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Festival NewsMusic News

Sónar Lisboa 2022 announces the final line-up of Sónar +D, an exploration of creative technologies within the festival’s framework

by the partae
written by the partae

Three days with conferences, exhibitions, and AV shows

On the 8, 9 and 10 of April, starting at 12:00 PM until 10:00 PM, Hub Criativo Do Beato, in Lisbon, will host Sonar+D – a daytime extension of Sónar Lisboa 2022 – dedicated to creative technologies that gathers conferences, exhibitions, and AV shows. A programme curated by Antónia Folguera in collaboration with researchers, scientists, and artists from different digital fields, exploring creativity as one of the leading forces transforming reality in the 21st Century. Check out the full line-up and set times here.

Sónar+D Conferences take place from 12:00 PM until 06:30 PM in Factory Lisbon, with the central idea revolving around Sustainability and Human Rights. From there, three subthemes unfold: Artificial Intelligence and Algorithms; the Intersections of Art, Science, Ecology, Sustainability and Climate Change; and Creative Technologies and Digital Economy: from Metaverse to Web3.  Some of the featured speakers are Bas Grasmayer, leader of the community platform COLORS and founder of Music x, which addresses, among other things, NFTs in the context of the constantly evolving web3; Canadian DJ and producer Jayda G, whose background in Environmental Toxicology allows for an in- depth analysis of the music/sustainability dichotomy; artist Tupac Mártir, founder of the renowned multidisciplinary Satore Studio, which uses cutting-edge technologies to create immersive experiences for brands, tracks, stages and audiences around the world and whose latest work takes on medical neuroscience technology to materialize pioneering visual work; and researcher and biologist Filipa Bessa, winner of the United Nations Oceans Day Oceanic Photo Competition in 2018, specializes in marine plastic pollution and the effects of human activities on marine and coastal ecosystems. Opening the Sónar+D Conferences are artist Trevor Paglen and academic Kate Crawford, leading figures in researching and disseminating artificial intelligence’s social and political implications, who will explore current issues in AI (Artificial Intelligence) and politics of new technologies.

Climate change, natural resources conservation, artificial intelligence and its ethical implications, misinformation, algorithms, and the media are also brought together at the Sónar+D Exhibitions shown in multiple parts of Fábrica Lisboa. The festival welcomes many options during the three days, justifying more than one visit. The immersive sound art “Nati Infiniti”, curated by Joana Seguro and authored by the musician Alessandro Cortini (known for his work in Nine Inch Nails), will bring to life the perfectly preserved machinery found in the different floors of the Moagem building. Sonar+D will showcase works specially conceived for the festival, a commission of three Portuguese artists: INDUCED THEOREMS & WORLDLY CONJECTURES OR HOW TO GET TRAPPED IN A LOOP by André Gonçalves – musician, visual artist, and graphic designer – who converts loop (a building block of electronic music production) into mechanical sculptures as a reflection of the sometimes-wasteful nature of technology; CASULO – STILL FREE by the painter Francisco Vidal, surrounds the audience with a bold and colourful universe, using VR technology; and WETLAND by Cláudia Martinho, presenting an immersive listening experience of the Tagus river wetland ecosystem, the most important in Portugal, a natural sanctuary for migratory birds, threatened by the construction plan of a new airport, which could destroy the delicate balance of one of the most important ecosystems in Europe.

The ten digital pieces by international and Portuguese artists, the large-scale installation by Artworks and the artistic collective based in Porto berru complete the highlights of the Sónar+D Exhibitions. Startup Lisboa Beato – Fábrica do Pão will be the stage for the third and final segment of Sónar+D: which includes AV shows, live music experiences oriented towards the confluence between creativity, music, technology, and innovation. From hurricanes to unicellular organisms and dying stars, reflecting on societal concerns such as climate change or data surveillance while exploring the synergy of sound and image. A format deeply related to the audiovisual and technological field, connecting artists who are exploring the intersections between science and technology using digital tools.

From artificial intelligence to virtual reality, from blockchain to computer-generated imagery breakthroughs – presentations like the one by pianist Marco Mezquida (April 9, from 7:00 PM until 7:45 PM) dialoguing with an AI system or the collaborative process in real-time between a DJ and the audience, mediated by AI, in the Awwz AI B2B DJ set (April 9, from 6:00 PM until 6:45 PM). These are some of the proposals that invite everyone into an immersive reflection.

Between April 8 and 10, the first edition of Sónar Lisboa 2022 will bring together more than 100 artists in the Portuguese capital, divided into Sónar +D and the musical variants Sónar by Day and Sónar by Night, with more than 70 concerts and performances by artists and DJs, such as Arca, Bicep (live), The Blaze.

 

Tickets: https://sonarlisboa.pt

DJ, Charlotte de Witte, Dixon, DJ Shadow, Polo & Pan, Enchufada Na Zona, Honey Dijon, Floating Points, Pongo, Leon Vynehall, Partiboi69, Nicola Cruz, Richie Hawtin and Thundercat, in four emblematic Lisbon venues: Centro de Congressos de Lisboa, Coliseu dos Recreios, Pavilhão Carlos Lopes, and Hub Criativo do Beato.

Tickets are available on the official website SonarLisboa.pt and authorized ticket partners, with a limited number of General and VIP passes being back on sale. There are different ticket types that allow the audience to create their own experience – day and/or night – centred on a single venue or throughout the various locations of Sónar Lisboa 2022.

Sónar by Night
Pavilhão Carlos Lopes
April 8
dixon, elkka dj, switchdance, thundercat live, trikk
April 9
enchufada na zona
dengue dengue dengue live, dj shadow, kampire, pongo, shaka lion
Coliseu dos Recreios
April 8
arca, dj lycox, dj marfox, dj nigga fox live, nídia, total freedom
April 9
bicep live, chloé robinson, floating points, helena guedes, leon vynehall live, rroxymore live, rui vargas
Congressos Lisboa
April 8
aril brikha live, bleid, charlotte de witte, héctor oaks, imogen, marum, nkisi, phoebe, photonz, richie hawtin,
stingray 313 live, vil b2b cravo, violet live, yen sung
April 9
acid alice, dj lynce, dj stingray 313, dust devices live, ellen allien b2b dr. rubinstein, fjaak live, lewis fautzi,
nina kraviz, otsoa, partiboi69, valody

Sónar by Day
Pavilhão Carlos Lopes
April 9
ana pacheco, the blaze dj, discos extendes crew, honey dijon, iamddb live, india jordan, ka§par live, nicola
cruz live, percebes cru djs, poté dj
April 10
anah, cruz, eu.clides live, evan baggs, jayda g, moullinex, noia, overmono dj, pedro da linha b2b riot, polo &
pan live, tiago marques, torres, xinobi, zé salvador

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Music News

RAGEFLOWER releases irresistible power pop debut ‘STILL CALLING’

by the partae
written by the partae

Photo credit: Nicodemo Scali

Sydney based singer-songwriter and multi-instrumentalist RAGEFLOWER (aka Madeleine Powers) releases her debut indie pop -inspired single ‘Still Calling’ today. The track showcases her emotive songwriting, and is marked by its diversity of themes from self-reflection, destructive human behaviour and healing. It will delight fans of the modern indie style of Jess Day, Phoebe Bridgers, Amy Shark, and mid 2000’s crossover darlings Avril Lavigne and Tonight Alive.

“Essentially, Still Calling is about the journey back to self and healing the inner child. It’s also about the consequences of suppressing trauma with destructive coping mechanisms. When I wrote the song I was in a dark place, I really felt that I had let myself down and that I had wasted my potential on temporary highs. At the time I was listening to a lot of music from my emo high school years (Bright Eyes, Tonight Alive, Sum 41) and connecting with the person I used to be, which really inspired the sound. I wanted to write a hyper dualistic song with verses that felt confessional and vulnerable but choruses that felt destructive and nihilistic.” RAGEFLOWER

On ‘Still Calling’, RAGEFLOWER’S impressive vocals soar over an infectious chorus that comforts the listener with a sprinkle of vulnerability. It’s an earworm tune that stays with the listener long after it stops playing. The track was recorded at Studios 301, Casa Studios and Sunset Magnolia Studios with production credits from some of her closest friends Max Jacobs, Daryl Chin and Nicodemo Scali, with mixing by Nicolas Mendoza (Lime Cordiale, Loretta), and one of Australia’s most respected mastering engineers Steve Smart (Ocean Alley, Vance Joy, Lisa Mitchell, Dean Lewis).

“I have been really lucky to make this music with some of my best friends in the world who also happen to be really great producers and musicians (Max Jacobs and Nicodemo Scali). When I showed Max the beginnings of the song he got really excited and immediately started mapping out a basic demo with just midi drums and some guitars. Max really arranged the whole thing, he’s a phenomenal guitarist and so he was able to understand this project as guitar music. From there we took the demo to Nico in his home studio, and that’s when all the magic started to happen. 

We tracked drums with our incredible friend Daryl Chin at 301 because recording drums is a whole ordeal, but then from there the rest of the song was recorded in our home studios, our mate Grace Labrum tracked bass at Nicos house sitting on the edge of a couch in one or two takes. I am really grateful to be surrounded by a community of unbelievable musicians who were all keen to work on this with me.” RAGEFLOWER

This is the first of many exciting releases to come from RAGEFLOWER.

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Music InterviewsMusic News

Taylor B-W

by the partae
written by the partae

What’s been happening recently?

My business hat is on at the moment, so I haven’t been as creative lately, unfortunately.  I’ve mainly just been focusing on planning, promoting and performing.  It is hard when you’re your own boss – time management and organisational skills are key!

Your latest single ‘In Ur Net’ is out now, what influenced the sound and songwriting?

The sound of ‘In Ur Net’ is influenced by Reggaeton’s prominent influence in Pop at the moment.  I wanted to hop on the trend, so I came into the studio with a playlist of references to help guide the musical production of this song.

In terms of songwriting, I often like to contrast my vibrant, upbeat music with deeper, more introspective lyrics.  It makes the song more interesting and layered.

How did you go about writing In Ur Net?

This song is about my manic passion for someone who treated me poorly.  It’s a long story, but, basically, I became obsessed with this guy who had me locked in limbo: not really committing, but not really being uncommitted.  This drove me insane, obsessing over every detail of his life, wondering why???

I ended up writing the lyrics of ‘In Ur Net’ towards the end of this unhealthy relationship, as I was coming out of the grip it had on me.  I had finally taken off the rose-coloured glasses I was wearing and could observe my delusional experience with a fresh, outside perspective.

Where and when did you record/produce/master and who with?

I recorded and produced this song with producer, Quinn, back in early 2021, at his studio in Alexandria, Sydney.

How did the concept for the music video come about?

I approached Desmond Hoo to direct my music video back in October 2021. I sent him the song, a Pinterest mood board, and a bunch of music video references for him to use as a jumping board and inspire a fresh concept.   He came back with a beautifully simple vision, really delving into the sentiment behind my lyrics.  Although we never actually see the opposite actor’s face in the whole music video, Des used carefully composed frames to create a very relatable storyline, where I am in a claustrophobic relationship, desperate to let go, but am unable to because I am caught in his net.

Where did you film and who did you work with?

I worked with a bunch of legends!  And we shot in the Inner West of Sydney – particularly Sydney Park in St Peters, and the coolest arcade-themed bar in Newtown, 1989.

Please tell us about any new music that’s on the way:

There is an EP on the horizon… that is all I’ll say for now!

Who are you listening to at the moment?

Rosalia’s latest album MOTOMAMI.  It is on repeat!

What do you like to do away from music?

What does that mean?… Just joking… kinda…

I like to exercise and walk dogs, besides my own.  Dogs are my happy pill – I just feel so calm and happy around them!  Also, when I actually have a moment to stop and chill out, I go to the cinema or just couch potato it and stream a trashy TV show.

What’s planned for 2022?

More releases and a regional tour!

Favourite food and place to hangout?

Fave cuisine is Japanese, fave snack is a bowl of sweet potato fries, fave dessert is gelato, and fave place to hangout is wherever there are heaps of dogs and/or cocktails and/or live music!

TAYLOR B-W LIVE

Friday 8th April Cooper’s Hotel Newtown
Free Entry

PLAY/LISTEN

‘In Ur Net’ is out now.
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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Festival NewsMusic News

SARAH YAGKI PRESENTS HER MOST PERSONAL SINGLE YET IN ‘WANTED MORE’

by the partae
written by the partae

Returning to fans and newcomers alike with her first single release for 2022, Sarah Yagki offers up some of her most defining material to date in ‘Wanted More’.

As with the music we saw Sarah debut through 2021, ‘Wanted More’ continues to showcase the Sydney artist’s natural songwriting talent and vocal flair.

Bringing together open and honest lyricism with primo production and R&B arrangements, this new single operates in a lane inhibited by the likes of BANKS, Alessia Cara and more recently, artists like FKA twigs.

On ‘Wanted More’, Sarah reconnected with frequent collaborators James Guido and Klaus Hill, recording the track at Obseen Recordings in St. Leonards, NSW. Of the new song, Sarah describes feelings of insecurity and emotional unease as she navigates territory unknown in a new relationship.

“‘Wanted More’ is a song about the fear of repeating toxic habits in a relationship, both from the new partner and yourself. It explores the uncertainty of diving into a new relationship, whilst past trauma, experiences and fears still linger. 

The process of making music started with me creating a chord progression that I then put a melody over. The melody for ‘Wanted More’ came from me trying to communicate in the simplest way to a partner how I am feeling throughout the journey of this new relationship. “I wanted more, I wanted more” is both me saying that to myself and my partner. The lyrics are narrative-based, with the Verse 1 exploring what I fear I will do, and the Verse 2 exploring what I fear the partner won’t do. Overall, ‘Wanted More’ is a song to help bring to light uncertainty.”
SARAH YAGKI

PRAISE FOR SARAH YAGKI

“Her music is simultaneously raw and explorative; it’s rooted in pop,  but reaches far wider.”
Happy Magazine

“It’s a warm dose of pure indie pop, opening with some deep but powerful building ballad style vocals with some rich and lush production.”
AAA Backstage

“Emotional vibes on this one from Sarah. It’s put together pretty solidly with a steady-cruising production and some rich and lush production.”
Triple J Unearthed, Dave Ruby Howe

“Melding pop melodies with heartfelt lyricism, her ethereal voice soars enticingly over experimental electronic beats.”
Little Indie Blogs

To celebrate the release of ‘Wanted More’, Sarah will perform a special hometown show at The Vanguard in Sydney this April.

SARAH YAGKI SINGLE LAUNCH

Thursday, April 7th The Vanguard Sydney
with Mel Ertler, Nic DC
Tickets

‘Wanted More’ is out now.
Facebook | Instagram | YouTube | Triple J Unearthed

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Music News

SOFT POWDER TEASES DEBUT ALBUM SOMEWHERE LIKE PARADISE WITH NEW SINGLE ‘CLOSE YOUR EYES’

by the partae
written by the partae

Photo by: Megan Li

Conjuring up ethereal soundscapes is a natural element of Soft Powder’s creative process that never fails to land with emotional impact.

Fans heard it on his recent single ‘Running Through The Dark’ and now, the Melbourne producer returns with another sublime cut in ‘Close Your Eyes’, taken from his anticipated debut album Somewhere Like Paradise.

As with his previous works, ‘Close Your Eyes’ draws the listener into a liminal space; one where the mind can wander and experience everything from relief to euphoria and release. This song in particular focuses on feelings of tension and uncertainty.

“The song is about finding yourself at a crossroads where you could either surrender to the temptation of wallowing in negative thoughts and memories, or you could embrace the positivity and beauty around you, allowing yourself to become consumed by these feelings of bliss. It’s about ‘closing your eyes’ and momentarily escaping this negative headspace and letting go of the tension.”
SOFT POWDER

It’s a trademark of the way Soft Powder (aka producer Andy Szetho) injects his own perspectives into the music.

Unafraid of embracing vulnerability and openness in his songwriting, Soft Powder’s output is equal parts emotive, immersive and wrapped up in a constant level of intrigue. A strong throughline of the wider Somewhere Like Paradise record.

Teaming up again with filmmaker and collaborator David Tse, Soft Powder’s latest single comes paired with another striking video. As with ‘Running Through The Dark’, inspiration for the ‘Close Your Eyes’ visuals came from Asian Cinema auteurs like Wong Kar Wai and Hou Hsiao-hsien.

“David and I really wanted the video to convey the melancholic and somber mood of the song, whilst also capturing the nostalgic and sentimental atmosphere created in the Hong Kong and Taiwanese New Wave cinema we love. 

We really wanted to film in an airport because airports conjure up all of these moods due to being a place where some people leave past lives behind whilst some people begin new chapters. There’s a lot of sentimental energy associated with airports, and they’re a place that conjures up all of these feelings of nostalgia, hope, excitement, but also regret and sadness.”
SOFT POWDER 

he release of Somewhere Like Paradise marks the beginning of a new chapter for Soft Powder, who has cultivated a strong body of work in recent years, thanks to the release of EPs Shangri-La (2018) and Faber Ria (2019). Szetho’s career prior to developing his solo music brought him success domestically and internationally, creating and touring as part of Australian alt-rock group Storm The Sky.

PRAISE FOR SOFT POWDER

“Andy aka Soft Powder creates this sense of tension that you can almost reach out and touch thanks to the dark and dingey atmosphere, punctuated by snapping snares and coiling guitars.”
Triple J Unearthed, Dave Ruby Howe (‘Running Through The Dark’, 2022)

“…there is something otherworldly and grand about his ability to craft gorgeous songs.”
Purple Sneakers (‘Running Through The Dark’, 2022)

“Neon-soaked, gritty, and steeped in a sense of urban loneliness, the Melbourne of Soft Powder‘s dream-pop night-time has rarely looked more cinematic.”
RAGE (‘Running Through The Dark’, 2022)

‘Close Your Eyes’ is out now
Somewhere Like Paradise is released Friday, April 8th
Bandcamp | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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Music News

CIRCLE releases single ‘HELEN’ ahead of forthcoming album. Earnest heart-rendering indie-folk at its absolute best.

by the partae
written by the partae

Photo credit: Tania Safi

‘Helen’ is a lightly orchestrated acoustic tune that feels more like a fond memory than a song. Sufjan Stevens-esque whispered vocals adorn ambient and delicately plucked guitar. The result is an expansive and shimmery spectral that is disarming in its honesty.

Circle writes intimately, weaving what feels like a personal narrative into an easily relatable song, possessing enough innate beauty to soften even the hardest of critiques.

‘Helen’ is plucked from Circle’s forthcoming album Coco and Charlie and provides a small taste of what is to come. “Coco and Charlie started as a collection of love songs about the people in my life who’ve made an indelible mark in one way or another. As the material progressed over the course of demos and a natural whittling down process, the songs started to be more like archetypes. With that development came a deeper freedom to expand on the lyrical content and not be too constrained to a corporeal truth about an individual.”

The softly spoken lyrics from Radi Safi are instantly enchanting. Reminiscent of former front-runners Mount Eerie, The Middle East, and Sufjan Stevans. A talent of ‘Helen’ is that it avoids the trappings of kitsch nostalgia – instead, it is unquestionably rooted in the present.

Circle honors the artistry of music and a special aspect of their work is the unique recording processes. This ultimately imparts a special quality that elevates the song into music for the soul.

“We decided that we’d push classic four track demos to the absolute limit and record everything to our old Tascam tape machine. The process of a great condenser mic going through a world class preamp only to all end up on a $200 tape machine (with a ridiculously worn out tape inside) had a huge allure.” Circle

The accompanying video for Helen was produced by Gabby Dadgostar, a veteran in the Sydney music video scene. Aligning with the thematic strengths of the music, that being rooted in the tender memory for loved ones. Gabby had the idea to collect and use iPhone footage in a unique way. “It’s obviously a very simple concept but it marries beautifully with the aesthetic of the recording and lyrical content. Suffice to say we were all pleasantly surprised!” Circle

Watch Here.

PRAISE FOR CIRCLE

“It’s heartache indie rock at its best” 
Rave Magazine

“Shimmering and peddling in with the prettiest pulsing, cheery verging on melancholy tune I have heard in a while”
IMN

“Oh, Australia, you never let me down!“
1146 MILES

“I really love records like this. The ones that throw unexpected things in there and the ones that seem to create new sounds out of thin air.”
Of Reckless Abandon

“Thanks for bearing the torch for sweet, charming indie pop”
Triple J Unearthed

“Known for their love of analog equipment and their fun synth-pop sensibilities [Circle] deliver once again on their latest single.”
STGS

Helen is out 16th March
Triple J Unearthed | Facebook | Youtube

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One True God Releases Deep, Emotional, Dark Electronic Cover of Kanye West’s “Love Lockdown”

by the partae
written by the partae

Artists: One True God
Title: Love Lockdown
Label: Self release

Download / Stream

Canadian startup One True God (OTG) delivers a moody electronic remake of Kanye‘s now-classic hit “Love Lockdown” as his newest independent release. The new track is perfectly representative of OTG‘s signature style, which centers on minimalistic and yet dramatic sonic thematics with a twist of dark rhythm. The now Los Angeles-based singer & producer’s soulful voice serves as a powerful conduit for West‘s original lyrics, and fans can clearly hear that One True God has a personal attachment to the original song itself; in fact, the remake was a product of his relationship struggles he was facing at the time of working on it. While taking on such a well-known production as “Love Lockdown” can be intimidating, OTG does so with sophistication and personal touch of darkness.

“People are much more in control of their lives and situations than they think they are. That’s just an important message, I feel. And it resonates deeply with me. I think that dedicating a project to that belief was important.” – One True God about his artist name.

One True God has been an active producer since 2018, but first appeared on the scene as a singer via “Come To Me,” on mau5trap, where he captivated listeners with his powerful vocals. Much of his sonic style is built on emotive, darker thematics such as the challenging parts of love and romance, paired with angsty bass elements and mid tempo melodies. His affinity for dark vibes has been a part of him since childhood; he was always attracted to characters with a nefarious side, such as Spawn, Blade and Venom. Although spending most of his childhood in Canada, he went to high school in Dubai, to which he accredits much of his global taste. With releases like “Love Lockdown,” serving as a follow-up single to his earlier “Tesla,” “Afterlife,” and more on the horizon, we can’t wait to see what’s next for One True God.

More info on One True God:

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The Sky Is The Limit For GENIIE BOY As They Release New Single & Music Video ‘Elevator To The Sky’

by the partae
written by the partae

Previous Support For GENIIE BOY

‘Bruises’ landed on ‘Fuzzy’ Spotify Playlist

“vibrant pop with soulfully charged grooves reminiscent of dulcie.“
4 / 5 (Declan Byrne, Triple J) [About ‘Bad Company’]

“Is it a pop song? Is it a rock song? Is it even a song? Maybe it’s more of an affirmation! Point is, I don’t what they’re doing or how they’re doing but I know that it’s good and I want more of it.” 
4 / 5 (Dave Ruby Howe, Triple J) [About ‘Bruises’]

“The layers in this track! Taking me for a sweet old ride! Groovy track with feel good energy!”
4 / 5 (Tom Forrest, Triple J) [About ‘Bruises’]

“Between Alisha’s charismatic voice and the smart production, there’s plenty to love” 
4 / 5 (Abby Butler, Triple J) [About ‘Fool’s Play’]

“Their cruisy, laid-back indie-pop vibes given a signature lift via Alisha’s lilting, layered vocals and Scott’s razor sharp production. For two artists who’ve never spent a lot of time around pop, they’re sure as heck nailing it.”
(Natalie O’Driscoll, Blank Mag)

“‘Bad Company’ is an ice-cream sundae with the lot.” (AU Review)

“Sure to be stuck in your head from the first listen, Geniie Boy’s indie-pop sound is your perfect summer companion, with multi-instrumental hooks, danceable drum beats, soaring harmonies and Alisha’s conversational lyrics keeping you company…” (Amnplify)

Known for their quirky brand of electro / indie-pop that shimmers with the sonic vibrancy of infinite crystal stars, beloved Gold Coast duo GENIIE BOY are unveiling their newest single ‘Elevator To The Sky’ alongside a zany, space-powered music video accompaniment (out April 1).

Since gliding onto the scene at the start of last year in a swirl of electro-pop grooves and sumptuous sonic tales, Alisha Todd and Scott French of GENIIE BOY released a handful of widely-received singles and their debut EP ‘If You Have Something To Say’.

Now, with their first release of the year, GENIIE BOY are unveiling a cosmic flower bed of sound as fuzzy synths and buoyant electric guitar grooves combine to create decadent pop atmospheres. Todd’s silken vocals make their jubilant climb to the sky where they meet the chorus, floating in a limitless expanse that vibrates with the distinctive otherworldly sound of the theremin.

With one foot on the earth and the other lost in space, the track’s grounding bass and unclouded percussion tether Todd’s transcendent vocal harmonies as they continue to rise alongside French’s crunchy guitar riffs, all brought into focus with interstellar production that glistens with the undeniable sheen of GENIIE BOY magic.

Inspired by a podcast discussing the idea of an elevator to the sky that would act as a conduit for interstellar travel as a way forward for human evolution, ‘Elevator To The Sky’ completely embraces the weird and the wonderful, brought further into being with an appropriately wacky music video accompaniment.

Paying homage to 60’s sci-fi television sets, the video shows GENIIE BOY being beamed up to a party in the sky, glimmering with Futuristic Space People (FSP’s), psychedelic drinks, laser light shows and a space band, completely encapsulating the pair’s creative vision through DIY sets and costumes, as the band states:

“Like all GENIIE BOY things, this video is very DIY. We made the Futuristic Space People costumes (lots of paper mache, putty and trips to Spotlight), directed, filmed part of and edited the clip. We advocate DIY!”

The duo’s previous releases have seen support from Spotify (‘Bruises’ landed on ‘Fuzzy’ playlist), Triple J, Triple J Unearthed, AU Review, AAA Backstage, BLANK GC, Scenestr, Aus Music Scene, Amnplify, The Music and more.

Enter the atmosphere with GENIIE BOY’s new single ‘Elevator To The Sky’ and music video accompaniment, both out on April 1.

Follow GENIIE BOY

Spotify | Apple Music | Soundcloud | Bandcamp | Youtube

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Music News

Anya Anastasia Aims To Inspire A Brighter Future With Debut EP ‘Dissenter’

by the partae
written by the partae

Previous Support For Anya Anastasia

Play on Double J Radio

Top 20 Three D Radio – #2 Most Played

“Losing Wild is a very impressive way to debut Anya’s sound, it’s soft and smooth in delivery however holds a certain level of power with it’s darker tones.” (AAA Backstage)

“The yearning in Anya’s vocals also draws you in with an eerie, bewitching charm that envelops the senses.” (Scenestr)

“Taking a bold approach to art-rock, ‘Spinning Heads’ balances fluid keys and warm guitar tones with Anya’s angelic vocals.” (Glide Magazine)

Known for her ability to transcribe wonders of the natural world through lush soundscapes of soulful experimental folk, rugged desert rock and unique instrumental accompaniments, Adelaide’s Anya Anastasia is unveiling her profound debut EP ‘Dissenter’ on April 1.

Debuting at the start of 2022 during a time of great unrest in the world, singer-songwriter and multi-instrumentalist Anya Anastasia aims to stir dissent and environmental action through her distinctive style of art-rock that inspires selfless reflection and positive change.

Now, Anya Anastasia is showcasing the culmination of her work so far, delivering a 5-track collection of conscientious sonic stories that question the status quo through intricate arrangements, vivid instrumentals and transfixing vocals, invoking intense sentiments about life, land and love.

Opening the EP is ‘Losing Wild’, driven by an invigorating beat, the deadly pluck of banjo strings and soaring vocal harmonies to explore the idea that the extinction crisis heralds the end of good poetry and diminishment of playful minds.

Next, ‘Smog & Mirrors’ enters as an enchanting mockery of consumerism with overdriven electric guitar melodies, crystal vocals and frenzied instrumental layers, inspired by a dream about being trapped and resigning to a pre-determined fate.

Arriving in a swirl of tender guitar strokes and fluid keys is ‘Spinning Heads’, as Anya’s ethereal vocal harmonies soar above soothing melodies that aim to observe stillness as the restless chorus brings illusions of the chaotic modern world.

Lead by the booming beat of marching drums, title-track ‘Dissenter’ forges ahead in the name of equality and a better future as ominous vocals and powerful instrumental warnings bring attention to the failings of Western Democracy.

Closing the EP is the eerily captivating ‘Goes Untold’, as stripped-back, guitar-lead melodies join the raw strength of Anya’s beautiful voice, paying tribute to the importance of relationship to land and country, which is so often highlighted in the culture and awareness of First Nations people.

Previously released singles ‘Losing Wild’ and ‘Spinning Heads’ have seen support from Double J, Backseat Mafia, Scenestr, GC Live, AAA Backstage, Amnplify, Glide Magazine and more.

Anya Anastasia’s debut EP ‘Dissenter’ is out on April 1, with her EP Launch scheduled for Saturday April 2 at Nexus Arts, Adelaide.

‘Dissenter’ EP Launch
Saturday April 2 – Nexus Arts, Adelaide | Tickets

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Dusty Release Carefree Indie-Rock Single ‘Anxiety’

by the partae
written by the partae

Previous Support For Dusty

“Dusty are in a confident mood on this one, showing some angst and real talk levels that you hear from acts like Moaning Lisa!” 4 / 5 
[About ‘Do You Care?’] (Declan Byrne, Triple J)

“Another strong one from this band. Lowkey ferocity to the vocals and it feels full of conviction.” 4 / 5 
[About ‘Do You Care?’] (Dave Ruby Howe, Triple J)

“The track is full of conviction and punch, powerfully honest and raw in its delivery…” [About ‘Do You Care?’]  (Ungrained)

Glowing with an indie-rock flavour that combines bright, cloudless melodies with an endearingly fun-loving spirit, Brisbane band Dusty are releasing their newest single ‘Anxiety’ on March 31.

Since their debut at the start of 2021, Dusty have already made a huge impact, releasing well-received singles ‘Easier’ and ‘Do You Care?’ before joining BUGS on their Diamond Tour to round out the year in bangin’ indie-rock style.

Dusty are now bringing that same irresistible enthusiasm to their newest single ‘Anxiety’, which arrives with the purpose of lifting spirits and moving feet, using tropical guitar-lead melodies and persuasive percussion. Frontwoman Annie Newcombe’s vocals move playfully from pure and delicate to edgy and unrestrained, hitting its peak in the chorus by pouring as much self-deprecating Aussie humour as possible into two repeated, and all-too-relatable, words.

Loaded with raucous overdriven guitar riffs, riveting vocal harmonies and addictive good humour, ‘Anxiety’ is made to be enjoyed with a rowdy, carefree energy that happily contradicts the title of the song.

With its joyous delivery and important message, ‘Anxiety’ quickly became an audience and band favourite, providing a relatable message within an approachable, unintimidating track. Annie Newcombe states:

“It’s my favourite song in the set, I like how many people tell me that they can relate to it. For me, it’s important that we talk about mental health, and I think having a song about anxiety really opens up the conversation.”

Dusty’s previous releases have seen support from Triple J, Triple J Unearthed, 4ZZZ, LivewireAU, Ungrained Mag and more.

Take a deep breath and dust off those dancing shoes because Dusty’s newest single ‘Anxiety’ is out on March 31.
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MINISTRY OF SOUND ANNOUNCE ORCHESTRA SHOW FT. JOHN COURSE, TOUCH SENSITIVE, DIRTY SOUTH & MORE

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written by the partae

After a stunning 5,000-person sold-out Ministry of Sound Classical show in Adelaide, Ministry Of Sound are bringing their spectacular orchestral performance to Melbourne. Ministry of Sound Classical will take place on Saturday  9th April, 2022 at the summer season activation venue Reunion Park, celebrating under a big top at Yarra City’s iconic Burnley Circus Site with special guest vocalists Zoë Badwi, Ben Woolner from SAFIA, ‘Dreams’ vocalist Reigan and Karina Chavez, supported by Touch Sensitive, Dirty South, Goodwill, John Course and more.

Ministry of Sound Classical delivers a stunning session of spine-tingling moments as you relive biggest dance music anthems surrounded by music lovers, reimagined by an orchestra and incredible live vocals.

Ministry of Sound Classical features an all-new set list with the most loved tracks from the biggest decades of dance music, right through to today. Well-loved classics from Robert Miles, Underworld, Cafe del Mar, Moby, Laurent Garnier and Shapeshifter will take audiences to new heights, alongside a slew of freshly reinvented versions of Röyksopp, Robin S, Basement Jaxx and The Temper Trap to name but a few.

As the most trusted name in dance music for three decades, Ministry of Sound continues to celebrate its 30-year anniversary with a series of unforgettable events. Originating as a London club in 1991, Ministry of Sound has grown to be one the biggest electronic music brands in the world, taking in a record label, global touring brand and trusted curators of decades of dance floor memories including the ubiquitous Ministry of Sound Annual and Sessions compilations.

Don’t miss your chance to be a part of these spectacular events! Final tickets are on sale now via https://www.reunionparkmelbourne.com/line-up/ministry-of-sound-classical

Reunion Park, Saturday 9 April 22, 2pm

Special guest vocalists Zoë Badwi + Ben Woolner (SAFIA) + Reigan + Karina Chavez

Supported by Touch Sensitive + Dirty South + Goodwill + John Course + Sunshine + Pete McNamara + Mark Pellegrini

www.mosclassical.com.au

www.facebook.com/MinistryOfSoundAUEvents

www.instagram.com/ministryofsoundeventsau

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BLUESFEST IS ON – WE CAN’T WAIT TO SEE YOU!

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written by the partae

The Bluesfest site experienced flash flooding during the Northern Rivers rain event earlier this week.

Thankfully, our event site area where the music occurs escaped and did not have major flooding. “Some car parks and camping grounds did experience flash flooding but the water is subsiding quickly,” Bluesfest Director Peter Noble said.
The load-in continues, the tents are ready to be raised,  and with less than two weeks to go before we open our gates, the forward weather report is good, with plenty of sun forecast daily. We are optimistic that our grounds will dry out, and our site will be ready to welcome you.
Bluesfest lovers please note, ALL our stages and food halls will be under big canvas tent tops.

“REST ASSURED – BLUESFEST IS ON –  AND WE CAN’T WAIT TO SEE YOU”
We look forward to welcoming you to the greatest gathering of Australian artists in the history of Australian Music, plus some very special international guests.

Here is our Bluesfest 2022 Playing Schedule. See who is playing: on what day, on which stage and at what time!

START PLANNING YOUR BLUESFEST ADVENTURE NOW.

_________________________

Bluesfest will take place over 5 days from Thursday 14th April to Monday 18th April 2022 at the Byron Events Farm, Tyagarah, NSW, AUSTRALIA.
All ticket options plus camping, parking and VIP are on sale now via the Bluesfest website.

Keep in touch via Facebook | Twitter | Instagram

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Music News

Toro y Moi shares video for new single ‘Déjà Vu’

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written by the partae
Photo credit: Chris Maggio
PRAISE FOR MAHAL SINGLES

“…trippy grooves, thick basslines and ‘jammy’ feel with this very much an expectation of what to come. Are we excited? Hell yeah!”
Stoney Roads

“…takes listeners on a chronological journey through genre, as they ride across Bear’s deep groove excursions.” 
Purple Sneakers 

“might be his best and most eclectic project to date”
NME

“alt-pop blasted into imaginative realms, bedroom pop with the doors and curtains closed”
Clash

“vibrant and playful signifying an artist in total control”
Notion

“a groovy, laidback slice of funk-pop”
Pitchfork

“heavily funky, vocally low-key heater”
Stereogum

Toro y Moi, a.k.a Chaz Bear shares another offering from his forthcoming album MAHAL, due April 29 via Dead Oceans. ‘Déjà Vu‘ arrives with a Justin Morris-directed video that begins with the viewer entering a white stretch limousine that acts as a portal to dreamlike vignettes of Bear, culminating in a montage of him traveling across America. Speaking about the video, Bear shares, “I hope you enjoy this small slice of American pie that I have prepared for you.”

‘Déjà Vu’ follows the previously released singles ‘The Loop‘ and ‘Postman,’ both of which arrived with videos directed by Kid. Studio, and the Arlington Lowell-directed video for ‘Magazine‘ featuring Salami Rose Joe Louis.

MAHAL follows Toro’s highly celebrated 2019 album Outer Peace, which Pitchfork described as “one of his best albums in years” along with his Grammy-nominated 2020 collaboration with Flume, ‘The Difference,’ which was also featured in a global campaign for Apple‘s Airpods.

Toro y Moi is the 12+ year project of South Carolina-reared, Bay Area-based Chaz Bear. In the wake 2008’s global economic collapse, Toro y Moi emerged as a figurehead of the beloved sub-genre widely known as chillwave, the sparkling fumes of which still heavily influence musicians all over today. Over the subsequent decade, his music and graphic design has far, far surpassed that particular designation. Across 9 albums (6 studio as Toro y Moi along with a live album, compilation and mixtape) with the great Carpark label, he has explored psych-rock, deep house, UK hip-hop; R&B and well-beyond without losing that rather iconic, bright and shimmering Toro y Moi fingerprint. As a graphic designer, Bear has collaborated with brands like Nike, Dublab and Van’s. And as a songwriter and producer, he’s collaborated with other artists like Tyler, The Creator, Flume, Travis Scott, HAIM, and Caroline Polachek.
MAHAL by Toro y Moi
is out April 29 on Dead Oceans
Pre-order: https://toroymoi.deadoc.co/mahal
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DONNY BENÉT New EP Le Piano is out now! Performing in Sydney & Melbourne this month Touring Europe & UK in May

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written by the partae

Today, Donny Benét, the Sydney-based composer – hailed and panned by critics as “Prince on a serious budget cut” – unveils his new EP, Le Piano, via Dot Dash Recordings / Remote Control Records, alongside new single ‘Cappuccino‘. The EP arrives hot on the heels of a 13-date US and Canada tour, which saw the self-professed “adult entertainer” captivate his evergrowing audiences in New York City, Los Angeles, Chicago and more.

Composed and recorded entirely by himself at the renowned Donnyland Studios in 2021, Le Piano sees Benét masterfully utilise vintage synthesisers and drum machines to present his views on life, love and relationships through the power of song. Of the project, Donny shares: “I wanted to create a short EP of instrumentals reflective of the music that has helped me navigate touring life, and life at home for the past years. For me, I really enjoy the headspace that instrumental music can put you in. You can listen to it in any environment with any degree of commitment. It can be something you listen to on the train, plane, something to have on while you’re doing your chores, working from home, working out or just something to bop along to. As mentioned in past interviews I’m very taken by Japanese artists Hiroshi Yoshimura, Yoshio Suzuki and Ryuichi Sakamoto. Side B of the record is influenced by the effect that these artists have had on my musical approach. Side A is a tip of the hat my love of 12′ funk/city pop/disco instrumentals.”

Speaking to ‘Cappuccino‘, Benét notes: “’Cappuccino’ was a half-finished B side left over from The Don. It sat alongside Beneath the Sheets, a bonus instrumental from The Don. I’d always wanted to release it and revisiting it whilst writing the EP gave it a chance to get a fresh lease on life. Creamy, sweet and strong – I hope you like ‘Cappuccino’”. 

It is preceded by the project’s title-track: an intoxicatingly groovy instrumental piece paying homage to, and influenced by, Benét‘s love of funk, city pop and disco.

Donny Benét will be bringing his enigmatic live show to Sydney’s The Factory Theatre on Saturday 9 April and Melbourne’s 170 Russell on Friday 29 April, before heading off on a 23-date tour of Europe and the UK. Tickets are on sale via www.donnybenet.com

Buy / Download Donny Benét – Le Piano: https://donnybenet.lnk.to/lepiano

Donny Benét – UPCOMING SHOWS

2022 AUSTRALIA DATES

Saturday 9 April – Factory Theatre, Sydney NSW – Tickets
Friday 29 April – 170 Russell, Melbourne VIC – Tickets

2022 EUROPE & UK DATES

Tuesday 3 May – Nouveau Monde, Fribourg, CH – Tickets
Wednesday 4 May – Exil, Zurich, CH – Tickets
Thursday 5 May – Milla Club, Munich, DE – Tickets
Friday 6 May – Slovak Radio Building, Bratislava, SK – Free Show
Saturday 7 May – Futurum Music Bar, Prague, CZ – Tickets
Monday 9 May – Lido, Berlin, DE – SOLD OUT
Tuesday 10 May – Loppen, Copenhagen, DK – SOLD OUT
Wednesday 11 May – Musikens Hus, Goteborg, SW – SOLD OUT
Thursday 12 May – Blaa, Oslo, NO – Tickets
Friday 13 May – Fasching, Stockholm, SW – Tickets
Saturday 14 May – Plan B, Malmo, SW – Tickets
Sunday 15 May – Hafenklang, Hamburg, DE – Tickets
Tuesday 17 May – Gebaude 9, Cologne, DE – Tickets
Thursday 19 May – The Hope And Ruin, Brighton, UK – SOLD OUT
Friday 20 May – Hare and Hounds, Birmingham, UK – Tickets
Saturday 21 May – Yes, Manchester, UK – SOLD OUT
Sunday 22 May – Opium, Dublin, IE – Tickets
Tuesday 24 May – Broadcast, Glasgow, UK – Tickets
Wednesday 25 May – Headrow House, Leeds, UK – Tickets
Thursday 26 May – The Dome, London, UK – SOLD OUT
Friday 27 May – Botanique, Brussels, BE – SOLD OUT
Saturday 28 May – Paradiso Noord, Amsterdam, NL – SOLD OUT
Sunday 29 May – Badaboum, Paris, FR – Tickets

Hailing from Sydney, Australia, Benét’s 2011 breakthrough album Don’t Hold Back confused and intrigued many, establishing him as a cult figure in the Australian music scene. Benét‘s piece de resistance came in his fourth album, The Don, featuring the breakthrough single ‘Konichiwa’. 

An unexpected invite to the Pohoda Festival (Slovakia) in 2018 allowed Donny to embark on his first European headline tour. Returning for a further 4 sold-out tours, Donny had now established a new fanbase in Europe. 2019 saw Donny open for Mac DeMarco in the US and after blowing away audiences he returned in 2020 for his first headline tour.

In between his frenetic touring schedule, Donny wrote and recorded his acclaimed follow-up album Mr Experience, which was released in 2020. Unable to tour, the album was filmed as an online concert, Live Experience. An accomplished bassist, Donny is joined by his band of professionals, The Donny Benét Show band when performing live.

Donny has toured Australia since 2011 and Europe/US from 2018, regularly selling out headline shows and performing at festivals including Rock Werchter, Down the Rabbit Hole, Pohoda Festival, Valkhof Festival, Plissken Festival, Sydney Festival, Darwin Festival, Vivid Festival, Adelaide Festival, MONA FOMA, Panama Festival, Yours and Owls, and Big Day Out.

Donny Benét
Facebook | Twitter | Instagram | YouTube

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BIG TWISTY & THE FUNKNASTY DROP NEW SINGLE ‘SLAVE TO THE FUNK’ + PLAYING AUSTRALIAN GRAND PRIX

by the partae
written by the partae

Off the back of a jam-packed single launch party at Frankie’s Pizza last night, Big Twisty & The Funknasty share their new single ‘Slave To The Funk’, a funk anthem which embodies everything the Twist is about: booty shakin and getting down.  The track comes with an energetic video filmed around Wollongong/Kiama, NSW.

Big Twisty & The Funknasty are arguably one of the hottest upcoming funk/hiphop act in Australia right now. Whipping crowds into a funk frenzy across the country with their explosive, 10-person live show, they are here to open up your mind, free your body and have a funkin’ good time.

Produced by Jack Nigro at The Grove studios, ‘Slave To The Funk’ is a fusion of old school funk and 90’s Hiphop with huge singalong chants, brain busting bass riffs, soulful organ, and an aggressive rap flow. This song speaks to how you can’t escape the funk no matter how hard you try, so surrender your body and get those hips shaking.  

Since the formation of the band in 2019, Big Twisty & The Funknasty have wasted no time in developing their live act, appearing on numerous support tours with the likes of Dune Rats, the Vanns and Ocean Alley. Following the release of ‘King Is Back’, ‘Pickup Truck’ and ‘Pussycat’, the crew took off on their own headline tours supporting each single and selling out all shows across the east coast of Australia. Big Twisty & The Funknasty are no strangers to the big stage, having played Yours and Owls festival and Beyond the City.

As the band prepare to play the Australian Grand Prix next week, watch this space for more exciting Big Twisty & The Funknasty news! Bring the FUNK!

Big Twisty & The Funknasty
– ‘Slave To The Funk’

Out now through Mushroom

Listen here

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