Music News
Brand new club Mumu Clubhouse launches in Thailand with Jamie Jones headlining opening party
Mumu Clubhouse is to make its long-awaited Grand Opening on March 9 2024 with world renowned house tastemaker Jamie Jones with support from Rec. ‘N Cue b2b Wildealer and opening sets from Zoárd and Leo Greenslade of YOYO London. The party runs from 3pm until late and for further information and tickets head to www.mumuclubhouse.com.
Mumu Clubhouse is a sanctuary for kindred spirits, seekers and wanderers; connoisseurs of connection, tempo and bass. A dynamic meeting point at the edge of Phuket’s largest man-made lagoon, it offers a contemporary dance music haven, host to the world’s best known DJs, where the rhythm ebbs and flows beneath the stars. By day, Mumu Clubhouse is a sun-kissed retreat for relaxation, with soft white sand underfoot, cocktails, small-plates and Balearic beats. By night, it becomes a contemporary dance music haven and host to the world’s best-known DJs, where rhythms ebb and flow beneath the stars.
The 4000 capacity space boasts a state of the art D&B Audiotechnik sound system and will offer carefully curated weekend parties with six large-scale events already planned throughout 2024. They will showcase a diverse lineup of both world class international and local talent, including Thailand’s Biggest Pool Party for Songkran Water Festival 2024, which will be an unforgettable experience and iconic celebration, but first comes this superb Grand Opening party.
Jamie Jones needs little introduction. He heads up the HotTrax label, has legendary residencies at Amnesia in Ibiza with his cult Paradise brand and has played just about every major dance event in the world. He is right at the forefront of the global scene and will be bringing his own unique take on house and tech, along with a taste of Ibiza hedonism, to the opening of Mumu. Joining them will be Mumu resident collective Rec. ‘N Cue going b2b with Wildealer for more stylish grooves, while Leo Greenslade of YOYO London will be spinning a Balearic set and Zoárd from Mumu’s creative team brings his unique musical visions early in the day.
This unmissable first party of the season will be brought to life in unforgettable style with cutting edge audio visuals. There will be spectacular lights, 3D mapping and bespoke stage design by Bangkok design and production studio Yellaban all of which promises to be on a level of the sort that Phuket hasn’t seen before.
The Grand Opening of Mumu promises to be a historic session so make sure you are a part of it – get your tickets now through the Mumu website: www.mumuclubhouse.com
Instagram: @mumuclubhouse
SIMON TSELIOS debuts new track to signal his next chapter in ‘BLUE CAR’
From out of Melbourne, indie-pop artist Simon Tselios has spent recent years developing a strong core sound and voice that has propelled some heartfelt and personal songwriting to the fore. In 2024, he introduces himself to more audiences, first with his track ‘Burn’ and now, with the release of his new single, ‘Blue Car’.
The single marks a solidifying of Tselios’ warm and nostalgic tones, his is music that has a listener yearning for memories and times gone by; offering up an opportunity to escape for even a few minutes. Recorded at Melbourne’s Beat Tank Studios, engineered by Ben Hense (Archie Roach, Missy Higgins), ‘Blue Car’ is a song that Tselios wrote out of a feeling of aspiration and wanting to chase his dreams.
“This song is all about escaping reality, going to a place where everything is exactly how you want it. This song was written in my early ‘20s. I was working as a sales assistant and after one of my shifts I thought about how great it would be if I could actually do what I wanted to do, rather than what I have to do. I wrote all those feelings down and made this song.”
SIMON TSELIOS
With a busy 2024 still waiting to be embraced, ‘Blue Car’ is a fitting jump off point for Tselios and listeners alike.
PRAISE
“ Tselios further cements his signature warm and nostalgic tones, creating music that evokes a longing for cherished memories and bygone eras. His compositions provide listeners with a precious chance to momentarily escape into the past.”
AAA BACKSTAGE
PLAY/LISTEN
SIMON TSELIOS: Facebook | X | Instagram | YouTube | Triple J Unearthed
Interview: Navigating Ambition and Authenticity: An Insight into ALTERJOY’s ‘Better Make A Move’
“Better Make A Move” seems to tackle themes of ambition and desire. Can you elaborate on the inspiration behind the song and what message you aim to convey to your audience?
The lyrics for this song came to me really quickly. I had the idea for the chorus line “Now you’ve learned to play the game, you’ll die up on that hill” written in my lyric notes. I wanted the line to represent the stubborn ambition of someone trying to make a name for themself. A person that desires only to see their name in lights. There is a huge shift in society right now, anybody has the opportunity of becoming somebody online. A new icon for the people, an ‘influencer’ by profession. While this is new and exciting, it is also very addictive; the urge for instant gratification. The push to blow up your social account and go viral is the name of the game and everybody wants their little slice of fame.
The final message is in the second part of the chorus: “One day we’ll be on time to catch the last ride so we can see all of the sights”. I have this never ending goal to be on time and get everything i’m working on finished; maybe then there will be space to breathe.
The take away from the song is to stop and look around, take in the present moment and make true connections with the people who are most important in our life.
As a solo artist with ALTERJOY, how does the creative process differ from your experience in The Daily Chase?
Nothing beats writing songs with your best friends in a creative space or sending song ideas across the web while living interstate. The writing process with The Daily Chase boys is always super fun and rewarding. I think our song writing has become very efficient over the years. The creative process is completely different with ALTERJOY and still just as fun, although it does have its pros and cons. I have complete freedom to play with any genre influences I want and there’s no silly ideas. This is a blessing and a curse as I’m currently sitting on 9 tracks, all of which do not sound anything alike.
“Better Make A Move” blends various genres like rock, EDM, metal, and dark pop. How do you approach incorporating such diverse elements into your music, and what do you think this adds to the overall impact of the song?
I grew up as a punk rock kid, listening to skate punk bands such as NOFX and Strung Out. I was always intrigued by other sounds and styles and found myself experimenting with electronic music through my teens. I listen to a lot of music, nearly every hour of the day that I don’t have a video camera in my hand. I’m always searching for new sounds outside of the music I have written for the past 10 years. In the modern music arena, it’s becoming ever more common to slap synths behind electric guitars or add a rave chop to a metal breakdown. With all these blended elements, I believe creating something catchy and still musical is where the magic lies. Enter Shikari was the band that challenged everything I thought I knew about how heavy music should sound. They were and still are the catalyst to my creative drive in music creation.
Blending genres and using a diversity of styles in a song will not only broaden the overall sound but make it more accessible. Rock, metal and electronic fans all have an opportunity to find something they enjoy in the track if it is well written.
Could you tell us about your collaboration with producer Chris Lalic and how his involvement influenced the direction of “Better Make A Move”?
I’ve worked with Chris since 2019 on TDC stuff and started doing ALTERJOY mid 2022. I write and record my pre-pros in my home studio before taking him a selection of tracks. Some times we pick the songs that just need a few tweaks and vocal melodies. Some times he wants to work on a track that has a fun sounding section we can build from. When we’re in the studio together, anything goes. I throw some pretty cooked ideas at him for ALTERJOY and he’s always down. We somehow managed to use his kitchen wok pan and even a massage gun as practical instruments during the studio sessions. I usually crash at his place for a week, work on the songs during the day and write my lyrics at night. He cooks me eggs and we watch ridiculous european techno music videos. Chris is an amazing producer and anyone who has worked with him would agree.
You’ve mentioned that ALTERJOY is a project free from genre restraint. How do you navigate this freedom while maintaining a cohesive sound and identity for the project?
Being the only member of the project, I don’t have anyone to bounce off of creatively. I’m indecisive by nature so this can be tricky when I’m trying to lock in a creative decision. I just remember to back myself and keep having fun with the project. I’m creating music that I genuinely love and having a great time doing it. ALTERJOY’s identity will continue to develop and evolve with each release, maintaining a dark tone as the project’s backbone.
“This is Real” served as ALTERJOY’s debut single, while “Hella Good” was a cover of a No Doubt song. How do you select the songs you want to release, and what do you look for in a cover to make it your own?
‘This is Real’ was the first song I wrote for the project so it felt natural to release it first. The song styles develop throughout the release schedule. The next track I release is one of the heaviest. The ‘Hella Good’ cover was a last minute decision in the studio, we had a spare day booked so we went for it. We picked the cover, built the song and recorded the vocals and guitars all in a day. I came back to re-do some of the chorus lines but we kept all of the original demo tracked vocals for the verses because they just sounded fun. We felt the song resonated with the dark tone of the project and we knew we could do the track justice with our own heated version. I wanted the song to sound fresh and unique while still capturing the attitude of the original.
Spending time on the Gold Coast seems to have played a role in igniting your creativity for ALTERJOY. Can you describe how your environment influences your music and artistic vision?
I travel a lot for work with my film company Headstrong Films so I’m always finding inspiration in far away places. Last year I did Portugal, Malaysia, USA, Japan and England. It’s great to venture out of Australia and take a small glimpse at life outside of the bubble. I also love coming up with song ideas while in transit. Lot’s of long flights and time abroad to work on lyrics and write music.
With social media playing such a significant role in society, “Better Make A Move” touches on the theme of prioritizing status and wealth over human connection. How do you navigate social media as a musician, and do you see it as a tool for connection or a potential hindrance to genuine connection?
It can be a great tool to connect, it really depends on the intent behind it. Social media stands as the ultimate platform for networking, promoting music, and ensuring your voice is heard. More now than ever, unknown artists are going viral without any ad spend, PR or marketing. But that’s the killer, I’ve spent more time working my social media roll out than I have in the studio creating music. It’s easy to get caught up in it and get lost in the sheer amount of content. There’s even an industry of creators teaching people how to create the perfect TikTok video and still everyone is just competing for the attention. I feel the time spent creating throwaway content for social media takes my attention away from my family and friends. I’m not pointing the finger in my lyrical message, I’m just observing the society we are living in and taking notes. It’s important for me to always come back to my ‘why’, which is connecting with like-minded people through music and staying grounded in that.
How do you balance the personal introspection evident in your music with the desire to connect with and entertain your audience?
I love creating, I always have. I film and edit most of my own music videos and social clips, I do the same for TDC. I want people to see my videos and hear my songs, it’s part of the creative process. Build something special and let it free into the world.
I believe that most people can relate or take something away from the lyrics. Whether it’s the direct message or maybe their own interpretation of the lyrics. I’ve always written the main hook of a chorus to feel open to interpretation and easy to absorb, as everyone has their own story. “Now you’ve learned to play the game” can relate to a number of things: Pursuing a toxic relationship, working your life away in a dead end career or losing yourself in a broken social system. I want the listener to feel something when they hear that line… Then they’re hit with the cold hard truth: “You’ll die up on that hill”.
I feel reflection and self awareness are important rituals in my life. It’s good to stop, observe and understand the world we’re living in. I’m very aware that social media is a powerful tool that we will continue to benefit from. We just have to ask ourselves the question of ‘why are we using it? Is it serving us and do we really need it to thrive as humans? Are we just trying to go viral for self fulfillment or are we trying to make real connections with people, fans and share music?
“Better Make A Move” is described as a rock tune at its core but incorporates elements from various genres. How do you see ALTERJOY’s sound evolving in future releases, and are there any specific genres or styles you’re eager to explore further?
The next few single releases will be a journey that may surprise fans. There’s a mix of industrial metalcore, drum & bass, techno and synth pop musically. Vocally, I’m leaning into pop, hip hop and rock. I’m starting to find more depth and substance in pop music; what really makes a great modern vocal hook.
At this stage of the project, I’m casting my web fairly wide before I refine my sound on future releases.
Can you walk us through your live performance setup for ALTERJOY? How do you translate the intricacies of your studio recordings into a compelling live experience?
I plan to establish this brand online and develop a catalog before stepping onto the stage. Once I do, it will be a three-piece act featuring a drummer playing live drums and percussion elements on pads, a guitarist, and myself leading the project on vocals and a keys/pads setup.
Looking ahead, what can fans expect from ALTERJOY in terms of upcoming music releases or projects, and what goals do you have for the project in the near future?
I’ll be releasing new ALTERJOY music regularly for the foreseeable future while still writing and performing with my band ‘The Daily Chase’. This project started as a creative outlet and has turned into something really fun that I can nurture, build and appreciate.
DZ DEATHRAYS MARK TEN YEARS OF BLACK RAT LP NATIONAL ANNIVERSARY TOUR THIS JUNE – JULY + VINYL RE-RELEASE
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HEDEGAARD and Matt Hawk Deliver Another Epic Car Music Release With “Hood To The Hills.” Out Now on OneHundred/Spinnin’ Records
Title: Hood To The Hills
Label: OneHundred/Spinnin’ Records
Danish star HEDEGAARD has quickly become a household name for his unique and heavy-hitting style known as “car music,” and his newest release – “Hood To The Hills,” might be his best work yet. He teamed up with fellow Danish producer Matt Hawk for the track, having previously worked together on their recent single “OneHundred.” It takes no prisoners with its blend of low-tempo EDM, featuring ominous undertones, reverberating basslines, and rhythmic urban vocals that make it exemplary of the “car music” genre that both HEDEGAARD and Matt Hawk proudly pioneer. Whether through your whip’s speakers or on the club dancefloor, “Hood To The Hills” is bound to heat things up. Read on for what the artists have to say about their newest collaboration.
“Matt and I had so much fun doing our recent single ‘OneHundred,’ that we decided to do one more together, right away. Matt has recently released several tracks in the ‘Car Music‘ genre, which were created using samples of classical music, an idea I thought was extremely inspiring. We agreed to do a track together in that style, combined with my more recent cinematic bass-driven sound and some motivational hip-hop vocals. I am very excited to present our result to the world.” – HEDEGAARD
“‘Hood To The Hills‘ represents a collaboration built on a shared passion for the deep and dark ‘Car Music‘ genre. This time, we decided to do a more grandiose approach while still keeping a focus on making the song catchy as hell. I feel the cinematic aspects of the sound we ended up with has added a fascinating dimension to our joint universe; I am extremely proud of this single, and can’t wait for people to hear it.” – Matt Hawk
HEDEGAARD
Since the release of an unofficial remix of Dr. Dre‘s “The Next Episode” in 2011, introducing the audience to HEDEGAARD‘s unique sound, he has produced several of the biggest Nordic hits in the last decade, generating more than – mindblowing – 1.4 billion streams across streaming platforms. “Happy Home” with Lukas Graham and “Twerk It Like Miley” with Brandon Beal and Christopher, are just a couple of the major hits HEDEGAARD has released and produced over the past years, resulting in several #1 all over the world. Before recently, turning his focus back to the clubs. On the singles “JUMANJI” and “SA-MY-D,” he returned to the rap-club fusion he invented years ago, which led to his big breakthrough and earned him the undisputed title in club music as the “King of Car Music.” The release of the single “All Designer” had a global impact, with #1 positions in Southern Europe, the Baltics, and China, followed up by the single “JEEP” as the first release under a new multi-year artist and label deal with the world’s leading label in club music, Spinnin’ Records, which included the launch of his own record company OneHundred, with a focus on developing artists releasing music in the globally trending Car Music genre. With the release of the single “NYC BABY” and the localized version “BEIJING BABY” – released exclusively in China – he took the top spot once again on the weekly QQ Music EDM Chart. Later on, the single took second place on the quarterly version of the chart for the entire Q2. The follow-up singles “BORED,” “The Ones We Lost,” “INFERNO,” and “OneHundred” became HEDEGAARD‘s 4th, 5th, 6th, and 7th top 20 entries in a row, underlining his status as the hottest EDM artist in China. That status was recently further substantiated by enormous viral attention on the Chinese social media Douyin, where HEDEGAARD accepted a remix challenge from the influencer Sander Kole, resulting in an 8-minute video that has generated more than 80 million views and +3 million likes. In a genre dominated by ghost production, HEDEGAARD is a 100% self-made artist, first and foremost being a naturally gifted musician who turned his focus towards DJing – in that order. In 2022 and 2023 he has generated more than 1 million streams per week on Spotify. The reward for his work not only comes in the form of impressive streaming numbers but has also resulted in nominations at award shows. HEDEGAARD has previously won several DMA awards, DJ and Club Awards, and as the top nominee at the Club Awards 2024, in five categories, and with a big share in a nomination in a sixth category, the feat is second to none in Denmark. The HEDEGAARD story has only just begun, and with his international contract, new tours in Asia and the US, and a huge festival summer ahead, he is taking his career to the next level in 2024.
Matt Hawk
The 33-year-old art director from Aalborg started dreaming of a music career in his teens when he began mixing styles and genres in his creation of new and unique productions. Today, his dream has come true, and he is producing hits with Denmark‘s biggest DJs. In collaboration with HEDEGAARD, Matt Hawk has produced and released the single “SA-MY-D,” which is closing in on 8 million streams on Spotify alone, while their joint remix of the rap classic “Ni**as in Paris” has passed the 4 million stream mark on the platform. Among friends, Matt Hawk is known as the geek and a master of coherence. He tears songs to pieces, only to put them back together in all kinds of creative ways – which has given him a special weapon as a DJ: The ability to mix club vocals with hip-hop beats – an original approach, which ensures his audience a big party. He is energized by the unknown. A constant curiosity and the untamable urge to create means that he is, again and again, combining that which has never been combined before. On the single “SYMPHONY,” he reworked Beethoven‘s classic “Symphony No. 5,” generating an output that contains a magical combination of Nate Dogg-sounding vocals combined with all the best elements from the heavy club universe of the Car Music genre. The single debuted on the weekly QQ Music EDM Chart in China as no. 21 and has amassed more than 4.5 million streams on Spotify since then, reaching 1 million streams within the first 40 days in the market. The follow-up single “GANG GANG” was also built on a Beethoven sample from the classical masterpiece “Für Elise,” while the single “HABANERO” contains a sample from “Habanera” by George Bizet, from the legendary opera “Carmen.” The latest single, “OneHundred,” which was created with his label buddies HEDEGAARD and CANCUN? is created without the use of samples. The single reached 1 million streams within the first 20 days in the market and became Matt Hawk‘s first top 20 single on the QQ Music EDM Chart in China, debuting as no. 17. He brings genre clashes to the stage and loves to create contrasts and new, never-before-heard combinations. This makes it impossible to place him within simply one genre. He lives for experiences and for creating them for his audience through music. His dream is to geek out on music and share his journey with the audience. In 2024, this dream becomes reality, when MATT HAWK steps onto the international stage, thanks to his deal with the record label OneHundred.
Headliners include Adam Beyer, Armin Van Buuren, Boris Brejcha, Eric Prydz, Hardwell, Martin Garrix, and Timmy Trumpet
Date: Friday 12th July – Sunday 14th July, 2024
Location: Park Mladezi Stadium, Split, Croatia
ULTRA Europe’s Main Stage will showcase the world’s most renowned electronic music stars for the tenth edition of the festival.
Drumcode label boss and highly-revered underground icon Adam Beyer and German minimal techno superstar Boris Brejcha will return to ULTRA Europe following their unforgettable RESISTANCE performances in 2023. Additionally, the Swedish innovator and king of audiovisual experiences Eric Prydz will make his highly-anticipated RESISTANCE debut at ULTRA Europe, following his Main Stage performance in 2018.
Interview: Unveiling the Rock n’ Roll Spirit – Inside Danger Den’s ‘Merch Guy Mike’s Favourite Song’
Congratulations on the upcoming release of ‘Merch Guy Mike’s Favourite Song’! Could you tell us about the inspiration behind the track and what message or emotion you aim to convey to your listeners?
Thank you very much!
I guess this song is our attempt at writing a classic rock n’ roll song. I think as a band we’ve officially entered our dad rock phase when we started rewriting this song together as a group!
I guess there isn’t really a message for the listeners with this song in particular. I mean the title probably has more meaning and more of a story than the lyrics themselves if I’m being honest. We used to call this song ‘Jeremy’s Song’ because I couldn’t be bothered naming it for so long. Merch guy Mike was actually my ex drummer’s dad who used to help us out with the merch table. I remember we used to have band practice at Morgan’s (ex drummer) house and every time we played that song, Mike (Morgan’s dad) would come downstairs and would have a listen and tell us that that song is his favourite song! So I renamed it after him!”
The single seems to embody your signature high-energy sound. How did you approach the songwriting and production process to capture that raw intensity?
So originally this song was actually supposed to be the final track of our debut album ‘Pull Yourself Together’ but we didn’t finish recording the song on time to release it with the rest of the album so it kinda just sat there. ‘Merch Guy Mike’s Favourite Song’ was recorded the same way as we recorded the rest of the songs from ‘Pull Yourself Together’ by doing everything besides the drums in my home studio. The drum tracks are actually the original drum tracks that my ex drummer Morgan (Lockhart) performed in Masters Studio in Palmerston, Northern Territory back in 2021. As for the vocals, bass and guitar tracks they were all re-recorded by my current bandmates at my home studio in Melbourne.
I started writing this song when I was 14 actually, believe it or not. I’ve played it live with other bands and it’s changed a lot since then. Fast forward to 2023 when I met James (lead guitar / vocals) and I showed it to him, he put his own spin to it and made it sound heavier. At first he started playing it in drop D tuning and I thought that it sounded amazing! James however had another trick up his sleeve… while I was playing the main riff in standard, Liam the other guitarist was playing it in drop D and James started playing it in drop C. So that’s 3 guitars in total with three different tunings!
We noticed some unexpected twists and turns in ‘Merch Guy Mike’s Favourite Song,’ particularly in the guitar solos and drumline. Can you share a bit about the creative process behind those elements?
I guess I’ve always wanted to write a song with a band where each member had their own moment of glory in the song. I guess you could say this song is more of a jam type of song with a lot more freedom and improvising. Guitar solos are great but bass solos and drum solos are too so why not put all three in one song!
As a band, you’ve been praised for your dynamic performances. How do you envision translating the energy of ‘Merch Guy Mike’s Favourite Song’ to your live shows?
Well I guess in terms of recording we try to capture everything that we would do in our live shows. If we can’t do it live then we don’t record it and put it into our song. We notice a lot of artists or bands these days use backing tracks and click tracks for their live shows, we’re kinda old fashioned in a way and just like to have fun jamming out on stage
With the release date fast approaching, what are your hopes and expectations for how fans will receive this new single?
I just hope they like it as much as we do!
Given the success of your debut album ‘Pull Yourself Together,’ how does ‘Merch Guy Mike’s Favourite Song’ fit into the evolution of Danger Den’s sound and style?
This is probably the heaviest song that Danger Den has ever released but it’s still just as catchy as the other songs from ‘Pull Yourself Together’!
Your influences range from Green Day to Rage Against The Machine. How do you balance paying homage to your inspirations while still carving out a unique sound for Danger Den?
As a band and as songwriters I guess we just write and play what we like and what we think sounds good to us and just try not to overthink it.
Can you walk us through a typical songwriting session for Danger Den? How do you collaborate and refine ideas to ultimately create a cohesive track like ‘Merch Guy Mike’s Favourite Song’?
I used to write all the songs for Danger Den but as of 2023 we’ve started writing songs together as a group. In our songwriting sessions usually it starts off with one of the members bringing in a demo with an idea or a part of a song and then we’d all sit down and try and figure out the parts. Once the structure is all figured out we move onto the lyrics. After that we jam it out and see what works and what doesn’t, so theres lot of trial and error in the process.
For ‘Merch Guy Mike’s Favourite Song’ in particular though, I wrote the song myself and the boys just came up with their own parts around it.”
From Darwin to Melbourne, your journey as a band has been marked by growth and evolution. How has your environment and experiences influenced the music you create?
Since moving from Darwin to Melbourne I guess I have noticed that my mind has been a lot more open these days to listening to different kinds of music that I don’t normally listen to. It’s true what they say here, Melbourne is the live music capital of Australia!
What do you hope listeners take away from ‘Merch Guy Mike’s Favourite Song’ both musically and lyrically?
Honestly I just hope they have a good time listening to it!
As finalists at the Northern Territory Music Awards and winners of the 2022 Territory Sounds Countdown, you’ve already achieved significant recognition. How does this upcoming single contribute to your momentum as a band?
Well one thing that we know for sure is that there’s plenty more where that came from! We don’t plan on slowing down and we still have a lot more to show to the world!
Looking ahead, what’s next for Danger Den? Are there any upcoming projects or milestones fans can look forward to after the release of ‘Merch Guy Mike’s Favourite Song’?
More shows and more music!
Dark-pop solo powerhouse ALTERJOY shares new single Better Make A Move, begging the question – is the price of fame and ego worth losing yourself?
Working alongside established producer Chris Lalic (Windwaker), Ben Heidrich, also known as ALTERJOY, takes a step into the dark side of ambition and desire with his fresh new single. The new track explores our addiction to instant gratification and the hunger for attention as we prioritise status and wealth over human connection, particularly in such a social media driven society.
Better Make A Move is a rock tune at its core, but delves into elements of EDM, metal, dark pop and hip hop, inspired by artists to the likes of Enter Shikari, BILMURI and Ghostmane. Experimenting with a broad range of genres, ALTERJOY sets out on a unique path of self discovery and sonic exploration.
ALTERJOY is the brainchild of singer songwriter Ben Heidrich, predominantly known for his role as drummer in Adelaide alternative metal outfit, The Daily Chase. Relocating to the Gold Coast last year, Heidrich ignites his creativity in the form of ALTERJOY, a project free from genre restraint and restriction.
Launching in 2023, This is Real became ALTERJOY’s debut single, a rock anthem built upon a cinematic landscape, paving the foundations of alternative pop rock mixed with EDM elements. A blend of dark synths and vibrant keys sought to strike listeners in the feels from the first drop.
This year’s sophomore single Hella Good is a fierce and confident cover of a No Doubt favourite. The single reached tens of thousands of streams across YouTube and Spotify and further established ALTERJOY as a newcomer worth watching.
ALTERJOY is a musical odyssey for those craving something refreshingly unique and thought-provoking. Heidrich’s refusal to be confined by convention has led his solo project into uncharted territory, creating a thrilling and unpredictable listening experience.
Gold-certified indie-pop outfit iDKHOW release highly anticipated sophomore album ‘GLOOM DIVISION’, a cocktail of experimental art-pop, post-punk & R&B infused tracks
Photo Credit: MANIC PROJECT
Today, I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW), the musical project of Salt Lake City-based singer, songwriter and multi-instrumentalist Dallon Weekes, releases their sophomore album GLOOM DIVISION via Concord Records. It follows singles ‘WHAT LOVE?’, ‘GLOOMTOWN BRATS’ and ‘INFATUATION’. Produced by Dave Fridmann (Tame Impala, MGMT, Weezer), GLOOM DIVISION showcases a boundary-pushing fusion of R&B, post-punk and art-pop, exploring themes ranging from love and obsession to satanic panic and neurodivergence. Recorded at Fridmann’s Tarbox Road Studios and Weekes’ own basement studio, GLOOM DIVISION is a testament to the power of collaboration and fearless artistic expression.
The album release is accompanied by a music video for track ‘DOWNSIDE’ that touches on becoming so enamored with a romantic partner that it can be difficult to find faults in the relationship. A thunderous bassline and whispered vocals open that track that breaks into danceable avant-pop.
‘DOWNSIDE’ music video dir. by Aiden Weber
The upcoming 2024 North American GLOOMTOWN TOUR kicks off March 15 and has already SOLD OUT 21 of the 27 dates including NYC’s Irving Plaza and Los Angeles’ Regent Theater, with more sell outs on the horizon. SoCal four piece band Benches to support. The tour will continue into Europe and the UK starting on June 15th at Rock For People Festival in Hradec, CZ and ending at the legendary Shepherd’s Bush Empire in London, UK on July 3. The Molotovs to support in Europe and Balancing Act to support in the UK. Tickets are available now.
iDKHOW has garnered nearly one billion streams worldwide to date, with two million monthly listeners on Spotify. The new album follows iDKHOW’s critically acclaimed debut,’Razzmatazz’, which included the #1 Alternative radio hit ‘Leave Me Alone’, and the previous EP 1981 Extended Play that included RIAA certified GOLD-certified single ‘Choke’. They have performed on Jimmy Kimmel Live!, Ellen and CBS This Morning: Saturday, and shared stages with Post Malone, The Killers and more.
iDKHOW GLOOMTOWN TOUR DATES
Friday, March 15 – Eastside Bowl – Nashville, TN * SOLD OUT
Sunday, March 17 – Hell as Masquerade – Atlanta, GA * SOLD OUT
Tuesday, March 19 – Plaza Live – Orlando, FL
Wednesday, March 20 – Culture Room – Fort Lauderdale, FL
Thursday, March 21 – Crowbar – Tampa, FL * SOLD OUT
Saturday, March 23 – Motorco – Raleigh, NC * SOLD OUT
Sunday, March 24 – The National – Richmond, VA
Monday, March 25 – Atlantis – Washington, DC * SOLD OUT
Tuesday, March 26 – Brooklyn Bowl Philly – Philadelphia, PA * SOLD OUT
Thursday, March 28 – Irving Plaza – New York, NY * SOLD OUT
Friday, March 29 – Brighton Music Hall – Boston, MA * SOLD OUT
Saturday, March 30 – Montage Music Hall – Rochester, NY * SOLD OUT
Monday, April 1– Buffalo Iron Works – Buffalo, NY
Tuesday, April 2 – The Axis Club – Toronto, ON * SOLD OUT
Friday, April 5 – Shelter – Detroit, MI * SOLD OUT
Saturday, April 6 – Newport – Columbus, OH
Monday, April 8 – Bottom Lounge – Chicago, IL * SOLD OUT
Tuesday, April 9 – Rave II – Milwaukee, WI
Thursday, April 11 – Fineline – Minneapolis, MN * SOLD OUT
Friday, April 12 – Majestic Theatre – Madison, WI * SOLD OUT
Saturday, April 13 Delmar Hall – St. Louis, MO * SOLD OUT
Monday, April 15 – Black Sheep – Colorado Springs, CO
Tuesday, April 16 – Ogden – Denver, CO
Friday, April 19 – Crocodile – Seattle, WA * SOLD OUT
Saturday, April 20 – Fortune Sound Club – Vancouver, BC * SOLD OUT
Sunday, April 21 – Hawthorne Theatre – Portland, OR * SOLD OUT
Wednesday, April 24– August Hall – San Francisco, CA * SOLD OUT
Friday, April 26– Regent – Los Angeles, CA * SOLD OUT
Saturday, April 27 – Glass House, Pomona, CA
Sunday, April 28 – Music Box – San Diego, CA * SOLD OUT
June 12-15 – Rock for People Festival – Hradec, CZ
Sunday, June 16– Hole44 – Berlin, DE
Tuesday, June 18 – Luxor – Köln, DE
Wednesday, June 19 – Ancienne Belgique – Brussels, BE
Friday, June 21 – Southside Festival – Neuhausen Ob Eck, DE
Saturday, June 22 – Kulturzentrum Schlachthof – Wiesbaden, DE
Sunday, June 23 – Hurricane Festival – Schnee, DE
Tuesday, June 25 – Melkweg – Amsterdam, NL
Wednesday, June 26 – Les Étoiles – Paris, FR
Friday, June 28 – SWZ – Bristol, UK
Saturday, June 29 – O2 Ritz – Manchester, UK
Sunday, June 30 – SWG3 – Glasgow, UK
Tuesday, July 2 – O2 Institute – Birmingham, UK
Wednesday, July 3 – Shepherd’s Bush Empire – London, UK
GLOOM DIVISION Tracklist:
- DOWNSIDE
- GLOOMTOWN BRATS
- INFATUATION
- WHAT LOVE?
- SPKOTHDVL
- SIXFT
- FIND ME
- KISS & TELL
- A LETTER
- SATANIC PANIC
- SUNNYSIDE
- iDIOTS OF Oz
PRAISE
“Spaced-out, swaggering synth-rock” – Billboard
“A throwback to Hot Hot Heat and early Killers — dance beat, bright neon synths, funky guitar, impassioned vocals slinging big hooks” – Stereogum
“Energetic” – NME
“Bright, vintage-pop-indebted tracks” – DORK
“Weekes is crossing old-school glitz and glamour with contemporary futurism to create a “Channels the spirits of David Bowie and Prince” – Alt Press
“Captivating” – Guitar World
“Glam-fused soundscape” – American Songwriter
GLOOM DIVISION is out now
iDKHOW: Instagram | Facebook | Twitter | Website
Italian Talent DAMANTE Announces Zouk Las Vegas Residency and Releases Spicy New Latin House Single “Turn Me On” with Gabry Ponte on Cr2 Records
Title: Turn Me On
Label: Cr2 Records
DAMANTE is back with a brand new single and an exciting announcement for fans who want to see more of him in 2024; the DJ and producer has just announced his Las Vegas residency at the wildly popular Zouk Nightclub, which begins on March 16th. The Italian sensation has also teamed up with Gabry Ponte for his release “Turn Me On,” a dancefloor heater, out now on UK‘s Cr2 Records, that’s guaranteed to get the crowd moving. The track fuses sultry vocals and Latin-infused melodies with a tech-house bassline for an enticing sonic journey. Although he’s relatively new to the scene, DAMANTE‘s Zouk Las Vegas residency has him joining the likes of ODESZA, Nicky Romero, ILLENIUM, DJ Snake, deadmau5, Kaskade, SLANDER, T-Pain, and more. Read on for what the artist himself had to say about both “Turn Me On” and the residency below:
“I got into playing music when I was 12 because my family passed down this awesome passion. Started off just jamming for fun at parties ’cause I always loved it. And over time, that love turned into my absolute favorite thing to do. Somehow, I turned it into my job, and that 12-year-old me would never have guessed I’d be a resident DJ in Las Vegas at a spot like Zouk. Crazy, right? It’s a cool moment, a big deal for me, but really, it’s just the start. I wanna take over not just Vegas but rock stages all across the USA soon.” – DAMANTE about Las Vegas residency
“Working with Gabry Ponte was a total honor. When we started putting this track together, we both felt it had some serious power. Just a few years ago, teaming up with a legend like Gabry seemed impossible. Now, he’s even more legendary, not just in Europe but all over the world. So, it’s awesome to have collaborated with him. The track itself is a beast, a Latin-house fusion that could bring some real satisfaction. I gotta stress; for me, it’s just the kickoff of a new chapter in my music journey. I haven’t dropped much in the past year and a half because I’ve been hustling to reshape my whole approach to music. Fingers crossed that the coming years will be solid for me.” – DAMANTE about “Turn Me On” with Gabry Ponte
DAMANTE (Andrea Damante) is a well-known Italian DJ and producer. Thanks to his crazy energy in front of the public, his name began to spread from private parties to the local hotspot clubs of his home city, Verona. Expanding his network day by day, he had the honor to open for Bob Sinclair, NERVO, Vinai, Serebro, and many more. As well as his DJing career, he began working on his first musical productions, which made him achieve in just a few years the disclosure of his first Gold record with “Follow My Pump” with over 11M streams on Spotify and 29M views on Youtube. With his last releases like “SCARS” with Chico Rose and “Slap Me,” he is definitely aiming at an international audience. He was also chosen as a testimonial of important brands such as YSL, Guess, Mont Blanc, and Marciano. After more than 500 shows across Europe since 2017, including Tomorrowland, Dream Village Festival, Red Valley Festival, Cavo Paradiso, Amnesia, Super Paradise, in October 2023, Damante has performed together with DJ Snake and Tiësto 2 exclusive shows at one of the greatest clubs in Las Vegas – Zouk Nightclub.
DANGER DEN UNLEASHES SONIC FURY WITH EXPLOSIVE NEW SINGLE “MERCH GUY MIKE’S FAVOURITE SONG”
Australian pop-punk band Danger Den is set to ignite the airwaves with their latest punk-rock anthem, “Merch Guy Mike’s Favourite Song.” The single, slated for release on February 29th across all digital streaming platforms, is a high-octane testament to the band’s raw energy and musical prowess.
From the first chord, “Merch Guy Mike’s Favourite Song” catapults listeners into a sonic whirlwind. Distorted guitar riffs and a relentless drumline drive the track with unbridled intensity. The vocals, seamlessly interwoven with the instrumental, add an extra layer of depth to the atmospheric journey crafted by Danger Den. Just when the audience thinks they’ve got the track figured out, a sudden turn takes them into an electrifying call-and-response guitar, bassline, and drum solo, showcasing the band’s versatility and penchant for unexpected twists.
The single reaches its climax as all instruments collide in a crescendo of energy, leaving listeners breathless and craving more. “Merch Guy Mike’s Favourite Song” is more than just a track; it’s a sonic rollercoaster that encapsulates Danger Den’s commitment to pushing musical boundaries.
With a release date set for February 29th, this single is poised to become a playlist essential for punk-rock enthusiasts and music lovers alike. As Danger Den continues to ascend to new heights, “Merch Guy Mike’s Favourite Song” stands as a testament to their evolution and determination to leave an indelible mark on the music scene in 2024.
About Danger Den
From the vibrant city of Melbourne, Australia, the rising band Danger Den emerged from the roots of Darwin, Northern Territory in early 2018. The brainchild of founding member Jeremy Uyloan, the band comprises talented musicians James McGrath, Liam Terril, Jamie Beech, and Emiliano Treleani.
In 2022, Danger Den earned well-deserved recognition as a finalist at the Northern Territory Music Awards, a testament to their exceptional talent and dedication. Their debut album, “Pull Yourself Together,” showcased their prowess in the pop-punk genre, drawing inspiration from iconic bands like Green Day, Blink-182, Taking Back Sunday, Foo Fighters, Mayday Parade, and Rage Against The Machine.
The band’s dynamic sound, characterized by infectious melodies and energetic performances, resonated with fans and earned them the top spot in the 2022 Territory Sounds Countdown. Danger Den’s live shows have further solidified their reputation, having shared the stage with notable acts like Eskimo Joe, Timmy Trumpet, Southeast Desert Metal, and Butterfingers.
Driven by the collective goal of pushing their music as far as possible and aspiring to make a living out of their passion, Danger Den continues to captivate audiences with their genuine and spirited approach to pop punk. Their journey is marked by a deep appreciation for the bands that have influenced their lives, creating a sound that reflects both their roots in Darwin and their current home in the bustling music scene of Melbourne. As Danger Den strives for greater heights, their infectious melodies and unwavering passion for music are poised to leave an indelible mark on the scene.
Crafting Emotion: Christine Tarquinio’s Interview on the Art of Musical Storytelling in ‘All Angles’
All Angles” is described as a journey into the intricate dance of control, strength, and unspoken struggles within. How did you approach capturing these emotions in both the lyrics and the musical composition of the song?
For me I find the concept for the melody easier to develop first and try to evoke the emotion that shows the feeling of the story. The lyrics are quite steadfast from the first verse. I try to capture a perception of strength from the outset but as the song develops, I reveal that “on the inside I completely fall apart’. It’s the nature of humans to try and show up every day and be their best but sometimes situations out of our control can change our feelings in the blink of an eye and our strength can be challenged. We feel this need to keep going on as normal, even though we may be struggling.
As a singer-songwriter, you draw inspiration from your role as a mother and the challenges of family life. How did your experiences as a mother influence the creation of “All Angles,” and how do you balance the storytelling aspects with the musical elements?
Being a mother is a great source of inspiration to me in writing my music. I have young children who are navigating the world for themselves. The notion of being able to take any bad feelings away is my wish for them. In this song I try to balance with the lyrics and musical elements, the real world versus perfect work scenario of being able to solve all their problems.
The song touches on the profound sense of presence required to defend one’s family when it matters most. Can you share a specific personal experience or moment that inspired the theme and message behind “All Angles”?
Being a parent, I see my children following a similar path to me. Making friends and going through school life. If they have a bad day, it often takes me back to my own experiences of growing up. Not all kids were kind to me growing up and it stays with you. If you see your own children going to a similar experience, then you can feel helpless. I wrote this song to show my children I am there for them as one of their greatest supporters in life.
“All Angles” is your first release since your EP in mid-2023. What prompted the timing of this release, and did the creative process differ for this song compared to your previous works?
I did allow myself to take a break from creating music last year. I am always working on writing new music but it felt like the right time just after New Years to dive back into recording. The creative process was slightly different as my producer was overseas so the mixing/mastering was done remotely, and I would just submit my vocals/guitar. It was an enjoyable experience. I was lucky to find someone to work with who was very talented, had a great vision and musicality and most of all was very patient. The song came together very quickly but it was a lot of fun.
Being a singing teacher, you play a crucial role in fostering the next generation of vocal talent. How does your experience as a teacher influence your own approach to songwriting and music production?
There are sometimes certain rules that need to be applied with technique and pitch when teaching singing. However, it also needs to be fun and it is okay to make mistakes. That is also the key to songwriting. Some things will work, some don’t but you can bend the rules and not necessarily have to fit into one box. All voices are unique and are a gift. That is the main message I give to my students.
You’ve utilized your guitar to establish the emotional framework for your songs in “All Angles.” Can you delve into your creative process when working with the guitar and how it contributes to the emotional depth of your music?
The guitar is often my go to instrument when writing any song. One small riff or a few chords on my guitar can instantly shape the way a song may turn out. With just a guitar it gives me freedom to explore melodies and experiment with new sounds and styles with my voice. This process can often take time and I don’t like to rush this process. I am happier to start a song and then leave it for a few days and come back to it fresh with new ideas.
Your musical style is described as a synthesis of various influences, including Taylor Swift, Ed Sheeran, Coldplay, Muse, Gwen Stefani, Natalie Imbruglia, and Jewel. How do you navigate merging these influences to create a unique and authentic sound that represents Christine Tarquinio?
I am inspired by all of these amazing musicians as their music resonates with me so much. I can get lost in their music and forget about any worries I may have. I love the ability to escape in a song just for a moment and this group are very good at it. I really like the fact they are humble and also family is super important to all of them I think that is why I gravitate towards their music, and they inspire me to be my best authentic self with my music.
The song reflects the challenges of family life. Can you share some specific themes or moments in the song that highlight these challenges, and how important is it for you to convey both the joys and difficulties of being a parent through your music?
This is a great question. The absolute joy of seeing your family happy, succeeding in their own lives and just being content is the goal. The difficulties are anything that gets in the way of these things. In the beginning of the song there is a theme alluding to difficult times had in the past. However, it is reflecting on what I do next. Even though we are being tested, I am now making a plan for what comes next. The joy in the song is me taking back my power and seeing a sense of normality returning once again.
“All Angles” is produced, mixed, and mastered by Daniel Nieberg. How did the collaboration with Daniel enhance the overall sound and message of the song, and what was the most rewarding aspect of working together?
Working with Daniel was an amazing experience. He interpreted my song so amazingly well. All he had to go on was my demo guitar and vocals only. He then used the piano to compost this this amazing, dreamy almost hypnotic track. The most rewarding part was the collaboration of ideas. Even though it was all done online it was still so easy to discuss changes and new ideas and trying a few different things until we agreed the song was finally ready.
Celebrating nearly a decade since your debut release, how has your approach to music and songwriting evolved over the years, and what lessons have you learned that continue to shape your musical journey?
Well I have been lucky to work with a few amazing producers over the last 10 years and they all bring something unique to each project. I have found it is a good idea to try working with different musicians and producers as it keeps you inspired and willing to try out new ideas. In that way I think my music has been able to evolve naturally. My process for writing has always been the same it is always me with a guitar and my phone close by to record any gems of an idea that pop up. I really would like to do more co-writing on songs, from the outset that is something I look forward to in the years ahead.
Sustainability is mentioned as one of your commitments. How does this commitment manifest in your music career, and do you incorporate sustainable practices in other aspects of your life as well?
Music is my outlet for expression, it makes me happy, it provides emotional release. I need to do it for my well-being so like any other thing in life I always make time for this. It must be a balance. This is so important to me, and it is a part of who I am. The fact that I get to share my music and my stories across the world is a humbling experience and I am so grateful I get to do this. The joy comes back full circle as I see comments from the people who are enjoying my music.
Looking ahead to the next decade of your musical career, what goals and aspirations do you have, and how do you envision your sound evolving in the future?
I am taking more of an interest in the production side of music. It is still a way off for now, but it is something I aspire to do. I look forward to doing some more collaboration songs with other singers. That would be amazing too. I hope my sound will keep evolving so it is still present and relevant and still able to make an impact on the listener.
TICKETS
SET TIMES
With just over a week until the festival, Pitch Music & Arts have revealed the set times for their seventh edition, taking place next weekend from March 8 to 12.
They’ve also added several artists to the programme including Lady Shaka, Edd Fisher, Franck The Operatives, Claire O’Brien, Marli, CaucasianOpportunities and Hannah D.
To complement the music programme, the festival will offer an array of unique experiences, with a new purpose-built Greenhouse space, additional wellness experiences at the Pitch Pavilion as well as the usual hidden renegade parties and immersive art.
Pitch, who are known for their brutalist architecturally designed stages, will reimagine their stage designs this year. The Resident Advisor stage preview has recently been revealed which features the stage topped with a custom made sphere.
The new Pitch Greenhouse, will transform from a recharge haven during the day to an experimental playground at night, featuring DJs and takeovers from Skylab Radio, Deep Water, Navy Blue Radio, and a pop-up bar by Quiet Time.
The Pitch Pavilion, a space nestled under a canopy of trees will offer immersive experiences such as wellness workshops, ambient DJ sets, and yoga. New to the space for 2024 will be massages, sessions with a reiki healer, and festival-goers can book in for tarot card-reading sessions.
Hidden amongst the campgrounds, discover, a hub away from the main stages eclectic music styles
Hidden amongst the campgrounds, the Pitch Precinct offers a hub of eclectic music styles away from the main stages. Hosted by popular local collectives On3 and The Operatives, the space will feature renegade parties & takeovers from Now Hear This, Inbraza, Closet, and Picked Last.
Festival-goers can also look forward to Pitch’s new diverse merchandise range which will be on offer. Named Mechanical Utopia, the range draws inspiration from binary imagery and pixel art.
One of the festival’s highlights is the convergence of music and art. Notable artists such as Olivier Ratsi, Spencer Rose, and Øfferings will showcase their works.
For added convenience, Pitch offers Pre-Pitched tents, allowing attendees to arrive at a fully set-up tent.
Pitch will be donating $1 for every food item sold at the Community BBQ to aid in the rebuild and recovery efforts for the bushfire affected community of Pomonal. Patrons are encouraged to purchase burgers, sausage sizzles and bacon and egg rolls from the community BBQ to support this cause.
Secure your tickets now and immerse yourself in a weekend of self discovery, creativity and inclusion.
FULL LINEUP (A-Z):
999999999
Ahadadream
Akua
Anz
Aroha
Aurora Halal (LIVE)
Bailey Ibbs
Bambounou
Bertie
Bitter Babe
Cakes Da Killa LIVE
CaucasianOpportunities
CC:DISCO!
Chaos in the CBD
Chippy Nonstop
Chlär
Claire O’Brien
Clara Cuvé
Cromby
dameeeela b2b DJ PGZ
Dan Shake
Daniel Avery (LIVE)
DJ BORING
DJ Gigola
Edd Fisher
Franck
Gabrielle Kwarteng
Gerd Janson
Glass Beams
Hannah D
Hasvat Informant
Horse Meat Disco
I Hate Models
jamesjamesjames b2b Willaris. K
Jennifer Loveless
JNETT
Job Jobse
Kessler
Kia
KiNK (LIVE)
KSMBA
Lady Shaka
LB aka LABAT
Mac Declos
Mama Snake
Marcel Dettmann
Marli
Mark Blair
Matisa
MC Yallah & Debmaster (LIVE)
MCR-T
Memphis LK
Moopie
Narciss
Nene H
Nite Fleit
ØTTA
Patrick Mason
priya
RONA.
Sally C
SALOME
Sedef AdasÏ
Shampain
SHERELLE
Sophie McAlister
Special Request
Spray
Surusinghe
Tangela
The Operatives
THC
TYGAPAW
VTSS
X-Coast
X CLUB.
Yikes
Get Connected:
https://www.pitchfestival.com.
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