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Praise for Joy Orbison – still slipping vol. 1
“Rarely is electronic music so utterly human as on Still Slipping” – Pitchfork
“One of the greatest producers in UK dance music.” – Resident Advisor
“If there was going to be one mixtape we all needed to hear in 2021, it would probably be Joy Orbison’s debut, Still Slipping Vol.1, an aural assimilation of the best of British bass culture.”
– Loud & Quiet
“A Joy Orbison full-length, whether you call it a mixtape or an album, has to be among the most hotly-anticipated ideas in UK dance music writ large.” – Resident Advisor
“Already sounding like one of the albums of the year” – Mixmag
“The second you just change the language to mixtape, a woman’s voice deadpans at the end of sparko, “nobody cares”. It’s a droll bit of irony for a record crafted with such care. still slipping is anything but thrown together – in fact, it’s hard to imagine a more holistically conceived set of tracks. This is a body of work that definitely deserves to be taken seriously.” – CRACK Magazine
“One of the most quietly moving dance music records of the year” – Pitchfork
“To diehard UK clubgoers, a full-length project is something people didn’t necessarily expect or need to hear from Joy Orbison. This is the man behind ‘Ellipsis’, ‘GR Etiquette’ and ‘Hyph Mngo’, for god’s sake. By ignoring all rules and blending UK garage, UK funky, house and dubstep, his impact upon dancefloors is already written. No, with still slipping Vol. 1, O’Grady is letting us know: this is something new.” – The Quietus
“A long-awaited, essential debut” – DJ Mag
“His boldest and most intimate productions to date” – Wire Magazine
YUNG GRAVY
AUSTRALIA X NEW ZEALAND MARVELOUS TOUR
Sydney & Melbourne sold out
Second and final Sydney show added!
Tickets on sale now at secretsounds.com
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Recorded and produced by power-pop-rocker Dany Laj, the track (and subsequent album) feature the melodic basslines of fellow Dany Laj and the Looks co-conspirateur, Jeannette Dowling and drums and percussion from Dusty Campbell. Burton’s writing style on this album ranges from classic 90s pop-rock to a more current indie rock, with a little throw-back to the 60s, laced with a touch of the bizarre. With influences that range from Rilo Kiley and Weezer, to Harry Nilsson and a touch of Concrete Blonde, 64 Magic Queen’s is an unfiltered trip through a brain that is hopeful even in the darkest hours. Laj’s melodic guitar lines complement the songs with grace, walking the line between glossy and gritty, much like Burton’s vocal stylings.
PLAY/LISTEN
Where are you currently based?
We’re based in Ulverstone, in north-west Tasmania.
How did the band form?
We started playing together in 2015 when Rob Rose (vocals, guitar) approached Grant Hearps (bass) and Fin McCullough (guitar) looking to form a band to focus predominantly on original music. Rick Lovell took up the throne behind the drums in 2019.
What’s been happening recently?
Since recording/shooting ‘Hangman’ we’ve been continuing to write new songs and playing a couple of gigs a month including at some new venues, which has been nice.
Your latest single ‘Hangman’ will be out on the 15th of November 2022, what influenced the sound and songwriting?
Hangman is probably the ‘heaviest’ tune we’ve written to date. We’re always striving to write songs that don’t sound like our other songs. This one came out as a gritty, dirty, raw blues rock tune.
How did you go about writing Hangman?
Rob (lyricist) and Fin devised a sketch of what became the ‘A part’ of the song during an acoustic songwriting session. Fin had tuned his guitar down to open D tuning to allow the vocals to be performed in a lower register. This sketch was tweaked and developed upon with the band, and we subsequently decided to make it a 2-part song with a more lively and riff-based outro with a repeated vocal hook as the ‘B part”.
Where and when did you record/produce/master and who did you work with?
We recorded the track with co-producer Andrew Forth at Kindred Hall in NW Tassie in November ’21, and then recorded vocals/overdubs progressively over the months that followed. The track was then sent to Russell Pilling (AKA Russ T. Rokk) for mixing, and the mastering was done by William Bowden at King Willy Studios.
How did you approach the recording process?
As it’s a two-part song, we chose to record the two sections separately, allowing us to ensure we got the change in the tempo of the song exactly how we wanted it to be. Drums and bass were tracked first, then the different guitar parts were added, before harmonica (performed by Jack B. Harper) and final vocals were recorded.
What influenced the music video for Hangman?
We worked in conjunction with Jacob Boote (director) and Jala-loka Lewandowski (videographer/editor) for the video. Jacob wanted to go for a dark, medieval-ish look for the first part of the song, and a brighter, more modern looking live band shoot for the outro “B part”. Laura Mead created some props to assist us, including the “hangman” headpiece. We started shooting at about 2pm and finished by about 8 on a rainy, windy day in Forth Tasmania. The whole process was great fun – Jacob and Jala-loka were excellent to work with and many laughs were had along the way.
Any upcoming shows?
We’re at Shearwater Resort Tavern on 02/12/22, Island State Brewing – The Pier (Ulverstone) on 23/12/22 and 20/01/23, and MONA Museum (Hobart) on 05/02/23
Who are you listening to at the moment?
Lately we’ve been listening to plenty of Tasmanian artists, including new releases from Big Alcatraz, Marcus Wynwood, Tessa Lee, Raccoon Dog, and The True Champions of Breakfast, as well as some old favourites by the likes of The Bad Dad Orchestra, Pete Cornelius, The Sheyana Band, Avargo Groove, and The Smooth C***s.
What’s planned for the remainder of 2022 going into 2023?
We plan to continue writing new songs, giging, and to release another five or six track EP of songs recorded during the same sessions as “Hangman” at some stage in 2023.
Favourite food and place to hangout?
A good burger by the Leven River! We can’t wait for Island State Brewing – The Pier to open up in the former location of the ever-popular Buttons Brew Pub. You can’t beat a beer/food/live music joint perched above the river of your hometown!
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Illuminate the River, the free and all-ages music festival featuring Something for Kate, Baker Boy, Art vs. Science, Montaigne, Mia Wray, Teeny Tiny Stevies and many more lands this weekend, and ahead of the day, the festival has unveiled set times and a fundraising initiative for flood-affected residents.
Presented by City of Moonee Valley and On The Road Again and held on Saturday 19 November at The Boulevard in Aberfeldie from 12pm – 9pm, the day’s activities include three stages of live music, carnival rides, kids’ activities, a box wars workshop and more.
A full list of set times can be downloaded HERE or are located below.
Given the festival’s proximity to the flood zones on the Maribyrnong River, all water-based activities at the event, including the anticipated laser show and inflatable regatta, have been cancelled.
Instead, the festival is encouraging patrons to dig deep and support members of their community affected by the recent floods, and the organisations that help them.
Fundraising QR codes will be situated throughout the site on the day, which the public can scan to donate to GIVIT, the Essendon SES or both.
Volunteers in the Essendon SES Unit have been protecting Moonee Valley and surrounding communities since 1981. Most recently they coordinated the evacuation and rescue of residents when the Maribyrnong River flooded.
GIVIT has been helping those impacted by the recent floods directly. This organisation matches donors directly to those in need or uses 100% of donated funds to purchase items that are requested by those who need them.
Produced by the City of Moonee Valley and presented by On The Road Again, a Victorian Government initiative bringing live music back across the state, Illuminate the River 2022 will be held on Saturday 19 November from 12pm – 9pm in the Boulevard in Aberfeldie, and is a free, family-friendly and all-ages event.
Attendees are encouraged to walk, cycle or catch public transport to the event.
Follow https://whatsonmooneevalley.
Illuminate The River
Saturday 19 November
The Boulevard, Aberfeldie
12pm – 9pm
Free, all-ages
Website
Socials
Stages and set Times:
Marby Park Stage
Art vs Science
8pm – 9pm
Baker Boy
6.30pm – 7.30pm
Something for Kate
4.15pm – 5.15pm
Montaigne
2.45pm – 3.45pm
Mia Wray
1.15pm – 2.15pm
Teeny Tiny Stevies
12pm – 12.45pm
Boulevard Stage
The Seven Ups
7.30pm – 8.15pm
Soli
5.15pm – 6pm
Max Lawrence
3.30pm – 4.30pm
Seamus McCorry and the Televised Mind
2pm – 2.45pm
Norwood
12.30pm – 1.30pm
Holm Grown Stage
YARA
7.30pm – 8pm
Chaotiic Good
5.30pm – 6pm
Crushed Lavender
4.15pm – 4.45pm
Cooper Jack
3.15pm – 3.45pm
Tony Lukav
2.15pm – 3pm
Team Dream
1.15pm – 1.45pm
Thalia Eve
12.15pm – 12.45pm
Beyond The Valley have just released their daily artist lineup which will see Nelly Furtado play on 31st December (New Year’s Eve) alongside Dom Dolla, Kaytranada, BENEE, Shygirl, Honey Dijon, Yung Lean & more. Limited NYE passes still remain for those who would prefer a one night New Year’s Eve celebration.
The Grammy Award winner ‘Nelly Furtado’ is behind some of the biggest pop songs of the 00’s including ‘Promiscuous’, ‘Say It Right’ ‘Maneater’ and ‘I’m Like A Bird’. For her first show in over 5 years, global pop icon Nelly Furtado will be performing an exclusive one off performance at New Year’s Eve festival Beyond The Valley, this will be her first concert in Australia in 20 years.
Beyond The Valley are sold out of 4 day festival and camping passes. 3 day festival and camping passes are still available, as well as Festival Day Passes with no camping, whereby patrons drive in and out each day and can stay at accommodation in the surrounding area or go home each night.
Beyond The Valley festival, is highly regarded for its incredible experience aspects including stage design, art, lifestyle and wellbeing, spreading their music programme across 3 distinct stages.
Main stage artists will be performing in one of the world’s biggest natural amphitheatres at over 100,000sqm, made for live music experiences. The iconic Dance Tent will feature a 70-metre wide LED wall, the Dr Dan’s stage features a multilevel colosseum structure. Patrons can also uncover Schmall Klüb – a concealed party with spontaneous unannounced sets from headline DJs only accessible through a concealed secret entrance, via a portaloo door.
Patrons can also step away from the music and go for a swim in the pools at the Beach Club,. Other features confirmed by the festival include interactive art installations, the Poof Doof ‘Pride Patrol’, Speed Dating, Open Mic, Fortune Teller, Doof Stick Making, Yoga, Pilates, Meditation & more.
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28TH DEC |
29TH DEC |
30TH DEC |
31ST DEC |
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DAWS |
AITCH |
BENSON |
AROHA |
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DJ JNETT |
BICEP (live) |
BUDJERAH |
BENEE |
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LATE NITE TUFF GUY |
CHARLOTTE DE WITTE |
CONFIDENCE MAN |
CAITLIN MEDCALF B2B DENIM |
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LUKE ALESSI |
CLOONEE |
DJ BORING |
CASSETTES FOR KIDS |
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MARKET MEMORIES |
DENZEL CURRY |
FLIGHT FACILITIES |
DOM DOLLA |
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SOJU GANG |
DIPLO |
HAAI |
FOLAMOUR |
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YO! MAFIA |
FOURA |
HATCHIE |
HONEY DIJON |
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JESSWAR |
HEIDI |
JAY1 |
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JK-47 |
JUICY ROMANCE |
JNR CHOI |
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KEE’AHN |
LAURA KING |
JOB JOBSE |
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Meninyan |
LIME CORDIALE |
JORDAN BRANDO |
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NINAJIRACHI |
MERCI, MERCY |
JOY. |
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PATRICK TOPPING |
PARTIBOI69 |
KAYTRANADA |
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REMI WOLF |
SAM ALFRED |
MEMPHIS LK |
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REST FOR THE WICKED |
SAN CISCO |
MIA RODRIGUEZ |
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SALLY C |
STÜM |
NELLY FURTADO |
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SWIM |
TEEN JESUS AND THE JEAN TEASERS |
OR:LA |
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TKAY MAIDZA |
THE ILLUSTRIOUS BLACKS |
PALMS TRAX |
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YEAT |
VERA BLUE |
SG LEWIS |
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X CLUB. |
SHYGIRL |
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YARRA |
SOFIA KOURTESIS |
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WILLO |
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YUNG LEAN |
Beyond The Valley
28th December 2022 – 1st January 2023
Barunah Plains, Wentworths Road, Hesse, VIC
Get Connected:
https://www.facebook.com/
Canadian hardcore luminaries Alexisonfire have added a second Melbourne show on Saturday 25 February to their anticipated 2023 Australian visit.
Responding to demand during the pre-sale period, the five-piece will now deliver five headline shows down under, kicking off at Brisbane’s Fortitude Music Hall on Friday 17 February, followed by a stop at Sydney’s Enmore Theatre on Monday 20 February, back-to-back nights at Melbourne’s Forum on Friday 24 and Saturday 25 February, winding up in Adelaide on Monday 27 February.
All shows will go on sale to the general public tomorrow at 10am local time.
Admired by Australian audiences, on their eighth visit down under Alexisonfire will perform songs from their celebrated catalogue, along with tunes from their new record Otherness – their first full-length album in thirteen years, never before heard live by local audiences.
The group that Rolling Stone declared “put Canadian post-hardcore on the map”, Alexisonfire have blown audiences away at major international festival appearances over Northern Hemisphere summer, including Lollapalooza across South America, Canada’s Born & Raised Festival and a “flawless” Rage Against The Machine North American support.
Alexisonfire will be joined on all dates by local rockers Luca Brasi, one of the country’s most roadworthy outfits.
ALEXISONFIRE
WITH SPECIAL GUESTS LUCA BRASI
AUSTRALIAN TOUR
FEBRUARY 2023
Presented by Chugg Entertainment and Frontier Touring
GENERAL PUBLIC ON SALE
Begins: Thursday 17 November (10am local time)
frontiertouring.com/
FRIDAY 17 FEBRUARY
The Fortitude Music Hall | Brisbane, QLD
ticketmaster.com.au
MONDAY 20 FEBRUARY
Enmore Theatre | Sydney, NSW
ticketek.com.au
FRIDAY 24 FEBRUARY
Forum Melbourne | Melbourne, VIC
ticketek.com.au
SATURDAY 25 FEBRUARY
Forum Melbourne | Melbourne, VIC – NEW SHOW, JUST ADDED!
ticketek.com.au
MONDAY 27 FEBRUARY
Hindley Street Music Hall | Adelaide, SA
moshtix.com.au
theonlybandever.com
facebook.com/AOFofficial | instagram.com/aof_official
Spotify | YouTube
Where are you currently based?
Earth. But to be specific about it, I would say, Sydney, Australia.
How did you first start playing music?
I was encouraged into it at first, but gave up quickly after six months or so. Then one night, I saw the music video for Nirvana’s – Smells Like Teen Spirit on Rage. I realised I had a cheap electric guitar and crappy amplifier, covered in dust, that I could use tomorrow to express my angst.
What’s been happening recently?
Not much I guess. I’m kind of a recluse, but I want to record some new songs soon.
Your latest single ‘Evergreen’ is out now, what influenced the sound and songwriting?
I suppose my sound is punk, alternative rock with an early ’90s spirit and a twist of psychedelia. A lot of my influences come from all the grunge bands of that time. If I could find a time machine on eBay, I would prefer to go back then.
How did you go about writing Evergreen?
It was my first love and it was a tumultuous relationship. So, that’s what inspired me. I focused on that. Dug deep down into my memories and created Evergreen. For me at least, a song comes from the gut. It flows out from my veins, it hurts a little. Hopefully, the listener can feel the sincerity in it. I didn’t think too hard about the lyrics or the music. I just channeled my energy into my emotions, then everything spewed out from me. It’s a weird sort of meditation, but it works for me.
What does this single mean to you?
Evergreen deals with being in a tumultuous relationship and how it can drain you with its ups and downs. So, it is something deeply personal and means a lot to me, as the song is autobiographical.
Where and when did you record/produce/master and who did you work with?
I recorded Evergreen in a friend’s studio basement. It was cold, rainy, and a miserable day. I recorded the song within half a day. The guitar parts were done first, then the drums, and then lastly I did two vocal takes. I produced Evergreen myself. It was mixed and mastered on the same day. I slightly remastered the track one night just over a month ago, because originally there was a guitar solo at the beginning of the track, but I decided to cut it out for the single, in order to make it more marketable for radio.
How did you approach the recording/production process?
I will practise the songs I want to record repeatedly, usually till I’m nauseated by the tracks. Songs are 100-percent complete when I decide to record them. It’s pretty simple, if you know the songs so much that it makes you nauseous. Oh yeah, lots of lollies and fizzy drinks help.
Please tell us about how you filmed and edited the music video:
Footage was self-filmed, taken from the past. I tried to give it good vibes, full of youthful fervour and fun punk-rock energy, but also a dark and chaotic visual to acknowledge the roller-coaster ride of it. I edited it using iMovie. I overlaid the videos and changed the colours. I think it was a bit unhealthy for me to revisit. It has a strong dose of purity though.
Where and when did you learn to film and edit?
I learnt it during the start of the pandemic in Sydney, but I guess it started a bit earlier than that, probably with my first single off of my debut EP, Gia , a song I wrote about Gia Carangi. It just grew after that, in regards to my skill in editing. Self-filming is pretty easy or filming itself, it is more about deciding what parts to use, I feel is the key in expressing the song visually and then combining it together with other components as a whole. Covid, lockdowns, and restrictions, gave me the reason and motivation to make my own music videos. So, filming and editing was self-taught.
How did the concept for the music video come about?
I just wanted to make it autobiographical, so, it’s a two minute glimpse into my own hazy memory and a true visual representation of the song itself.
Who are you listening to at the moment?
No one in particular at the moment. I don’t have Spotify, so mostly my old CD collection that is on my phone. Nirvana, Sonic Youth, Hole, Pixies,The Breeders, Iggy Pop, Ramones. I feel the days of buying a CD because of a single you like are done and dusted. It’s basically for free out there on the interweb, which makes it hard as a songwriter, it doesn’t feel as special for me as it used to.
What do you like to do away from music?
I like to spend time with my cats. I used to paint, expressionism sort of stuff, but stopped once I made the decision to focus on songwriting instead, however, I use a lot of old paintings for my singles cover artwork now. I sometimes like to play video games, but I haven’t played anything for a long time. The last thing I played was The Quarry.
What’s planned for the remainder of 2022 going into 2023?
I hate looking too far ahead, but there will be more songs to come and I should start touring.
Favourite food and place to hangout?
My favourite food right now would be nachos or Violet Crumble. Any cafe that has a nice view for me to stare out the window and daydream.
JOVI SKYLER – EVERGREEN (official music video)
https://www.facebook.com/joviskylermusic/
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18+ EVENT
SAT 11 FEB | 5PM – 11PM
FREE ENTRY
PLUS 41 ARTISTS
ACROSS 9 VENUES
ARTISTS
THE TERRYS
THE BUOYS
VOIID
BAKERS EDDY
BELLA AMOR
DOPAMINE
BIG WETT
CARLA WEHBE
HORROR MY FRIEND
KITSCHEN BOY
SECRET ACT
SPUTNIK SWEETHEART
SUZI
ZHR
90IVY
A.D.K.O.B
DIZZY DAYS
DOG GOD
DOGGIE HEAVEN
DUST
DUSTY
ENCLAVE
JEM CASSAR-DALEY
JOE MUNGOVAN
LOUNGE
MIRANDA VS ARIZONA
MOON SALOON
MOZZA
OIL!
PLACEMENT
RUTHERFORD JAZZ TRIO
S.A.B
SAFETY CLUB
STAGE PRESENCE
SUPATHICK
THE DANDYS
THE LOVE INN
THE PB’S
TWINE
WALTA
WISSALEA & THE WALNUTS
HOSTED BY AARON GOCS
The Brightside
The Brightside – Outdoors
Greaser (Two Stages)
O’Skulligans
Ric’s Backyard
Suzie Wongs
The Zoo
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On Dawson Gools 19th birthday, he left his single traffic light town to study at Berklee College of Music. Although he dropped out after one year, he kept writing songs while working jobs in a handful of places. From Montreal to the Austrian Alps, working as anything from a line cook to a mailman. It was during this time he found his distinctive and honest voice as a songwriter, and producer. The majority of Dawson’s self produced debut EP, “January, Backdoor”, was written and recorded in Vancouver, Canada. The EP sounds most at home in the rain, or when there’s a fog rolling in.
QUOTE FROM DAWSON
“I wrote ‘I Was Wrong’ about caring for someone who is not ready to be helped. A family member had been falling back into some old habits and–rather than repeat encouraging phrases over and over–I felt like I had to be honest and say, ‘hey, maybe things won’t work out, and that’s ok’. it’s a bit pessimistic but it’s how I was feeling at the time.
Where are you currently based?
Billy: We are currently based in Melbourne, Victoria!
How did you first start playing music?
Billy: Lucas and I first started playing together in 2015 after meeting in high school. We quickly got talking about metal and rock bands that we liked and spent the next year or so writing songs together. In late 2016, we met John – I’d only met him briefly before, but heard he was a crazy good drummer that loved bands like Metallica and Slipknot. We all clicked instantly and began jamming along to Metallica songs. We started performing around late 2017, when we were all still underage, so we didn’t tell the venue how old we were so we could actually play shows!
Jordan joined on vocals in 2018 after we played at a friend’s party together, and just had instant chemistry as a group. I feel like that’s when the band as it is now really begun.
What’s been happening recently?
John: We’ve been super busy, just having come off a run of shows to promote our debut EP, Panic, which dropped in late July. That was a blast, and we got to play with a bunch of really cool bands. We also just dropped our favourite song yet and have been super busy behind the scenes recording our new project, which has been sick as!
Your latest single ‘I Watched You Fade Away’ is out now, what influenced the sound and song writing?
Jordan: I think we were all really falling in love with Deftones at the time, while that influence probably didn’t come out a lot in the final song, it definitely informed a lot of our stylistic choices. I really tried to be as candid as possible with the lyrics, drawing from personal experiences I was going through at the time regarding the symbolic loss of somebody close to me. I really used this track as catharsis for those feelings.
How did you go about writing ‘I Watched You Fade Away’?
Lucas: While ‘I Watched You Fade Away’ was recorded at the same time as ‘Panic’, it tells a different story, and in many ways, was the song that solidified our creative vision, and the direction we wanted to take musically. This was the first song we
wrote together after having spent years apart from each other due to COVID-19 lockdowns. Having already written the bulk of ‘Panic’ before COVID, we weren’t sure how we would go writing together after so long.
When we went in to record it with Chris Vernon, it occurred to us that this song that didn’t quite fit the theme and story we were hoping to tell with our debut EP. So, we decided to rewrite the song with Chris, and give it an independent release, to allow ourselves to explore a different narrative, delve into a more straight-forward approach to song writing, and narrow in on certain elements of our sound that we wanted to emphasise:
When and where did you record and who did you work with?
Jordan: We recorded the song at the same time as the rest of the EP. As it was written after the bulk of the EP, we wanted to release it separately, to present it as somewhat of an epilogue or a companion piece to the EP. Chris Vernon really helped us shape it towards the sounds we were experimenting with at the time, like a next progression to our sound and narrative.
How did you approach the recording process?
John: This song was the first one we wrote all together after the lockdowns here in Victoria. By that point, most of the EP had already been written, and it was the first song we’d written together in so long. When we were in the studio, we rewrote the
song with Chris Vernon, keeping the original chorus and bridge and adjusting a couple of sections to make it the best song it could be.
You’re playing at Stay Gold in Melbourne on the 18th of November, what can we expect?
Lucas: We’ll be giving ‘I Watched You Fade Away’ it’s official live debut, so if you’ve been loving the song so far, this will be a must. The show is celebrating the release of Suspyria’s new album; we’re super excited to play with those guys, we’ve been good mates with them for a while and they always put on a great show. We’ll also be playing alongside Ransom Revue and Harroway, which will be our first time playing with both those bands!
How do you prepare for shows?
Billy: We have a routine of catching up, planning, discussing our upcoming week, and playing together at least twice a week. That way, we feel confident and eager to get back on the stage each time.
Who are you listening to at the moment?
Jordan: Personally, I’ve been listening to a lot of Kacey Musgraves, Uyama Hiroto and Between Friends. On the metal/rock side of things, I’ve been listening to Movements pretty religiously. All of us have been loving Bad Omens, Holding Absence and the new Dayseeker album.
What do you like to do away from music?
Jordan: I try and go to the gym as much as possible, I love making beats and working on other music projects. My whole life really has something to do with music in some regard, so when I’m not doing music as a career I’m doing it as a hobby.
What’s planned for the remainder of 2022 going into 2023?
Lucas: We’ll be continuing to promote the new single, and playing a few yet-to-be announced shows! We’ve got plenty up our sleeve for next year, with even more new music on the horizon, so definitely stay tuned!
Favourite food and place to hangout?
John: Guzman Gomez slaps so hard. If I could eat one thing for the rest of my life it would probably be that.
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Cuartero, Deborah De Luca, Enzo Siragusa, Stella Bossi and more are set to feature at the final Pyramid show of the year
Tickets
Date: Friday 30th December
Amnesia’s Pyramid party cemented its reputation as one of the best house and techno nights in Ibiza this summer, in part because it is one of the very few on the island which brings line-ups stacked with depth of talent from new stars to well known pioneers. But it isn’t done yet: there is still time for Pyramid – The Last One of the Season on December 30th to end this historic year in epic fashion. Headlining the Terrace will be Sidney Charles, Enzo Siragusa, Cuartero, Mar-T, CAAL and 2Vilas, with the Main Room featuring Andrés Campo, Deborah de Luca, Luca Donzelli and Stella Bossi. Limited tickets are on sale now so get yours at amnesia.es
Even Pyramid’s own high standards and grand expectations were surpassed this summer. Packed-out dance floors welcomed clubbers from all over the world and sent them home with indelible memories of the best dance music experience in the world. The club’s epic production makes each dance unmissable, with mesmeric lights, lasers and a world class sound system put through its paces by the best DJ talent on the planet.
ABOUT AMNESIA
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https://www.instagram.com/
Amnesia is the world’s most iconic super club. It offers the ultimate Ibiza experience across spaces including the legendary Terrace and Main Room. The best parties in the electronic underground host each week throughout summer including Jamie Jones’s Planet Paradise, Joseph Capriati’s Metamorfosi, Do Not Sleep, Pyramid and DJs such as Marco Faraone, Gorgon City, Bicep, The Chemical Brothers, Sonny Fodera, Ame, Archie Hamilton, The Blessed Madonna, Hot Since 82, Enzo Siragusa, Loco Dice, Sonja Moonear, Apollonia, Ida Engberg, Seth Troxler and many more.
It also hosts events around the world such as its takeover of Croatia’s Zrce Beach as well as special BBC broadcasts with Radio 1. The club’s epic production makes each dance unmissable, with mesmeric lights, lasers and a world class sound system put through its paces by the best DJ talent on the planet.
ABOUT PYRAMID
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Amnesia’s in-house night Pyramid has become one of Ibiza’s most respected house and techno parties. It features vast line-ups that bring not just one headliner but many different top-level talents to the world famous club. The party has also hosted its own float at the Zurich Street Parade, is well known for its legendary opening and closing events and regular sets from international DJ stars like Four Tet, Ricardo Villalobos, Denis Sulta b2b Skream, Deborah De Luca, Marco Faraone, Raresh b2b Praslea, Adam Beyer, Sven Väth, Marcel Dettmann b2b DJ Stingray 313, Maceo Plex, Sonja Moonear, Luciano, Ben Klock, Avalon Emerson, Floating Points, Bicep Live, Nina Kraviz, Len Faki and tens more. Because of this, Pyramid has recaptured the essence of early Ibiza parties with its focus on standout headliners, all night long dances and cutting edge technology all heightening the unique experience.
Tickets: https://ra.co/clubs/74592