Dropkick Murphys announce new album “This Machine Still Kills Fascists” out September 30 on Dummy Luck Music

Woody Guthrie wrote songs from the heart and for the common person. He made a point of showing up when it counted most, often performing at fundraisers, benefits, and rallies to champion working class causes and condemn greed, war, and unchecked capitalism – all with his guitar in hand.

This is exactly where Woody Guthrie and Dropkick Murphys intersect. Dropkick Murphys’ entire ethos of family, community, service, and action depends upon honest reporting in their music. Like Woody, showing up in real life is what makes their songs so impactful. They just are who they say they are. Whether it’s standing up to Nazi thugs or standing with working men and women on a picket line, showing up is what holds the center in DKM’s world.

As Woody once said: “A folk song is what’s wrong and how to fix it, or it could be who’s hungry and where their mouth is, or who’s out of work and where the job is, or who’s broke and where the money is, or who’s carrying a gun and where the peace is.” In both song and deed, Dropkick Murphys have always held true to this same view.

That’s no coincidence, explains Dropkick Murphys founder Ken Casey: “Woody Guthrie, he’s the original punk. He went against the grain, he fought the good fight, he spoke up and sang about his beliefs. I’m motivated by reading what he wrote and am inspired by his courage. One man and a guitar – it’s powerful stuff.”

The album title itself pays homage to the powerful message Woody Guthrie began painting on his guitars in the early 1940s, in the midst of World War II: “THIS MACHINE KILLS FASCISTS.” A man and a credo laid bare – on the face of his guitar.

This Machine Still Kills Fascists isn’t an acoustic folk departure for Dropkick Murphys – it’s a continuation of their journey with Woody Guthrie, which began nearly two decades ago when DKM covered Woody’s ‘Gonna Be A Blackout Tonight‘ on their 2003 album Blackout. The journey reached new heights a few years later when DKM founder Ken Casey discovered a few scribbled lines about Boston in the WG archive. The band painted Woody’s lyrics about their hometown into a vicious punk missive called ‘I’m Shipping Up To Boston,’ and put the song on their 2005 album The Warrior’s Code.

Dropkick Murphys and their longtime producer Ted Hutt aptly recorded This Machine Still Kills Fascists at The Church Studio in Tulsa (just a few minutes from Woody’s birthplace, and the modern-day Woody Guthrie Center). The historic studio was founded by Leon Russell and was the original location of legendary Shelter Records. During the album sessions, Dropkick Murphys made a point to visit Woody’s hometown of Okemah and walk the same streets Woody walked. Retreating to Woody’s home state of Oklahoma to record the album had a powerful effect on the band and the creative process behind these songs. Ultimately, Dropkick Murphys had so much material based on Woody’s poignant lyrics that they recorded two albums, with Vol. 2 scheduled for release in 2023.

“We wanted to get into small town America…Tulsa, into Woody’s roots and not be doing it in New York City or Boston,” said Casey.

The first single and video, ‘Two 6’s Upside Down,’ is a forlorn gambler’s lament, awash in love and loss, murder and punishment. Ken Casey said, “We all love how ‘Two 6’s…’ came out. We’ve actually been playing it live on tour in Europe and the crowds have been super enthusiastic about it. Plus we really love to play it live.”

Other standouts on the album include ‘Dig A Hole‘ – which features Dropkick Murphys’ full band performance wrapped around Woody’s rare Smithsonian Folkways recording, with DKM lead singer Ken Casey essentially dueting with Woody, with a special appearance by Woody’s grandson, Cole Quest, on Dobro guitar and backing vocals; ‘Never Git Drunk No More,’ featuring a duet between Casey and alt country artist Nikki Lane; ‘The Last One,’ with guest vocals from country roots group Turnpike Troubadours’ Evan Felker, who hails from Woody’s hometown of Okemah, and Cole Quest on Dobro; and ‘Ten Times More,’ which was written, arranged and recorded on the spot and features a guest appearance by Dom Flemons, founding member of Carolina Chocolate Drops, on harp; he also appears on ‘The Last One‘ and ‘All You Fonies.’