Photo Credit: Captura Obscura / Matt Puccinelli
Stepping back into the spotlight for a brand new year, Psychedelic Porn Crumpets hit the ground running with the release of their latest single, ‘Pukebox’.
At just over three minutes, this new slice of Psychedelic Porn Crumpets chaos is the latest installment of the band’s forthcoming new studio record, SHYGA! The Sunlight Mound, due for release February 5th. Hectic and relentless in pure unadulterated Psychedelic Porn Crumpets fashion, ‘Pukebox’ is one ride that fans will want to be on as brighter horizons look promising for 2021.
Recorded between songwriter Jack McEwan’s home studio and Tone City Studios in WA, ‘Pukebox’ is a delicious example of how tight the Psychedelic Porn Crumpets sound has become over their last few years of writing and touring.
Receiving its worldwide premiere on BBC Radio 1 with Annie Mac, ‘Pukebox’ captures the essence of SHYGA! The Sunlight Mound and sits as a great insight into the new era ahead.
“‘Pukebox was the first song I used as a reference while creating the flavour for the record. I’d had the idea for the track for a while but I never thought it fit the style of our previous albums. I wrote the first part in first person, talking about my time at home drinking moonshine and wondering who else was doing the same. Then I compared that in the second verse with a secondary version of myself who I wrote about as a character, a little bit lost, waking up with a hangover in random cities trying to find a meaning while it sailed right past me. Both unaware of each other’s existence while slowly going mad through repetitive consumption.”
Jack McEwan, Psychedelic Porn Crumpets
2020 saw Psychedelic Porn Crumpets keep the wheels turning with new music, despite being unable to tour; releasing ‘Mr. Prism’ and ‘Tally-Ho!’ to keep the appetites of fans satiated. With both singles earning acclaim across Australian and international radio stations including Triple J, Radio X and BBC Radio One, as well as right across Spotify, Apple Music and multiple music editorial titles, the hype up for the new album started off strong.
Capping off their year with a blistering spin with Triple J’s Like A Version series, Psychedelic Porn Crumpets reminded folks that although they (like everyone else) was forced to take pause from usual programming in 2020, they weren’t resting on their laurels.
PRAISE FOR PSYCHEDELIC PORN CRUMPETS
“A surrealistic psych-rock anthem that showcases the band’s frenetic compositional style.”
Rolling Stone Australia
“Utterly face-melting!”
BBC Radio 1, Jack Saunders
“…The energy they pack into their live shows is incredible and it’s all backed up by soaring melodies and expert riffwork!”
Louder Than War
“Besides having one of the greatest band names in the country, PPC are one of Perth’s best live acts, building headbanging spectacles from their fuzzy psych rock nuggets.”
Triple J
“Who needs a roller-coaster when PPC are out here producing the same adrenaline? It’s always such a rush listening to ya’ll.”
Triple J, Bridget Hustwaite
“As Summer 2020 continues to crawl along a flat line of dread and uncertainty, Psychedelic Porn Crumpets are back to show that an alter-ego could be the cure for all our pandemic blues.”
Vanyaland
Psychedelic Porn Crumpets will return to live shows, supporting Ocean Alley on their national tour throughout August and September.
PSYCHEDELIC PORN CRUMPETS TOUR DATES
Friday 16th January Mini Fest Mandurah Tickets
Supporting Ocean Alley
Friday 6th August John Cain Arena Melbourne Tickets
Friday 13th August Thebarton Theatre Adelaide SOLD OUT
Saturday 14th August Thebarton Theatre Adelaide Tickets
Friday 20th August Fortitude Music Hall Brisbane SOLD OUT
Saturday 21st August Fortitude Music Hall Brisbane SOLD OUT
Sunday 22nd August Fortitude Music Hall Brisbane Tickets
Friday 27th August Hordern Pavilion Sydney SOLD OUT
Saturday 28th August Hordern Pavilion Sydney Tickets
Saturday 11th September Fremantle Arts Centre Fremantle Tickets
Pukebox is released Thursday 14th January 2021
SHYGA! The Sunlight Mound is released Friday, February 5th 2021
Website | Facebook | Twitter | Instagram | YouTube
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UPCOMING SHOWS
Sat 30 Jan – The Palais, Melbourne VIC (Supporting Ali Barter)
Tickets
Fri 12 Feb – Volta, Ballarat VIC
Tickets
Sat 13 Feb – Major Tom’s, Kyneton VIC
Tickets
Sun 14 Feb – The Bridge, Castlemaine VIC
FREE, Afternoon Show – More info
Fri 19 Feb – Tanswells, Beechworth VIC
Tickets
Sat 20 Feb – Wrangler Studios, Melbourne VIC
All Ages, Afternoon Show – Tickets
Sun 21 Feb – Dart & Marlin, Warrnambool VIC
Tickets
Wed 24 Feb – The Gaso, Melbourne VIC
Tickets
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Directed by Mike Ridley, the video for fan-favourite ‘The Only One’ follows the beloved character of Pie Man as he wanders the streets of the Northern-Melbourne suburbs.
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Ben Harper has released “Black Beauty”, an original song for the 2020 film ‘Black Boys’.
Listen to it HERE.
“It was an honour to have been asked to write a song for this culturally vital documentary,” Harper said. “After watching ‘Black Boys’ and discussing it in depth with [director] Sonia Lowman, I went immediately to work on composing ‘Black Beauty.’ I am old-school and still love getting players in a room together, so a production of this scale during a pandemic was challenging, with quarantine. I was fortunate that the incredible musicians in my circle have taken it upon themselves to become circumstantial recording engineers, and thanks to modern recording technology and some FaceTime sessions, I was able to work by sending tracks back and forth over the Internet.”
A film for this historic moment in a nation still struggling to rectify its racist legacy, ‘Black Boys’ illuminates and celebrates the full humanity of Black men and boys in America. It is a love story exploring the body, mind, voice, and heart through intimate, intergenerational conversations and stories.
At the intersection of education, criminal justice and sports, ‘Black Boys’ reveals the emotional landscape of racism—of how it feels to walk through the world seen as something to be feared. Deeply moving and profoundly beautiful, ‘Black Boys’ serves as a rare glimpse into the emotional landscape of Black men and boys, illuminating their full humanity, vulnerability and resilience.
More info on the film can be found via Variety HERE.
In October of last year Harper released the new album Winter Is For Lovers, a record that is in many ways a culmination of Harper’s entire musical life. The intimate and ambitious solo recording is his first-ever entirely instrumental project, comprised of 15 original compositions that seamlessly flow together, imagined as a symphony for guitar.
Watch just Ben and his Monteleone lap steel guitar perform Winter Is For Lovers in its entirety at The Folk Music Centre, the famous music shop that his grandparents opened in the late 1950s in Claremont, CA, HERE.
The music heard on Winter Is For Lovers is deeply ingrained in Harper’s DNA and leads directly back to aforementioned Folk Music Centre. The shop and community centre has hosted music legends of all stripes, many of which Ben met while working there. Some of the album’s many musical inspirations were visitors, including John Fahey, the godfather of the American Primitive movement, slide guitar master Taj Mahal, who Ben would later study with, plus the likes of Leonard Cohen, Jackson Browne and more.
SINGLE ALBUM OUT FRIDAY, FEBRUARY 26
VIA FAT WRECK CHORDS
Fat Wreck Chords and longstanding California punk band NOFX are excited to announce Single Album, the band’s 14th full-length album, due out on Friday, February 26. Boasting 12 new tracks and recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album is their most personal album to date.
Check out the new video for the lead single “Linewleum,” and get the nitty gritty from the fat one himself:
“I have no idea why “Linoleum” is THE NOFX song that is covered by so many bands while other NOFX songs get hardly any attention. “Linoleum” wasn’t a single, it had no video, it got no radio play, and most importantly, it didn’t even have a chorus!!! All popular songs have choruses! WTF! So, One night I stayed up till 4:00 am checking out all the different versions on YouTube. Watching hundreds of bands from over 28 countries (mostly Indonesia) doing “Linoleum” was a humbling experience for me. So I decided to write a song that was a shout out to all those people that learned those four chords and remembered the non-rhyming lyrics. Then I asked the biggest of all the bands (Avenged Sevenfold) to play some leads on the song. Then M Shadows suggested we do a video together. Then I figured I should put all of the bands in the video. Well, I couldn’t fit all the bands, but I picked a bunch of cool ones! A song about not playing a song that’s not a hit song with a video about other bands covering the song! This is why I love punk rock writing punk songs. Rules out the door!”
Watch the music video for “Linewleum” on YouTube HERE
and stream the track on all platforms HERE
Nearly 40 years in, what else is there to say about NOFX?
And aside from the occasional negative headline, how can one of the pioneers of SoCal punk—a style hardly known for experimentation—surprise anyone these days?
The answers lie on Single Album (Fat Wreck Chords, Feb. 26), NOFX’s 14th full-length studio album. There’s the nearly six-minute post-hardcore opener (“The Big Drag”). The meta sendoff for the band’s best-known song (“Linewleum”). The reggae-inflected song about a mass shooting (“Fish in a Gun Barrel”). Even a piano ballad (“Your Last Resort”).
It is, as frontman and bassist Fat Mike repeatedly describes, “a dark album.” That wasn’t the original intent. By early 2020, NOFX—which includes guitarist El Hefe, guitarist Eric Melvin, and drummer Smelly—had written and recorded enough songs for a planned double album to be released that fall. Like so much about 2020, those plans changed.
“When you write a double album, you write differently,” Mike says. “I was writing really different songs, and some fun songs, but you have to make a double album interesting enough to listen to the whole way. I wanted to make a perfect double album, and I didn’t accomplish that. So I decided to just make a single album, hence the title.”
Recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album pares down the roughly 23 songs NOFX tracked. “I just kept adding songs,” Mike says. “I was maybe a little out of my mind.”
How so? “I was pretty high on drugs that year,” he adds. While fans may wonder what else is new, Single Albumcasts the frontman’s habits in a surprisingly harsh light. While “Grieve Soto” eulogises beloved Adolescents founder Steve Soto, it takes a meta turn when Eric Melvin warns Mike to be “cautious, more respectful, less obnoxious.”“Birmingham” has what people in recovery call “a moment of clarity,” when he realised he was an addict.
“That was a clarity moment in my life when I was by myself, and the sun’s coming up, and I’m scraping cocaine off the floor, like, ‘Eww, gross. I shouldn’t be doing this,’” Mike says. “So what did I do? I ordered more.” After being hospitalised with a bleeding ulcer—a terrifying experience that caused him to vomit blood—Mike entered rehab in fall 2020. He promptly wrote another new album while there and has been sober since.
Unsurprisingly, Single Album represents his most personal work to date. Heartbreak permeates “I Love You More Than I Hate Me” and “Your Last Resort.” “Fuck Euphemism” dives into Mike’s sexuality for a “pronoun bar fight.” “Doors and Fours” is a grim look into the early ’80s LA punk scene, when dozens of people—many of them Mike’s friends—overdosed on a prescription drug combo. “The Big Drag” is a personal vow to make the most of life, even when it undeniably sucks. “It’s one of my favourite NOFX songs ever. I don’t get sick of listening to that song,” Mike says of “The Big Drag.” “No measure is the same length. Every time a new chord change happens, there’s a different rhythm to the guitar. The bass never stays on one note. You’re not sure when the chords are going to change because they always change at a different point.”
In other words, it’s unpredictable—just like NOFX. Turns out there is a lot to say about them, even after all this time.
Fat Wreck Chords will release Single Album on Feb. 26, 2021.
Pre-order Single Album HERE (limited coloured vinyl)
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Gold Coast – Get on this! The team behind Best Night Ever have pulled a bunch of rad bands together for a mid-summer Sunday Session mini-fest to present Teenage Kicks at Burleigh Bazaar on Sunday 7 February.
Spending 2020 slow-cooking a flavoursome psych-rock stew, Brisbane’s’ Nice Biscuit, return to the Goldy with their new single ‘Fem Chem’, and a new EP titled “Create Simulate” due to satisfy your hungry ears in early 2021.
Electrifying and cinematic, expect a colourful sonic and visual show featuring out of this world costumes and a genre-bending repertoire of songs from this DIY psych-garage collective.
Joining them on the drive down the M1 from Brisvegas, Concrete Surfers are a Brisbane band to the core and create a unique blend of garage-rock and pop. Their distinctive sound and energetic live performance have created a fast-moving trajectory for the group of four and 2020 saw the release of the song ‘Never Understood’ – a track that was produced by Fletcher Matthews (Dear Seattle, Sweater Curse, CLEWS, Fritz).
Hailing from the nation’s capital to make their first-ever Gold Coast appearance Teen Jesus & the Jean Teasers are a band of four nineteen year old gals with a penchant for plaid and a knack for crafting gritty, nostalgic grunge pop.
Their 2019 breakout single, the alt-rock infused ‘I Like That You Like That’, showcased a darker and more mature evolution of sound for the four-piece, and was followed up by ‘See You In A Bit (I Still Care)’ – a tenacious and honest ode to love-hate relationships. With a whole lot of love for both each other and their audiences, and a whole lot more in store, Teen Jesus & the Jean Teasers are a name you need to know.
Since Teenage Joans first burst onto the stage only one year ago, they have left every room they play full of brand new and soon-to-be long-time fans. This year the triumphant indie/pop-punk two-piece took home the crown as triple j Unearthed High winners of 2020 and aren’t planning on slowing down anytime soon. Cahli and Tahlia have a lot to say and they are going to say it, you are going to listen, and nobody is going to stand in their way.
Coming in hot from Jervis Bay, NSW, Debbies are a two-piece rock band with a sound that combines those summery slacker vibes with upbeat hard-hitting rock melodies. The band have fast become one of the most buzzed-about new names in Australian rock music after being named one of the five triple j Unearthed High finalists for 2019.
Looking for all-female, all punk rock, all the time? You can’t go past the 5 piece powerhouse of Being Jane Lane! Dropping catchy punk rock tunes with attitude, if you haven’t yet jumped on the Being Jane Lane bandwagon, now is a damn good time to do so.
To join the other ladies on stage, will also be Gold Coast local Lily Papas. The singer-songwriter has been known with her introspective indie pop, noting musical influencers from Florence & The Machine, Lana Del Rey, London Grammar and David Bowie.
Tickets are now on sale via Oztix and is a 16+ event.
TEENAGE KICKS at Burleigh Bazaar
SUN 7 FEB 2021
AGES 16 + | TICKETS AT OZTIX
LINE UP
Nice Biscuit
Concrete Surfers
Teen Jesus & The Jean Teasers
Teenage Joans
Debbies
Being Jane Lane
Lily Papas
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Carl & Eric’s Mobile Disco X Piknic Électronik 2019, Melbourne
Hardware Group and Stable Music kicked off their first Piknic Électronik event last Sunday! After a spectacular start to their seventh season in Melbourne over the weekend, with its first socially distanced Outdoor event, the crew are gearing up for the next show. This upcoming summer, Piknic Électronik will host multiple events at the Sidney Myer Music Bowl, as part of the ‘Live at the Bowl’ Summer series. Events will run through until the close of the season in early April 2021.
Carl & Eric’s Mobile Disco X Piknic Électronik Show on: Sunday 24th January is Sold Out!
A second show has been added on: Monday 25th January – see below for tickets!
Carl Cox & Eric Powell bring their unique Disco themed party to the bowl again!
With more dates being announced in the new year, you can expect some big surprises. Stay tuned!!
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Show 2.5: Carl & Eric’s Mobile Disco – Monday 25th January – Sidney Myer Music Bowl, Melbourne
Buy Tickets Now: bit.ly/PiknicS07
Starting from $40+BF.
Watch Promo Video of the last ‘Mobile Disco’ HERE!!
Check out ‘The Bowl’s’ NEW layout HERE!!
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About Piknic Électronik:
Hardware Presents and Stable Music, team up to present the local edition of Piknic Électronik to an ever-growing Melbourne fan base, within the grounds of the iconic Sidney Myer Music Bowl. A quintessential Melbourne music location, which is easily accessible by public transportation, a short distance from the CBD and surrounded by greenery with ample space for ALL to enjoy a great Summer’s day.
Born in Montreal, Canada, over 17 years ago, the very unique concept of Piknic Électronik has travelled the world. Now a major cultural and festive summer event in Montreal, Piknic Électronik has had successful editions in Barcelona, Lisbon, Melbourne, Santiago, Austin and Dubai. Its innovative and popular formula has evolved into a friendly international expansion that has made the event and its name, a source of local pride in each city where it has set its roots and grown.
Piknic Électronik is a fun filled day party, where everyone can experience the best in electronic music in an open-air park environment, featuring delicious local food offerings and its renowned welcoming atmosphere… happening every Sunday for three months! A vision that Melbournians have wholeheartedly embraced over the past few seasons.
About Hardware Group:
Hardware, has been synonymous with the electronic music scene in Australia for over 30 years. An innovative force when the company was established by Richie McNeill in 1990. The company’s ethos is simple; deliver memorable music events and tours for people who love dance music. Hardware launched several new events in Australia that focus on delivering artists from a number of genres to music enthusiasts across the country including: Festival X, Tell No Tales, Babylon Festival, PURE and of course Piknic Électronik. Events with musical and creative passion.
Artist Press Kits & Event Artwork: Carl & Eric’s Mobile Disco – CLICK HERE!!
For more info, go to:
Website: piknicelectronik.com.au
Facebook: Piknic Électronik Melbourne
Instagram: PIKNICMEL
Following the recent release of his new album Sensationalized, Sydney-based artist Wade Jackson shares the accompanying video to his lead single ‘Nightlife’. The visuals come ahead of Jackson’s album launch at Sydney’s Moshpit this Thursday 14 January, with special guests and Broke Stone Records’ label mates Lewis Goldmark & Magnetic Heads. The album launch will also be live streamed on Thursday 14 January at 8PM AEDT via Zenn. Live stream passes are on sale now here.
Jackson began predominantly worked in music theatre and writing screen plays. Given things weren’t going so well he decided to use his musical chops to write his debut album Goodbye Rain, Hello Sunshine in 2012 which he later recorded with producer Liam Judson (Belles Will Ring, Cloud Control to Major Tom, Rolling Blackouts Coastal Fever Dream). Touring Australia widely, he took a break to write Whiskey Alpha Delta Echo in the fall of 2013, again co-producing with Judson. The album was picked up on a licensing deal from a Spanish label generating a European tour.
After returning from Europe, with wind in his sails and sales he started work on the follow-up, Crown & Cathedral which unfortunately was disliked immensely by his Spanish fan base citing “there’s too much synthesiser”, a mistake that Jackson did not learn from and continued to use on the follow up album, The Ghost Searches Beside Me. The LP was recorded and mixed by Jackson with his new set of skills he was forced to learn after going broke from investing all of his money into a music documentary he made with friend and well known Australian band manager and industry stalwart, Greg Carey. Waiting – The Van Duren Story was screened around the world and well received.
Now, Broken Stone Records are thrilled to have released Jackson’s fifth album titled Sensationalized.
As Jackson details of the album “Sensationalized was written and recorded during the Covid-19 lockdown in Sydney. The theme is based around a fictional complete city breakdown, exaggerated reality. An almost apocalyptic, dystopian city with different scenarios played out by different characters in a diary/self reflection style.
This was also reflected in the music I was listening to: Joe Walsh – Barnstorm, Joni Mitchell – Hejira, Lewis Baloue – L’amour, Peter Koppes – Manchild or Myth. All these records for me have a real reclusive feel and felt comforting whilst alone during lockdown.”
Lewis Goldmark is the new project from Belles Will Ring frontman, Liam Judson. This time we have chilly guitars, glowing synths, along with Judsons’ unique melodicism all coming together to form dystopian lullabies.
Magnetic Heads is the multi-member project of JD Miller. Once upon a time a collection of jangling 12 string pop ballads, now songs about game theory and coming of age, the loss of youth and the power of community delivered with a straight face and a brutalist cold wave aesthetic.
Listen / Buy / Download Wade Jackson – Sensationalized: https://
UPCOMING SHOWS
Wade Jackson ‘Sensationalized’ Album Launch + Live Stream
with special guests Lewis Goldmark & Magnetic Heads
Thursday 14th January at 8PM AEDT
Moshpit, Erskineville – SOLD OUT
Live stream passes on sale now here.