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Category:

Music News

Music News

CLAIRE KNIGHT – SCORPIO SZN

by the partae October 21, 2022
written by the partae

I remember thinking, about a year ago that when covid starts to give way, clubbing could be a really different experience. That the idea of dancing in a large sweaty, crowd, might have a bit of an edge to it. Then I wondered if this “good dirty fun” would herald a renaissance in the indie dance/electro house sound that was huge 15 years ago. A movement where Australia truely punched above our weight and a time when filth and grit were properly adored.

There are elements of this renaissance in the new CLAIRE KNIGHT single SCORPIO SZN.

Thumpin percussion with grainy synths & brazen vocals. Sounds that remind me tuesday night raves, cheap shots & dear friends.

 Claire played with this sound on her debut track KILLIN THE VILLAIN earlier this year & the new single SCORPIO SZN crystalises the style. Drawing major inspiration from the golden era of 00s electro, Claire’s vocals are dripping with pixelated sass. Constantly moving and morphing the bass rhythm is supported by a chic, house backbeat. Suitable for modern dance floors.

Malcolm Besley of Northeast Party House did a superb job mixing this cheeky track, giving it the kind of sparkle that will make it pop at high volume

  Stay tuned for the EP release coming from CLAIRE KNIGHT in the subsequent months but in the meantime you can catch her at the following shows.

SCORPIO SZN Launch party at Saferoom Sydney on tonight, 21st October 2022

22nd October LOVE CLVB Boat Party on Glass Island

22nd October Hotel Harry, Surry Hills

4th Nov  – The Gertrude Hotel, Fitzroy

11th Nov  – Francesca’s Bar, Northcote

Commercial Link:  https://noisehive.ffm.to/scorpioszn

Spotify URL: http://open.spotify.com/track/1mbuU5xd3BDUeOaBM4ooku

Instagram:  https://instagram.com/ck.dj

TikTok: https://www.tiktok.com/@djclaireknight

October 21, 2022 0 comments
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Festival NewsMusic News

HARVEST ROCK SET TIMES, APP & EXCLUSIVE DINING EXPERIENCES Saturday 19 & Sunday 20 November 2022 Rymill Park / Murlawirrapurka & King Rodney Park / Ityamai-itpina, Adelaide

by the partae October 20, 2022
written by the partae
Tickets on sale now

With only one month to go, the countdown to the inaugural Harvest Rock is on!

From some of the biggest acts in the world to carefully curated food and beverage experiences, here’s everything you need to know before you start making your way to Adelaide for two huge days of premium live music in the inner-city sanctuary of Rymill & King Rodney Parks. Starting with the festival SET TIMES!With icons like Jack White, Crowded House, The Black Crowes and Groove Armada through to stars such as Tones And I, Sam Fender, Meg Mac, Genesis Owusu and Electric Fields, there’s a wealth of talent to experience across two stages.

The best way to plan your weekend is with the Harvest Rock app, where you can create your own personalised planner which allows you to select all the artists you want to see, creating a customised schedule right in the palm of your hand. The app is also your go-to destination for all the latest event info, artist profiles, site map, notifications, ticket purchases and more. The Harvest Rock app is available now for both iOS and Android.

Harvest Rock is just as much about the food and drinks as it is the music, so you can expect to see some of Australia’s best chefs, cellar doors and innovative bars dotted around the festival for you to salivate over. The pinnacle of this is WILDWOOD by Jake Kellie of arkhé, a unique high-end dining experience created exclusively for Harvest Rock which will see the Michelin-starred chef and restauranteur collaborate with acclaimed Australian wine critic Nick Stock, to host two intimate lunches with a specially curated menu and wine pairing. Tickets are on sale now and with a limited number of 150 per session, they will sell out.

So go on, treat yourself to the very best music, food and beverages on offer at Harvest Rock in Adelaide this November.

JACK WHITE (ONLY AUS SHOW) * CROWDED HOUSE * THE BLACK CROWES * KHRUANGBIN * GROOVE ARMADA * SAM FENDER * THE LUMINEERS * TONES AND I * THE AVALANCHES * COURTNEY BARNETT * KURT VILE & THE VIOLATORS (ONLY AUS SHOW) * ANGUS & JULIA STONE * THE TESKEY BROTHERS * HOT CHIP * GOANNA * GENESIS OWUSU * THE LIVING END  * CAT POWER * YOU AM I * MEG MAC  * MARLON WILLIAMS * HOLY HOLY * ALEX CAMERON * RUBY FIELDS * ALLEN STONE * ELECTRIC FIELDS * TOWNS * SLOWMANGO & ARC PRESENTS NEIL YOUNG’S HARVEST LIVE

Harvest Rock is proudly supported by the South Australian Government, through the South Australian Tourism Commission.
HARVEST ROCK
Saturday 19 & Sunday 20 November 2022
Rymill Park / Murlawirrapurka & King Rodney Park / Ityamai-itpina
Adelaide
harvestrock.comTICKETING INFO
Tickets on sale now

MEDIA ACCREDITATION
Legitimate media can apply for accreditation before Monday 31 October here

FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | SNAPCHAT | YOUTUBE | SPOTIFY

October 20, 2022 0 comments
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Music News

MDOU MOCTAR releases new single ‘Ibitilan’, announces new Niger EP Vol. 2

by the partae October 20, 2022
written by the partae
Photo Credit: Atiba Jefferson

Mdou Moctar has announced details of part two of the Niger EP series – featuring live and alternate versions of songs spanning the band’s discography recorded in their native Niger – which will be released digitally on October 25th. It follows Niger Vol.1 EP which is out now digitally. A physical release date for both EPs on limited vinyl has additionally been announced for March 10th. Pre-order HERE.

A preview of Vol. 2 is today available to listen to with a live version of ‘Ibitilan’. First appearing on 2019’s Blue Stage Session, the latest iteration of ‘Ibitilan’ captures the band’s renowned live energy in unmediated form, pushing the faders to their very limits.

“Ibitilan is a love song,” says producer and bassist Mikey Coltun. “Mdou sings about his love for a woman, comparing her to a beautiful valley with a stream running through it, how her skin is a yellow flower and her smile is like lightning. This particular recording was done in Agadez in 2017 at a wedding. Mdou and I had played three weddings a day for about a month and a half on that trip. It was like bootcamp. I loved it. Ibitilan is one of Mdou’s oldest songs and is covered by pretty much every Tuareg guitarist. We’ve played versions of this song lasting over 20 minutes. It’s definitely one of my favorites to play!”

An innovative alchemy of Tuareg folk, blues and rock, electric guitar pyrotechnics, field recordings and electronics with poetic call-to-arms lyrics about the plight of his homeland of Niger, Moctar’s 2021 album Afrique Victime swept end of year lists, achieving high placements in The Economist, The Guardian, The New York Times, Uncut, MOJO, Pitchfork, The New Yorker, NPR, Rolling Stone, Dazed & Confused, DJ, Crack and many others.

2022 saw the four-piece of Moctar, rhythm guitarist Ahmoudou Madassane, bassist/producer Mikey Coltun and drummer Souleymane Ibrahim release the remix collection Afrique Refait, highlighting artists at the vanguard of electronic music across Africa. Resident Advisor called the Duma remix of ‘Untitled’, “a truly original record of distorted techno and doomy rock”, while writing the MC Yallah and Debmaster version of ‘Tala Tannam’ “introduces a contemporary club music vibe to Moctar’s thrilling and often gorgeous desert blues sound, the kind of rework that feels more like a cultural fusion than a simple remix“.

Stream / Download Niger EP Vol. 1: http://mdoumoctar.ffm.to/nigervol1
Pre-order / Pre-save Niger EP Vol. 2: http://mdoumoctar.ffm.to/nigervol2

Mdou Moctar – Ibitilan (Official Visualiser)
Listen / Download: mdoumoctar.ffm.to/ibitilan

Mdou Moctar Australian Tour Dates

March 10-13, 2023
WOMADelaide
TICKETS

March 10-13, 2023
Golden Plains
BALLOT

March 17-19, 2023
WOMAD NZ
TICKETS

+ more dates to be announced!

PRAISE FOR MDOU MOCTAR

Triple R Album Of The Week
RTRFM Feature Album

Best of 2021 placements

The Monthly Top 10 Albums of 2021
The West Australian Top 10 Albums of 2021
The Music Albums of 2021
Crack #16 Albums of 2021
DJ Mag Albums of 2021
Economist Best Albums of 2021
Gigwise  #23 Albums Of The Year
The Guardian #10 Albums Of The Year
MOJO #20 Albums Of The Year
New York Times Best Albums of 2021 (Lindsay Zoladz, #2)
New York Times Best Albums of 2021 (Jon Pareles, #5)
New Yorker #4 Best Music of 2021
Rolling Stone #26 Albums Of The Year
Uncut #13 Albums of the Year

“The Tuareg guitarist and his bandmates deliver the fullest picture of his gifts yet.”
–
 Pitchfork (Best New Music)

“This one is essential… It’s musically dense, wildly psychedelic and politically sharp, with Moctar singing in his native tongue across the record to make for the year’s most quintessential guitar albums.” – Mixdown

“Moctar’s guitar is a tangled, twisted, blazing beam of light cutting across a black sky.”
– 
Rolling Stone

“Searing and soulful” – CLASH

“This is a group that is deeply zoned into one another’s nervous systems, grooving hard, moving as one.” – Aquarium Drunkard

“Afrique Victime, Moctar’s first album for Matador, seems poised to attract his largest audience yet” – Bandcamp

“scarcely has a Fender Stratocaster sounded more alive than in his hands… a propulsive, psychedelic sound that is at once delivered with the cathartic oomph of celebration and the urgent cadence of protest” – Guitar World

“As it becomes safe to go out again, seeing these songs live should be as early a priority as is reasonable.” – Under the Radar

“His electric guitar leaps up from the band’s rhythmic core to trill, twirl, swoop and scream”
– New York Times

“The world’s most uniquely thrilling guitarist” – Dazed & Confused

“Afrique Victime finds Moctar and his band in the studio delivering the raw power of their intense and transcendent live performances.” – Reverb

“Vital, wonderful music with cutting intensity” – i Paper ★★★★★

“This is guitar music, but likely to resonate with club heads. Unlike anything you’ve ever heard in the West, it laughs at the idea that music has run out of new sounds” – DJ ‘Album Of The Month’

“Transcendent” – MOJO ★★★★

“Mesmerizing meld of Tuareg folk tradition and modern rock” – Uncut (9/10)

“Mdou Moctar and his band are the true sound of youth resistance” – Line Of Best Fit (8/10)

“The consensus that is slowly forming is that he is not just one of the leading exponents of Sahel (Sub-Saharan) guitar music, but one of the finest and certainly most expressive, guitarists in the world” – MusicRadar

Mdou Moctar – Niger EP Vol 2. is out 25 October
via Matador Records / Remote Control Records.
Mdou Moctar
Official Website | Instagram | Twitter | Facebook
October 20, 2022 0 comments
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Music News

THESE NEW SOUTH WHALES SHARE NEW SINGLE + VIDEO ‘UNDER THE PRESSURE’ DRAWN FROM FORTHCOMING LP TNSW OUT NOV 18 VIA DAMAGED RECORDS

by the partae October 20, 2022
written by the partae
Photo by Josh Hourigan
PRAISE FOR THESE NEW SOUTH WHALES

“No one’s doing things quite like These New South Whales”
The Line Of Best Fit (9/10)

“Absolutely irresistible blasts of insistent, art-punk brilliance”
Kerrang! (4/5)

“TNSW also make a TV comedy about being pathetic punks.
Very meta, except the actual band are great:
tight, no-frills, plaintive vocals, caustic guitar and thumping rhythms”

Mojo, 4/5

“The band is real, the TV show is a hilarious mockumentary”
NME

“Very rowdy, enjoyable punk rock”
theneedledrop

“Sydney’s most revered punk band”
triple j

“The best mockumentary since Spinal Tap”
Monster Children

“A punchy, infectious, and delicious piece of punk fun”
Nick Findlay (triple j)

Australian punk royalty These New South Whales today share a third taster of their incoming third album, TNSW, out November 18th via Damaged Records. This time it’s the tumbling yet taut punk of ‘Under the Pressure‘ getting an airing, which beneath hints of Iceage or Fontaines D.C. finds the band’s Jamie Timony exploring ideas of performance and authenticity in his distinct Aussie drawl. LISTEN HERE + WATCH HERE.

“‘Under the Pressure’ is about recognising that you’ve been performing a version of yourself to please others – at work, at home, wherever” Timony offers, with perhaps a knowing nod towards These New South Whales’ hit Comedy Central series, where the band performs an exaggerated version of themselves, “and realising that being yourself would be far easier. It’s about that awesome sense of peace you get when there’s space to be yourself, warts and all.”    

“We wrote this song very quickly and naturally together in the room one night and it kinda surprised us cos it’s not what we would usually write, funny time signature and stuff, but it felt like an authentic expression of something and we were stoked with it. The chorus really snaps like a broken bone!”

“An authentic expression of something,” is an apt turn of phrase when viewing TNSW, the album, more widely, which finds them honing in on These New South Whales – the serious punk band – more closely than ever before. It’s a far cry from the band’s more tongue-in-cheek work across both their series as well as their talk show-style comedy TNSW Tonight! and exalted podcast, What a Great Punk, which has seen them chat to guests including Tame Impala, Adrian Grenier, Shame, Amyl and The Sniffers, and King Gizzard & the Lizard Wizard.

Over the years, the band’s music has developed rapidly, evolving out of the realm of distinctly Aussie basement punk into a more sprawling, international space. Following the trajectories of bands like Ceremony and Turnstile from nuts and bolts basement punk to a more genre-defying sound, TNSW encompasses a broader range of influences. Blending the dark energy of their debut album You Work For Us and the CBGB’s heyday of its follow-up I Just Do What God Tells Me To Do, TNSW is both downtrodden and uptempo.

It’s still a post-punk record at heart, full of sonic depth and dejected storytelling but equally, it embraces their 90s alternative, hardcore and metal influences. Guitarist Todd Andrews found himself using references for certain guitar parts that he would never have touched on in the past (among them: Pixies, The Cure and Placebo), while Timony’s lyrics take a turn towards the poetic. ”I feel like they’re honest songs,” says Timony, who sees TNSW as the band’s most definitive album to date. “I feel very connected to them, and that’s probably a result of not trying too hard to force the album’s hand.”

TNSW marks a refined new era for the band and is comfortably their most sophisticated body of work yet: a 14-track tome of barrelling punk rock that polishes its heavier moments – heavier than ever – with sing-along choruses, sharp arrangements, and plenty of trademark irony and self-awareness. For every ’90s alternative reference, there’s a blast beat; for every big radio moment, a cursed instrumental aside.

‘Under the Pressure‘ follows on from the album’s two singles so far: the existential anthem ‘Rotten Sun’, which was inspired by a poem of the same name written by Ceremony‘s Ross. J. Farrar, and ‘Bending at the Knee‘, an art-punk masterclass that found them pulling from the darker half of their palette. Between them, the singles have received acclaim and support from the likes of The Fader, NME, DIY, The Line of Best Fit and more. With the album due out in November, season three of their Comedy Central series in the works and tours in Australia, the UK and the EU lined up for early 2023, These New South Whales look set to continue confirming themselves as a once-in-a-generation Australian punk proposition.

TNSW LP
Nov 18 via Damaged Records
PRE-ORDER HERE

‘Under The Pressure‘ is out now, buy/stream it here.

TRACKLIST
Bending at the Knee
Rotten Sun
That’s the Life
Under the Pressure
Changes
Back To You
Tartan & Chrome
Faceless
Signal is Strong
Going Outta My Mind
Wherever I Am, There I Am
Best of the Night
Win
Reset of the World

Stay connected with These New South Whales:
Official Website | YouTube | Instagram | Twitter

 

October 20, 2022 0 comments
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Festival NewsMusic News

The Killers announce special guests Alex Cameron and Jack Ladder on ‘Imploding The Mirage Tour 2022’

by the partae October 20, 2022
written by the partae

The Killers return to Australia & New Zealand next month!

Special guests Alex Cameron and Jack Ladder confirmed

Imploding The Mirage Tour 2022 plays Auckland, Christchurch, Brisbane, Barossa Valley, Perth, Geelong, Melbourne, Hunter Valley & Sydney

Final tickets on sale now via: frontiertouring.com/thekillers


Frontier Touring and The Killers are thrilled to announce tour special guests, the genre-busting pop narrator Alex Cameron with his full band and Australian rock singer-songwriter, guitarist, composer Jack Ladder for their Imploding The Mirage Tour 2022. Kicking off next month the tour will play a huge 11-date mix of arena and outdoor shows across Australia and New Zealand!

Australian raised Alex Cameron will perform as the special guest in Brisbane, Perth, Geelong, Melbourne, Hunter Valley and Sydney, with Sydney based artist Jack Ladder opening proceedings in Auckland, Christchurch, Barossa Valley, Geelong and Hunter Valley.

Final tickets on sale now via: frontiertouring.com/thekillers

THE KILLERS
​
IMPLODING THE MIRAGE TOUR 2022
​AUSTRALIA & NEW ZEALAND
​SPECIAL GUESTS ALEX CAMERON & JACK LADDER
​November/December 2022
​
Presented by Frontier Touring, Roundhouse Entertainment (Geelong and Barossa Valley), Triple M (AU), K Rock (Geelong) & Geelong Advertiser (Geelong)


ALL SHOWS ON SALE NOW
​via 
frontiertouring.com/thekillers


ALL SHOWS LICENCED ALL AGES


Monday 21 November 2022
​Spark Arena | Auckland, NZ
​Lic. All Ages

​Special guest Jack Ladder
​ticketmaster.co.nz | Ph: 0800 111 999

Friday 25 November 2022
​Christchurch Arena | Christchurch, NZ
​Lic. All Ages

​Special guest Jack Ladder
​ticketek.co.nz | Ph: 0800 842

Tuesday 29 November 2022
​Brisbane Entertainment Centre | Brisbane, QLD
​SOLD OUT
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

Wednesday 30 November 2022
​Brisbane Entertainment Centre | Brisbane, QLD
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

Saturday 3 December 2022
​
Peter Lehmann* | Barossa Valley, SA | a day on the green
​Lic. All Ages
​
Special guest Jack Ladder and Floodlights
​ticketmaster.com.au
 | Ph: 136 100

Tuesday 6 December 2022
​RAC Arena | Perth, WA
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

Saturday 10 December 2022
​
Mt Duneed Estate* | Geelong, VIC | a day on the green
​Lic. All Ages
​
Special guests Alex Cameron & Jack Ladder
​ticketmaster.com.au | Ph: 136 100

Tuesday 13 December 2022
​Rod Laver Arena | Melbourne, VIC
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

Wednesday 14 December 2022
​Rod Laver Arena | Melbourne, VIC
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

Saturday 17 December 2022
​Hope Estate | Hunter Valley, NSW
​Lic. All Ages

​Special guest Alex Cameron & Jack Ladder
​ticketmaster.com.au | Ph: 136 100

Monday 19 December 2022
​Qudos Bank Arena | Sydney, NSW
​Lic. All Ages

​Special guest Alex Cameron
​ticketek.com.au | Ph: 132 849

thekillersmusic.com | facebook.com/Thekillers
​
Twitter @thekillers | Instagram @thekillers
​
Spotify | YouTube

October 20, 2022 0 comments
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Festival NewsMusic News

NINAJIRACHI + MONTAIGNE JOIN COLLABORATIVE FORCES ON ‘ONE LONG FIREWORK IN THE SKY’ SECOND NATURE MIXTAPE OUT NOV 11 VIA NLV RECORDS

by the partae October 20, 2022
written by the partae
Photo by Kurt Johnson

PRAISE FOR NINAJIRACHI

“​​Ninajirachi is an artist constantly pushing forward”
triple j

“Glassy and exhilarating”
The Guardian 

“Signature ethereal twist”
NME

“Over-the-top production”
PAPER Mag

“Her music has a shimmery, fractal, fantastical quality balanced with
the toughness of bass that bangs in a way that makes you want
to get off your butt and get moving”

Billboard

“Incandescent”
Crack Magazine

“Hyperpop perfection”
Junkee

“It’s Ninajirachi’s world, and we’re all just living in it”
Purple Sneakers

“​​Impressive genre-bending oeuvre”
EDM.com

Today, innovative electronic producer, songwriter and DJ Ninajirachi shares the latest taste of her forthcoming mixtape Second Nature (out November 11), teaming up with vibrant pop artist Montaigne on ‘One Long Firework In The Sky’. LISTEN HERE.

Produced by Ninajirachi and written collaboratively with Montaigne, ‘One Long Firework In The Sky’ is a refuge of future-bass percussion and undulating synths, which sees Ninajirachi and Montaigne together manifest a hard-hitting glittery pop anthem. Combining organic and inanimate textures previously teased through Nina‘s recent triple j hit ‘Start Small‘, elevated here to festival-ready heights. ‘One Long Firework in The Sky‘ is a hyperactive electronic warp of waves and harpsichord strings that propel Montaigne‘s vocals into soaring, undeniable euphoria.

Of the release, Ninajirachi says, “The production was really inspired by Flume, who has been one of my heroes since I was literally 12 years old.” Reflecting on their collaboration, she continues, “Montaigne and I first met at a writing camp in 2018. I was 18 and hadn’t done much co-writing, so I was very nervous. We reconnected in 2020 and had a few sessions, one of them resulting in One Long Firework in The Sky. In our sessions, we spend a lot of time talking about life and our common interests. She’s absurdly talented and such a uniquely interesting artist; it’s an honour to work with her.”

Montaigne shares “It’s such a privilege to work with Nina who I think shares a lot of the same sensibilities as me and who I get along with fabulously. This song was written after sitting on the floor chatting for about 5 hours and in the last 2, we continued to sit on the floor using just her laptop keyboard, built-in speakers, and iPhone voice memos to record the whole demo. It was so much fun. It’s very different songwriting to what I’ve done in the past, which is exciting for me to debut. Possibly the only horny song I’ve ever written and loving it.”

Forging a strong connection to nature and her surroundings, Ninajirachi’s forthcoming Second Nature mixtape breaks apart her non-familiar sound and magnifies the layers that are existent in her streak of releases. The 12-track project lends itself to the second nature reality of her music-making process, one that is an extension of herself and a laptop, bound not by software limitations – pure muscle memory. In her first full-length solo project, Second Nature speaks to Nina’s creative and mental growth in the current internet era. Making music in a format that doesn’t involve traditional instruments, the uniqueness of her abilities extends past virtual limits, entering an unchartered zone of technical prowess and artistic versatility to her peers.

To celebrate the forthcoming release, Ninajirachi will be playing a series of shows with Coalesce in Eora, Naarm and Meanjin, alongside special guests including cookii, Mulalo, Caucasian Opportunities, AGONY, nerdie, Sandro Dallarmi, yergurl, Club Angel, Laces, Fresh Hex, Babie Club DJs, Heavy Gore, Kritty and Blair De Milo. More information and ticket details BELOW.

NINAJIRACHI 
Second Nature Mixtape
Out November 11
PRE-SAVE HERE

‘One Long Firework In The Sky (ft. Montaigne)‘ is out now via NLV Records,
buy/stream here.

TOUR DATES
Fri 18 Nov – Coalesce 004 w/ Special Guests @ The Red Rattler – Eora / Sydney (TIX)
Sat 19 Nov – Coalesce 004 w/ Special Guests @ 524 Flinders – Naarm / Melbourne (TIX)
Sat 26 Nov – Spilt Milk Festival – Ngunnawal / Canberra
Fri 2 Dec – Coalesce 004 w/ Special Guests @ Woolly Mammoth – Meanjin / Brisbane (TIX)
Sat 3 Dec – Spilt Milk Festival – Wadawurrung / Ballarat
Sun 4 Dec – Spilt Milk Festival – Ngarangwal / Gold Coast
Fri 30 Dec – Wildlands Festival –  Boorloo / Perth
Sat 7 Jan – Wildlands Festival – Meanjin / Brisbane
Thu Dec 29 – Beyond The Valley – Barunah Plains, VIC
Sun Jan 1 – Field Day – Eora / Sydney

All tickets available here.

Stay connected with Ninajirachi:
Website | Instagram | Facebook | Twitter | SoundCloud

October 20, 2022 0 comments
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Music News

Poppy Rose Releases ‘My God’

by the partae October 19, 2022
written by the partae

Overcoming compounding struggles with addiction and the protracted idleness of lockdown,  Melbourne emcee Poppy Rose has emerged more resilient and determined than ever.  

Poppy first came to the attention of hip-hop audiences in 2017 with the breakout single, ‘Ocean’,  a startling DIY effort featuring stanza after stanza of effortless flow and clever turn of phrase that  struck a chord with disciples of the genre, none more so than the queer community from which  she hails, and has accrued more than a million streams to date.  

What would follow would be nearly two years of battling issues with addiction buttressed by the  forced sidelining of musicians globally brought about by the pandemic. 

If there was a silver lining to Poppy’s time away from the limelight, it was that it provided her with  an opportunity to process the tumultuous series of events leading up to that point and engage in  a process of soul-searching that saw her redefine herself as a musician and now, producer.  

Investing in a basic home-recording rig segued into Poppy teaching herself how to make beats  on Garageband in the solitude of her bedroom and threading these new skills into her artistry.  The music that has resulted, totalling nearly a hundred unreleased demos and counting, reveals a  born artist emerging from a long period of uncertainty stronger than ever before. 

The first taste of her vast unreleased repertoire, new single ‘My God’ showcases Poppy’s talents  as a natural storyteller whose ability to weave life experience into her music makes for effortless  listening. The track, written and produced by Poppy, features additional production from  HAMLEY (Stan Walker, Pania) and was mixed and mastered by Matt ‘Xiro’ Fioravanti (Tasman  Keith, Jesswar).  

Originally hailing from Wagga Wagga in rural NSW, Poppy grew up as one of six siblings with  music as a constant presence in her life. Drawing early inspiration, owing in part to her older  brothers’ iPods, from the likes of Kanye West, J. Cole, A Tribe Called Quest, Tupac and Biggie,  Poppy fused her burgeoning love affair with hip-hop with a natural flair for poetry as a means of  self-expression.  

A trip to Melbourne at age 16 to see A$AP Rocky in concert served to crystallize her desire to  realize her own dreams of becoming a rapper and prompted a move to the nation’s unofficial  musical capital where she honed her skills in situ at the city’s open mic scene.  

During a time of global pause, Poppy put work in, throwing herself headlong into her craft;  letting music seep into every pore and take over her being in a new way, largely driven by the  freedom producing music herself.  

“My God is an anthem about reclaiming myself from a struggle with addiction. I wanted to create  a song that was empowering and fun that reminded me of all the things I’m capable of. I started  playing around with 808 melodies and MIDI trumpets which kicked off the melody for the chorus  

and the inspiration for the verses. I like trumpets because they remind me of the word  ‘triumphant’. My God is just the beginning of the story I want to tell about myself in the hope that  someone else out there can relate to it in one way or another. I wanted to create a song that’s  catchy, fun and also serious, because I figured if I put all of those together, then maybe I can get  some points across. I wanna destigmatize the stigmas.” – Poppy Rose

PLAY/LISTEN

 INSTAGRAM | TIKTOK | FACEBOOK | SPOTIFY | APPLE MUSIC

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PALM TREE MUSIC FESTIVAL: TIËSTO, KYGO LOST FREQUENCIES, SAM FELDT, FRANK WALKER & MORE COMING TO AUSTRALIA!! TICKETS ON SALE TOMORROW 10AM!!

by the partae October 19, 2022
written by the partae

AUSTRALIAN TOUR DATES:

 

Friday 10th March – Showgrounds Dome, SYDNEY

Saturday 11th March – Riverstage, BRISBANE

Sunday 12th March – Melbourne Showgrounds, MELBOURNE

(Labour Day Long Weekend)

TICKETS GO ON SALE:

General Public on sale:

Thursday 20 October – 10am AEDT

 

For all Tickets, go to: TEGLIVE.COM.AU

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Circles Drop Their Third Single ‘Echo’ Ahead of Their Highly Anticipated EP ‘The Stories We Are Afraid Of | Vol 1’

by the partae October 19, 2022
written by the partae

‘Echo’ Out October 19
‘The Stories We Are Afraid Of | Vol 1’ EP – Out November 25

Previous support for Circles

‘Sleepwalking’ – First Play on Triple J (The Racket)

‘Sleepwalking’ added to Spotify’s Homegrown + Heavy, All New Metal
and Apple Music’s Heaps Heavy

‘Dig’ added to Spotify’s Rock Out and Apple Music’s The New Rock

“. . . One of Australia’s most successful international prog experts . . .”
(Maniac) [About ‘Dig’]

“Their music soars as much as it djents, the vocals and harmonies, delivered by the three members across the front of the stage, are absolutely on the money, and it is all delivered with a tightness and precision that only comes from being together for well over a decade”
(The Music) [‘Sleepwalking’ AUS Tour Live Review]

“With more sonic meat than your local butcher and a simultaneous scintillating assault and caress of the senses on full display via Sleepwalking, 2022 is shaping up to be a particularly eventful one for Melbourne’s Circles”
(Hysteria) [About ‘Sleepwalking’]

“Some things in life are worth the wait . . . and it gives me pleasure this week to grace Melbourne rock outfit Circles as our featured artist”
(HEAVY Magazine) [About ‘Sleepwalking’]

‘The Last One’ (2018) landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, #4 TheMusic’s Album Of The Year (Writers’ Poll), and reached close to 3 Million Spotify streams worldwide.

“Circles have crafted a modern progressive tapestry with plenty of wider appeal”
(Metal Hammer – UK) [About ‘The Last One’ Album]

Circles’ storm continues with the release of their most dynamic track yet, ‘Echo’ out October 19. ‘Echo’ and its accompanying music video comes as the third single of their upcoming EP ‘The Stories We Are Afraid Of | Vol.1’— the first part of the Melbourne progressive metal titan’s two-part concept record, out November 25.

Continuing on from their most recent record, ‘The Last One’, which found impressive success at #4 on TheMusic’s Album of The Year 2018 and #3 on AIR Independent Albums, Circles have continued to build excitement for their upcoming EP ‘The Stories We Are Afraid Of | Vol. 1’.

Further pushing the boundaries of the international djent movement that Circles helped characterise, the metallic chugging guitars, belting blast from the drums and serene atmospheric pads featured in their new single ‘Echo’, reinforce the band’s heavy influence in the genre.

‘Echo’ starts with a resonating electronic kick drum, paired with atmospheric synths and the hypnotic despair in Rechter’s vocals. The impact of the building drums and subtle guitars reflects that growing ache in one’s head that’s filled with voices of self-doubt, paralysing pity and pressure. Dropping out for a glitched-filled interlude like the calm before the storm, the band erupt into a skeleton-shaking triple-time breakdown. Leading the track out with a bone-crushing riff and a powerful vocal delivery pleading to break from the foundations of one’s turmoil, this is one of Circles’ most cathartic tracks to date.

Circles have composed ‘The Stories We Are Afraid Of | Vol.1‘ with intention and finesse. ‘Echo’ builds upon ‘Sleepwalking’ and ‘Dig’ by portraying themes of self-reflection and desperation to make a resolution; to fight your struggles and take the first steps to reacclimate to the life you once lived.

Rechter provides insight into how ‘Echo’ integrates into their upcoming EP:
“Echo is Vol. 1’s lowest point, emotionally. It deals with being well and truly at the bottom, feeling as though you deserve the hopelessness that you feel. Even if that’s not a true reflection of the situation, sometimes those inner voices block out all others with a relentless drone.”

‘Echo’ was mastered by Luke Cinacotta (Karnivool & Dead Letter Circus) and produced/mixed by Circle’s own Ted Furuhashi. With the abundance of subtle auxiliary percussion, lush floating synthesiser pads and a pulsating electronic kick drum, Circles’ new direction with production has led to a track that’s inherently progressive in nature.

Showcasing the band’s refined sound with Ted Furuhashi’s production, frontman Ben Rechter makes comment on the writing process:
“Ted’s production is great on this volume as a whole, but I feel that he really got to show what he’s capable of with this one, outside of heavy music. It’s probably the biggest departure from earlier Circles music, and took us on a journey that surprised us. It’s definitely an important song to us.”

Paired with the single is the epic music video produced by the band’s very own David Hunter. Filmed at Fabrik Studios, the clip parallels the building tension in the track as Rechter is seen despondent on the floor before contemporary dancer Bridget Lyte appears. Lyte’s movements intensify as the track grows in its dynamics and the rest of the band make their appearance. The band and Lyte unleash and purge in the track’s peak amongst a colossal white light show to close out.

The band’s blitzkrieg with their last three releases comes with consistent national and international radio play, with ‘Sleepwalking‘ and ‘Dig’ seeing support from The Racket on Triple J and curation for Spotify’s All New Metal, Rock Out and Homegrown + Heavy playlists as well as Apple Music’s New Music Daily, Heaps Heavy and The New Rock. Further media support from The Music (AU), HEAVY Mag (AU), Hysteria Mag (AU), Kill Your Stereo (AU) and Metal Hammer (UK) supports the hype of their highly-awaited upcoming EP.

Circles have continued to flex their extensive national and international touring experience after a string of successful shows (Destroy All Lines & Wild Thing Presents) at revered venues in Sydney, Melbourne, Brisbane, Canberra and Adelaide. Appearing at high-regarded international prog festivals such as Euroblast (Germany), Progpower (USA) and Progfest (Australia), Circles continue to build upon the impressive list of artists they’ve supported. Opening for The Dillinger Escape Plan, Opeth, Fear Factory, Periphery, TesseracT, Twelve Foot Ninja and many more, Circles are an internationally recognised prog powerhouse.

Fall into the atmosphere and emotion in Circles’ latest single ‘Echo‘ on October 19 and keep your calendar updated for ‘The Stories We Are Afraid Of | Vol.1’ (November 25) because Circles are set to thrill.

Circles – The Stories We Are Afraid Of | Vol. 1

PREORDER / PRESAVE The Stories We Are Afraid Of | Vol. 1

AUS (and ROW): wildthingmusic.com
Europe & UK: eu.wildthingmusic.com
North America: us.wildthingmusic.com

Website
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October 19, 2022 0 comments
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Coco Elise will leave a devine aroma to your day with their release, ‘Wish you’d show’ ahead of their debut EP

by the partae October 19, 2022
written by the partae

The band’s release ahead of their debut EP after supporting Ken Paulo, Young Robin and Noah Dillion. Previous press support from AAA Backstage, Australian Music Scene, SYN Radio, RTR FM and various radios in Australia. 

Lead Singer: Josh Ellis 

Perth/Boorloo based band Coco Elise are releasing their flavour filled single ‘Wish you’d show’.

‘Wish you’d show‘, the lead single of the EP ‘Brian’s view’ is a unique and creative work showcasing Ellis’ crisp falsetto tones of his vocals and the instrumental talents in the band.

Chances are if you are around the Perth live music scene you’ve heard of Coco Elise – composed of lead singer Josh Ellis, Isaiah Quintana,  Harry Playford and Seb Price. Bringing an indie pop sound which has had them supporting acts such as Ken Paolo & The Space Cadets, Spici Water, Airline Food, Young Robin & Noah Dillon, establishing themselves as one of Perth’s hidden Jewels.

The track list for the EP is as follows:

Shower in the daytime

Brian’s views

Sun may shine

Wish you’d show

In their own words, “Wish you’d show is a short love song about being somewhere and wanting a certain person to comeIt’s probably the most accessible song we have and definitely the easiest to understand lyrically.”

When asked who is Brian? Ellis states that it is a mystery; maybe that’s up to you to decide, but one thing is for sure: Coco Elise’s EP will take you in a whole other dimension, a whole other vibe and with a whole new view (AKA Brian’s View).

 

.

COCO ELISE SOCIAL MEDIA:

INSTAGRAM // SPOTIFY // FACEBOOK // SOUNDCLOUD

October 19, 2022 0 comments
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Music InterviewsMusic News

Fresco Kyoto

by the partae October 19, 2022
written by the partae

Where are you currently based?
We are currently based in Brisbane.

How did you first start playing music?
Cant speak for all members of the group, but i would be confident in saying we were lucky enough to be exposed to music early on in our childhoods. I know I was lucky enough to be given the opportunity to learn an instrument during my schooling years and took it forward from there.

What’s been happening recently?
Since covid we have been focusing our energies on writing new material. We hope that this new track is the first in a series of exciting new releases and content. We were especially excited to welcome our newest member Toby Alexander to the group who was instrumental in the writing and production of ‘You Save Me’.

How did the band form?
In the early days the group consisted of a few of us who knew each other from high school. Then over the years the rest of us came together through the Brisbane music scene and eventually formed our current lineup.

Your latest single ‘You save me’ is out now, what influenced the sound and songwriting?
Our newest member Toby Alexander was instrumental in establishing the initial sound and feel of the song, drawing inspiration from artists such as Rufus Du Sol and Kx5 for his initial demos. Lyrically the song evolved into a kind of fictional telling a failing relationship, and one party’s journey of self realisation and sacrifice in order to set their partner free.
How did You save me come about?

What’s the Brisbane music scene like at the moment?
As the post – covid period continues, we believe this is perhaps as exciting a time as any in the Brisbane music scene. There are countless new artist that have emerged from the online community over the past two years, and as the Brisbane inner city infrastructure continues to develop as it has in recent years we expect Brisbane’s live music to amaze on a national level.

You were the recent winner of ‘Best Live Artist’ and ‘Best Emerging Artist’ that was presented by the Brisbane Council, please tell us about this experience and how it all came about:
We are extremely fortunate that the Brisbane City Council hosts such incredible initiatives such as the Qube Effect awards and City Sounds live music in order to uncover and showcase the city’s emerging artists. For city Sounds were able to play a number of gigs within the city and Southbank areas to large crowds of passers by, and for the Qube Effect awards we were given the opportunity to be mentored by industry professionals, as well as have a music video filmed and produced for us. These experiences were unforgettable and incredibly valuable to us as a band. Our awards were a bonus, but also extremely encouraging showing we were on the right track!

Who are you listening to at the moment?
Again I can’t speak for all the boys, but I always like to have a radiohead song in whatever playlist is on. Lately I have also found myself giving some early Elton John a run…

What’s planned for the remainder of 2022 going into 2023?

At this stage we will look to release several more singles over the coming months, possibly leading to an EP in 2023.

Official Website | Facebook | Twitter | Instagram | Youtube | Triple J Unearthed

October 19, 2022 0 comments
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Festival NewsMusic News

OLY SHERMAN releases soulful new single ‘DANCIN’ IN THE RAIN’ Touring NSW, VIC and QLD.

by the partae October 19, 2022
written by the partae

Photo by: Nathan Carol

PLAY/LISTEN

Oly Sherman basks in the beauty of the everyday in latest single ‘Dancin’ in the Rain’. A beautiful, vulnerable display of strength, Oly’s sumptuous vocal tones take us on a journey of pure joy and artistry.

Speaking to his philosophy of enjoying the simple pleasures of life, Oly’s confident vocals exude a power that draws you in. Soulfully dancing over luxurious jazz instrumentation, the result is nothing short of exceptional.

Pulling aural influences from international favourites Daniel Ceasar, Omar Apollo and Loyle Carner, and closer to home with Tash Sultana, Kaiit, and Matt Corby. Sherman’s aurally decadent soundscapes are nestled in between that beautiful space of soul-fused jazz and RnB.

Slightly more stripped back then previous releases, Oly showcases his confidence in his experimentation, leaning more heavily into the late night jazz dive bar, spotlighting his vocals.

“Dancin’ In The Rain is about enjoying the little things and getting out of your own head. The rain is a symbol for doing things that aren’t necessarily comfortable at first, but doing them because of the valuable people around you, and the ultimate joy of jumping in.” Oly Sherman

‘Dancin’ in the Rain’ sees airy synths, a deliciously grooving baseline, and fluttering sporadic keys work in harmony, elevating Olys honeyed vocal tones. The shining strength of this single is the crooning, saxophone solo that brings to life the feeling of walking through Paris at midnight under spheres of illumination from weathered street lamps.

Like previous releases, ‘Dancin’ in the Rain’ was recorded at Sherman’s home studio, with final touches applied at A-Sharp Studios. The single was then refined by both Oly Sherman and engineer Daniel Natoli. 

Since releasing his first single in 2017, Sherman has carved out a devout following of listeners yearning for his soul-laden songs. In that time he has seen break-out success from single ‘Homeboy’ which accumulated 120k+ streams alongside a steady fan base of monthly listeners on Spotify that hovers at around 20k, Oly Sherman has proven his dynamism in spades.

With two sold out shows at iconic Sydney venue The Lansdowne, the Newtown Festival and notable support slots for Slum Sociable, Alex The Astronaut and Matthew Young, Oly Sherman will be sharing his honeyed vocals and grooving beats with a number of shows across the country over September through to November.

OLY SHERMAN TOUR DATES

Friday 2nd September The Taproom Castlemaine, VIC*
Saturday 3rd September The Drunken Poet Melbourne, VIC*
Sunday 4th September Austin’s Winery Sutherlands Creek, VIC*
Friday 23rd September Sol Bar – The Lounge Maroochydore, QLD*
Saturday 24th September Junk Bar with Alys North  Brisbane, QLD Tickets
Thursday 13th October The Royal Bondi, NSW*
Friday 25th November Beach Hotel Byron Bay, NSW*
* Free Show

PRAISE FOR OLY SHERMAN

“There are few things you can rely on in this world. One of those things is the quality of Oly Sherman’s uploads. Matt Corby fans, listen up!”
triple j, Abby Butler

“It’s stirring world class folk and that pay off at the end is so worth it.”
Triple J, Declan Byrne

“A folk sensation echoing the dreamy work of Matt Corby, Boy & Bear and Josh Pyke”
Happy Magazine

“True to the theme, this one from Oly Sherman has a golden and sunny hue to it. It’s like he’s dipped all the parts in honey for the sweetest feel.”
Triple J Unearthed, Dave Ruby Howe

‘DANCIN’ IN THE RAIN’ is out now.
Oly Sherman: Official Website | Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

October 19, 2022 0 comments
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Music InterviewsMusic News

Jamieson

by the partae October 18, 2022
written by the partae

Where are you currently based?
Sydney – AUS

How did you first start playing music?
At home, I was always surrounded by music. My dad plays electric guitar and my mum used to send my sister & I to piano lessons (I hated that!)

Then I picked up the Saxophone and joined the school band – and that was my main instrument all through school (Jazz Band, Stage Band & Concert Bands)

In my final years of high school I really wanted to start singing – so I would steal my dads guitars to accompany my singing and would watch tutorials on Youtube. I even started playing piano again when I got into music production.

What’s been happening recently?
I’ve spent the past 2 years writing a bunch of new music. Put together my band and rehearsed it all so we could play our first headline gig (whilst shooting the music video for “Tomorrow”)
I’m excited to announce I will be performing at my first music festival in December and have been working alongside the team at SunSets Festival to promote the event.

Your single ‘Tomorrow’ is out now, what influenced the sound and songwriting?
I’ve always loved listening to rap music and the rhythmic delivery of the vocals/rhyming…intertwining melodies with fast paced delivery. I initially sat down to see how many words I could rhyme and for it to somewhat make sense to the listener. Once I had written the hook, I had something catchy to come back to – and I would find pockets to deliver the verses in between.

How did you go about writing Tomorrow and what does this song mean to you?
I worked with producer Thomas Porter on the new single. It was our first session working together and I went into the room with a bunch of songs I had been writing. He encouraged me to throw everything out the window and to see what happened naturally when we started working from a blank canvas. A janky guitar progression and some drums was all we needed to get the songwriting flowing. A few hours later the song was finished. We sat with the song for a while and re-tracked vocals + added some horns to give it some character.

Where and when did you record/produce/master and who did you work with?
It was my first time working with high school friend and producer Thomas Porter at his home studio. We used to both play Saxophone in the school band. We wrote/recorded this song 2 years ago and I have been holding onto it ever since – so I thought it was finally time to put it out. It was a bit of a school reunion, the horns were played by Liam Thomas, who also went to the same high school as us.

How did you approach the recording process?
We finalised the instrumental on the first day, and used it as a guide to write lyrics to. Then we recorded the hook and bounced the track with empty verses so I could take it away and play around with it. On the final production day – I had recorded the horns and we came back to record fresh vocals on the whole track + some BV’s and harmonies.

Who are you listening to at the moment?
I love variety. Right now I’m listening to heaps of Blake Rose, Lewis Capaldi, Russ, Mac Miller, Lime Cordiale.
Pretty much anything with a strong male pop vocal.

What’s planned for 2023 and beyond?
– More Live Shows
– Support tour
– Studio Sessions and writing trips (Collaborating with new and old friends)
– Rehearsals with the band and polishing up the live show

Favourite food and place to hangout?
Salty Rooster in Manly do the best chicken burgers and chips – you can thank me later!

Socials:

https://linktr.ee/jamiepostle

October 18, 2022 0 comments
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Festival NewsMusic News

GOOD THINGS FESTIVAL SELLS OUT IN MELBOURNE! BRISBANE & SYDNEY TICKETS SELLING FAST! BATTLE OF THE BANDS COMPETITION LAUNCHES

by the partae October 17, 2022
written by the partae

Australia’s biggest alternative travelling music festival, aka Good Things Festival is almost upon us and it’s the biggest one yet!

We’re thrilled to announce Good Things Festival in Melbourne is SOLD OUT with Brisbane and Sydney not far behind. We’ve been warning you to grab your ticket, so don’t miss out as tickets fly out the door.

Headlined by one of the world’s most electrifying and successful rock bands BRING ME THE HORIZON, the stacked line-up also includes Australian iconic and gold-selling larrikins TISM performing for the first time in 19 years, American heavyweights DEFTONES, pioneers of SoCal punk NOFX will perform their 1994 iconic album ‘Punk In Drublic’ in full including all your favourites as well as THE AMITY AFFLICTION, GOJIRA, ONE OK ROCK and many more.

As a big supporter of Australian music and talent, Good Things Festival is giving 3 up and coming bands the opportunity to perform at this year’s festival in their city.

Here’s How To Enter:
Register your band HERE
Voting commences on Wednesday 19 October at 9am.
Voting closes on Thursday 27 October.

What You Win:
One Artist per city will win a chance to open Good Things Festival in their city and a merchandise package from our friends at Make Merchandise. The band with the most votes overall will win a Single Recording package from Wick Studios so get sharing.

NB: Your band must be available to perform the relevant showcase date and also be available to perform at Good Things Festival to be considered.

GOOD THINGS FESTIVAL LINE UP:

Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

In Alphabetical Order:

3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+) SOLD OUT
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Tickets on sale now at www.goodthingsfestival.com.au

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

October 17, 2022 0 comments
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Music InterviewsMusic News

Ken Paolo & The Space Cadets

by the partae October 17, 2022
written by the partae

Where are you currently based?

Perth (Boorloo), WA.

How did the band form?

We all met at uni. I asked the musicians there who inspired me to start a band.

What’s been happening recently?

Released a music video for “Heads at A hundred”, released the song “Natural Ways’. Just been playing gigs as much as we can and been working on the EP.

Your latest single ‘Natural Ways’ is out now, what influenced the sound and songwriting?

Heaps of rnb and soul music. Artists like Durand Jones and The Indication, Ari Lennox, Silk Sonic and Beyonce inspires me lots.

How did you go about writing Natural Ways?

I wrote it the melody and lyrics after falling out with a friend. Brought it to the band and became like a friend breakup anthem for us.

Where and when did you record/produce/master and who did you work with?

Recorded and produced by our favourite, Tonecity Record’s Sam Ford. 

Natural Ways is your most ambitious track to date, how was it navigating the horn section?

Bob, our keys player and local hearthrob composed the horn section. We kind of just wanted to compliment the melody and lift the groove of the song.

You’ve built a reputation for killer live shows, what do they like most about performing?

Persia, our backing vocalist, is my vocal idol and is basically a goddess, being able to sing with her and play off each other really makes the show fun and fresh. Each song live, each instrumentalist (Bob, Cass and Kuda) have a solo so we all get to shine and just vibe. 

How would you define your sound?

Soul, rnb, funk and somewhat jazz. Just mostly fun and groovy but can also be personal and chill. Purely vibing.

What shows are you looking forward to playing?

We’re playing with MNDSGN, in Nov which is really cool.

Highlights of 2022?

Filming Heads at a hundred with triple j and Nida in sydney. We felt like true rockstars and met some incredible people.

Please tell us about your upcoming EP:

Lyrically, it’s super personal to me. My favourite song is the ballad “Two Different People”, which reflects on my own family relationships. We gave something special and unique to each song. I think it’s a true reflection of our song.

Who are you listening to at the moment?

Beyonce, Omar Apollo, Yebba, Jazmine Sullivan.

What’s planned for the remainder of 2022 going into 2023?

Get the EP out and hopefully, tour nationally.

Favourite food and place to hangout?

We love $4 Pizza, and we mostly hang out at gigs or rehearsals. Mojos in Freo will always be our homeground.

Facebook: https://www.facebook.com/kenpaoloandthespacecadets

Instagram: https://www.instagram.com/kenpaolo/

Youtube: https://www.youtube.com/channel/UC6_TXKqEkzOM_xh2rVnWdyA

Triple J Unearthed: https://www.abc.net.au/triplejunearthed/artist/ken-paolo-and-space-cadets/

October 17, 2022 0 comments
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