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Interview: Hydraulix on Deadbeats, Australian Bass Music and Building His Own World

August 29, 2026

Cali Rd Release New Single ‘Hold On’

August 28, 2026

Erykah Badu and The Alchemist Share New Album ‘Before the World Blows’

August 28, 2026

Bullion Shares New Single ‘Applegene’ Ahead of Upcoming Album ‘Nearly’

August 28, 2026

Interview: Djawarray Culture, Community and Sounds Like Community Radio

August 28, 2026

Ninajirachi and Madeon Rework ‘iPod Touch’ in First Official Remix From Madeon...

August 28, 2026

Flare Street Unveils New Natural Fibre Collection

August 27, 2026

Strummingbird Announces Tyler Childers, Sam Barber and James Johnston for 2026

August 27, 2026

Large Mirage Unleash ‘Wildfire’ and Announce 2026/27 Single Tour

August 27, 2026

Like Roses Announce Debut Album After It Ends

August 27, 2026
Monthly Archives

July 2026

Music News

JVLY Unveils New Single ‘END OF THE SKY’

by the partae July 2, 2026
written by the partae

Australian artist and producer JVLY continues to expand the world of his acclaimed SUNDER project this week, with the release of new single ‘END OF THE SKY’, the final preview of his forthcoming SUNDERLUXE EP.

SUNDERLUXE serves as the definitive deluxe edition of 2025’s SUNDER EP, reimagining the project through a carefully curated collection of remixes, alternate versions, and one previously unheard track. That track is ‘END OF THE SKY’ – a song that has quietly existed alongside the SUNDER sessions until now.

Blending JVLY’s signature warmth, introspection and atmospheric production, ‘END OF THE SKY’ arrives as a fitting final chapter to the story that began with SUNDER. While the original EP explored cycles of uncertainty, reflection and personal growth, this new offering feels like a moment of resolution.

“I started writing END OF THE SKY during the making of SUNDER, but I could never quite finish it or figure out where it belonged. Now I think that’s because it was never really part of the story itself. It feels more like an epilogue to it. The whole record looks at being caught in these cyclical patterns, searching for clarity, and this one feels like the peace of not needing to. It’s the closing credits to SUNDER.” ~ JVLY

The release follows a series of standout remixes that have steadily built anticipation for SUNDERLUXE, featuring contributions from an international roster of producers including Contrecoeur  (France), Lemonade Baby  (Brisbane), Mel Blue (Sydney), and dj poolboi (USA/UK).

With ‘END OF THE SKY’, JVLY offers listeners one final glimpse into the emotional landscape of SUNDER before drawing the curtain on the project. Equal parts reflective and cathartic, the track stands as both a farewell and a new beginning.

Credits:

Written & Produced by Kayle Butler

Mixing by Doug Wright

Mastering by Ryan Schwarbe

Stream:

https://bfan.link/end-of-the-sky

JVLY:

https://linktr.ee/jvly

July 2, 2026 0 comments
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Music News

Arky Waters – Holdin’ On (LP) ~ out now ~

by the partae July 2, 2026
written by the partae

Rising Australian producer/DJ Arky Waters is thrilled to announce the release of his highly anticipated debut album, Holdin’ On. A masterful culmination of sonic exploration, the album serves as both a personal journal and a collective celebration of the Sydney club scene, marking Arky’s definitive venture into the world of bass music. The full-length record follows a string of widely acclaimed lead-singles that set the stage for the album’s expansive soundscape, including the title track Holdin’ On (feat. MAMI), Ay Papi, and early 2026 club favourites UGETME?, OMG, Molly, Run It Up, and Just.

Holdin’ On represents a big evolutionary leap for the artist, who traded solitary bedroom production for the chaotic, beautiful energy of the dancefloor. Rooted deeply in joy, intensity, and late-night raves, the record bridges the gap between raw emotion and intricate sound design.

“Holdin’ On is a reflection of my education in electronic music over the past couple of years. In a lot of ways, it feels like a journal entry, a snapshot of what was around me at the time. This album feels like the clearest expression of my vocabulary in electronic music so far. It’s been a beautiful way to create, all of it is rooted in joy, euphoria, and intensity. This is also my first real venture into bass music, which was what got me into electronic music in the first place. It completely changed the way I think about music technology. I’ve always approached music as something more tangible, but bass music feels different, you start shaping frequencies and soundwaves themselves. I hope people hear this album as a snapshot of my POV. Life in Sydney city through my lens.” ~ Arky Waters

Leading the charge alongside the album’s release is the focus track Take a Trip, a dynamic collaboration with seasoned club-scene newcomer LX. What started as a casual studio session quickly spun into a boundary-pushing, experimental dancefloor anthem, blending nostalgic electronic textures with forward-thinking bass arrangements.

“LX and I got into the studio together a while back. He laid out these beautiful chords that were reminiscent of Deadmau5. I absolutely loved it. The bones for the song literally came together within the hour of that session. We had been listening to a lot of DNB at the time so we wanted to make something for the dancefloor, but it ended up being a bit more experimental. Since we’ve known each other for a while, I think we were comfortable to push the boundaries a bit more and see what could happen.” ~ Arky Waters

Initially approaching music through a traditional, tangible lens, Arky Waters’ recent evolution has seen him dive headfirst into the mechanics of bass music, making him one of the most exciting, forward-thinking producers to watch in the Australian electronic circuit. By shifting from solitary creation to a deeply collaborative, community-driven philosophy, this album stands as a testament to the power of Sydney’s underground nightlife.

Holdin’ On is available now on all major streaming platforms via Mammal Sounds Records.

.

Album Launch Party:
July 18th – Unholy Playhouse, Sydney (tickets)

Credits:

Written & Produced by Arky Waters

Mixed by Doug Wright

Mastered by Suture Mastering

Artwork, Photos & Visuals by Arky Waters

Stream:
https://bfan.link/arky-waters-holdin-on-lp

Socials:

https://linktr.ee/arkywaters

July 2, 2026 0 comments
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Music InterviewsMusic News

Sasha Summers: Inside the Dark Beauty of Belladonna (This Is How You Die)

by the partae July 1, 2026
written by the partae

When you were writing Belladonna (This Is How You Die), was there a moment where you realised the song had become something much bigger or darker than you originally intended?

Yes… Initially I was a bit scared of the song. I felt like it was too big for me. It felt like we’d created this beast. I was still working myself out as an artist at the time—not that I’m not still figuring that out—but I was very new to making music and I genuinely thought, shit, this is too big. The drums kicking in with that guitar riff were terrifying! It’s not remotely subtle in the least, and that’s scary!

Low-key now, fast forward to the present day, it’s the song I absolutely can’t wait to unleash live. I love that we went there with the sound and that I did it so early on in my career as well. I feel like Lady Gaga would totally approve though, I think, and that is enough for me!

The title feels both beautiful and unsettling. What made you decide to lean into that contrast rather than play it safe?

This is something I say a lot, but honestly it’s just intuition and wherever the muse chooses to take me at the time I’m writing. I’m a vessel and whatever comes through, that’s what I do. I sometimes have an idea, or sonically something can come to mind, and I can write four other songs on top of the same production and I’ll hate all of them. Then, at the end of the day, something will come over me and it’ll all go down the way it’s meant to, and that’s what I’ll record.

With this song, it actually did occur to me that it was unsettling, and I found that exciting.

Was there a particular scene, memory, or person that stayed in your mind throughout the writing process, even if it never made it directly into the lyrics?

Oh okay, straight to the tea! I mean… yes.

This first chapter of my story as an artist really follows an old relationship. Every song, in one way or another, is about that same story. It’s a very star-crossed, huge-heartbreak, to-the-death story that I’ll probably never truly quite get over.

I think the Whiteheart line is probably a good one to point out as something specific. There’s a bar in the city that I’d always venture to with the same person. We’d start our nights there and then end up at 100 different other places. I’ve not been back there since, to be honest. I’ve been in the vicinity of it, but I’ve never gone back. Same with the other bars from that time.

Usually though, I will say that if I am dying to say something in the lyrics that is true to the story, I will move heaven and earth to get it in there. So you’ll generally know from the lyrics—I don’t shy away from it.

What part of this song do you think listeners are most likely to misunderstand on a first listen?

You know, I generally leave it up to the listener to take what they want to take from each of my songs and have it mean something to them in their own way. I try not to correct or influence them on the lyrics.

I suppose something that can be misunderstood from my personal perspective is the intention behind the lyric, “this is how you die.” I’m not, in the literal sense, saying someone is going to “die.” It is a metaphor. Death is something I talk about a lot in my songs, and sometimes it is a double entendre or a metaphor for something else.

Every release teaches an artist something. What did Belladonna (This Is How You Die) teach you about yourself as a songwriter?

To be bold, to be brave, to be myself and to speak up. Belladonna taught me I should say it with my whole chest and stand on it, consequences be damned.

I tend to internalise my emotions a lot. For someone who talks as much as I do, I don’t really get into my emotions. That’s what all my songs give me—they give me the cathartic space to be honest and the solace that comes with that.

If you could sit in a room and watch people react to one line from the song for the first time, which line would you choose and why?

Depends on the people in the room at the time…

Some people might hear the lines in the second verse about Whiteheart and think, oh, she didn’t… And that would honestly be a lot of fun for me. I’m not even going to lie.

The most memorable songs often come from taking creative risks. What was the biggest risk you took with this release?

This whole release and concept was a risk. I was very truthful and specific with the subject matter, for one.

But also, Belladonna needed to be its own thing. It’s not a conventional pop song. I lean into some pretty dark themes and dramatic imagery. My influences come from everywhere—grunge, rock, pop, film, fashion and pop culture—and Belladonna embraces all of that in one song rather than just choosing one lane.

I guess it would’ve been easier to release something “safer,” but this is who I am as an artist and I’m inviting people into my world. I didn’t dilute it to fit expectations, and I truly believe the right audience will connect with it.

How do you know when a song is emotionally honest enough to share with the world rather than just keep for yourself?

You know, that is a good question.

I always forget that I’m releasing these things into the world, so I always get this wave of anxiety before releasing, like I’m letting people into my diary or something.

But then I think, well, if I’m feeling like this, then maybe that’s something other people can see in themselves too. My experience might be personal, but the emotion is universal. I think once you have a song that can stand on its own and also invite other people into the feeling, it should be shared.

If someone discovers your music through Belladonna (This Is How You Die), what do you hope they understand about Sasha Summers before the song ends?

That I’m not really interested in following a formula and that my music is about creating a world, not just releasing songs.

That I am an artist who loves to embrace contrasts. Belladonna lives in this space of darkness and glamour, vulnerability and strength, and also grit and beauty.

So if someone finishes Belladonna and they want to step further into my world, then I’ve done my job.

What excites you most about where your music is heading right now that fans haven’t seen yet?

Sorry, firstly… “fans”? Me?! My 15-year-old self would sob hearing that, let me tell you.

I will say that I am very excited for fans to realise that these songs aren’t just isolated moments in time. With every release, people will begin to put together little connections between the songs, stories and themes.

Right now, they’re just getting to know me and seeing the beginning of the picture. I’m just so excited to invite them deeper into my world.

 

INSTAGRAM

July 1, 2026 0 comments
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Music News

OH! Daisy Leaves Nothing Unsaid on New Single + Video ‘Just Say’

by the partae July 1, 2026
written by the partae

Leaving no secret untold, OH! Daisy return with their explosive new single and video, ‘Just Say’, out now!

Bursting with the band’s signature punk-infused feminine energy, Just Say is packed with sass, tension, and just the right amount of chaos. It follows a huge 2025 for OH! Daisy, which saw the release of their debut EP, It’s Okay I’m Ugly Too, featuring fan favourites Guillotine, Adrenaline, and Gasleak, while also sharing stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, and Cry Club.

Originally written as an intimate, diary-style confession, Just Say has evolved into an anthem for anyone on the verge of a complete emotional crash-out. The track captures the unhinged, unsettling feeling of having to beg for the love, respect, and reassurance you deserve.

Co-written by vocalist Bambi O’Kelly and drummer Nick Dordevic, every piece of the song fell seamlessly into place, with production from Jonathon Tooke, mixing by Jarred Nettle, and mastering by David Walker.

“I hope for anyone who relates, that you’re not there anymore. That you’re listening to it past that feeling. If you’re there, I hope this makes you feel seen. You shouldn’t need to beg someone for more for the rest of your life.” – Bambi O’Kelly

 

Directed by the band’s own Emma Friday (Yelo and OH! Daisy bassist), the accompanying video walks the line between quiet restraint and emotional collapse, juxtaposing delicate, intimate moments with raw, unsettling imagery. The result is an Australian gothic-inspired visual spectacle infused with the band’s unmistakable punk attitude.

“In OH! Daisy we’ve always had a quasi-psychic connection where we see the vision of our projects very clearly, so I had a crystal-clear picture in my head of what we were making. We are so proud of it!” — Emma Friday (Yelo), OH! Daisy bassist and Director at Staircase Creative.

Fronted by the magnetic Bambi O’Kelly, OH! Daisy have built a reputation for delivering bass-heavy anthems charged with emotional extremes and cinematic flair. From heartbreak soundtracks to coming-of-age meltdowns, their music transforms life’s messiest moments into cathartic, unforgettable punk songs.

The band have shared stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, Cry Club, Aleksiah, and Chasing Ghosts, leaving behind sweaty, smiling crowds wherever they perform. Their music has also found a home across Australian airwaves, earning support from triple j, triple j Unearthed, and community radio stations nationwide.

With smudged-eyeliner swagger, infectious hooks, and a healthy dose of beautifully controlled chaos, OH! Daisy continue carving out a theatrical lane that’s entirely their own.

Get ready to turn this one all the way up as OH! Daisy launch into their next creative chapter.

Follow OH! Daisy
Tiktok: @ohdaisymusic
Instagram: @ohdaisymusic
Facebook: ohdaisymusic
Spotify
Apple Music

July 1, 2026 0 comments
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Festival NewsMusic News

Santan Dave Returns to Australia with a Standout Sydney Performance

by the partae July 1, 2026
written by the partae

Santan Dave has officially shut down Sydney. Bringing his highly anticipated tour in support of his third studio album, The Boy Who Played Harp, to Qudos Bank Arena, the South London rapper delivered an unforgettable night that brought a taste of the UK rap scene to Australian shores. Greeted by a thunderous reception from a sea of devoted fans, both longtime supporters and newcomers alike, Dave matched the crowd’s energy bar for bar from the moment he stepped on stage.

It had been nearly eight years since Dave last performed in Sydney, when he played the far more intimate Oxford Art Factory. The anticipation surrounding his return was immense, and he exceeded every expectation. Already regarded as one of UK rap’s defining voices, Dave proved he is far more than just an exceptional lyricist. Throughout the night, he showcased his musical versatility, seamlessly moving between instruments as he performed. One standout moment saw him deliver one of his more introspective tracks while effortlessly playing the piano, before later switching to guitar for a soaring solo that sent shivers throughout the entire arena. It was a side of Dave that many fans had never witnessed live and one that elevated the performance beyond a traditional rap concert.

The production throughout the evening was equally impressive, with clever visuals adding another layer to the experience. While his collaborators weren’t physically present, on-screen appearances from Stormzy and Central Cee made performances of “Clash” and “UK Rap”, respectively, feel even more immersive, their larger-than-life projections towering over the stage. “Location” served as another crowd favourite, accompanied by visuals of Burna Boy, whose own recent Sydney performances back in October made the moment feel especially relevant. The emotional peak of the evening, however, came during “Raindance.” Featuring striking visuals of Tems, the performance brought a sense of intimacy and emotional weight to one of the most viral tracks from recent years, creating one of the night’s most memorable moments.

Despite the arena-sized production, an outstanding live band that blended gospel-inspired ambience with the raw power of rock and rap, and Dave’s commanding stage presence, it was his connection with the audience that defined the night. Every interaction felt genuine. The crowd hung on every word, and Dave returned that enthusiasm with heartfelt gratitude, making it clear he wasn’t simply performing another stop on a world tour – he genuinely wanted to give Sydney everything he had after travelling halfway across the globe.

If this performance proved anything, it’s that the eight-year wait was well worth it. Hopefully, the next one won’t take nearly as long. Judging by the reception inside Qudos Bank Arena, Sydney is more than ready to welcome Santan Dave back with open arms.

Words: Ken Magno

Sydney Photography: Yuvraj Sood

Melbourne Photo Credit: Cameron Marwick

Brisbane Photo Credit: Keely Baker

July 1, 2026 0 comments
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Music News

The Hospital Shares Heartbreaking New Single ‘Shampoo’ Ahead of Upcoming EP Without You Is Hard

by the partae July 1, 2026
written by the partae

Australian-born, London-based artist The Hospital returns with his poignant new single, ‘Shampoo’, the third release from his forthcoming EP, Without You Is Hard, due for release in August 2026.

‘Shampoo’ explores a feeling many people experience but rarely put into words—the quiet realization that a relationship has already ended emotionally, long before it officially does. It’s not about one defining moment or dramatic event, but the subtle understanding that something essential has faded. You look at the person you love and somehow know that one day they’ll be with someone else. And so will you.

The song follows that emotional journey beyond the breakup, into the unexpected moments of moving on. It captures the strange familiarity of new love, when something as small and ordinary as the scent of the same shampoo suddenly transports you back to someone you thought you’d left behind.

The Hospital is more than just a musical project—it’s a creative space built around the idea of making people feel understood. A place to go when you need to feel better.

Growing up surrounded by poetry, film, photography and music, The Hospital spent his formative years between Australia, New York City and Los Angeles before eventually finding his creative home in London’s Soho. Now based in the heart of the city’s cultural district, he writes, records and edits every aspect of his music and visuals, drawing inspiration from the area’s rich artistic history and creative community.

Using Soho as both backdrop and muse, The Hospital shines a light on local artists, businesses and characters through his music videos, photography and events, creating a distinctive visual world that extends beyond the songs themselves.

‘Shampoo’ continues the momentum built by previous singles ‘Decomposing’ and ‘Remember Us In Summer’, both of which received warm critical acclaim earlier this year.

Together, the songs form part of Without You Is Hard, an EP centred on the people who shape our lives. At its core, the record reminds us that life would be unbearably difficult without the connections we make. Some people stay forever, while others are only meant for a chapter—but every one of them leaves their mark.

With a steady stream of releases planned throughout 2026, The Hospital is establishing himself as one of the most emotionally honest new voices to watch.

‘Shampoo’ is available now on all major streaming platforms

INSTAGRAM

 

July 1, 2026 0 comments
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