this underworld communicating to a lush world above filled with troubling memories and relationships. Yet, I think we’re longing for it. It seems appealing compared to the world below — a small, decaying room with nothing to do but watch TV and mope around. To me, it mirrors the world we’re in today. But it also mirrors the lyrics in the song, which is about codependency in relationships. The underworld could represent my subconscious, I suppose.” Cale Chronister. 

Currently made up of Chronister and Christian Theriot, Sports have been unafraid of playing with tones and delving further into textural experiments as their music has evolved over subsequent releases. Consistently releasing music and developing for themselves a strong live presence in the years that followed, the band has become an eclectic musical force in the US, now setting their sights on further growing their Australian fan base.

PRAISE FOR SPORTS

“An effortless crossover between the smooth synths of Tame Impala and the timeless pop hooks of David Bowie, ‘Tell You Something’ is a perfectly mellow introduction to a new era for alternative pop outfit Sports.”

Earmilk

“You’ll be hard pressed to find a more enjoyable kind of sonic sci-fi than Oklahoma duo Sports’ blend of inky, psychedelic R&B with indie rock from the South West.”

Pigeons & Planes

“…a dizzying display of chillwave and funkish proficiency.”

Atwood Magazine

‘Baby Baby’ is released Friday, October 16th.

Website | Facebook | Twitter | Instagram | Soundcloud |  YouTube | Bandcamp

October 29, 2020 0 comments
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Citizen Kay - Unveils Powerful Accompanying Video Clip For Single 'Don't Blink'
Festival NewsMusic News

Citizen Kay – Unveils Powerful Accompanying Video Clip For Single ‘Don’t Blink’

by the partae October 29, 2020
written by the partae

SUPPORT FOR ‘DON’T BLINK’

“You’ll want to have both eyes on the screen at all times when watching this video.”
–  Cool Accidents (AUS)

“With pummeling guitar, formidable bars and a hard-hitting, swaggering bass, ‘Don’t Blink’ is a total heater.”
–  Purple Sneakers (AUS)

Added to Apple Music playlist ‘New Music Daily’

 


Following on from the release of his critically praised single ‘Don’t Blink’, Canberra-based hip hop artist Citizen Kay has just revealed the accompanying video clip – directed and edited by long-time collaborator Nic Vevers.

Filmed at the top of a carpark in the heart of Canberra City, the clip sees a dynamic performance from Citizen Kay, mixed with the exquisite work of Canberra animator Trent Dwyer. Through the playful use of light and sped up camera techniques, Vevers highlights the contrast between the still, barren carpark and the frenetic rendition from Kay.

Citizen Kay talks about the inspiration and process behind the video clip:

“After working with Nic for so long, I’ve come to trust him completely and am hella confident of his work. We had this dope idea of a one-shot, slow panning, cinematic, minimalistic video which went right out the window. Instead, we ended up making this mostly spontaneous clip that you see which reflects the song so damn well! The animation represents subliminal internal thoughts which oppose a lot of the aggression throughout the track, and the visuals and a gritty style just came out so naturally when shooting.”

Citizen Kay’s albums ‘Demokracy’ and ‘With The People’ were both nominated for an ARIA award in the ‘Best Urban Album’ category; the former was also nominated for an AIR award for ‘Best Independent Hip-Hop Album Release’. A performance soon followed on triple j’s esteemed ‘Like A Version’ segment and was met with praise by fans and critics alike.

Previous releases have also been strongly supported by Spotify, Apple Music, Complex, Pilerats, Purple Sneakers, Cool Accidents, AUD’$, Acid Stag and NME, with video clips added to rotation on ABC’s Rage. He’s also had multiple tracks added to rotation on triple j and extensive play across community radio. His three albums, including his last ‘Belly Of The Beast‘, received top 10 placings on the US College Hip Hop charts and the single ‘Ego’ broke into the top 20 of the US NACC Singles chart. In the UK, the single picked up regional and community radio plays.

Citizen Kay has toured the country extensively, supporting hip hop luminaries Public Enemy, Run The Jewels, Ice Cube, Danny Brown, Wiz Khalifa, Earl Sweatshirt and Australian crowd favourites ILLY, Tkay Maizda and Seth Sentry. He’s also made appearances at Australian mainstay events Falls Festival and Groovin’ The Moo.

‘Don’t Blink’ is available worldwide now through Asphalt Records/MGM

 


CITIZEN KAY

‘DON’T BLINK’ SHOWS

FRI 13 NOV | WAYWARDS, NEWTOWN NSW
FRI 20 NOV | FICTION CLUB, CANBERRA ACT

FOLLOW CITIZEN KAY

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

 

October 29, 2020 0 comments
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Lastlings Release New Single 'Out Of Touch' & Announce Six Shows For Fans In QLD
Festival NewsMusic News

Lastlings Release New Single ‘Out Of Touch’ & Announce Six Shows For Fans In QLD

by the partae October 29, 2020
written by the partae

With under a month left until the release of their anticipated debut album First Contact and following the announcement of a wave of shows in their home state of QLD, Australian-Japanese sibling duo Lastlings today share their newest single ‘Out Of Touch’.

The track is the final song to be revealed ahead of the release of the duo’s highly anticipated 12-track debut, landing on November 20. Lastlings have been perfecting the LP over the past year, and ‘Out of Touch’ is a testament to their masterful engineering of transportive lyricism and emotive pop soundscapes. A shimmering electro-pop jam, the song juxtaposes Amy’s delicate yet poignant vocals against Josh’s darker tech-driven basslines.

LISTEN: ‘Out Of Touch’ by Lastlings

“The majority of the lyrics for Out of Touch were written at our grandparents home in Japan. The song is about disconnecting from real life and spending time on yourself, especially at times where life becomes too much and you need to recharge. Self-care is so important, especially at times like this.

“The song is a bit of a full circle moment because the main guitar parts were written with Josh’s first guitar. The guitar melodies were inspired by ‘path of the wind’ by Joe Hisaishi from our favourite childhood animation ‘My Neighbour Totoro’. All of these things together make the song extremely nostalgic for us because it reminds us of when we were kids and simpler times.”

Last week, Lastlings announced shows for fans in Brisbane and the Gold Coast. First shows sold-out quickly with subsequent shows now also nearing capacity. The shows will see Lastlings take to the stage in full band mode, playing their new material to audiences for the first time yet.The band’s anticipated debut album First Contact (out on November 20) centralises around the theme of “firsts”. Each track harkens back to notable life milestones, from the first day of life, to the first spoken words, to the first experience of falling in love, through the last breath on Earth. The album is preceded by a trailer co-created by Lastlings’ and Sydney-based director Dylan Duclos, paying homage the duo’s Japanese heritage. Produced in Japan in their native language, the trailer weaves elements of Japanese landscapes and cultural touchpoints that take form throughout songs and visuals in First Contact. Check it out here.

The band’s previously released singles ‘No Time’, ‘Take My Hand’, ‘Last Breath’, ‘Deja Vu’, and ‘I’ve Got You’ have all received airplay from triple j and found a home on a myriad of Apple Music and Spotify playlists globally.

LASTLINGS – FIRST CONTACT ALBUM LAUNCH SHOWS
Final tickets available via lastlings.com
Saturday 21 November | The Triffid, Brisbane (early show) |  NEW SHOW
Saturday 21 November | The Triffid, Brisbane (late show) | SOLD OUT
Friday 4 December | Miami Marketta, Gold Coast (early show) | SOLD OUT
Friday 4 December | Miami Marketta, Gold Coast (late show) | NEW SHOW
Saturday 5 December | Miami Marketta, Gold Coast (early show) | SOLD OUT
Saturday 5 December | Miami Marketta, Gold Coast (late show) | SOLD OUT
First Contact
Lastlings

Album out 20 November 2020
through Liberation Records
Available to pre-order hereFirst Contact tracklisting: 
1. Deja Vu
2. Take My Hand
3. Out Of Touch
4. False Reactions
5. 9400
6. Last Breath
7. No Time
8. Visions
9. AI
10. Held Under
11. First Light
12. I’ve Got You

https://www.facebook.com/lastlingsmusic/

 

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ROZZMA Announces Khatar Sayeb EP Releases 'Hout' single
Music News

ROZZMA Announces Khatar Sayeb EP Releases ‘Hout’ single

by the partae October 29, 2020
written by the partae
Press Credit: Mahmoud Shiha

Today Rozzma announces the Khatar Sayeb EP, the artist’s first release for XL Recordings / Remote Control. He kicks off the EP release with ‘Hout’, a track that displays Rozzma’s knack for combining tribal sounds and contemporary urban/street music with a sharp, idiosyncratic flair.

Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern- day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases ‘Hout’ into the digital world with an animated video created by the artist’s close friend Mahmoud Shiha.

“Hout is a celebration of beating the odds,” says Rozzma. “It’s about a specific state of mind where one finds comfort in the most extreme and unfortunate circumstances to beat the odds that one could instead fear.”

The EP’s title Khatar Sayeb means ‘loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”

Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.

Stream  ‘Hout’: https://rozzma.ffm.to/hout

Rozzma – ‘Hout’ is out now via XL Recordings / Remote Control.
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OLY SHERMAN returns with soulful new single, 'THE WORLD IS IN A BAD ROOM' Sydney artist performs two SOLD OUT shows at The Vanguard in October
Music InterviewsMusic News

Oly Sherman

by the partae October 29, 2020
written by the partae

Where are you currently based?
Currently still based in Sydney!

How did you first start playing music?
I first started playing guitar and piano through school, and from there my guitar teacher convinced me to start singing. I started growing more confident and becoming better with my craft I suppose. I then started to create my own project as
such, and everything flowed from there.

What’s been happening recently and how has your Covid experience been?
Covid at the start was tough, as my first national tour was cancelled halfway through. Like a lot of people that kind of forced me to shift my priorities and financials. These days it’s going great though! I’m in the latter stages of completing my first album, and I just recently played 2 sold out shows.

Your new single ‘The World Is In a Bad Room’ is out now, what influenced the sound and songwriting? 
I guess the song is a conglomerate of a lot of personal relationships mixed in with everything that’s going on in the world. I also took a lot of inspiration through Tom Misch’s latest album.

How did you go about writing the single?
The song itself didn’t actually take too long! It kind of popped up one day when I was in the studio. I had been playing around with a particular drum groove (the one you can hear in the song) and everything just fell into place really quickly!

Where and when did you record and who with?
I recorded the track in a few places, but mainly within Kiln Studios in St Peters, Sydney. I developed the final stages of the track with my engineer ‘Danial Notoli’, someone who I’ve been working with for the past 2 or so years.

How did you approach the recording process?
Like many of my other projects, I started this song with the drum rhythm. I find it a lot easier and, in some way, a lot more fun to create stuff over a rhythm that you can bop to to begin with.

What programs/instruments did you use?
I use Logic Pro for pretty much all of my recording! I also played pretty much every instrument you can hear in the track and recorded them all individually.

What do you like to do away from music?

I like to do a lot of things to be honest. I think the best thing I like to do other than music is hang with friends. Either going away somewhere or just having drinks really sets my mind straight. I also love a read.

Who are you listening to at the moment?
A lot of Jordan Rakei, and a lot of SG Lewis.

What’s planned for the remainder of 2020 going into 2021?
I’ve got a few more sit down shows within rural NSW before the year is up which I’m really looking forward to doing! Assuming everything eases up as it has been, 2021 should be full of touring!

Favourite food and place to hangout?
I don’t think I can go past Italian with some really good wine. And my absolute place to hang is the beach.

https://www.facebook.com/olyshermanmusic/

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DMA'S Premiere 'Round & Around' Video At Everton's Goodison Park Stadium (UK) + Played The AFL Grand Final + 5 ARIA Nominations + Sell Out 24 Shows
Music News

DMA’S Premiere ‘Round & Around’ Video At Everton’s Goodison Park Stadium (UK) + Played The AFL Grand Final + 5 ARIA Nominations + Sell Out 24 Shows

by the partae October 29, 2020
written by the partae

It was a proud moment for I OH YOU this past weekend with DMA’S taking the stage ahead of bouncedown at the 2020 Toyota AFL Grand Final between Richmond and Geelong on Saturday. Playing to a massive live audience of almost 30,000 at The Gabba in Brisbane, the band’s performance played on screens across the nation as part of the AFL broadcast, which attracted a mammoth national average TV audience of 3.812m, its highest rating audience since 2016.

The Gabba was not the only hallowed ground the band’s music was heard in this past weekend. In a world first, DMA’S premiered their new video for ‘Round & Around’ live on the big screens to an empty Goodison Park Stadium in Liverpool UK, home of Everton Football Club. A film capturing this momentous moment was live streamed on both DMA’S and Everton FC’s Facebook pages overnight, showing the band’s full-throttle anthem reverberating across the deserted stadium. Frontman Tommy O’Dell is a passionate, life-long fan of the club, thanks to his dad’s side of the family all hailing from Liverpool.

Directed by Steve Lattuca, the ‘Round & Around’ video explores the band’s roots in Newtown, Sydney. It features a mix of new and archive footage of the band in their local environment and includes clips of them performing on the roof of The Marlborough Hotel.

‘Round & Around’ is the song that best bridges the gap between the band’s forward-facing sound and their love for Britpop, as it progresses from jangly indie guitars into a full-throttle rush of energy. O’Dell’s vocals capture the melancholy of waking up on a Sunday morning and not knowing where life is taking you, yet his power and poise is immediately uplifting. The song was recently chosen as Radio X’s Track of the Week, making it the fourth consecutive DMA’S track to earn that accolade.

The video emerges following the news that DMA’S have been nominated for a remarkable five ARIA Awards for current album THE GLOW (recorded and mixed by multi-Grammy Award winning producer Stuart Price). They’re in contention for Album of the Year, Best Rock Album, Best Independent Release, Best Group and Best Live Act.

Some very lucky Brisbane fans also had the opportunity to see DMA’S live following their AFL Grand Final performance, when they played 6 sold-out shows this week at The Tivoli. The band have now played 24 sold-out ‘Unplugged & Intimate’ shows between Sydney & Brisbane in support of THE GLOW.

THE GLOW represented a huge leap forward for the Australian trio. Infusing euphoric anthems with pulsating alt-pop synths and big beat dynamics, the band’s third studio album resulted in their highest chart positions of their career, debuting at #2 in Australia and #4 in the UK and #1 in Scotland.

THE GLOW
DMA’S
Album out now through I OH YOU
Available to buy/stream hereTHE GLOW tracklisting:
1. Never Before
2. The Glow
3. Silver
4. Life Is A Game Of Changing
5. Criminals
6. Strangers
7. Learning Alive
8. Hello Girlfriend
9. Appointment
10. Round & Around
11. Cobracaine

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