Photography: Jake Harm Nam
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Frontier Touring is excited to announce indie-folk singer-songwriter, Hazlett, will bring his Coming Home Tour to Australia and New Zealand for the first time in January and February 2026.
Following the release of his highly anticipated album last night you said you missed me, the Australian-born, Swedish-based singer will return home, performing debut shows at Astor Theatre, Perth on Tuesday 27 January, Princess Theatre, Brisbane on Saturday 31 January, Sydney’s Metro Theatre on Tuesday 3 February, Melbourne’s Corner Hotel on Thursday 5 February and Lion Arts Factory, Adelaide on Friday 6 February, before heading over to Auckland for a final show at The Tuning Fork on Sunday 8 February.
Frontier Members can access the presale from 10am local time on Thursday 30th October, before tickets go on sale from 11am local time on Friday 31st October. Tickets and tour information via frontiertouring.com/hazlett.
After a whirlwind few years, releasing his debut album Bloom Mountain in 2023, to opening for Noah Kahan at BST Hyde Park just two years on, Hazlett’s fast-growing popularity lays testament to what is to come for indie-folk’s next biggest star.
Hazlett’s unique brand of “Indie Ballroom Folk” has gained global attention from his home in Stockholm, Sweden to his native Brisbane, Australia, which led to the highly-anticipated September release of the singer’s latest album last night you missed me, which has impressed both fans and critics alike.
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Hazlett’s propensity for figuring things out himself and turning chaos into some kind of nostalgic lesson hasn’t gone unnoticed either, with The Line of Best Fit noting “Hazlett is offering up a hazy, textured version of the classic singer-songwriter sound”.
Following a summer of standout festival sets and headline shows, the singer is now taking the Hazlett And Company Tour across the world – with dates already sold out in Europe, UK and North America – before the Brisbane-native makes his anticipated return home to Australia and New Zealand.
A performer with a distinctive yet comforting sound, there’s this newfound quiet confidence to the troubadour from the land down under. You may not have met, but sometimes when you’re listening to Hazlett he feels like the only friend you’ve ever had.
Hailed as one to watch, don’t miss these mesmerising shows as Hazlett returns for the Coming Home Tour in January and February 2026.
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HAZLETT
COMING HOME TOUR
AUSTRALIA & NEW ZEALAND
JANUARY & FEBRUARY 2026
Presented by Frontier Touring
FRONTIER MEMBER PRESALE
via frontiertouring.com/hazlett
Runs 24 hours from: Thursday 30 October (10am local time)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Friday 31 October (11am local time)
Tuesday 27 January
Astor Theatre | Perth, WA
Lic. All Ages
ticketek.com.au
Saturday 31 January
Princess Theatre | Brisbane, QLD
Lic. All Ages
ticketmaster.com.au
Tuesday 3 February
Metro Theatre | Sydney, NSW
Lic. All Ages
ticketek.com.au
Thursday 5 February
Corner Hotel | Melbourne, VIC
18+
oztix.com.au
Friday 6 February
Lion Arts Factory | Adelaide, SA
Lic. All Ages
moshtix.com.au
Sunday 8 February
The Tuning Fork | Auckland, NZ
Lic. All Ages
moshtix.co.nz
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW HAZLETT:
Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music
Los Angeles’ rock mainstays Allah-Las are heading back to Australia in March 2026 for a run of headline shows in Melbourne, Adelaide, Sydney, Byron Bay and Perth.
Following a busy run of international shows across the globe, the band will bring their sun-baked sound back to Australian shores for the first time since releasing Zuma 85 full-length LP and latest instrumental singles “Countryman ‘82” b/w “Dume Room.”
For more than a decade, Allah-Las have distilled the atmosphere of California’s coastlines and cityscapes into a sound that drifts between surf, folk and rock. Across albums including Allah-Las, Worship The Sun, Calico Review, LAHS and Zuma 85, they’ve developed a rich catalogue steeped in warm analog tones and timeless melodies. Having toured the world, the band’s live show has become a transportive journey through the band’s ever-evolving catalogue.
Tickets are expected to move quickly, with past Australian tours selling out in advance. Don’t snooze.
Presale opens: Thursday 23 October at 9am local
Sign up for presale here.
General On Sale: Friday 24 October at 9am local
Tickets on sale here.
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Sleaford Mods will release their new album, The Demise Of Planet X, on 16 January 2026 via Rough Trade Records / Remote Control Records. The record is available to pre-order and pre-save now.
Sleaford Mods will return to Australian and New Zealand shores in April 2026, playing shows in Perth, Melbourne, Sydney, Adelaide, Brisbane, Wellington and Auckland. Tickets are on sale now via https://www.handsometours.
Andrew Fearn and Jason Williamson’s most expansive and ambitious release to date, the album features a rare guest appearance from former Life Without Buildings frontwoman Sue Tompkins, plus collaborations with Aldous Harding, soul singer Liam Bailey and grime MC Snowy, the latter two both hailing from band’s hometown Nottingham.
In her first foray into music, actress Gwendoline Christie (Wednesday/Severance/Game Of Thrones) also joins Midlands band Big Special on Sleaford Mods new single ‘The Good Life‘, which is released today accompanied by a video directed by Ben Wheatley (The Kill List/A Field In England/Bulk).
Boasting the duo’s most varied and expressive musical approach so far, The Demise Of Planet X charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.
Contemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, The Demise Of Planet X strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet.
“The Demise Of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”
He adds: “I don’t want to pat myself on the back while the rest of the world falls to shit, but we’re really happy with The Demise Of Planet X. The music and ideas are really fresh and it’s in your face, but it pays to put your glasses on to look at the ingredients.”
First single, the aforementioned ‘The Good Life’, captures this mix of public and personal apocalypse, as Andrew Fearn’s urgent beats and enticing melodies combine with Williamson’s machine gun diction to chart the impact of some of the Sleaford Mods’ frontman’s more infamous comments on the current music scene. Big Special and Gwendoline Christie give voice to his conflicted and tormented inner voices mopping up the fallout his outburst cause.
“’The Good Life’ talks about slagging bands off and the joy and misery that causes me. I’m asking myself why am I slagging bands off. Why is it a continuing thing with me? My inner voices are brought to life by Gwendoline and Big Special, debating that internal tension between me enjoying a good life or submitting to the mayhem,” explains Williamson.
The track’s video, available to watch now via the band’s YouTube channel, brings these voices together in the flesh under Ben Wheatley’s charismatic direction.
“It’s brilliant to be working with Andrew and Jason again on a Mods promo, this time teaming up with the amazing Gwendoline Christie and Big Special,” declares the British director who was previously responsible for Sleaford Mods’ Mork n Mindy video. “I’m a long-time fan so it’s always exciting to get the call to come out to play.”
Alongside ‘The Good Life’, the album features cliche-bursting 2025 single ‘Megaton’, ‘Elitest G.O.A.T.’ with its light-as-cloud guest vocals from Aldous Harding, the reflective, toxic masculinity pricking ‘Bad Santa’ and the Magic Roundabout-infused bouncy rap of the title track.
Nottingham singer-songwriter Liam Bailey adds a soulful lament to world-weary MAGA takedown ‘Flood The Zone’; grime rapper Snowy drops decisive bars on ‘Kill List’s’ horror hip hop (its central imagery inspired by Ben Wheatley’s film of the same), while for ‘No Touch’ Sleaford Mods managed to lure Sue Tompkins from the much-missed Life Without Buildings back into the studio. Duetting with Williamson, the pair’s distinctly human voices intertwine over a slinky bass and music box keyboard motif.
Several limited-edition versions of The Demise Of Planet X will be available on release, which can be pre-ordered now.
For the next 48 hours only, an exclusive ‘black label’ starlight sparkle vinyl version of the album will be available via the band’s mailing list. A glow in the dark edition, boasting a luminous LP and glow in the dark gatefold sleeve design is available from the band and Rough Trade Records’ webstores, while independent record shops are selling an exclusive, neon green marbled edition. The album will also be available on black vinyl, CD and cassette, the latter coming in a fetching shade of toxic green.
Additionally, in a salute to their hometown, the ‘Nottz picture-disc’ edition will be exclusively on sale only from shops within Nottingham.
The Demise Of Planet X follows Sleaford Mods’ 2023 state-of-the-nation album, UK GRIM, the duo’s most successful record to date which earned them their highest UK chart position, going straight in at Number 3. As previously announced, Sleaford Mods will hit the road following its release.
Pre-order / Pre-save The Demise Of Planet X: https://sleafordmods.ffm.
Buy tickets: https://www.
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Photo Credit: Michelle G Hunter
Acclaimed Melbourne-based songwriters Paris Wells & Finley François are gearing up to debut their new project – set to play through their album ‘Lounge Of The Flamingo’ for the very first time on the 27th of November at George Lane in Melbourne.
Released in August this year, ‘Lounge Of The Flami ngo’ is a lush, Latin-inspired lounge masterpiece. Drawing subtle influences from Nouvelle Vague, Astrud Gilberto, and Cesária Évora, the project highlights Wells’ & Francois’ versatility, refined artistry and a 20-year working partnership.
Paris Wells has had a career full of achievements and milestones over the last two decades. She’s supported the likes of Rod Stewart, Justin Timberlake, Robyn & Plan B on tour and played at festivals such as Falls Festival, Big Day Out, Meredith, Sydney Music Festival and the 2010 AFL Grand Final. She has collaborated with international DJs such as Kaz James, and made TV appearances on Spicks & Specks, Adam Hills In Gordon Street, Good News Week & Rockwiz. She toplined for Bliss N’ Eso’s ‘Field of Dreams’, taken from the ARIA Award winning album ‘Flying Colours’ (2012) and shot to worldwide fame with her single ‘Overbite’ which was used by Elie SaaB for their Cannes Film Festival campaign in 2014. To this day she has over 1 millions streams to her name, across her catalogue.
Finley “pHinioUS” François, originally from the picturesque shores of Mauritius and now based in the vibrant hub of Naarm, is a multifaceted artist in music. His journey, marked by curiosity and creativity, began with spinning vinyl at parties and has evolved into crafting a rich tapestry of sounds as a DJ, producer, and musician. His early career included airplay on Kiss FM and being part of Fizard, one of Australia’s pioneering live hip hop groups that won Triple J’s Unearthed competition in 2003. Over the years he has been commissioned to write music for various shows and installations, including projects for NICA and Arts Access; has performed at iconic festivals such as Mona Foma, the Adelaide Fringe Festival, the Cabaret Festival, St Kilda Festival, and Womadelaide; & has shared the stage and collaborated with artists such as GrandMaster Flash, Chris Brown, Rod Stewart, Kelly Rowland and most recently Snoop Dogg at the 2025 AFL Grandfinal along with the likes of Jessica Mauboy, Tash Sulatana and Baker Boy.
‘Lounge Of The Flamingo’ sees the pair hitting new heights collaboratively – with a sexy-stillness and persistent groove throughout the LP that doesn’t force the big moments, but reels you in with a confident calmness and attention to detail. Wells and François were a well-oiled machine at the time of recording, with Wells’ explaining “The team in this project was so solid and the happy musical partnership with Finley really shines through, we are a the point of finishing each others sentences, that shit takes time, this is my/our best body of work yet.”
Thematically, the album is less social commentary, and more of a reflection of Wells’ life right at this moment; “this time I was determined to capture not only humor, but calm and passion and family. I refuse to make any more ‘sad vagina’ music, I’m a happily married mum, shit can be hard but I want to give people the calm we all strive for. The Lounge of the Flamingo cares not about your social pages, Kardashian cages and your friends with strangers. It cares not about keeping up with the Joneses, or running away with the crowd. The Lounge only asks for your calm, so sit back, relax and enjoy the journey.”
Recorded live at the Frying Pan Studios housed within the iconic MONA gallery in Tasmania, Wells was pregnant throughout the session – described by the pair as ‘sitting down like a ripe queen’ throughout the process. The album also features vocals from Kylie Audist (the Bamboos, Cookin’ on 3 Burners) on ‘Down In Mexico’, as well as a string composition from renowned Tasmanian composer Dean Stevenson & his orchestra for ‘Strange Days’.
Talking on that time writing and recording at MONA, François comments;“What’s not to love about Afro Latin music! Paris and I spent many years backstage & on the road speaking about a jazz base album as a side project, but that didn’t stick for me. When the opportunity to record at the newly built Frying Pan Studio, Paris mentioned she’d been diggin’ some lounge vibe tunes. I said “yes” let’s do that! Flamingo was born! My journey on piano started with Afro Latin jazz music so it was a beautiful place to return too, our reinterpretations of the covers was a dope process- rock to lounge! There’s always a positive energy in this genre, a celebration of all that is life!
Tickets for their launch show in Melbourne on the 27th of November are available now. On what fans can expect from the special performance, the duo say; “Think Peggy Lee meets Karen Meets Astrid Gilburto. Lounge of the flamingo could easily be Bad Bunnies Aussie warm up band without wanting to speak to the manager after”
ALBUM LAUNCH
Thursday November 27 George Lane Melbourne VIC
TICKETS
Paris Wells: Facebook | Instagram | YouTube
Finley François: Facebook | Instagram | YouTube
Lounge Of The Flamingo: Official Website | Facebook | Instagram
The 6000-capacity space promises a full spectrum experience with game changing light and sound
A nightlife revolution is coming to central Bangkok with the opening of FVTURE, a new global nightlife landmark built to hold a staggering 6,000 people. FVTURE is the first Asian Hyperclub to be built on this vast scale and is the most technologically adventurous venue in the region. It has been built from scratch with a unique vision and unwavering passion that will set a new benchmark in entertainment, sound and immersive design. FVTURE is set to launch this December.
Designed to rival the most iconic venues across Ibiza, Las Vegas and Berlin, FVTURE is a leap into tomorrow; a purpose-built, next-generation hyper club where cutting-edge audio-visual technology and world-class electronic music converge in one multi-sensory explosion.
FVTURE arrives at a pivotal time for Thailand’s creative economy as the government opens the doors to global events like Tomorrowland, EDC, Creamfields and Circoloco. Until now, Bangkok has lacked a singular venue capable of hosting artists and audiences on an international scale. FVTURE fills that void and then some.
With state-of-the-art production, VIP lounges, modular side stages and a calendar open to global touring shows, label takeovers and live performances, FVTURE is poised to position Bangkok firmly at the heart of the Asian electronic music scene.
Say Co-founders Victor and Michele Wang, “FVTURE is a statement of intent. Bangkok has long deserved a venue that stands alongside the global greats and that’s exactly what we’ve built. From sound to visuals to community, we’ve designed FVTURE from the ground up to really break into new frontiers and give Asia the truly mind-blowing club it’s long deserved. The team we build is key to this – we put big importance on personality when hiring staff and only bring onboard people that are excited about FVTURE. This helps us set exactly the right and define the special character of the whole project.”
FVTURE’s main room is powered by the first ever L2 & L2D L-Acoustic system in Asia, boasting over 40 subwoofers and a multi-array configuration for unparalleled sound clarity and punch. Visuals are equally mind-blowing with 500sqm of LED wall at the front and another 500sqm of modular LED throughout the venue creating a 360° visual playground. .
FVTURE is the brainchild of a team with deep roots in nightlife, music and international hospitality: Victor Wang brings expertise in cross-border nightlife operations. COO Michele Wang is a seasoned operations leader driving long-term sustainability and execution and Pablo Vas is an acclaimed music director and DJ behind concepts like Down Temple and Tucan Bangkok who will lead FVTURE’s sound and programming.
FVTURE is built to welcome Bangkok locals, regional tastemakers and international ravers. With a huge capacity, sound and visuals designed to stun, and a team dedicated to elevating the scene, FVTURE is here to reshape the future of clubbing in the region.
Follow FVTURE at the following channels to be the first to hear about news and lineup announcements; instagram.com/fvture.bkk | https://fvture.co/
FVTURE BANGKOK
6th Floor, BRAVO Mall, RCA, Bangkok, Thailand
Are you ready for more YUNGBLUD? Due to phenomenal demand during the presale, YUNGBLUD has added an additional show in Brisbane and upgraded the Sydney venue to Qudos Bank Arena for his IDOLS world tour in Australia.
The British performer and industry disruptor will now play 6 hotly anticipated shows as part of his biggest Australian tour to date in January 2026. General sale tickets for all shows, including the new and upgraded shows go on sale today at 3pm local time. Tickets and tour information via frontiertouring.com/yungblud.
IDOLS World Tour Australian dates:
Sat 10 Jan – Qudos Bank Arena, Sydney – VENUE UPGRADE
Tues 13 Jan – Sidney Myer Music Bowl, Melbourne
Thurs 15 Jan – AEC, Adelaide
Sat 17 Jan – Riverstage, Brisbane*
Sun 18 Jan – Riverstage, Brisbane – NEW SHOW
Tues 20 Jan – Ice Cream Factory | Perth*
*Presale Allocation Exhausted
His fourth full length release, IDOLS, landed YUNGBLUD his third number one debut in the UK and is his most personal and ambitious work yet. The multi-instrumentalist, songwriter, and performer is known for his electrifying stage presence, blending elements of rock and punk to monumental effect. Rapidly becoming one of the most influential musical voices of his generation, the IDOLS world tour looks set to cement YUNGBLUD his place in music history, with his 24-date North American tour selling out in one minute and new dates, including an arena show added in Australia to meet fan demand.
Australia, don’t miss your chance to kick off the new year with the star that’s redefining rock. Tickets on sale at 3pm local time today!
YUNGBLUD
IDOLS THE WORLD TOUR
AUSTRALIAN TOUR
JANUARY 2026
Presented by Frontier Touring
TICKETS ON SALE
Begins: Tuesday 21 October (3pm local time)
via frontiertouring.com/yungblud
Saturday 10 January
Qudos Bank Arena | Sydney, NSW
VENUE UPGRADE
Lic. All Ages
ticketek.com.au
Tuesday 13 January
Sidney Myer Music Bowl | Melbourne, VIC
Lic. All Ages
ticketek.com.au
Thursday 15 January
Adelaide Entertainment Centre | Adelaide, SA
Lic. All Ages
ticketek.com.au
Saturday 17 January
Riverstage | Brisbane, QLD
Lic. All Ages
ticketmaster.com.au
Sunday 18 January
Riverstage | Brisbane, QLD
NEW SHOW
Lic. All Ages
ticketmaster.com.au
Tuesday 20 January
Ice Cream Factory | Perth, WA
18+
eventbrite.com.au
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW YUNGBLUD:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
Pitch Music & Arts returns for its ninth edition on the Grampian Plains beneath Gariwerd (Grampians) from 6-10 March 2026, unveiling its most anticipated lineup yet.
Leading the charge is Belgian techno powerhouse Charlotte de Witte, whose track ‘Overdrive’ featured in the latest Pitch Music & Arts campaign video [YT/IG]. Eris Drew & Octo Octa, known for embracing their Motherbeat philosophy, arrive with a rhythmic sound that fuses spirituality and dancefloor community. Amsterdam favourite MARRØN, and boundary-pushing UK trio Girls Don’t Sync, are both set to make their Pitch Music & Arts debut. Dutch mainstay Job Jobse returns once again following a standout 2025 closing set, alongside UK selector Yung Singh, who continues to cement himself as one of dance music’s most compelling new names.
International heavyweights set to join the 2026 lineup include fan favourite Ewan McVicar, alongside UK-born, Berlin-based selector Palms Trax, and Palestinian techno force Sama’ Abdulhadi, who will bring her signature intensity to the dance floor. Japan’s DJ Nobu will deliver the hypnotic precision that has defined his global reputation, while South Africa’s DESIREE adds their bold, soulful energy to the lineup’s incredible mix.
From home soil, melodic innovator Aquenta, house favourite Sam Alfred, Melbourne’s own STÜM, CC:DISCO! b2b DJ JNETT, bass visionary C.FRIM, Sleep D b2b Jennifer Loveless, and dynamic selector WOLTERS, lead the generation of Australian artists shaping the globe’s electronic landscape.
Further international names join the bill, including Âme DJ, Alarico, Bailey Ibbs, Benwal, Bitter Babe (LIVE), Dee Diggs, DJ Hyperdrive, Djrum, Estella Boersma, Faster Horses, Hadone (LIVE), Jen Cardini b2b Pablo Bozzi, Jyoty, Kyle Starkey, LB aka LABAT (LIVE A/V), LOVEFOXY, Manuka Honey, Odymel, OK Williams, Pangaea, Sally C, Saoirse, Sedef Adasï, Soul Mass Transit System, Special Request, Spray pres. Spriitzz (LIVE), The Trip, Vladimir Dubyshkin (HYBRID), Yasmin Gardezi, and Yu Su who together cement Pitch’s reputation for uniting influential artists from across the world’s club scenes.
Rounding out the homegrown lineup are Andy Garvey b2b DJ Scorpion, Brown Suga Princess, Ciara, Hannah D b2b Moopie, Mikalah Watego, Myles Mac b2b DJ Possum, Rakhi, RAMSEY, Rita Bass, Tina Disco, WVCHWY, and Yikes, alongside many more shaping Australia’s electronic movement.
All three of Pitch’s architecturally designed stages return in 2025, with Pitch Black unveiling a reimagined design inspired by its multi-level lineage. The festival will debut the Pitch Rock Pool, a new swimming and wellness space, while welcoming Tom Supple, whose curatorial work spans Dark Mofo, Rising and Vivid Sydney as Arts Curator, with the 2026 Arts Programme to be unveiled at a later date. The Pitch Pavilion also returns, offering space for reflection, performance and connection throughout the weekend.
Following several years operating under a ballot, Pitch has introduced a refreshed Register or Reserve system, offering greater flexibility ahead of General On Sale. Attendees can reserve a ticket immediately or register to secure access when presale begins.
Festival passes are available for two, three or four days with general camping included, alongside Premium Camp, Eco Camp and Glamping upgrades. Vehicle Pass packages encourage carpooling, with Pitch Charter Buses departing from Melbourne’s Carlton Gardens.
As Pitch Music & Arts enters its ninth chapter, the festival continues to define Australia’s electronic landscape, uniting sound, design and community beneath the Grampian Plains. Further information and registration are available at pitchfestival.com.au.
FULL LINEUP (A-Z):
Alarico [IT]
Âme DJ [DE]
Andy Garvey b2b DJ Scorpion [AU]
Aquenta [AU]
Bailey Ibbs [UK]
Benwal [NL]
Bitter Babe LIVE [CO]
Brown Suga Princess [AU]
C.FRIM [AU]
CC:DISCO! [AU] b2b DJ JNETT [AU]
Charlotte de Witte [BE]
Ciara [AU]
Dee Diggs [US]
DESIREE [ZA]
DJ Hyperdrive [DE]
DJ Nobu [JP]
Djrum [UK]
Eris Drew & Octo Octa [US]
Estella Boersma [NL]
Ewan McVicar [UK]
Faster Horses [UK]
Girls Don’t Sync [UK]
Hadone LIVE [FR]
Hannah D b2b Moopie [AU]
Jen Cardini [FR] b2b Pablo Bozzi [FR]
Job Jobse [NL]
Jyoty [NL]
Kyle Starkey [UK]
LB aka LABAT LIVE A/V [FR]
LOVEFOXY [DE]
Manuka Honey [UK]
MARRØN [NL]
Mikalah Watego [AU]
Myles Mac b2b DJ Possum [AU]
Odymel [CH]
OK Williams [UK]
Palms Trax [DE]
Pangaea [UK]
Rakhi [AU]
RAMSEY [AU]
Rita Bass [AU]
Sally C [IE]
Sam Alfred [AU]
Sama’ Abdulhadi [PS]
Saoirse [UK]
Sedef Adasï [TR]
Sleep D b2b Jennifer Loveless [AU]
Soul Mass Transit System [UK]
Special Request [UK]
Spray pres. Spriitzz LIVE [IE]
STÜM [AU]
The Trip [UK]
Tina Disco [AU]
Vladimir Dubyshkin HYBRID [RU]
WOLTERS [AU]
WVCHWY [AU]
Yasmin Gardezi [IE]
Yikes [AU]
Yu Su [CA]
Yung Singh [UK]
Pitch Music & Arts
6-10 March 2026
Moyston, VIC
Ticket Reservation is now open HERE with reservations closing on Tuesday 28th October 12PM AEDT
Presale Registration closes Wednesday 29th October 10AM AEDT
Pitch Presale begins Wednesday 29th October 6PM AEDT
General On Sale begins Thursday 30th October 12PM AEDT
Get Connected:
https://www.pitchfestival.com.
https://www.instagram.com/
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THE FINAL JAZZ DOOF OF 2025 – HALLOWEEN EDITION
Saturday 25 Oct | 6PM – 3AM
The Industrique, Coburg VIC
Tix from $20 – $30 | Use your exclusive $5 OFF link: [insert link]
LINEUP
G Day Tacos | 
Mechanical Bull | 
Halloween Show
MR. WORLDWIDE PRE-PARTY’ HITS MELBOURNE — FREE BALD CAPS, FIREBALL AND A 5-HOUR PITBULL MARATHON BEFORE FRIDAYZ LIVE – ROYAL MELBOURNE HOTEL
Presented by Danny Rants
Royal Melbourne Hotel is turning into ‘Planet Pit’ this Friday, hosting the city’s most ridiculous (and possibly most on-brand) warm-up party before Fridayz Live kicks off at Marvel Stadium.
From 12pm, the team behind RMH are running a 5-hour Pitbull marathon — every era, every remix, every “Dale!” — soundtracking an afternoon of bald-cap giveaways, Fireball shots, and unapologetic chaos and fun. Guests can score a free bald cap (1000 at the door), sip on Fireball specials from the bar and grab a classic pub feed before the mariachi band leads the crowd (literally) to Marvel Stadium for the main event from 4.30pm.
The party will feature:
1000 Free Bald Caps – because there’s only one Mr. Worldwide energy.
Fireball Suits & Merch Giveaways – the most extra pre-party outfit you didn’t know you needed.
Live Mariachi March to Marvel – kicking off from 4:30pm.
All-Day Parmas, Drinks & Normal Pub Service
5 Hours of Pitbull – every hit, no shame, no stopping.
“Look, if you’re going to see Pitbull, you might as well go full Mr. Worldwide,” said Danny Rants who is hosting the event said. “We’re giving Melbourne permission to be bald, loud and happy for a day.”
The event is free entry, walk-ins only, and expected to be packed by midday — so get in early, grab your cap, and channel your inner Pitbull before Fridayz Live begins.
Royal Melbourne Hotel
629 Bourke St, Melbourne VIC
Friday 25th Oct – from 12 pm | Mariachi March to Marvel from 4:30 pm
Also catch the Danny Rants podcast weekly, chatting with Music Industry icons across Australia – CLICK HERE!
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