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Music InterviewsMusic News

Behani

by the partae November 14, 2022
written by the partae

Where are you currently based?

 Based in Melbourne Australia.

How did you first start playing music?

I started to create music from my small home studio when I was 15. I grew a curiosity in composing beats and how it would make me feel a variety of emotions. Music connected me to my emotional side when I was a teenager

What’s been happening recently?

 I have been extremely busy working on a number of swim lanes. Im currently working with different producers on my collection of music across a range of genres, including RnB, afrobeats, reggeaton & pop. Managing my music company and all the moving components. My upcoming shows where I will be performing both singles Let Me Know and Real Man. My first show is in Nigeria, Lagos for flytime festival on the 20th- 24th December with headline acts including Burnaboy, Wizkid, Craig David, Niki Minaj & Davido. My second show is in my home country Australia for Juicy festival with an old school RnB line up including Ludacris, Bow-Wow, Mya and Ne-Yo who I will be performing with across Brisbane, Sydney and finally my hometown Melbourne.

Your debut single ‘Let Me Know’ is out now, what influenced the sound and songwriting?

I’ve always been inspired by the King of music Michael Jackson and his ability to make people want to move through powerful metaphors. The instrumentation arrangement of ‘Let Me Know’ really focused on the heavy side of drum set, drum machine, strings and voice. I love writing songs about love. I think love is underrated, and such a complicated and powerful topic to connect with humanity.

Where and when did you record/produce then record and who did you work with?

I recorded Let Me Know in the infamous Circle House Studio  in Miami. I worked directly with Scott Storch in the creation of the beat whilst I wrote the lyrics and melody.

You worked with powerhouse producer Scott Storch in Miami, how was this experience?

 Incredible. Since I was a teenager I always looked up to Scott! For the first time I was able to create a track from scratch with him and it was an amazing experience as an artist. I watched his range of techniques- how he lays foundations, the plugins he uses when picking the sounds, how he defines the songs structures and chooses the right tempo and so much more!

Who are you listening to at the moment?

 I love the producer Sarz and Wizkid from Nigeria, Lagos.  The tracks Essence and Monalisa both have a strong soulful element in their technique.

Please tell us about any upcoming music releases.

 I have just released my single Let Me Know which will be followed up with my single with Ne-Yo called Real Man, we have just launched the track in the U.S. and will be releasing it in Australia shortly. It’s a RnB song with a powerful message of empowerment for both men and women.

We hear your next single is a collaboration with Ne-Yo, how did this come about and what was it like working together?

 I was scheduled to create a beat with Scott Stortch and co-write with Neyo on that beat.  Ne-Yo was not meant to be singing on my track but the concept both lyrically and melodically along with the beat was so strong that he asked how I would feel about him singing a verse on Real Man and see how it sounds which I accepted with excitement and joy! It was incredible working with two legends at their game! They hadn’t worked together since their hit single Let Me Love You by Mario so it was nostalgic coming together and creating magic from scratch!

What’s planned for the remainder of 2022 going into 2023? Tell us about your upcoming performance in Lagos.

I have  my first show on December 20th-24th in Nigeria Lagos for Flytime Festival. There are 60 artists performing with headlining acts including Wizkid, Davido, BurnaBoy, Craig David & Niki Minaj. I’m also going to be creating my first Afrobeats EP on this trip so stay tuned for it release in 2023.

I then have my first tour in January for Juicy Festtival where I will perform Real Man with Ne-Yo. We will be touring together across Brisbane on the 13th, Sydney on the 14th and Melbourne on the 15th.

I’m currently in strict rehearsals with the Ministry of Dance Australia and working with a Afrobeats choreographer for my show in Nigeria. I’m very excited

Favourite food and place to hang out in Melbourne?

 I’m a real foodie. I love cooking Italian, Greek, Persian food but when we go out some of my favourite restaurants are Mario’s in Fitzroy, Cosi, Afghan gallery and the list is endless!

Socials: @behani.official

Website: www.iambehani.com

November 14, 2022 0 comments
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Music News

Nocturnal Animals Make A Huge Statement With Their Debut EP ‘Paint A Picture’

by the partae November 11, 2022
written by the partae

Previous support for Nocturnal Animals

“Are Nocturnal Animals inviting a mosh or a dance frenzy? Both I reckon.”
(Declan Byrne, Triple J)
[About ‘Dancing In The Blood’]

“A great blend of power and warmth. Nocturnal Animals reeled me in then blew my face off.”
(Lachie Pringle, Triple J)
[About ‘Where’s My Mind Been?’]

“A slowburn of an indie punk track, combining some really nice sonic elements! Can defs sense that Weezer influence, we love to hear it.”
4 / 5 stars (Pip Rasmussen, Triple J)

“With each and every one of their tracks, the Adelaide-based alt-rockers have struck gold, leaving us to seriously question just what magic tricks they have up their sleeves.” 
(Hysteria Mag)

“They’re hitting where it hurts with post-breakup bitterness, but in a way that just sounds so good” 
(Heavy Mag)

“Nocturnal Animals pack a punch with their raw alt-rock/punk sound” 
(Aus Music Scene)

Stream ‘Paint A Picture’

Adelaide/Tarndanya Aussie skeleton punk band, Nocturnal Animals, serve up their awaited debut EP–’Paint A Picture’ (November 4).

In-your-face drumming, fuzz-ridden guitars and punching punk-rock vocals; this paints a picture of Nocturnal Animals. Their electrifying live performances have landed them support slots with the DZ Deathrays, The Buoys, Nerve and Psychedelic Porn Crumpets, and now they’re here to make a statement with their 6-track EP ‘Paint A Picture’.

Following their latest releases ‘Passive Tone’ and ‘A Simple Fuck You’, Nocturnal Animals have animated their own audience from Sydney, Melbourne and their hometown in Adelaide.

‘Paint A Picture’ contributes to the themes of their latest singles–cutting toxic people out of your life and dropping the burden and grief that follows you like a ball and chain. Nocturnal Animals explore dysfunctional relationships, expectations to conform to societal norms and finding confidence in yourself whilst secretly suffering.

The EP opens with ‘All My Cares’, an iconic track for those who are done with pulling the short straw. This moody piece opens the EP with attitude-filled guitars, relatable chants and moody lead guitar lines. The second track, ‘King of the Dolphins’, is the anthem of the corner guy–the person doing their own thing at the party without the need of validation from anyone else.

Crowd-favourite single, ‘A Simple Fuck You’, continues to push the punk EP with grit and grinding guitars. The scathing energy from Nocturnal Animals is consistent on ‘Paint A Picture’, presenting their manifesto on where everyone can stick it. ‘Tyler’s Song’ is dedicated to Bamm’s little sister and explores toxic relationships and seeing somebody trapped hopelessly, sometimes without realising it themselves. ‘Tyler’s Song’ encourages seeking your individuality and finding value in your own character.

The fifth track of the EP is the bands lead single ‘Passive Tone’. Seething anger, a bleeding tongue and a clenched fist summarises ‘Passive Tone’; talking to people who don’t think you’re worth their time of day. Entwined elements of punk-rock, pop-punk and alternative rock provide ‘Paint A Picture’ with a unique twist on a classic punk-rock record that’s characterised perfectly in their closing track ‘Picturesque’. After dealing with pretentious idiots, twisted partners and societal pressure, it’s easy to raise a middle finger, but hard to wake up in the morning and realise that you’re scared. ‘Picturesque’ opens with a floating synth and electronic drums and encapsulates the deep-rooted feelings of isolation and anxiety that are lying under your sternum, covered by your facade.

Nocturnal Animals describe their debut EP saying:

“Paint A Picture‘ is a fuck you with a smile! The emotions of letting go of all your cares and saying a simple fuck you to all the people that have given you grief with a passive tone. You will go through a musical journey through letters and pages from a diary that represent the feeling of coming into your own; walking with the confidence of not giving a shit whilst recognising underneath that you’re scared.”

‘Passive Tone’ and ‘A Simple Fuck You’ has already received press from AAA Backstage, Punktuation, HEAVY Mag, Hysteria Mag, Aus Music Scene and The Faction. Nocturnal Animals with their modern punk energy has stirred national radio play from Triple J, spot rotation on Triple J Unearthed as well as a variety of community radio stations across Australia.

‘Paint A Picture’ drops on November 4. Don’t pack away your halloween decorations yet because these skeletons are out of the closet for good.

Upcoming Shows

January 6 – Tomcat, Brisbane

Follow Nocturnal Animals

Spotify | Apple Music | Soundcloud | Bandcamp

Facebook | Insta: @_nocturnalanimals_ | Youtube

November 11, 2022 0 comments
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Festival NewsMusic News

The Teskey Brothers Return With ‘This Will Be Our Year’

by the partae November 11, 2022
written by the partae
Photo Credit: Dara Munnis
‘THIS WILL BE OUR YEAR’ IS A COVER OF THE ZOMBIES ORIGINAL
+ PERFORMANCE WITH ORCHESTRA VICTORIA NEXT WEEK (SYD)
+ ARIA NOMINATION FOR BEST BLUES & ROOTS FOR
LIVE AT HAMER HALL WITH ORCHESTRA VICTORIA
+ HEADLINE SHOW IN DEC AT THE PALACE FORESHORE (MELB) 

The Teskey Brothers make their eagerly anticipated return with the release of their new single, ‘This Will Be Our Year’ – a cover of the classic song by The Zombies, and a timely sentiment as we approach 2023. On this version of the track, we hear the psychedelic-era pop sound of the original is supplanted by classic Teskey Brothers soul.

“We just played it in our way,” says Sam. “That’s the cool thing—sometimes when you try and cover something and you don’t spend too long trying to make it perfect, you just naturally fall into your own way of playing it and it naturally becomes your own thing.” 

‘This Will Be Our Year’ sees the band collaborate with producer Eric J Dubowsky for the first time, whose CV includes records by Flume, Chet Faker and Weezer. The new music arrives ahead of the band’s performance with Orchestra Victoria next Fri 18th November at the Aware Super Theatre in Sydney, in celebration of their album Live At Hamer Hall, nominated for Best Blues and Roots Album at this year’s ARIA Awards. The band will then round out the year playing at Harvest Rock, Queenscliff Music Festival and a special headline show at the Palace Foreshore for Always Live on Sun Dec 4 in Melbourne.

The Teskey Brothers version of ‘This Will Be Our Year’ retains the harmonic and melodic integrity of the Zombies original, but in their hands, ‘This Will Be Our Year’ feels untethered to the past, newly animated by Josh’s distinctive vocal expression. The arrangement is unfussy, decorated with organs, horns and a hint of Muscle Shoals in the rhythm section. They haven’t given it a complete facelift, but the psychedelic-era pop sound of the original is supplanted by classic Teskey Brothers soul.

“’This Will Be Our Year’ is one of the most beautiful and interesting songs of all time, that everyone SHOULD know but not many people have really heard of… The question I keep asking is ‘how did they fit so many beautiful lyrics into that rhythm and melody?’ It shouldn’t work so well. But it does. I love this song and the sentiment to bring in the new year. ‘This Will Be Our Year’ by The Zombies, the Teskeyfied version. Happy festive season and bring on 2023!” – Josh Teskey

The Teskey Brothers are one of the great success stories in contemporary soul and roots music. Rooted in the partnership between vocalist Josh Teskey and his brother, guitarist and engineer Sam Teskey, the soul and R&B outfit from Warrandyte on the fringes of Melbourne have made their mark on the mainstream since releasing their debut album, Half Mile Harvest, in January 2017. The Teskey Brothers’ second album, 2019’s Run Home Slow, reached #2 in Australia and resonated with audiences across the globe, leading to major headline shows in London, Amsterdam and New York.  In the wake of its success, The Teskey Brothers landed slots at major festivals like Bonnaroo and Japan’s Fuji Rock, performed in front of ten-thousand people at Colorado’s Red Rocks Amphitheatre and appeared on US network TV show Jimmy Kimmel Live!  Along the way, Sam Teskey earned a Grammy nomination for Best Engineered Album and The Teskey Brothers released a live album Live At The Forum, landing their first Australian #1 album.

TOUR DATES
Fri Nov 18 – Aware Super Theatre w/Orchestra Victoria, Sydney, NSW
Sun Nov 20 – Harvest Rock, Adelaide, SA
Sun Nov 27 – Queenscliff Music Festival, VIC
Sun Dec 4 – Palace Foreshore, St Kilda, VIC
For further information:
theteskeybrothers.com

The Teskey Brothers – ‘This Will Be Our Year’

Out now through Ivy League Records

Listen here

November 11, 2022 0 comments
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Festival NewsMusic News

The Chemical Brothers headline Zamna Festival Miami new three day event series at Art Basel

by the partae November 11, 2022
written by the partae

DIPLO, MAJOR LEAGUE, ARTBAT, CAMELPHAT

Brina Knauss, Oostil, Mathame, Stephan Jolk, Snakehips, American Dance Ghosts, Very Special Guests

https://zamnafestival.com/zamna-miami/

Tulum’s acclaimed Zamna Festival is heading to Art Basel for an exclusive first series of events at Miami Island Gardens from December 1st to 3rd. The three much anticipated parties will be headlined by the likes of dance legends The Chemical Brothers, US superstar Diplo, the electrifying Major League, internationally acclaimed Ukrainian duo ARTBAT alongside UK house sensations CAMELPHAT, Italian melodic maestros Mathame, plus many more.

Zamna Festival is one of the most authentic and unique party experiences in Tulum. It is known for bringing world class DJs to the heart of the jungle in the paradise-like Mexican Caribbean, where nature, free spirit and cutting edge production technology all coexist. Zamna is acclaimed for its incredible design and music stages that are works of art at a stunning boutique hotel surrounded by breathtaking nature in the middle of a cenote. It’s an escapist haven with a pool and exclusive jungle party vibes like nowhere else on earth.

In recent times it has headed out on the road and hosted much-talked about events everywhere from Tel Aviv to Barcelona and brands like Circoloco and Afterlife. Now it heads to Miami for a party that is just the beginning as a new series plays out on the 1st, 2nd and 3rd of December at Island Gardens during the ART BASEL weekend.

Musically this first party is an unmissable one. It sees an exclusive DJ set from the legendary Chemical Brothers. They are award-winning, chart topping, game-changing pioneers in both the studio and the club and they bring with them the most explosive and electrifying mix of sounds imaginable as they take you on a journey through dance music of all sounds, shades and styles. Further techno comes from Brina Knauss and Oostil to make this a supersized celebration.

On December 2nd, the one and only dance music innovator Diplo headlines. He has done it all from club smashes to chart topping pop hits and all with his own unique personality. South African amapiano duo Major League bring their fresh sounds and Snakehips, American Dance Ghosts and a very special secret guest complete the party.

Finally, December 3rd is an epic closing with Ukrainian duo and UPPERGROUND label bosses ARTBAT bringing their always emotive mix of house and techno, Grammy-nominated house pioneers CAMELPHAT laying down the grooves, innovative and moving techno songwriters Mathame, plus Jonas Saalbach and Miami-based Eran Hersh all playing.

Grab your tickets now for this exclusive Miami debut of Zamna.

https://zamnafestival.com/zamna-miami/

https://www.youtube.com/watch?v=34IFgo01U1A

https://www.instagram.com/zamna.music/

DECEMBER 1ST

THE CHEMICAL BROTHERS

BRINA KNAUSS

OOSTIL

SPECIAL GUESTS TBA

DECEMBER 2ND

DIPLO

MAJOR LEAGUE

SNAKEHIPS

AMERICAN DANCE GHOSTS

plus Very Special Guests

DECEMBER 3RD

ARTBAT

CAMELPHAT

MATHAME

JONAS SAALBACH

ERAN HERSH

November 11, 2022 0 comments
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Music News

Australian Metalcore Outfit Throwaway Deliver Their Sophomore EP ‘Weight’

by the partae November 11, 2022
written by the partae

Previous Support for Throwaway

“Getting To Me illustrates the breaking point; the pent-up pressure boiling to burst; the eruption of emotion over a situation you can’t sleep off.”
(HEAVY MAG) [About ‘Getting To Me’]

“Getting To Me hits home early with it’s thick and rich prog sound, ripping guitar work meet slamming drums and a huge anthemic vocal delivery.”
(AAA Backstage) [About ‘Getting To Me’] 

Stream ‘Weight’ 

Adelaide/Tarndanya-based alt-rock/metalcore outfit Throwaway are back with their sophomore EP–‘Weight’ out November 11.

Since the inception of Throwaway in 2015, the trio has gained a cult following in the Adelaide alternative scene. Independently releasing an EP, an album and a handful of singles, Throwaway are back with their greatest work yet on their sophomore EP ‘Weight’. Consisting of Zak Kerrison, Adrian Emili and Bailey O’Brien, the three-piece utilises complex time signatures and unusual song structures to create a signature push and pull to their modern metalcore sound.

The EP opens with the delayed guitar lines and energetic drums that you expect from Throwaway. When you’re pushed under and worked to your limits, ‘Pressure’ is the anthemic alt-rock song that drives you to turn that pressure into motivation and breakthrough your struggles.

The second track, ‘Bad Vibes’, was written about a friend who’s falling down a dark path of internet-fueled lies, conspiratorial media and hate. ‘Bad Vibes’ is a metalcore mosh-piece filled with huge breakdowns and chugging guitars, discussing the self-destruction and alienation associated with influential lies propagated on the internet.

Next up is Throwaway’s recent lead single, ‘Getting To Me’; illustrating the breaking point of obsessing over a situation outside of your control.

Opening the second half of the EP is ‘Denied’, the love child of Bring Me The Horizon and In Hearts Wake’s debut album–a fury of metalcore breakdowns with a chilling electronic undertone. Exploring the decline in privacy on the internet, ‘Denied’ is a plea for others to recognise the power behind multinationals and the information they have on your purchases, habits and daily activities in the modern ‘Big Brother’ world.

Throwaway turned it up a notch for their other single, ‘Crisis’; a track the band describes as a completely balls-to-the-wall, pedal-to-the-metal heavy song.

The EP then ends ‘Weight’ on a low note with ‘Gone Too Soon’, a moody journal entry about losing a close friend to suicide. As a memoir reflecting on the past, ‘Gone Too Soon’ asks the question, ‘What else could I have done?’ Throwaway portrays the thoughtfulness and emotion behind this track bringing a fitting ending to their sophomore EP.

Exploring digital privacy, conspiracy theories spread on social media and the mental health pandemic, Throwaway has crafted a metalcore EP fitting to the booming Adelaide/Tarndanya alternative scene. ‘Weight’ is about taking the learned experiences behind life’s traumas and turning them into something that brings you strength and power to better yourself and help others around you.

Throwaway discusses the themes behind their new EP:

“As the title suggests this EP revolves around the theme of “Weight”, with each of the songs exploring a different feeling associated with weight. 

‘Crisis’ is about the state of the world and how quickly everything can come undone due to one small decision. The weight of the world can really be in one person’s hands, where ‘Bad Vibes’ is more about social standards and the weight of other people’s opinions. ‘Pressure’ steps into the feeling of standards being set that feel unachievable, but not giving in to the voices telling you to give up. ‘Gone Too Soon’ is all about the impact the loss of a loved one has on a person, a very heavy feeling that everyone has experienced at some point in their life.

Throughout the entire listening experience ‘Weight’ has to offer, there’s at least one song that everyone can relate to.”

Throwaway have found media support in HEAVY Mag, AAA Backstage and Loud Mag as well as becoming playlisted on Australian Music Scene, Adelaide Heavy Scene and Tuna Tuesday. Their song, ‘Thrown Off Track’ found over 40,000 streams on Spotify, with the band going on to win the Adelaide Uni People’s Choice Award twice in 2018.

Take a step back and weigh the importance of every decision when ‘Weight’ drops on November 11.

Follow Throwaway

Spotify | Soundcloud | Triple J Unearthed

Facebook | Insta: @throwawayadl | Youtube

November 11, 2022 0 comments
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Music News

The Money War Return With Uplifting New Gem ‘Somebody Loves You’

by the partae November 11, 2022
written by the partae

Previous Support For The Money War

‘Somebody Loves You’ – First Play on Double J Mornings

‘Somebody Loves You’ Added to Spotify’s Alt Here and Apple Music’s New Music Daily

‘Blood’ added to Double J Rotation

‘Miles Away’ Added to Spotify’s New Music Friday, The Local List, Broad Chords, The Streets of Your Town and The Office Stereo

“[‘Nothing’s Gonna Change’] exudes a level of positivity, hope, and love that is needed more than ever in 2020.”
(Rolling Stone AU)

“If you’ve been paying attention to the world of Australian music over the last few years, then the chances are good you’ve heard of WA duo The Money War.” 
(Tone Deaf)

“It’s a moment of beauty that captures the duo and the passion and emotions that goes into the project and its songwriting.”
(Pilerats) [About ‘Lifetime’]

“Gorgeous romantic and elegant song writing.”
(Zan Rowe, Double J)

“I’ve got so much time for this band and how can you deny this optimistic, hopeful warmth. It’s faith and trust is contagious, love it!”
4.5 / 5 (Declan Byrne, Triple J)

“Are you two kidding me with this pop pureness? An instant charmer that I’m gonna be humming all week.”
4 / 5 (Dave Ruby Howe, Triple J)

Stream ‘Somebody Loves You’

It’s something that we can easily lose sight of, but WA indie-pop songwriting duo The Money War are here to remind us all of an important truth with their beautifully special new song, ‘Somebody Loves You’, coming out on Nov 11.

The Money War is the musical and romantic partnership of Carmen Pepper and Dylan Ollivierre. Making music together since 2016, the BMG/Mirror Publishing-signed pair have toured with none other than Meg Mac, Dope Lemon, Holy Holy and were handpicked by Neil Finn to open for his shows. In addition to playing local festival FOTSUN, they’ve also crossed the seas for the eponymous SXSW, BIGSOUND and Southbound Festival. They’ve received a stack of nominations along the way, most notably having debut album ‘Home’ up for the Australian Music Prize.

With two albums, and three EP’s under their belts after the release of ‘Blood’ EP in 2021, Pepper and Ollivierre continue to add their ever-growing catalogue of music. They now share the important message found on ‘Somebody Loves You’.

The track’s uplifting melody melts with sincerity from the very first taste. Generously encompassing the undeniable force of love, ‘Somebody Loves You’ is yet another gem that affirms their knack for songwriting, with the Midas touch afforded by the chemistry of their pairing. It’s an instant classic that will leave listeners floating into the ether, or perhaps into the arms of somebody that loves them.

The Money War elaborate on where this song began.

“The song came about after I’d been pondering how interconnected everyone and everything is. Such an obvious realisation, like the fact that everyone is a child to someone, can weirdly be so mind blowing when you’ve been stuck in your own tiny world.” Dylan Ollivierre says, with Carmen Pepper adding:
“I guess the overall message is one of reassurance – that we should try and see the big picture even when we feel somewhat alone or insignificant.” Carmen

Weaving their musical prowess wherever they go, the band have received rave reviews from Tone Deaf, Rolling Stone AU, Blunt Mag, NME, TheMusic AU and much more. They’ve also seen ongoing support from Triple J, Double J, Triple J Unearthed  BBC6, KCRW, NPR, RTRFM, FBi, 4ZZZ, Double J, plus their track ‘Recall’ was Triple J’s 5th most played song in its year of release. Add to that their various playlist popularity and millions of streams on digital platforms – there’s no doubt that The Money War are doing something right.

Feel your heart burst when ‘Somebody Loves You’ is released on November 11 care of the ever-talented duo, The Money War.

Follow The Money War

Website | Facebook | Instagram

Spotify | Apple Music | Amazon Music | Bandcamp | Youtube

November 11, 2022 0 comments
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Music News

Sam Marks – Drift Out With New Single ‘Wash Over Me’ (Out Now)

by the partae November 11, 2022
written by the partae

Previous Support for Sam Marks

‘Tend To Yourself’ Premiered via Triple J

‘Tend To Yourself’ Music Video added to MTV Upload

‘Vagabond’ added to Apple Music’s The New Rock

“This track makes me wanna go ahhhhh. It fills with great sound – those guitars are great and I love that slight rasp in your voice Sam.”
4 / 5 Stars 
(Claire Mooney, Triple J)

“Sam has me suddenly transported from my home to the open road in the middle of nowhere, just flying down the highway on my way to nowhere. Bring it on!”
4 / 5 Stars (Declan Byrne, Triple J)

“Eventide has this anthemic sound that takes to my mind to a place that has a sea of faces crowded together in a mosh yelling the chorus up into the air.”
4 / 5 Stars (Nkechi Anele, Triple J)

“Eventide is awash with reverb guitars, with his warm upbeat vocals and sweet harmonies chiming in to keep this tune ripping along.”
(AU Review) [About ‘Eventide’]

Stream ‘Wash Over Me’ 

Dabbling in a variety of genres and sonic textures, Sam Marks makes music underpinned by his emotive and musical depth, and a distinctively husky voice. The Sydney/ Gadigal artist is making a return with the hazy indie-rock single ‘Wash Over Me’ out Nov 11.

The indie-rock artist has been busy making waves since his first release in 2020, despite a couple of postponed plans. With four singles under his belt so far, he has time and time again carved out laid-back, feel-good tunes and has pieced together another one to add to the mix with the help of producer Callum Howell (Ocean Alley, Le Shiv, The Rions).

On Sam Marks’ fifth release, we drift out with fuzzed-out riffs and a goosebump-inspiring chorus. Swaying to a bluesy pace and bursting with raw sincerity, ‘Wash Over Me’ climbs higher with a truly epic guitar solo, amplifying the singer’s gorgeous vocals to the nth degree.

‘Wash Over Me’ encapsulates a feeling the musician has carried throughout his life, as he reveals:

“I often feel disconnected or detached from reality, moving in a strange and distant motion, like common reality is far ahead and I’m unable to catch up. I’ve used lyrics and metaphor as an evocative tool to build feeling and colour that relates to my experiences.”

Sam Marks has clocked up over 62,000+ streams and seen support by Triple J, Double J, Triple J Unearthed, Scenestr, MILKY, The Music, Aus Music Scene, MTV, The AU Review, among many others, and inevitably many more to come.

The powerful new single ‘Wash Over Me’ from the dynamic Sam Marks takes flight on Nov 11. Then, catch Sam Marks performing at Sunset Festival on December 3 with headliners including Allday, The Grograns and more.

Follow Sam Marks

Spotify | Apple Music | Soundcloud | Triple J Unearthed

Facebook | Insta: @sammarksmusic | Youtube

November 11, 2022 0 comments
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Music News

SHERIE – Alé Pushing us to see love through all its forms…

by the partae November 10, 2022
written by the partae

After finishing up her tour opening for Alicia Keys and D Smoke in Europe, SHERIE is coming in hot  with ‘Alé’ the first single off her upcoming EP.

 ‘Alé’ is a Haitian call to love. In Haitian Creole it directly translates to “Let’s Go”, thus pushing us all deeper into a journey through love in all its facets. 

“In my own experience, I found choosing love is worth the risk.” – SHERIE

The songs transports us to a tropical Haitian paradise, grooving bass lines and SHERIE’s sultry R&B Soul influenced voice complemented by a rhythmic underbeat, it’s impossible not to sit back and groove to it; drink in hand, sunglasses on.

 

 

Sherie is an esteemed Haitian American, Los Angeles based artist, songwriter, and master violinist offering an eclectic twist to her creative process. Her lyrics have seen the heights of a Billboard #1 chart topper with Ariana Grande’s “Positions’‘ which stood as a career defining moment. Sherie’s ability to transform words into beautifully curated melodies ranges through several genres including but not limited to R&B, pop, soul, urban, classic and alternative sounds. The Atlanta raised multi-hyphenate ability to hear those striking melodies derives from her mastery of the violin and angelic soprano tone, giving her an edge in creating seamless melodies and poignant lyrics that invoke sensations time after time. Her latest single “Need Ya” performed with EDM artist Holow, reached over 300k streams worldwide and is still rising in the international market. 

 

Socials

Instagram | Facebook | Spotify

 

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Premiere: Purj – A Civil Conversation

by the partae November 10, 2022
written by the partae

PLAY/LISTEN

Where are you currently based?

It’s pretty crazy to say this, but Beverly Hills baby, that covid deal came in clutch.

What’s the LA music scene like at the moment?
Honestly, I think it’s overwhelmingly basic, but there are some sweet little pockets that promote the more esoteric side of EDM that I’m super inspired by. Unfortunately, you really have to search for them.

You’re originally from Melbourne / Australia, what’s the difference between being in LA to Australia?
Safety, holy shit, Los Angeles is a hellscape. I was a night rat growing up, only chased by eshays a few times, y’know, normal stuff. Los Angeles is not a place you want to be walking around at night. I love this city for so many reasons, but listen to my track Exposure Therapy and you’ll understand why I’m slightly pessimistic about this city. My first week here changed my life.

How did you first start playing music?
Woah, this is a question I’ve never even thought about. I was a classically trained violinist for 7 years and realized I hated it. I started making mashups on virtualdj and wanted to learn more about the actual craft of “djing”, I went to some DJ “school” in the city and was the only kid they enrolled as an exception because it was an adult course but I learned how to scratch records, count tempo, idk just some really practical stuff, shout out DJ Bonez for that one class you did. I started Djing events because I was a loser and wanted to get invited to parties. It worked, I won, kids paid me to have fun and I learned to produce my own tracks to play out.

Inspired by the bloghaus era, I tried making electro trash and electro house, but complextro was the thing that forced me into really diving into sound design. Flash forward, I moved to New York and learned everything I could about sampling and surrounded myself with hip hop, big ups my old crew SLUMP. I eventually ended up in LA, was kidnapped and thrown in a gutter, and basically decided I wanted to try put on silly voices in my music “sing”, I was such a quiet and insecure sod prior to that, you really have no idea. AHHHH

What’s been happening recently?
Honestly, I’ve been trying to get out of my comfort zone and show more of my personality to the world as I feel like it puts so much context behind my lyrics. I’ve been filming so much content and trying to set up photoshoots and writing sessions, it’s actually been pretty non-stop but it seems to be working, like aye I’m talking to you.

You’re releasing your follow-up single on November 11th titled ‘A Civil Conversation’ off your Exposure Therapy EP which will be released in December.  What or who influenced the sound and song writing for A Civil Conversation?
To keep a long story short, the backbone of this track is a horrifying 8-hour-long date I went on. It began with her sending me the wrong address, her still arriving an hour late, and inviting all of her friends. It culminated in us sitting on a park bench with her swiping through tinder showing me the other dates she had lined up. Now imagine the other 6.5 hours all equally as bad. I then sprinkled in some other bad date references, some attitude, and a little bit of sugar. All of this materialized as my attempt at making an early P!ATD track.

What does this single mean to you?
Dating in your 20s sucks.

Please tell us a bit about what we can expect from your upcoming EP and the influences behind it:
Honestly, this EP was my first foray into understanding myself not only as a vocalist but also a songwriter. I really evaluated what inspired my younger self and tried to emulate as much of that as I could. It’s music for lil purj, angsty yet hopeful, juvenile yet mature in personal depth.

Think P!ATD x MCR x FOB x Mindless Self Indulgence x The Used x Slipknot x Marilyn Manson x Bring Me The Horizon x Bloc Party x Every artist on OWSLA (RIP) x PORTER ROBINSON x The 1975 – MATTY HEALY [plz be my friend] x Aphex Twin x Burial x Limewire x Tumblr… Really anything on the internet between 2005 – 2014.

Where and when did you record/produce/master and who did you work with?

Honestly, 90% of the EP is just me in a dark corner at the back of my room humoring the souls of the damned. However, the other 10% are some beautiful guitar features by @synovamusic and support from a really talented group of friends who give amazing feedback or help when needed.

How do you approach songwriting?
Bad things keep happening… let’s talk about it…

Who are you listening to at the moment?
YVES TUMOR I can’t even put into words how profound this artist is to me.

What do you like to do away from music?
I work as a Graphic Designer at a kickass company called Production Club. Do a little digging and you’ll know pretty quickly why this is a dream job for me. I am also training for a kickboxing tournament next year, ahhhh please send me all the good luck beans!

What’s planned for the remainder of 2022 going into 2023?
I finally get to go home! I haven’t been home in 4 years because of covid and visa complications and it’s really taken its toll on my mental health. I’m going to crumble in my mum’s arms. Oh and of course, finish the Exposure Therapy EP roll out 😉 maybe a few videos, we will just have to wait and see.

Favorite food and place to hang out?

In Los Angeles. Dialog Cafés Smash Burger. I’d never eaten pickles and the owner who’s mates with my mate saw me taking out the pickles and called me out on it. He proceeded to express how much love and care go into his pickles. Out of shame, I started to put the pickles back in my burger… let’s just say I kinda fw pickles now. Thanks Tod <3

Instagram https://www.instagram.com/purjme
Facebook https://www.facebook.com/purjme
Soundcloud https://www.soundcloud.com/purjme
Twitter https://www.twitter.com/purjme
Tiktok https://www.tiktok.com/@purjme
YouTube https://www.youtube.com/channel/UC2l0W1kdqloCyvdST2m89bA
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Festival NewsMusic News

Set Times for Loch Hart Music Festival

by the partae November 10, 2022
written by the partae

The set times have been released for Loch Hart Music Festival and they are a thing of beauty. 

Loch Hart Music Festival is a two-night, three-day, BYO camping festival happening next weekend 18-20 November, on the Great Ocean Road in Princetown.

Festival Director, Jayden Bath said – “Set times are our number one consideration when booking artists.”

“We think about the mood of the festival at different points in time and consider which artist will match that, and who is going to give our attendees the best live experience. Then we book the whole lineup based on those set times as it’s all about the programming!” 

This pragmatic approach is on display with the recently released Loch Hart Music Festival set times, which, like a perfectly curated playlist is something to be admired.

Night 1: The festival kicks off with glimmering upbeat pop from Velvet Bloom and Hobsons Bay Coast Guard, before rolling straight into two of the most captivating acts in Australia right now – Party Dozen and Peter Bibby. At midnight, full party mode is activated with Digital Afrika followed by Joey Lightbulb deep into the night.

Day 2: Wake up to the soothing tunes of Jarrah Ma, and dabble in a light yoga session if you will. Good Sniff will ensure you’re awake, before the likes of Empress, Squid Nebula and Galah make sure you’re on your feet. Wurst Nurse, Alien Nosejob and Harmony Bryne will light up the afternoon with a string of dynamic and enthralling sets. Before the globally renowned Gordon Koang sets the amphitheatre into a dance frenzy.

An evening Comedy Hour: You don’t even know you want it until you have it. It’s likely you’ll be puffed at this point. Best to sit down, grab a drink or meal, and cackle until your sides hurt. The Comedy Hour features a star-studded cast including Aaron Gocs, Blake Freeman, Emma Holland, Sonia Di Iorio and Tim Hewitt.

Night 2: Pop-duo WIIGZ take the reins for the festival’s sunset slot as it transitions from day to night. The night time is nothing but heavy-hitting disco and dance party anthems – Kylie Auldist, into Harvey Sutherland, into Sunshine and Disco Faith Choir. What a procession! Plus, those who stick around until 3am will get to witness the – need to see it to believe it – one man show of Roy Blues.

 

Day 3: Finally, Leah Senior and Watty Thompson will close the festival with what can only be described as the perfect Sunday session. Two absolute stars who will leave you feeling euphoric as the weekend comes to an end.

Loch Hart Music Festival features 25 acts, a comedy hour, BYO + bar, food trucks, yoga, outdoor cinema, and free camping with ocean views.

Final Release tickets on sale now

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Debut edition of Saraab to take place in the Red Sea Mountains feat. Âme, Polo & Pan, Maceo Plex, Gerd Janson, D’Julz, Lamache, Éclair Fifi, Mano Le Tough, Maher Daniel, William Djoko

by the partae November 10, 2022
written by the partae
Saraab Festival
Il Monte Galala, Egypt
December 1-2nd, 2022
https://www.saraab.co/
IG: @sar___aab

byGanz Extraordinaire & Astral Element have teamed up to create Saraab, a new festival concept in the heart of the Red Sea Mountains of Il Monte Galala by Tatweer Misr, taking place December 1-2nd, 2022.

Have you ever woken up and not been able to make out the end of your dream and the beginning of your memories? Had a night that felt more illusion than reality? Met someone that seemed to be from another dimension?

“Like a mirage in the distance, we believe that the way things are is not the way they have to be. That when we come together, at the right time for the right reason, anything is achievable. Sound becomes language. Strangers become friends. Time a mere illusion. Some say it’s all an illusion, we prefer to call it Saraab.”

Saraab is a one of a kind 2-day electronic festival held by the majestic mountains of the Red Sea with a killer sea view. With a venue capacity of 3000 attendees and some of the biggest names in the electronic industry playing back to back, Saraab will be held over the span of two days across two main stages and a marketplace.

With a lineup announced that includes Polo & Pan (DJ set), Maceo Plex, Âme (live), Éclair Fifi, Mano Le Tough, Bas Ibellini, Terr, Lamache, Maher Daniel, Gerd Janson, D’Julz, Salomé Le Chat, William Djoko as well as local heroes, Misty, Chiati (live), Aroussi, DNGR GNGR and Maie; the SARAAB lineup will be unforgettable.

Along with two performing stages, the marketplace will include vendors of all kinds as well as a smaller stage with up and coming artists as Saraab looks to spotlight local and rising talent.

Saraab is bringing together DJs and visual artists and establishing a market where people can share their interests and products from vintage pieces to art pieces and fashion in a one-of-a-kind market alongside mouthwatering food pop-ups.
Located in Il Monte Galala, the top-notch destination is the ideal location for the event due to its raw natural beauty and space. The venue is spacious and versatile with a killer view of the mountains and the sea and located only an hour away from Cairo.
Lineup (A-Z)
Âme (live)
Aroussi
Bas Ibellini
Chiati (live)
D’Julz
DNGR GNGR
Éclair Fifi
Gerd Janson
Lamache
Maceo Plex
Maher Daniel
Maie
Mano Le Tough
Misty
Polo & Pan (DJ set)
Salomé Le Chat
Terr
William Djoko
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NGV ANNOUNCEMENT | Alexander McQueen: NGV Friday Nights from 16 December at NGV International

by the partae November 10, 2022
written by the partae

Three-time Grammy award nominee Nai Palm headlines summer NGV Friday Nights

16 December 2022 – 14 April 2023 | NGV International | Bookings required, admission fees apply

The NGV has released the live music line-up for the return of NGV Friday Nights this summer with three-time Grammy nominated singer-songwriter Nai Palm headlining the opening night on 16 December 2022.

Programmed in conjunction with NGV’s summer blockbuster exhibition, Alexander McQueen: Mind, Mythos, Muse, the spectacular drama of Alexander McQueen’s design genius and the late ‘90s London scene inspires the musical line-up and design of this season’s NGV Friday Nights.

The 18-week live music series will feature some of Melbourne’s most creative musical minds spanning disco, glam rock, punk, jazz, and soul. Nai Palm’s magnetic neo-soul sound will fill the NGV’s Great Hall on opening night, with further highlights throughout the series including Electric Fields, Kee’ahn, Banoffee and Billy Davis.

NGV Friday Nights offers late-night access to Alexander McQueen: Mind, Mythos, Muse, the first major Australian exhibition to explore the work of Alexander McQueen (1969 – 2010). The exhibition, organised by the Los Angeles County Museum of Art (LACMA), in partnership with the NGV, will showcase 60 garments and accessories drawn from LACMA’s holdings of important works by McQueen alongside more than 50 designs by McQueen from the NGV Collection, making this Australian-exclusive presentation especially rich and comprehensive.

Offering an unprecedented insight into the mind of this seminal designer, McQueen’s work is presented alongside more than 70 historical artworks including painting, sculpture, photography, decorative arts and works on paper from the collections of LACMA and NGV, revealing the myriad reference points that influenced his designs.

Evoking the innovation and theatre of McQueen’s famed fashion shows, guests at NGV Friday Nights can view screenings of some of the designer’s most iconic runways throughout the evening in the Great Hall. The runway show screenings, all of which are represented by garments in the exhibition, include Dante 1996, Joan 1998, Horn of Plenty 2006, and the designer’s final runway collection, Plato’s Atlantis 2010.

Tony Ellwood AM, Director, NGV said: ‘With the NGV Friday Nights series this summer, we are thrilled to once again support leading local and international performers and celebrate artistic innovation through a spectacular presentation of fashion, art and music.’

The NGV Garden will also come alive with live DJ sets in the 2022 NGV Architecture Commission: Temple of Boom, an evocative reimagining of the Parthenon on the Acropolis adorned with overlapping large-scale artworks by Melbourne-based artists. The Moët Champagne Terrace Bar will light up the Garden serving the iconic Moët Impérial Champagne, Moët Rosé Impérial, plus Moët Minis from the Moët Mini-Matic. At the Four Pillars Gin Bar, guests can enjoy classic G&Ts or an original Four Pillars cocktail.

In the Great Hall, the Yering Station Wine Bar offers fine wines from the Yarra Valley and a wine tasting experience featuring Rosé, Chardonnay and Pinot Noir. Celebrating Alexander McQueen’s connection to London, visitors to NGV Friday Nights can dine on classic dishes including crispy pork belly, fish and chips, and cheese selections.

NGV Friday Nights line-up: 

 

16 Dec 2022: Nai Palm | C.FRIM

23 Dec 2022: Nikodimos & his Orchestra | Vincent Sole

30 Dec 2022: The Belair Lip Bombs | Billos + Klomp

6 Jan 2023: 30/70 | Zepherin Saint

13 Jan 2023: Emma Volard | Priya

20 Jan 2023: Billy Davis | Simona

27 Jan 2023: Kee’ahn | Adriana

3 Feb 2023: Banoffee | Priya

10 Feb 2023: Niine | Mabel

17 Feb 2023: Electric Fields | Crybaby

24 Feb 2023: Middle Name Dance Band | Afrodisiac

3 Mar 2023: Thibault | DJ JNETT

10 Mar 2023: Aarti Jadu | So Much So Much

17 Mar 2023: Waari | Lucreccia Quintanilla

24 Mar 2023: Elle Shimada Curates: Co-Dreamers Experience | Henry Guala

31 Mar 2023: Teether & Kuya Neil | Ada & Olypso

7 Apr 2023: Komang | Moopie

14 Apr 2023: Izy | Darcy Justice

NGV Friday Nights will run from 16 December 2022 – 14 April 2023 at NGV International, St Kilda Rd, Melbourne. Further information and tickets are available via the NGV website.

Alexander McQueen: Mind, Mythos, Muse will be on display from 11 December 2022 – 16 April 2023 at NGV International, St Kilda Road, Melbourne. Tickets available here. The exhibition opening will coincide with the NGV Gala, an annual event on Saturday 10 December 2022. Information is available here.

Follow us at NGV Melbourne: Instagram | Facebook | Twitter | YouTube | LinkedIn

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Music News

LACHIE GILL RELEASES INFECTIOUS POP BANGER ‘SAD SUMMER’

by the partae November 10, 2022
written by the partae

Announces first solo show at the Memo Music Hall, St Kilda, Friday December 2

 

LISTEN TO SAD SUMMER HERE

 

“Lachie is in a class of his own”

Daily Telegraph

 

“His vocal range reminds me of Ed Sheeran mixed with Sam Ryder, blend in some powerful and anthemic guitar tones and booming drums and what you have is a track nothing short of spectacular.”

It’s All Indie

 

“Lachie Gill is an exciting new talent who is leading the way in the commercial pop genre”

FV Music Blog

 

“The Path to success after The Voice can be fraught, but Australia has never seen a winner quite like Lachie Gill.”

Who Magazine

 

Lachie Gill is back!  The talented pop-inspired singer/songwriter has been busy in the studio creating his latest up-tempo, catchy offering, ‘Sad Summer’ which is released today through Universal Music Australia.

Earlier this year, Lachie won over the Australian public with his captivating vocal ability and charismatic charm which saw him crowned the winner of The Voice 2022. He released his debut single, ‘Wasted Time’ in May, reached #2 on the iTunes chart and generated over 3M streams across all digital platforms including half a million streams on Spotify. His stripped back performance of ‘Wasted Time’ reached over 280k views on YouTube.

Lachie received accolades from around the globe including Cyndi Lauper and his coach Rita Ora who said, “Lachie is in a league of his own, he’s the ultimate storyteller and has the ability to capture the audience and have them go along with him. He sings like it’s the last time, every time.”

Now Lachie has teamed up with prolific, global chart topping and award-winning Australian producers Andy and Thom Mak (Boy & Bear, Vera Blue, Tori Kelly, Julia Stone) to write for his latest project. Harnessing his candid, emotive writing style, Lachie and the Mak brothers broke down these walls of vulnerability to craft the anthemic ‘Sad Summer’.

“It was at a time when my relationship was going through a bit of a rough stage,” Lachie remembers. “I’ve written way too many sad songs, and I wanted to see if I could put that energy into something a bit more upbeat.”

WATCH THE SAD SUMMER LYRIC VIDEO HERE

Combined with summery instrumentation, and a cheeky approach to both song writing and performance, ‘Sad Summer’ fills itself with wide-eyed optimism and innocent nostalgia to create a pop anthem that arrives custom-made for the warmer months, armed with familiar lyrical references to Lana Del Rey and a devotion to good vibes.

Ultimately, ‘Sad Summer’ showcases a new era for Lachie Gill, as he moves away from his self-admitted love of sad songs to embrace a fun-loving component which paves the way for what’s to come. “I’ve never wanted to be just a sad ballad singer. People have only ever heard me giving that real grit and emotion,” he explains. “‘Sad Summer’ still has that emotion, but it takes on a more happy, fun, and cheeky sort of vibe.”

Armed with an impossibly catchy new single, world-class vocal chops and the steely determination of an athlete, it’s clear that Lachie Gill is not just here for a good time, he’s going to be here for a long time.

He has also announced Sad Summer: Live + Intimate, an acoustic show at the Memo Music Hall, St Kilda on Friday December 2 with special guests McDermott and North.

 

Get tickets HERE

‘Sad Summer’ is out now on all streaming platforms.

 

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NTH RD release impassioned new single “I Watched You Fade Away”

by the partae November 10, 2022
written by the partae
STREAM

NOVEMBER 18 – STAY GOLD, MELBOURNE
SUPPORTING SUPYRIA W/ HARROWAY + RANSOM REVUE

TICKETS

Melbourne’s NTH RD release their hard hitting new single “I Watched You Fade Away”, exploring the processes of loss and change. The video is streaming today via The AU Review!

“I Watched You Fade Away” is produced, mixed and mastered by Chistopher Vernon (Belle Haven, Future Static, Bloom) and serves as a follow-up to the band’s debut EP ‘Panic‘, released in June. Outlining the different stages of a panic attack, NTH RD’s debut EP ‘Panic‘ exhibited the band’s determination and willingness to explore difficult topics, “I Watched You Fade Away”  addresses similar themes.

Vocalist and lyricist Jordan Kellaway divulges that the song ‘revolves around the concept of somebody changing into a person that you no longer recognise‘, rather than the physical sense of loss. The title of the single aptly summarises the story of the song, with bassist Lucas Banim affirming that the song details ‘the notion of losing a friend, and watching them gradually ‘fade away’ into a shell of the person that you used to know‘.

Encompassing all aspects of NTH RD’s established sound, “I Watched You Fade Away” features elements that have come to define the band; anthemic arena-ready riffs, huge choruses and atmospheric soundscapes, all while boasting the band’s most dynamic and crushing breakdowns to date. Brooding and heavy from the onset with melodic flourishes littered throughout, NTH RD’s energetic new single promises to have listeners in a chokehold until the very last note.

NTH RD is Jordan Kellaway (vocals), Lucas Banim (bass), Billy Balassis (guitar) and John Mihaloudakis (drums). Solidifying their position as a band to watch moving towards 2023, “I Watched You Fade Away” reinforces NTH RD’s ability to provide consistent and catchy tunes, while demonstrating the results of the band’s well-honed work ethic.

Beat Mag praised NTH RD for “seamlessly blending atmospheric passages with huge choruses, infectious riffs and crushing breakdowns” on the ‘Panic‘ EP, Wall Of Sound confirmed “Panic is a brilliant first outing that really gives the Melbourne quartet a chance to spread their wings” and Hysteria Mag highlighted that the band “really own a sound that would appeal to fans of any genre of heavy music.”

Despite the short time frame between releases, fans can be sure that when this band drops a new song, it comes with intention and purpose, “I Watched You Fade Away” is no exception, and serves as yet another noteworthy inclusion to the band’s quickly growing catalogue.

“I Watched You Fade Away” will be available and streaming on all platforms tomorrow. Video streaming now!


For more information, visit www.facebook.com/Nthrdband/

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Music InterviewsMusic News

Sherie

by the partae November 10, 2022
written by the partae

Where are you currently based?

I am currently based in Los Angeles California. I moved here in 2019 from Atlanta, Ga with the intention of pursuing my dream to be an artist and write and play violin in all the ways I possibly could.

How did you first start playing music?

I first started singing the day my mom had me join her in the church choir at 5 years old. She was a soprano singer so that automatically made me one as well. While growing in my craft of singing, I picked up the violin at 9 years old and never looked back. Private lessons, orchestras, jazz bands, and even became first chair in high school. I took it seriously and as I got older wanted to put my singing and playing together to create a form of art that was tailored to me. I then became a singing violinist playing and singing at weddings, concerts, and venues which turned into me wanting to create my own music with both of my crafts in it. I then started to create music of my own and the rest was history.

What’s been happening recently?

I recently have been performing, I had a show last month that had an incredible turn out and since then have been creating content and getting ready for the release. Even before that, I opened up for Alicia Keys during her world tour which was an amazing and growing experience for me because she has always been an artist that I look up to.

Ale’ is the first single off your upcoming EP, what influenced the sound and songwriting?

“Ale” is a Haitian call to love. In Haitian Creole it directly translates to “Let’s Go”, thus pushing us all deeper into a journey through love in all it’s facets. “Ale” is the story of a woman (me) who has taken all of her experiences that gave her fear to love and decided to let it drive her into love taking the action to just go for it and not let anything stop her.

How did Ale’ come about?

I started working on “Ale” with a producer named Reggie he is really dope he sent me the beat and I immediately thought, this is a love bop and I started free styling words of “here we go” and naming a bunch of places that would be fun to go on dates and then started to narrow it down to talk about the reality of not being afraid to love anymore and just going for it. Then I thought to incorporate my culture into it and say “Ann Ale” meaning let’s go and wanted to make it a whole event Around expressing how I felt in the song with adding some creole to the mix.

Where and when did you record/produce/master and who did you work with?

I recorded “Ale” at my amazing engineer Max’s studio in North Hollywood. I wrote it with my friend Naika who is an amazing artist and husband D Smoke who is also an amazing artist. The dope producer of the track Reggie killed it with the amazing 808’s, the kicks, and the chords, and my amazing bassist friend Josh Howard added some groovy bass lines to it.

Please tell us about your upcoming EP:

As an artist I believe the best art comes from an open place. I started this project without a set intention other than making honest music  driving from experiences, past failures , and successes in love. In doing so, I had a chance to push some creative boundaries musically and lyrically that make it an exciting listen.  And I am definitely playing violin all throughout the project as well.

How has your Haitian culture translated into your music?

I’ve never physically set foot in Haiti but every time I’m with my family, I’m in Haiti. We are a big bunch and everyone in the generation above me speaks creole and have taught me and my brothers. We use to listen to Haitian music (Kompa) together and ask our grandparents what the songs meant. I have always wanted to put some Creole in my music so I thought, why not put some of it in there and say some of what I would say in a love song and mix it up.

Who are you listening to at the moment?

Right now I am listening to “the human condition” album by Jon Bellion. I love all of his music but this album is my favorite one from him. I first listened to it and was so mind blown of how much his lyrics reflected my life and times of self reflection. It was like he was singing right from my diary. Along with his amazing Melodies and production, Jon Bellion will always be the goat in my book.

What do you like to do away from music?

Outside of music I love to learn about new things. I am currently reading a book called “Start With Why” by Simon Sinek  and it’s about the reason why certain leaders are able to inspire a mass amount of people because they focus on, not the what and the How of their business but why they want to do what they do in the first place.

What’s planned for the remainder of 2022 going into 2023?

I have some performance dates coming up that I am excited about. After dropping this single, I’ll follow it up with some more singles and an EP at the top of the year. But in the meantime, I look forward to performing and creating content that keeps telling my story.

Favourite food and place to hangout?

Crab legs are my favorite food. I am a master at cracking them right down the middle and can eat them all day! The best hangs for me is being at the beach with friends or family vibing out to music.

Socials

Instagram | Facebook | Spotify

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