The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

SPILT MILK 2025 CLOSES OUT FOUR MASSIVE SHOWS ACROSS AUSTRALIA BALLARAT |...

December 19, 2025

Legendary guitarist Tom Morello joins metalcore powerhouse Beartooth with new single “Everything...

December 19, 2025

LATE OPEN-AIR UNVEILS LINEUP FOR ITS DEBUT BALI SHOWCASE VIKEN ARMAN, GEJU...

December 19, 2025

Ministry of Sound Celebrates 35 Years with First Names of 2026

December 19, 2025

BEYOND THE VALLEY UNVEILS ITS SET TIMES AHEAD OF ITS MONUMENTAL 10TH...

December 18, 2025

Franklin + Soli @ The Palais Theatre, Melbourne, 16th December 2025

December 18, 2025

YUBIK JOINS FORCES WITH ADRIATIQUE & VINCENT VOSSEN ON MELODIC HOUSE/TECHNO TRACK...

December 18, 2025

WILDLANDS REVEALS SET TIMES

December 17, 2025

SLEAFORD MODS release new single ‘No Touch ft. Sue Tompkins’ – 2026...

December 17, 2025

The Rions announce Australian regional tour for Feb 2026

December 17, 2025
Author

the partae

the partae

The Partae

Tia Mellow
Music InterviewsMusic News

Tia-Mellow

by the partae November 16, 2020
written by the partae
How are you, what’s good and what’s bad? What’s been the hardest part about staying positive this year do you feel? 

Is really hard to be positive during this strange time, but music always makes me dream and always gives me good vibes.

You live in London now – what clubs and destinations etc have really influenced you while in the capital?
London gave me a lot of good sensation and Influenced, Oval Space is one of my favorite clubs during my first year here in London I used to go there most weekends, another club that gave me great vibes is the pickle factory a one of a kind club, every time i enter it feels like flying to berlin a second.

A place that influences my sound so much is Hackney Wick. I have always lived in East London (Hackney Area) and I think it’s the right place for a musician.

Tell us a bit about growing up in Italy – what DJs and producers had a major influence on you then? 

I was born and raised near Naples, many artists have influenced my path starting from Lucio Battisti up to Four Tet. I think Bibio is the artist who influenced and still influences my productions, he is a genius for me. Check him out if you don’t know him!

Has this year and more time at home been productive and creative for you?

Yeah it was hard to find the right vibes, during the first lockdown but after a while I started to feel a good sensation. 2016, La Magia Della Noia and my debut album (as Tia-Mellow), Memories, have all been created during this period. So a really fruitful period for me for sure!

Have you learnt new skills, connected with new sounds, found new inspirations at all?

Well, I actually study music and sound design, and I have learned a lot of new skills this year, especially the mixing part, which gave me a new perspective of my sound. I’m always learning!

Why do this new alias anonymously? What is the thinking behind that? Because I have another project which is more tech house and techno-focused, so I like being able to split the two projects. That’s it!

As mentioned, you already make music under another alias, how did this new sound come about? Is there a big difference between the two?

Yeah there is a big difference between this is more dark, more ambient with different vibes, the other is more for the dance floor, really another kind of music.

Do you use different machines to make the sounds? Did you need to learn new skills?

I use a lot of machines like Roland TR8S, moog minitaur but during this period i used a lot of the plug in with my computer I find some of them really useful and they give me a unique sound.

Can you tell us a bit about this latest release, 2016? How did you produce it, what was the vibe you were going for etc? 

2016 is an up and down of emotion for me, was the first that I produced after I came back to London from Italy, all the background sound, the ambient part is totally registered in Naples near the Vesuvio vulcan.

Did you always plan to release this track under an alias? 

Yeah I want to grow up with this new alias as much as I can, because this sound is part of me, and I want to share it with the world.

Is it for a different audience, a different time to listen?

Is more for listening and less for dancefloor, is not for different audience, but I would love to do a live and play all the Tia-Mellow discography.

Who or what inspires it, whether that’s another artist, certain emotion, experience? 

I think first of all is London, this city everyday spread to me a lot of good vibes and sensation, after artists like Four Tet, Bibio , Caribou.

Aside from music, can you tell us a bit about your inspirations? 

I have always been very sensitive to sound in general, I have always had a passion for recording sounds and voices, since I was a child, in fact I have a childhood memory where using an old director of my father, I recorded my grandfather talking, and thanks to those recordings now we can still remember his voice.

Tell us about the album, what the aim was, how it was writing it, how different it is than writing club music?
This type of music is totally different, the approach and the way of thinking about it is different.

It was not easy to create these tracks, because I had to face obstacles especially in looking for the right sound, but my experience has helped me a lot.

What else you got coming up/are you working on? I started a new album that I would like to release on some big label, let’s see the upcoming news 🙂

Tia-Mellow’s 2016 is out 27/11. Keep up with Tia Mellow on Facebook, Instagram and Soundcloud.

https://www.facebook.com/Tia-Mellow-103167964847790
https://www.instagram.com/tia_mellow/
https://soundcloud.com/user-446966292
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
BABE RAINBOW NEW SINGLE 'ZEITGEIST'
Music News

Babe Rainbow – New Single ‘Zeitgeist’ OUT NOW!

by the partae November 16, 2020
written by the partae
LISTEN TO ‘ZEITGEIST’

In follow up to their most recent long player ‘Today’, North Coast cosmic conduits Babe Rainbow are back with their latest single ‘Zeitgeist’. The first of two new tracks to be released on the double A-side 7″ ‘Zeitgeist / The Wind’, out through Flightless Records on December 4th, 2020.

 

Written and recorded in Topanga, California; ‘Zeitgeist’ is about catching dreams from the clouds and growing up. It was premiered on 2020 with Richard Kingsmill last night. ‘The Wind’ is all forests mood, written and recorded for the wildlife in the midst of the Australian bushfire season.

 

✨7″ pre-order details will be announced soon ✨

 

November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
Quail & AISHA
Music InterviewsMusic News

Quail & AISHA

by the partae November 16, 2020
written by the partae

Where are you both based?

We are both based in Glasgow. 

 

Your latest EP Leatherbound – released on Soma Records – dropped at the beginning of this month, what influenced its sound?

Being forbidden from clubs and the absolute nick of 2020 has made a lot of producers ramp up the pace of techno and we think we went down a similar route with this release!

French producer Felicie is behind a huge remix of Leatherbound – how did this collaboration come about?

We were looking into a few different names around the time of making the EP – Felicie had not long released her debut on Soma and had been on our radar for quite some time before that. We both felt that her sound really matched what we were going for with the release, so it felt right to have her on board. She delivered an absolute stomper of a remix and we really couldn’t be happier with it.

When did you two start making records together?

In 2019 we got in the studio for the first time to produce a remix of a classic soma track by Equus. The workflow and idea’s we had were so similar it made sense to continue the journey of making tunes as a duo.

Do you have similar approaches to the way you produce music? 

As we have a similar taste in music that kind of draws out our collective creativity when we produce together. We generally have an idea of what we want to create when we sit down in the studio and the process is very much 50/50. We always know what the track might need, or not, and generally work fairly quickly once we have an idea going. Two heads are definitely better than one in this case. 

Once the world can dance together again, where are you each most excited to play?

We had a few gigs lined up before everything shut down so hopefully we’ll pick these back up. One particular one was with the Voxnox crew in Berlin and would be the first time we both play under the Animal Farm banner abroad together. We’re also looking forward to being back at our home in the Sub Club. We’ve missed the events in there loads during this pandemic and can’t wait to see the explosive energy of the Glasgow crowd once we return to the basement. 

 

 

www.facebook.com/quailafr
www.facebook.com/aisha.gla
www.soundcloud.com/animal-farm

https://www.somarecords.com/artists/quailaisha/

https://www.beatport.com/release/leatherbound-ep/3159184

 

November 16, 2020 0 comments
1 FacebookTwitterPinterestEmail
The Kids
Music InterviewsMusic News

The Kids

by the partae November 16, 2020
written by the partae

What is your name and role within The Kids?

My name is Jagger Alexander-Erber, but just call me Jagger, or the Godfather. 
 
Where are you currently based?
 
I am currently living in Sydney. I have lived here my whole life, as well as the other 3 boys, just in different suburbs. 
 
How did you first start playing music?
 
Led Zeppelin… 
 
How did The Kids form?
The Kids formed in 2016 when I just turned 13. My inner system was burning with red hot rage and disgust with the world and everyone/everything around me. The only outlet I discovered to be my single healing process I could turn to was punk rock.

In a therapeutic manner, I wrote punk songs that was blatantly directed at people and things I hated or was frustrated with.

When I then decided to take the song writing seriously, I surrounded myself with my band who were and are my best buddies still to this day and we haven’t stopped since.

 What’s been happening recently and how has your Covid experience been so far?
 
When covid hit, we had just gotten off our support tour for Billy Idol, so instead of waiting around until things got back to at least abnormal, we all went away and thought about how we were going to push forward as a group. I had this idea in my head that I wanted the band to come out of all of this with a new sound, image, and persona. I mean we’ve already been around for 5 odd years, let’s reinvent The Kids, as we aren’t kids anymore, and go as hard as we fucking can.We all packed ourselves into a crammed rehearsal space and have written a filthy 8 track EP, that I can assure you will be the dopest and most fucked up shit to come out of Australia in a while (our first single from this long awaited EP being Go Back To Canberra.)
We took Covid as a blessing in disguise since it gave us a sort of break to slow down and figure out what we want to achieve and how to move forward as a band. 
 
Your new single ‘Go Back To Canberra’ is out now, what influenced the sound and songwriting?
 
As I stated earlier, we wanted to reinvent our sound. We have released a collective mix of songs over the past few years, but we discovered that all we really want to do is do music that we are proud of, that satisfies our needs, and if people dig that, they can dig it with us. That being a filthy fucking punk rock band. We don’t want to succumb to a cheap gimmicky sound, as we have released songs in that realm before. The band started out with the core purpose of pissing people off and expressing our raw emotions through the true art of raunchy punk rock, and that’s the image we had in our heads going into writing new material. 
How did you go about writing Go Back To Canberra?
 
I came in with a set of lyrics and the main ideas for the song as I always do, on our first day of song writing, and in less than 3 hours we completed the single. The song can be interpreted in anyway you like.Picture everything that is dysfunctional and down right bad about Canberra, which it is known for anyway, and that will be wrapped into one big gift on this song.
But people from Canberra don’t have to be completely pissed off (they probably are) but I’m sure there’s a few of them that know they live in a human waste dump and can feel that anger with us. 
 
Where and when did you record and who with?
 
We recorded at Parliament Studios in Leichcardt, Sydney, on the 4th of July with our beautiful producer Phan Sjarif (shout out to Phan.) 
 
How did you approach the recording process?
 
Along with a new sound and style to match our new direction for songwriting, also came a different recording style, which we wanted to pursue to be more raw.

It took us 2 days to record the whole song, we approached our parts aggressively but the process mostly inspired us all. We were heavily involved with the producing process this time round. Controlling the sounds direction, which is why the song sounds like organised chaos with a sense of tightness overlapped with a roomy sound. It’s a perfect mixture of a more developed old school hardcore song with a modern spin. The tone our guitarist William used ended up suiting the song perfectly. 

What programs/equipment did you use?
 
I’ll drum anything that’s in front of me. But I personally own a few drum kits, my favourite being a handmade USA wooden CC drum kit. And my primary sticks are Vater.

Our bassist Tomas uses Warwick Basses, a TC Electronic amp and cab, spectraflex cables and pickguys picks, that’s what he has been paid to say by his endorsements.

And our guitarist William uses a blackstar ht50 amp for live shows and a diesel vh40 for recordings. And he has his beautiful Gibson Les Paul on his side all time like a wife.Oh and our singer has a Samson meteor usb studio microphone.

 
Who are you listening to at the moment?
 

Well it’s funny you ask that, since I am in a crazy punk band people always assume I have a one dimensional music taste, but my taste expands to a bit of everything.

At the moment I’ve been listening to heaps of Glass Beach, Weatherday, LCD Soundsystem, Car Seat Headrest, IDLES, Have A Nice Life, Slowdive, Death Grips etc.

But my artist of the year that I can not get enough of is definitely Jeff Rosenstock, one of my all time musical heroes.And fun fact, my favourite album of all time is In The Aeroplane Over The Sea by Neutral Milk Hotel.

 
What do you like to do away from music?
 
I am a huge movie buff. There’s nothing better than watching a movie with a shit load of junk food. But I work full time for my label Riot Records doing A/R, which takes up a lot of time. But honestly everything I like doing relates back to music, it is the only thing I’m interested in doing and the only thing I’m interested in talking about. Every single day I listen to a new album, play a vinyl, I can never get enough music. I also like long walks on the beach.
 
Please tell us about one of your gig stories:
 
I would tell you about the brawl that broke out at our first show for our first headlining tour across Australia last year, but if you look up riot at teen punk show or some shit, some news website has definitely covered it. Instead ill talk about something less known.

We opened for Guttermouth at Frankies Pizza at the start of last year. We were also playing alongside Wolfpack Shred and Radolescent, shout out to those dudes.

It was are first gig of the year after being on some sort of hiatus and I had just spent two days with my singer/best mate Milan, doing nothing but staying up all night playing Call Of Duty and eating McDonalds.

With my stomach gurgling and not been placed into a gig setting for a little while, we start out our epic set to a sold out room at Frankies, which was one of the biggest crowds we played to at that time and it was going off.

We played a minor threat cover and it was one of our first ever moshes. I have always been the guy in the band that’s like the MC, in between every song I will talk and put on the whole stage act, and for years, Milan would go off stage for one song and we would do Killing in The Name with me singing at the kit. We don’t do it anymore because we’ve grown out of it  and I hate singing while drumming.

At that point in the set, I’m half naked, out of breath, sweat leaking from every pore, and it was so humid in that room that all I was breathing was hot air. I could not get a clean breath in. Especially at the back of the stage at Frankies where the drummers spot is tucked away in its little air gap.

We begin the song, the crowd hears the first chord and immediately start going ape shit. The vibe is officially hectic. But as I start singing the first verse, my stomach has reached my throat, my mouth was dry, my breaths were short, there was vomit coming up. 

 
“Some of those that work for-“ BLAAAHHHH 
 

A gross vomit splatters across the whole drum kit, and soaks both my legs.

But as a gift from the gods, my vulture father spots my struggles and douses me with some of the coldest and freshest water I’ve ever had in my life. I am instantly rehydrated. And I did not miss a beat, I continued to play the whole song and even sing a little, as a chunks of puke flew across the room.

We also did another 30 mins of our set, but I’ll tell you I don’t remember much. My head was spinning and It was a complete blur. Especially at the end for our last number where I repeatedly smacked my head into the snare drum. Great gig.

 
What’s planned for the remainder of 2020 going into 2021?
 
Well for the rest of 2020 we are planning to release a line of merch for ‘Go Back To Canberra’ and do a 7 inch at the end of the year for Xmas. But in Jan 2021, we plan to have filmed a music video and have headed back in the studio for our follow up single. So keep on the look out everyone! 
 
Favourite food and place to hangout?
 

As a band, when we record at parliament we love walking up to charcoal charlies for a massive feed.

But as a hang out in general, this may not count but going up to Brisbane to just walk around and get up to stupid shit is just the best, we find ourselves always having the most awesome time in Brissy.

But for me personally, I always hang out at Red Eye Records. I am addicted to buying Vinyl and I’m almost there everyday flicking through records, buying albums and talking music with all the dudes there. And I love pasta. Cheers!

 

https://www.facebook.com/thekidspunkrock/ 

 https://www.instagram.com/thekidsmotherfuckers/ 

November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
The Melvins have a busy February ahead of them, releasing a trio of albums via Ipecac Recordings/Liberator Music on Friday Feb 26: a new Melvins 1983 release named Working With God as well as a pair of vinyl reissues: Hostile Ambient Takeover and Gluey Porch Treatments. Working With God is the second release from the 1983 iteration of the band, which features Buzz Osborne, Dale Crover and original drummer Mike Dillard. The trio’s previous release was the 2013 album, Tres Cabrones. The band preview Working With God with a pair of singles: ‘I Fuck Around’ (a re-imagined cover of The Beach Boys’ ‘I Get Around’), and ‘Bouncing Rick’, a song about Buzz Osborne and Mike Dillard’s junior high biology teacher. The pair of songs can be heard here.
Music News

MELVINS NEW MELVINS 1983 ALBUM WORKING WITH GOD + A PAIR OF LTD EDITION VINYL RE-ISSUES OUT FRIDAY 26 FEBRUARY

by the partae November 16, 2020
written by the partae

The Melvins have a busy February ahead of them, releasing a trio of albums via Ipecac Recordings/Liberator Music on Friday Feb 26: a new Melvins 1983 release named Working With God as well as a pair of vinyl reissues: Hostile Ambient Takeover and Gluey Porch Treatments.

Working With God is the second release from the 1983 iteration of the band, which features Buzz Osborne, Dale Crover and original drummer Mike Dillard. The trio’s previous release was the 2013 album, Tres Cabrones.

The band preview Working With God with a pair of singles: ‘I Fuck Around’ (a re-imagined cover of The Beach Boys’ ‘I Get Around’), and ‘Bouncing Rick’, a song about Buzz Osborne and Mike Dillard’s junior high biology teacher. The pair of songs can be heard here.

Commenting on ‘I Fuck Around’, Osborne said: “It’s reflective of our 8th grade sense of humour, which we’ve never grown out of. We hope Brian Wilson doesn’t get mad.”

The slate of releases can be pre-ordered now (https://lnk.to/MelvinsWWG), with a selection of limited edition vinyl variants available. Working With God is available via
digital, CD & standard black vinyl. Hostile Ambient Takeover, which sees its first ever vinyl release, is available on pink vinyl, while Gluey Porch Treatments is available on lime green vinyl.

Working With God
Melvins

Album out 26 February 2021 through Ipecac Recordings/Liberator Music
Available to pre-order hereWorking With God tracklist:
1. I Fuck Around
2. Negative No No
3. Bouncing Rick
4. Caddy Daddy
5. 1 Brian, The Horse-Faced Goon
6. Brian The Horse-Faced Goon
7. Boy Mike
8. 1 Fuck You
9. Fuck You
10. The Great Good Place
11. Hot Fish
12. Hund
13. Good Night Sweetheart

MELVINS

Website
Facebook
Instagram
Twitter
Spotify
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
KYLIE MINOGUE DISCO TOPS THE CHARTS!
Music News

KYLIE MINOGUE DISCO TOPS THE CHARTS!

by the partae November 16, 2020
written by the partae
Australia’s pop princess Kylie Minogue has topped the ARIA Charts with her latest album DISCO debuting at #1 this week.

DISCO is Kylie’s seventh #1 album in Australia, and her third in as many years, following Golden in 2018 and Step Back In Time in 2019. It firmly cements her status as Australia’s highest selling female artist, holding the record for the most ARA #1 albums by an Australian female artist, and 80 million albums sold worldwide.

DISCO has also topped the charts in the UK, setting a new chart record as Kylie becomes the first female artist to score a UK #1 album in five consecutive decades.

DISCO came in at #9 on the New Zealand chart, which is Kylie’s highest chart position in New Zealand since 2001’s Fever.

Mushroom Group chairman Michael Gudinski is thrilled to see Kylie achieve another #1 album. “Kylie signed to Mushroom when she was 18 and I couldn’t be prouder to be part of her continuing success. It is a testament to what an incredible artist Kylie is. Her passion and work ethic to make this album through COVID shows her commitment. As Kylie herself said to me, “it’s hard yakka but I’m so committed to this, and I miss Australia.””

DISCO has received praise from critics across the globe, as Kylie returns to her disco roots.

“… There’s something charmingly freeing in the earnest joyfulness of this record, like the first hints of a rainbow after the clouds have parted.” – Sydney Morning Herald

“Minogue delivers a simple message of hope on an album that provides non-stop dancefloor kicks.” – The Music

“Kylie’s disco revival is just what the nation needs” – The Telegraph

For DISCO, Kylie worked with longtime collaborator Biff Standard plus Sky Adams (with whom she worked with on Golden), Teemu Brunila (David Guetta, Jason Derulo) and Maegan Cottone (Iggy Azalea, Demi Lovato), alongside others. The album was largely recorded in lockdown with each team member recording and working from a separate location, leading to Kylie having a vocal engineering credit on all but two of the sixteen tracks on the record.
Kylie Minogue – Australian #1 albums to-date

  • Light Years (2000)
  • Fever (2001)
  • X (2007)
  • Kiss Me Once (2014)
  • Golden (2018)
  • Step Back In Time: The Definitive Collection (2019)
  • DISCO (2020)
DISCO
Kylie Minogue

Album out now
through Liberator Music/BMG
Available to buy/stream here

DISCO tracklisting:
1. Magic
2. Miss A Thing
3. Real Groove
4. Monday Blues
5. Supernova
6. Say Something
7. Last Chance
8. I Love It
9. Where Does The DJ Go?
10. Dance Floor Darling
11. Unstoppable
12. Celebrate You
13. Till You Love Somebody (Bonus Track)
14. Fine Wine (Bonus Track)
15. Hey Lonely (Bonus Track)
16. Spotlight (Bonus Track)

KYLIE MINOGUE

Website
Facebook
Instagram
Twitter
YouTube
Spotify
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
Me Nd Adam
Music News

Austin trash-wave trailblazers Me Nd Adam have just released their new album American Drip, Part I.

by the partae November 16, 2020
written by the partae

Trash-wave trailblazers, Me Nd Adam, is the depraved result of a relationship between a self-loathing egotist and a boisterous, red-headed emotional wreck. After meeting in New Orleans and hating each other, Adam & Vince parted ways. Unfortunately, there can be no despair without hope, no discord without union, no darkness without light. Thus, Adam & Vince came to realize they had no choice but to embrace their differences and craft the emotionally turbulent, alternative pop duo, Me Nd Adam. Now living the dream in a small apartment in Austin, they’re sharing their hope-tinged despair with the world.

Over the past year, the band has been refashioning its sound, embracing their Texas roots with a traditional rock aesthetic in instrumentation, lyrics, and arrangement, while retaining elements of their original alt electro-pop style. The new vibe is reminiscent of classic American songwriters like Tom Petty and Bruce Springsteen with a contemporary twist of pop production like heavy hitters Marshmello and Louis Bell. The band’s influences range from Willie Nelson to Meek Mill, Jason Isbell to Blink 182. 

American Drip, Part I, is the musical culmination of a coming-of-age journey across America. After separately fleeing their shared hometown of Austin, meeting in New Orleans, initially hating each other, bouncing to Brooklyn, Los Angeles, and parts beyond, Adam and Vince reconnected and formed Me Nd Adam deep in the heat of a sweltering Big Easy summer. After four rough and rowdy years developing their sound on the road and in the studio, the trashcan cowbois have returned to Texas. American Drip, Part I consists of twelve trash-wave trailblazin’ hits. Buckle up.

Me Nd Adam have garnered millions of streams across DSPs, with their music garnering acclaim from the likes of Rolling Stone, Alt Press, American Songwriter, Wonderland Magazine and The Line of Best Fit. They have also received notable sync placements, such as MTV’s ‘Real World’. The music video for their most recent single “Heartbreak Kid” was a finalist at the Austin Music Video Festival, nominated for Video of the Year. 

After honing their live show at venues like Irving Plaza and The Fonda, Me Nd Adam opened to a sold-out crowd for Big Freedia at the Mohawk in Austin. Since then, the band has been tearing through the Austin music scene with appearances at Pride Fest ATX, Mohawk, Emo’s, The Parish and a sold-out headline performance at Stubb’s. 

American Drip Part I, is available worldwide via Las Vegas-based indie Handwritten Records.

https://www.facebook.com/Me-Nd-Adam-1582282068762491
https://www.instagram.com/mendadam/
https://twitter.com/MeNdAdam
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
SMRTDEATH NEW ALBUM SOMETHJNGS WRONG OUT NOVEMBER 20 SHARES NEW TRACK AND VIDEO FOR “DON’T LOVE ME”
Music News

SMRTDEATH NEW ALBUM SOMETHJNGS WRONG OUT NOVEMBER 20

by the partae November 16, 2020
written by the partae

SMRTDEATH
NEW ALBUM
SOMETHJNGS WRONG
OUT NOVEMBER 20

SHARES NEW TRACK AND VIDEO FOR
“DON’T LOVE ME”

Smrtdeath, born Mike Skwark, has announced his new album Somethjings Wrong due out this Friday November 20 via Epitaph. Smrtdeath shares his latest single from the forthcoming record. “Don’t Love Me” epitomises what Skwark does best, making anthems out of the everyday. With an incredibly catchy, and powerful chorus, the song transcends the underground alternative rap scene and makes it an infectious earworm.

“’Don’t Love Me’ is about wanting someone you can’t have,” explains Skwark. “Kind of like meeting someone at the wrong time, or when you’re too focused on yourself to have time to pursue a connection anywhere else. It’s also about the misguided feelings people can have about someone based on a fleeting connection.”

Smrtdeath has never been easily defined incorporating hip-hop, emo, trap, alternative rock, and a pleasingly warped take on pop into his deeply sincere and catchy songs while frequently collaborating with artists across the entire musical spectrum. Skwark’s genre-agnostic approach to music allows him to successfully touch upon themes of vulnerability, addiction, and heartache within his lyrics. Through getting to know all versions of himself, Skwark has produced a deeply honest collection of songs.

Website
Instagram
Facebook
Twitter
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
FLEET FOXES RELEASE VIDEO FOR “SUNBLIND” SURPRISE FOURTH ALBUM SHORE OUT DIGITALLY ON ANTI- NOW
Music News

FLEET FOXES RELEASE VIDEO FOR “SUNBLIND” SURPRISE FOURTH ALBUM SHORE OUT DIGITALLY ON ANTI- NOW

by the partae November 16, 2020
written by the partae

Fleet Foxes have released a new Sean Pecknold directed video for “Sunblind” off their widely celebrated, fourth full length Shore, which was surprise released digitally on, September 22nd.

Watch the video for “Sunblind” here.

The video takes the viewer on a stunning international architectural, geographical and creative tour through never before seen behind the scenes footage of the album’s two-year recording sessions. Featured locations include Long Pond studio in Hudson Valley, NY, St. Germain in Paris and Vox in Los Angeles. The “Sunblind” video provides a look into the close collaboration between Fleet Foxes frontman Robin Pecknold and multi-talented recording and production engineer Beatriz Bartola, who was a constant throughout the recording process. In addition, “Sunblind” features select footage from the Kersti Jan Werdal directed 16 mm road movie named for the latest release.

In a recent interview Pecknold explained that “Sunblind” was the last song to come together, and recorded only a few weeks prior to release.

It really is this big centrepiece and is the anchor that all the other songs are tied to. I wanted to make a song that celebrated my heroes in an explicit way — people who have passed and who I want to honor in the music. That was a big focus of mine, helping them stay alive through these memories. Music is this weird invisible form of immortality for these people, and I wanted to do it in a joyous way and reframe some of the sorrow of loss into a kind of celebration.         

“Sunblind” is the latest video from Shore, directed by Sean Pecknold, who, alongside Adi Goodrich, were behind the recent “Can I Believe You” video. You can view that video HERE.

Following the release of the album, Fleet Foxes hosted sold out outdoor screenings of the aforementioned Kersti Jan Werdal directed film companion to the album, an art film that showcases the landscapes of the Pacific Northwest of the U.S set to the score of the album. The outdoor screenings, took place in Portland, LA, Brooklyn, Austin, Seattle and Chicago.

Listen to Shore HERE

ACCLAIM FOR SHORE:

“Shore looks to the world and realises there is already enough, as if staring into a darkness and responding with beauty, acceptance, and light.” – PITCHFORK (BEST NEW MUSIC)

“A gorgeous folk-rock song cycle about life, death, and art, full of deep mourning and glimmers of relief on the other side. Track for track, Shore is the most immediately rewarding Fleet Foxes record since their brilliant 2008 debut.” – ROLLING STONE (⅘ STARS)

“When you’ve got a song on your album called “Quiet Air/Gioia,” and it’s every bit as pretentious as that title suggests and yet in no way sucks, you’ve done your artistic betters proud.” – ROLLING STONE (⅘ STARS)

“The gorgeous record found tonal balance amid the chaos of recent months, when the project suddenly seemed inconsequential to its creators and, therefore, more like a refuge. Though still primarily the creation of the band’s front man, Robin Pecknold, “Shore” is a collective effort that includes many contributors, and its glistening arrangements are reflective of the unburdening that collaboration fosters. ” THE NEW YORKER

“The album is uniformly gorgeous, sometimes overwhelmingly so when taken in all at once…Every now and then there’s a moment of brightness, an actual good thing, that alleviates the darkness of the wretched year that is 2020. This is one of those good things.” – STEREOGUM

“Fleet Foxes made the perfect album for this moment.” – VULTURE

“Filled with epic, sweeping songs.”- ENTERTAINMENT WEEKLY

“These 15 tracks are the work of an artist taking in everything dark and corrupt about this year, and choosing to craft an artefact of hope.” – UPROXX

“There are lush soundscapes, fluttery brass cacophonies and subdividing rhythms…there is an acknowledgment of the past, but in a way that throws into sharp relief the potential that lies ahead and the legacy that is carried into the future” – ASSOCIATED PRESS

“Lucid, warm, and with no shortage of heart, Shore is a wonderful album to lead us into the concluding chapters of what has been a heartbreaker of a year.” – CONSEQUENCE OF SOUND

“Shore is their most collaborative, most joyous album, and also one that transcends what Pecknold called the agrarian fantasies of their early days for an earnest plea to hear the call of the wild.” THE RINGER

“Robin remains an extremely gifted songwriter, and these songs find him weaving in deceptively simple arrangements and some of the most instantly-satisfying melodies he’s written yet.” – BROOKLYN VEGAN

“Both vibrant and vital.” UNDER THE RADAR

“Their most gorgeous full-length yet.” NOISEY

“An absolute tour de force of rich melodies, heavenly hooks, luxurious production and songs packed to the brim with key/tempo/mood shifts that keep you constantly on your toes, it’s one of the most formidable albums we’ve heard this year, full stop.” – GUITAR WORLD

Facebook
Website
Instagram
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
THE SILENCIO SHARE EMPHATIC NEW SINGLE 'APOLOGY'
Music News

THE SILENCIO SHARE EMPHATIC NEW SINGLE ‘APOLOGY’

by the partae November 16, 2020
written by the partae

Powerful and emphatic, four-piece alternative rock band, The Silencio make a bold return with their new single ‘Apology’; a song penned through compassion and seeing the light during dark times.

An honest single inspired by a friend struggling with sobriety, the band hope the new song encourages strength and comradery when people need it the most. Releasing alongside a video clip that flips between the band and a narrative that evokes the very sense of the lyrics detail: repentance and retrospect.

“Jan always respected how hard it would have been for his friend to continuously apologise for his shortcomings and was willing to forgive him to encourage staying on the right track. We need to lift people up and not push them down,” explains lead singer, Nick.

Since The Silencio’s inception in 2014, the band have worked hard at curating their sound and building their audiences amongst the Gold Coast rock scene. Since then the band have toured nationally across Australia, and their previous single ‘Same But Different’ premiered on Triple J’s Breakfast Show. Jumping on board to work with well known Los Angeles musician-producer-composer, Danny Saber (David Bowie, Michael Hutchence, The Rolling Stones), ‘Apology’ is the second release before their upcoming 10-track album set for release in 2021.

Don’t be sorry and get on The Silencio train now.

‘Apology’ is out NOW.

CONNECT ONLINE WITH THE SILENCIO
Facebook
Instagram
YouTube
Spotify
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
Mansionair and NoMBe Team Up On New Track 'Guillotine'
Music News

Mansionair and NoMBe Team Up On New Track ‘Guillotine’

by the partae November 16, 2020
written by the partae

Grammy-nominated Sydney trio Mansionair have teamed up with Germany’s NoMBe for cathartic new track ‘Guillotine’, which landed last Friday with an accompanying lyric video. The track is the band’s first single release since the launch of their acclaimed debut album Shadowboxer early last year.

Mansionair and NoMBe first met on Sirius XM Alt Nation’s Advanced Placement Tour in 2018, where they quickly hit it off and planned to collaborate. But life intervened and they were both kept busy on subsequent tours. Then 2020 hit, finally affording them with the time they needed to create music together.

Jack Froggatt from Mansionair elaborates, “Guillotine speaks to all those thoughts that endlessly pile up in your brain, it’s a tongue-in-cheek response to those feelings – wanting to switch off your mind to the noise. With such a heavy year almost gone it’s a track to hopefully lighten the mood, shake off the pressure and carry on. After touring with NoMBe back in 2018 we had the thought of a collab on the back-burner… with all this time to write this year we finally found some space to do it.”

In addition to providing time for the artists to collaborate, 2020 also gave the inspiration for the song. Noah McBeth, aka NoMBe, explains, “Guillotine is about feeling overwhelmed with it all…sort of like ‘I feel my head is about to explode so might as well just chop it off’… it’s been such a crazy year on top of the pressures of releasing music right now and I think Mansionair and I funnelled all of that into this track.”

Mansionair released their debut album Shadowboxer in March 2019. The album was written and self-produced by the band, the culmination of a journey that started with a viral hit single and led to high profile collaborations, including a Grammy-nomination for their single with Odesza ‘Line of Sight’, Billboard charting singles, gold ARIA accreditations and several major support tours (CHVRCHES, Florence & The Machine, Bob Moses, SiriusXM Advanced Placement co-headline).

Noah McBeth, or NoMBe, was born and raised in Heidelberg, Germany. His debut LP They Might’ve Even Loved Me released in 2018, has garnered almost 300 million streams to date. The album was praised for its unique blend of old school rock and electronic influences, with NME declaring it “a brilliant glimpse of a talent who can make magic in just about any territory.” The first single off his 2020 follow up album CHROMATOPIA was named a contender for one of the “biggest songs” of the year by Rolling Stone.

Together, this talented partnership has created magic on ‘Guillotine’.

‘Guillotine’
Mansionair and NoMBe
Single out now through Liberation Records

Available to buy/stream here

MANSIONAIR

Website
Facebook
Instagram
Twitter
YouTube
Spotify
November 16, 2020 0 comments
0 FacebookTwitterPinterestEmail
https://open.spotify.com/album/5wtq5xPEm9KvUfTHSW0L3s
Music News

Melbourne rockers The Grogans return with dynamic sophomore album Day / To / Day

by the partae November 13, 2020
written by the partae

Coupling effortless cool with refined rock songwriting chops, Melbourne trio The Grogans unveil their second studio record, Day / To / Day. An album that has been designed to be absorbed, Day / To / Day is a sonic journey that has The Grogans delivering melodies, rhythms and great energy throughout.

Last month saw the band release single ‘Got A Girl’, a track that offered an insight into the charged up end of the album’s spectrum. Yet as the listener makes their way through its 12 track run time, The Grogans flourish as 60’s and 70’s surf rock sounds come together with contemporary slacker influences; all up making for a perfect Spring/Summer soundtrack. Even the album image, taken by seminal 60’s surf photographer John Witzig, perfectly encapsulates the cheeky escapism found in  Day / To / Day.

Previous singles ‘Got A Girl’ and ‘Dead Weight’ are two examples of The Grogans’ dynamism as a unit, with further highlights of their harmonies and melody construction shining across ‘Unnecessary’, ‘Graveyard Sleepin’ and ‘Strange Feeling’.

The laidback jam session vibe is captured and refined into a more realised and cohesive LP format by vocalist and guitarist Quin Grunden, who recorded and mixed the album, and engineer Steve Corrao. The pacing of Day / To / Day makes this great for road trips or long days hanging out in summer heat; ‘Gravel Road Blues’ and ‘Takin’ It Easy’ demonstrate slight psych influences in the band’s guitar and rhythm progressions.

“We wanted to build off of our last album and EPs, writing songs that we enjoy playing and listening to. It’s got a bit more of a 60s surf sound than our last releases; we just like that era – the style, the sound of the time, the cars. We also tried to have less limits, to show our wide variety and bigger picture of what The Grogans are, who we collectively are as people.” The Grogans

Recorded at Grogans HQ and out in Ocean Grove, Day / To / Day had the opportunity to come together outside of Melbourne, with Ocean Grove providing an idyllic relaxed setting for The Grogans to settle into. Spending their time making music, skating and hanging out made the album process far easier an experience to get through; with new ideas and sonic sessions coming naturally for the band over time.

“[The recording process] same as what we usually do; a couple of months writing, then we take a week off and lock ourselves away to get the majority of the recording done, then polish it up with added tracks at Grogs HQ. This time was in Ocean Grove, which was really relaxing. We’d surf, skate and just hang out without too much structure to the recording.” The Grogans

Forming in high school, The Grogans have got a stack of releases as well as a strong live reputation to their name in debut album Just What You Want (2019) and EP releases Grogan Grove (2018), Twangs ‘n’ Cans (2017), and Cacteyed (2016). Emerging as a dominant constant on the Melbourne music scene and an exciting presence on stages around the country.

 

PRAISE FOR THE GROGANS

“The Grogans are ramping things back up on this one! What an infectious, jump around, 2 min surf banger..”

Triple J, Declan Byrne (‘Got A Girl’)

“The Grogans capture the laid-back lifestyle we all yearn for.”

Beat Magazine

“The Grogans continue to kill it. This is a massive chiller. The amount of people at both your shows this weekend was insane. A line around the corner and everything?!?!! Any time now… I can’t wait to see you guys explode! “

Triple J Unearthed Claire Mooney

“The Grogans are one of the best recently-newcoming rock groups we have at the moment” 

Hayden Davies, Pilerats

“Clocking in a smidge over two minutes, ‘Got A Girl’ is everything that we’ve come to love about The Grogans – fast surf rock guitars and lyrics about living life to the fullest.”

Tonedeaf

‘Day / To / Day’ is released Friday 13th of November 

Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

November 13, 2020 0 comments
0 FacebookTwitterPinterestEmail
HACHIKU Debut album I'll Probably Be Asleep is out today! Watch new video for 'Dream Of Galapagos'
Music News

HACHIKU Debut album I’ll Probably Be Asleep is out today! Watch new video for ‘Dream Of Galapagos’

by the partae November 13, 2020
written by the partae
PRAISE FOR HACHIKU

“Loss, long-distance romance, arguments with climate change deniers and bureaucratic immigration processes: On I’ll Probably Be Asleep, the debut album from dream pop artist Hachiku, even the topics usually relegated to inflammatory newspaper op-eds take on new depth and heart.”  – NME

“Her music is fully deserving of support; fun, literate, whipsmart indie rock with an alt-pop appeal.” –CLASH Magazine

“It’s an extraordinary album filled with poignant, playful and powerful songs.” – STACK Magazine

“Vast and intimate all at once. A big, beautiful, cinematic whirlpool you can’t help but feel drawn to and swallowed up inside of.”  – triple j Unearthed

Hachiku release their highly anticipated debut LP I’ll Probably Be Asleep today on Milk! Records / Remote Control Records and share a new video for ‘Dreams of Galapagos’ directed by Chloe Holliday.

When a close friend took an in-advance listen to Hachiku’s debut album, I’ll Probably Be Asleep, she had one question for bandleader Anika Ostendorf: “‘why are you so angry?’” It’s not the first reaction that most people would have to the Melbourne-based outfit, whose dream-pop jams —all dewy guitars, rickety drum-machines, and layered ambience, topped off with Ostendorf’s oft-breathy voice— would seem to contain no sharp edges.

But, following Hachiku’s self-titled 2017 debut EP, Ostendorf found herself dealing with darker themes; which reflected the 25-year-old growing up, changing, and feeling mounting frustrations.

‘A Portrait Of The Artist As A Young Woman’ was inspired by a 2AM Gertrude Street nightclub encounter with a climate change denier, and deals with greater ideas of being a young woman in the world, and in the world of music (“it’s about that feeling of trying to express your opinion and not being heard”). ‘Shark Attack’ is a study of loss and grieving, following the death of Ostendorf’s family dog. Songs like the title track, ‘Dreams Of Galapagos‘, and ‘You’ll Probably Think This Song Is About You’ are about yearning: for other experiences and other feelings, to be either on foreign shores or back home, but never exactly where you are.

Being restless, unsure of yourself and your place in the world, are classic 20-something themes. And they’re brought into sharp clarity, made tangible and undeniable, on ‘Bridging Visa B’. It’s a song about Ostendorf being left in limbo while her application for Australian residence to be with her partner is being processed. And, in turn, feeling as if the validity of your romantic relationship —not to mention your fate— is in the hands of bureaucratic authorities.

The song opens with the question that Ostendorf —whether interviewing with government authorities or tending bar at the Northcote Social Club— loathes the most: “Where are you from?” She was born in Livonia, Michigan, found her early-childhood years bouncing between America, England, and Germany, before her family settled in sleepy Dansweiler, outside Cologne in Western Germany. She formed her first band, Tutti Frutti, at seven, writing the songs herself. By 14 she was playing in both a pop-punk cover-band and in her mother’s combo of IT workers from the Ford factory, who’d rewrite famous pop songs to be about their workplace.

Ostendorf left for London to study biology, and then, fatefully, spent a year on exchange in Melbourne, with an eye on the city’s famed music scene. Whilst studying, she interned at Milk! Records —the local label made world-famous by Courtney Barnett— from which she took DIY ideals, a strong sense of musical community, and a record deal.

After returning to London to finish a degree she was no longer that interested in finishing —both out of her own stubbornness and at the behest of Milk! boss Jen Cloher— Ostendorf returned to Melbourne. Back in town, she assembled a crack local combo (Georgia Smith, Jessie L. Warren, Simon Reynolds), released the first Hachiku EP, and played countless shows around town; becoming a staple of the music scene she once looked at, longingly, from afar. Hachiku played with Barnett, Cloher, Stella Donnelly, Aldous Harding; supported The Breeders and José González on national tours; and opened for Cloher and Snail Mail on European tours.

I’ll Probably Be Asleep betrays much of that background, that sense of travel and wandering. It was recorded, Ostendorf says, in countless locations, here and there: from houses in Australia and Germany to backyard sheds, rehearsal rooms, and the Milk! warehouse. “It’s like a big puzzle, piecing together these randomly-recorded sounds,” Ostendorf says; offering that she thinks of herself “more as a producer than a songwriter”.

Yet, Ostendorf’s songs are full of memorable melodies, are smartly written and sweetly sung. I’ll Probably Be Asleep is an album of dreamy atmospheres and relatable sentiments, a grand first-up LP for one of Melbourne’s most promising young bands. And, if you listen closely, it’s, in its own way, an angry record.

Listen / Download / Buy Hachiku – I’ll Probably Be Asleep: https://ffm.to/hachikuipba.syz

HACHIKU LIVE STREAMS

Saturday 14th November 2pm AEDT
Rocksteady Records – virtual instore
https://www.instagram.com/rocksteadyrecords/

Wednesday 25th November
M Pavilion & Open House: Merge: Music + Architecture
https://www.openhousemelbourne.org/event/merge-music-architecture/

Saturday 12th December 8pm EST / 5pm PST / Sunday 13th December 1am GMT / 12 noon AEDT
Baby TV – album performed in full
https://www.letswatchbabytv.online/shows

Hachiku – I’ll Probably Be Asleep

1. I’ll Probably Be Asleep 
2. Busy Being Boring
3. You’ll Probably Think This Song Is About You
4. Bridging Visa B
5. Dreams of Galapagos
6. A Portrait of the Artist as a Young Woman
7. Shark Attack
8. Murray’s Lullaby

Hachiku – I’ll Probably Be Asleep is out now via
Milk! Records / Remote Control Records
Hachiku
Website | Facebook | Twitter | Instagram
Milk! Records
November 13, 2020 0 comments
0 FacebookTwitterPinterestEmail
COSMO’S MIDNIGHT
Music News

COSMO’S MIDNIGHT

by the partae November 13, 2020
written by the partae

November 13, 2020 0 comments
0 FacebookTwitterPinterestEmail
TAME IMPALA COVERS NELLY FURTADO’S 'SAY IT RIGHT'
Music News

TAME IMPALA COVERS NELLY FURTADO’S ‘SAY IT RIGHT’

by the partae November 13, 2020
written by the partae

November 13, 2020 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • SPILT MILK 2025 CLOSES OUT FOUR MASSIVE SHOWS ACROSS AUSTRALIA BALLARAT | PERTH | CANBERRA | GOLD COAST
  • Legendary guitarist Tom Morello joins metalcore powerhouse Beartooth with new single “Everything Burns”
  • LATE OPEN-AIR UNVEILS LINEUP FOR ITS DEBUT BALI SHOWCASE VIKEN ARMAN, GEJU & KUMA TO PLAY AT NUANU AMPHITHEATER
  • Ministry of Sound Celebrates 35 Years with First Names of 2026
  • BEYOND THE VALLEY UNVEILS ITS SET TIMES AHEAD OF ITS MONUMENTAL 10TH BIRTHDAY EDITION

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event