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Music News

RayRay Releases Ethereal, Bass-Driven Debut Studio Album “Unearthly World.” Out Now on Barong Family

by the partae November 26, 2022
written by the partae

Artists: RayRay
Title: Unearthly World
Label: Barong Family

Download / Stream

Powerhouse Taiwanese artist RayRay releases her first-ever studio album on Barong Family, a ten-track body of work titled “Unearthly World” that serves as a stunning and diverse look into the female producer and singer’s psyche and childhood inspiration. The album touches on a myriad of genres, from dubstep to trap to melodic, house, and hardstyle, but is held together with a common thread of ethereality that is reminiscent of the folk tales and fairy stories that RayRay loved while growing up in Taiwan. The opening track, “Wide Awake,” sets a beautifully haunting tone with its emotive vocals and wistful bass, spreading its vein to other titles such as “Hide & Seek” with Nonsens and the lyrically empowering “Butterfly” with RayRay‘s fellow Taiwanese JVNA. She then turns up the heat by heading into hardstyle territory with “404,” with rapid-fire basslines and serrating synths that are not for the weak of heart. Records like “Losing My Mind” with Dirty Audio and “Good Girls Gone Bad” with Dysomnia, featuring OGAQUAFINA, rock a four-on-the-floor house beat perfect for booty shaking on the dancefloor. The entire album is a testament to RayRay‘s evolution as an artist as she seamlessly transitions between soundscapes. Read on for more on her inspiration behind “Unearthly World“:

“‘Unearthly‘ can have a very vague meaning, but I wanted to highlight the fact that it’s a milestone release for me that sonically and aesthetically exists in the same dimension as my previous releases such as EPs – ‘Purple Alien,’ ‘Alien Invasion‘ and ‘Alien Mutation,’ among others. With ‘Unearthly World,’ I want to give the listeners and my fans a diversified body of work that stimulates their imagination with a wide range of music genres and invites them to my own unearthly world of RayRay as a seasoned music producer and a singer.” – RayRay

“Unearthly World“

01. RayRay – Wide Awake
02. RayRay, Nonsens – Hide & Seek
03. RayRay, JVNA – Butterfly
04. RayRay – 404
05. RayRay – Full Speed ft. ØZI
06. RayRay – Just Like You ft. Patrick Brasca
07. RayRay, Dirty Audio – Losing My Mind
08. RayRay – Don’t Need It
09. RayRay, Dysomia – Good Girls Gone Bad ft. OGAQUAFINA
10. RayRay – Succubus

RayRay has landed loudly and exploded onto the international dance scene in the past few years. With gigs at major festivals like Glastonbury, ADE, Tomorrowland, Sonar, and Arcadia, and her purple hair as her signature look. She cemented her status in the scene as a Red Bull Thre3style competition winner and through a series of studio sessions with artists such as Skrillex, Yellow Claw, Steve Aoki, and Atmozfears. All that while honing and training her vocals with voice professionals. After being named on Beatport‘s HOT 100 Future Bass/Trap Top 10 List in 2016, her work ethic and signature sound caught the ears of Yellow Claw, who brought RayRay on tour in 2019 and quickly signed her to a management deal and to the Barong Family where she released three EPs: “Purple Alien” and “Alien Invasion” and 2021’s Brand New EP “Alien Mutation.” RayRay‘s new home on the Dutch imprint has gotten her name on feverish demand, and today she tours her signature sound all over the globe, creating seismic experiences for her newfound fans. With releases on Spinnin’ Records, Protocol Recordings, Dim Mak, as well as releases on Tiësto‘s label Musical Freedom to follow. Despite the pandemic, 2020 and 2021 didn’t slow her down one bit. With the dance scene at a standstill, RayRay started her live streaming channel on Twitch in early 2020 and, within a year, became the top Twitch “Live Music” Streamer, according to IMS Business report. During the same period landing a residency on Tiesto‘s Musical Freedom Sirius XM Radio show. 2021 saw her release EPs “Lasergun” with Yellow Claw, “Pump It Up” with Moksi, and “Where Are My Friends” with Sihk, to name a few. Needless to say, RayRay‘s spaceship is rocketing across the stars and doesn’t seem to slow down anytime soon.

More info on RayRay / Barong Family:

RayRay: Facebook | Instagram | Twitter | Spotify
Barong Family: Facebook
 | Instagram | Twitter | Spotify
November 26, 2022 0 comments
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Music News

Powerhouse Producers R3HAB, Timmy Trumpet, and W&W Combine Forces on Dancefloor Filler “Poison.” Out Now on Tomorrowland Music

by the partae November 26, 2022
written by the partae

Artists: R3HAB, Timmy Trumpet, W&W
Title: Poison
Label: Tomorrowland Music

Download / Stream

After releasing “Distant Memory” in 2021, Dutch/Moroccan R3HAB, his fellow Dutch duo W&W and Australian crowd favorite Timmy Trumpet once again join their multi-platinum talents for the new collaborative single “Poison,” out on Tomorrowland Music. With dynamic styles that bridge the sonic spectrum of psytrance and progressive big-room, the boys wrap it up in the perfect package with this already proven collision of forces. “Poison” opens with warped vocals and cinematic melodies, steadily building anticipation and breaking down into a sonorous bassline with stabbing synths and futuristic touches. The new single has true rave energy, bringing to mind the main stages at epic festivals such as Tomorrowland itself, where all three artists performed this year, EDC Las Vegas, Ultra Music Festival, and more, that R3HAB, Timmy and W&W have all graced multiple times. It’s R3HAB‘s and Timmy Trumpet‘s triumphant return to Tomorrowland Music, where R3HAB recently released the festival’s 2022 official anthem “Worlds On Fire” with Afrojack and Au/Ra, and Timmy released his classic record “Vivaldi” with Mariana Bo. “Poison” is bound to be a fan favorite and a memorable debut for W&W on the label, so press play and let this match-up transport you to your best past and future moments on the dance floors across the globe.

“Timmy, W&W, and I have a connection which is rare. After our different collaborations over the years, we’re still easily able to find and share ideas with each other. They’ve become friends rather than colleagues, and I admire them both for their musical talents as well as their strong personalities. What we’ve come up with now blends all our signature styles into a real main-stage record that will resonate with every listener who liked our earlier releases.” – R3HAB

“Working with my brothers from another mother is always an amazing experience in the studio! This is our second collab as a trio, and it won’t be our last. So happy with how this turned out.” – Timmy Trumpet

“After ‘Distant Memory,’ it was about time we made another song with the guys. We really like working with R3HAB and Timmy, as we all complement each other’s strengths! We have great chemistry together and push each other to create the best possible production.” – W&W

R3HAB

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 8B streams to date, including 1.1B in 2021 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. He is Spotify‘s Most Discovered Artist, one of Spotify’s top 200 most streamed artists, ranked #13 on prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

Timmy Trumpet

DJ, producer, and live instrumentalist Timmy Trumpet is undoubtedly one of the most prolific performers in the DJ Mag Top 100. An award-winning, multi-platinum selling recording artist, Timmy has forged his way to the top of the industry alongside influential artists taking the world by storm. His breakthrough release Freaks has reigned in over half a billion streams, reached six times platinum status in Australia, and dominated the charts in ten countries, becoming the highest selling track of all time on Ministry of Sound Australia. In 2020, after over a decade on the scene, the DJ producer issued his first album, Mad World. The set included the singles “911” with R3HAB, “Up & Down” with Vengaboys, and a cover of “Mad World” with Gabry Ponte.

W&W

After meeting up in 2007, Willem van Hanegem and Ward van der Harst came together to form W&W and haven’t looked back since. The Dutch DJ and production duo have transcended the boundaries of genres and traversed the world with their globally acclaimed music and iconic live performances, becoming one of the most sought-after duos the world of electronic music has to offer. As DJs, W&W have been dominating dance floors and festivals across the globe for years on end. Voted #14 in DJ Mag‘s Top 100 DJs poll in 2018, 2020 and 2021, they continually perform at leading festivals such as Tomorrowland and EDC Las Vegas and even had their own headlining tour the same year. W&W continue to prove their status as innovators and tastemakers in the scene under their alias NWYR, where they release blistering productions and live sets from their trance-inspired roots. They also curate music for their brand-new label, Rave Culture, which includes hosting their own bi-weekly radio show on Dutch broadcasting station SLAM!, which has gained them over 300,000 listeners per show plus coverage across North America via Sirius XM. Now shifting into a new phase with a tidal wave of new productions and incinerating live sets, the rise of their new Rave Culture label and the impact of their NWYR alias, W&W are cementing their place amongst dance music’s top acts in signature style: transcending boundaries and never looking back.

More info on R3HAB / Timmy Trumpet / W&W / Tomorrowland Music:

R3HAB: Facebook | Instagram | Twitter | Spotify
Timmy Trumpet: Facebook
 | Instagram | Twitter | Spotify
W&W: Facebook
 | Instagram | Twitter | Spotify
Tomorrowland Music: Facebook
 | Instagram | Twitter | Website
November 26, 2022 0 comments
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Music News

Canadian Producer Ashton Adams Teams Up With Ryan Respinto and Alex Price for New House Single “Action.” Out Now on Kyngdom Records

by the partae November 26, 2022
written by the partae

Artists: Ashton Adams, Ryan Respinto
Title: Action feat. Alex Price
Label: Kyngdom Records
 

Canadian artist Ashton Adams is back in full force with his new track “Action” with American DJ/Producer Ryan Respinto and vocalist Alex Price, hailing from Canada. Opening with soulful vocals layered over a groovy bassline, Adams and Respinto seamlessly build into a bouncy and house-forward drop. The elements of garage and bass give the track a unique touch that crosses genre boundaries, making it feel at home, whether on the radio or in the club. “Action” is out on Adams‘s own label Kyngdom Records; he also debuted earlier this year on Ultra Records and recently co-wrote and co-produced “Aces” for Connor Price and Idris Elba. Read on for the full story behind the track from Ashton himself, and keep an eye out for more new music from all three talented artists.

“My TikTok and Instagram this year has been doing pretty well with a few viral videos, and I have been able to build an awesome fan base and connect with house music lovers across the world, including some awesome producers. I connected with Ryan over TikTok, and we began sending ideas back and forth, and we came up with “Action.” We knew this one was special, and we took the time to really refine it to make sure that the listener is taken on a journey from beginning to end. ‘Action‘ is one of my favorite tracks that I have worked on this year. The vocals and the way the track moves is special, and I believe every dance music fan that listens to it will love it.” – Ashton Adams

As a producer, label owner, and drummer, Ashton Adams has had an illustrious career shaped by creating and collaborating on music that represents his love of underground hip-hop and house music. He has worked with many artists and brands in various capacities, including viral Tik-Tok star 347aidan, Bryan “BC” Cockett, Vito Luprano (Celine Dion‘s executive producer), Miami‘s Hit Factory where Nicki Minaj, Timbaland, Daddy Yankee, AC/DC, and more recorded at where he met 100M’s. He is also the founder and operator of the Canada-based Kyngdom Records and Kyngdom Studios, where signed artists include the popular Justin Bieber doppelganger, Brad Sousa. To add to his resume, Ashton will also be touring with renowned Canadian rock band Stereos as a drummer with Brad Sousa for their reunion tour in the summer of 2022. He gives back to the community as a high priority and partnered with The Waterloo Region District School Board to offer classes for high schoolers who are passionate about singing, rapping, music production, photography, and cosmetology. Stay tuned for more music coming from Ashton Adams in the near future.

More info on Ashton Adams / Ryan Respinto / Kyngdom Records:

Ashton Adams: Facebook | Instagram | Twitter | Spotify
Ryan Respinto: Facebook
 | Instagram | Twitter | Spotify
Kyngdom Records: Instagram
 | Website
November 26, 2022 0 comments
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Music InterviewsMusic News

Justine Blanchet

by the partae November 26, 2022
written by the partae

Where are you currently based?

I am currently based in Montreal but often travel to Nashville to continue working on my music.

How did you first start playing music?

I grew up in a musical family and learned a variety of instruments. I then went on to begin singing classical crossover at 11 years old. I moved on to singing country music when I was 15 and started to write my own songs as well.

What’s been happening recently?

A lot has been happening! I’m in the process to finishing the recording for my upcoming EP and filming more music videos.

Your latest single ‘Hard to Love’ is out now, what influenced the sound and songwriting?

This song was written by Courtney Cole, Derrick Southerland, and Kelly Archer. This song was pitched to me in a playlist of about 12 songs, but I picked it because it was very personal to me.

What does this single mean to you and how did the writing process take place?

Even though I didn’t write this song, the lyrics and meaning still hold a lot of significance for me because I went through a toxic relationship with a partner that was very emotionally unavailable.

Where and when did you record/produce/master and who did you work with?

I worked with Danick Dupelle in Nashville for this song! I recorded it back in Montreal and had the tracks sent to Danick for production and mastering.

How did you approach the recording process?

I was in Nashville when we started building the track. Because the song already had a good demo, we went ahead and used it as inspiration. The track begins with a simple acoustic guitar and synthetic drums, but we chose musicians to come into the studio and record the different instruments that we wanted on there.

Please tell us about your upcoming EP, the writing influences and what this EP means to you:

The EP is coming in the spring of 2023 and will be comprised of 5 songs all written by amazing people. I didn’t write any of the songs and that’s purely because we wanted the best of the best on the album while I keep developing my songwriting skills. This EP means a lot because it’s a three year long project and lots of money and time was poured into this creation. I hope it leads to great opportunities.

How’s the Nashville music scene at the moment?

The scene is great! There are a lot of people in Nashville but the town is small when you think about it. Everybody knows everybody and the community is tight knit and supportive of each other.

Please tell about living and recording in Nashville:

I love that the weather is so nice in the fall! I come from up north, where t-shirt weather doesn’t last very long. The neighboring cities are so pretty and there is so much scenery and history in Tennessee. There is always a concert or show somewhere in Nashville so it’s very hard to get bored in this town.

Who are you listening to at the moment?

Lots of artists – namely Lainey Wilson, Morgan Evans, Bailey Zimmerman, Elvis Presley, Olivia Newton-John, and The Lettermen. I really appreciate all kinds of genres.

What’s planned for the remainder of 2022 going into 2023?

I’m in Nashville at the moment and then I will go home for the holidays and save up some more money to come back to Nashville in 2023.

Favourite food and place to hangout?

I’m not a picky person but I love a good apple crisp especially at this time of year. I love the Elliston Place Soda Shop here in Nashville! Super cute little retro diner.


Instagram: 
@JustineBlanchetMusic                      

Facebook: @JustineBlanchetMusic                        

TikTok: 
@JustineBlanchetMusic         

Twitter: @JustineBlMusic

Spotify:
 tinyurl.com/justineblanchetspotify

YouTube: @JustineBlanchet

November 26, 2022 0 comments
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Music News

Jordan Peak Returns – Launches Peak Trax imprint with new ‘Ultrasonic’ EP

by the partae November 25, 2022
written by the partae

Jordan Peak triumphantly caps his welcome comeback with the launch of his own imprint Peak Trax and its first release, 3-tracker ‘Ultrasonic’. The DJ/producer had top line support from the off, blasting onto the scene with his powerful classic house and techno, together with a more experimental strand… before complications stemming from cystic fibrosis and a bad experience of being spiked at a gig led to battles with anxiety and depression, imposing a musical hiatus from which he emerged this summer with his ‘Less Drama, More Party’ EP which as before, garnered support from BBC Radio 1 big names.

Jordan explains his new label’s mission: ‘Each release will be 3 tracks by me, to showcase all the different sounds and genres I make and play. It will always have a house track, a techno track then a non 4/4 track (breaks, electro, jungle, maybe even something downtempo and non-clubby but more cinematic).’ The EP starts as he means to go on:

‘Ultrasonic’: no holds barred house kicks, rattling hi-hats, reverbing bass and assertive male vocal riffing rhyming couplets, inset with a suspenseful breakdown – his patterns stamp themselves on the brain then shift, creating a succession of compulsive hooks.

‘Track 07’: more hardcore dance floor fuel, with classic techno bounding bass drum and backbeat claps, spiced with heavy synth notes in staggered, urgent riffs,  with breakdowns of muffled synth building to more speed, more hypnotic engagement of feet and mind.

‘Lose Your Mind’: A beat for cheerleaders from hell, juddering synth notes, a robotic voice intoning ‘lose your mind’, going woozy and psychedelic in the breakdowns before a moog-y synth like a dystopian police siren enriches the intriguing soundscape.

Having emerged stronger than ever from a personal ordeal, newly inspired to make and share great music, Jordan Peak is ready to climb his next mountain.

Track list:

Ultrasonic

Track 07

Lose Your Mind

Connect with Jordan Peak on Spotify | Soundcloud | Instagram

November 25, 2022 0 comments
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Music News

NEW ALBUM FROM THE SMITH STREET BAND OUT TODAY + VIDEO CLIP FOR NEW SINGLE + NATIONAL AUSTRALIAN TOUR ANNOUNCE

by the partae November 25, 2022
written by the partae
Photo credit Ian Laidlaw

“It’s The Smith Street Band at their finest, with Life After Football highlighting a renewal of the group’s pub rock roots” – Forte Magazine 

Today marks the release of The Smith Street Band’s sixth album, Life After Football. The follow up to their ARIA #1 album Don’t Waste Your Anger which was also recorded by bass player “Fitzy” at the band’s solar powered studio in regional Victoria.

“It’s been a long time coming, trying to record around lockdowns and shut downs and everything else was tough but we’re so happy with what we’ve made and are very excited to show you! This album is more defiant than depressed, more upbeat than down trodden and is inspired by a search for meaning and what’s next. We’ve all lived through a once in a lifetime event, some of us have lived through multiple once in a lifetime events, and it can be hard to come to terms with what we’ve been through and what comes next. But hopefully this summer feels like summers past and this album helps with that feeling a little” said the band’s lead singer, Wil Wagner, of the new album.

Featuring the singles ‘I Don’t Wanna Do Nothing Forever’, ‘Everyone Is Lying To You For Money’, ‘Life After Football’ and ‘A Conversation With Billy Bragg About The Purpose Of Art’, the album embodies The Smith Street Band’s trademark prolific songwriting while offering some of the shortest and fastest songs the band have released to date. Life After Football was mixed by Anton Hagop (Silverchair, Powderfinger) and mastered by George Georgiadis.

The band have also shared the news that they will be touring the new album in February, March and April 2023, visiting most capital cities in the country, and kicking off the tour with The Smith Street Band’s first ever show in Albury.

The Life After Football Australian Tour will see The Smith Street Band joined by friends and previous touring buddies, Press Club who are fresh off a huge European tour in support of their latest album Endless Motion. The two bands undertook a massive 35 date Australian tour together in 2018. Tickets for the 2023 shows are on sale from Tuesday November 29.

LIFE AFTER FOOTBALL OUT
NOW ON POOL HOUSE RECORDS

LISTEN / PURCHASE HERE

LIFE AFTER FOOTBALL TRACK LIST
1. A Conversation With Billy Bragg About The Purpose Of Art
2. When I Change My Name
3. Everyone Is Lying To You For Money
4. Dilute
5. Life After Football
6. Black T-Shirt
7. A Conversation With Your Old School Friends About Negative Gearing
8. I Don’t Wanna Do Nothing Forever
9. Elvis
10. Nightmare
11. I Deserve Love

POOL HOUSE RECORDS PRESENTS 

THE SMITH STREET BAND
LIFE AFTER FOOTBALL AUSTRALIAN TOUR 

WITH SPECIAL GUESTS PRESS CLUB 

Saturday Feb 18 – SS&A Club, Albury
Friday Feb 24 – The Basement, Canberra
Saturday Feb 25 – Hindley Street Music Hall, Adelaide
Friday March 3 – Northcote Theatre, Melbourne
Saturday March 4 – The Torquay Hotel, Torquay
Friday March 10 – Uni Bar, Hobart
Saturday March 11- Civic Square, Launceston
Thursday March 23 – Miami Marketta, Gold Coast
Friday March 24 – The Tivoli, Brisbane
Saturday March 25 – Metro Theatre, Sydney
Saturday April 1 – Freo Social, Fremantle

Tickets on sale from Tuesday November 29
thesmithstreetband.com
CONNECT WITH THE SMITH STREET BAND:
Website
Facebook
Instagram
Spotify
November 25, 2022 0 comments
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Music News

Darcy Fox

by the partae November 25, 2022
written by the partae

Where are you currently based?

I’m based on Wurundjeri land.

What’s been happening recently?

It’s been a busy few months! I released my first single in a little while, “Ashamed”, last month and have been getting everything prepared to launch my album next year.

I also recorded a cheeky little Christmas song to thank my supporters for waiting so patiently for my new music.

Your latest track ‘She Loves Christmas Time’ is out now, what influenced the sound and songwriting?

The song itself was influenced by my fiance who, as you can probably guess, adores Christmas. The sound was influenced by Phoebe Bridgers and girl in red’s holiday songs, which aren’t in-your-face festive, and stay true to their indie style.

Please tell us about the LGBTQIA+ storyline and why this is important to you:

It’s important to me to share LGBTQIA+ storylines that aren’t about being queer. It shouldn’t be a novelty to hear a queer holiday song – but unfortunately it is. I hope that it provides authentic representation to our community, and maybe even inspires someone else to do the same.

How did you go about writing She Loves Christmas Time?

This song started out as a little ditty for my fiance – I never planned to release it. But I knew it could mean something to a big group of people who are looking for representation, not just us.

Where and when did you record/produce/master and who did you work with?

I had the joy of creating this song with Cory Jach – he brought my simple, stripped-back vision to life with help of James Bowers on keys. In keeping with my indie inspiration, I didn’t want high-energy jingle bells. I love the sound we landed on.

How did you approach the recording process?

To be honest, I didn’t give myself much time! I made the split decision to release this song, so Cory and I worked quickly to refine the sound. It’s the quickest song I’ve ever made!

What does this single mean to you?

It’s the first song I’m releasing about my fiance, so it’s very special to me. It probably has the most sentimental value of any of my songs!

Who are you listening to at the moment?

Kelsea Ballerini’s new album. It has such an old school Shania Twain vibe and I can’t stop spinning it!

What’s planned for 2023?

My album is dropping! But I think I’ll release a few more singles first. Watch this space.

https://www.darcyfoxmusic.com/

November 25, 2022 0 comments
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Music News

MAGGIE SLATER channels frustration and passion on new single ‘PULP’

by the partae November 25, 2022
written by the partae

 

Photo by: Tegan Beswick

Returning with her first new music for the year, Queensland indie artist Maggie Slater nails passion, frustration and catharsis on ‘Pulp’. The title itself is visceral, as is Slater’s presence on the track.

Following on from previous releases such as ‘Stability’ in 2020 and of course, her debut album In Bloom in 2019, Slater is at a new creative peak with ‘Pulp’ – the perfect entry to a whole new chapter as an artist.

“Stared at the sky ‘til it matched your eyes / The way you say my name is like a lullaby / I just wanna be the one / That you kiss goodnight…”

Written during the first lockdown of 2020 in her hometown of Kuranda, ‘Pulp’ originated during a period of upheaval for Slater. Having relocated to Melbourne to further her artistic career, she found herself back home in Queensland at the beginning of what we all know became an elongated period of time put on pause.

Inspired by the Gillian Flynn novel Gone Girl, ‘Pulp’ explores the toxicity of relationships from a young person’s perspective. Through her lens, Slater injects raw emotion into the composition, breeding an engaging and charismatic hit of indie-rock.

“‘Pulp’ explores the detrimental impact of unhealthy early relationships that many young people, particularly women, experience when they’re young. The song examines this dynamic retrospectively, making space for feminine frustration and pulling influence from female-fronted rock bands of the ‘90s and ‘00s.”
MAGGIE SLATER

For the music video, Slater brought the song to life with the help of her best friends, shooting the clip in Brunswick. Directed by Hugo Morgan and co-produced by Slater and her housemate Ella, the music video for ‘Pulp’ was inspired by real life conversations and concepts.

 

“She [Ella] really related to the song after hearing it for the first time, as she’d had a very similar experience to me in her first relationship. Then one night we were up late chatting in the living room about these shared experiences, vignettes…then things just kind of went from there.” 

“We really wanted to capture the ups and downs of these turbulent, chaotic, toxic relationships and their often very addictive and destructive nature. To capture the kind of innocence and nuance of these dynamics, that are often undiscussed.”
MAGGIE SLATER

Single Art by: Ella Parkinson and Tige Sixel-Miller

Recent years have seen Slater emerge as a strong new voice out of the East Coast indie circuit. Her debut headline tour saw Slater sell out The Brightside in Brisbane, and make significant impact at venues in Cairns, Melbourne and on the Gold Coast. She has supported artists including Kate Miller-Heidke, Didirri, Mama Kin and Greta Stanley, all the while consistently building a fan base that has followed her from release to release.

PRAISE FOR MAGGIE SLATER

“Slater’s voice is delicate but there is also an edge of melancholy that permeates the song with a sense of angst.”
AMNplify

In November, Slater will launch ‘Pulp’ with a special show in Melbourne, supported by Radio Free Alice and My Giddy Aunt.

MAGGIE SLATER ‘PULP’ LIVE SHOW

Sunday 20 November The Workers Club Melbourne
Supported by Radio Free Alice, My Giddy Aunt
Tickets

PULP is out November 16th.
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November 25, 2022 0 comments
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Music News

Sydney’s YAWDOESITALL releases anticipated debut EP, LIFE I CHOSE

by the partae November 25, 2022
written by the partae

 

Photo by: Yewande Willis

 

 

Encompassing themes of self-empowerment, overcoming and reflection, Ghanaian-Australian hip hop artist and producer Yawdoesitall delivers his long awaited debut EP, Life I Chose.

A series of observations and thoughts collated and delivered on a record that thrives with a variety of sounds, the Life I Chose EP perfectly represents a creative who has been at the fore of some remarkable and original hip hop compositions in recent years.

Since 2020, Yawdoesitall has been refining and finessing his sound out of studio spaces in Sydney, against a backdrop of social upheaval and unpredictability, as many artists were forced to do. And during this time, he was able to pose different questions to himself – questions that he found ways to navigate ways toward answering, through the music. Life I Chose reflects these processes, while ultimately dishing up Yawdoesitall’s personality with precision: an engaging and charismatic performer who wears boldness with pride.

PLAY/LISTEN

 


Featuring recent releases ‘HOLD ON’ and ‘G.Y.M.’, Life I Chose is a seven-track EP that revels in different energies. The harder edge of a song like ‘G.Y.M.’ beautifully contrasts the vibrancy of a song like ‘EHLUMENTS’. For fans of early Kanye West and contemporary-day Kendrick Lamar, there will be moments on Life I Chose that will grab immediately. And then for fans of biting lyricism in the vein of Headie One or Dave, Yawdoesitall’s flex on songs like ‘LIGHTS’ and ‘ONLY ONE HERE’ stand out as more than impressive. 

 

Clashing guitars meet gospel vocals; soulful R&B licks thread with cocky rap production – reflective of the exciting way hip hip and its adjacent lanes are currently moving, Life I Chose establishes Yawdoesitall as a striking artist to keep an eye on.

“Life I Chose documents my journey into Yawdoesitall. It’s a decision, it describes my step into creativity. In my family, I stepped out of the usual “Be a doctor, be a lawyer” and what was expected of me, instead, taking a risk. To instead pursue the arts, taking photos and making music. From the start of the EP, it goes from me feeling like I’m the only one here who wants more for myself, and feeling like I’m the only one who sees that there is more to achieve.”

“The process felt long. It feels like a timestamp on the progress of Yawdoesitall. There is one of the first songs I ever wrote on the EP and there are songs that I only wrote a few months ago!”
YAWDOESITALL

Since breaking out with music back in 2018, Yawdoesitall has proven himself as a consistent talent as a songwriter and producer. Delivering solid release after solid release leading u to 2020 – which saw collaborations with Maina Doe and Tawanda on ‘ARMADILLO’ and ‘TEST DRIVE’ respectively earn him more widespread attention – the momentum surrounding Yaw’s material grew in strength. To date he has accrued over 300,000 streams to date, continued support across Australian radio including triple j, FBi Radio, 4ZZZ, 3RRR and Radio Adelaide; Spotify and Apple Music via various editorial playlist placements; and industry praise as one of BIGSOUND’s Top 50 (2020).

This year, Yawdoesitall supported Baker Boy on a multi-date regional tour of Victoria, giving him an opportunity to tease some of the unreleased Life I Chose material live for the first time.

PRAISE FOR YAWDOESITALL

“A Ghanian-Australian artist based in Western Sydney, Yawdoesitall creates in an immersive brand of experimental, progressive hip-hop which fuses together genres as he combines gorgeous instruments to make eclectic sounds filled with bright energy, intricate production and witty lyricism.”
ROLLING STONE AUSTRALIA

“Turn it up, flash the cash and don’t be shy! Yawdoesitall’s confidence through the roof on this one…”
TRIPLE J, DECLAN BYRNE (‘G.Y.M.’, 2022)

“That build that begins around the 1:40 mark is so cinematic and powerful with Yawdoesitall’s effortless delivery guiding you all the way.”
TRIPLE J UNEARTHED, ABBY BUTLER (‘G.Y.M.’, 2022)

“Keep an eye out for new music from the young man who seems to be defining and refining his sound with each release.”
LIFE WITHOUT ANDY

The LIFE I CHOSE EP is out now.
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November 25, 2022 0 comments
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Music News

Wesley Black Collaborates With Indie-Rock Group Dear Sunday For His New Single ‘Sleepless Nights’

by the partae November 25, 2022
written by the partae

‘Better With You’ – First Play on Triple J Home & Hosed (Nov 22)

“WB bringing driving melodies and a thumping beat that’ll take you on his ride right to the stars. Obsessed with the vocal treatment, laden with pop textures and still leaving space for a few hardhitting rap verses.” 4.5 / 5 (Pip Rasmussen, Triple J)
[About ‘Better With You’]

“Wesley Black’s shown us he can rap but on this one he’s flexing a pop side to his brain that’s equally impressive!” 4.5 / 5 (Declan Byrne, Triple J)
[About ‘Better With You’]

“Wesley’s ‘ANGEL’ project from earlier in 2021 went fkn hard but he’s flipped it here with the driving production and melodic wash. I’m into hearing this versatility.” 4 / 5 (Dave Ruby Howe, Triple J)
[About ‘Better With You’]

“Better With You is a vulnerable track, and one that’ll resonate with both old and new fans alike.” – Cool Accidents

“… songs like OUTLAW! and Eleven are glimpses of his brilliance in its best form shown thus far, showing his craft as a multi-faceted emcee that can move between flavours and energies with ease.” – Pilerats

“OUTLAW! is a heavy mix of electronic and trap elements alongside high energy vocals with a music video full of powerful scenes and vivid imagery.” – MILKY

Stream ‘Sleepless Nights ft Dear Sunday’

Boorloo/Perth’s alternative hip-hop posterboy, Wesley Black, explores new melancholic indie-rock undertones in his new single ‘Sleepless Nights ft Dear Sunday’ (out November 25).

Following the success of his debut EP, Wesley Black substituted trap beats and modern hip hop instrumentals for acoustic guitar with raging success in his track ‘King Of The World’. Receiving over 90,000 streams on Spotify and finding virality across YouTube, Wesley Black’s new wave alternative hip hop spoke for itself and found its own audience.

‘Sleepless Nights ft Dear Sunday’ takes the concept of guitar work found on ‘King Of The World’, and has taken it up a notch.

Combining indie-rock electric guitars alongside his traditional trap production has brought a fresh flavour to Wesley Black’s alternative hip hop sound. Club speakers are driven from the upbeat pulsating percussion, filled with a melancholy undertone of modulated electric guitars and bass synthesisers. The bright driving production is overshadowed by melancholic and sincere lyrics about finding closure in a relationship that’s run its course.

Boorloo/Perth indie-rock outfit Dear Sunday assist in adding the melancholic indie dimension to this track, helping stitch together this unique collaboration between two worlds and building the bittersweet reminiscence that comes alongside the closure of a finished relationship.

Wesley Black provides insight into working with Dear Sunday and the message behind ‘Sleepless Nights’:

“Sleepless Nights is one of those songs that sounds a lot happier than it really is. In reality, I wrote this song at a pretty down time in my life, where all I wanted was to hear back from someone I hadn’t spoken to in ages. When the time finally came, we spoke for the entire night and I had no intentions of sleeping; unfortunately for me, that was essentially the last time we spoke, but I treasured that moment so much I wrote this full song about it; everything I loved and hated about that situation and relationship.

I was super grateful to have Dear Sunday able to lift the song and bring it together with me, I feel like they brought a new life to this track and helped me put a spin on the sadder lyrics in their indie rock ambience.”

Wesley Black has exploded in the media landscape since his debut EP in 2021, finding support from Triple J, Tone Deaf, Pilerats, Out Now Magazine, MILKY, Scenestr, Aus Music Scene, Cool Accidents and so much more.

Put your head to the pillow, but don’t sleep on Wesley Black’s new track, ‘Sleepless Nights ft Dear Sunday’ drops on all major platforms on November 25.

Follow Wesley Black

Facebook | Instagram | Youtube | Bandcamp

Spotify | Apple Music | Soundcloud | Triple J Unearthed

November 25, 2022 0 comments
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Music News

Circles Drop Their Highly Anticipated EP ‘The Stories We Are Afraid Of | Vol. 1’ ‘The Stories We Are Afraid Of | Vol. 1’ EP – Out Now

by the partae November 25, 2022
written by the partae
Stream ‘The Stories We Are Afraid Of | Vol. 1’

Australia’s progressive metal giants, Circles, shape a new era with the release of the first part of their long-awaited two-part EP – ‘The Stories We Are Afraid Of | Vol. 1’. Out Now via Wild Thing Records.

After the international success of their previous album ‘The Last One’ which landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, and #4 on TheMusic’s Album of the Year 2018, to say that their new EP has been anticipated is an understatement.

Produced during the extensive lockdowns in Melbourne, Circles‘ new EP emphasises the importance of self-reflection and self-realisation in the face of despair and hopelessness, and illustrates the first steps in finding the strength to make positive, empowering change in oneself.

Circles’ Ben Rechter discusses the themes of ‘The Stories We Are Afraid Of | Vol. 1’: “The overarching theme of Vol.1 is one of a loss of identity and purpose, and trying to recapture a sense of wonder and passion for life that was once a core part of you. Musically, we went into these writing sessions with a focus on being more direct than on previous albums, steering away from crowding songs with heaps of different riffs for the sake of having more riffs that we personally like in there.”

‘The Stories We Are Afraid Of | Vol. 1’ was mastered by Luke Cincotta (Karnivool & Dead Letter Circus) and was self-produced and mixed by Circles’ guitarist Ted Furuhashi. The addition of precisely developed synthesiser lines, integration of electronic percussion and refined samples brings another dimension to Circles’ new EP.

The progressive giants’ recent three singles have seen rotations on domestic and international radio stations, as well as curation from Spotify and Apple Music editorial playlists. ‘Sleepwalking’, ‘Dig’ and  ‘Echo’  have all been featured by The Racket on Triple J. Playlist success includes Spotify’s All New Metal, Progressive Metal, Homegrown + Heavy and Rock Out playlists in addition to Apple Music’s New Music Daily, Heaps Heavy and The New Rock. Media support from domestic and international media outlets includes Heavy Mag (AU), Hysteria Mag (AU), Kill Your Stereo (AU), Metal Hammer (UK), Sonic Perspectives (US), The Prog Report (US) and more.

Circles recently came back in full touring force with a memorable Australian tour across the East Coast and Adelaide in collaboration with Destroy All Lines & Wild Thing Presents. Their advanced touring experience has seen them at internationally acclaimed prog festivals such as Progfest (Australia), Euroblast (Germany) and Progpower (USA) as well as opening for The Dillinger Escape Plan, Periphery, Opeth, Fear Factory, TesseracT, Twelve Foot Ninja and many more globally recognised acts.

Cementing the next era for this prog-powerhouse, ‘The Stories We Are Afraid Of | Vol. 1’ is OUT NOW via Wild Thing Records on all major platforms and via CD and Vinyl via the Wild Thing Music Store.

Circles – The Stories We Are Afraid Of | Vol. 1

BUY / STREAM The Stories We Are Afraid Of | Vol. 1

AUS (and ROW): wildthingmusic.com
Europe & UK: eu.wildthingmusic.com
North America: us.wildthingmusic.com

Previous support for Circles

‘Sleepwalking’ and ‘Echo’ – First Play on Triple J (The Racket)

‘Sleepwalking’ added to Spotify’s Homegrown + Heavy, All New Metal
and Apple Music’s Heaps Heavy

‘Dig’ added to Spotify’s Rock Out and Apple Music’s The New Rock

“. . . One of Australia’s most successful international prog experts . . .”
(Maniac) [About ‘Dig’]

“Their music soars as much as it djents, the vocals and harmonies, delivered by the three members across the front of the stage, are absolutely on the money, and it is all delivered with a tightness and precision that only comes from being together for well over a decade”
(The Music) [‘Sleepwalking’ AUS Tour Live Review]

“With more sonic meat than your local butcher and a simultaneous scintillating assault and caress of the senses on full display via Sleepwalking, 2022 is shaping up to be a particularly eventful one for Melbourne’s Circles”
(Hysteria) [About ‘Sleepwalking’]

“Some things in life are worth the wait . . . and it gives me pleasure this week to grace Melbourne rock outfit Circles as our featured artist”
(HEAVY Magazine) [About ‘Sleepwalking’]

‘The Last One’ (2018) landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, #4 TheMusic’s Album Of The Year (Writers’ Poll), and reached close to 3 Million Spotify streams worldwide.

“Circles have crafted a modern progressive tapestry with plenty of wider appeal”
(Metal Hammer – UK) [About ‘The Last One’ Album]
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November 25, 2022 0 comments
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Music InterviewsMusic News

Neav

by the partae November 25, 2022
written by the partae

Where are you currently based? 

The Central Coast, NSW 

How did you first start playing music? 

Ever since I was super young, I’ve always sang and danced about making up little tunes but I think It wasn’t until my Mum took me to singing lessons that I started to properly play music. I played violin for a little while as a kid and then I moved to guitar and singing as my key instruments. I first started playing music live when I was about 11 or 12 and have done so ever since. 

What’s been happening recently?

I just released my debut EP “ELEGY” and had my launch at the Australian Institute of Music which was super fun. 

You’ve just released your debut EP ‘ELEGY’ at the ripe old age of 18, what influenced the sound and songwriting?

I was experimenting with sound and what I want the production of my songs to sound like. When I was in the process of writing “Silence Song”, I realised I was really leaning towards alternate and dark pop sounds. I think thematically, the EP stems from a place of moving on to better things, transitioning into better places and having hope in moments of self-reflection. 

How did you go about writing the EP?

I wrote a lot of it solo however I also collaborated with a range of different producers and songwriters to create the songs that you now hear on the EP. Some of the writing process consisted of me just picking up a guitar and hitting records on my voice memos, while other times I collaborated online writing and recording bit by bit. 

Where and when did you record/produce/master and who did you work with?

I recorded in a couple different places and worked with a few different people for the creation of the EP. I got to work in Forbes Street Studios with Mario Spate, Studios 301 with Jess Deskovic, The Music Cellar with Rod McCormack, and The Nest Studios with Tristan Barton. I also recorded a few vocals in my home studio and worked with David Turley online recording and writing. 

How did you approach the recording process?

I make sure my vocals are feeling good, usually I will have a tea and make sure my voice is warmed up. I’ll then work with the producer I’m working with to record takes of the song. I love layering my vocals and creating beds of harmonies for my lead vocals to sit on. As for other instruments, a lot of it is synthesised or electronic but i love recording my favourite cole clark angel 2 model guitar. If I’m recording from home, I just go through the song chronologically and methodically and make sure I have heaps of takes and layers for the producer to work with. 

You worked with a talented bunch of producers to make this EP, how did these associations come about?

I’ve won a couple awards that have given me connections such as winning the Listen Up Music Songwriting Prize that got me connected with Jess Deskovic. As for other connections, they usually happen through my label or publishers. I’ve been really lucky to work with such talented and kind people.

Did music always seem to be the path you were meant to follow?

Music has always been a prominent feature of my life, however, I didn’t really realize it could be something I could pursue as a career until a few years ago. It just makes sense to me as music was always the one thing I felt comfort in when everything else seemed difficult or too much. 

How does it feel releasing your first EP?

It feels pretty surreal just because it has felt like such a long time coming in releasing singles and music videos and creating content for it to finally be out in the world. I am just overwhelmingly happy to have it out as my first body of work and feel that it’s a really special thing to have a physical thing that acts as almost an extension of yourself to add to your portfolio of stuff you’ve created. 

Who are you listening to at the moment?

I listen to a range of different stuff and that changes all the time, but I’m loving Kimbra’s new songs at the moment, BANKS, Dora Jar, Adele and Vera Blue. 

What do you like to do away from music?

When I’m not listening to, writing or performing music, I can usually be found spending time out with my favourite people and going out having fun with friends and family, whether that’s at concerts, events, the beach or just out for food and drinks. As a writer, I also really love reading and delving into imaginary worlds that people have built in their heads as I find that super inspiring and helpful for building vocab when I’m songwriting. I am a huge movie buff and could quote quite literally any disney or early 2000’s kids film. I also love trying new things, going to new places, adventuring, getting outside in the sun -not for too long cause i’ll burn as i’m super white-, and i also love just putting my creativity to the test in whatever way i can.  

What’s planned for the remainder of 2022 going into 2023?

I am going away on two trips in December this year, Thailand with my best friend and then I’m cruising around Vanuatu with my family for christmas. In and around then, I’m finishing off my diploma in music production and sound engineering and doing little solo gigs. Nothing is set in stone for next year music wise but we are planning to organise a band show to celebrate the EP early 2023. I’m also planning to get out there much more with my band, supporting other artists and touring as much as I can. I want to push myself to collaborate with more artists as well next year. 

Favourite food and place to hangout?

I love food and trying new foods so much but my favourite has got to be sushi and japanese style cuisine. I also love curry and south aisian style food too. I love sour patch kids and weird food combos as well like salt and vinegar chips with beetroot dip. There are a few nice restaurants and bars where I live that are great to hang out with friends but the beaches where I live are amazing too so I love to hangout there as well. 

Debut EP ‘Elegy’ is out now via Double Drummer.

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November 25, 2022 0 comments
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Music News

HOLLY ALISON serves up party-ready earworm ‘DOING BETTER’ ft Ramzie

by the partae November 24, 2022
written by the partae

Photo by: Aaron Leslie

PLAY/LISTEN

Central Coast artist Holly Alison makes a welcome return with a supercharged new single ‘DOING BETTER’. The track oozing with pop-trap vibes was written after she endured a toxic relationship, it’s her most confident release to date. Ramzie features on the song thriving in his unique rap swagger.

“The song was written about a psycho ex-girlfriend who used to tell me I would never get any better than her (insert emotional damage tik tok trend haha). My best friend actually warned me away from her early on but I didn’t listen. Then all throughout the relationship I was told to get out of it but silly me just kept rolling with it. When I finally got out of the relationship, I realised how toxic it was. I also HATED that I lost myself so much in the relationship and felt like I couldn’t stick up for myself so it was my mission to chuck a Taylor Swift and write a break-up song that had a positive swing. When I wrote the song, I had also found MUCH MUCH better sooooooo she was wrong haha.”  Holly Alison

‘DOING BETTER’ with its intoxicating blend of club beats and polished pop hooks had a dream team bringing it to life. Holly once again teamed up with her friend, Australia’s newest R&B superstar producer, songwriter and singer Boy Soda on her release. 

“I started with the thought process of creating a song which allowed me to speak my mind out loud. It is something I didn’t really have the balls to do in my previous relationship so I thought why not write a song instead haha. I then messaged Brae (Boy Soda) and asked if he was keen to write with me. We wrote 2 songs together, one of them being DOING BETTER.” Holly Alison

 Completing the entire demo in Boy Soda’s home studio on the NSW Central Coast, Holly sent the track to renowned producer Liam Quinn (Peach PRC) that night. 

 

“He was super keen to jump on it so we organised a session together. Initially the song didn’t have a bridge, however, during the session we realised it would sound SOOOO SLICK with a rapper in it. So we added a bridge in! Liam suggested a few people who it would suit, and so we ended up contacting RAMZIE. RAMZIE hit back immediately and sent through an initial DRAFT. I LOVED it so we put his rap in. The rest is music history!” Holly Alison

Single Art by: Jordan Leonard

Holly Alison has been consistently ticking off personal milestones over the last year achieving over 650K streams on Spotify alone,  40k streams on YouTube and triple j airplay.

PRAISE FOR HOLLY ALISON

“This one just embraces you and is so comforting and feels so right.”

Declan Byrne, triple j

This is the kinda pop you listen to when you’re cooped up in your bedroom, dreaming of a new crush, pouring over the pages of a diary. 

Gemma Pike, triple j

‘DOING BETTER’ is out Now!

Facebook | Instagram | Youtube | Twitter | Triple J Unearthed 

November 24, 2022 0 comments
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Music News

KRUMPLE KRINK releases escapist inspired, psych-pop single ‘CONNECTED TO DISCONNECTION’

by the partae November 24, 2022
written by the partae

Photo by: Eva Burkhardt @forevaart_music

 

Blending elements of psych, indie, pop & rock, Perth based multi-instrumentalist and producer Krumple Krink has today unveiled his final release for the year, aptly titled ‘Connected To Disconnection’. Astutely recognizing the escapism sought by all humans, in many different forms, it’s set not to critique or offer comment, but merely to recognize that we all participate in games of escapism, to journey away from the mundaneness of our day-to-day lives. This point of connection sees Krumple Krink use layered sonics, uneasy sounds and vibrant, electrical instrumentation to build a world for audiences to find their own moment of escape. 

Recorded at his home studio in Perth, and produced entirely by himself, Krumple Krink worked to layer multiple tracks of instrumentation to find just the right textures and timbre for the track. After finalising production, he then teamed up with the esteemed Rob Grant of Poons Head Studios (Tame Impala, POND) who handled the mixing and mastering for ‘Connected To Disconnection’. The result, a thick and layered sonic world, that still cuts through with sharpness and brightness throughout. 

“The song is about escapism. It’s not looking to say anything about escapism, just pointing out its existence in every single person’s life. For each person, that escapism takes a different form. Sometimes that form is positive to our lives, sometimes it’s not. But we all participate in games of escapism from the mundaneness of our everyday lives. “Connected To Disconnection is meant to sound electric – like it has little shots of energy travelling in it” Krumple Krink

“Connected To Disconnection rides the line between chaos and calmness, blending extremity with serenity to give a feeling of intense bliss. This song has a lot of layered sounds, which work together to create a unique, excited yet easy-flowing texture. I recorded it at my home studio over a few days, looking for a blend of animated sounds that fight for your attention.” Krumple Krink

To accompany the sonic soundscape of ‘Connection To Disconnection’, Krumple Krink was able to work with two flow artists, Charlotte Noonan & Shelby Jewel, using fire and LED props to create a background set light show, in front of which the two performed. Desiring to absorb the viewers’ attention as much as possible, the video continues to draw upon escapism to absorb audiences and transport them to another realm. Filmed by Ward Media, with incredible lighting by Seton Douglas-Smith (Orion Audio Visual) the video features an animated laser show, which Krumple Krink will be incorporating into future live performances, alongside the track.

“The experience of shooting the music video with Ward Media was deeply inspiring and felt like a sort of escapism in and of itself. The immersive music video coupled with the song is supposed to absorb the viewer’s attention and transport them to another place, which I think serves as proof of what the song is about – escapism. I spent a large portion of the video shoot getting carried away at the prospect of the lasers and constantly asking for more lasers.” Krumple Krink

Emerging from Perth’s melting pot of indie & psych inspired artists, Krumple Krink is 22-year-old musician and producer Yannai Goldberg, Having made a name for himself in the United Kingdom as a guitarist & busker, his style of percussive guitar carried him across to Perth, Australia. With strong praise from Rag Talent & Happy Magazine for previous single ‘Fear of Death’, the guiding touch of acclaimed producer Rob Grant (Tame Impala, POND) is sure to lead Krumple Krink to the forefront of psych-experimental songwriters in Perth and eventually, across Australia.

PLAY/LISTEN

PRAISE FOR KRUMPLE KRINK

“As though he were a musical magician, KRUMPLE KRINK skilfully fuses seemingly-opposing ideas, feelings and genres into one song; creating an effortless, sonically-soothing masterpiece that pulls from a myriad of influences.”

Happy Magazine

“Krumple Krink brings on a crisp and colourful approach to psych-pop with an array of gorgeous textures. There is a sense of being a part of something bigger. It feels warm and welcoming and it’s impressive how it can do that so quickly. All this becomes addictive and infectious and really makes you want more from [this guy].”
Ragworld

‘Connected To Disconnection’ is out Wednesday, November 9th

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November 24, 2022 0 comments
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Festival NewsMusic News

THE GOOD THINGS FESTIVAL REVEAL MAPS & TIMETABLES AND THE ADDITION OF MORE ARTISTS

by the partae November 24, 2022
written by the partae

Only 8 more sleeps until Good Things Festival will be here igniting the mosh pits along the east coast of Australia.

Headlined by one of the world’s most electrifying and successful rock bands BRING ME THE HORIZON, the stacked line-up also includes Australian iconic and gold-selling larrikins TISM performing for the first time in 19 years, American heavyweights DEFTONES, pioneers of SoCal punk NOFX will perform their 1994 iconic album ‘Punk In Drublic’ in full including all your favourites as well as THE AMITY AFFLICTION, GOJIRA and ONE OK ROCK to name a few.

JXDN and 3OH!3 are no longer able to perform due to circumstances beyond our control but in fantastic news we welcome OCEAN GROVE and TEENAGE JOANS to the line up.

Aussie oddballs OCEAN GROVE freely fuse rock, metal, grunge, hip-hop & Brit-pop influences, pioneering what can only be described as Oddworld Music. The eclectic trio hailing from Melbourne recently released their third LP Up In The Air Forever in April 2022 to critical acclaim and have since been on a global assault touring their new brand of Oddworld Music. Having just returned from their debut headline tour across the UK & Europe in October 2022 and off the back of their biggest headline shows in Australia to date, OCEAN GROVE are set to make 2023 a career-defining year with the promise of a lot more new music around the corner…

After taking out the triple j unearthed high crown in 2020, TEENAGE JOANS, the Adelaide two-piece have not slowed down, taking out #87 in the 2021 H100, releasing single ‘Something About Being Sixteen’ and playing two sold out co-headline shows with TOWNS in Brisbane and Melbourne. They have shared the stage with Violent Soho, Ruby Fields, The Hard Aches, Clowns, The Chats, Bugs, Amy Shark and Sly Withers and performed at Summer Sounds, Mountain Goat Valley Crawl, Yours & Owls, Laneway Festival 2019 as part of the Girls Rock! Showcase and were a highlight performance at A Day Of Clarity and Stonecutters Festival’s.

We recently welcomed these additional artists..

YOU AM I are one of the most successful and internationally admired Australian bands. Centered around the prolific songwriting skills of singer/guitarist Tim Rogers, their breakthrough came at the inaugural Lollapalooza-style Big Day Out concert in January 1993. With three number one albums, a handful of ARIA awards and 11 albums under their belts, YOU AM I cement themselves as one of Australia’s most esteemed bands.

For a lot of bands, chaos & insanity are used as colourfully descriptive words for their character; for Japan’s PALEDUSK, they’re somewhat of an understatement. The electronic-metalcore powerhouse leaves absolutely nothing behind as they carve a path that is truly one of a kind. Word has spread like wildfire about these young kids from the Japanese island of Kyushu and it doesn’t seem to be slowing down. See them before they become the next global sensation that everyone is talking about.

From their immersive sonic aesthetics to their high-octane live shows, there’s nobody quite like Melbourne cinema-core masterminds THE GLOOM IN THE CORNER. Recently adding to The Gloom Cinematic Universe with their blistering sophomore album Trinity, THE GLOOM IN THE CORNER are primed to whisk your breath away onstage with their sharp storytelling, unwavering melodics and nuanced, explosive heaviness. Prepare for a sonic spectacle for the ages this December.

Deathcore flag bearers TO THE GRAVE have been focussed on dominance since their inception and show no signs of slowing down. After their 2019 record Global Warning elevated them to global awareness, they have been set on a warpath across the world to bulldoze audiences with a visceral live experience and a confronting message that demands your attention. They’ll be appearing at the Melbourne and Brisbane events only.

THOSE WHO DREAM, an exciting Australian alternative rock duo are a multifaceted creative project of siblings Josh and Cooper Meyer. Their captivating energy and revealing lyrics has not only earned them the acclaim of NME, Pop Buzz, Rock Sound and Alternative Press; but more importantly, a cult-like following around the world.

Start planning your day as the maps and timetables are here!

FRIDAY 2 DECEMBER – FLEMINGTON RACECOURSE, MELBOURNE
SATURDAY 3 DECEMBER – CENTENNIAL PARK, SYDNEY
SUNDAY 4 DECEMBER – BRISBANE SHOWGROUNDS, BRISBANE 

GOOD THINGS FESTIVAL LINE UP:

Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira
ONE OK ROCK | Sabaton | Polaris | Millencolin

In Alphabetical Order:

Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Jinjer | Kisschasy (Performing ‘United Paper People’ In Full) | Lacuna Coil
Nova Twins | Ocean Grove | Paledusk | RedHook | Regurgitator | Sleeping With Sirens
Soulfly | Teenage Joans | The Gloom In The Corner | The Story So Far | Thornhill
THOSE WHO DREAM | To The Grave* | YOU AM I

*To The Grave not appearing in Sydney

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Tickets on sale now at www.goodthingsfestival.com.au

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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