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Interview: Figurehead talk new single “Heart Like A Sunset”

April 9, 2026

FESTIVAL OF THE STONE 2026 LINEUP ANNOUNCEMENT Saturday 20 June, Byron Bay...

April 9, 2026

MATT CORBY ANNOUNCES THE TRAGIC MAGIC TOUR – ADELAIDE, PERTH, MELBOURNE, NEWCASTLE,...

April 8, 2026

Karnivool Announce Biggest Headline Shows of Their Career

April 8, 2026

DEAN TURNLEY EXCLUSIVE MELBOURNE SHOW

April 8, 2026

FREMANTLE INDIE ACT FIGUREHEAD RETURN WITH NEW SINGLE “HEART LIKE A SUNSET”

April 8, 2026

JACK WHITE RETURNS WITH TWO NEW SONGS, ‘G.O.D. AND THE BROKEN RIBS’...

April 7, 2026

COURTNEY BARNETT ANNOUNCES CREATURE OF HABIT TOUR ​FOR NOVEMBER 2026

April 7, 2026

EARL SWEATSHIRT, MIKE, AND SURF GANG RELEASE DOUBLE LP – POMPEII //...

April 7, 2026

Arky Waters Turns Up the Heat with New Single ‘Molly’

April 3, 2026
Category:

Music News

Festival NewsMusic News

BELLA DEER makes a stunning introduction with ‘BLOOM’

by the partae November 3, 2022
written by the partae

Photo by: Lucinda Goodwin

With a vocal quality that matches the instant charisma her presence exudes on record, Melbourne’s Bella Deer makes her debut with the gorgeous single ‘Bloom’.

As her first release, premiering with Backseat Mafia this week, Bella Deer demonstrates her boldness as a writer and performer, with ‘Bloom’ exploring her impressive range as a vocalist – and vision as a songwriter.

A composition that strikes hard with emotional keys and rousing rhythms, ‘Bloom’ is the perfect introduction to an artist who is taking a confident stride into the spotlight.

Written in 2019,  ‘Bloom’ is one of those rare pre-pandemic songs that has only taken on more strength and significance as we come out of what was such a period of unpredictability. With ‘Bloom’, Bella Deer navigates feelings of self-doubt and inner struggles – inevitably finding the light and power in acceptance and moving forward.

“This song is about struggling with self confidence and mustering the courage to simply be yourself and accepting who you are and what you stand for. When you start to do this, you find that you’re accepted despite those fears. It also explores the frustrations with the lack of meaningful human connections in our society in a tech obsessed world.”
BELLA DEER

For this song, Bella Deer worked with Joel Quartermain (Eskimo Joe, MEG MAC) on production and mixing, with final mastering completed by Stuart Hawkes of Metropolis (Amy Winehouse, Ed Sheeran). The final result, a shining mix of indie and pop sensibilities that fans of artists like HAIM, Caroline Polachek and Weyes Blood will instantly be drawn to.

‘Bloom’ also has an accompanying music video, premiered by the AU Review, released today. Filmed in Ceres, Victoria with James Duggan (True South Film), Bella Deer kept the focus on the central themes of finding light out of the darkness.

“The ‘Bloom’ video explores the power of bright colour and light; it symbolises moving away from inner darkness and doubt that has been staring back at you in the mirror for quite some time.”
BELLA DEER

A seasoned musician, Bella Deer has cut her teeth on stages with the likes of Husky Gawenda, Thando and Emma Donovan and The Putbacks in the past in different projects. With this new music and moniker, she enters a new era of artistry – one marked by strong songwriting skills and performance strength to match.

Bella Deer will launch ‘Bloom’ at an exclusive set of shows in Victoria this October and November.

BELLA DEER ‘BLOOM’ LAUNCH SHOWS

Thursday 3rd November Volta Bar Ballarat Tickets
With Nick Harris, Lucy Lorenne & The Early Birds

Saturday 19th November Door Gallery Cafe Fyansford

BLOOM is out now.
Official Website | Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

November 3, 2022 0 comments
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Music InterviewsMusic News

Watermelon Boy Discusses New Track ‘Break That Board’

by the partae November 3, 2022
written by the partae

Where are you currently based?

Hey Team! Earlier this year I moved from Brunswick back into Fitzroy. It’s great to be closer to the action again. I love the nightlife here and the energy of Fitzroy is always a buzz.

You’ve recently joined forces with Ritchie Loop and Mark Dwyer, how did this collab come to be?

I had the idea for Break That Board and had come up with the basic rhythm & bassline. I knew that finding the right vocalists would be paramount. I actually connected with Mark first and he laid a killer verse. I knew that we needed a more dancehall style vocal for the chorus and Richie Loop has the perfect sound. The fact that he’s worked with some of my hero’s like Henry Fong & Vybz Kartel was obviously a major bonus. He added so much flavour to the track and really contrasted nicely against Mark’s verse. The track very quickly started to feel complete.

‘Break That Board’ is the killer track that’s come from the collab, what influenced the sound and songwriting?

The tuned percussion is pure Watermelon Boy but I used a more twerky rhythm this time which gave it a different groove. When the vocal recordings came back to me, it all reminded me of 90’s fighting games like Street Fighter II so I recorded a bunch of samples that sounded like the commentary from those types of games. Adding those and the game soundFX really solidified the flavour of the track.

How did the songwriting process take place?

I had the “Mind like a rock, hand like a sword…” concept in my head and wanted to pay tribute to karate bad-assery. I’ve done karate since I was a kid and had never really crossed it over into music in any way. So I sent that to Mark with the beat and he wrote his verse around that. Same with Richie Loop. They both came back with their own lyrics that involved hard work and self improvement which are cornerstones of traditional martial arts. So the track has this “zen” to it which I think is so cool because there’s a correlation with being a musician or any kind of artist. The themes of working hard, honing your skills, so you can be creative, masterful and unpredictable.

Where and when did you record/produce/master?

It was very much a modern recording process with me producing and mixing from Melbourne while Richie recorded in Jamaica and Mark the US. It all came together earlier in the year

What programs/equipment were used?

I write in ableton live and mix internally, recently I’ve started doing a little “pre-master” where I run the track through some outboard gear to give it a little extra shine. I’m also finding that this helps me get a really nice mix because it shows up anything that’s unbalanced. So I’ll end up running the track out a few times and making fine adjustments before sending it to Klaus Hill for the final master. I use an SSL Fusion for a bit of colour as well as a buss compressor from Audioscape and a really nice Australian made EQ from High Voltage Audio.

What were the most challenging and rewarding aspects of creating Break That Board?

It’s always hard working in opposing timezones but if one isn’t in a hurry it can still be reasonable. Hearing the track come together and getting the master back was damn rewarding. It might be my favourite Watermelon Boy work yet. And that’s cool.. To continually make music you’re excited by.

Will we be hearing more tracks from this trio?

I think we’ll have to make more! This was such a ball and came out sounding so solid it’s inspired me to push this sound further.

Who are you listening to at the moment?

Hagan, Digital Afrika & BRYAN THE MENSAH are making some of my favourite music at the moment. I’m also really enjoying listening to Alex Jones get raked over the coals on the Knowledge Fight podcasts and being updated on Australian cookers and con-artists on The Conditional Release Program.

What’s planned for the remainder of 2022 going into 2023?

I’ll be playing Cloud 9 in Fiji on the 7th, 8th & 9th of December. It’s a perfect venue for Watermelon Boy; The tropical setting on the water, busting chill tunes with pizza and cocktails. Such a great way to spend a vaycay. On the 21st of Dec I’m hosting a Summer Solstice Variety Show at The Evelyn in Fitzroy with some VERY special guests that I’ll be announcing soon.

Favourite food and place to hangout?

For lunch I love any place with decent vegan sandwich options, that includes Viet Rose Bakery or Nico’s Sandwich Deli in Fitzroy. Around dinner time I’ll frequent one of the local institutions like Afghan Gallery, Madame K’s, Fina’s or The Rainbow Hotel. As far as bars go, we have so many brilliant ones around but you’ll likely find me at Nighthawks in Collingwood which is always a great place for a chat in the beer garden.

Socials:

Instagram: https://www.instagram.com/watermelon__boy/

Twitter: https://twitter.com/watermelon__boy

November 3, 2022 0 comments
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Festival NewsMusic News

Jack White releases ‘A Tip From You To Me’ live performance video; playing Harvest Rock Festival in Aus this Nov

by the partae November 3, 2022
written by the partae
Photograph by David James Swanson

ACCLAIM FOR JACK WHITE

FEAR OF THE DAWN
Double J Feature Album

“White remains a rock and roll white guy who isn’t afraid to wrestle with big issues”
Rolling Stone

“Mythical”
Pitchfork

“Breathtaking artistry”
NME

 ‌”Intricate‌ ‌and‌ ‌imposing‌”
The Guardian

“Enigmatic”
Tone Deaf

“White really is Dr Seuss for grown-ups”
The Music

Ahead of his first solo Australian show in 10 years at Harvest Rock Festival, Jack White shares an official live performance video for ‘A Tip From You To Me‘, premiered today via YouTube. WATCH HERE.

The video – edited by Brad Holland – features exclusive footage filmed throughout the summer during White’s Supply Chain Issues Tour, along with live audio from his August 13 Minneapolis, MN show at The Armory. ‘A Tip From You To Me‘ is but one of the many highlights found on White’s chart-topping second solo album of the year, ENTERING HEAVEN ALIVE, available everywhere now via Third Man Records.

Hailed by Variety as the “the Greatest Rock ‘n’ Roll Show on Earth,” the Supply Chain Issues Tour continues this month with shows in Southeast Asia, New Zealand and Australia for Harvest Rock Festival. For complete details and ticket availability, visit jackwhiteiii.com/tour-dates.

Last weekend saw White honoring the life and legacy of his late friend and collaborator, Loretta Lynn, with a moving performance of “Van Lear Rose” at CMT and Sandbox Live’s Coal Miner’s Daughter: A Celebration Of The Life & Music Of Loretta Lynn, a public memorial service broadcast live rom the Grand Ole Opry House in Nashville exclusively on CMT. Coal Miner’s Daughter: A Celebration Of The Life & Music Of Loretta Lynn will also be made available on Paramount+ in early 2023.

ENTERING HEAVEN ALIVE debuted at #9 on the Billboard 200 upon its July release – White’s second top 10 chart debut this year following the April arrival of White’s first solo album of 2022, FEAR OF THE DAWN, which made its own Billboard 200 entry at #4. The two albums also landed atop a variety of additional Billboard charts, including ‘Top Alternative Albums’ and ‘Top Rock Albums’, marking White’s fourth and fifth consecutive #1 debuts on both charts.

TOUR DATES
Sat 5 Nov – Samsung Hall – Manila, Philippines
Tue 8 Nov – YES 24 Live Hall – Seoul, South Korea
Thu 10 Nov – Capital Studio – Ho Chi Minh City, Vietnam
Sat 12 Nov – Muang Thai Rachadalai Theatre – Bangkok, Thailand
Mon 14 Nov –  Capitol Theatre – Singapore
Wed 16 Nov – Zepp Kuala Lumpur – Kuala Lumpur, Malaysia
Sat 19 Nov – Harvest Rock 2022 – Adelaide, Australia
Mon 21 Nov – Christchurch Town Hall – Christchurch, New Zealand
Sat 3 Dec – Audacy Beach Festival 2022 – Fort Lauderdale, FL
Sun 4 Dec – 97X Next Big Thing – Tampa, FL
Tue 8 Dec – Q101 Twisted Xmas – Chicago, IL
Sat 14 Jan – iHeartRadio ALTer EGO – Los Angeles, CA

Tickets available HERE.

ENTERING HEAVEN ALIVE is out now, buy/stream here

FEAR OF THE DAWN is out now, buy/stream here

 

Stay connected with Jack White:
Website | Facebook | Instagram | Twitter | YouTube

November 3, 2022 0 comments
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Music InterviewsMusic News

Premiere – Ben O’Kane ‘Place I’ve Never Been’ Interview

by the partae November 3, 2022
written by the partae
Where are you currently based?

 

My hometown, West Wyalong in central NSW. But looking to move away next year just not sure where to just yet!

 

What was it like growing up in country NSW?

 

It’s funny, if you asked me this question 10 years ago I would say I couldn’t get to the city / coast quick enough.  But as I’ve gotten older and seen more of the world it’s made me appreciate how good it was to grow up in the country. What I look back on now is the mateship that you build in the small country town and no matter how far I go or how long I am away for my mates and those friendships back home have never changed. My last release ‘Aint It Funny How’ explores all of this, give it a listen!

 

How did you first start playing music?

 

I was 12 years old when I first picked up the guitar. I had a couple of mates who were a bit older than me start a band and thought they were the best thing ever. And I guess I wanted to be like them so I started playing by myself and started writing songs pretty much straight away in a little notebook which, I have still have today. Some of the lyrics are hilarious. 

 

What’s been happening recently?

 

I’ve been busy, it’s been a massive year actually. Now footy has finished up I have been playing gigs most weekend in a few new places such as Albury/Wodonga. I’ve just started working on some new tracks so hopefully will be able to release new music sometime next year as well!

 

Your single ‘Place I’ve Never Been’ is out on November 4, what influenced the sound and songwriting?

 

This song is a combination of a lot of difference influences. I loved acoustic punk-rock songs as a teenager and the guitar / strings element in this track defiantly draw upon those sounds from Dashboard Confessional, Jimmy Eat World and Angels and Airways. But what I love about this song is the subtle electronic songs. These songs were all drawn from my more recent influences such as Allday. This is a sound /style I really want to explore further in the future. 

 

But the track completely changed from what I originally had in mind for it. The song started as just an acoustic guitar played lying on my lap as a percussion/guitar fusion, similar to how Ziggy Alberts made a lot of his earlier stuff. But the track kept evolving however, the originally chords were kept and we decided to add the electronic elements instead of the percussion elements to give the song a bit of extra punch. 

 

How did this single come about?

 

I never really intended this song to be on the EP actually. But when I showed my procedure my original idea, he loved the concept of it and immediately saw the potential direction we could take the track so the track evolved and came together really quickly. Lyrically, I had this idea in mind of exploring what it’s like to realize you are falling in love for the time and rather than fight it, letting yourself open up to it and becoming vulnerable with someone again. 

 

Where and when did you record/produce/master and who did you work with?

 

Nearly a year ago to the day I took the 12 hour drive to Byron to record the EP with producer Billy Otto who produced the whole track. Talents Bryon local, Phoebe Neumann also features on the track with the female backing vocals. The track was mixed by Caleb M. Harris who is based in Nashville Tennesse in the States. And the song was mastered by Trent Dobson who is based in the UK – so it was a bit of a global effort!

 

How was it working with (Producer) Billy Otto?

 

Working with Billy was incredible. I had zero experience recording music before and Billy made the whole process so easy and so much fun. Some of my best memories will forever be making the demos in the his little house on the hill. 

 

How did you approach the recording/production process?

 

As this was my first experience recording I didn’t know what to expect so I just went in with an open mind and didn’t want to get bogged down by what I thought they tracks should song like. I am so happy for this because the songs turned out even better than I had imagined. It did get a little tricky after I had to move back home after 3 weeks because of covid, but we made it work and it was just such an amazing experience overall. 

 

Who was responsible for the Artwork and Creative for this project and how did the concepts come about?

 

Ashley Cooper, who is a member of the Holy Moly Artist and Gum Records family designed the artwork and creative for this track. The track is all set in the early hours of the morning and the cover reflects what a dawn looks like in the country with Australian native fauna looking like shadows. 

 

Your debut EP is on the way, please tell us about the writing process and some idea of what we can expect:

 

It is my debut EP and it is called ‘Avem Haven’. I started the writing process by booking an isolated cabin in the hills of Kangaroo Valley in NSW. I literally just spent 4 days, from sunrise to sunset, by myself coming up with song concepts, playing with some sound ideas and writing lyrics. Looking back it was one of the most rewarding things I have ever done. The cabin I stayed in was called ‘Avem Haven’ and I named the EP after it because without that trip there would have been no EP to release!

 

What are you listening to at the moment?

 

At the moment I am trying to really focus on what sort of sounding artist I want to be. A big thing for me is making my live performances sound like the recorded tracks using my loop station. So I am currently listening to Felipe Baldomir, I love how he structures his songs using a loop station and how he uses open guitar tunings. I am also listening to Ziggy Alberts who is a massive inspiration of mine. I love his lyrics and cannot wait for his new album ‘Dancing In The Dark’ to be released. And lastly I am also listening to the Melbourne band ‘Slowly Slowly’. Again I love there conceptual lyrical writing and their overall sound. I saw them live the other week of or the first time and they were honestly the best live act I’ve ever seen. 

 

What’s planned for the remainder of 2022 going into 2023?

This year, I have a few more shows planned in regional NSW. But next year I am planning my first every official tour to promote the release of my EP which I am super excited about. Expect shows to be down the south coast and in the major NSW cities such as Wagga Wagga, Canberra, Albury and Wollongong.

 

Favourite food and place to hangout?

 

I don’t know if I have one favourite food, anything cooked by mum never misses though. And being at home when all the family is home is always my favourite place to be!

https://www.instagram.com/benokanemusic/

 

November 3, 2022 0 comments
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Festival NewsMusic News

Audio Obscura Sunrise at The Loft w/ Peggy Gou, Hunee for ADE 2022

by the partae November 3, 2022
written by the partae

Words: Domenico Frascino

Amsterdam Dance Event – which took place from October 19th to 23rd – is arguably the leading European music event and something you absolutely cannot miss every autumn. With over 300 music events happening in the city, we attended one of the most epic parties of the week: the Audio Obscura Sunrise at the infamous location The Loft.

Audio Obscura parties are widely renowned for their picturesque and charming locations. This Sunrise Session took place at The Loft, located on the top floor of the A’DAM Tower, one of the tallest landmarks in the city centre of the Dutch capital. The large glass windows allow for a breathtaking view of the city, enhanced even further by the early lights of dawn that created a magical scenery for a legendary dj-set.

Behind the decks, the power combo of Peggy Gou and Hunee entertained the intimate crowd with a whopping 7-hours musical journey that kickstarted the morning on the last day of ADE 2022 from 7-14h. The unusual mix of people, some coming from afterparties or one of the multiple ADE events happening on Saturday night, and some just about to start their day with house and disco for breakfast, contributed to an otherworldly vibe in the club. 

 

Hunee started out with a carefully selected set of trippy morning magic music including several house classics tracks, perfectly fitting to an afterhour. This made the atmosphere quickly escalate and the temperature inside the Loft rise. It was enchanting to see the multicultural and international crowd getting together smiling and dancing to the hypnotic beats.

When Peggy Gou took the stage, the party went absolute bonkers. Her electro disco house selection set the dancefloor on fire, bringing the energy inside The Loft to a whole new level. 

As usual, Audio Obscura did not disappoint and delivered one of the most memorable events of the packed ADE week.

To make you feel part of the party, we listed our top 5 tracks that Hunee and Peggy Gou blasted at the Audio Obscura Sunrise Session at the Loft:

 

  1. Off the Meds – Hiccups  (Roman Flugel Elektro House Mix)
  2. Peggy Gou – I Go (DJ Koze Remix)
  3. Satoshi Tomiie – Bassline
  4. Mim Souleiman – Poa
  5. Kassian – Aerial

Follow Audio Obscura on your favourite platform!

Website

Instagram

Facebook

SoundCloud

YouTube

November 3, 2022 0 comments
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Music InterviewsMusic News

Kopps

by the partae November 3, 2022
written by the partae
Where are you currently based?
 
Rochester, NY
 
 
Please tell us about what’s been happening recently?
 
We just put out a brand new music video for our single “Planet Bitch,” which is the second single we’ve released from our upcoming EP, also titled Planet Bitch. 🙂 We’ve also been touring pretty extensively and have more dates coming up in the Northeast in November and December!
 
 
What influenced or inspired your latest single “Planet Bitch”
 
When I came up with the concept of “Planet Bitch” I just knew we needed to do a title track for it. So basically the concept led to the single and I knew I wanted to work with our long-time producer (Daniel Armbruster of Joywave) on it as well. We always have good chemistry on tongue-in-cheek tracks like this one. 
 
 
How did you go about writing this single?
 
The concept led to the creation which isn’t something that always happens. We started with a track and I wrote a lot of the lyrics/melodys on my own, then we reconvened to edit everything down and record. That’s actually my preferred way to write as I like to have some time alone with a track instead of writing everything in-studio, though I’ve done it both ways. 
 
 
Where and when did you record/produce/master and who did you work with?
 
The song was written and recorded in Rochester, NY at Daniel Armbruster’s studio (He also produced the track.) It was mixed by Nick Radovanovic and mastered by Joe Laporta. 
 
 
How did you approach the recording process?
 
Because our catalog is pretty extensive, we’ve recorded a lot and record mostly the same way for every track. The song structure etc. need to be completed before other instruments or vocals are recorded for the most part, but many of the digital parts of the track will have been laid down prior to finishing writing, then once vocals and any real instruments being used are recorded, much more production polishing happens to actually complete the track. Then there are typically rounds of edits for mixing as well.
 
 
You made a VFX music video, how did this come about and how was it working with Josiah Moore?
 
All the credit goes to Josiah on the VFX! Josiah was incredibly easy to work with, I think our visions were aligned from the first call we had and the process of shooting only took one day. After that the heavy lifting was done by Josiah who created “Planet Bitch” and all of the visuals. I was so amazed when I saw the first edits- really just blown away. I hope new and old fans enjoy this as much as we do!
 
 
How did the concept for the music video come about?
 
I think for this it was only natural for us to want to create the actual planet we keep talking about in the music and show the audience a little barbarella fantasy moment. Because our live shows are choreographed, I knew I wanted that to be a part of things too!
 
 
What does this music video mean to you?
 
It’s one of our most visually flashy videos but also a video that is just supposed to be a snapshot in time of “Planet Bitch,” so it’s less like our other videos, many of which have more of a concept to figure out. This one is more performative and different for us while still showing glimpses of humor through the alien queen character, boob guns, etc. 😉
 
 
How did COVID affect your music and writing process?
 
Hugely. It was a dark time for my music career and pretty uninspiring as live performance is probably my favorite part of musicianship as a whole and that was no longer an option (besides performing to a phone.) I also was a lot less physical because we could no longer rehearse and be in a room with one another so I felt a sense of really losing multiple pieces of myself. The music I am putting out now has been done for quite a while but not being able to see an audience receive it made me not want to release it until this cooled down. Ultimately there were pros and cons to this but playing live now, I’m glad I waited to release!
 
 
Please tell us about your upcoming EP and how it differs from your last EP Kopyright
I think there are moments on this album that are similar to Kopyright in that it’s “all killer no filler” and really energetic throughout, but I also think it differs in that there are moments on this one that are really meaningful to me personally and show different elements of musicianship than prior projects have. I think this is the most “funk” driven and vocally popping project we’ve released in a while, which is cool for me as a singer.
 
 
Who are you listening to at the moment?
 
I am finding myself revisiting the Genesis/Phil Collins discography lately, lol…I’ve also just been having a straight up mainstream moment listening to Beyoncé and Taylor Swift’s new albums but I have to say that listening to those artists as well as less radio friendly stuff has really taught me how to be a dynamic writer in a lot of ways since our music does have major pop underpinnings while also mixing in several genres. I look at each music consumption experience as a way to learn more.
 
 
What do you like to do away from music?
 
As an extension of music: working out and dance are definitely important for me mentally and physically, especially because of how physically demanding our shows are! Psychology is what I went to school for, so what makes people tick is really interesting to me and I do a lot of reading about that in my spare time. I’m also pretty into various holistic health topics and am always trying new stuff with that. At home, I live in a historic house, so there’s no shortage of projects there to focus on and restoration is very rewarding for me. Lastly, I don’t like to be in one place for too long so I travel between coasts frequently and make being near water a big priority. 

 

What’s planned for the remainder of 2022 going into 2023?

Our next single “There’s No Such Thing As Love” comes out November 11, and the entire Planet Bitch EP is out November 18th! We have upcoming live dates in November and December as well, which can be found on our website at koppsmusic.com !!

https://www.instagram.com/koppsmusic/

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Music News

Mike Barret and Phil Swan announce new project Awkward Branches with debut single ‘A Frame (Not a Window)’ out today via Tip Top Recordings

by the partae November 3, 2022
written by the partae

Awkward Branches is the new project of singer, keyboardist and former Fiction frontman Mike Barrett and close collaborator and guitarist Phil Swan. Today they share their debut single ‘A Frame (Not a Window)’ via Tip Top Recordings.  

After writing and performing with each-other in numerous other projects – including a 6-piece experimental collective (Holy Island Sketchbook), gothic trio (Sweet Heave) and as part of Mike’s dream-pop project (Brand New Moon) – they felt it was finally time to put a name to their own project, and thus Awkward Branches was born.

Appropriately, the pair first met standing under a much-beloved tree in the gardens of an old wedding chapel where they both worked. While waiting for ceremonies to run their course, talk would often turn to music. United by a shared appreciation for ambient soundscapes and buoyant melodies, they tentatively began recording sketches; ideas which grew over several years, without hurry, into a handful of fully formed songs.

‘A Frame (Not a Window)’ is the first single to be shared from forthcoming debut EP due out next spring. The debut single is a tranquil sun-flecked number, driven by bouncy acoustic guitar and verdant synth, with tender vocals that speak to the nature of trust, faith and dogs. The song is complemented by a charming animated video, created by Mike Barrett, that satisfyingly mirrors the colourful textures and sanguine spirit of the song itself. Barrett on the video: “The video began life as a simple zoom through abstract spaces, inspired by a craft-paper collage Phil had made as a potential EP cover. Using a blend of hand-drawn elements, original footage and AI-assisted animation techniques, it soon evolved into a somewhat labyrinthine journey across a variety of fantasy landscapes, culminating In the slightly tongue-in-cheek / slightly deadly serious ascension to heaven for the final scene. Mostly it was a chance to indulge my affection for kitsch architectural forms, potted plants, and – in a nod to the first line of the song’s lyrics – the illusive joy of dogs”.

PLAY/LISTEN

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Music News

VOB Celebrate Women Who Are Breaking Stereotypes

by the partae November 3, 2022
written by the partae
Stream ‘PMS’ 

After a phenomenal debut at Wacken Open Air 2022 in July and stirring up a buzz with their “School  Revolution Remix” EP that featured six electronic music DJs and producers in September, Voice Of  Baceprot (VOB) are back with their brand-new single “PMS”.

Short for “Perempuan Merdeka Seutuhnya” or “Wholly Independent Woman” in Bahasa Indonesia,  “PMS” was actually written by Marsya (vocals, guitar), Widi (bass), and Sitti (drums) during their high school days in around 2017 together with their counselling teacher and mentor Abah Erza.

“We wrote the song fuelled by the remaining energy that we had left after school. At the time, we were up to our necks with school activities, so we basically had to drag ourselves to the studio for workshops,” remembers Marsya.

In spite of the conditions that they were in, there were no traces of fatigue in the song that they produced. In fact, “PMS” reveals the band’s antipathy, displeasure, and anger that they held towards their situation at the time, both lyrically and musically.

The main inspiration behind the lyrics to “PMS” came from a series of short stories written by  Indonesian author Feby Indirani titled “Bukan Perawan Maria” (Eng; “Not Virgin Mary”), focusing on VOB’s protestations against discriminative and judgmental behaviours that tend to be aimed towards women who hold a different mindset, perspective, attitude, and even wishes or dreams compared to the norm.

Coming from a region where social norms are heavily influenced by not only religious but also patriarchal values, VOB have had their fair share of gender-based discrimination in the past. The absence of life choices post-high school for many girls besides marriage would be one of them. The same also goes for career choices, which was limited for VOB and their friends due to gender discrimination.

“Ironically, it’s not just the men who would display such behaviours, but also our fellow women too!”  Marsya remarks.

Despite being written several years ago, the lyrics to “PMS” remain contextual and relevant to the current situation, not only back in their hometown but also in many parts of Indonesia and even the world at large. The reality is women are still restrained by patriarchal stereotypes, especially when it comes to career and other life choices.

Hence, it comes as no surprise when they roar:

“Meski tak seperawan Maria
Aku bukan budak busuk otakmu
Meski tak seperawan Maria
Akulah merdeka merdekalah seutuhnya!”

(In English:  “Though not as virgin as Mary
I’m not your brain rotten slave
Even though she’s not as virgin as Mary
I am free, completely free!”) 

There were not many changes made to the song in terms of its musical arrangement from its original form. Producer Yuka Dian Narendra (GRIBS, Anda Perdana, Bonita) lent his Midas touch to “PMS” by sprucing up its flow and sorting out the strongest parts of the song from the demo. He also selected the right sound for each instrument.

Vocal director Irvan “IrvNat” Natadiningrat (Tiga Diva, Krisdayanti, Indonesian Idol, X-Factor) also played a major part in the vocals department by asking Marsya, Widi, and Sitti to explore the kind of notes and melodies that they have never sung before: uplifting, bright, and fun, akin to anime theme songs.

“We definitely had our doubts in the beginning because it never occurred to us how a protest song could have vocal melodies of a sunnier disposition. However, once we tried it out and had a listen, we ended up loving the end results. It felt like there was another side to VOB that has never been unveiled before until now, with this approach. A fun side, yet still very much VOB,” explains Marsya.

Just like “[NOT] PUBLIC PROPERTY” – their previous single, “PMS” was mixed by Danish producer and sound engineer Tue Madsen, whose portfolio reads like a who’s who of heavy music with Meshuggah,  Suicide Silence, Mnemic, and Sick Of It All amongst his former clients. While the mastering itself was done by Howie Weinberg, an American audio mastering-engineer who is responsible for over 2,000  mastering credits, including 200+ certified Gold and Platinum albums by the RIAA, 20 Grammy  Awards and several other honours. Howie was also credited as the master engineer for Nirvana’s  “Nevermind” and Beastie Boys’ “Licensed To Ill.”

“PMS”, a bold shout out to all women who are breaking stereotypes by taking on male-dominated jobs, is available on all digital streaming platforms starting from November 3, 2022.

Follow VOB

Official Website | Spotify | Apple Music

Facebook | Insta: @voiceofbaceprot | Twitter | Youtube

November 3, 2022 0 comments
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Festival NewsMusic News

Sunk Loto Final Shows For 2022 Kick Off Later This Month, Limited Tickets Available For 2nd Melbourne Show

by the partae November 2, 2022
written by the partae
Photo Credit: Luke Henery
“You wouldn’t know they had just been on a 15 year hiatus…it seemed like they hadn’t missed a day. Their performance was stellar, and the crowd agreed. Crowd surfing, moshpits, horns in the air – the punters were having the time of their lives” – Wall Of Sound

“This was not just a nostalgic experience, this was better than ever. The Sunk Loto that strode confidently on to this stage, though the same humans, was a whole new beast” – Kill Your Stereo

“…the band sounding only better than they had 15 years ago, this is nostalgia heaven and everything feels right again…they’re tighter than ever, they sound bigger than ever” – Everblack Media

“Tonight’s set is twenty songs long, covering two LPs and their legendary debut EP…this is far more than a greatest hits affair. Deep cuts abound, and the crowd is loving it” – Sense Music Media

“With an explosion of energy and methodical precision that belie the fact that there had even been a 15 year hiatus as a band. Same band? Yes. Same Music?  Yes. Same performance? Not a chance! There was something fresh and exciting, like hearing it all again for the time but a more precise and mature version of those songs from long ago” – Metal-Roos
“A night fifteen years in the making for some…to say this was probably one of the most anticipated gigs for a Brisbane act in 2022 is a massive understatement” – The Live Wire
While 2022 has had its fair share of surprises, none have been more resoundingly celebrated than the announcement earlier this year that Australian metal pioneers Sunk Loto were officially returning to stages after a 15 year absence.

Selling out multiple Queensland shows within 24 hours of announcing their return, Sunk Loto swiftly went on to sell out additional 2022 shows, with a second Brisbane date and previously announced shows in Melbourne and Sydney rapidly reaching capacity. But if you missed out on snagging a chance to catch the prolific quartet back and bigger than ever live in action, a handful of tickets still remain for the second Melbourne show at Max Watt’s on Thursday 24 November. With unanimous praise from critics and fans alike so far for these explosive and in-depth shows, absence has indeed made the heart and the band’s ferocity grow fonder, and these final 2022 Sunk Loto shows are not to be missed.

If you had to list the most important heavy Australian albums of all time, it’s likely that Sunk Loto’s 2003 release Between Birth and Death would be near the top, and metal aficionados still consider the band as one of the most influential home-grown bands of the early 2000s.

Signed to Sony in 1999 when the average age of the band members was 16, Sunk Loto released an EP and two albums over their 10-year history. They toured the world with bands like Korn, Linkin Park, Suicidal Tendencies, Perfect Circle, Deftones, Sevendust and staked their claim as an epic live band at festivals such as Big Day Out, Homebake, Vans Warped Tour, Splendour in The Grass, and Falls.

Now, after 15 years apart, Sunk Loto have returned to the stage, with multiple sold out shows in Queensland earlier this year, and three shows remaining this November. The shows feature all four original members, Jason Brown, Dane Brown, Luke McDonald and Sean Van Gennip, who have come together to reconnect with their fans, entertain, have fun, and reignite their love of playing music.

After “five years of silence” (times 3) in a live setting, definitely don’t miss the final chance to catch Sunk Loto back at it in 2022 – snag your ticket today to one of the biggest shows of the year!

Limited Tickets Available for Thursday 24 November at Max Watts, Melbourne
Tickets available here.
Nobody Presents

SUNK LOTO
FIRST SHOWS IN 15 YEARS

WITH SPECIAL GUESTS
THE LAST MARTYR
OSAKA PUNCH

THURSDAY 24 NOVEMBER 2022: MAX WATTS, MELBOURNE
Purchase tickets from bit.ly/SunkLoto-MaxWatts-24Nov22

FRIDAY 25 NOVEMBER 2022: MAX WATTS, MELBOURNE
SOLD OUT

SATURDAY 26 NOVEMBER 2022: THE FACTORY THEATRE, MARRICKVILLE
SOLD OUT

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November 2, 2022 0 comments
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Lewis Capaldi Australian Tour: Second and final Sydney show added!

by the partae November 2, 2022
written by the partae
Secret Sounds presents
LEWIS CAPALDI
Broken By Desire To Be Heavenly Sent Tour
Sydney sold out – second and final show added!
Tickets on sale from 9am AEDT Friday 4 November at secretsounds.com
Lewis Capaldi has officially sold out the Sydney date on his anticipated Australian tour in July 2023 – less than a week after tickets going on sale. In response to this overwhelming demand, Secret Sounds have added a second and final Sydney show to the tour which will see the relatable and down-to-earth crooner kick off his Australian shows at Qudos Bank Arena on Friday 7 July. Tickets to this new date will go on sale from 9am AEDT Friday 4 November.

This exciting news for Sydney-siders comes after Capaldi instantly sold out his Melbourne date last week, with a second show at Rod Laver Arena on Friday 14 July added in response.

Lewis Capaldi announced that he would be touring Australia two weeks ago, alongside sharing the news that his new album Broken By Desire To Be Heavenly Sent will be released on Friday 19 May 2023 on EMI Records. The July 2023 tour will mark his first performances down under since early 2020, when he quickly sold out his headline shows and won hearts across the country at Falls Festival. Prior to this, he toured Australia in 2018, delivering an unforgettable festival set at Splendour in the Grass. His 2023 tour will see him arrive with a host of new songs to perform from the new album, alongside crowd favourites.

Capaldi made his eagerly awaited return in September with new single ‘Forget Me’, giving fans a taste of new music to come. The new record will follow his 2019 full-length debut, Divinely Uninspired To A Hellish Extent — which peaked at No. 7 on the ARIA Albums Chart and featured the hit singles ‘Someone You Loved’ and ‘Before You Go’.

An auspicious start to the next phase of his career, ‘Forget Me’ made Capaldi just one of a handful of artists this year to have a single go straight in at No. 1 in its first week in the UK, and saw him equal Adele in accomplishing a hat-trick of UK No. 1 singles. ‘Forget Me’ was shortly followed by a true spectacle of a music video that saw Lewis re-enact Wham’s 1983 hit ‘Club Tropicana’ shot-for-shot.

Capaldi’s debut album Divinely Uninspired To A Hellish Extent sold over 10 million copies worldwide, propelling him from bedroom musician to superstar. The record spawned two ARIA top ten singles including ‘Someone You Loved’: a platinum-selling ballad that earned a GRAMMY nomination for Song of the Year, won the Song of the Year prize at the Brit Awards, and reached No. 1 on the Billboard Hot 100 and US Top 40 charts.

With all shows to the Scottish singer-songwriter’s tour selling fast, Sydney fans are encouraged to jump on tickets to the second date as soon as they’re available from 9am AEDT Friday 4 November. All other shows are on sale now at secretsounds.com.

LEWIS CAPALDI AUSTRALIA & NEW ZEALAND TOUR DATES
Friday 7 July 2023 – Qudos Bank Arena, Sydney *second show added*
Saturday 8 July 2023 – Qudos Bank Arena, Sydney *sold out*
Tuesday 11 July 2023 – RAC Arena, Perth
Thursday 13 July 2023 – Adelaide Entertainment Centre, Adelaide
Friday 14 July 2023 – Rod Laver Arena, Melbourne *second show added*
Saturday 15 July 2023 – Rod Laver Arena, Melbourne *sold out*
Tuesday 18 July 2023 – Spark Arena, Auckland
Wednesday 19 July 2023 – TSB Arena, Wellington
TICKETS
Tickets to the new Sydney show on Friday 7 July will go on sale 9am AEDT Friday 4 November
All other dates are on sale now via secretsounds.com
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ALABAMA SHAKES Announce Boys & Girls 10th Anniversary Deluxe Edition Album released digitally on 9th December, physical released on 13th January

by the partae November 2, 2022
written by the partae
Credit: Autumn de Wilde

Rough Trade Records will commemorate the 10th anniversary of Alabama Shakes’ internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition. Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard’s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single ‘Hold On’ was voted the #1 Best Song of 2012 by Rolling Stone.

Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album’s original eleven songs plus an additional eleven tracks from the band’s explosive live performance on KCRW’s Morning Becomes Eclectic, which aired in the months leading up to the album’s release. Listen to Alabama Shakes’ ferocious live version of ‘Always Alright’ – a non-album track that appeared on the soundtrack for the Oscar-nominated film Silver Linings Playbook and earned a GRAMMY nomination out now.  Pre-order Boys & Girls 10 Year Anniversary Deluxe Edition HERE.

Alabama Shakes – comprising singer/guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, and drummer Steve Johnson – recorded Boys & Girls in Nashville, funding the sessions with their day jobs (Howard worked as a mail carrier, while Johnson served as a night watchman at a nuclear power plant) and nighttime gigs, playing James Brown and AC/DC covers in dive bars.

Soon after the arrival of Boys & Girls, Alabama Shakes found themselves thrust into the global spotlight, achieving such milestones as performing at the White House and on Saturday Night Live along with winning widespread critical praise. Pitchfork lauded “Howard’s gale-force delivery, an instrument that could have blown Otis Redding back.” The New York Times’ Jon Pareles said, “Alabama Shakes sound raw-boned and proudly unprocessed.” NME hailed the band as “a genuine, word-of-mouth, go-see-them-then-tell-10-friends-how-amazing-they-are thing.” The Guardian observed, “their music, a deep earthy pit of blues and soul and swamp, is the sort of stuff that honeys the soul and puts fire in the loins.”

As the album’s legacy continues to grow – NPR included ‘Hold On’ in the top five of its list of The 200 Greatest Songs By 21st Century Women+ in 2018 – Boys & Girls remains a major cultural touchstone whose songs of survival, longing and irrepressible hope never lose their transcendent power.

Stream / Download ‘Always Alright’ here: https://alabamashakes.ffm.to/alwaysalrightlive
Pre-order / Pre-save Boys & Girls Deluxe Edition here: https://alabamashakes.ffm.to/boysgirls

Alabama Shakes – Boys & Girls Deluxe

Disc 1: 
1. Hold On
2. I Found You
3. Hang Loose
4. Rise To The Sun
5. You Ain’t Alone
6. Goin’ To The Party
7. Heartbreaker
8. Boys & Girls
9. Be Mine
10. I Ain’t The Same
11. On Your Way

Disc 2:
1. Hang Loose (Live At KCRW)
2. I Found You (Live At KCRW)
3. Be Mine (Live At KCRW)
4. I Ain’t The Same (Live At KCRW)
5. Mama (Live At KCRW)
6. Goin’ To The Party (Live At KCRW)
7. Hold On (Live At KCRW)
8. Boys & Girls (Live At KCRW)
9. Always Alright (Live At KCRW)
10. Rise To The Sun (Live At KCRW)
11. Heavy Chevy (Live At KCRW)
Alabama Shakes – Boys & Girls 10th Aniversary Edition is out December 9 via Rough Trade / Remote Control Records.
http://www.alabamashakes.com/
http://www.roughtraderecords.com/
http://www.remotecontrolrecords.com.au/
November 2, 2022 0 comments
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Music News

TIAHI releases Berlin-inspired single “SHOOTING STAR” and announces new EP

by the partae November 2, 2022
written by the partae

Berlin-based singer, songwriter and multi-instrumentalist TIAHI is back with a new record, taking us on a ride through the big city reality of the German culture capital. The first single “Shooting Star” is out since October 21 and marks the outset of a string of releases towards his sophomore EP, scheduled for May 2023. 

On this new track, produced by TIAHI himself between Condor Recording Studios and Riverside Studios Berlin, his talent for songwriting is on full display, venturing into new, deeper territories, subtly emphasized by a more organic sound than heard on his previous record and inspired by a year’s worth of live shows and touring. The essence remains the same though: positive vibes, rhythmical prowess and catchy hooks that are guaranteed to get you singing along – funky, groovy indie pop with a lot of energy.

Despite all positivity, lockdowns and the pandemic have left their mark on the record: “Shooting Star” revolves around the thirst for connection, the magic of spontaneous encounters, of converging and departing. A modern big city fairytale, paying tribute to those special moments, even as they are irrevocably gone and memories start fading away. 

 

The cinematic music video shot in Berlin’s vibrant Friedrichshain-Kreuzberg neighborhood is an example of expert visualization of a carefully crafted storyline, giving a glimpse

into Berlin’s indie nightlife – a must see for any Berlin fan. The cleverly arranged story and skillful songwriting result in one of those songs that you can listen to over and over again, and still discover something new every time.

“Shooting Star” is only the tip of the iceberg, three more songs revolving around big city realities and navigating life with a positive mindset are at the ready, and only one thing is certain – TIAHI’s music keeps radiating a joy of living that is hard to beat.

Follow TIAHI

Instagram: https://www.instagram.com/ti.a.hi.music 

Facebook: https://www.facebook.com/TiahiOfficial

Spotify: https://open.spotify.com/artist/3f2WOdBkMBsRlUXjia1DjG?si=VYR1ACNTSTOwlfcm8W8mLg 

Website: www.tiahi-music.com

Youtube: https://youtu.be/dGQ2be27qrI 

November 2, 2022 0 comments
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Music News

NECTAR release debut EP ‘LOVE IN LIMBO’ Featuring new single ‘Pipe Dreams’

by the partae November 2, 2022
written by the partae

Photo by: Luke Hackett 

Perth indie soul quartet Nectar have today released their debut EP ‘Love In Limbo’. 

The lush 3 track EP was produced by Sam Ford (Pond, Abbe May) at Tone City Recording Studio. They’ve released a number of singles in the past year including this year’s ‘Waiting On The World Won’t Work’, scoring playlist support from Spotify’s (Local Noise, Indie Arrivals). 

‘Love In Limbo’ features their new single ‘Pipe Dreams’, it’s a light hearted track centered around a hopeful thought of an attaining an utopia which seems to be ever so unattainable, with the band adding “we aren’t always pessimistic we promise, we know this is a dream many of us have and wish for! The themes of the song are really tied together with the cohesive instrumental changing moods from verse to chorus resolving on the point that all you can do is try to be your best self and to “take care”.

On this new EP the young 4 piece illustrate how their songwriting has evolved over this past year, going from strength to strength as they refine their silky jazz sound and aural personality with comparisons to Dope Lemon and Tame Impala.

 “Love in Limbo comes from a deep love of party games, Matt is flexible and wins limbo everytime, even though Jac, Jack and Judah do yoga every morning to keep up.” NECTAR

EP Tracklisting

Pipe Dreams

Way too Soon

Found a New Friend 

EP artwork by: Edd Atchison

Their love of chilled vibes shines brightly on their debut EP.  It’s the perfect playlist for a Sunday afternoon, their storytelling punctuated with slow jam melodies. It was through a shared love of similar music that sowed the NECTAR seed. The band members have a parent or close relative who either teaches or plays music, inspiring their songwriting and musicality, including Jac’s sibling Stella Donnelly.

“The process is natural it comes from the heart, not in a cardio-vascular sense but a loving and passionate way, often times it will be a result of jamming out ideas that flow out of our fingertips, which is then structured under scrutiny of the honest and open minded brotherhood that is Nectar. Judah then goes home and writes lyrics to put the ‘icing on the cake’ ; he is quite the chef in the kitchen and the studio.” NECTAR

Nectar will celebrate the release of their debut EP Love In Limbo’ in Perth on October 28. 

They are also confirmed to perform at Nannup Music Festival 2023.

NECTAR LOVE IN LIMBO ‘EP LAUNCH

Indian Ocean Hotel, Scarborough, Perth, October 28 tickets

Supports: Hey Hannah, King Blue, Jamie Terry DJ (POND)

Gliding effortlessly between shades of psychedelia, neo-soul and indie soundscapes, Nectar are solidifying their position as one of Perth’s next big acts to keep a close eye on. The appeal of their music has been reflected in the band’s stats; with over 220K streams on Spotify alone, playlisting on Local Noise, Indie Arrivals, NMF (Norway, Sweden, Denmark, Iceland),  and a performance history that has seen Nectar excel as headliners and supports for artists including The Buoys and Keli Holiday. 

They have previously been playlisted on: triple j, triple j unearthed, RTR (including performing at the RTR Radiothon Festival),  FBi, 2ser, SYN, with press support from Pilerats, AAA Backstage, Broken 8 Records, X Press Mag and Life Without Andy to name a few. 

PRAISE FOR NECTAR

“I was only a minute in and I was already in liquid form. Rancho relaxo over at my place with nectar on the stereo.” Declan Byrne, triple j

“Introduce yourself to NECTAR, they’re a band you’re going to want to be watching in the year ahead.” Pilerats 

“The group claim to be putting out a little flavour, and they’re not lying.” 

X-Press magazine

“A tasty slow jam that sees the young four-piece flexing their musical muscles and drawing from the chilled vibes of Dope Lemon and Tame Impala, the new single is a gorgeous piece featuring soaring guest vocals from Ella Pilcher”  Broken 8 Records

“Nectar deliver a haze of psychedelic sweetness on ‘Waiting On The World (Won’t Work)’, the Moroo four-piece somehow managing to top the catchiness of last year’s ‘Plateau’ by leaps and bounds”  

Life Without Andy

Love In Limbo EP is out via Ingrooves on Friday, October 21

 Facebook | Instagram | Youtube | Triple J Unearthed

November 2, 2022 0 comments
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Music News

Noel Gallagher’s High Flying Birds return with new single ‘Pretty Boy’

by the partae November 1, 2022
written by the partae
Listen Here / Watch Official Lyric Video Here

Noel Gallagher’s High Flying Birds today release a brand new single – ‘Pretty Boy’ – the first to be revealed from Noel’s forthcoming studio album. Listen HERE.

‘Pretty Boy’ signals the beginning of a new creative chapter. Recorded at Noel’s own studio in London, Lone Star Sound, and co-produced with Paul ‘Strangeboy’ Stacey, it also features long-time friend and collaborator Johnny Marr on guitar.  Representative of Noel’s unique exploratory approach to songwriting, the track has an evocative vocal set amongst a hypnotic bassline, driving beats, high-energy riffs and instant hook.  Matching the sonic refinement of ‘Pretty Boy’ is a striking new lyric video. Watch HERE.

Speaking about the new track, Noel says:
“For this new record it was the first thing I wrote, the first thing I demoed and the first thing I finished, so it’s only right that it’s the first thing people get to hear. Massive shout out to my mainest man Johnny Marr for taking it somewhere special. Oh … and watch out for a cameo from me in the video … first one to spot me wins a bag of Flamin’ Hot Wotsits Giants!!”

Noel Gallagher’s High Flying Birds’ previous studio album Who Built The Moon?, was released in 2017, charting at Number 1 in the UK Official Albums Chart on release. Noel has remained a restless creative and followed this with a series of three critically acclaimed multi-genre EPs. June 2021 saw the release of Back The Way We Came: Vol 1 (2011-2021) – a career-defining Best Of celebrating a decade of Noel Gallagher’s High Flying Birds’ richly diverse body of work. The album marked the band’s 4th consecutive Number 1 album, and the 12th Number 1 album across Noel’s prolific career.

This winter saw Noel Gallagher’s High Flying Birds complete a national UK tour of outdoor shows, culminating with an epic set on Glastonbury’s Pyramid Stage to one of the weekend’s biggest crowds.

Noel Gallagher’s High Flying Birds’ fourth studio album will be released next year, with further details to be revealed soon.

https://www.noelgallagher.com/
https://www.facebook.com/noelgallaghermusic/
https://www.instagram.com/themightyi/
https://twitter.com/NoelGallagher

November 1, 2022 0 comments
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Music News

KIMBRA ANNOUNCES NEW PODCAST ‘PLAYING WITH FIRE’ FIRST 3 EPISODES WITH MITSKI, BETHANY JOY LENZ + JEDIDIAH JENKINS OUT NOW

by the partae November 1, 2022
written by the partae
Photo by Spencer Ostrander

ACCLAIM FOR KIMBRA

“Kimbra: confident, self-actualized star and feminist pop warrior”
Interview Magazine

“The pop anomaly has gone on to prove that she is more than just a feature,
but an all-around powerhouse on her own terms”

Office Magazine

“Kimbra Johnson has achieved chart success the old-fashioned way:
through sheer hard work”

Sydney Morning Herald

“An artist revelling in her broad creative capabilities as a vocalist,
songwriter, collaborator and producer
“
Double J

Two-time Grammy award winner Kimbra announces her new podcast ‘Playing With Fire‘ in partnership with TalkHouse. The new interview series will see Kimbra diving into deep and intimate conversations with fellow creatives. The first three episodes are out today and feature conversations with Mitski, Bethany Joy Lenz, and Jedidiah Jenkins. LISTEN HERE.

For the debut drop, Kimbra sits down with fellow artist Mitski to discuss primordial chaos as a catalyst for creativity and the power of error to lead them toward connection, with Lenz to chat about deconstructing old faith traditions, rebuilding ourselves in the light of our new experience and acting as an exercise in presence, and Jenkins discuss the weight of generous curiosity, stepping outside of exclusionary thinking and our society’s obsession with certainty.

Produced by Kimbra herself, ‘Playing With Fire‘ is a podcast that explores the topic of TRANSCENDENCE and how it manifests in people’s lives. Kimbra will ask a musician, an author, an actress, a priest and a best friend what transcendence means to them and how it has changed the way they live and work. For some, it’s found in the ecstatic, grand and psychedelic moments. For others, it’s hidden in the ordinary, and seemingly mundane. ‘Playing With Fire‘ is an exploration into the unknown, the intangible and the simply intoxicating path of seeking. Kimbra also explores her own experiences of transcendence, giving us further insight into her own process as a songwriter and producer.

The podcast launch comes on the heels of Kimbra’s upcoming album announcement – A Reckoning, set for release in 2023, which seeks to explore themes of vitality and aggression by channelling anger and protest, into forces for good. The album will highlight the role of the Feminine in restoring balance within all people, the planet and our internal reckoning with conflict. It is the story of a woman wrestling with the softness and strength within, and the search to integrate, assert and articulate the complexity of her experience.

This exploration of an inner world serves as a larger commentary on our need to ‘reckon’ with our own shadows before we can see change as a human collective. Perhaps a counter-narrative to the American dream, A Reckoning hints that our greatest tool toward peace, change and equality is the allowance of pain. It advocates the necessary and urgent belief that the Feminine in each of us and the mothering of one’s pain is the missing catalyst to rise.

Playing With Fire the podcast by Kimbra is out now, listen here.

‘Save Me‘ is out now, buy/stream it here.

Stay connected with Kimbra:
Website | Instagram | Facebook | Twitter | YouTube

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