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Music News

Music News

Canadian Electro Pop Artist Dani Doucette to Release Debut EP Run With Me on October 15

by the partae September 16, 2021
written by the partae

Has Garnered Over Half A Million Career Streams To Date

Toronto, ON – Toronto-based pop artist Dani Doucette is set to release her debut EP Run With Me on October 15 via MDC Music and all streaming platforms. The EP was produced by Milano (Tory Lanez, IconaPop), Jack Emblem (Johnny Orlando, Daniel Caesar), Thomas McKay (Michaela May, Brooke Palsson), Anthony Wright (John Legend, Eva Avila), Daniel Santos, Andre Doucette, and Dani. The 6-track EP is a collection of songs that reflect the way the mind wanders, in a sonic tribute to thinking out loud and finding your way through the fog. It’s about being transparent, being willing to show the world your journey.

“The songs on this EP have real autobiographical tones and a lot of vulnerable thoughts. It’s self-therapizing. I’ve got my whole heart on my sleeve, and it’s ready to bleed. There are parts of me never-before-seen, and then lyrics written tearfully, yet somehow in an expression of the purest joy. There are diary entries and fictional stories attached to notes to add that extra dramatic effect.  I finally feel like I am catching up to myself and understanding myself. These songs have brought me here,” said Dani.

The EP includes the focus track, “Run With Me,” an anthem to anyone that desires the freedom of leaving everything behind, and to take chances, take that leap, and move forward.

Each song on the album is inspired by Dani’s real and vulnerable thoughts including “Post It,” about realizing how easy it is to fall into the trap of fake love. Dani wrote this piece in a moment of inner reflection as she scrolled social media and saw what was  being praised and trending.

“Makin’ Moves,” is a seductive song about woman empowerment and sexuality, and “100%” is a track about honouring the love of Dani’s life. Said Dani about “100%”, “I’ve found a love I never imagined. I never thought it could possibly exist. I wanted to honor him with this song, to tell him how his unflinching belief in me and love gave me inner peace and the courage to do the things I was scared to do alone.”

Taking influences from her musical family, Dani fell in love with music as a child and started singing and songwriting at the young age of six. Before shifting to focus mainly on her music, Dani had an illustrious career in modelling. She worked with prominent brands and walked the world’s longest runway for the Kols Foundation as a celebrity participant, raising over $2,500 in donations. Dani also donated the income from two songs to raise funds for World Elephant Day.

In 2020, Dani signed with MDC Music and began to make a name for herself in the Toronto music scene by performing at various drive-in concerts, live-streamed performances, and a host of digital/live hybrid showcases during the pandemic. Dani has also found a strong digital fanbase in the ultra-popular virtual-world gaming platform, called Avakin. She later released the singles “On My Mind,” and “Selfish”, and in 2021 released “Craved”, “Dead in The Water” and was a featured artist and co-writer on the Soundhaven song “Sugar Free”.

Dani has finally found a way of catching up to herself and Run With Me invites listeners to catch up too.

Showing no signs of slowing down, Dani will be kicking things off at the North Bay ‘We Are Pride’ Concert on September 18th, following Bif Naked, and headliner and Canadian singer-songwriter icon, Serena Ryder. The evening will be hosted by northern Ontario comedian, Alice Rose. More information can be found here.

While Dani Doucette begins pouring her powerhouse and melodic vocals over the tune, she offers immense servings of lust and desire through her passionate delivery and sultry lyricism. -Buzz Music

If you are indeed searching for an artist that exerts their expertise through their soul making you feel the music, not just hear it, Dani Doucette is where you need to be. -Apex Coture Magazine

Her songs present strong autobiographical and rebellious qualities with authentic lyricism and danceable electronic music. -Canadian Beats

Run With Me Track Listing:

1. Puzzled

2. Call It

3. Run With Me

4. Post It

5. Makin’ Moves

6. 100%

https://www.danidoucettemusic.com

September 16, 2021 0 comments
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Music News

FENDER® RELEASES NEW PLAYER PLUS SERIES, DESIGNED TO UNITE THE NEXT GENERATION OF PLAYERS SHAPING THE FUTURE OF GUITAR

by the partae September 15, 2021
written by the partae

Built For Digital Generations In A Shifting Music Industry, Player Plus Builds On Player Series Legacy With
Both Performance Upgrades and Bold New Finishes

‘The Player Plus Fender Stratocaster arrived fully setup and ready to rip in a convenient padded Fender gig bag. The classic two point tremolo as always is an amazing companion coupled with perfect intonation.  The noiseless pickups are super responsive, giving the player the famous Fender Strat tones and twang that one only dreams about. This guitar is a real all rounder and will cater towards many different styles and genres.  The maple fret board is super smooth and the locking tuners help keep the strings in tune for longer.  Overall this is one hell of a guitar for beginners to pro’s, all that experience the pleasure of this Strat will be left feeling very satisfied.’ – The Partae

HOLLYWOOD, CALIF. (September 14, 2021) — Fender Musical Instruments Corporation (FMIC) today announced the launch of the all-new Player Plus Series. As a new generation of guitar players continues to emerge, Player Plus puts the power of guitar squarely in their hands with new versions of Fender’s most iconic models. Combining precise playability with unbridled style, these seven guitars and basses are engineered to remove any obstacle to effortless playing and are finished in vibrant, head-turning colors. Player Plus is an extension of the Player Series, which was the most widely-adopted Fender guitar series in 2020 and has sold over 400k units since its 2018 debut. Millions of new players began their learning journey during the pandemic, and for many, the Player Series provided a seamless entry into the Fender brand.

As digital platforms like TikTok have opened up new pathways for artists to find worldwide audiences, Fender has designed Player Plus for the generation leading the charge: both online and as live music begins to roar back after its hiatus. The launch of Player Plus will also serve as the debut of Fender’s very own TikTok, @fender. Fender’s presence on the app will include exclusive content, product demos and educational content, tailor-made for both passionate musicians and aspiring artists. To highlight Player Plus on TikTok, Fender has teamed up with guitarists currently pushing the boundaries of genre and creativity in terms of what and how they are creating music. They include Blu DeTiger, Hannah Dasher, Gabriel Garzón-Montano, The Destroy Boys and the Nova Twins.

The launch of the Player Series in 2018 helped spark a movement in the guitar industry, one where Fender has committed to showcasing the youthful, creative and evolving universe of guitar and bass. This movement has been accelerated over the past twelve months with even more new players entering the world of guitar than ever before. This new generation of players have more diverse opinions, styles, tastes and perspectives than any cohort of guitarists before them. The launch of Player Plus is Fender’s continued opportunity to unite this new generation of guitar players with a campaign that bridges creation, energy and style with expression, connection and collaboration. With the new Player Plus Series, Fender aims to highlight the diverse perspectives behind the creativity and self-expression that will shape the style, culture and music of the future.

“Artists will always be at the heart of what drives us to create and innovate,” said Evan Jones, Fender CMO. “For us, this means listening closely to their needs, studying the evolving music landscape and delivering tools that will help them move and inspire fans. Inspired by the continued emergence of new artists who are taking guitar into new spaces and putting their own stamp on musical traditions of the past, the Player Plus series is built for artists who want to transmit a bold aesthetic and are unapologetic in their approach to their craft. Our hope is that working artists & emerging players will be attracted to the undeniable style, feel, energy and of course Fender tone that has and will continue to inspire generations of creators.”

The future of music has inherently adapted due to the rise of social media platforms like TikTok, which amasses over 100M monthly active users, many of them musicians. As a result, Fender is launching its own TikTok this month to inspire not only guitarists but also other content creators on the platform. Additionally, the new lineup of models will be featured in Fender’s new content series, Sessions Plus. Building on the fan-favorite Fender Sessions, Sessions Plus profiles the artists at the forefront of a boundary-pushing musical subculture and the Player Plus guitar or bass they use to bring their passions to life. The series highlights how digital platforms have created new genres and made old ones more dynamic: from Blu DeTiger taking bass playing to center stage, to Destroy Boys’ new twist on time-honored punk genres.

All Player Plus models are designed with features and hardware that are approachable yet empowering to the seasoned player. The necks for the series feature 12”-radius fingerboards, with rolled edges perfect for intense playing while maintaining comfort. The New Noiseless pickups used throughout Player Plus models deliver classic Fender tones with modern clarity: delivering highs that can cut through the mix without distracting hum. These electronics are controlled with advanced switching capabilities to give players easy access to a wide variety of tonal options, while locking tuners provide professional-grade stability and make string changes easy. These features differentiate Player Plus guitars and basses from traditional or vintage-style instruments, but maintain their ability to seamlessly blend
and mesh with every conceivable use occasion, genre or creative situation.

“We designed the Player Plus series to match the unique characteristics of today’s players and creators,” said Justin Norvell, EVP Fender Products. “When we first launched the Player Series in 2018, we set a new standard for what an entry-point Fender could be. Now, the Player Plus series offers a next-level playing experience to help a new generation share their passion and distinct perspective. The newly-voiced Noiseless pickups and rolled edges of the neck deliver the power and precision modern artists demand. With the Electric new gradient burst finishes, we’ve delivered a visually-striking line of performance instruments that exemplify Fender’s ethos: honoring our past while looking to the future.” Player Plus guitars and basses come in a range of finishes that nod to Fender’s history and culture. These include Belair Blue, Silver Smoke, Tequila Sunrise, Aged Olympic Pearl, Aged Candy Apple Red, Cosmic Jade and Opal Spark. Several of these finishes are a modern take on the gradient finishes seen on ‘80s-era, high-performance Fender® models and differentiate Player Plus from any other series in the company’s portfolio. The Player Plus series of electric guitars and basses feature seven new models available at local dealers and on Fender.com. Models include:

● Player Plus Stratocaster® guitar ($999.99 USD, £939.00 GBP, €1,049.00 EUR, $1,999.00 AUD,
¥137,500 JPY)
● Player Plus Stratocaster® HSS guitar ($1,029.99 USD, £979.00 GBP, €1,099.00 EUR, $2,049.00
AUD, ¥140,800 JPY)
● Player Plus Telecaster® guitar ($999.99 USD, £939.00 GBP, €1,049.00 EUR, $1,999.00 AUD,
¥137,500 JPY)
● Player Plus Nashville Telecaster® guitar ($1,029.99 USD, £979.00 GBP, €1,099.00 EUR, $2,049.00
AUD, ¥140,800 JPY)
● Player Plus Active Precision Bass® guitar ($1,049.99 USD, £1,069.00 GBP, €1,199.00 EUR,
$2,099.00 AUD, ¥148,500 JPY)
● Player Plus Active Jazz Bass® guitar ($1,099.99 USD, £1,069.00 GBP, €1,199.00 EUR, $2,199.00
AUD, ¥159,500 JPY)
● Player Plus Active Jazz Bass® V guitar ($1,149.99 USD, £1,159.00 GBP, €1,299.00 EUR, $2,299.00
AUD, ¥165,000 JPY)

ABOUT FENDER MUSICAL INSTRUMENTS CORPORATION:
Since 1946, Fender has revolutionised music and culture as one of the world’s leading musical instrument manufacturers, marketers and distributors. Fender Musical Instruments Corporation (FMIC) whose portfolio of owned and licensed brands includes Fender®, Squier®, Gretsch® guitars, Jackson®, EVH®, Charvel® and Bigsby® follows a player-centric approach to crafting the highest quality instruments and digital experiences across genres. Since 2015, Fender’s digital arm has introduced a new eco-system of products and interactive experiences to accompany players at every stage of their musical journey.
This includes innovative apps and learning platforms designed to complement Fender guitars, amplifiers, effects pedals, accessories and pro audio gear and inspire players through an immersive musical experience. FMIC is dedicated to unlocking the power of musical expression for all players, from beginners to history making legends. In 2021, Fender celebrates 75 years of giving artists “wings to fly,” carrying on the vision of its founder, Leo Fender, and connecting players through a shared love of music.

September 15, 2021 0 comments
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Music InterviewsMusic News

Van Berg

by the partae September 15, 2021
written by the partae
Where are you currently based?
 
Nathan: The four of us currently live around Melbourne’s inner northwest. With three members around Essendon and our drummer Sammy currently based in Doncaster. 
 
How did Van Berg form?
 
Phillip: The four of us go back a long way… Franny (bassist) and I go all the way back to the first day of Prep.
We all grew up playing music together in various bands throughout our school years.Nathan: I feel like music was always a core interest for our friend group in high school.
After school, I went and lived in Manchester, UK for several years.
During this time I messed around for a while writing some ambient home recordings, but never really took it that seriously.Phillip: In the time after high school, several of us mucked about jamming and the occasional gig but nothing really stuck.
Nathan came back from the UK and I showed him some of the material I’d been writing, and to my surprise, he was really into it.
He was really keen to help me start getting the material recorded.Nathan: Yeah, I feel like Phil had lots of cool material I wanted to play around with, and I had the experience (albeit primitive at the time) to track and do basic mixes.
Everything kind of snowballed from there.
What’s been happening recently?
 
Phillip:

We picked up a good bit of momentum in the middle of 2021. The album was coming along nicely, and we were picking up shows at sick venues around Melbourne.
The fruits of our labor after playing together for so long were starting to finally pay off, as we were beginning to create a live sound and energy that was exciting to us.
Obviously COVID through a huge spanner into that, and we’ve been unable to perform or record, which has been a rather large kick in the nuts.
But as of late I’ve been huddled up in a dark room writing material for the next album.

Your second single Obnoxious is out now, what influenced the sound and songwriting?
Nathan: I feel that a lot of our music’s ‘sound’ has key influences being Nirvana, The Cure, and The Smiths. I really dig Phil’s style of 80’s/ early 90’s jangly guitar melodies and catchy hooks. We do our best to keep things upbeat and dancy for y’all.

The song is about a toxic previous relationship of Phils.
(looks at Phil) – you were always in bloody quarrel weren’t ya?
… Phil initially wrote the chorus and I finished the song off by writing about their relationship from my point of view.

 Where and when did you record/produce/master and who with?
 
Phillip:
The whole album has pretty much been recorded at Nathan’s house (Thank you modern technology and a sincere apology to all of his neighbors).It’s been a learning process for us but we’ve had amazing help from those around us. Our great friend Ollie Coupe Sando was there from the beginning, helping us mold the song into the best version possible.Our mixer John “Hooves” Clayton and masterer Jack the Bear (both legends in their field) also somehow managed to turn the muddled mess we gave them into one sexy banger, which we are eternally grateful for.
How did you approach the recording process?
So hindsight definitely is 20/20… we’ve honestly wasted so much damn time on the recording process. That being said, we’ve learned so much along the way.

We initially tried a live recording, but it just ended up sounding shit and wasn’t what we were after. We found it very difficult to control guitar tones – so we scrapped it.

Now we’ve learned to get the drum track Schmick in a studio and then record everything individually. We do pretty much 100% of all other recordings in either Phils or my bedroom… athangyou 😉 .

What’s the weirdest gig you’ve ever played and why?
 
Phillip:
One particular instance definitely springs to mind. It was a dive bar in the city, which I won’t name.The whole place just gave out the weirdest vibes, everybody was just strange and smelled awful. It was like that scene in the movie “Deliverance”, where Burt Reynolds stumbles into the massive inbred community.The band that organised the event must have gotten wise to the setting because they didn’t even show up. No word or warning, nothing.The owner was blind drunk the entire evening, slamming down lemon lime and bitters with vodka chasers. At one point, she storms the stage mid-set, rips the microphone out of Nathan’s hands and screams “WHICH ONE OF YOU FUCKERS STOLE MY COASTER?? THE ONE THAT SAYS BOSS ON IT?? NO ONE IS LEAVING THIS FUCKING PLACE UNTIL I FIND MY COASTER”
Then proceeds to throw the mic down and stumble off stage.
We later found her backstage, punching the wall and still screaming about her coaster. Lady had some demons alright, but it turned out to be one of the most fun gigs we ever played. There were like four people in the whole room, so we just got blind and took the absolute piss out of it.
I’m also glad we got out of there alive.
How do you prepare for shows?
 
I’m super fussy and paranoid about live sound, so I normally end up just licking the soundies arse during the whole ‘set up’ process to make sure everything is how we want it.
We like to get everything wired up, set up right, then just kick it and have a cupla bevs with everyone before the show. Best way to loosen up ya know?
 
Who are you listening to at the moment?
 
I’d be lying if I said The Smiths weren’t still making a regular appearance on my Spotify. It’s been years but Johnny Marr still tickles me in all the right ways.
As far as new music, Still Woozy’s latest album has been a shining light throughout the last few months of shit.
 
What do you like to do away from music?
 
Nathan:
In my spare time, I try to hang out as much as possible with my partner and my mates.
We’re constantly planning dinners, weekend trips away, camping… all the good shit.I’m not much of a material man, but I will admit I do have a bit of a fascination with motorbikes and cars. Soz for the generic bloke answer.
 
What’s planned for the remainder of 2021 going into 2022?
 
Continuing crying isolated in my bedroom, eat more peanut butter out of the jar and pray to the indie rock gods we can ever play a live show again.
Our third single “Saffron” is also just about ready, so we’re keen to release that in the next few months.
Then the full EP by the end of the year.
 
Favourite food and place to hangout?
Nathan:

I love a good Ruby Murray or Japanese.
Tapas is up there for me too but there’s not many Spanish options around me.

Park hangouts for me are my favorite at the moment (literally all we’re allowed to do anyways).
Take a big Bluetooth speaker and an esky down with a few bevs (shhh).
Our close friend Madi also brings an absolute beast of a platter.
Get a little tipsy and end up throwing a frisbee around for a few hours. Top Banana.

Instagram:  https://www.instagram.com/vanbergmusic/

Triple J Unearthed Link: https://www.triplejunearthed.com/artist/van-berg

September 15, 2021 0 comments
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Music News

KUČKA SHARES NEW PJ HARVEY COVER ‘DOWN BY THE WATER’

by the partae September 15, 2021
written by the partae
Photo by Dillon Howl

PRAISE FOR WRESTLING

“Wrestling sounds like nothing else out this year, which shouldn’t be surprising given that
its author is a conduit for the most cutting-edge sounds in the world”

The Guardian

“After huge collaborations with the likes of Flume and A$AP Rocky, producer
Laura Jane Lowther is making an uncompromising statement of her own”

NME

“There’s beauty in the way KUČKA creates her soundscapes;
infusing them with hypnotic rhythms, and also sparseness that can really captivate”

triple j

“The album captures the ecstasy and agony of reinvention, from the turbulence of leaving everyone behind to the excitement of meeting someone new”
Red Bull Music

“Gorgeously soulful and shimmering…intimate and surreal” 
FACT

“A wonderfully opaque piece of digital soul”
CLASH

The Revelation of a Pop Auteur”
Exclaim

Following the release of her long-awaited debut LP, Wrestling, Los Angeles-based, Perth-raised electronic pop auteur KUČKA today shares her cover of PJ Harvey’s ‘Down By the Water’. LISTEN HERE + WATCH HERE.

Like her cover of Christina Aguilera’s ‘Beautiful’, KUČKA’s reinterpretation of the lead single from PJ Harvey’s critically acclaimed 1995 LP To Bring You My Love works so aptly because you can almost hear each artist in conversation with each other. Because KUČKAs rendition pulls off a sort of disappearing act and makes you improbably forget that what you’re listening to is a cover when all you can hear now is how, in so many ways, ‘Down By the Water’ is already a KUČKA song. With a shuffling, UKG-licked beat, layered vocals harmonising with one another, and trilling synths that sit somewhere between razor-thin menace and strobe-inducing, KUČKA’s palette of forward-thinking electronic pop and R&B shares a common sensibility with Harvey’s gripping and shrewdly hook-ridden art-rock. Proving her penchant for introspective pop songwriting that excavates the deepest, darkest recesses of the self, KUČKA’s rendition of ‘Down By the Water’ subsumes the original within a futuristic sheen that belies the morbid darkness of Harvey’s storytelling, continuing her insatiable momentum in 2021.

Following years of anticipation built off of her prolific past of collaborations with the likes of SOPHIE, Flume, Vince Staples, A$AP Rocky, and more, Wrestling finally arrived as KUČKA’s debut solo LP in April 2021 via Soothsayer/LuckyMe. Self-written, produced and recorded, Wrestling fused together R&B, jazz, new age, and electronic influences to construct deeply autobiographical stories on growth, love, and journeying, the result of a trying but fruitful transitional period in the producer-songwriter’s personal life.

Spanning love, conflict, sexuality, and maturity, Wrestling presented an honest depiction of KUČKA’s lived experiences wrapped in a self-assured musical perspective that treads the line between synthetic Hi-Fi and organic DIY, garnering comparisons to fellow electronic-pop visionaries Caroline Polachek, The Knife, Björk and more. Praised as “unlike anything else coming out of Australia right now” (Red Bull Music), Wrestling won ravenous praise from across the industry, including Rolling Stone, SPIN, NME Magazine, The Guardian, Exclaim, Bandcamp, FBi Radio (Album of the Week) and more.

‘Down By The Water‘ is out now, buy/stream it here.

Stay connected with KUČKA:
Website | Facebook | Instagram | Twitter | Soundcloud | Bandcamp

September 15, 2021 0 comments
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Music InterviewsMusic News

Black Pontiac

by the partae September 15, 2021
written by the partae

What is your name and role within Black Pontiac?

My name’s Matty Mclaren and I’m the lead vocalist for Vancouver Black Pontiac.

Where are you currently based?

Currently I’m riding out the 2nd year of our ‘two week’ pandemic lockdown from Vancouver, Canada.

How did Black Pontiac form?

The band formed after myself and Mac Riddell (who plays guitar like no other) started hanging out and writing songs together. Eventually we added Mac’s brother Sam into the equation on drums, and after a revolving door of bassists we found our guy in Avery John Shoesmith. The name comes from the old Pontiac Sunfire that Mac used to drive. We used to hop in the back of that tiny thing and just mob out all over the city.

What’s been happening recently?

We’ve been putting the last finishing touches on our debut album “From Bad to Worse (and Back Again)” that we’re hoping to put out later this year or early 2022!

Your new single ‘Island Honey’ is out now, what influenced the sound and songwriting?

I think the pop elements and storytelling nature of the song definitely came from the band Peach Pit. Neil Smith (the lead singer) has a way of crafting incredibly vivid stories that elicit this tender, bittersweet emotion from the little moments in life we often take for granted. He went to my high school and was a big reason I wanted to be in a band in the first place.

How did you go about writing “Island Honey”?

Like most of our best songs, it typically starts with Mac and I getting together and hanging out. He pulled out this chord progression he’d been playing around with. It wasn’t actually meant to be on the album but we ended up finishing it during pre production and figured we might as well.

Where and when did you record/produce/master and with who?

We recorded the song a few months ago with our boy Matt Dipomponio out of Echoplant Studios in Port Coquitlam, BC. He’s been a de facto 5th member through the process of engineering, producing, and mixing our entire record. The album is currently being mastered by Brock Mcfarlane of CPS Mastering.

How did you approach the recording process?

We came to Matt with the idea, and he told us we should finish it. Once we had decided we were including the song on the track list, we tracked all the drums at once. We then switched between bass, guitar, some synths specifically for Island Honey, and eventually vocals. It really depended on how we were feeling when we went into the studio in the morning. The process was super laid back and we had a lot of fun doing it.

What did you find most challenging and rewarding during the recording process?

We went into this process with the intention of getting weird with it; essentially throwing ideas at the wall and seeing what stuck. While it was incredibly rewarding being able let our creativity shine through in the studio and trying every dumb idea we had, I’ll admit it could also be a hinderance when we needed to finish something or make a decision on how a certain part was supposed to go.

Who are you listening to at the moment?

I know Mac and Sam have been really into Frank Zappa for a while. Avery’s still bumping Meatloaf in his Honda Civic and recently I’ve been into this LA band called Momma – they put out an album last year called “Two of Us” that combines soft bedroom pop vocals with a 90s alt rock that I think is sick.

What do you like to do away from music?

Lately I’ve been reading a lot of poetry. I recently finished a book called Black Abacus by a Canadian-Nigerian poet named Ian Ketteku. He bends the English language to his will in a way I’ve never seen or felt before, covering topics like race, time, love, religion, and identity  through an often painfully candid lens. It’s given me a fresh perspective on music, creatively speaking. 

What’s planned for the remainder of 2021 going into 2022?

The album drop (it’s gonna be wild), more outdoor shows, more songwriting, and hopefully a tour somewhere down the line.

Favourite food and place to hangout?

Lucy’s Eastside Diner on Main Street in Vancouver! That place has seen me at my best and absolute worst.

Twitter: @BlackPontiac_

Facebook: /BlackPontiacMusic

Instagram: @blackpontiacmusic

TikTok: @blackpontiacmusic

Website: https://www.blackpontiac.com

September 15, 2021 0 comments
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WOLFY & ROSIE TUCKER RELEASE “SUCKER SUPREME TO STUDY AND RELAX TO”

by the partae September 14, 2021
written by the partae

WOLFY & ROSIE TUCKER
RELEASE
SUCKER SUPREME TO STUDY AND RELAX TO

ROSIE TUCKER’S SUCKER SUPREME OUT NOW

Earlier this year, Rosie Tucker (they/them) released their third studio album Sucker Supreme, produced by Wolfy (he/him), which FLOOD called “a capsule of self-exploration and detailed, diaristic revelation.”

Now Wolfy and Rosie Tucker share sucker supreme to study and relax to, a chill lofi reimagining of Sucker Supreme. The album takes inspiration from Youtuber Lofi Girl’s lofi hip-hop radio which features beats to relax and study to. Despite starting as a rock album, it’s an authentic lofi hip-hop experience and provides the perfect vibe to help you chill, study, or fall asleep.

“Wolfy had recently covered an entire One Direction album in the lofi beats style, so it made sense for him to do ‘Sucker Supreme’, given that he produced it,” notes Rosie Tucker. “I think we were both a little obsessed with the chill lofi stuff throughout quarantine. Most music is distracting, even good music, and it can be hard to go about your day and listen to music at the same time. Lofi is blessedly ignorable, soothing, mint chocolate ice cream for the pandemic-addled mind”

“Making music is only worthwhile if it’s fun and nothing is more fun than taking it upon myself to cover entire albums in ridiculous genres,” adds Wolfy. “During quarantine, I was looking for any way to lower my blood pressure so it was a constant stream of bossa nova and chill lofi in my house.”

sucker supreme to study and relax to track listing

Barbara Ann (chill) (feat. Rosie Tucker)

Habanero (chill)

Different Animals (chill)

Trim (chill)

For Sale: Ford Pinto (chill)

Ambrosia (chill)

Arrow (chill)

Creature of Slime (chill)

Brand New Beast (chill)

Airport (chill)

Dog (chill)

Clinic Poem (chill)

Peach Pit (chill)

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ECLECTIC SEATTLE BAND HIGH PULP SIGNS TO ANTI-

by the partae September 14, 2021
written by the partae
Photo Credit: Kalina Cimone

It’s difficult to pin down Seattle’s High Pulp. In just a few short years, this instrumental band has dabbled in everything from avant-garde jazz to beat-driven R&B to psychedelic synthesiser-heavy electronica.

Today they are thrilled to announce their signing to ANTI- Records with the release of “Motel Money” feat. Takuya Kuroda, a song that features deep-in-the-pocket drums, lush synth textures, cinematic horns, and the trumpet stylings of featured guest artist Takuya Kuroda. Kuroda’s experimental blend of post-bop and soul-jazz is the ideal complement to High Pulp’s bedrock on this track.

 “I remember the first time I heard Rising Son [by Kuroda] back in 2014 when he joined Blue Note [Records] and it was this immediate magnetic reaction,” drummer Bobby Granfelt said. “I thought it was such a fresh modern take on jazz that stuck one foot firmly into hip-hop while simultaneously honouring bebop-era roots. Takuya has since become even more experimental – and he has proven that he is not averse to risk-taking – which adds to my respect and admiration for him as an artist. I know the rest of the band feels the same way, and I think when you put that all together, it’s no surprise that Takuya immediately popped into my head as a collaborator with High Pulp.”

High Pulp’s story begins in 2017 when the band hosted a weekly jam session at Seattle’s historic jazz club The Royal Room. The venue is owned by Wayne Horvitz, who was a member of the legendary avant jazz group Naked City alongside John Zorn and Bill Frisell. The energy from these sessions became the high-octane infusion that led to their debut album, 2018’s Bad Juice. In that same timeframe, High Pulp’s orbit collided with the likes of Shaina Shepherd, Falon Sierra & JusMoni – three R&B artists & vocalists with whom High Pulp collaborated to co-write the Light Fix EP (November 2019).

High Pulp followed up those initial releases by signing with UK-based label KingUnderground to create a three volume work titled Mutual Attraction. Each volume in the series consists of three cover tracks centred on a theme. Mutual Attraction Vol. 1 represents American free jazz from the 1970s, featuring “Pulp”-ified covers of Alice Coltrane, Pharoah Sanders and Sun Ra. Mutual Attraction Vol. 2 expands on that theme to feature international jazz of the 1980s by Casiopea, Cortex, and Arthur Verocai. The third and final entry in this series – Mutual Attraction Vol. 3 – will arrive on wax this fall for Record Store Day (November 26, 2021).

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Music InterviewsMusic News

RITA B

by the partae September 13, 2021
written by the partae

Where are you currently based?

Currently based in Wollongong. I moved down here a year ago from Sydney.

How did you first start playing music?

My mum had me on the piano as a young child which was a little on the enforced side. I eventually picked up the guitar and started writing songs in my early teens as a bit of a coping mechanism.

What’s been happening recently?

I’ve completed the studio recordings for an upcoming EP of which the two singles I’ve released this year, including ‘Travel Companion’, will feature on. I’m aiming to bring that out sometime later this year.
Aside from that, I’ve invested a bit of time and money in my own home recording studio set up. I’d like to hone in on those skills a little more for future work and recordings. 

You’re described as a folk music artist, is this accurate? Why or why not?

My roots are in folk/singer songwriter, however I enjoy the ebb and flow. I very much enjoy having the freedom to move around in genre and style. The sound is very dependent on the dynamic, whether I play solo, with my band or a percussionist or a violinist which is usually determined by the venue or availability of the musicians I like to play with. When I play with my drummer and bassist for example, the sound is much rockier/groovier.

I like to describe myself as Alt Folk for that purpose. 

Your new single ‘Travel Companion’ is out now, what influenced the sound and songwriting?How did you go about writing ‘Travel Companion’?

I was at a stage in my songwriting where I was writing for the band. I wanted to strip it back down to a singer songwriter level again and the song itself was influenced by that reason. I don’t usually write with an idea or theme in mind, I generally have the vocal accompaniment roughly arranged and then spend a couple of hours singing lyrical nonsenses until an idea has brewed. I had recently been on a solo road trip and I guess that experience combined with the ones preceding cut the mustard for the topic!
I took the song into the recording studio!

Where and when did you record/produce/master and who with?

I recorded the song with producer Guy Fenech at Rolodex sound which at the time was in Leichhardt, Sydney. The track was mixed by Nick Franklin, also working out of Rolodex Sound.

 How did you approach the recording process?
I had a demo track of ‘Travel Companion’ from a previous recording attempt. Guy and I collaborated on our ideas and a lot of the music, aside from the main vocal and acoustic guitar,  was created in the studio. Ella Carstein played the violin and Guy himself played a little percussion.   

What inspired the music video?

Maisie Cohen directed, filmed and edited the video. It was her idea to take the video out onto the road to capture the wonderful rural architecture of the iconic colonial buildings as well as capturing the arid landscapes of outback NSW, which aids in portraying the notion of isolation associated with the song and travelling on the road in Australia in general. 

The music is a waltz once the violin part kicks in, so it was important to me that we captured a little bit of dancing!

Where did you film and who did you work with to create the music video?

The video was filmed in various locations in NSW. We travelled from Wollongong to Mungo National Park, stopping at various towns and locations along the way. The road trip was undertaken in a week with the help of videographer Drew Norley and friend Ariki Hita. Collectively we all contributed our ideas for the video.
We also filmed part of the video at ‘The Servo’ in Port Kembla where we recruited dancer Kiera McGillion as well as my younger sister and her partner. My 4 year old niece also features in the video.

What did you enjoy the most about creating the video?

The road trip was so much fun! I was very impressed and humbled by our ability to maintain the balance of professional and personal relationships with each other.

Please tell us a little about where you live and do your surroundings influence your music?

I live in a lovely little suburb in Wollongong, sandwiched between the escarpment and the beach and I absolutely love it. I’m finding it more challenging to write at the moment because I’m feeling happy and healthy as a result of being here in combination with personal life matters though, so creatively it might not be a good thing! It’s the sad songs that sell right? 

What do you like to do away from music?

I must get out into the bush for walks and plant ID regularly. I’m learning how to surf and to speak Serbian and German. I’m also studying environmental and plant related things stuff with TAFE/uni.

This is majority covid era compensation though – once the pubs and live music venues reopen, I’ll be at the bar having a sing, dance and a healthy yarn! 

Who are you listening to at the moment?

Big Thief released some new music. I’m a huge fan.

What’s planned for the remainder of 2021 going into 2022?

I’m taking it easy for the remainder of the year. I’m going to continue as is and re-evaluate when time becomes a little less uncertain. 

Favourite food and place to hangout?

Sweet potato fries and donuts are the best. I don’t mind where I hang out, it’s the company that makes it special.

 

PRAISE FOR RITA B

“An acoustic track that will appeal to listeners of Stella Donnelly and Julia Jacklin, ‘Travel Companion’ offers touching lyrics that paint a fragile picture of escapism, isolation, and loneliness.”

Scenestr

Travel Companion “…the video may be a pretty literal interpretation of the track and its thematic elements”

The Music

“At first, I thought the folk band was there to soften the Stella Donnelly-like frankness of Rita B’s badass lyrics but now I realise they are as much the bark as they are the bite. Killer!”

Nkechi Anele, former Roots ‘n All  presenter, Triple j

“relatable, funny and just downright entertaining” 

Divide and Conquer

Website | facebook |Instagram| Youtube | Triple j Unearthed

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LOSER’s NEW ALBUM ‘ALL THE RAGE’ IS OUT NOW!

by the partae September 13, 2021
written by the partae
After a string of lapped-up single releases, Melbourne rock outfit LOSER have unveiled their sophomore full-length All The Rage in full.

By every metric LOSER have gone from strength to strength since introducing the record, clocking over 330,000 album streams thus far, landing positions in major playlists including New Music Friday AU/NZ, All New Rock, The Local List, Local Noise, Smells Like Stream Spirit  + more throughout its campaign and snapping widespread attention in Australia’s music media landscape.

Last month, the album was included in NME Australia’s “Most Anticipated Australian Album Releases In September” in good company alongside the likes of Ruby Fields and Amyl & The Sniffers, meanwhile further heavyweights including Rolling Stone, Beat Magazine, Australian Musician, Hysteria, Blunt and more have sung LOSER’s praises.

The albums’s singles have enjoyed a rinsing on Australian community and online radio and significant support from triple j’s main station and Unearthed platform. Listen back to last night’s interview on triple j’s 2021 with Richard Kingsmill to discover more on vocalist Tim’s breakdown and breakthrough during the album’s creation period and its recording in his new studio here.

Stay tuned as LOSER ready to announce their long-awaited album tour dates as soon as restrictions allow.

LOSER // ‘ALL THE RAGE’ OUT NOW!
loser.lnk.to/alltherage

1. Head First
2. On The Edge
3. Don’t Leave Me
4. Upside Down
5. All I Need
6. Time Won’t Wait
7. Skyward
8. Stall
9. So
10. Meant To Be

More about ‘All The Rage’
Following their 2020 Australian Music Prize-nominated effort Mindless Joy, All The Rage is the sophomore full-length effort from Melbourne rock outfit LOSER. The record offers a powerfully honest and emotive distillation of who LOSER are at their collective core, especially so for singer-shredder Tim Maxwell. While in the past he would hide behind metaphor to expound on his inner turmoils, this album marks a daring leap forward into a new world of soul-baring songwriting.

It all came to a head when Tim was tracking vocals for the album’s lead single, ‘On The Edge’ and suffered a breakdown in the studio. The resulting record is one that doubles as a lifeline for Tim, the band and those struggling to find their own mental stability mid-pandemic.

LOSER’s broader pandemic experience involved the launch of their own Restless Noise Studios, after band-and-real-life-brothers Tim and Will took to their parents’ garage to build the space the band would self-record All The Rage in during lockdown.

Combining threads of other favourites like Oasis, Wheezer, blink-182 and Smashing Pumpkins, All The Rage draws on the band’s penchant for nostalgic rock, pummelling riffs and larger-than-life solos. All underpinned by a distinctive LOSER twist, it’s set to be remembered as essential Melbourne-rock listening in years to come.

All The Rage is out now via Domestic La La. The record was produced by Tim Maxwell & Craig Selak, mixed by Anton Hagop (Silverchair, Powderfinger), mastered by Matt Gray & drum recording by Sam Johnson.

LOSER IS:
Tim Maxwell (vocals/guitar)
Will ‘Dragon’ Maxwell (guitar)
Craig Selak (bass)
Jake Farrugia (drums)

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SPENCER. Presents debut album Are U Down? Shares new single & video ‘No Direction’

by the partae September 13, 2021
written by the partae
Photo Credit: Matt Klahn

Praise for Spencer. – Are U Down?

“A lovelorn narrative weaves through NYC newcomer’s first. Indie heartbreakers ‘Lonely As I Ever Was’, ‘RocStar’ and ‘Drop’ hybridise soul hooks, hip-hop flows and shimmering guitars, whose chilled, down-home charms remind of Duckworth and early dc Basehead.” – MOJO, ★★★★
 
“Heartbreak and joy sweetened with deep grooves.” – NME, ★★★★
 
“A captivating listen, Spencer.’s skills as a producer and songwriter have never been more evident. Period.” – DIY, ★★★★
 
“A lush kind of soul that shifts and swoons, it’s a rich and promising debut.” – Loud And Quiet
 
“Lovesick, woozy, and somewhat optimistic, Are U Down? demonstrates an inherent musicality and dextrous ability that is likely to become magical.” – The Line Of Best Fit

Spencer., the project of New York musician and producer Spencer Miles Abraham Allen, has released his debut album, Are U Down? digitally via 4AD / Remote Control Records. Written, recorded and produced by Spencer. during the pandemic, its 11 songs blend R&B, hip-hop, funk, indie, pop, jazz and soul to create a sound that feels both analog and digital, honouring the past whilst staying firmly in the present. Spencer. has integrated neo-soul vocal fireworks, hip-hop flow and pop ambition into an album steeped in all the feels of a New York summer.

Are U Down? follows the release of the singles ‘No Direction’, ‘MyLuv’ and ‘Lonely As I Ever Was’ and features 4AD labelmate Becky and the Birds (vocals on ‘After The Show’), Luke Diamond (guitars) and Jake Aron (some additional production).

A heart-on-its-sleeve love song, the official video for single ‘No Direction‘ reunites Spencer. with director Danica Arias Kleinknecht (also behind the visuals for his 2019 single ‘Automatic’). “We shot the video in Jersey one night in the town where Danica’s from,” Spencer. explains. “We started shooting at 5pm and shot all night in the dark. I love how this one came together. It’s psychedelic without any visual effects and that’s the magic of working with Danica”

Born and raised in Rochester, NY, to chemist parents who presciently gifted him the middle name Miles (for Miles Davis), a career in music beckoned from an early age with 4-year-old Spencer. lobbying his Jamaican mother and British father for trumpet lessons in tribute to his namesake. Rochester’s rich and underappreciated creative scene nurtured his musical skills, and he won a place on a summer jazz program at the city’s prestigious Eastman School of Music in his teens. A self-taught producer who has always recorded in isolation, he started self-releasing home recordings in 2018, and eventually dropped out of college when his EP Want U Back became a word-of-mouth hit.

Now transplanted to the Brooklyn neighbourhood of Bed Stuy, itself a fertile ground for creative enterprise, Spencer. is a main player in a tightknit and supportive creative community that also boasts Clairo, Snail Mail, Claud, Advisry, Binki, Cautious Clay and Triathlon amongst its burgeoning talent.

Are U Down? is available digitally now. Physical formats will follow in 2022.

Listen / Download Spencer. – Are U Down?: https://spencer.ffm.to/areudown

Spencer. – ‘No Direction’ (Official Video)
Stream / Download: https://spencer.ffm.to/nodirection

Spencer. – Are U Down?

1. byyyte
2. Lonely As I Ever Was
3. U Around?
4. MyLuv
5. After the Show (ft. Becky and the Birds)
6. Luvs Me Not
7. RocStar
8. staywmecassette
9. No Direction
10. Heart Freestyle
11. Drop

Spencer. – Are U Down? is out now
via 4AD / Remote Control Records.
Spencer.
Website | Twitter I Facebook | Instagram

 

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Alexso

by the partae September 12, 2021
written by the partae

 Where are you currently based?

I recently lived in Nanjing, China. My studio is also here.

How did you first start DJing?

When I was 16 years old, I heard DISCO and Techno music on the radio. I was fascinated by electro at that time, and I also liked this career very much. By chance, I met a DJ from Shanghai in the club when I was 17 years old.

You recently did a Livestream for DJ mag https://www.youtube.com/watch?v=s094lskRTgM 

how did this come about?

I am honored to receive the invitation of DJMAG to participate in this live broadcast. I recorded this program on a beautiful hill in Xi ‘an city. This set mainly focuses on House and Tech House, and also includes many of my works and mashups.

How did you prepare for the DJ Mag stream?

We have done a lot of preparatory work, including music, MV, publicity and so on, all around the positioning of reflecting my Chinese elements to plan everything.

What or who influences your music?

There are many factors that may influence my music, because I have been a DJ since 1997, and the experience and taste accumulated over the years are the source of my creation.

What programs/equipment do you like to work with?

I use FL STUDIO software, and the hardware is getting simpler now, mainly RME sound cards and Genelec speakers.

Please tell us about your recent release on Smash the House

I released two songs on Smash the House, both Tech, House style.

Although I do many different styles of music, I still have a special liking for house music. I will be releasing more House games on Smash the House in the future.

You have new music coming out soon on Ge, what can we expect?

In September, I will release my new work “DISRUPTION” on my own label ECHO STAGE RECORDS, which is a combination of thick Chinese style and Glich Hop. I also shot the Music Video of this Music in Xi ‘an, which a city ancient capital with traditional Chinese characteristics. 

The new single “About You”, which I collaborated with Lost Capital, is our first transnational collaboration. It has a returning House rhythm and a futuristic Vocal. I believe fans will definitely like it.

I collaborated with Fatman Scoop on a new single.I can not spoil much about this new ID, but I can tell you that it is a music with strong Chinese style, it will be released in October. I am confident that this single has a chance to become popular on dance hit lists.

Who are you listening to at the moment?

Recently, I like to listen to ALOK. His music is very comfortable and can also bring me some inspiration.

What do you like to do away from music?

I like to travel and play table tennis in my spare time.

11.What’s planned for the remainder of 2021 going into 2022?

My biggest goal this year is to hit the DJMAG TOP100 DJs list. No matter what the result is, I’m still going to focus on my music career.In 2022, I will shoot more MV’s, so that the world will be more impressed with China’s achievements and the development of Chinese electronic music.

12.Favourite food and place to hangout?

My favorite food is Sichuan food. I also like to visit Chengdu. Everything in Chengdu is like heaven.

https://www.instagram.com/alexso_official/

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ASH GRUNWALD ANNOUNCES NEW ALBUM SHOUT INTO THE NOISE + NEW SINGLE ‘I WANT YOU TO KNOW’ OUT NOW

by the partae September 11, 2021
written by the partae

Ash Grunwald announces the release of his new album Shout Into The Noise, out 21 January 2022 – pre-order available HERE

Today, Ash releases his new single ‘I Want You To Know’ – watch the video HERE

Ash Grunwald is one of Australia’s most successful blues musicians, with six top 50 albums, two APRA Awards, five ARIA Award nominations, and four AIR Award nominations

Ash is doing a live stream on Facebook this evening – tune in HERE

Ash Grunwald is back, delivering his most personal album yet with Shout Into The Noise, due for release on 21 January 2022. Today he shares the album’s lead single, ‘I Want You To Know’.

Written for Ash’s children, Sunny and Aria, ‘I Want You To Know’ is a deeply personal song. Ash says, “I wanted to let them know why I’m away, why I am who I am and that I’m missing them. We went to a place emotionally that I hadn’t explored in my songwriting before. It’s a much more tender side of me. I was really nervous to start doing this song at gigs because it’s quite different to my bluesy stuff, but my audience has been super kind. They always feel touched by the genuine sentiment. This begs the question: why didn’t I open up earlier?”

Shout Into The Noise, Ash’s eleventh studio album, sees him challenge himself and push into new territory, crafting the finest album of his career. The album was produced by Grammy-nominated songwriter and producer Lachlan Bostock (Mansionair).

“I embarked on a mission to write with younger writers and producers,” Ash says. “I’ve spent much of my career tipping my hat to those who have gone before, maybe it was time to learn from the younger generation and find a new sound that blends the two worlds. An irony that I only realised after the fact is that this is actually my most personal songwriting I’ve ever done. These amazing songwriters unlocked something for me.”

Ash Grunwald is now one of Australia’s most successful blues musicians ever, with six top 50 albums and two APRA Awards. In addition, he’s been nominated for five ARIA Awards and four AIR Awards, and he was named Best International Act at the LA Music Critic Awards in 2014. 2019 saw Ash release the acclaimed album Mojo, and publish his first book, Surf By Day, Jam By Night. Most recently, Ash collaborated with Josh Teskey on the top-10 album Push The Blues Away.

Shout Into The Noise is the start of a new chapter for Ash Grunwald. “This album is my resolution to myself that I am releasing any constraints on who I am or what I’m capable of.”

Ash Grunwald – ‘I Want You To Know’
Single out now through Bloodlines
Buy/stream here

Ash Grunwald – Shout Into The Noise
Album out 21 January 2022 through Bloodlines
Pre-order here

Shout Into The Noise tracklisting:
1. Shout Into The Noise
2. I Want You To Know
3. Surrender
4. Let Me Go
5. Good Thing
6. Gone
7. Madhouse
8. Chains
9. Tell It Like It Is
10. Way Too Long
ASH GRUNWALD
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MUNA share new single ‘Silk Chiffon’ feat. Phoebe Bridgers

by the partae September 11, 2021
written by the partae

MUNA

SHARE NEW SINGLE & VIDEO
‘SILK CHIFFON‘ FEAT. PHOEBE BRIDGERS
OUT NOW ON SADDEST FACTORY RECORDS
Photo credit: Frank Ockenfels

‘Silk Chiffon’ feat. Phoebe Bridgers by MUNA

Much loved and critically acclaimed Los Angeles-based trio MUNA recently announced their signing to Phoebe Bridgers’ label Saddest Factory Records and today are releasing their first new music in over a year. The undeniable new track ‘Silk Chiffon‘ is one of the band’s poppier releases and is “a song for kids to have their first gay kiss to,” according to producer and guitarist Naomi McPherson.

Alongside the new single is the official music video, a tribute to Jamie Babbit‘s 1999 queer cult classic ‘But I’m A Cheerleader‘ and directed by Ally Pankiw.

MUNA released their debut album About U in 2017 to mass critical acclaim from the likes of The Los Angeles Times, W Magazine, V Magazine, The FADER, SPIN, and many more. It also made a number of Year-End Best Of lists including NPR’s “100 Best Songs of 2017” which stated, “the band created a musical safe space and an anthem for otherness, letting its joy speak as loudly as its defiance,” Billboard’s “50 Best Albums of 2017: Critics Pick” which called the album “spellbinding.” The trio made up of Katie Gavin (she/they), Naomi McPherson (they/them), and Josette Maskin (she/they), have performed on The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live! and Late Night with Seth Meyers.

They have spent most of their touring headlining their own sold-out shows but have also supported the likes of The 1975 and Caroline Polachek, and joined Harry Styles’ on his first major tour in 2017. MUNA’s sophomore album, Saves The World, which came out in September of 2019 received rave reviews with Rolling Stone giving the album 4 stars and stating it is a “mastery of pop songcraft”, Pitchfork praised it’s “pristine pop…” and The Independent praised their “dense, sticky synths and brawny beats,” noting, “Their debut album, 2017’s About U, was raw, poignant and just the right side of melodramatic, queering the mainstream, one sad-pop anthem at a time.” The album’s first single ‘Number One Fan‘ led Vulture to declare that “2019 is about to be theirs.”

out now on Saddest Factory Records via Dead Oceans
Listen: https://muna.saddestrec.co/silk-chiffon

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Cap Carter Shares His Single ‘Guns’; a gut-wrenching song of tragedy and hope

by the partae September 11, 2021
written by the partae

Cap Carter has dropped his third single ‘Guns’, a gut-wrenching song of tragedy and hope. While his singles ‘Relapse’ and ‘Gold’ have dealt directly with Cap’s own personal experience with addiction, rehabilitation and family, ‘Guns’ reflects on the loss of a childhood friend from Carter’s days growing up in Western Sydney.

Laying bare a brutally frank dialogue between a man who ultimately loses his battle with addiction and his girlfriend, ‘Guns’’ is not simply a dive into the darkness of tragedy. It is a reflection on how we must not allow this seemingly insurmountable darkness to prevent us from searching for light.

“This is definitely turning a corner, where the perspective is not ‘woe is me’. No matter what you have gone through in the behaviors of the past, you can change your story and the direction of your life.” This is the message that brings a new revelation in Carter’s journey. It is a hopeful third act within the three songs he has released. “It’s no longer an internal look. Now I’m looking past all the stuff that I’ve gone through, and I’m thinking about the people I’ve lost. I’m thinking about how to move forward through that.”

The gravity of Cap Carter’s words is served directly from his reality, from his soul and delivered through his achingly powerful voice. The vocal has purpose, the sparse production on ‘Guns’ demands the listener confront it. “It makes sense to have my vocal and my songs front and center supported by hip hop elements, because that’s my background. All of the extra stuff is just complimentary. I want to be able to play that on acoustic guitar and still move people”

CAP CARTER
NEW SINGLE ‘GUNS’
IS OUT NOW THROUGH
ISLAND RECORDS AUSTRALIA /UMA

 

ABOUT CAP CARTER 

Born in Manila, the western Sydney raised Cap Carter released his major label debut single, ‘Relapse’, at the start of 2021. Building a global and dedicated fan base with his original music and honest storytelling, Cap stands out for his and distinctive and authentic vocals. Writing through his own personal and lived experiences, Cap works a fusion of r&b soul with an edge and grit that is unique and refreshing.

For further info on Cap Carter you can check out:

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BLOOD COMMAND STREAM NEW SINGLE ‘THE END IS HER’ Second Glimpse of New Vocalist Nikki Brumen (ex-Pagan) Out Now Via Hassle Records

by the partae September 11, 2021
written by the partae

Blood Command have released their new single “The End is Her”, the second glimpse of the band’s new vocalist, Nikki Brumen (ex-Pagan).

The self-described ‘deathpop’ band are a one-of-a-kind proposition. Hardcore meets metal meets pop meets punk, Blood Command have previously been called ‘one of the world’s best kept secrets‘ by Rock Sound, achieved one of the Albums of the Year in Kerrang! and applauded by Metal Hammer, among others.

Alongside the release of their new single, Blood Command have also launched their Australian merch store. View the collection here

STREAM “THE END IS HER” HERE

Blood Command mastermind Yngve Andersen comments: “’The End is Her” is for the losers, for the wallflowers and for the people who never quite fit in. It’s a song about feeling so invisible that no matter how loud you scream, no one will hear you. For anyone who burns so brightly but nobody else sees even a flicker of the flame.

I wrote the lyrics at time when I was feeling weak and alone but used this darkness as ammo to become stronger. You never know what is going on in someone’s mind or what they are capable of, so I want this song to remind people to never underestimate the outcasts. That we have the ability to use the doubt of others to ignite something inside of us – to strike a match and light the world on fire.

It felt right to release this track next, as this was the first song I showed Nikki when I first asked her to join the band. I knew she could scream, but I’d never heard her actually sing, so I gave her this song to record and send back to me, just to make sure she was the right fit. I was actually playing a show when she sent the demo back and let’s just say, I partied really hard that night. It was a dream come true.

We’ve shown the heavier side of the new era of Blood Command with “A Villain’s Monologue“. Now it’s time to shake it up with “The End is Her” – quintessential Death Pop, this is the anthem for anyone who has ever thought it won’t get better but has found solace in realising they aren’t the only one who is suffering.”

Blood Command have previously toured with Biffy Clyro, Kvelertak, Rolo Tomassi, and Skindred, following the release of their acclaimed EP Return of the Arsonist, the conceptual successor to 2011’s Hand Us The Alphamale EP. The band have also shared the stage with Refused, Tragedy, Comeback Kid, and Gallows, and have played Download Festival, The Great Escape, 2000trees and Roskilde festivals, among others. Blood Command will embark on an extensive tour of Europe with Kvelertak in 2022.

Now with celebrated UK label Hassle Records and with Nikki at the front, Blood Command‘s power and prestige only rises higher.

INTERNATIONAL PRAISE FOR BLOOD COMMAND

“Blood Command, where have you been all my life?” – Kerrang! 

“Blood Command are a band unlike any other.”  – Rock Sound

“Fiercely unique, catchy punk’n’roll, and it demands your full, ongoing attention.”  – Metal Hammer 

“In reality, where only good jams matter, Blood Command is f*cking awesome!”  – Metalsucks

BLOOD COMMAND – “THE END IS HER”

LISTEN HERE

@Bloodcommand @Bloodcommand
@bloodcommand @bloodcommand
@bloodcommand @bloodcommand
Hassle Records Hassle Records
September 11, 2021 0 comments
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