With headline shows in Christchurch, Auckland, Sydney, Canberra, Melbourne, Brisbane and Perth
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Where are you currently based?
I am based in Boorloo (Perth) Western Australia.
How did you first start playing music?
I made a decision about 5 years ago that if I didn’t pursue my dreams now that they would never happen. I found a DJ and Abelton production course through Lab Six and haven’t looked back since.
What’s been happening recently?
I have been quietly producing music in my little home studio which has been like a cocoon during the pandemic. Being nominated for a WAM SOTY award in 2021 really encouraged me to push myself forward and see how far I can go with my beautiful obsession to produce music. I am looking forward to my first live performance (previously it has always been DJ sets).
Your latest single ‘Threw It All Away’ is out now, what influenced the sound and songwriting?
About a year ago, I really started vibing Trip Hop like Portishead and Massive Attack and decided that genre really suits my songwriting style. I also love Kanye style vocal processing so I decided to give Trip Hop a modern twist by incorporating that into this track.
How did you go about writing Threw It All Away?
I wrote the lyrics first with a melody in mind. Once I had that together, I sat at my piano and worked out some backing chords before picking the perfect synth for the track using Abelton which is the DAW that I use to create music. Once I had a rough draft of the song, I showed my mentor Morgan Then (from Slumberjack) and he had some great suggestions which really brought the track to life and complemented the song so well.
What does this single mean to you?
I feel personally connected to this song. You can hear that this song comes from the heart when listening to my vocals. I am so grateful to have the opportunity to create this song, and it is my intention that it will resonate with a lot of people, and bring them pleasure listening to it.
Where and when did you record/produce/master and who with?
The song was written in my studio at home and the vocals were recorded there also. There was some Mentorship over zoom with Morgan Then, but it was all in my home studio. Even the mastering. Lab Six Records requested some minor changes and I was stoked that they released it under their label.
Who are you listening to at the moment?
I love Portishead, but I am currently listening to Project Bexx, Tina Says, Ekko and Sidetrack, Boston Switch, Oddly Godly and of course Slumberjack.
What do you like to do away from music?
I am trying to grow the world’s largest tomato.
What’s planned for the remainder of 2022 going into 2023?
I am currently involved in a guiness book of world record attempt to beat the record for B2B DJ set and my latest single “Fly Away” is coming out October 13!
I have so much music lined up for release as well as DJ sets and performances scheduled, next up on October 12 at Lyric Underground in Maylands.
Favourite food and place to hangout?
I love Mushroom Burgers and to hang out at Lab Six.
/// Fran Links ///
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BLISS N ESO ANNOUNCE NATIONAL ‘WHEEL OF TUNES’ TOUR FOR NOVEMBER-DECEMBER 2022 + performing at the NRL Grand Final this Sunday Bliss n Eso announce a 5-date ‘Wheel Of Tunes’ tour for this Nov-Dec 2022 Bliss, DJ Izm & Eso (Bliss n Eso) will perform nationally playing cult classics and fan favourites chosen by the crowd live! Bliss n Eso have 3 x ARIA #1 albums to their name, over 400,000 albums sales and over half a billion all-time streams Frontier Members Pre-sale starts Tuesday 4 October, before tickets go on sale to the general public on Thursday 6 October Performing live at the NRL Grand Final this Sunday 2 October Illusive Presents and Frontier Touring are excited to announce a unique 5-date Australian tour for one of the country’s finest hip hop acts, Bliss n Eso. In a first for Bliss, DJ Izm & Eso (Bliss n Eso), the ‘Wheel Of Tunes’ tour allows fans to spin the wheel live on stage, to hear Bliss n Eso cult classics and fan favourites chosen by the crowd live!
Frontier Members can access pre-sale tickets on Tuesday 4 October from 11am local time before the general public on sale on Thursday 6 October at 11am local time. Tickets via: frontiertouring.com/blissneso The ‘Wheel Of Tunes’ tour kicks off at The Gov, Adelaide on Wednesday 23 November, across to 170 Russell, Melbourne on Thursday 24 November, before heading north to Brisbane’s Tivoli on Saturday 26 November. The tour continues to Sydney’s Metro Theatre on Thursday 1 December before winding up at Metropolis Fremantle on Saturday 3 December. With seven studio albums and over thirty released singles under their belt, there’ll be no shortage of hits, cult classics and fan favourites on the wheel to be chosen by the crowd live on stage! Catalogue tracks range from ‘Act Your Age’, ‘Addicted’, ‘Moments’, ‘My Life’, ‘Party At My Place’, ‘The Sea Is Rising’, ‘Dopamine’, ‘Golden Years’, ‘Send It’, ‘Get Your Boof On’, ‘The Prophecy’, ‘Daddy’s Caddy’, ‘Lighthouse’, ‘Good People’, ‘Happy In My Hoody’, ‘House Of Dreams’ and countless more… Bliss n Eso have 3 x ARIA #1 albums to their name, more than half a billion all-time streams and more than 400,000 albums sold to date. The Sydney hip hop heavyweights recently completed their mammoth 34-date metro and regional ‘The Sun Tour’ which took place from January through to July 2022 and was highly praised by critics and fans alike.
Bliss n Eso will perform live as part of an all-Aussie music line-up for the NRL Grand Final pre-game entertainment to be held at Sydney’s Accor Stadium this Sunday 2 October. The entertainment line-up includes Jimmy Barnes featuring Diesel, Josh Teskey, Sheldon Riley plus Bliss n Eso featuring JOY., A.GIRL, Emma Donovan and Mahalia Barnes. Watch the NRL Grand Final live this Sunday 2 October from 5.30pm on the Nine Network and 9Now. Renowned for their captivating live performances and boisterous energy – don’t miss out on tickets to see Australia’s finest, Bliss n Eso perform nationally on their ‘Wheels Of Tunes’ Tour this November-December. Tickets on sale to the general public Thursday 6 October at 11am local. BLISS N ESO FRONTIER MEMBERS PRE-SALE GENERAL PUBLIC ON SALE Wednesday 23 November Thursday 24 November Saturday 26 November Thursday 1 December Saturday 3 December |
blissneso.com | facebook.com/blissneso
Twitter @blissneso | Instagram @blissneso
Spotify | Apple Music
frontiertouring.com/blissneso | facebook.com/frontiertouring
Twitter @frontiertouring | Instagram @frontiertouring
Steve Lacy brings his Give You The World Tour to Australia this November and December, playing headline East Coast dates
Also appearing at Spilt Milk in Canberra, Ballarat and the Gold Coast
Critically acclaimed new album Gemini Rights is out now through RCA Records/Sony Music Australia
Penny Drop and Frontier Touring are delighted to announce Steve Lacy will return to Australia this November and December for headline East Coast dates, along with appearances at Spilt Milk in Canberra, Ballarat and the Gold Coast.
Visiting our shores for the first time since his sold-out headline run in early-2020, Steve Lacy will take in the Forum Melbourne on 22 November, Brisbane’s The Tivoli on 23 November and Sydney’s stunning Enmore Theatre on 28 November.
Lacy’s Australian visit follows the release of his critically acclaimed new album Gemini Rights, which he dropped in July. Written, produced, and played pretty much entirely by Steve, the record is an incredible leap forward for an artist who has already established himself as a true cultural force. Like Lacy himself, the record is an amalgamation of a crazy array of references and influences – everything from Caetono Veloso, to Andre 3000’s The Love Below, to the Beatles, to Sly Stone, to his friends/band mates in THE INTERNET and much more.
Earlier this month, album single ‘Bad Habit’ became the first song to simultaneously top both Billboard’s Hot R&B/Hip-Hop Chart and Hot Rock & Alternative Songs Chart. That same week the song cracked the Top 10 on America’s Pop Airplay Chart and hit No.2 on Billboard’s Hot 100 Chart, becoming Lacy’s first ever single to reach the chart. In Australia, the track topped Spotify’s Top 50 Chart and peaked at No.3 on the ARIA Singles Chart.
With a live show that is equally celebrated, Steve Lacy has earnt praise from the likes of Pitchfork, NME and Rolling Stone, who called Gemini Rights “brilliantly mercurial”.
“… silky-but-powerful vocals” – DIY Mag
“… Lacy well and truly delivered.” – Mixdown Mag
“This singular talent goes to the next level with his deliciously languid second solo album” – The Guardian
Lacy already has a veteran’s resume: Wired Magazine Tech Visionary, Time Magazine Most Influential Teen, Grammy-nominated for his debut album, Apollo XXI, multiple world tours, walked for Virgil Abloh’s first Louis Vuitton show in Paris, gave a TED Talk in NYC, produced a track on Kendrick Lamar’s DAMN (‘Pride’) on his iPhone. His list of collaborators is a who’s who of game changing artists, all of whom look to Lacy to bring his signature brand of cool to their sonic table: people like Tyler the Creator, Solange, J.Cole, Vampire Weekend, Dirty Projectors, Kali Uchis, Thundercat and Mac Miller, not to mention his guitar, bass, songwriting, and production with his bandmates THE INTERNET. His song ‘Dark Red’, which he literally made on his iPhone, claimed platinum status in the US recently!
Following his US tour dates this Spring, Steve Lacy will return down under in November and December and it’s a music experience that is absolutely not to be missed.
Gemini Rights is available now: https://stevelacy.lnk.to/GMNIRGTS-AU
STEVE LACY
AUSTRALIAN TOUR
NOVEMBER & DECEMBER 2022
Presented by Penny Drop and Frontier Touring
FRONTIER MEMBERS PRE-SALE
Via frontiertouring.com/stevelacy
Runs 24 hours from: Tuesday 4 October (9am local time)
or until pre-sale allocation exhausted
GENERAL PUBLIC ON SALE
Begins: Wednesday 5 October (10am local time)
TUESDAY 22 NOVEMBER
Forum Melbourne | Melbourne, VIC
ticketek.com.au | Ph: 132 849
WEDNESDAY 23 NOVEMBER
The Tivoli | Brisbane, QLD
ticketmaster.com.au | 136 100
MONDAY 28 NOVEMBER
Enmore Theatre | Sydney NSW
ticketek.com.au | Ph: 132 849
Tuesday 4th October 2022 – Fortitude Music Hall, Brisbane
Thursday 6th October 2022 – Festival Hall, Melbourne
Wednesday 12th October 2022 – Enmore Theatre, Sydney (SOLD OUT)
Thursday 13th October 2022 – Enmore Theatre, Sydney
The Kooks will be touring Australia this October for their Inside In / Inside Out 15th Anniversary Tour, presented by Untitled Group & XIII Touring.
Celebrating 15 glorious years since the release of the timeless multi-platinum ‘Inside In / Inside Out’, The Kooks will hit the road to perform their iconic debut studio album in its entirety, alongside other career-spanning tracks. Taking place in October, they’ll be performing in Brisbane, Melbourne and Sydney whilst they’re in Australia for Grapevine Gathering Festival, taking place at wineries around the country.
Over the years, The Kooks have established themselves as mainstays on the UK indie-pop scene, amassing over 1 billion streams, with anthems such as ‘She Moves In Her Own Way’, ‘You Don’t Love Me’, ‘Ooh La’ & ‘Naive’.
The band recently released their sixth studio album ‘10 Tracks To Echo In The Dark’ which they will also be performing on tour. The new album amassed 1.6 million streams globally in week 1 of the release, and The Kooks currently boast 2.3 million Spotify followers and 6.1 million Spotify monthly listeners.
With a legion of new fans discovering the band in recent years, this has led to appearances at the biggest festivals in Australia such as Beyond The Valley, Splendour In The Grass, & Lost Paradise, along with numerous sold-out headline tours across the country.
With support from The Vanns, a true powerhouse of modern-day rock & roll, brace yourself for an evening full of hits and a party with The Kooks.
Tickets On Sale Now: https://bit.ly/kooks-tix
Get connected:
The festive concert returns this December with special guests Amyl and the Sniffers, The Beths (NZ) and Alex The Astronaut
- Paul Kelly announces his annual Making Gravy concert, taking place Friday 9 December at Melbourne’s Sidney Myer Music Bowl
- Kelly is a 17 x ARIA Award winner and has been nominated 61 times – the most nominated Australian artist in ARIA history
- Tickets on sale Wednesday 5 October
Who’s gonna make the gravy with Paul Kelly this year? Back by popular demand and now in its fourth incarnation, Kelly’s annual Making Gravy concert returns to Melbourne’s Sidney Myer Music Bowl on Friday 9 December. Kick off the festive season with a night celebrating songs from Kelly’s four decade-long, critically acclaimed career… including, of course, his 1996 classic ‘How To Make Gravy’, a song five minutes long, with no chorus, and set in jail.
For 2022’s musical feast Kelly will be joined on stage by three of Australia and New Zealand’s finest musical exports: Melbourne outfit Amyl and the Sniffers, Auckland four-piece The Beths, and Sydney singer/songwriter Alex The Astronaut.
Frontier Members can access the pre-sale from Monday 3 October (1pm local time), before tickets go on sale to the general public on Wednesday 5 October (1pm local time) via frontiertouring.com/
One of Australia’s most revered musicians, Paul Kelly holds the prestigious title of an Officer of the Order of Australia for his distinguished service to the arts. Inducted into the ARIA Hall of Fame in 1997, Kelly is a 17 x ARIA Award winner and has been nominated 61 times during his illustrious career, making him the most nominated Australian artist in ARIA history. Renowned as one of our greatest performers and songwriters, Kelly’s willingness to take the road less travelled has played an important part in keeping the flame burning in his own songs, tracks that have soundtracked a nation: ‘From St Kilda to King’s Cross’, ‘Leaps and Bounds’, ‘To Her Door’, ‘Before Too Long’, ‘The Ballad of Queenie and Rover’, ‘They Thought I Was Asleep’, ‘Deeper Water’, the unforgettable Kev Carmody co-write ‘From Little Things Big Things Grow’… and countless more.
With the 21st of December now unofficially known as ‘Gravy Day’, ever since Kelly first debuted his first Making Gravy concert series way back in 2017 fans have been witness to a truly special night. Alongside his many hits and special guests, Kelly also performs a few of his favourite Christmas odes… several of which he captured in 2021’s extraordinary 22-song double collection Paul Kelly’s Christmas Train. From folk, classical, soul, carols, hymns, rock and roll, don’t miss this special, one-off live event!
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Making Gravy 2021 – Photo by Mushroom Creative House |
Twelve months ago, their album Comfort To Me propelled them into the stratosphere and now Melbourne punkers Amyl and the Sniffers return to the Bowl for Making Gravy! The band sold out venues across the globe in 2022, from legendary stages such as the Brixton Academy (UK) to festivals Coachella, Primavera, and more. In early September, Amyl… dropped Live at Forum Theatre on YouTube – watch the blistering clip here. Currently on the road in North America, the ‘Hertz’ rockers return to Europe this month before wrapping up a huge year of gigs with a show in Glasgow. Melbourne: it’s time to welcome Amyl and the Sniffers home.
Auckland four-piece The Beths are riding high on the recent release of their third and best album to date, Expert In A Dying Field, which debuted at #1 in New Zealand this week. Elizabeth Stokes (vocals/guitar), Jonathan Pearce (guitar), Benjamin Sinclair (bass), and Tristan Deck (drums) imbue singles such as the ear worm ‘Knees Deep’ with brimming, electric confidence – think cerebral indie-rock-meets-power pop. Praised by international outlets such as NME, Paste, Stereogum (who named Expert… Album of the Week) and more, The Beths “fully deserve every accolade they will no doubt receive with this album”, reckons Bandcamp, in their glowing 9/10 album review.
Sydney 26-year-old Alex The Astronaut will open proceedings on the night, charming audiences with her trademark lyrics, idiosyncratic humour, and radiantly detailed slices of life. 2022 album How to Grow A Sunflower Underwater debuted at #4 on ARIA’s Australian Album chart, Alex documenting moments of both the seemingly mundane – from a haircut, a therapy session, a trip to the beach and to the supermarket – to the utterly life-changing. In between performing sold-out headline shows across Australia in 2022 Alex has graced festival stages including Primavera Sound, The Great Escape, and Splendour in the Grass… where she performed her latest single, ‘Ride My Bike’.
Making Gravy has become an unmissable live music experience on Melbourne’s calendar. Christmas has come early with this unbeatable line-up: grab your tickets and don’t miss out!
PAUL KELLY
MAKING GRAVY
DECEMBER 2022
Presented by Frontier Touring
FRONTIER MEMBERS PRE-SALE
via frontiertouring.com/
Runs 24 hours from: Monday 3 October (1pm local time)
or until pre-sale allocation exhausted
GENERAL PUBLIC ON SALE
Begins: Wednesday 5 October (1pm local time)
Friday 9 December
Sidney Myer Music Bowl | Melbourne, VIC
Licensed All Ages
Ticketek.com.au | Ph: 132 849
paulkelly.com.au | facebook.com/paulkellyofficial
Twitter @paulkelly | Instagram @paulkellyofficial
Spotify | iTunes | YouTube
amylandthesniffers.com | facebook.com/
Twitter @amylandsniffers | Instagram @amylandthesniffers
Spotify | iTunes | YouTube
thebeths.com | facebook.com/thebethsnz
Twitter @thebeths | Instagram @thebeths
Spotify | iTunes | YouTube
alextheastronaut.com | facebook.com/alextheastronaut
Instagram @alex.the.astronaut | Spotify | iTunes | YouTube
frontiertouring.com/
Twitter @frontiertouring | Instagram @frontiertouring
FIRST SINGLE
“DARBY CRASHING YOUR PARTY”
NOW STREAMING ONLINE
DOUBLE ALBUM PRODUCED BY
BILL STEVENSON & JASON LIVERMORE
(BLASTING ROOM)
IN STORES AND ONLINE
VIA FAT WRECK CHORDS
ON FRIDAY, DECEMBER 2
WITH PRE-ORDER AVAILABLE NOW
NOFX TOURING AUSTRALIA THIS DECEMBER
AS PART OF GOOD THINGS FESTIVAL
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Previous Support for McDermott & North
“this is such feel good 60s tinged pop that backs up the positive spin on bad stuff happening message with a sunny sounding song.”
4 / 5 (Declan Byrne, Triple J) [About ‘All Things Come And Go’]
“After jamming out to ‘All Things Come and Go’ for months, I thought I’d better explore the McD & N back catalogue, and I’m not disappointed! This is gorgeous, and just affirms my love for McDermott & North! These guys are all class.”
(Lachie Pringle, Triple J) [About ‘All Things Come And Go’]
“Definitely hearing the Kinks influence here. I can’t give higher praise than that. Really lovely classic songwriting: a little bit sunny, a little bit wistful, a joy to have in the ears.”
(Dan Condon, Triple J) [About ‘All Things Come And Go’]
“Patrick McDermott and Rhys North, have spent the past number of years carving out a sound that feels both grounded and explorative; it’s rooted in an earnest kind of folky warmth, but stretches into spaces of pure melodic ecstasy. Seriously, these guys really know how to write a chorus.”
(Happy Magazine)
“Clearly dedicated to the preservation of the song…”
(Gary Crowley, BBC Radio)
“A slice of gorgeous, blissful pop”
(Mark Rogers, RNZ)
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Congratulations on the release of ‘Bittersweet At Best’! How does it feel to have new music out there? Thank you! It’s so exciting! I have been working on this song for a really long time and to finally be able to share it in all it’s melancholic glory is amazing!
It’s not the first piece of music from you in 2022 – how does the experience of making this track compare to ‘I’m Fine, Thanks’? I actually worked on them one after the other. On fine thanks we had a I think about 30 backing vocal tracks to create that waterfall of ‘fine’ and a lot of overlaying lead parts from me. So when we moved onto Bittersweet it felt like a walk in the park because it was so intentionally stripped back.
Tell us about the team you worked with on ‘Bittersweet At Best’: who were they and what was it like to work with them? The same team who worked on ‘I’m Fine, Thanks’ worked on this one, Cody McWaters, Dan Sugars, Kieran Stevenson, Michael Muchow and of course, me! It’s so wonderful to work with them because they are some of the closet people in my life and know me and understand me so well that it just makes for a really safe space to create.
How do you think your songwriting approach has changed since releasing your album Spectacular Heartbreak (if so, how)? I think the only thing that might’ve changed is I trust myself a bit more. I feel like when I was writing SH I would get halfway through a song and it wouldn’t be quite right and I would immediately go to the idea that I needed a co-writer to finish it. Which worked out pretty well on SH of course! But I think for this record I have put a bit more effort into pushing myself to try to be my own editor.
‘Bittersweet At Best’ feels like such an emotional track: do you pull from real life experiences when writing your material? Definintely! Funnily enough this song just kind of fell out and I didn’t actually think much of it when I first wrote it. It wasn’t until I was tracking some demos with Dan and Kieran and I had jumped on at the last minute to do this one by myself. I looked over at them when I had finished and they were both about to cry. So I figured that maybe the reason it was so easy to write because so much of this song feels like it was just sitting in my subconscious. I always feel like the only way I can write something special is writing what I know.
Do you have any specific reference records or artists you find yourself returning to with each writing session? Not so much when I go into writing sessions but certainly when we are working up a song in the studio. I think my cornerstone for incredible writing and experimenting is and will always be Taylor Swift. Her writing has always told stories no matter what genre she is playing in. And that’s something I always hang onto when I’m creating.
What’s coming up with you as we head into the rest of the year, with your music, that is exciting you? Right now I’m finishing up my second album that I crowdfunded earlier this year with the same team I’ve been working with on these last two songs. I’m also playing some of the new record live at festivals like Deni Ute Muster (September 30) and Groundwater Country Music Festival (October 30), I’ll also be doing my annual christmas show which I’ll be annoucing next month! Then gearing up for a big album release and tour next year!
Can fans expect a new album on the horizon? Yes indeed! Album 2 is on the way in 2023!
Sudden Debt are a three piece from Melbourne, the band uses noise, tremolo, delay, drum pads, vocal effects and bass chorus to create a unique and experimental sound. Band members include members of Heart Beach (Spunk!, Kingfisher Bluez, Rough Skies) and Ivy St (Wireless).
No Data is the third track of a series of three singles following the recently released DD and IIHLL.
A celebratory show will be held on the 29th of September at Nighthawks (Melbourne) w/ Techno Biddes & Orbits
Quote about ‘No Data’ from Jon from Sudden Debt,
“No data was recorded at Heap Gap in 2022. It’s the third and final 2022 single from Sudden Debt. The three singles were tracked in half a day. Less than an hour for No data. No data is necessarily simple. The simpler the track the higher the likelihood it could be preserved. The vicissitudes of life were corroding our music at the time: work, lockdowns, travel, ageing, cost, procrastination. Calendrical bass, unintelligible vocals (you can’t understand and so are not distracted by the “words”), a stripped back electronic kit that you can plug in quickly and play really loud in a really small room”.
Instagram
https://www.instagram.com/sudden.debt/
Spotify
https://open.spotify.com/artist/4HRhgItXkch05nZo7kl8iS
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